REVIEW: X-MEN: EVOLUTION – SEASON 1-4

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CAST (VOICES)

David Kaye (Happy Gilmore)
Kirby Morrow (Ninja Turtles: Next Mutation)
Venus Terzo (Arrow)
Brad Swaile (Zoids)
Maggie Blue O’Hara (My Little Pony Tales)
Neil Dneis (Stargate SG.1)
Scott McNeil (Beast Wars)
Kirsten Williamson (Juno)
Meghan Black (Elf)
Michael Kopsa (Apollo 18)


RECURRING / NORABLE GUEST CAST

Noel Fisher (Teenage Mutant Ninja Turtles)
Christopher Judge (Stargate SG.1)
Alessandro Juliani(Smallville)
Michael Adamthwaite (Black Xmas)
Megan Leitch (IT)
Mark Hildreth (V)
John Novak (Wishmaster 3 & 4)
Jim Byrnes (Highlander: The Series)
Teryl Rothery (Stargate SG.1)

UntitledThe first season introduces the core characters and lays the foundations for future story lines. Professor X, Cyclops, Wolverine, Storm and Jean Grey make up the original X-Men. As the season develops, the ranks of the X-Men are bolstered by the appearance of Nightcrawler in the first episode,[2] Shadowcat in the second, Spyke in the fifth, and Rogue (who originally joins the Brotherhood in the fourth episode) in the third. In the later episodes of this season, Nightcrawler discovers the identity of his birth mother, Wolverine finds answers to his past, Rogue switches sides to join the X-Men and Xavier’s half-brother, Juggernaut, is released from his prison.UntitledConfrontations are typically with the Brotherhood, who vie for new recruits with the X-Men over the course of the season. Toad is the first to be introduced, followed by Avalanche, Blob and Quicksilver. The Brotherhood, led by Mystique, are in fact being directed by a higher power, the identity of whom was “revealed” in the two-part season finale as being Magneto. After Cyclops discovers that his brother Alex actually survived the plane crash that killed their parents, they are both taken by Magneto into his “sanctuary” on Asteroid M. Magneto captures several X-Men and Brotherhood members in an attempt to amplify their mutant abilities and remove their emotions. The Brotherhood and X-Men show up leaving Magneto, Sabretooth and Mystique trapped on the asteroid. Asteroid M is destroyed by Scott and Alex Summers, but not before two metal spheres fly from the exploding asteroid.

UntitledThe second season sees the addition of several new mutants, including Beast, who becomes a teacher at the Xavier Institute and an X-Man, as well as a version of the New Mutants: Boom Boom, Sunspot, Iceman, Wolfsbane, Magma, Multiple, Jubilee, Berzerker, and Cannonball. During the course of the season, it is revealed that the villains who supposedly perished on Asteroid M are actually alive. Sabretooth continues his pursuit of Wolverine, while Magneto continues to work his own agenda. Mystique poses as Risty Wilde, a high school student at Bayville High who befriends Rogue and breaks into the mansion to steal Xavier’s Cerebro files. Using the files, she recovers Wanda Maximoff, the Scarlet Witch, Magneto’s daughter and Quicksilver’s sister. The mentally unstable mutant joins the Brotherhood upon Mystique’s return, allowing them to defeat the X-Men in a battle at the Bayville Mall. Before the finale, a pivotal episode aired featuring the telepath Mesmero opening one of three doors that would unleash a mutant known as Apocalypse.

UntitledIn the season finale, Xavier rigorously trains his X-Men to face Magneto, pairing them with the Brotherhood. Cyclops, furious with having to work with his former adversaries, leaves the team. The mansion is later set to self-destruct with Cyclops and several students still inside. Magneto, meanwhile, recruits Sabretooth, Gambit, Pyro and Colossus as his Acolytes to fight the X-Men/Brotherhood team. At the same time, Wolverine is captured by Bolivar Trask to use as a test subject for the anti-mutant weapon, the Sentinel. Magneto continues to manipulate events by unleashing the Sentinel onto the city, forcing the X-Men to use their powers in public. Wanda tracks down Magneto and attacks him while he is trying to deal with the Sentinel that is targeting him. The Sentinel is damaged and apparently crushes Magneto as it falls. When the mutants who have not been captured by the Sentinel return to the remains of the mansion, Cyclops and the students emerge from the explosion with minor injuries. Scott throws Xavier from his wheelchair and blames him for blowing up the mansion. Everyone is shocked as Xavier calmly stands up, transforming into Mystique.

In seasons three and four, the show notably begins to take a much more serious tone. After the battle with the Sentinel, the mutants are no longer a secret and public reaction is one of hostility. The show is brought into more traditional X-Men lore, dealing with themes of prejudice, public misconception, and larger threats. As the season progresses, the real Xavier is found, Mystique is defeated, the mansion is rebuilt, and the X-Men allowed back into Bayville High. Wanda continues to search for Magneto, who she discovers was saved by Quicksilver at the last second, until Magneto uses the telepathic mutant Mastermind to change her childhood memories. Scott and Jean develop a stronger and closer romantic relationship (particularly after Mystique kidnaps Scott and brings him to Mexico), and Spyke leaves the X-Men when his mutant ability becomes uncontrollable, deciding to live with the sewer-dwelling mutants known as the Morlocks.

 

As part of the series arc, Rogue loses control of her powers, leading to her hospitalization. During this time, she learns that she is in fact Mystique’s adoptive daughter. Mystique, through the visions of the mutant Destiny, foresaw that the fate of Rogue and herself lay in the hands of an ancient mutant that would be resurrected. Apocalypse emerges in the season’s final episodes. Mesmero manipulates Magneto into opening the second door, and uses Mystique and a hypnotized Rogue to open the last, turning Mystique to stone in the process. Now released, Apocalypse easily defeats the combined strength of the X-Men, Magneto, the Acolytes, and the Brotherhood before escaping

The final season contained only for nine episodes. In the season premiere, Apocalypse apparently kills Magneto while Rogue murders Mystique by pushing her petrified figure off a cliff, leaving Nightcrawler without closure. The Brotherhood become temporary do-gooders, Wolverine’s teenage girl clone X-23 returns, Spyke and the Morlocks rise to the surface, Shadowcat discovers a mutant ghost who is found in an underground cave, Rogue is kidnapped by Gambit and taken to Louisiana to help free his father, and Xavier travels to Scotland in order to confront his son David. The character Leech is also introduced as a young boy named “Dorian Leach”.

In the finale, Apocalypse defeats Xavier and Storm, transforming them, along with Magneto and Mystique, into his Four Horsemen. Apocalypse instructs his Horsemen to protect his three domes and his ‘base of operations’, which will turn the majority of the world population into mutants. In the final battle, the Horsemen are returned to normal and Apocalypse is sent through time. Rogue and Nightcrawler refuse the excuses of their mother, Shadowcat and Avalanche find love once again, Magneto is reunited with Quicksilver and the Scarlet Witch, Storm and Spyke are also reunited, and Xavier sees his students reunited as the X-Men.

 

X-Men: Evolution may not hold a candle to the 90s series, but on its own merits it is decent. I can see why people dislike it as even on its own terms it does have glaring flaws, but I do think it should be judged on its own rather than being compared all the time. Okay, Season 1 wasn’t brilliant, there was a lot of cheesy dialogue, slow and melodramatic story lines, not enough Wolverine, a great character, and too much of Spike, one like Kitty that annoys me to no end, plus Rogue seems bland to me in this series. However, Season 2 onward was much stronger, the pacing is much crisper, the action scenes are exciting, the writing was a little more intelligent.

REVIEW: X-MEN: THE ANIMATED SERIES – SEASON 1-5

CAST

Cedric Smith (Mutant X)
Norm Spencer (Rescue Heroes)
Catherine Disher (The Good Witch)
Cathal J. Dodd (Goosebumps)
Iona Morris (Robotech)
Alison Sealy-Smith (This Is Wonderland)
Chris Potter (The Waiting Game)
Tony Daniels (Yin Yang Yo!)
Alyson Court (Elvis Meets Nixon)

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RECURRING / NOTABLE GUEST STARS

John Colicos (Battlestar Galactica)
Jeremy Ratchford (Cold Case)
Lawrence Bayne (Highlander: TAS)
Barry Flatman (Odyssey 5)
Richard Epcar (Power Rangers)
David Hemblen (Earth: Final Conflict)
Don Francks (La Femme Nikita)
Frank Welker (The Simpsons)
Len Carlson (Swamp Thing: TAS)
Susan Roman (The Racoons)
Dennis Akiyama (Pxiels)
Nigel Bennett (Andromeda)
Maurice Dean Wint (Robocop: Prime Directives)
Philip Akin (Highlander: The Series)
Tara Strong (Batman: The Killing Joke)

X-Men (1992)I recently watched through the entire 90’s x-men Animated Series for the first time. So does the show hold up for someone who didn’t watch it when it first aired? Is it still a good show? Overall, the show is really good. It was also revolutionary as it was one of the first animated TV shows to have a continuing storyline throughout the first few seasons.X-Men (1992)Rather than creating exclusively new story lines, the show based most of its episodes on well known events from the comics. Stuff like the ultra-famous dark phoenix saga all the way to a modified version of Days of Future Past that included the time traveling mutant Bishop. Most of the episodes changed details here and there to keep thing simple, but the basic premise remains the same.The animation is a mixed bag. On the one hand, still shots look very good for a 90s cartoon. Both characters and environments are finely detailed and even facial expressions are usually well done. On the other hand, it doesn’t look too good in motion. The frame-rate is often choppy and at times characters in the background are just standing still. There are occasional continuity errors as well, like characters swapping outfits between shots (the episode titled “Nightcrawler” comes to mind).Characters are generally portrayed well in the TV show. The main team consists of Professor X, Cyclops, Jean Grey, Wolverine, Beast, Storm, Gambit, Rogue, and Jubilee. Professor X, Wolverine, Cyclops, Jean Grey, Beast and Gambit are all portrayed well in the show. I found some of their voice actors were a little off-putting at first, but as I watched they grew on me. Rogue probably has the best voice acting of the bunch.X-Men (1992)I wasn’t quite as fond with the portrayal of Storm or Jubilee however. Storm was alright, but having her constantly talk about what she was commanding the weather to do is annoying at times. Does she have to verbally command the wind every time she blasts enemies with it? I get that she’s a bit of a showoff and that’s part of her charm, but still.X-Men (1992)The show has a great spotlight of different villains as well. It features everyone from mega villains like Magneto, Mr. Sinister, and Apocalypse to smaller villains like Vertigo, the Juggernaut, and even the Brood. The show even mentions the Juggernaut’s relationship to Xavier (they’re step brothers). Mr. Sinister in particular is very well portrayed in the series, and we even get an origins episode in season five (heavily modified of course).If you have any interest in the X-men and want to try out the comics, this is a decent show for finding out some of the franchises back-story. It’s rarely as good as the original stories it’s based on, but it’s easier to find and for the most part, it’s an easy watch.

REVIEW: HULK VS

 

CAST (VOICES)

Fred Tatasciore (9)
Matthew Wolf (The Fault of Our Stars)
Graham McTavish (The Hobbit)
Grey Griffin (The Replacements)
Kari Wahlgren (Rick and Morty)
Bryce Johnson (The Skulls 3)
Steve Blum (Wolverine and The X-Men)

Hulk vs. completely lives up to its title. There are no long, tedious origin stories. Neither half of this double feature is bogged down by any meandering, who-really-cares filler subplots, clunky romances, or triple-underlined moral messages. These two mini-movies chuck viewers straight into the action and never let up until the end credits roll. Marvel and Lionsgate haven’t watered it down to play to the lunchbox crowd either; these battles against Thor and Wolverine are intense and unflinchingly violent.As a nod to the comics that first introduced Wolverine to the world, he and the Hulk square off in — where else? — the desolate Canadian wilderness. The Hulk has been carving a path of destruction throughout the Great White North, and Department H drops Wolverine in to stop the beast dead in his tracks. The two are fairly evenly matched: Wolverine’s healing factor can take all of the abuse the Hulk can dish out — flinging him what looks like miles away, smashing his hairy little body into the ground over and over again with a three-ton rock — and although those adamantium claws sink deep into the jade giant’s hide, all it really seems to do is piss the Hulk off even more. Just as the tide starts to turn in this brutal, bloody brawl, the Hulk’s back is peppered with a stream of oversized tranquilizer darts. The Weapon X program sees the Hulk as the ultimate weapon in its arsenal, and as the sleeping giant is being prepped for a mindwipe, Wolverine escapes and slices through the small army of seasoned killers that stand in his way.Barely breaking the half hour mark minus credits, the core of the story is lean and uncluttered, and the whole thing is devastatingly brutal wall-to-wall action. Hulk vs. Wolverine draws deeply from imagery from the comics, from that iconic McFarlane cover of the Hulk reflected in Wolverine’s gleaming claws to entire pages of Barry Windsor-Smith’s Weapon X origin translated verbatim. The movie doesn’t take any undue liberties with its characters or their powers; I really do get the sense that this was written, directed, and animated by lifelong comic fans making the sort of movie they’d want to watch instead of just trying to cast a wide net and disinterestedly hit the studio’s numbers. A movie about Wolverine recaptured by Weapon X can’t be saddled with a PG rating, and this is so hyperviolent and sopping with blood that I’m really not sure how it managed to just score a PG-13. I’m not exaggerating when I say it’s more brutal and unflinchingly graphic than a lot of slasher flicks I’ve seen. I love the skewed, stylized character designs, and from Wolverine’s half-growled dialogue to the Hulk’s thunderous roar, the voice acting is absolutely perfect. I don’t want to spoil the reveal of who all is part of Weapon X’s superpowered black ops team — the surprise is a huge part of the fun — but I have to give

The title Hulk vs. Thor doesn’t really convey the scale of the second half of this double feature. The Hulk isn’t just pitted against the Norse god of thunder; he singlehandedly takes on the entirety of Asgard: the Warriors 3, legions of valkyries, frost giants, Odin’s ravens, Hel itself, and virtually every last iconic character from the pages of the comics. The movie is set in the waning hours of the Odinsleep: the annual slumber of Asgard’s greatest protector that leaves the realm most exposed to assault from its enemies. Every plot, scheme, and army to have ever been unleashed during the Odinsleep has been handily defeated over the years, but the warriors of Asgard have never been pitted against a force as unstoppable — the embodiment of rage — as the Hulk. An embittered Enchantress uses her dark sorcery to bring the Hulk under Loki’s thrall, and the god of mischief pulls the beast’s strings to effortlessly pummel his brother Thor to within inches of death: no small feat for an immortal god. The Hulk’s thundering rage proves too difficult for Loki to control for long, though, and with his ferocity fully unleashed as never before, he’s not going to stop until the entirety of Asgard lays in ruin.It’s as if the writers behind Hulk vs. Thor couldn’t figure out what Asgardian lore to mine from the hundreds of issues of the comic, so they opted to throw in everything. Virtually every recognizable character and iconic image from the greatest of the Nine Worlds is featured here at some point. Its story is more involved than Hulk vs. Wolverine and is given a few extra minutes to breathe, but the action never lets up here either. Dark magicks rend Bruce Banner from the Hulk, removing the lone spark of humanity keeping the beast’s colossal rage in check, and his path of destruction is unreal, even threatening to topple Hel itself. The imagery isn’t nearly as graphic as Hulk vs. Wolverine, but there’s still an enormous amount of carnage, and the sight of Thor’s arm being shattered or the god of thunder laying limp and lifeless after being punched clean through a mountain is still remarkably intense. I have to admit to not being quite as dazzled by Hulk vs. Thor as I was with the first half of this double feature; dialogue like “You are no troll, monster!” doesn’t sound quite as effortless, the voice acting is perfectly fine but more straightforwardly proper and British, and the celebratory ending seems a little forced. Still, its ability to draw so deeply from some four hundred issues of Thor ought to astonish even casual fans of the comic, the scope of the movie is truly epic, and the torment and anguish inflicted on Bruce Banner pack about as much of a wallop as a roundhouse from the Hulk.Hulk vs. is the first of Marvel’s direct-to-DVD animation to really feel as if it’s targeted squarely at  fanboys. There’s no filler or tedious origin stories here: both halves of this double feature dive headfirst into the action.

REVIEW: THE SUPER HERO SQUAD SHOW – SEASON 1-2

CAST (VOICES)

Charlie Adler (Wall-e)
Alimi Ballard (Sabrina: TTW)
Steven Blum (Wolverine and the X-Men)
Dave Boat (Ultimate Spider-Man)
Jim Cummings (Darkwing Duck)
Grey DeLisle (The Fairly Oddparents)
Mikey Kelley (Gravity Falls)
Tom Kenny (The Batman)
Stan Lee (Avengers Assemble)
Tara Strong (Batman: The Killing Joke)
Travis Willingham (Dragon Ball Z)

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RECURRING / NOTABLE GUEST CAST

Shawn Ashmore (X-Men)
Dee Bradley Baker (American Dad)
John Barrowman (Arrow)
A.J. Buckley (Disturbing Behavior)
Ty Burrell (Muppets Most Wanted)
LeVar Burton (Star Trek: TNG)
Taye Diggs (Private Practice)
Michael Dorn (Ted 2)
Suisan Eisenberg (Justice League)
Carl Lumbly (Alias)
Robert Englund (A Nightmare on Elm Street)
Jonathan Frakes (Star Trek: TNG)
Greg Grunberg (Heroes)
Nika Futterman (Futurama)
Mark Hamill (Star Wars)
Lena Headey (Game of Thrones)
Tricia Helfer (Powers)
Cheryl Hines (The Ugly Truth)
Josh Keaton (Justice League: Gods and Monsters)
Wayne Knight (3rd rock from The Sun)
Maurice LaMarche (Futurama)
Phil LaMar (Free Enterprise)
Jane Lynch (Glee)
Jason Marsden (Full House)
James Marsters (Smallville)
Jennifer Morrison (Urban Legends 2)
Scott Menville (Teen Titans)
Jim Parsons (The Big Bang Theory)
Adrian Pasdar (Heroes)
Kevin Michael Richardson (The Cleveland Show)
Katee Sackhoff (Battlestar Galactica)
Kevin Sorbo (Hercules: TLJ)
Ray Stevenson (Divergent)
Fred Stoller (Little Man)
George Takei (Star Trek)
Cree Summer (Batman Beyond)
Michelle Trachtenberg (17 again)
Hynden Walch (The Batman)
Jim Ward (Danny Phantom)
Adam West (Batman 60s)
Nina Dobrev (The Vampire Diaries)

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When I saw a preview of The Super Hero Squad Show back in February of 2009, I thought it looked pretty interesting, but certainly aimed at the kiddies, and as it aired on Cartoon Network, I never saw an episode. In fact, I forgot all about it, and when I got my hands on this disc, I thought it was an animated take on the old Fisher-Price Marvel kiddie figures. So I had no expectations coming in. Well, my only expectation being that it would be bad. So it was with a good deal of shock that I found it to be a pretty entertaining action-comedy series, if you don’t mind the cheese-level of many of the jokes.MV5BMTY4MzMzMzM2OF5BMl5BanBnXkFtZTgwMTE2OTc3MjE@._V1_The Super Hero Squad (sort of a loose version of the Avengers) is made up of an assortment of Marvel heroes, including Iron Man (as the leader), Captain America (who provides aid on a regular basis), Wolverine (adding the X-Men’s popularity,) The Hulk, Thor, a spacey surfer-dude version of the Silver Surfer, and Falcon (obviously added to bring some diversity.) Joining them is the mostly unknown Reptil (a dinosaur-powered bit player from the Avengers comics) who is both a young guy and Hispanic, helping fill out the P.C. scorecard a bit more and give younger viewers a stand-in.  They go up against Doctor Doom and his legion of bad guys (and ineffective henchmen), as he searches for the Infinity fractals, shards of the Infinity Sword (which seems connected to the Infinity Gems of the Infinity Gauntlet. Infinity.)MV5BMTUwMzc1OTEzNV5BMl5BanBnXkFtZTgwMjU3MDg3MjE@._V1_Though the storylines are pretty solid and offer big action-packed battles, the bulk of the show is comedy, with the character’s out-sized personalities carrying the jokes, be it Thor’s overwhelming concern about his appearance or Captain America being stuck in the ’40s. Maybe I don’t give kids a lot of credit, but I can see a large portion of these gags flying over their heads, which will make the show far more enjoyable for adults than one would have expected. There was more than one joke that got a genuine laugh out of me, though many of them rely on bodily functions or pratfalls for the punchline. The wordplay and character-generated jokes are much more entertaining and fun, especially Thor’s Asgardian versions of modern language, the Silver Surfer’s alien view of Earth life, and anything involving the always-ridiculous floating head known as M.O.D.O.K. (voiced hilariously by Tom Kenny.) One joke about the Hulk swallowing a yo-yo is technically genius. The only thing about the show that doesn’t really work is Reptil, who feels like the Poochie of the show, coming off as a bone tossed to kids, with his dino-focused power, youthful role and extreme behavior.MV5BNzQ1MjI0NzUzOV5BMl5BanBnXkFtZTgwNzk1OTc3MjE@._V1_This version of the Marvel Universe smartly keeps the same look for its characters, giving long-time Marvel fans an in for the series, but presents them in a super-deformed style (squat bodies, large heads and feet, four fingers) that’s kid-cartoon friendly and which easily separates it from any other version of the Universe you’ve ever seen. That way, there are no issues with continuity or previous incarnations, and the show can be enjoyed on its own merits (allowing them to do something like make Dr. Strange a complete lunatic.) That’s a good thing, because the show is loaded to the gills with fan-service goodies, like the episode titles (which reference famous comic titles) and title cards which replicate memorable cover art. The show also pulls characters from the depths of the Marvel roster, like Screaming Mimi and the Melter, and having silly cartoon fun with them. Taken simply as a silly, almost What The–?! treatment of the characters, it’s well worth a look for comic-book fans out of grade school.MV5BMjM1ODQ2NDUxNl5BMl5BanBnXkFtZTgwNjk1OTc3MjE@._V1_On a non-story note, the theme song, provided by Parry Gripp of Nerf Herder, is an energetic blast, while the voice cast for this series has to be one of the best for a non-prime time animated series, with tons of veterans of the cartoon industry, like Kenny, Tara Strong, Jess Harnell, Grey DeLisle, Cree Summer and Charlie Adler, along with plenty of genre stars, including Robert Englund, Tricia Helfer, Jennifer Morrison and Adrian Pasdar. It’s rare to see a show like this pull this kind of voice cast.MV5BNzQ1MjI0NzUzOV5BMl5BanBnXkFtZTgwNzk1OTc3MjE@._V1_The overall plot of the cycle will feature the villain Thanos seeking the six stones of the Infinity Gauntlet, a powerful cosmic weapon. Opposing him will be the titular Super Hero Squad, which is made up of goofball takes on Iron Man, Thor, Falcon, Wolverine, Hulk, Ms. Marvel, original character Reptil, Scarlet Witch, and sometimes Captain America. While the first two shows focus specifically on the Thanos plot, other episodes detour into one-off excursions. For instance, “World War Witch!” takes the heroes back in time to when Cap was fighting the Red Skull alongside the Invaders in WWII, while “Support Your Local Sky-Father!” pits Olympus vs. Asgard, and it features the Marvel Universe rendition of Hercules.

 

REVIEW: THE AVENGERS: EARTH’S MIGHTIEST HEROES

MAIN CAST (VOICES)

Brian Bloom (Vampirella)
Chris Cox (All Star Superman)
Jennifer Hale (The Rick)
Peter Jessop (Jla Adventures)
Phil LaMarr (Free Enterprise)
Eric Loomis (Shin Chan)
James C. Mathis III (Undercover Brother)
Colleen Villard (Duel Masters)
Fred Tatasciore (Hulk Vs)
Rick D. Wasserman (Planet Hulk)
Wally Wingert (American Dad)

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RECURRING / NOTABLE GUEST COICES

Gabriel Mann (Cherry Falls)
Drake Bell (The Reef 2)
Bumper Robinson (Sabrina: The Teenage Witch)
Steven Blum (Wolverine and Teh X-men)
Alex Desert (The Flash 90s)
Vanessa Marshall (Duck Dodgers)
Kari Wuhrer (Eight Legged Freaks)
Elizabeth Daily (Valley Girl)
Troy Baker (Lego Batman)
Nolan North (Teenage Mutant Ninja Turtles)
Crispin Freeman (Hellsing)
Scott Menville (Teen Titans)
Grey DeLisle (Danny Phantom)
Cam Clarke (He-Man)
Lance Reddick (Lost)
J.K. Simmons (Whiplash)
Kevin Michael Richardson (The Cleveland Show)
Nika Futterman (Hey Arnold!)
Lance Henriksen (The Terminator)
Jonathan Adams (Bones)
Jeffrey Combs (Gotham)
Graham McTavish (The Hobbit)
Dawn Olivieri (The Vampire Diaries)
Clancy Brown (Highlander)
Dwight Schultz (The A-Team)
Keith Szarabajka (The Dark Knight)
Lacey Chabert (Mean Girls)
Dee Bradley Baker (American Dad)
David Kaufman (Superman: TAS)

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Both Marvel and DC have to an astonishing degree started to pick up these last few years, with several well-appreciated shows that I really enjoy: Young Justice, The Spectacular Spider-Man, Iron Man: Armored Adventures, Green Lantern TAS, and now this; The Avengers: Earth’s Mightiest Heroes. It’s very rare indeed for a superhero cartoon of this magnitude to be  great from start-to-finish, but that’s what Earth’s Mightiest Heroes is, right from Episode 1 `Iron Man is Born’ to the finale `Avengers Assemble!’. There are literally no dud episodes whatsoever! The whole series is infused with tremendous intrigue, exceptional plotting and some of the tightest continuity I’ve ever seen in a TV series. The number of sub-plots and story-arcs that are juggled here is staggering, but the creative team handled it all with such precision. The coherency, intricacies and pacing is nothing short of exemplary overall. This isn’t just essential for kids; adult Marvel fans will get bags of satisfaction from watching this cartoon!MV5BMTgxOTA1Nzk3OF5BMl5BanBnXkFtZTgwNDk0MzY2MjE@._V1_So what exactly can folk expect? Well, as I said, the choicest pieces of Marvel history (be it in comics or on film) have been successfully adapted and utilized here. From how the Avengers banded together to life-changing events like the Civil War threat and the Skrulls’ Secret Invasion (adapted beautifully here!). Iron Man, the Hulk, Captain America, Thor, Ant-Man/Yellowjacket, the Wasp and Black Panther are all superbly established before `Assembling’ for the first time, members come-and-go, characters undergo changes, Hawkeye, Ms. Marvel and the Vision join the ranks, and all-manner of superb guests join the party, such as Spider-Man, Wolverine, the Fantastic Four and even those Guardians of the Galaxy!

And on the villains-front, you can be subjected to a cracking-bunch of dastardly rogues, such as Loki, the Red Skull, Hydra, A.I.M., Baron Zemo, the Enchantress, the Masters of Evil, Kang the Conqueror, Doctor Doom and (of course!) chief arch-nemesis Ultron. And it’s not all just for window-dressing. The depictions of all these characters (hero, villain and otherwise) and their worlds is just pure gold. It’s perhaps the most faithful animated portrayal of the Marvel Universe.
Really, The Avengers: Earth’s Mightiest Heroes could (and should) have gone on for more seasons. Instead, Marvel pulled the plug in favor of the replacement show Avengers Assemble. Thus in the last batch episodes, you DO get the feel that the writers were trying to wrap things up and give the show a grand swansong to make way for the next-cartoon-in-line. Admittedly, there are a few loose ends left over, but the series is mostly wrapped-up in winning style with a very acceptable conclusion. And in an age where too many shows are cancelled prematurely/end on a sour note, it makes that final moment of `Avengers Assemble!’ all the more of a triumph, just like the entire series itself.