REVIEW: TEEN TITANS GO! – SEASON 1-4

MAIN CAST (VOICES)

Scott Menville (Full House)
Hynden Walch (Justice League War)
Khary Payton (The Walking Dead)
Tara Strong (Batman: The Killing Joke)
Greg Cipes (Anger Management)

RECURRING / NOTABLE GUEST CAST

Kevin Michael Richardson (The Cleveland Show)
Lauren Tom (Bad Santa)
Ashley Johnson (Avengers Assemble)
Freddy Rodriguez (Planet Terror)
Wil Wheaton (Powers)
John DiMaggio (Futurama)
Will Friedle (Batman Beyond)
Weird Al Yankovic (Halloween II)

“Haters going Hate”(Starfire). The line said by Starfire in the episode Dog Hand, which sets up the general feeling amongst the viewers who have declared this show an abomination, due to not following the original’s compelling story and characters we cared about. Like many, I loved the original Teen Titans, which pretty much was up there with series like Static Shock, Batman Beyond, Justice League, and Batman TAS. The original Teen Titans will forever be a part of our childhood, and we as fans will go out in all lengths to defend the honor of the show, but many are missing the point to Teen Titans Go. In doing so, they are missing what seems to be a promising comedic spin on our Titans.Let’s start by stating that this revival of Teen Titans was never meant to follow or be like the original series. Those who thought otherwise did not read up enough on the show’s premise and details. Teen Titans Go takes our Titans and puts them in a skit. Teen Titans Go is a comedic take on the daily lives of our heroes, and has taken a break from all the serious action and storytelling that we all loved in the original. The mistake that fans do is that they take the show too serious and continue to compare it to the original, thus eliminating any chance for the show to strive. Once the public separates the original from the new, then the show’s genius will take off.
Now, you’re probably saying that there is nothing special or great about the show. It’s not funny or the animation is too grade school. That is all fair, perhaps the show is not your cup of tea, but here are some reasons why the show does excel. First reason; believe it or not, this show does a great job by paying tribute to its old counterpart. The episode Pie Bros highlights a familiar villain known as Mother Mae eye, which the old lady uses her customers as the secret ingredient to her delicious pies. Many Teen Titans Go episodes highlight concepts and villains that were present in the original, and put them into a comedic light. Raven’s daddy coming to visit, Jynx hanging out with Raven and Starfire or Speedy challenging Robin for Starfire’s love are but many episodes in which there are hints of our beloved series, but you have to have an open mind to see the hints to the original.
The argument of it being way too kiddy can be true at times, but many miss the wit that the show presents in subtle moments. The episode La Larva de Amor pokes fun at milk mustaches. At one point we have Cyborg look like Mr. T. Raven sports the Gandalf look from the LOR, and Beast boy does his Chewbacca impression. In the episode Tower Power, Cyborg references to VHS, Different Strokes, and The Pointer Sisters. Not to mention that stereotype on Mexicans in the episode La Larva de Armor. These jokes and pokes would fly over a child’s head. Teen Titans go has a little fun for all ages.Lastly, the characters on this show make it all worthwhile. The original voice cast is here and that authenticates the shows respect for the original. Robin is portrayed as being a control freak and has moments of rage and insecurities, sounds familiar. Raven is still emo and has her sarcastic wit that feels like Raven of old. Cyborg and Beast boy are still pals, and they have their fun. Starfire is still innocent at times and loves her Silky. You see, the Titans are still there, but they have transformed into Toon versions, and are put into a new world where doing laundry can be a great evil foe.Everyone has their tastes and by no means is this show perfect. However, the mistake is that going into a premiere with the expectations of a show being just like the original will set you up for disappointment. It’s happen to a lot of revivals that are good, but are ripped because it’s not the original. Teen Titans Go takes a step back from the original and focuses on lighter and wittier moments that make this show hilarious at times. The original will forever be superior, but this new take has its brilliance, you just need to let go for a moment and let the show take its course. Defiantly the show is worth a look or two.

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REVIEW: THE LEGO BATMAN MOVIE

CAST

Will Arnett (Teenage Mutant Ninja Turtles)
Zach Galifanakis (The Hangover)
Michael Cera (Juno)
Rosario Dawson (Sin City)
Ralph Fiennes (Harry Potter)
Jenny Slate (The Lorax)
Hector Elizondo (The Princess Diaries)
Billy Dee Williams (BAtman)
Mariah Carey (Glitter)
Eddie Izzard (Hannibal)
Seth Green (Family Guy)
Jemaine Clement (Men In Black 3)
Ellie Kemper (21 Jump Street)
Jason Mantzoukas (Bad Neigbours)
Doug Benson (Super High Me)
Zoe Kravitz (Divergent)
Kate Micucci (The Big Bang Theory)
Riki Lindhome (Much Ado About Nothing)
Channing Tatum (Dear John)
Jonah Hill (Cyrus)
Laura Kightlinger (Lucky Louie)
Ralph Garman (Ted)
Chris Hardwick (Terminator 3)

Three years after saving the Lego Universe with Emmet and Wyldstyle, Batman continues fighting crime in Gotham City. During a mission to prevent The Joker from destroying the city, Batman hurts his arch-rival’s feelings by telling him he is not as important in his life as he thinks he is, leading to the Joker to desire seeking the ultimate revenge on him.
The following day, Batman attends the city’s winter gala as his alter ego, Bruce Wayne, to celebrate the retirement of Commissioner Gordon and the ascension of his daughter Barbara as Gotham’s new police commissioner, but is infuriated when she announces her plans to restructure the city’s police to function without the need of Batman. The Joker crashes the party with the rest of Gotham City’s villains, but has all of them surrender to the police. Despite realizing that this makes him no longer relevant to the city’s safety, Batman suspects his arch-rival is up to something and decides to stop him by banishing him into the Phantom Zone, a prison for some of the most dangerous villains in the Lego Universe.
Before he can make plans to acquire the Phantom Zone Projector that Superman uses, Alfred intervenes and advises him to take charge of Dick Grayson, whom Bruce had unwittingly adopted as his ward during the gala to which he eventually agrees and fosters Dick as Robin. The pair manage to recover the Projector from the Fortress of Solitude, before breaking into Arkham Asylum and using it on the Joker. Annoyed at his reckless actions and suspecting that the Joker wanted this to happen, Barbara locks up Batman and Robin. While the Projector is being seized as evidence, Harley Quinn steals it back and uses it to free the Joker, who unleashes the villains trapped within the Phantom Zone to cause havoc upon Gotham, including Lord Voldemort, King Kong, Sauron, the Wicked Witch of the West, Medusa, Agent Smith and his clones, the Daleks, and the Kraken.
Realizing that the city does still need him, Barbara releases Batman and Robin and reluctantly teams up with them as “Batgirl” to stop the Joker, with the team joined by Alfred. Batman soon finds himself able to trust and rely on the others, allowing them to defeat Sauron, but upon reaching Wayne Island, he ditches the team out of fear of losing them like his parents, before confronting Joker alone. Upon seeing that the Batman will never change, Joker zaps him to the Phantom Zone, before stealing the Batcave’s stash of confiscated bombs and heading for the city’s Energy Facility. Arriving in the Phantom Zone, Batman witnesses the harm he has caused to everyone because of his selfishness and slowly accepts his greatest fear when Robin, Barbara and Alfred decide to come to his aid. Making a deal with the Phantom Zone’s gatekeeper, Phyllis, to bring back all the villains in exchange for returning to Gotham City, Batman arrives to save the trio and admits to them his mistakes, requesting their help to save the day.
Seeking to stop Joker from setting off the bombs beneath the Energy Facility, thus causing the plates beneath Gotham to come apart and send the city into the infinite abyss, Batman and his allies team up with the city’s regular list of villains, after they had felt neglected by Joker, with the group successfully sending back the escaped villains to the Phantom Zone. However, Batman fails to reach the bombs in time, the detonation causing the city to split apart. Realizing how to stop the city from being destroyed, Batman reluctantly convinces Joker that he is the reason for being the hero he is, and working together alongside Batman’s friends, the villains, and the city’s inhabitants, chain link themselves together, reconnecting the city’s plates and saving Gotham City.
With the city saved, Batman prepares to be taken back into the Phantom Zone to fulfill his bargain with Phyllis, only to be rejected by the gatekeeper who chooses to let him remain after she saw how much he had changed in order to save everyone. Batman allows the Joker and the rest of his rogues gallery to escape with the confidence that whenever they return, then they’ll be no match for the combined team of himself, Robin, Batgirl, and Alfred.Overall, this is a very enjoyable movie with a gripping story, fantastic animation that tops its predecessor and clever humor. I definitely recommend giving this a watch if you’re a fan of The Lego Movie.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: SUPER FRIENDS: THE LEGENDARY SUPER POWERS SHOW

CAST (VOICES)

Adam West (Batman)
Jack Angel (A.I.)
Rene Auberjonois (Star Trek:DS9)
Michael Bell (Star Trek: TNG)
Gregg Berger (Transformers
Arthur Burghardt (Conan)
Stan Jones (Tranformers)
William Callaway (Darkwing Duck)
Casey Kasem(Transformes)
Mark Taylor (Melrose Place)
Danny Dark (Melvin and Howard)
Buster Jones (Transformers)
Frank Welker (The Simpsons)
Stanley Ralph Ross (Babe)
Olan Soule (Batman 60s)

Super Friends: The Legendary Super Powers Show! as announced in the opening main title by veteran voice artist Dick Tufeld was the second-to-last incarnation of the long-running Super Friends series. Based on the Super Powers Collection toy line of the time featuring select DC Comics heroes including hero Firestorm , Super Friends: The Legendary Super Powers Show (1984) is most revered as the Super Friends series that first introduced Firestorm the Nuclear Man in animated form, along with evil Apokolips lord Darkseid. Not to mention Adam West reprising his caped crusader role as the voice of this show’s animated Batman.

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Firestorm’s transformation scene looks cool . Plus the tone of the show is *slightly* more intense (for Super Friends) than the previous versions thanks to the presence of Darkseid. Comprised of 16 episodes totaling almost 8 half hours, this “Super Powers” collection also may seem limited, especially to SF fans who were hoping that the follow-up series The Super Powers Team: Galactic Guardians episodes would be included on the set. However, unlike the previous collections, Super Friends: The Legendary Super Powers Show – The Complete Series is properly titled and contains exactly what the title says.

Episodes:
1. The Bride of Darkseid (Part 1)
2. The Bride of Darkseid (Part 2)
3. The Wrath of Brainiac
4. Reflections in Crime
5. No Honor Among Super Thieves
6. Mr. Mxyzptlk and the Magic Lamp
7. Case of the Shrinking Super Friends
8. The Mask of Mystery
9. Darkseid’s Golden Trap (Part 1)
10. Darkseid’s Golden Trap (Part 2)
11. Island of the Dinosoids
12. Uncle Mxyzptlk (Super Brat)
13. The Case of the Dreadful Dolls
14. The Royal Ruse
15. The Village of Lost Souls

Hearing Adam Wests voice once more as batman was awesome and Darkseid seeking Wonder Woman as his bride was just brilliant. With these stories seeming to me a little more mature it was a nice change, though sadly being the second to last season you know the end is coming.

REVIEW: SUPER FRIENDS: THE LOST EPISODES

 

CAST (VOICES)

William Callaway (Darkwing Duck)
Michael Bell (Samurai Jack)
Danny Dark (Melvin and Howard)
Shannon Farnon (Burke’s Law)
Olan Soule (Perry Mason)
Casey Kasem (Transformers)
Frank Welker (The Simpsons)
Stan Jones (Tranformers)
Peter Cullen (Transformers)
Stanley Ralph Ross (Babe)

when the animated series was canceled in 1983, Hanna-Barbera continued to produce new episodes, which in most cases took years to show up after the series kept returning to TV in various forms. These Lost Episodes are gathered on this two-disc set, which, although it claims to be 24 “episodes,” is more like eight half-hour programs (each consisting of three short adventures). The Super Friends are in the house, or more exactly the Hall of Justice: Superman, Wonder Woman, Batman and Robin, and Aquaman forming the key group of comic-book holdovers, with new superheroes Black Vulcan, Apache Chief, Samurai, and El Dorado gaining opening-credits status.

In fact, other D.C. Comics heroes and villains thread through the series, The Flash, Green Lantern, and Brainiac among them. Some of the episodes are self-contained little adventures, but a few play around with original mythology; for instance, in one brief story Superman returns to Krypton, and for a moment prevents the destruction of his home planet. Another notable episode, “Bulgor the Behemoth,” has a distinctly postmodern kick: a writer for an animated TV show is struck by lightning and morphs into a super-villain, and can’t be stopped by Superman because he’s a fictional character.

The animation is simple but the designs pop in a pleasing way, with plenty of color and some classic comic-book imagery. The action and cornball messages are skewed toward young viewers of Saturday-morning cartoons.

Gleek is around too, and in “Two Gleeks Are Deadlier Than One,” he’s replicated as an “android duplicate of Gleek,” which is definitely overkill. Even if you don’t like the character, there’s a great deal of childhood fun in these lightweight adventures. And in the final episode there’s a trip to “Bizarro World,” trapping Superman and Wonder Woman in an Atari-style video game.

REVIEW: THE WORLDS GREATEST SUPER FRIENDS

 

 

 

CAST (VOICES)

William Callaway (Darkwing Duck)
Michael Bell (Samurai Jack)
Danny Dark (Melvin and Howard)
Shannon Farnon (Burke’s Law)
Olan Soule (Perry Mason)
Casey Kasem (Transformers)
Frank Welker (The Simpsons)
Stan Jones (Transformers)

 

Season 4 is comprised of 8 thirty-minute cartoons (about 22 minutes without commercials):

1. “Rub Three Times For Disaster” (Original air date 9/22/79)
2. “Lex Luthor Strikes Back” (Original air date 9/29/79)
3. “Space Knights of Camelon” (Original air date 10/06/79)
4. “The Lord of Middle Earth” (Original air date 10/13/79)
5. “Universe of Evil” (Original air date 10/20/79)
6. “Terror At 20,000 Fathoms” (Original air date 10/27/29)
7. “The Super Friends Meet Frankenstein” (Original air date 11/03/79)
8. “The Planet of OZ” (Original air date 11/10/79)

(1 disc) Total running time approximately 3 hours.

 

have to say that the picture and sound quality are quite good. There are no bonus features other than a few unrelated trailers, but that’s okay. Next to “Challenge of the Super Friends” ‘World’s Greatest’ is my personal 2nd favorite season of the series. Both are fun but also have a bit of darkness to them that still stand out. Many of Season 4’s episodes were influenced by a classic story and/or a famous author, such as Mary Shelly, L. Frank Baum, and J.R.R. Tolkien. These influences helped improve the storylines quite a bit.

My personal favorites are “The Super Friends Meet Frankenstein” and “Universe of Evil” written by Jerome Bixby. The idea of having evil versions of Superman, Batman, Robin, and the others (including Gleek) doing horrendous things was quite something to see back in the day. The specific look that was given to evil Superman was quite effective and still holds up.

It has a tremendous nostalgic influence to see these classic cartoons even today.

 

REVIEW: SUPER FRIENDS (1978)

 

 

CAST (VOICES)

William Callaway (Darkwing Duck)
Michael Bell (Samurai Jack)
Ted Cassidy (The Addams Family)
Danny Dark (Melvin and Howard)
Shannon Farnon (Burke’s Law)
Bob Hastings (Batman: TAS)
Buster Jones (Transformers)
Olan Soule (Perry Mason)
Casey Kasem (Transformers)
Frank Welker (The Simpsons)
Stan Jones (Transformers)

These episodes originally aired alongside Challenge of he Super Friends, Warner Brothers just labelled it a season two. Watching  the episodes at hand on this DVD i liked them all. I liked the story of the Anti-Matter Monster. The little, subtle things like Aquaman for example being taken to Atlantis in “World Beneath the Ice” is a good use of character history. I have my favorite episodes from the DVD, however. The favorites for me are “Rokan: Enemy from Space”, “Battle at Earth’s Core”, “Terror from the Phantom Zone”

 

Terror from the Phantom Zone feature Superman aging after being exposed to red Kryptonite and him having to travel to the asteroids of blown up Krypton. He then has to recover blue Kryptonite to reverse the aging process

The Last Episode features Superman’s foe, Mr myxlplyx. If i were to have a complaint it would be the use of Flash and Hawkman and Apache Chief on the DVD fold-out cover…scenes that took place on CHALLENGE OF THE SUPER FRIENDS are shown on the fold-out cover. Those characters are not on this DVD.