REVIEW: THE GRUDGE (2004)

CAST

Sarah Michelle Gellar (Ringer)
Jason Behr (Roswell)
William Mapother (Powers)
Clea DuVall (The Lizzie Borden Chronicles)
KaDee Strickland (American Gangster)
Grace Zabriskie (Armageddon)
Bill Pullman (Independence Day)
Ted Raimi (Ash vs Evil Dead)
Ryo Ishibashi (Blue Tiger)

MV5BMjAyNTM0Njg1NF5BMl5BanBnXkFtZTcwMDE2ODcyMw@@._V1_SX1777_CR0,0,1777,989_AL_The Grudge describes a curse that is born when someone dies in the grip of a powerful rage or extreme sorrow. The curse is an entity created where the person died. Those who encounter this evil supernatural force die; and the curse is reborn repeatedly, passed from victim to victim in an endless, growing chain of horror. The following events are explained in their actual order; the original film is presented in a non-linear narrative.
MV5BMjE1Mzc5ODAzMl5BMl5BanBnXkFtZTcwMjI0ODcyMw@@._V1_SY1000_CR0,0,1404,1000_AL_The Saeki family lived happily in suburban Tokyo, but housewife Kayako Saeki fell in love with her college professor, Peter Kirk, obsessively writing about him in her diary. However, her husband Takeo discovered the diary. Believing Kayako was having an affair, he became mentally disturbed and murdered his wife by pushing her off the stairs, snapping her neck to a 90 degree angle and crushing her throat. He then drowned his young son Toshio – who witnessed the act – in the bathtub to cover his tracks, along with the pet cat, Mar. Takeo hid the bodies in the attic and closet, before Kayako’s ghost murdered him by hanging him with her hair in Toshio’s bedroom. Peter came to the Saeki house to speak to Kayako after receiving a letter from her, only to find her corpse. Shocked, he fled the house, killing himself the next day by falling over the balcony of his building complex in front of his wife. The Saeki family rose again as ghosts due to their rage and sorrow, notably Kayako, who appears as an onryō ghost, leaving the curse on the house.
MV5BMjI2ODc1MjUxNl5BMl5BanBnXkFtZTcwMzA2ODcyMw@@._V1_SY1000_CR0,0,1467,1000_AL_The present timeline starts a few years later with the Williams family moving in from America. While husband Matt is thrilled with the house, his wife Jennifer and dementia-ridden mother Emma feel uncomfortable. Jennifer is quickly consumed by the curse. Matt returns home to find the house trashed, Emma upset, and his wife dying. Matt and Jennifer are killed by Toshio. Yoko, a careworker, arrives at the house the next day to find Emma alone, and encounters Kayako, who attacks her. Concerned about Yoko’s disappearance, her employer Alex sends another careworker, Karen Davis, to take over the care for Emma. At the house, Karen is shocked when she finds a seemingly alive Toshio and Mar in the closet, contacting Alex for help.
MV5BMTQ0MjU5OTA1NV5BMl5BanBnXkFtZTcwNzk0ODcyMw@@._V1_SY1000_CR0,0,1734,1000_AL_Alex finds Emma dead in the house and Karen in a state of shock after her first encounter with Kayako, and summons the police, including Detective Nakagawa. Nakagawa and his partner Igarashi explore the house, finding the bodies of Matt and Jennifer in the attic along with a human’s lower jaw. Matt’s sister Susan disappears after being followed and attacked by Kayako, and Alex is killed when visited by a Kayako-possessed Yoko missing her lower jaw. Karen begins to be haunted by Kayako herself, informing her boyfriend Doug of the situation. She researches the origins of the house, eventually confronting Nakagawa, who explains three of his colleagues investigating the Saeki deaths all were consumed by the curse. That night, Nakagawa goes to the house and tries to burn it down, but is killed by Takeo.
MV5BNTg2MTMyNDg1Ml5BMl5BanBnXkFtZTcwNDI0ODcyMw@@._V1_SX1500_CR0,0,1500,999_AL_
Karen races to the house upon learning Doug has ventured there to look for her, experiencing a vision in which she sees Peter visiting the house and finding Kayako’s corpse. Karen finds Doug paralyzed by fear, and attempts to flee the house with him, only to witness Kayako as she drags herself down the stairs and crawls on Doug, causing him to die of fright. Karen spots the petrol and manages to ignite it with Doug’s lighter just as Kayako is about to kill her. Karen is whisked to a hospital, but learns the house survived the fire. Visiting Doug’s body, Karen realizes she is still haunted by Kayako, who appears behind her as the camera circles to reveal her wide staring eye.MV5BMTY4ODkzNzcxNV5BMl5BanBnXkFtZTcwNzU0ODcyMw@@._V1_SY1000_CR0,0,1235,1000_AL_Ju-On already ranks as one of the scariest movies ever made, and The Grudge is a worthy attempt which has some pluses and minuses over the original. The story is certainly easier to follow and more is explained, although it refuses to be told in a linear fashion. This adds to the uneasiness we feel while watching it, but is less confusing than the previous version.

REVIEW: SUPERGIRL – SEASON 2

729433cfffa22f8b5b37fe83eb34dbaa

Starring

Melissa Benoist (Jay & Silent Bob Reboot)
Mehcad Brooks (Necessary Roughness)
Chyler Leigh (Not Another Teen Movie)
Jeremy Jordan (The Last Five Years)
Floriana Lima (The Punisher)
Chris Wood (The Vampire DIaries)
David Harewood (Hoemland)

Recurring/ Notable Guest Cast

Calista Flockhart (The Last Shot)
Tyler Hoechlin (Teen Wolf)
Katie McGrath (Jurassic World)
Brenda Strong (Starship Troopers)
Frederick Schmidt (Mission Impossible: Fallout)
Andrea Brooks (When Calls The Heart)
Ian Gomez (The Morning Show)
Lynda Carter (Wonder Woman)
Sharon Leal (Dreamgirls)
Nadine Crocker (Cabin Fever)
Laura Benanti (Royal Pains)
Dichen Lachman (Dollhouse)
John DeSantis (Thirteen Ghosts)
William Mapother (Lost)
Jason Gray-Stanford (Bones)
Dean Cain (Lois & Clark)
Robert Gant (13 Reasons Why)
Helen Slater (City Slickers)
Carlos Valdes (The Flash)
Harley Quinn Smith (Once Upon A Time… In Hollywood)
Robin Atkin Downes (Babylon 5)
Rahul Kohli (Izombie)
Brit Morgan (Friend Request)
Grant Gustin (The Flash)
Steven Valentine (Mike & Molly)
Peter Gadiot (Matador)
Ian Butcher (The 100)
Tamzin Merchant (Carnival Row)
Teri Hatcher (Lois & Clark)
Kevin Sorbo (Hercules: TLJ)
Darren Criss (American Crime Story)
Michael J Rogers (Siren)
Rahul Kohli (Izombie)
Gregg Henry (Black Lightning)
Jordana Taylor (A Wrinkle In Time)
Malina Weissman (A Series of Unfortunate Events)
Mark Gibbon (Man of Steel)

Melissa Benoist in Supergirl (2015)Supergirl went through some pretty fundamental changes in the transition from Season 1 to Season 2. Not only did the series add several key new cast members (and lose another), production shifted from Los Angeles to Vancouver as the series itself hopped from CBS to The CW. That shake-up wound up working in the show’s favor. unfortunately, over time it became clear that Supergirl still has some significant problems to work through before it can stand alongside the best of the Arrowverse.
The move to The CW did seem to work in the show’s favor for the most part. Even ignoring the fact that that it made crossovers with the other Arrowverse shows much easier, that shift helped Supergirl feel slightly more cohesive when held alongside its siblings. Stylistically and tonally, Supergirl felt very much like like a good-natured sister series to The Flash. And with The Flash often being unnecessarily mired in its own darkness this year, it often fell to Supergirl to be the bright, cheery, optimistic alternative.
Tyler Hoechlin and Melissa Benoist in Supergirl (2015)There’s also the fact that the crew working on these Arrowverse shows have gotten pretty skilled at making the most of their limited VFX budgets. Supergirl was a very expensive series for CBS, yet the often lackluster special effects didn’t always make it apparent how much money was being poured into the show. In Season 2, however, Supergirl looked better despite costing its new network less. That was especially true with the shots of Kara flying or those depicting Martian Manhunter in his true form. There were still cases where the show’s reach clearly exceeded its grasp in terms of special effects (particularly in the season finale), but on the whole Supergirl became a better-looking series in its second season.Melissa Benoist and Chris Wood in Supergirl (2015)Bucking the usual trend, the new season picked up exactly where the previous one left off, with Supergirl (Melissa Benoist) and Martian Manhunter (David Harewood) examining the mysterious space pod that crashed outside National City. That paved the way for the introduction of Mon-El (Chris Wood), a Daxamite refugee and new love interest for Kara. Mon-El’s arrival signaled a general change in direction for the series, one that saw the DEO set up a new headquarters in National City and the focus shift more towards the growing tension between Earth’s human citizens and the growing number of alien immigrants. The main villains of the season (including Brenda Strong’s Lillian Luthor and the members of Cadmus) sought to take advantage of that human/alien tension. Given the general state of the world these days, showrunners Andrew Kreisberg and Ali Adler could hardly have picked a more inspired and relevant direction for Season 2.Melissa Benoist in Supergirl (2015)That general direction worked because it was clearly and immediately topical and more because it spoke to the general appeal of the Superman franchise. More than ever, Kara emerged as a shining beacon of hope and optimism in troubled times. The season’s political elements were never really more political or controversial than a call for empathy and understanding among all peoples. And with a lead actress as charming as Benoist lighting the way, it’s impossible not to be won over by the show’s feel-good approach to superhero storytelling. More than ever, Benoist is the rock upon which this series rests.Melissa Benoist in Supergirl (2015)Mon-El’s debut only furthered Kara’s growth this year. Wood proved a fun addition to the cast, but his character really shone whenever the series focused on the growing romance between Mon-El and Kara. As the prince of a xenophobic and hedonistic world, Mon-El arrived on his new homeworld with plenty of rough edges. It was a lot of fun watching Kara help smooth over those edges and inspire Mon-El to become a hero even as the two fell in love. The two characters experienced their share of ups and downs over the course oft he season, and while the general trajectory of their romance was often predictable, the execution never failed to impress.
Melissa Benoist in Supergirl (2015)Mon-El wasn’t the only high-profile addition to the series in the early Season 2 episodes. The show finally stopped playing coy with Superman and cast an actual actor in the role (Tyler Hoechlin) rather than simply obscuring a stunt double in shadow. That may well be the best change the series made in Season 2. Within seconds, it became clear that Hoechlin was a worthy successor to actors like Christopher Reeve and Dean Cain, bringing a warmth and charisma to the part that’s been sorely lacking in certain other live-action Superman performances lately. The only disappointing part about Superman’s inclusion this year is that he didn’t appear more often. I can understand the desire to keep the series focused on its title character, but the Kara/Clark dynamic is simply too good not to exploit to its fullest.Melissa Benoist and Chris Wood in Supergirl (2015)This season also introduced two members of the Luthor clan in the form of the aforementioned Lillian and her estranged daughter, Lena (Katie McGrath). Lillian left quite a bit to be desired. One of the biggest problems with Season 1 was the show’s inability to generate nuanced, three-dimensional villains. Between Strong’s overly intense performance and the character’s general lack of memorable characteristics, Lillian did nothing to reverse that trend. Lena, at least, fared better than her mother, mostly because the writers had the foresight not to treat her as a villain. Instead, her defining struggle all season was her desire to redeem the Luthor name and prove that she shouldn’t be defined by her brother’s actions. The fact that Lena and Kara became close friends over the course of the season added an extra appeal to Lena’s character arc, as it only served to highlight the question of whether Lena is truly as selfless and noble as she claims. The season failed to deliver a satisfying conclusion to that arc, but I’ll get to that in a bit.Melissa Benoist and Chris Wood in Supergirl (2015)Alex (Chyler Leigh) proved to be another dependable member of the Supergirl cast this year, with some of the season’s best moments focusing either on the bond between Alex and her sister or the romance between Alex and Maggie Sawyer (Floriana Lima). Alex’s struggle to come to terms with her sexuality proved to be one of the more compelling subplots of the season, particularly thanks to the terrifically executed coming out scene in “Changing.” As much as the Arrowverse can frustrate with the insistence on forcing every available character into some sort of romantic subplot, the Alex/Maggie material gave this season real sense of emotional weight. In a show crammed full of metahumans and aliens, the ordinary human drama often stood out more than anything else.Melissa Benoist in Supergirl (2015)If any portion of the show was damaged by the shift to The CW, it was the CatCo characters. Cat Grant (Calista Flockhart) all but vanished this season as the move to Vancouver ƒwled to Flockhart departing as a series regular. The show was poorer for her absence. Worse, Cat’s absence called into question whether Supergirl even needs the CatCo elements at all, a question the show was never really able to answer this season. Sure, the perpetually cranky Snapper Carr (Ian Gomez) made for an entertaining foil to the Kara as she pursued her budding journalism career, but too often the CatCo subplots felt superfluous and unnecessary to the larger picture. Does Kara actually need a day job in addition to her DEO work?Melissa Benoist in Supergirl (2015)The two real casualties of the Season 2 shift were James Olsen (Mehcad Brooks) and Winn Schott (Jeremy Jordan). The Kara/James romance was basically cut short as soon as it began in the Season 1 finale, leaving the latter character adrift and in search of a new purpose. That was disappointing, but the real frustration came with the decision to transform James from intrepid photojournalist to honest-to-goodness superhero. James’ transformation into Guardians never felt like a logical extension of his Season 1 journey. Nor did his ongoing Guardian exploits add anything to the show. Equally frustrating is the way Winn became sucked into James’ delusions of superhero grandeur, preventing him from having any real storylines of his own (apart from a rather underwhelming romance with an alien). Just as the show has been struggling to justify the continued focus on CatCo as a whole, this season did little to suggest that James should remain an active player going forward.Melissa Benoist and Katie McGrath in Supergirl (2015)I mentioned how the move to The CW helped Supergirl in terms of facilitating more Arrowverse crossovers. The weird thing is that Supergirl itself didn’t benefit much from that trend. Yes, Kara was aMelissa Benoist in Supergirl (2015) big part of the “Invasion!” crossover, but the Supergirl episode, “Medusa,” barely tied into that crossover other than a bit of quick setup at the very end. And while the Flash/Supergirl musical team-up more than lived up to the hype, that was a Flash episode, not Supergirl. I’d like to see Supergirl benefit more directly from these crossovers in the future. Fortunately, that seems to be the case with next year’s four-way crossover. Supergirl definitely had its ups and downs over the course of Season 2, as all the Arrowverse shows tend to do. In general, the season hits its peak in February thanks to a string of excellent episodes focused on Lena’s troubled family history and the resurgent threat of Cadmus. Unfortunately, the show seemed to lose its momentum after that point, with the final three episodes ranking among the worst of the season. Supergirl seems to have inherited Arrow’s habit of completely falling apart in the homestretch.Melissa Benoist and Chris Wood in Supergirl (2015)In many ways, Supergirl improved in its second season as the show moved to The CW and bolstered its already solid cast with several new favorites. This season not only looked better, it managed to blend epic superhuman conflicts with very real, authentic character drama and a status quo marked by plenty of anti-alien sentiment in National City.

REVIEW: CONSTANTINE (2014)

Matt Ryan in Constantine (2014)

Starring

Matt Ryan (Justice League Dark)
Lucy Griffiths (Robin Hood)
Angélica Celaya (Danger One)
Charles Halford (Reprisal)
Harold Perrineau (Lost)

Charles Halford, Matt Ryan, and Angélica Celaya in Constantine (2014)

Recurring / Notable Guest Cast

Lisa Darr (Popular)
Joelle Carter (Home Before Dark)
Michael James Shaw (Limitless)
Sean Whalen (Superstore)
Jonjo O’Neill (The Fall)
Charles Parnell (The Last Ship)
Chasty Ballesteros (The Ranch)
Emmett J Scanlan (Krypton)
Niall Matter (Eureka)
Laura Regan (Mad Men)
Amy Parrish (One Tree HIll)
Max Charles (The Neighbours)
Juliana Harkavy (Arrow)
Megan West ((This is Us)
Claire van der Boom (The Square)
Jose Pablo Cantillo (Crank)
Joelle Carter (Justified)
Paloma Guzmán (The Deuce)
Roger Floyd (Graceland)
Amanda Clayton (John Carter)
Mark Margolis (Breaking Bad)
Jeremy Davies (Lost)
William Mapother (Another Earth)
Skyler Day (Raven’s Home)
Robert Pralgo (The Vampire DIaries)
Annalise Basso (Ouija 2)
J.D. Evermore (Cloak & Dagger)
Brandon Larracuente (13 Reasons Why)

Angélica Celaya in Constantine (2014)DC/Vertigo’s John Constantine leapt from the sordid, scary pages of his Hellblazer comics thanks to EPs David Goyer (The Dark Knight, Man of Steel) and Daniel Cerone (Dexter, Charmed). Matt Ryan, as the titular hero, was really effective in bringing Constantine to life on screen. Flippant when called for. Vulnerable when need be. All the while – whether casting out a demon from some poor body or battling one within himself – creating a very commanding, likable presence on screen. John Constantine was a the sort of hero you had to get right immediately and Ryan excelled.Matt Ryan in Constantine (2014)John’s back up proved reliable from a charismatic standpoint. Chas and Zed were great characters and as the serious progressed we got to see their back story’s and what made them the way they are.I really liked that Newcastle was used as the show’s jumping off point, and that throughout the season John would have to atone in various ways with scattered members of that ill-fated team, but his own team often suffered. Even though we’re only talking about 13 episodes here, the show still made good use of a seasonal arc format. Even using the “Rising Darkness” to both inform and be the cause of a procedural “case of the week” structure .Matt Ryan in Constantine (2014)The “Scry Map” gave John demons and ghosts to chase, all under the umbrella that hell was slowly encroaching upon the world of the living. And while not every “case of the week” landed, a couple of stories ripped from the comics came alive in (remixed) cool ways (“A Feast of Friends,” “The Saint of Last Resorts: Part 1” and “Waiting for the Man”). Along with some DC notables like Felix Faust, Eclipso’s Black Diamond, and Jim Corrigan.I liked that Manny turned out to be the villain right at the end of the finale. Mostly because the “Rising Darkness” needed a face. The Brujeria were mentioned quite a bit, but never shown.Matt Ryan in Constantine (2014)Was the twist worth sitting through a handful of episodes where I wondered why Manny was even there at all? Maybe, maybe not. But the show needed a “big bad,” and whether or not Manny turns out to be Satan himself or just an evil angel, he still fits the bill nicely.Constantine had a cool look, an awesome lead, and a confidence that you don’t see in most fledgling series. As the series went on it became an intriguing show with many dimensions that would of been worth exploring in later seasons, this is a show that was cancelled too soon and now with a unresolved cliffhanger we may never know where it will lead. On the plus side Matt Ryan’s Constantine is coming too Arrow, so we at least get to see him at least one more time.

HALLOWEEN OF HORROR REVIEW: THE ATTICUS INSTITUTE

CAST

William Mapother (World Trade Center)
Rya Kihlstedt (Heroes Reborn)
John Rubinstein (Robocop: the Series)
Sharon Maughan (The Bank Job)
Harry Groener (Buffy: The Vampire Slayer)
Ivar Brogger (Andromeda)
Aaron Craven (Izombie)

The story of the film is presented in documentary format, with footage of the events punctuated by interviews with people related to them. In the early 1970s, Dr. Henry West (William Mapother) founds the Atticus Institute in rural Pennsylvania, hoping to find evidence that proves supernatural abilities such as ESP are real. Despite the best work of West and his aides, however, every subject that comes to the institute seeming to display such abilities are ultimately proven to be frauds. The team is demoralized in their work by the time Judith Winstead (Rya Kihlstedt) is brought to the institute by her sister Margaret, who is troubled by her disturbing behavior. Judith immediately proves to be a different case than the previous subjects, passing all the tests with incredible proficiency and leaving no doubt that her abilities are genuine. Her behavior remains erratic, however, and many of West’s staff become uncomfortable with her, even while their boss’s fascination with her increases. With the usual tests proving to be no challenge for Judith’s incredible power, the team gradually introduces new tests that show her to possess even greater abilities than first imagined.Judith’s behavior grows more unstable as her abilities evolve, disturbing West’s staff. Bizarre events begin to happen to the aides and their families outside of the institute, which they suspect Judith is somehow influencing, and many of them resign from their positions to escape from her. As the situation escalates, the team seeks help from the United States military; under the influence of military advisors, they conduct new tests that lead to Judith manifesting new abilities such as telekinesis and pyrokinesis. One day, Judith experiences a violent reaction to a spectral photography experiment, and when the images are checked, a cloud-like entity is observed temporarily leaving Judith’s body during her convulsions. This leads the team to realize that Judith’s powers are the result of demonic possession.With this discovery, the military seizes full control of the institute under a pretext of national security, and the situation spirals completely out of control. Soon, the military decides that Judith’s abilities can be utilized as a weapon against the Soviet Union in the Cold War, and they begin conducting increasingly inhumane experiments on Judith against West’s objections. Using methods such as electroshock therapy, the military try to tame the demon and force it to cooperate in exercises such as identifying the location of enemy bases, ignoring the effects these tests have on Judith. As these experiments ultimately prove fruitless, the military decides to try removing the demon from Judith by having a priest perform an exorcism while a soldier is connected to Judith via machinery. The process shows promise at first, but Judith suddenly lashes out and gravely injures the priest, disconnecting the electrodes attached to her before passing out. As the staff try to reattach the electrodes, Judith experiences a violent seizure while the demon attacks West through the body of the soldier connected to her. An unseen force blasts through the facility, killing all present. As the cameras come back online, Judith – now free of the demon’s control and restored to her true self – breaks down when she sees the carnage around her. The demon enters the room in West’s body, having fully consumed his soul, and stands before Judith’s cell as she pleads for help. West kills Judith by telekinetically bursting her heart, then calmly exits the room and disappears.The film concludes with a note revealing that Judith’s body was buried in an undisclosed location following an autopsy, and her case remains the only instance of possession officially certified by the United States government. Dr. Henry West, after disappearing on October 23, 1976, was declared legally dead in 1982 and his whereabouts have been unknown for over forty years.Overall The Atticus Institute is one of those mediocre horror films that you can coast your way through if you are just determined to watch it. There isn’t any real connection given between the character development and the audience. The horror and chilling elements aren’t really scary or affective unless you are 12 and really creeped out by demons and paranormal stuff. The framing device and story arc is so done to death, that it becomes a bit boring and you find yourself asking “why am I watching this?”.

REVIEW: LOST – SEASON 6

Starring

Matthew Fox (Alex Cross)
Jorge Garcia (How I Met Your Mother)
Evangeline Lilly (Ant-Man and The Wasp)
Terry O’Quinn (The Rocketeer)
Josh Holloway (Colony)
Naveen Andrews (The Brave One)
Michael Emerson (Arrow)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Henry Ian Cusick (Hitman)
Ken Leung (Inhumans)
Emilie de Ravin (Roswell)
Jeff Fahey (Texas Rising)
Nestor Carbonell (Bates Motel)
Zuleikha Robinson (Homeland)

Josh Holloway and Elizabeth Mitchell in Lost (2004)

Recurring / Notable Guest Cast

Sam Anderson (Angel)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Brad William Henke (Bright)
Kimberly Joseph (Hercules: TLJ)
Fredric Lehne (Amityville 4)
Elizabeth Mitchell (V)
Dominic Monaghan (Flashforward)
Mark Pellegrino (13 Reasons Why)
Daniel Roebuck (Final Destination)
Ian Somerhalder (The Vampire Diaries)
Sean Whalen (Twister)
Greg Grunberg (Alias)
John Hawkes (Winter’s Bone)
David H. Lawrence XVII (Heores)
Hiroyuki Sanada (Westworld)
William Mapother (Anotehr Earth)
Jeff Kober (New Girl)
Katey Sagal (Futurama)
Veronica Hamel (Cannonball)
Dylan Minnette (13 Reasons Why)
Andrea Gabriel (2 Broke Girls)
Kevin Durand (Swamp Thing)
Anthony Azizi (Eagle Eye)
Rob McElhenney (Wonder Boys)
William Atherton (Ghostbusters)
Alan Dale (Ugly Betty)
Jon Gries(Taken)
Tania Raymonde (Texas Chainsaw)
Neil Hopkins (The Net 2.0)
Rebecca Mader (Iron Man 3)
Jodi Lyn O’Keefe (The Vampire Diaries)
Titus Welliver (The Town)
Andrew Divoff (Wishmaster)
Chad Donella (Smallville)
Jeremy Davies (Hannibal)
Fionnula Flanagan (The Others)
Sonya Walger (Flashforward)
Fisher Stevens (Hackers)
Harold Perrineau (Constantine)
Cynthia Watros (Titus)
François Chau (The Tick)
Kevin Tighe (My Bloody Valentine)
Allison Janney (Mom)
Mira Furlan (Babylon 5)
Michelle Rodriguez (The Fast and The Furious)
Maggie Grace (The Fog)
John Terry (Full Metal Jacket)
John Pyper-Ferguson (Caprica)

Nestor Carbonell and Terry O'Quinn in Lost (2004)Season 6 of Lost is quite possibly the most scrutinized season of television in history. With both longtime fans of the series and curious outsiders wondering if this season would deliver both on answers and a satisfying conclusion, series show runners DamonLindelof and Carlton Cuse had an incredible task on their hands. With an edge-of-your-seat conclusion to Season 5, the small band of survivors we’ve grown to love set out on their final journey against a villainous shape shifter on an island of mystery.

In Season 4, “The Constant” established Lost as a science fiction series when it introduced time travel into the equation. From that point forward, until the conclusion of Season 5, the series maintained and expanded on that concept by sending the survivors hurtling through time until they eventually landed in 1974 (or 1977, for those on Ajira 316). Season 6 drops the time travel story completely and introduces a different sci-fi concept: alternate realities. It appears that the detonation of Jughead in “The Incident” created a parallel universe in which events played out slightly different and Oceanic Flight 815 never crashed.Much like flash-backs and flash-forwards, we experience this parallel universe through a series of “centric” flash-sideways featuring the lives of these characters as if the crash had never happened. This gives Lindelof and Cuse a unique opportunity to reexamine the lives of these characters from a completely different perspective.Josh Holloway in Lost (2004)The flash-sideways giving us incredibly important character moments and an intriguing new story that’s both surprising and engaging. With each “centric” flash-sideways story, parallels are drawn to the character’s plight while they are on the island. This relationship between timelines establishes a key connection between both storylines that give the flash-sideways an importance outside of simply being a different perspective on how things could have ultimately played out.Jeff Fahey, Michael Emerson, Yunjin Kim, and Zuleikha Robinson in Lost (2004)Connections between the two universes are explored more thoroughly as the series progresses and we do ultimately get a resolution to the flash-sideways storyline. How satisfying that resolution is will ultimately be based on a number of factors that stem from your own expectations. In other words, it’s a polarizing conclusion to a very unique story and you’re probably either going to love it or hate it. I loved the way the flash-sideways story ended because it satisfied the need for closure.Josh Holloway and Elizabeth Mitchell in Lost (2004)“Happily Ever After” stands out as the episode that had the most impact on both universes. Living, breathing Desmond David Hume (Henry Ian Cusick) has his consciousness transported into what we now know to be the afterlife and acts as the genesis for everything that happens in the “flash-sideways” realm after his departure. Desmond is also the catalyst for most events that occur leading up to and including the finale.Matthew Fox and Jorge Garcia in Lost (2004)He’s seen as nothing more than a tool by those around him; a means to an end. However, Desmond is infused with his own sense of purpose. With the events he experienced in the other universe infecting his mind, Desmond sets out to free those remaining on the island from their pain and suffering and take them to a better place. It’s funny how both Desmonds are essentially driven by the same goal, with only one succeeding. But Desmond’s error on the island gives Jack and Kate (Evangeline Lilly) the window they need to stop the Man in Black.untitledTerry O’Quinn, who spent most of the past five seasons playing John Locke, slips into his new role as the embodiment of dark temptation with ease. We actually saw him as the Man in Black last season, but even O’Quinn didn’t realize that he was technically playing a different character until close to the finale.Terry O'Quinn in Lost (2004)Here he’s allowed to truly enjoy portraying a villain and it’s obvious he’s having a hell of a lot of fun in the role.Josh Holloway in Lost (2004)The Man in Black tests the survivors like never before. Offering them freedom, survival and even answers to some of the island’s more pressing mysteries. The way that the survivors respond to this temptation ultimately defines who they truly are, even if it takes them some time to make the right decision. Again, just like the flash-sideways, this gives us yet another fascinating new perspective on these characters. We see them at both their weakest and their strongest this season. )Season 6 does a good job of explaining some mysteries while others are left up to the viewer to dissect for years to come. Lost: Season 6 is a strong conclusion to what has been an extraordinary series.Naveen Andrews and Hiroyuki Sanada in Lost (2004)All the elements that made the past five seasons so great are here, with the added bonus of this being the final season and the stakes being raised for all the characters. Whether or not the answers provided are satisfying or cover enough ground will vary drastically for different viewers, but ultimately, Lost: Season 6 delivers closure on a story that has captivated us for so long.

REVIEW: LOST – SEASON 5

Starring

Matthew Fox (Alex Cross)
Jorge Garcia (How I Met Your Mother)
Elizabeth Mitchell (V)
Evangeline Lilly (Ant-Man and The Wasp)
Jeremy Davies (Hannibal)
Terry O’Quinn (The Rocketeer)
Josh Holloway (Colony)
Naveen Andrews (The Brave One)
Michael Emerson (Arrow)
Rebecca Mader (Iron Man 3)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Henry Ian Cusick (Hitman)
Ken Leung (Inhumans)

Naveen Andrews in Lost (2004)

Recurring / Notable Guest Cast

Sam Anderson (Angel)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Alan Dale (Ugly Betty)
William Mapother (The Mentalist)
Sonya Walger (Termiantor: TSCC)
Sean Whalen (Twister)
François Chau (The Tick)
Michelle Rodriguez (The Fast and The Furious)
Jeff Fahey (Texas Rising)
Cheech Marin (Machete)
Fionnula Flanagan (The Others)
Nestor Carbonell (Bates Motel)
Alexandra Krosney (Last Man Standing)
John Terry (Full Metal Jacket)
Raymond J. Barry (The Gifted)
Zuleikha Robinson (Homeland)
Saïd Taghmaoui (Wonder Woman)
Malcolm David Kelley (You Got Served)
Lance Reddick (Bosch)
Reiko Aylesworth (24)
Patrick Fischler (Happy!)
Doug Hutchison (Punisher: War Zone)
Sterling Beaumon (The Killing)
Brad William Henke (Bright)
Eric Lange (Narcos)
Jon Gries (Taken)
Matthew Alan (13 Reasons Why)
Tania Raymonde (Texas Chainsaw)
William Sanderson (Blade Runner)
Kim Dickens (Hollow Man)
Dean Norris (Breaking Bad)
Marsha Thomason (The Haunted Mansion)
Alice Evans (The Vampire Diaries)
Andrea Gabriel (2 Broke Girls)
Mark Pellegrino (13 Reasons Why)
Titus Welliver (Argo)

Jeremy Davies and Nestor Carbonell in Lost (2004)Last season, Lost successfully made the transition into the realm of science fiction with classic episodes like “The Constant” and of course, making the island literally disappear in “There’s no Place Like Home.” Season 5 dives head first into weighty science fiction concepts with time travel playing a major role in the narrative for the entire year. There are inherent risks with introducing time travel into a story that is already as complex as the one Lost has become over the past few years. For the most part, the writers do a good job of keeping the time travel aspect of the story from becoming too complicated, but there is no dispute that it is the driving force of the season’s narrative.The first half of the season is comprised of two very distinct storylines.Jeremy Davies, Ken Leung, and Rebecca Mader in Lost (2004)One of those being Jack Shephard’s desperate attempt to reunite the Oceanic Six in order to return to the island and the other being the journey of those left behind as they find themselves inexplicably traveling through time. The Oceanic Six storyline is definitely the weaker of the two. The story of the Six, hours before they return to the island was weakened by a slow start with the somewhat Hurley-centric “The Lie.” This is an episode that featured a little too much of Hugo Reyes’ wacky exploits as he transports an unconscious Sayid around Los Angeles. The rest of the Oceanic Six story is essentially a waiting game as we watch the pieces fall into place so that these characters can return to where we really want them to be – on the island. In fact, their return to the island in “316” feels rushed, almost as if the writers realized that the best place for these characters is back on the island.The aptly named “The Life and Death of Jeremy Bentham” is the best episode that takes place almost entirely off the island.Terry O'Quinn and Rebecca Mader in Lost (2004)The story chronicles John Locke’s attempt to convince the Oceanic Six that they need to return to the island in order to save those left behind. It’s a tragic story for John Locke who has spent the last four seasons in the belief that the survivors of Flight 815 are tied by a single destiny but only in death does he finally make people believe. It’s a well-scripted story and wonderfully acted by Terry O’Quinn who does a great job of portraying an interesting transition for Locke on screen.Locke isn’t the only one who goes through a transition this season as Benjamin Linus is forced into a situation that is quite surprising for the character.Daniel Dae Kim and Melissa Farman in Lost (2004)Without delving into too much detail, the dynamic between Locke and Ben changes quite a bit but the great chemistry between O’Quinn and Michael Emerson is still as exceptional as it has always been. Linus fans should not be disappointed by some of the great developments for the character this season. On the island, Sawyer and the rest of the survivors left behind are forced to cope with the fact that they are constantly flashing through time, either to the past or the future. The approach taken here is straightforward and clearly laid out in the first episode of the season; you cannot change events in the past – whatever happened, happened and couldn’t of happened any other way. Faraday acts as the mouth piece for much of the technobabble in the early part of the season with Sawyer playing the part of the ‘everyman’ who constantly questions why things are happening the way they are. This allows the writers an opportunity to ease the audience into this shift of events without making things too complex to follow. There is plenty of exposition,Matthew Fox in Lost (2004)but with Sawyer’s classic charm to offset Faraday’s jargon, it makes it a lot easier to swallow.Time travel is utilized to its fullest here to reveal some of the island’s back-story over the last 50 years. Sawyer and co. pay a visit to the Others of the 1950s and are introduced to past leaders of the mysterious group. We also see some much-needed loose ends tied up as we finally learn more about Rousseau and her research team and we also discover why Richard Alpert visited a young Locke just one season ago. As secrets are revealed and key puzzle pieces are slid into place it’s surprising to see just how well everything fits together. Some of this is certainly due to the asset of knowing how many episodes you have left to tell your story in, but I’m hard pressed to find many plot holes in any of the explanations given. Cuse and Lindelof deserve credit for maintaining a watertight narrative throughout most of the season.

REVIEW: LOST – SEASON 3

Starring

Evangeline Lilly (Ant-Man and The Wasp)
Matthew Fox (Alex Cross)
Josh Holloway (Colony)
Elizabeth Mitchell (V)
Henry Ian Cusick (Hitman)
Dominic Monaghan (Flashforward)
Naveen Andrews (The Brave One)
Michael Emerson (Arrow)
Jorge Garcia (How I Met Your Mother)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Terry O’Quinn (The Rocketeer)
Emilie de Ravin (Operation: Endgame)
Rodrigo Santoro (300)
Kiele Sanchez (A Perfect Getaway)
Adewale Akinnuoye-Agbaje (Suicide Squad)

Josh Holloway in Lost (2004)

Recurring / Notable Guest Cast

Julie Adams (Code Red)
Brett Cullen (Ghost Rider)
M.C. Gainey (Breakdown)
William Mapother (The Mentalist)
Julie Bowen (Modern Family)
John Terry (Full Metal Jacket)
Michael Bowen (Kill Bill)
Tania Raymonde (Texas Chainsaw)
Rob McElhenney (Wonder Boys)
Paula Malcomson (The Hunger Games)
Ian Somerhalder (The Vampire Diaries)
Chris Mulkey (Whiplash)
Justin Chatwin (War of The Worlds)
Kim Dickens (Gone Girl)
Bill Duke (Black Lightning)
Adetokumboh M’Cormack (Gods & Heroes)
Andrew Divoff (Wishmaster)
Aisha Hinds (Cult)
François Chau (The Tick)
Nathan Fillion (Firefly)
Fredric Lehne (Men In BLack)
Zeljko Ivanek (Heores)
Nestor Carbonell (Bates Motel)
Robin Weigert (Jessica Jones)
Alan Dale (Ugly Betty)
Sonya Walger (Flashforward)
Shishir Kurup (Coneheads)
Fionnula Flanagan (The Others)
Bai Ling (The Crow)
Diana Scarwid (Wonderland)
Cheech Marin (Coco)
Kimberley Joseph (Hercules: TLJ)
Sung Hi Lee (The Girl Next Door)
April Grace (A.I.)
Shaun Toub (Iron Man)
Gabrielle Fitzpatrick (MMPR: The Movie)
Kevin Tighe (My Bloody Valentine)
Cleo King (Mike & Molly)
Patrick J. Adams (Legends of Tomorrow)
Billy Dee Williams (Star Wars)
Daniel Roebuck (Final Destination)
Beth Broderick (Sabrina: TTW)
Andrew Connolly (Heroes)
Marsha Thomason (White Collar)
Jon Gries (Welcome To The Jungle)
Doug Hutchison (Punisher: War Zone)
Samantha Mathis (American Psycho)
Carrie Preston (True Blood)
Sterling Beaumon (The Killing)
Sam Anderson (Angel)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Andrea Gabriel (2 Broke Girls)
Neil Hopkins (The Net 2.0)
Tracy Middendorf (Scream: The Series)
Lana Parrilla (Once Upon A Time)
Malcolm David Kelley (Detroit)
James Lesure (Las Vegas)
Fisher Stevens (Hackers)
Mira Furlan (Babylon 5)

This season is easily broken down into two separate parts; the first six episodes that aired before an eight week hiatus and then the rest of the season. Even though the first six are considered part of the third season, they feel much more like a prologue. Very little time is spent with the survivors on the beach and the main focus of the story is Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer’s (Josh Holloway) imprisonment by the Others.Evangeline Lilly in Lost (2004)The second half of the season also featured some of the show’s best episodes to date. Including the brilliantly told “Flashes Before Your Eyes”, which is an interesting twist on Lost’s flashback scenario. Other episodes like “The Man from Tallahassee” and “The Brig” answered long asked questions while “The Man Behind the Curtain” and “One of Us” gave us a much needed back-story on both Ben (Michael Emerson) and Juliet (Elizabeth Mitchell).Really, the only weak point of the final sixteen-episode run would be “Stranger in a Strange Land”, an episode that primarily focused on the origins and meaning of Jack’s tattoo. We still don’t really understand the significance and we’re not too sure if the writers do either as they never bring up the subject again for the rest of the season.Terry O'Quinn in Lost (2004)Even “Expos¿”, an episode that featured fan-hated Nikki (Kiele Sanchez) and Paulo (Rodrigo Santoro), told an interesting “Twilight Zone” style story and we couldn’t be happier with the conclusion.If you were to suggest that the theme for season one was man vs. the unknown and that season two’s was man vs. machine it would be fair to suggest that the theme for season three is man vs. man, as the main crux of the season deals with the survivors of Flight 815 dealing with the Others. There is a constant power struggle between the two groups and the narrative frequently shifts back and forth from the Others camp to the survivor’s beach. Intertwined throughout, are personal struggles for several of the characters in both camps and we realize as the story pushes forward that even though they are enemies, their survival appears to be dependant on each other.At the core of this struggle is Benjamin Linus, and it would be a sin not to mention Michael Emerson’s fantastic performance as the enigmatic leader of the Others. He never once falters in portraying a creepy and unnerving nemesis for the survivors of Flight 815 and in particular, John Locke.Evangeline Lilly in Lost (2004)Terry O’Quinn puts in an equally inspired performance and every time these two appeared on screen together, you knew something special was about to happen. Everything culminates in what can be described as one of the best season finales in recent memory. Carlton Cuse and Damon Lindelof deliver a brilliantly told story that is full of emotion, suspense and action.

REVIEW: LOST – SEASON 2

Starring

Matthew Fox (Alex Cross)
Terry O’Quinn (The Rocketeer)
Jorge Garcia (How I Met Your Mother)
Josh Holloway (Colony)
Evangeline Lilly (Ant-Man and The Wasp)
Michelle Rodriguez (The Fast and The Furious)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Naveen Andrews (The Brave One)
Dominic Monaghan (Flashforward)
Cynthia Watros (Finding Carter)
Adewale Akinnuoye-Agbaje (Suicide Squad)
Emilie de Ravin (Operation: Endgame)
Harold Perrineau (Constantine)
Maggie Grace (Taken)
Malcolm David Kelley (Deriot)

Matthew Fox in Lost (2004)

Recurring / Notable Guest Cast

Henry Ian Cusick (Hitman)
John Terry (Full Metal Jacket)
Julie Bowen (Modern Family)
Anson Mount (Star Trek: Discovery)
Tamara Taylor (Bones)
Saul Rubinek (Warehouse 13)
Kevin Tighe (My Bloody Valentine)
Katey Sagal (Futurama)
François Chau (The Tick)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Sam Anderson (Angel)
Marguerite Moreau (Wet Hot American Summer)
DJ Qualls (Road Trip)
Kimberley Joseph (Hercules: TLJ)
Brittany Perrineau (Felon)
Ian Somerhalder (The Vampire Diaries)
Brett Cullen (Ghost Rider)
Rachel Ticotin (Total Recall)
Michael Cudlitz (The Walking Dead)
Rick Overton (Willow)
Fredric Lehne (Men In Black)
Beth Broderick (Sabrina: TTW)
Lindsey Ginter (Argo)
Adetokumboh M’Cormack (Gods & Heroes)
M.C. Gainey (Breakdown)
Neil Hopkins (D-Sides)
Robin Atkin Downes (Babylon 5)
Kim Dickens (Gone Girl)
Kevin Dunn (Transformers)
Clancy Brown (Highlander)
Mira Furlan (Babylon 5)
Michael Emerson (Arrow)
Theo Rossi (Luke Cage)
William Mapother (THe Mentalist)
Tania Raymonde (Texas Chainsaw)
Andrea Gabriel (2 Broke Girls)
Evan Handler (Californication)
Bruce Davison (X-Men)
Wayne Pygram (Farscape)
Gabrielle Fitzpatrick (MMPR: The Movie)
Nick Jameson (Frozen)
Oliver Muirhead (The Social Network)
Michael Bowen (Kill Bill)
April Grace (A.I.)
Alan Dale (Ugly Betty)
Sonya Walger (Flashforward)

Daniel Dae Kim, Josh Holloway, and Harold Perrineau in Lost (2004)

Attempting to build on the strength of Season One, Lost Season Two introduces several new characters and a new mysterious group to keep viewers enthralled. The introduction of the tail section characters does serve a purpose early in the season as it reinforces the Others as formidable villains. While the survivors on the beach have had it relatively easy, the tailies experience 48 days of hell in which their numbers shrink to a handful. Beyond that, Libby slides into a cute love story with Hurley while Ana Lucia stands around and takes up space until she is shot to death by Michael. Neither contributes a substantial amount to the season or the series besides being canon fodder for Michael.Harold Perrineau in Lost (2004)As for Mr. Eko, he does have a couple of good flashback episodes but it also feels like the writers are never quite sure what to do with him. At some points he’s a passive observer to events unfolding and the later he actively gets involved in the pressing of the button. Those last few episodes in which he finds himself destined to push the button almost seem as if the were a scramble to give the character something substantial to do. Don’t get me wrong, I’m a big fan of Eko but I feel as if his character was completely mismanaged from the outside.Only Bernard, who really doesn’t do much himself, feels like a relevant addition from the tail section as he ties up the loose end regarding Rose’s husband.Daniel Dae Kim and Josh Holloway in Lost (2004)Their reunion alone makes his introduction worth the effort. The best new addition to the Lost cast is the person we see the least throughout the season – Desmond David Hume. His appearance in the first couple of episodes of the season were used solely to introduce the concept of the button but his flashback and story in the two hour finale presented an intriguing new character. He’s a hopeless romantic on a quest to regain his honor and reunite with his true love. Desmond’s story is leaps and bounds more exciting than the rest of the new cast.Locke’s journey this season doesn’t really start to get interesting until the introduction of Henry Gale. For the first half of the season we get to see Locke at his most confident. He’s finally opened his hatch and discovered a bevy of new treasures inside to support his claims that the island and his connection to it are part of some much larger destiny. However, Gale’s arrival brings with it seeds of doubt as John’s world begins to fall apart. This culminates in the discovery of the Pearl Station and Locke’s complete loss of faith in the button and the island. It’s a good journey that has a great conclusion in the finale.Michelle Rodriguez and Cynthia Watros in Lost (2004)I really enjoyed Sawyer’s return to form midway through this season. Sure it didn’t make much sense for Sawyer to turn the entire camp against him in “The Long Con” but it was one of my favorite story lines of the season. His return to a nastier, less fan-friendly Sawyer was short lived however as he fairly quickly crept back into the good graces of the rest of the group.Michael’s battle to get Walt back from the Others had him depart midway through the season but his return in the final few episodes of the season were thoroughly entertaining. His murder of Ana Lucia and Libby gave way to an interesting game of deception as Michael is forced to convince the survivors that Henry was behind their deaths. His absolutely disgust in himself for taking a life mixed with the continued desperation he has to reunite with his son makes for some of the best character moments of the entire season. Harold Parrineau does a fantastic job of portraying Michael’s spastic range of emotions in those final few episodes.The real gem of this season and my favorite story arc is the introduction of Michael Emerson as Henry Gale.Naveen Andrews in Lost (2004)He spends most of his time confined in the Swan Station but that doesn’t stop him from being a formidable foe for the survivors of Flight 815. With the survivors fractured and keeping secrets from one another, Henry frequently manages to turn one survivor against the other. He’s favorite prey is John Locke who we already know is quite susceptible to snide comments and underhanded suggestions. Henry turns Locke inside out and uses him against Jack causing the group of survivors to lose focus. Its brilliant to watch unfold and Emerson brings a lot of weight to the role.

REVIEW: LOST – SEASON 1

Starring

Naveen Andrews (The Brave One)
Emilie de Ravin (Operation: Endgame)
Matthew Fox (Alex Cross)
Jorge Garcia (How I Met Your Mother)
Maggie Grace (Taken)
Josh Holloway (Colony)
Yunjin Kim (Shiri)
Daniel Dae Kim (Insurgent)
Evangeline Lilly (Ant-Man and The Wasp)
Dominic Monaghan (Flashforward)
Harold Perrineau (Constantine)
Malcolm David Kelley (Deriot)
Ian Somerhalder (The Vampire Diaries)
Terry O’Quinn (The Rocketeer)

Naveen Andrews, Daniel Dae Kim, Emilie de Ravin, Matthew Fox, Jorge Garcia, Josh Holloway, Yunjin Kim, Dominic Monaghan, Terry O'Quinn, Harold Perrineau, Ian Somerhalder, Maggie Grace, Malcolm David Kelley, and Evangeline Lilly in Lost (2004)

Recurring / Notable Guest Cast

Fredric Lehne (Men In Black)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Kimberley Joseph (Hercules: TLJ)
Michelle Arthur (Mission: Impossible III)
Greg Grunberg (Heroes)
John Terry (Full Metal Jacket)
Veronica Hamel (Cannonball)
Neil Hopkins (D-Sides)
Michael DeLuise (Wayne’s World)
Kristin Richardson (Rock Star)
William Mapother (THe Mentalist)
Mira Furlan (Babylon 5)
Andrea Gabriel (2 Broke Girls)
Navid Negahban (Legion)
Nick Jameson (Frozen)
Keir O’Donnell (Wedding Crashers)
Charles Mesure (V)
Tamara Taylor (Bones)
David Starzyk (Veronica Mars)
Jim Piddock (Mascots)
Robert Patrick (Termiantor 2)
Brittany Perrineau (Felon)
Swoosie Kurtz (Mike & Molly)
Kevin Tighe (My Bloody Valentine)
Zack Ward (Transformers)
Julie Bowen (Modern Family)
Mackenzie Astin (The Orville)
Beth Broderick (Sabrina: TTW)
Daniel Roebuck (Final Destination)
Skye McCole Bartusiak (Don’t Say A Word)
Michelle Rodriguez (The Fast and The Furious)
M.C. Gainey (Breakdown)

 

Dominic Monaghan and Evangeline Lilly in Lost (2004)Lost Season 1 succeeds first and foremost in character development. Lost is about relationships and before we can understand the dynamic behind the various relationships that develop over the course of a season, we need to understand what motivates these characters. This shows approach of having an individual episode focus on a single character through flashback, while formulaic, is a brilliant decision.Jorge Garcia and Harold Perrineau in Lost (2004)

Episodes like “The Moth” (Charlie), “Confidence Man” (Sawyer) and “Walkabout” give us a wealth of information about the people we are being introduced to. These episodes and others are entertaining, exciting and contain pivotal character moments that are still important to the story even in season four and undoubtedly beyond. As I’ve said, this is the foundation for the whole universe that we are being presented and the team behind Lost nailed it right from the “Pilot”.With character being such an important focus of the first season, the major story and mysteries surrounding the island are deliberately underdeveloped. After the survivors’ first night and their encounter with the monster we know this island is anything but normal, but we are only given glimpses from that point on. Over the course of the season we discover that there are other people on the island but beyond that we really don’t learn anything.Josh Holloway in Lost (2004)The truth is that if the writers had tried to develop the story at the same pace as the characters it would have all been too much, too soon and the whole world they are trying to build would have come tumbling down like a deck of cards. Saying that the story is underdeveloped may sound like a complaint but I feel that it was the best decision. We are given a thin vertical slice of what is to come in later seasons and that is all we really need.Of course, there are a plethora of individual character stories that thrive over the course of the season.Naveen Andrews in Lost (2004)Jin and Sun’s tumultuous relationship and betrayal, Charlie’s battle with drug addiction, Claire copping with being a parent and the love triangle between Kate, Jack and Sawyer are just a small few of the intriguing storylines that take place. All of these work to strengthen our understanding of the survivors.Definitely of note is the story of John Locke and his relationship with the island. It’s a fascinating story to watch unfold over the course of the season and Locke’s journey is very different from the rest of the survivors. He starts perceiving the island as a living entity and develops an understanding of it that everyone else fails to understand and they fear him for it.Yunjin Kim and Evangeline Lilly in Lost (2004)Terry O’Quinn does an exceptional job of portraying Locke’s development over the course of the season. He brilliantly presents a troubled and destroyed man who has experienced a profound miracle and is now trying to make sense of what has happened to him.As long time fans have come to expect, Michael Giacchino’s score adds an extra amount of depth to the season. He stands out as one of the premiere composers on television and Lost would simply not be the same without him. Most of Lost’s twists and turns may not have the same impact the second time around but that doesn’t mean that their importance isn’t appreciated. This show’s opening season set the foundation for things to come over the course of the series.

REVIEW: HUMAN TARGET – SEASON 1

Starring

Mark Valley (Zero Dark Thirty)
Chi McBride (Hawaii Five-O)
Jackie Earle Haley (Watchmen)

Jackie Earle Haley, Chi McBride, and Mark Valley in Human Target (2010)

RECURRING / NOTABLE GUEST CAST

Tricia Helfer (Battlestar Galactica)
Donnelly Rhodes (Tron: Legacy)
Adrian Hough (The Fog)
Danny Glover (Lethal Weapon)
Adrian Holmes (smallville)
Hiro Kanagawa (Heores reborn)
Peter Kent (Total Recall)
Alvin Sanders (Riverdale)
Courtney Ford (Legends of Tomorrow)
Ali Liebert (Wonder)
Alessandro Juliani (Man of Steel)
David Nykl (Arrow)
Sean Maher (Firefly)
Emmanuelle Vaugier (Two and a Half Men)
Aleks Paunovic (Van Helsing)
Alex Fernandez (Devious Maids)
Christie Laing (Izombie)
Sam Huntington (Superman Returns)
William Mapother (Lost)
Peter Bryant (Legends of Tomorrow)
Sarah Smyth (Supergirl)
Kristin Lehman (The Loft)
William B. Davis (The X-Files)
Chris Mulkey (Cloverfield)
Dylan Neal (Arrow)
Brandon Jay McLaren (Power Rangers SPD)
Ted Whittall (Suicide Squad)
Kevin Weisman (Runaways)
Autumn Reeser (Sully)
Zak Santiago (Caprica)
Mitch Pileggi (Stargate: Atlantis)
Leonor Varela (Blade II)
Kris Marshall (Love Actually)
Kim Coates (Goon)
Samantha Ferris (The Tall Man)
Lennie James (The Walking Dead)
Eric Breker (X-Men Origins)
Dash Mihok (Gotham)
Kenneth Welsh (Miracle)
Grace Park (Hawaii Five-0)
Peter Wingfield (Highlander: The Series)
Ken Kirzinger (Freddy vs Jason)
Moon Bloodgood (Termiantor: Salvation)
Ty Olsson (Battlestar Galactica)
Vincent Gale (Bates Motel)
Daniel Bacon (Stargate SG.1)
Steve Makaj (Arrow)
Craig Veroni (Dark Angel)
Christina Cole (Hex)
Erick Avari (Stargate)
Kavan Smith (When Calls The Heart)
Christopher Heyerdahl (Sanctuary)
Mackenzie Gray (man of Steel)
Lee Majors (Ash vs Evil Dead)
Robert Lawrenson (Sanctuary)
Amy Acker (The Gifted)
Timothy Omundson (Xena)
Armand Assante (Judge Dredd)
Fiona Vroom (Power Rangers)

Mark Valley and Emmanuelle Vaugier in Human Target (2010)Human Target was definitely one of the most surprising new series this season. Comic book stories don’t often translate well to the small screen, but this one bucked all the trends and exceeded expectations by consistently producing hot action, fascinating characters, and a good number of laughs too.Mark Valley in Human Target (2010)It started out with a pilot episode that wasted no time getting into the action. Fast paced events on a runaway train got things started with a bang. Right away, the series showed the kind of amazing action scenes that would make it an exciting watch every week. The second episode, “Rewind”, kept the pedal to the metal in an episode that had high-flying action on a plane, although things did get a little ridiculous with the plane flying upside down for an extended time.Peter Bryant and Mark Valley in Human Target (2010)The main characters quickly became fan favorites, thanks to witty dialogue and excellent acting work by the great trio of Mark Valley, Chi McBride, and Jackie Earle Haley. While Chance takes the lead in these episodes, his buddies (with shady pasts of their own) do a lot in their supportive roles. Winston and Guerrero have unique skills that are always employed in clever ways in the series, and they have a special kind of friendly-yet-combative relationship that provided most of the comedy relief in the show. The series also featured a number of intriguing guest stars, including many familiar faces from the sci-fi world. We saw Battlestar Galactica stars Tricia Helfer, Alessandro Juliani, Grace Park, and Donnelly Rhodes, along with two stars from The X-Files – Mitch Pillegi and a surprising appearance from William B. Davis (the infamous Cigarette Smoking Man).Mark Valley in Human Target (2010)At first, Human Target focused on a string of unrelated stories that followed the same effective formula—show the client, show the bad guys, have Chance and his pals save the day. But, although the standalone stories were entertaining, the “rescue of the week” routine quickly started to get tired, and the show often made heavy use of TV tropes and cliches (hot babes of the week, one dimensional antagonists, and slow motion explosions just to name a few). Fortunately, the show’s producers were aware of the limits of their plot devices and developed an overarching mythology that started to be revealed a few episodes into the season.Mark Valley in Human Target (2010)The story slowly started to turn into a tale of redemption, friendship, and life choices as the show gradually revealed bits and pieces of the backgrounds of the characters. In the beginning, there were just casual mentions of what the cast of main characters used to do. Then, in “Sanctuary”, the series mythology kicked into full gear with a side-story featuring Guerrero spying around in Chance and Winston’s files for a mysterious employer. This plot accomplished two things: it revealed a serious threat to Chance, and displayed Guerrero as ruthless when it comes to his job and his friends. Guerrero in general is a very different take on the “geeky computer spy” role, and his moment in the spotlight at the end of that episode really helped define the character. It’s a standout role that Jackie Earle Haley nailed every time.Further character development came in the form of a “bromance” between Winston and Chance that was detailed in “Corner Man”, and a personal vendetta with a former friend, coworker, and assassin named Baptiste that gave us our deepest look yet into what personally drives Chance.All of this buildup led us perfectly into the season finale, which exposed the history of the Christopher Chance name, and revealed all the players behind Chance’s past work and his change of heart. This was a well-crafted story that ended with a great cliffhanger. It’s a great setup for a second season, and let there be no doubt that this series does indeed deserve to be renewed. It’s interesting, exciting, and if it continues to improve, it could become a prime candidate to replace 24 as Fox’s top action show.