REVIEW: LOST – SEASON 2

Starring

Matthew Fox (Alex Cross)
Terry O’Quinn (The Rocketeer)
Jorge Garcia (How I Met Your Mother)
Josh Holloway (Colony)
Evangeline Lilly (Ant-Man and The Wasp)
Michelle Rodriguez (The Fast and The Furious)
Daniel Dae Kim (Insurgent)
Yunjin Kim (Shiri)
Naveen Andrews (The Brave One)
Dominic Monaghan (Flashforward)
Cynthia Watros (Finding Carter)
Adewale Akinnuoye-Agbaje (Suicide Squad)
Emilie de Ravin (Operation: Endgame)
Harold Perrineau (Constantine)
Maggie Grace (Taken)
Malcolm David Kelley (Deriot)

Matthew Fox in Lost (2004)

Recurring / Notable Guest Cast

Henry Ian Cusick (Hitman)
John Terry (Full Metal Jacket)
Julie Bowen (Modern Family)
Anson Mount (Star Trek: Discovery)
Tamara Taylor (Bones)
Saul Rubinek (Warehouse 13)
Kevin Tighe (My Bloody Valentine)
Katey Sagal (Futurama)
François Chau (The Tick)
L. Scott Caldwell (Chilling Adventures of Sabrina)
Sam Anderson (Angel)
Marguerite Moreau (Wet Hot American Summer)
DJ Qualls (Road Trip)
Kimberley Joseph (Hercules: TLJ)
Brittany Perrineau (Felon)
Ian Somerhalder (The Vampire Diaries)
Brett Cullen (Ghost Rider)
Rachel Ticotin (Total Recall)
Michael Cudlitz (The Walking Dead)
Rick Overton (Willow)
Fredric Lehne (Men In Black)
Beth Broderick (Sabrina: TTW)
Lindsey Ginter (Argo)
Adetokumboh M’Cormack (Gods & Heroes)
M.C. Gainey (Breakdown)
Neil Hopkins (D-Sides)
Robin Atkin Downes (Babylon 5)
Kim Dickens (Gone Girl)
Kevin Dunn (Transformers)
Clancy Brown (Highlander)
Mira Furlan (Babylon 5)
Michael Emerson (Arrow)
Theo Rossi (Luke Cage)
William Mapother (THe Mentalist)
Tania Raymonde (Texas Chainsaw)
Andrea Gabriel (2 Broke Girls)
Evan Handler (Californication)
Bruce Davison (X-Men)
Wayne Pygram (Farscape)
Gabrielle Fitzpatrick (MMPR: The Movie)
Nick Jameson (Frozen)
Oliver Muirhead (The Social Network)
Michael Bowen (Kill Bill)
April Grace (A.I.)
Alan Dale (Ugly Betty)
Sonya Walger (Flashforward)

Daniel Dae Kim, Josh Holloway, and Harold Perrineau in Lost (2004)

Attempting to build on the strength of Season One, Lost Season Two introduces several new characters and a new mysterious group to keep viewers enthralled. The introduction of the tail section characters does serve a purpose early in the season as it reinforces the Others as formidable villains. While the survivors on the beach have had it relatively easy, the tailies experience 48 days of hell in which their numbers shrink to a handful. Beyond that, Libby slides into a cute love story with Hurley while Ana Lucia stands around and takes up space until she is shot to death by Michael. Neither contributes a substantial amount to the season or the series besides being canon fodder for Michael.Harold Perrineau in Lost (2004)As for Mr. Eko, he does have a couple of good flashback episodes but it also feels like the writers are never quite sure what to do with him. At some points he’s a passive observer to events unfolding and the later he actively gets involved in the pressing of the button. Those last few episodes in which he finds himself destined to push the button almost seem as if the were a scramble to give the character something substantial to do. Don’t get me wrong, I’m a big fan of Eko but I feel as if his character was completely mismanaged from the outside.Only Bernard, who really doesn’t do much himself, feels like a relevant addition from the tail section as he ties up the loose end regarding Rose’s husband.Daniel Dae Kim and Josh Holloway in Lost (2004)Their reunion alone makes his introduction worth the effort. The best new addition to the Lost cast is the person we see the least throughout the season – Desmond David Hume. His appearance in the first couple of episodes of the season were used solely to introduce the concept of the button but his flashback and story in the two hour finale presented an intriguing new character. He’s a hopeless romantic on a quest to regain his honor and reunite with his true love. Desmond’s story is leaps and bounds more exciting than the rest of the new cast.Locke’s journey this season doesn’t really start to get interesting until the introduction of Henry Gale. For the first half of the season we get to see Locke at his most confident. He’s finally opened his hatch and discovered a bevy of new treasures inside to support his claims that the island and his connection to it are part of some much larger destiny. However, Gale’s arrival brings with it seeds of doubt as John’s world begins to fall apart. This culminates in the discovery of the Pearl Station and Locke’s complete loss of faith in the button and the island. It’s a good journey that has a great conclusion in the finale.Michelle Rodriguez and Cynthia Watros in Lost (2004)I really enjoyed Sawyer’s return to form midway through this season. Sure it didn’t make much sense for Sawyer to turn the entire camp against him in “The Long Con” but it was one of my favorite story lines of the season. His return to a nastier, less fan-friendly Sawyer was short lived however as he fairly quickly crept back into the good graces of the rest of the group.Michael’s battle to get Walt back from the Others had him depart midway through the season but his return in the final few episodes of the season were thoroughly entertaining. His murder of Ana Lucia and Libby gave way to an interesting game of deception as Michael is forced to convince the survivors that Henry was behind their deaths. His absolutely disgust in himself for taking a life mixed with the continued desperation he has to reunite with his son makes for some of the best character moments of the entire season. Harold Parrineau does a fantastic job of portraying Michael’s spastic range of emotions in those final few episodes.The real gem of this season and my favorite story arc is the introduction of Michael Emerson as Henry Gale.Naveen Andrews in Lost (2004)He spends most of his time confined in the Swan Station but that doesn’t stop him from being a formidable foe for the survivors of Flight 815. With the survivors fractured and keeping secrets from one another, Henry frequently manages to turn one survivor against the other. He’s favorite prey is John Locke who we already know is quite susceptible to snide comments and underhanded suggestions. Henry turns Locke inside out and uses him against Jack causing the group of survivors to lose focus. Its brilliant to watch unfold and Emerson brings a lot of weight to the role.

REVIEW: STAR WARS – EPISODE III: REVENGE OF THE SITH

 

CAST
Hayeden Christensen (Awake)
Natalie Portman (No Strings Attached)
Ewan McGregor (Cassandra’s Dream)
Ian McDiarmid (Margaret)
Samuel L. Jackson (Jackie Brown)
Jimmy Smits (Cane)
Frank Oz (Sesame Street)
Anthony Daniels (The Lego Movie)
Kenny Baker (Labyrinth)
Christopher Lee (Lord of The Rings)
Keisha Castle-Hughes (Game of thrones)
Ahmed Best (Poolboy)
Jay Laga’ala (Xena)
Bruce Spence (Mad Max 2)
Temuera Morrison (Once Were Warriors)
Oliver Ford Davies (Johnny English)
Peter Mayhew (Killer Ink)
Joel Edgerton (The Gift)
Rena Owen (The Last Witch HUnter)
James Earl Jones (Conan The Barbarian)
Wayne Pygram (Farscape)
Jeremy Bulloch (Starhyke)
Genevieve O’Reilly (THe Legend of Tarzan)
Star Wars Episode III: Revenge of the Sith is the best Star Wars movie in the prequel trilogy, hands down.

Objectively speaking, Revenge of the Sith’s greatest contribution to the Star Wars family is first and foremost the massive improvement of the quality of the visual effects. This film was released in 2005, and yet even today I have absolutely zero issues with any of the special effects, even in blu-ray format. They look stunning, detailed and realistic to the point of complete satisfaction. I think pretty much everyone can agree on this at least.

To me, Revenge of the Sith was a jaw dropping sci-fi movie from start till finish. I don’t remember any other science fiction film having action of this magnitude and scale going on in the history of film making. We are treated to probably the largest space battle ever shown in cinema when the film opens. This entire sequence, from Anakin and Obi-Wan fighting their way through the thick of battle to Count Dooku’s flagship all the way to them landing the damaged space ship on Coruscant, takes over half an hour and you’re completely engaged throughout.

The film then quietens down to politics and Anakin spending time with his wife Padme. Again, I never felt bored or checked my watch during these sequences as I felt they added much to the story, which is ultimately about Anakin’s fall. Now, a person who just watched this film might say Palpatine barely did anything to make Anakin turn to the Dark Side of the Force, and therefore all of this is a big disappointment. However, Anakin’s fall makes far more sense if you have recently watched The Phantom Menace and Attack of the Clones. Things that step by step shake his faith in the Jedi order are all strewn across these two films, which then culminate in the third. The initial rejection of the Jedi council to train young Anakin, the death of his mentor Qui-Gon, his romantic feelings for Padme despite his oaths of celibacy and detachment as Jedi, the lack of trust he gets from Mace Windu, Yoda and even Obi-Wan at times, the death of his mother Shmi and the visions that foretell the death of Padme in childbirth all contribute to him feeling confused, lonely and isolated – vulnerable for one particular Sith, who after all, had managed to not only fool the entire galactic senate, but also the Jedi order itself about being a good natured and harmless Chancellor. To blame troubled Anakin for buying into the deception of Palpatine, who had pretty much managed to deceive everyone else so far, would indeed be unfair.

The rest of the film is top notch. We are taken to many stunning locations that serve as backdrops for large scale battles, and General Grievous does a far better job of being an interesting antagonist than the stoic and almost vampiric Count Dooku did in Episode II. The film builds up in tension until it treats us to the greatest light saber duel in the entire series, bar none. Amazingly filmed by Steven Spielberg, who George Lucas allowed to be in charge of this part of the movie. The hellish landscape of Mustafar is a fitting place for such a titanic clash between Anakin and Obi-Wan, one that we had been waiting for so long and, I believe satisfied us all. The final portion of the film is spent tying up loose ends in the same fashion that the final section of Return of the King did – many short, disjointed scenes taking place in different locations, but necessary to complete the overarching narrative. There are some deleted scenes which I think could have been added to give this film the finishing touches it needed, but overall I am still very happy about the quality, presentation and entertainment Revenge of the Sith offers from start till finish.

Of course the end will leave a sour taste in your mouth since it isn’t a happy ending, but that was the whole point of the prequel trilogy, wasnt it – to explain how Darth Vader became Darth Vader and what led to the fall of the Republic and the creation of the totalitarian Galactic Empire. If you’re like me and watch the films in the order I to VI, you can sit back with satisfaction and anticipation after the conclusion of III, because the story will go on and we’re just getting started!