REVIEW: CHILLING ADVENTURES OF SABRINA – PART 2

Kiernan Shipka, Ross Lynch, and Gavin Leatherwood in Chilling Adventures of Sabrina (2018)

Starring

Kiernan Shipka (Mad Men)
Ross Lynch (Muppets Most Wanted)
Lucy Davis (Wonder Woman)
Chance Perdomo (Killed By Debt)
Michelle Gomez (Bad Education)
Jaz Sinclair (Slender Man)
Tati Gabrielle (The 100)
Adeline Rudolph
Richard Coyle (5 Day of War)
Miranda Otto (Lord of The Rings)
Lachlan Watson (The Ultimate Life)

Kiernan Shipka in Chilling Adventures of Sabrina (2018)

RECURRING / NOTABLE GUEST CAST

Jedidiah Goodacre (The ORder)
Christopher Rosamond (Van Helsing)
Jaz Sinclair (Paper Towns)
Darren Mann (Giant Little Ones)
Ty Wood (The Haunting In Connecticut)
Emily Haine (Deadpool)
Liam Hall (Arrow)
Alessandro Juliani (Smallville)
Gavin Leatherwood (Wicked Enigma)
Alexis Denisof (Buffy: TVS)
Adrian Hough (The Fog)
Spencer Treat Clark (Unbreakable)
Ray Wise (Robocop)
William B. Davis (The X-Files)
Luke Cook (Guardians of The Galaxy Vol. 2)

Kiernan Shipka and Ross Lynch in Chilling Adventures of Sabrina (2018)Netflix’s Chilling Adventures of Sabrina hammered feminist themes in its first season, with Sabrina Spellman challenging the patriarchy at every turn, facing off with the principal and jocks at her high school, the leadership of her coven, and even Satan himself. The teenage witch embraced supernatural forces, even as she fought against them, and ultimately sacrificed her principles — not to mention her immortal soul — to save her town, and her family and friends. It’s reminiscent of the path begun by Buffy Summers more than two decades earlier.Kiernan Shipka, Tati Gabrielle, Abigail F. Cowen, Gavin Leatherwood, Chance Perdomo, and Adeline Rudolph in Chilling Adventures of Sabrina (2018)If the similarities to Buffy the Vampire Slayer weren’t apparent last season, it’s probably because the show, and the audience, was so immersed in the mythology and history of witches in not-so-sleepy Greendale, and with Sabrina’s struggle to hold on to her mortal life, even as it slipped away from her. But with the heavy lifting of world-building out of the way, Chilling Adventures of Sabrina is free to go full-Buffy in its second season, which arrives Friday on the streaming service.Lucy Davis and Alessandro Juliani in Chilling Adventures of Sabrina (2018)That shouldn’t be read as a criticism. After just one season, and a winter special, Sabrina’s world is already richer, and more nuanced, than Buffy’s was after seven. With the characters, rules and stakes firmly established, the show’s writers can throw into Sabrina’s path rebellious Kings of Hell, a jealous werewolf, a murder conspiracy, the schemes of the Dark Lord and, worst of all, Valentine’s Day. And that’s only in the first five episodes made available for review.Tati Gabrielle, Abigail F. Cowen, and Adeline Rudolph in Chilling Adventures of Sabrina (2018)Picking up shortly after the events of “A Midwinter’s Tale,” whose ending ties directly into “The Epiphany,” Season 2 finds Kiernan Shipka’s Sabrina seemingly settle into life at the Academy of Unseen Arts, only to upend one of the school’s oldest traditions by challenging Nicholas Scratch (Gavin Leatherwood) for the position of Top Boy. The shot across the bow of the patriarchal structure held dear by Father Blackwood (Richard Coyle), and the three challenge of witchcraft that follow, would be plenty for the premiere, except Sabrina — in the finest of Buffy traditions — also has demon troubles, which hints at the season’s overarching plot. Of course, the angry, entitled Plague Kings are perhaps the least of Sabrina’s problems, given that the Dark Lord also comes calling to collect what’s owed him, and the intentions of Michelle Gomez’s delightfully manipulative Mary Wardwell remain as inscrutable as ever. That’s all complicated by Sabrina’s determination to make a go at the Academy, which includes a new romance with Nick, but her inability to leave Baxter High, and her mortal friends, behind.Lucy Davis in Chilling Adventures of Sabrina (2018)Those friends, who had relatively little to do until the Season 1 finale, flourish in these new episodes, with Lachlan Watson’s bullied Susie Putnam emerging as the show’s heart as he musters the courage to tell his friends, father and tormentors who he’s always been: Theo Putnam. Harvey Kinkle (Ross Lynch) and Roz Walker (Jaz Sinclair) are also given lives separate from Sabrina’s that, nevertheless, test her commitment to the Academy, and to Nick. So too is Sabrina’s family given room to develop beyond their (admittedly entertaining) roles as protectors and moral support. Lucy Davis’ quirky Aunt Hilda, who pinballed in between comic relief and (repeated) murder victim in Season 1, here reveals the depth of her ferocity and devotion. Although cracks had already appeared in the chilly facade of Aunt Zelda (Miranda Otto), in Season 2 she displays a willingness to waltz into danger for the sake of the Spellman family. And cousin Ambrose? Let’s just say that Chance Perdomo’s fan-favorite character experiences a complicated arc.Ross Lynch, Jaz Sinclair, and Lachlan Watson in Chilling Adventures of Sabrina (2018)With more room to breathe in its second season, Chilling Adventures of Sabrina settles in for a little fun, bouncing between the (yes) Buffy-like “The Epiphany” and the holiday-themed “Lupercalia” before drawing influence from The Twilight Zone with “Doctor Cerberus’s House of Horror,” in which a mysterious stranger tells the key characters their fortunes. The latter could be easily dismissed as a throwaway episode, except that the twisted visions of the future hold elements of truth.https___blogs-images.forbes.com_merrillbarr_files_2018_12_CAS_102_Unit_00166RThrough the shifts in influence and tone, and the side trips into the stories of secondary characters, Chilling Adventures of Sabrina doesn’t lose sight of what made the first season so enjoyable: the moral choices, and failings, of a teen witch who wants to do what’s right, but is frequently forced to follow a dark path. Season 2 underscores that, with witchcraft having unintentional consequences, and those around Sabrina suffering because of her decisions.

REVIEW: SMALLVILLE – SEASON 3

Starring

Tom Welling (Lucifer)
Kristin Kreuk (Beauty and The Beast)
Michael Rosenbaum (Impastor)
Sam Jones III (Glory Road)
Allison Mack (Wilfred)
Annette O’Toole (The Punisher)
John Schneider (The Haves and the Have Nots)
John Glover (Shazam)

Kristin Kreuk and Tom Welling in Smallville (2001)

Recurring / Notable Guest Cast

Terence Stamp (Superman)
Rutger Hauer (Blade Runner)
Ryan Robbins (Sanctuary)
Emmanuelle Vaugier (Two and a Half Men)
Jill Teed (Battlestar Galactica)
Françoise Yip (The Predator)
Camille Mitchell (Izombie)
Jesse Metcalfe (Dead Rising)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (The Core)
John DeSantis (Thirteen Ghosts)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Traitor)
Patrick Gallagher (Glee)
William B. Davis (TheX-Files)
John Mann (Dark Angel)
Kendall Cross (The Butterfly Effect)
Tim Henry (88 Minutes)
Kevin Zegers (Dawn of The Dead)
Patrick Bergin (Lawnmower Man 2)
Michael Daingerfield (Sausage Party)
Ian Somerhalder (The Vampire Diaries)
Jonathan Taylor Thomas (Home Improvement)
Shawn Ashmore (X-Men)
William MacDonald (Riverdale)
Missy Peregrym (Van Helsing)
Martin Cummins (Bates Motel)
Chris Gauthier (Watchmen)
Meghan Ory (Once Upon A Time)
Ryan Merriman (Final Destination 3)
Moneca Delain (Trick ‘r Treat)
Sarah Carter (The Flash)
Lynda Boyd (Sanctuary)
Jerry Wasserman (I Robot)
James Kirk (She’s The Man)
Tahmoh Penikett (Man of Steel)
Julian Christopher (Elysium)
Terry Chen (Jessica Jones)
Aaron Pearl (Godzilla)
Christopher Reeve (Superman)
Gary Hudson (Fifty Shades Freed)
Alisen Down (Stargate SG.1)
Andrew Airlie (Fifty Shades of Grey)
Gordon Tootoosis (Lone Star)
Nathaniel Arcand (Pathfinder)
Neil Flynn (Scrubs)
Amber Rothwell (Whoite Noise)
Adrianne Palicki (The Orville)
Sarah Deakins (Andromeda)
Robert Wisden (Highlander: The Series)
Brandon Jay McLaren (Power Rangers SPD)

Michael Rosenbaum and Tom Welling in Smallville (2001)Season Three begins three months after the cliffhanger that ended Season Two – with Clark under the influence of Red Kryptonite, which doesn’t hurt him – but does bring out his darker side. Clark has left Smallville because he feels responsible for his mother’s miscarriage at the end of Season Two, and the first two episodes – Exile and Phoenix – deal with Clark’s coming to terms with what he has done and where he belongs.Much like The X-Files and other sucessful science-fiction programs, Smallville has both “mythology” episodes and “stand-alone” shows, with the former moving along the overall story, and the latter tending to be more “fun” – generally focusing on someone in town who has a special ability or power that Clark has to deal with. Season Three is also peppered with some great guest-starring roles for notable actors, including Rutger Hauer playing criminal mastermind Morgan Edge; Michael McKean (who happens to be the real-life husband of Smallville star Annette O’Toole) guest-starring as Perry White; and the return of Christopher Reeve as Dr. Swann in Legacy in what would sadly be Reeve’s final appearance on the show.John Schneider and Tom Welling in Smallville (2001)Perhaps more than any previous season, there’s a lot of context to the ongoing storyline in this third season, which may be why many fans (including some right here at DVD Talk) got so frustrated with some of the episodes. Because of the ongoing storyline involving Clark’s biological father, Jor-El (voiced by Terrance Stamp) and his connection to some mysterious caves in Smallville, the chant of “Another Cave Show” and “No More Caves!” became a frequent one on forums here and elsewhere on the Net.John Glover and Michael Rosenbaum in Smallville (2001)But all in all, this is a quite satisfying season of one of the more underrated (and under appreciated) series on TV. Smallville is easily the best incarnation of the Superman legend since Christopher Reeve’s theatrical films, and any fan of The Man of Tomorrow will want to add this boxed set to their collection – assuming you’ve seen the first two seasons first, of course! Entertaining, well-written, well-acted and featuring some impressive special effects, television programs don’t get much better than Smallville. While this may be the weakest season of the first three, it’s still better than most seasons of any hour drama that is currently on the air. This one’s an easy call: fly (don’t walk!) to your local store or online retailer and pick a copy up.

REVIEW: SMALLVILLE – SEASON 2

Starring

Tom Welling (Lucifer)
Kristin Kreuk (Beauty and The Beast)
Michael Rosenbaum (Impastor)
Sam Jones III (Glory Road)
Allison Mack (Wilfred)
Annette O’Toole (The Punisher)
John Schneider (The Haves and the Have Nots)
John Glover (Shazam)

Kristin Kreuk and Tom Welling in Smallville (2001)

Recurring / Notable Guest Cast

Tom O’Brien (The Accused)
Rekha Sharma (Star Trek: Discovery)
Julian Christopher (Elysium)
Jerry Wasserman (Watchmen)
Krista Allen (Feast)
Mitchell Kosterman (Stargate SG.1)
Sarah-Jane Redmond (Disturbing Behaviour)
Joe Morton (God Friended Me)
Andrew Jackson (Earth: Final Conflict)
Michael Kopsa (Fantastic Four)
Sara Downing (Roswell)
Garwin Sanford (Arrow)
Sean Faris (Never Back Down)
Gwynyth Walsh (Star Trek: Generations)
Richard Moll (Batman: TAS)
Maggie Lawson (Santa Clarita Diet)
George Coe (The Stepford Wives)
Jesse Hutch (Arrow)
Fulvio Cecere (Valentine)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Blair Brown (Space Cowboys)
Ryan Kelley (Teen Wolf)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Mark Gibbon (The 6th Day)
Jonathan Taylor Thomas (Home Improvement)
Emmanuelle Vaugier (Two and a Half Men)
Robert Wisden (Highlander: The Series)
David Richmond-Peck (V)
Amara Zaragoza (Perfect Stranger)
Gordon Tootoosis (Lone Star)
Eric Johnson (Flash Gordon)
Lizzy Caplan (Cloverfield)
Byron Mann (Arrow)
Colin Cunningham (Elektra)
Jill Teed (Godzilla)
Eileen Pedde (Juno)
Jason Connery (Wishmaster 3)
Eric Keenleyside (Dreamcatcher)
Barclay Hope (Paycheck)
Rob LaBelle (Jack Frost)
Shaun Sipos (Texas Chainsaw)
Haig Sutherland (The Flash)
Luciana Carro (White Chicks)
Paul Wesley (The Vampire Diaries)
Craig Veroni (Dark Angel)
Christopher Reeve (Superman)
Anson Mount (Inhumans)
Michael Adamthwaite (Horns)
Camille Mitchell (Izombie)
Zachery Ty Bryan (Fast and Furious: Tokyo Drift)
Neil Flynn (Scrubs)
Jodelle Ferland (Case 39)
Ingrid Torrance (Scooby Doo 2)
David Lewis (Man of Steel)
Terence Stamp (Superman II)

 

Sam Jones III and Tom Welling in Smallville (2001)The first season of Smallville got off to a bit of a rocky start, as the program didn’t really find its footing until midway through the season. The show suffered from what fans called “Freak of the Week” syndrome, in which a new Kryptonite-mutated supervillain would emerge in every episode with some pretty weak storylines. The “Bug Boy” and “Coach Firestarter” episodes come to mind pretty quickly, and it makes me shudder just thinking about them. However, the show gradually shifted into telling more stories that advanced Clark Kent’s overall storyline, with multipart episodes that focused on slowly revealing Clark’s origin as Kal-El and his “immigration” to Earth, as well as the ongoing storylines of the supporting cast. Not to say that the show still doesn’t have an occasional “Freak of the Week”, but when they do they are either (1) fewer in frequency or (2) somehow related to the overall show’s story arc.Sam Jones III and Tom Welling in Smallville (2001)With that out of the way, let’s talk about the cast. Tom Welling is pitch-perfect as the teenage Clark Kent. With his tall stature and ripped physique, he certainly looks the part, but he also captures the insecurity and awkwardness of youth while portraying an inner nobility and morality for which his character will eventually become renown. As Lana Lang, Clark’s childhood crush and current on-again, off-again love interest, Kristin Kreuk is about as superhumanly lovely as one could imagine. She’s the “girl next door” multiplied by about three million, not only because of her phenomenal physical beauty but also due to her bright-eyed, compassionate, down-to-earth demeanor. It doesn’t take a rocket scientist to see why Clark loves her, or why it rips him apart when he has to push her away in order to keep his powers a secret and keep her from being harmed (people who tend to learn about Clark’s powers generally end up dead or insane.)Kristin Kreuk and Tom Welling in Smallville (2001)Michael Rosenbaum brings young Lex Luthor to life in what has become my favorite character of the show. Making Lex Luthor and Clark Kent childhood friends is a novel (and daring) conceit by the show’s creators, and it pays off handsomely. Lex adds a darker, more cynical dynamic to Clark’s teenage development that was missing in previous iterations of the character. Rosenbaum, who rather ironically provides the voice for the DC superhero “The Flash” on the Justice League animated series, makes Luthor a dark, sympathetic, and conflicted figure. He’s charismatic enough to make one want to like him, Machiavellian enough to make one worry if they can trust him, and – since we know his eventual fate – an overall tragic figure. We know he’s going to “go bad”; his slow transition from Clark’s trusted friend to worst enemy makes for some truly compelling material.Annette O'Toole and John Schneider in Smallville (2001)The cast is rounded out by John Schneider as Jonathan Kent, Academy Award-nominated songwriter Annette O’Toole (and a former Lana Lang herself from Superman III) as Martha Kent, John Glover as Lionel Luthor, Sam Jones III as Clark’s childhood friend Pete Ross, and Allison Mack as Chloe Sullivan, whose unrequited love for Clark has emerged as a critical subplot in the development of the series. The group makes for an attractive ensemble, and there’s not a bad apple in the bunch. My only real complaint about the cast could be the little screen time Pete Ross gets (which gets worse in Season Three). As Clark’s best friend since childhood, his relationship with Clark gets laid by the wayside in favor of the Clark/Lex dynamic. Every now and then he turns up to provide some expository dialogue, and while he is featured prominently in a few episodes (especially “Duplicity”), his role in the show has slowly diminished over time.John Glover and John Schneider in Smallville (2001)Smallville: The Complete Second Season picks up from the cliffhanger ending that ended Season One, and slowly grows into a stronger and more self-assured show. Over the course of the season we get introduced to heat vision, red Kryptonite, a trip to Metropolis (with a cameo by The Daily Planet), and, in the episode “Rosetta”, an appearance by the former Man of Steel Christopher Reeve which stands out as one of the series’ best episodes. When I heard bits of John Williams’s amazing film orchestrations woven into the show’s score, I had goose bumps everywhere.Tom Welling and Amara Zaragoza in Smallville (2001)While still a little bumpy at times, Smallville’s second season is a huge step above the first, and remains one of the most entertaining shows on television.

 

REVIEW: CAPRICA

MAIN CAST

Eric Stoltz (The Butterfly Effect)
Esai Morales (Fast Food Nation)
Paula Malcolmson (The Hunger Games)
Alessandra Torresani (The Big Bang Theory)
Magda Apanowicz (The Bionic Woman)
Sasha Roiz (Grimm)
Brian Markinson (Izombie)
Polly Walker (Clash of The Titans)

Recurring / Notable Guest Cast

Avan Jogia (Tut)
William B. Davis (The Dead Zone)
Sina Najafi (Stargate SG.1)
Hiro Kanagawa (Heroes Reborn)
Genevieve Buechner (Jennifer’s Body)
Anna Galvin (Tin Man)
Jorge Montesi (The Romeo Section)
Veena Sood (Timecop)
Scott Porter (Prom Night)
Karen Elizabeth Austin (The Eye)
Anita Torrance (Smallville)
Michael Eklund (Arrow)
Patton Oswalt (Young Adult)
Kendall Cross (Snakes on a Plane)
Peter Wingfield (Highlander: The Series)
Luciana Carro (Falling Skies)
Teryl Rothery (Stargate SG.1)
Alex Arsenault (Tucker and Dale vs Evil)
Françoise Yip (The Order)
Panou (Flash Gordon)
Camille Mitchell (Legion)
Richard Harmon (The 100)
A.C. Peterson (Shooter)
Eve Harlow (Bitten)
John Pyper-Ferguson (Suits)
James Marsters (Runaways)
Leah Gibson (Watchmen)
Jill Teed (Godzilla)
James Pizzinato (Rise of The POTA)
Zak Santiago (Ghost Wars)
Meg Tilly (Bomb Girls)
Ryan Robbins (Sanctuary)
Kacey Rohl (Arrow)
Andrew Airlie (Fifty Shades of Grey)
Bridget Hoffman (Hercules: TLJ)
Ben Cotton (Staragte: Atlantis)
Ryan Kennedy (Smallville)
Christopher Heyerdahl (Van Helsing)
Tom McBeath (Stargate SG.1)
Calum Worthy (American Vandal)
James Kirk (X-Men 2)
Aleks Paunovic (War For The POTA)
Elisabeth Rosen (Cult of Chucky)
Carmen Moore (Arrow)
Mike Dopud (Stargate Universe)

The story revolves around the polytheistic, technologically-advanced colony of Caprica roughly sixty years before “the downfall”, focusing on the conflict between, and within, two families: The Graystones, and the Adamas Adams. Lawyer Joseph Adams (Esai Morales) lives a somewhat normal life with his wife and two children, Tamara and Billy, attempting to juggle his high-profile stature in the legal realm with his domestic life. He fights a bit with keeping himself as distanced as he can from his unsavory lineage, the Tauron mob Ha’la’tha, though it’s hard since the organization funded his education and requires his services regularly — usually by messages delivered through his brother, Sam (Sasha Roiz). BSG devotees with get a jolt in seeing the blossoming of young “Billy” in this environment early on, watching the growth of the semi-troubled youth that’d transform into the disquieting, powerful Galactica commander Bill Adama.Caprica’s central draw, however, is the Graystones. Daniel Graystone (Eric Stoltz) heads a tech development firm working on a mechanized super-soldier that’s just not cutting the mustard, all the while generating profit (60% of net, to be exact) with virtual reality headsets — holobands — that connect to a network of fully-interactive, realistic digital worlds. Graystone’s seemingly safe digital construct quickly broke down into a laissez-faire underground, filled with hacked sections that exploit sex, drug-use, and violence. Daniel’s daughter, a silver-tongued high-school student named Zoe (Alessandra Torresani) who battles with her mother Amanda (Paula Malcomson) over authority, frequents the holoband V-Club with boyfriend Ben (Avan Jogia) and timid best friend Lacy (Magda Apanowicz), yet they’re beyond the carnal satisfaction that the place has to offer. Instead, they’ve found purpose in monotheistic religious belief within an activist organization, the Soldiers of The One (STO), and, in the process, created an exact digital copy of Zoe who will somehow aid the resistance.Observant fans will see where Caprica’s going with the duplicate Zoe, coming together in an introductory pilot that realizes the germ of an idea behind the genesis of the Cylon race, but it certainly doesn’t leave newcomers in the cold. Moore and Eick, with this freshness in mind, go in a startling direction with the content surrounding the Cylon conception; a murderous STO-related terrorist attack on a train rattles the city of Caprica, leaving the Graystones without their daughter and Joseph with only his son, Billy. The grief they endure becomes a convincing dramatic catalyst for what’s to come, breaking a floodgate for aggressive decision-making regarding family memories and Daniel’s technological advancement — with the idea of an exact digital replication of both mind and memory, such as the avatar of Zoe that lingers after her death, propelling it forward. It’s a thought-provoking launch that tackles some rather challenging concepts, including that of the human psyche as raw data and the extent that open-minded intellectuals might go to preserve those they’ve lost. And, of course, the narcissistic power behind potential immortality.imagesUpon the second episode, “Rebirth”, one fact becomes very clear: Caprica isn’t cut from the same cloth as its inspiration, instead existing as a compelling new creation with its own hurdles to cross. In retrospect, the reimagined Battlestar Galactica painlessly continued the momentum from its original two-part miniseries, thrusting forward with space warfare and political components into the dazzling episode “33”. With Caprica, a shrewd character-driven thriller with complexity surrounding terrorism and family grief, the carry-over isn’t as easy. Thankfully, the Moore-Eick team never shies away, hitting the gas with some rather incisive writing as they drive deeper into Caprica’s unraveling and the Graystone company’s waning success in the wake of the terrorist attack. Along the way, they also grapple with themes of Tauron racism (“dirt eaters”) and religious extremism through the STO and one of its leaders, Zoe’s teacher Sister Clarice (Polly Walker), that correlate to actual issues, while also cleverly using the concept of a digital underground — especially in the anarchistic “New Cap City” game simulation, a mix of World of Warcraft and Grand Theft Auto — as a way of escape and purpose-finding.Yet as Caprica focuses on these modern analogous ideas while its characters develop into a mixture of morally desolate entities, the first batch of six or so episodes move at a deliberate, slow-burning tempo that shifts between intrigue and sluggishness. The harsh chemistry between Daniel and Joseph as scorned parents electrifies, driven by Eric Stoltz and Esai Morales in two stark, authentic performances, and the pacing focuses on the causal events that unfold around their family-affecting decisions. But focusing on this calculated slow-burn can, at times, temper the series’ manner and cause the multiple plot threads to stray from the course, weaving intuitive dramatic performances around a lot of existential meditation and shots of neo-religious content without the right energy to propel it forward. I still find it compelling; the depth of Daniel’s egotism reaches a genuine depth that’s unexpected, while offering a cluster of explosive moments — such as the board meeting in “There is Another Sky” that actually starts the Cylon race — spliced within the persistent, astute drama.Then, as Caprica approaches “Ghosts in the Machine” and the mid-season finale “End of Line”, the gradual tension sees a much-needed outburst. These prior episodes extend into what’s essentially a rather lengthy fuse leading to this batch of dynamite, using brewing family turmoil and growing suspicions into an emotionally-taxing, brilliantly-realized culmination point. “Ghosts in the Machine” plays with the intensity of psychological torment in a staggering rush of emotion, while “End of Life” finds the first episode of the series to use the familiar “__ Hours Before” time mechanic frequently used in Battlestar Galactica. Quite simply, the build-up becomes worth the time at this point, igniting the series with the narrative outbreak it desperately lacked to become fully involving. Whether Caprica can maintain this momentum still remains to be seen, but the succession of these explosive developments that derive from subtly-evolving plot points — Amanda’s weakening sanity, Daniel’s obsession with meeting the development deadline, and the presence of the STO as violent radicals — satisfies with evocative, edge-of-your-seat chills at this midpoint, finally achieving that addictive science-fiction adrenaline that hallmarked its predecessor.The Second half of season 1 Caprica would be the end as Syfy decided to cancel it. Caprica utilized a cliffhanger episode at the end of the first half of the season, one that leaves the mortality of several characters up in the air. It’s uncertain whether the depression-driven grief that Amanda’s been going through truly led her to suicide; similarly, we’re unsure if the full-throttle abrasiveness that Zoe was enacting inside the U-87 Cylon body destroyed her at the end. Then, Syfy opted to go on a very lengthy mid-season break, leaving curious minds in the dark for roughly seven months and, effectively, knocking the wind out of Caprica. It establishes a fine world that explores the emotions coursing through decisions to either reject or embrace digital memories of loved ones, while also giving some deep-rooted glimpses into the underpinnings of Moore and Eick’s Emmy-winning Battlestar Galactica.None of Caprica’s issues root in the performances, however, or the production design. From the ground up, Moore and Eick continue the shrewdly-cast and stylish thrust of science-fiction with a fine vein of suspense, capturing the city’s expanses with a unique blend of metropolitan polish, futuristic gris-gris, and slick ’50s-esque allure. Locations like the Graystone mansion sport angular windows and a glaring pour of cold light, while the Adama household encapsulates a warm yet dark demeanor. These fitting aesthetic touches cradle some exceptional dramatic performances, including Eric Stoltz and Esai Morales whom have come into their own as tried-and-true denizens of Caprica. The same can be said for Magda Apanowicz as Lacy, who takes the complications surrounding a semi-innocent girl lost in the world of terrorism and runs with them with stalwart momentum. Lacy’s role, which gets sloshed around in the first half of the season, begins to grow more focused as she embeds further into the STO (and learns of her affinity with post-Zoe Cylons). Really, the issues hinge on a general question: “What’s the driving force behind Caprica?” At first, the series closed in on the machinations of the Cylon origins, as well as exploring monotheism vs. polytheism, the benefits and hindrances of an abandon-free V-World, and the reluctance for people to let go of those whom have died. Upon the second half of Caprica, all that’s somewhat switched out for direct drama involving the robots’ “creator”, as well as concentration on the gangster Adama network and the blossoming of the terrorist organization as idealists.Starting with “False Labor”, Caprica begins to see an awakening, In this episode, Daniel attempts to recreate Zoe’s “resurrection” software, while in the process using an avatar of Amanda as a basis for comparison. Since he knows all the mannerisms and minutiae of his wife, he’s able to determine exactly how human or inhuman she’s acting, and the content that unfolds as he dissects this digital Amanda can be both penetrating and emotionally stirring. On top of that, Lacy gets her first hearty taste of the STO’s domineering, contentious presence, while meeting other “recruits” similar to her. Moreover, it rediscovers its tonality; difficult drama remains, but the way it’s handled regains the excitement of its inspiration.Eric Stoltz and Paula Malcomson in Caprica (2009)With Syfy cancelling the show and five episodes still left to run, the big question likely will be: “Does it get a proper, strong conclusion?” Piggybacking off the regained proficiency that it rediscovers in “Blowback”, Caprica sprints through the remaining episodes as if it knows that the end’s coming. With a Coda at the end of the season you do get a conclusion that answers the questions of where the show would of gone had it been around for 5 years.