REVIEW: WHITE NOISE 2: THE LIGHT

CAST
Nathan Fillion (Firefly)
Katee Sackhoff (Battlestar Galactica)
Craig Fairbrass (Cliffhanger)
Adrian Holmes (Elysium)
Kendall Cross (The Butterfly Effect)
Teryl rothery (Stargate Sg.1)
William MacDonald (Slither)
David Milchard (The Eye)
Tegan Moss (Little Women)
After witnessing the murder of his wife and young son at the hands of Henry Caine (Craig Fairbrass), who then turned the gun on himself, Abe Dale (Nathan Fillion) is so distressed that he attempts to take his own life. A near-death experience follows that leaves Abe with the ability to identify those who are about to die. He acts on these premonitions to save three people from death, among them a nurse met during his recovery, Sherry Clarke (Katee Sackhoff).
Abe soon learns that Henry, before murdering Abe’s wife and son, actually saved their lives. Abe concludes that Henry also had the ability to see death. Wanting to learn more about Henry, Abe visits his house only to learn that Henry survived his suicide. Investigating further, Abe discovers the phenomenon of “Tria Mera”, The Third Day, when Christ was resurrected. Also on the third day the devil takes possession of the mortals who cheated death. Abe concludes that three days after he saved their lives, those he saved will be possessed and compelled to take the lives of others. Accepting this responsibility, Abe comes to terms with the horrible fact that he must consider killing those he had saved to prevent further tragedy.
Abe tries unsuccessfully to prevent the second man he saved from killing others, but arrives just a minute too late. Abe is able however to take the gun from the man before he kills himself. Abe tries to explain the situation to Sherry but she is at first non-receptive and he must follow her to the cafe his wife and son were murdered in. This time Sherry listens but, just as Abe brings up the gun, police who are already in the cafe shoot him dead. Abe spends his last minutes trying to convince Sherry she must kill herself before her own possession is complete. However, as she reaches for the gun the police pick it up and she is put into an ambulance.
In the ambulance Sherry struggles against the demons inside her and Abe is able to comfort her and help her pass on so as to keep her from causing any harm to a crowded bus that is stopped by an 18-wheeler transporting gas. At the last minute Abe appears outside the ambulance causing the driver to swerve and miss the tanker, thus saving everyone else. Abe finally sees the white light and his family waiting in the distance and is able to move on. Back at Blackmount county’s asylum, Henry is tormented and driven further insane by the restless spirits of all the victims who died at the hands of people he saved.
Love Nathan Fillion after watching Firefly and Serenity and Castle so I thought this very serious film would be just as enjoyable and I wasn’t disappointed. It was heartbreaking to see his pain from his loss and how the twist in the tale came about. My attention was gripped and I always think that is proof of a good film.
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REVIEW: WHITE NOISE

 

CAST
Michael Keaton (Birdman)
Chandra West  (Puppet Master 4 & 5)
Deborah Kara Unger (Highlander 3)
Ian McNeice (Dune Mini Series)
Sarah Strange (Kindergarten cop 2)
Nicholas Elia (Speed Racer)
Mike Rivers (War)
Mike Dopud (Man of Steel)
Mitchell Kosterman (Smallville)
Amber Rothwell (Andromeda)
Keegan Connor Tracy (Bates Motel)
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Jonathan Rivers (Michael Keaton) is a successful architect and lives a peaceful life with his wife Anna (Chandra West) until her unexpected disappearance. Eventually, he is contacted by Raymond Price (Ian McNeice), who claims that his own son had also died. He says he has recorded messages from Anna through electronic voice phenomena (EVP). While Jonathan is initially dismissive and angered, he later learns about his wife’s tragic drowning. Desperate, he begins to believe that the recorded voice is indeed that of his wife. Jonathan becomes obsessed with trying to contact her himself, despite warnings from a psychic, Mirabelle Keegan (Keegan Connor Tracy), who tries to tell him how the recording can attract other, unwanted entities. A woman named Sarah Tate (Deborah Kara Unger), who also came to Raymond for his EVP work because she lost her fiancé, befriends Jonathan.
Raymond is found dead. Jonathan begins to be followed by three demons attracted by his obsession with EVP, and finds that some of the messages he is coming across are from people who are not yet dead, but may soon be. Jonathan hears cries from a woman whom he finds in a car with a child. He is able to save the child, but not the woman. At that woman’s funeral, which Jonathan and Sarah both attend, Jonathan approaches the husband and tells him about what happened. The latter thanks Jonathan for saving his son but then asks to be left alone. The husband continues to tell Jonathan to stay away from him and his family. Afterwards, Jonathan sees images of another person, a missing woman named Mary Freeman, while working with his EVP devices. Sarah is later seriously injured by a fall from a balcony while possessed by the demons, that incident which was foreshadowed by Sarah’s image being among those on the EVP devices.
Jonathan locates the site of his wife’s death by following signs on recordings and he also finds his wife’s abandoned car. Jonathan finds a set of computers and electronic equipment on site. A construction worker (Mitchell Kosterman) from his company, who has been doing his own EVP work, is holding Mary captive. He has been under the control of the demons to kill all these people, including Anna. The three demons torture Jonathan by breaking his arms and legs and cause him to fall to his death, but a SWAT team along with Detective Smits (Mike Dopud) arrives and are able to save Mary by shooting the construction worker dead. After his funeral, Jonathan’s voice can be heard on the radio through static interference saying “I’m sorry” to his son. The child recognizes the voice and smiles. Sarah, at the graveside in a wheelchair, is menaced by odd noises. And right before the credits roll in, the camera flashes to a TV where Jonathan and his wife are visible.
Brilliant film. Deals with thought-provoking content in a very entertaining way.