REVIEW: SPIDER-MAN: HOMECOMING

CAST

Tom Holland  (How I Live Now)
Michael Keaton (Batman)
Jon Favreau (Swingers)
Zendaya (The greatest Snowman)
Donald Glover (The Martian)
Tyne Daly (Mothers and Sons)
Marisa Tomei (The Wrestler)
Robert Downey Jr. (Iron Man)
Gwyneth Paltrow (Shallow Hal)
Kerry Condon (Better Call Saul)
Chris Evans (Captain Ameirca: The First Avenger)
Jacob Batalon (Every Day)
Michael Chernus (The Bourne Legacy)
Laura Harrier (The Last Five years)
Tony Revolori (The Perfect Game)
Garcelle Beauvais (White House Down)
Jennifer Connelly (Inkheart)
Hemky Madera (The Lost City)
Michael Mando (Orphan Black)
Kenenth Choi (The Last Man on Earth)
Hannibal Buress (Baywatch)
Martin Starr (Adventureland)
Stan Lee (The Avengers)

Following the Battle of New York, Adrian Toomes and his salvage company are contracted to clean up the city, but their operation is taken over by the Department of Damage Control (D.O.D.C.), a partnership between Tony Stark and the U.S. government. Enraged at being driven out of business, Toomes persuades his employees to keep the Chitauri technology they have already scavenged and use it to create and sell advanced weapons. Eight years later, Peter Parker is drafted into the Avengers by Stark to help with an internal dispute, but resumes his studies at the Midtown School of Science and Technology when Stark tells him he is not yet ready to become a full Avenger.Parker quits his school’s academic decathlon team to spend more time focusing on his crime-fighting activities as Spider-Man. One night, after preventing criminals from robbing an ATM with their advanced weapons from Toomes, Parker returns to his Queens apartment where his best friend Ned discovers his secret identity. On another night, Parker comes across Toomes’ associates Jackson Brice / Shocker and Herman Schultz selling weapons to local criminal Aaron Davis. Parker nearly drowns intervening, and is rescued by Stark, who is monitoring the Spider-Man suit he gave Parker and warns him against involvement with the dangerous criminals. Toomes accidentally kills Brice with one of their weapons, and Schultz becomes the new Shocker.Parker and Ned study a weapon left behind by Brice, removing its power core. When a tracking device on Schultz leads to Maryland, Parker rejoins the decathlon team and accompanies them to Washington, D.C. for their national tournament. Ned and Parker disable the tracker Stark implanted in the Spider-Man suit, and unlock its advanced features. Parker tries to stop Toomes from stealing weapons from a D.O.D.C. truck, but is overpowered and trapped inside the truck, causing him to miss the decathlon tournament. When he discovers that the power core is an unstable Chitauri grenade, Parker races to the Washington Monument where the core explodes and traps Ned and their friends in an elevator. Evading local authorities, Parker saves his friends, including his fellow classmate and crush Liz. Returning to New York City, Parker persuades Davis to reveal Toomes’ whereabouts. Aboard the Staten Island Ferry, Parker captures Toomes’ new buyer Mac Gargan, but Toomes escapes and a malfunctioning weapon tears the ferry in half. Stark helps Parker save the passengers before admonishing him for his recklessness and taking away his suit.Parker returns to his high school life, and eventually asks Liz to go to the homecoming dance with him. On the night of the dance, Parker learns that Liz is Toomes’ daughter. Deducing Parker’s secret identity, Toomes threatens retaliation if he interferes with his plans. During the dance, Parker realizes Toomes is planning to hijack a D.O.D.C. plane transporting weapons from Avengers Tower to the team’s new headquarters. He dons his old homemade Spider-Man suit and races to Toomes’ lair. He is first ambushed by Schultz, but defeats him with the help of Ned. At the lair, Toomes destroys the building’s support beams and leaves Parker to die. Parker escapes the rubble and intercepts the plane, steering it to crash on the beach near Coney Island. He and Toomes engage in an open confrontation that ends with Parker saving Toomes’ life from his own unstable equipment, and leaving him for the police along with the plane’s cargo. After her father’s arrest, Liz moves away, and Parker declines an invitation from Stark to join the Avengers full time. Stark returns Parker’s suit, which he puts on at his apartment just as his Aunt May walks in. In a mid-credits scene, an incarcerated Gargan approaches Toomes in prison. Gargan has heard that Toomes knows Spider-Man’s real identity, but Toomes denies this.Spider-Man is literally the most loved Marvel hero of all time! At last, this reboot perfectly captured the balance between Peter Parker and Spider-Man in the comics! Peter’s awkward nature in high school and his attempts at being a cool superhero are both relatable and funny. Tom Holland played a good Peter Parker with the nerdy, awkward way and he manifested one of Spider-Man’s significant traits: his sense of humor. The movie is full of Easter eggs and references to the comics, the previous Spidey movies, and the MCU as a whole. Not only does this movie look really good, but the villain (Vulture) looks menacing as a great villain should

 

 

 

Advertisements

REVIEW: ULTIMATE SPIDER-MAN

Image result for ultimate spider-man
MAIN CAST (VOICES)
Drake Bell (Sueprhero Movie)
Ogie Banks (Superman vs The Elite)
Greg Cipes (Teen Titans)
Clark Gregg (Agents of S.H.I.E.L.D.)
Tom Kenny (Spongebob Squarepants)
Matt Lanter (Heroes)
Chi McBride (Human Target)
Caitlyn Taylor Love (I’m With The Band)
Logan Miller (Deep Powder)
J.K. Simmons (Spider-Man)
Steven Weber (Izombie)
RECURRING / NOTABLE GUEST CAST
Misty Lee (Killer Kids)
Jonathan Adams (Bones)
Tara Strong (The New Batman Adventures)
Eric Bauza (Batman: Assault on Arkam)
Dee Bradley Baker (American Dad)
Kevin Michael richardson (The Cleveland Show)
Stan Lee (Spider-Man)
Fred Tatasciore (Hulk Vs)
Troy Baker (Lego Batman: The Movie)
Clancy Brown (Highlander)
Rob Paulsen (Teenae Mutant Ninja Turtles)
Phil LaMarr (Free Enterpise)
Travis Willingham (Shelf Life)
Steve Blum (Wolverine and The X-Men)
Mark Hamill (Star Wars)
Adrian Pasdar (Heroes)
Roger Craig Smith (Wreck-it Ralph)
Diedrich Bader (Batman: The Brave and The Bold)
Christopher Daniel Barnes (The Little Mermaid)
Maurice LaMarche (Futurama)
Dwight Schultz (The A-Team)
Jack Coleman (Heroes)
Robin Atkin Downes (Babylon 5)
Rose McGowan (Planet Terror)
Bumper Robinson (Sabrina: TTW)
Stan Lee (Avengers Aseesmble)
Seth Green (Family Guy)
Oded Fehr (The Mummy)
Freddy Rodriguez (Ugly Betty)
Phil Morris (Smallville)
Milo Ventimiglia (Heroes)
Cameron Boyce (The Descendants)
Maria Canals-Barrera (Justice League)
Will Friedle (Batman Beyond)
Eliza Dushku (Tru Calling)
Greg Grunberg (Heroes)
Michael Clarke Duncan (The Finder)
George Takei (Star Trek)
Iain De Caestecker (Agents of S.H.I.E.L.D.)
Robert Patrick (Terminator 2)
Elizabeth Henstridge (Agents of S.H.I.E.L.D.)
James Marsters (Caprica)
Keith Szarabajka (Angel)
Billy West (Futurama)

I recently watched  Ultimate Spider-Man and I can honestly say that I have never wanted to stop watching a Spider-Man cartoon before in my life… until now. I have been a big fan of the Spider-Man comic series for many years and have liked almost all of the cartoon iterations of him, but this one just hurts to watch. I understand that Spider-Man is supposed to be a smart-mouthed teen who likes to make jokes while fighting crime, which is my favorite part about the character, but this show just takes it to an extreme.


I think one of the biggest problems for me was how much the stories are broken up by all of the “cut away” scenes.  I understand that Spider-Man is a show made for children and I get that the characters aren’t going to be nearly as serious as they are in the comics, but I feel like this was just too far from the source material for me to enjoy it. Another thing that bothered me was how just a few years ago we had, in my opinion, one of the best Spider-Man shows to date, Spectacular Spider-Man, and it was canceled in only it’s second season. I had really high hopes for Ultimate Spider-Man to fill the void that Spectacular Spider-Man left, but it just didn’t deliver at all.

As far as the voice acting on the show goes, they all seem to have done a really good job… with what they were given to read. So much of the writing in this show just seems so forced.why was Spectacular Spider-Man so much better and the most honest answer that I can give you is that it seems as though Marvel actually put a lot of work into Spectacular Spider-Man. I’m not saying that they didn’t put a lot of work into Ultimate Spider-Man, but it’s much harder to see in this one. The character designs in Spectacular Spider-Man may not have hit all of the right points for some people, but I really enjoyed it. The action in the show looked really good and it was easy to follow exactly what was happening, because you didn’t have a bunch of blur that you had to try and see everything through. The story for Spectacular Spider-Man was your standard Spider-Man fare, but while it was a show essentially for kids, it also appealed to many adults as well.


I really wanted to like Ultimate Spider-Man, but I just didn’t. I feel like if this show was about just another teen superhero other than Spider-Man it would have been much more forgivable, but for it to take such a dump on such a beloved character, it is just really sad to see. Now all that I can do is hope that the new Spider-Man movie can really bring something good to the table.

REVIEW: THE SPECTACULAR SPIDER-MAN – SEASON 1-2

CAST (VOICES)

Josh Keaton (Green Lantern:TAS)
Dee Bradley Baker (American Dad)
Lacey Chabert (Mean Girls)
Grey Delisle (The Replacements)
James Arnold Taylor (Batman: The Brave and The Bold)
Alanna Ubach (Legally Blonde)
Vanessa Marshall (Star Wars Rebels)

RECURRING / NOTABLE GUEST STARS

Clancy Brown (Highlander)
Keith David (Pitch Black)
John DiMaggio (Futurama)
Robert Englund (A Nightmare On Elm Street)
Brian George (The Big Bang Theory)
Phil LaMarr (Free Enterprise)
Peter MacNicol (Ghostbusters 2)
Daran Norris (Veronica Mars)
Alan Rachins (LA Law)
Kath soucie (Rugrats)
Crispin Freeman (Digimon)
Cree Summer (Batman Beyond)
Kevin Michael Richardson (The Cleveland Show)
Xander Berkeley (Kick-Ass)
Stan Lee (Avengers Assemble)
Steve Blum (Wolverine and The X-Men)
Elisa Gabrielli (Mulan)
Kelly Hu (Arrow)
Tricia Helfer (Powers)
Courtney B. Vance (Flashforward)
Danny Trejo (Machete)
Miguel Ferrer (Robocop)
Nikki Cox (Las Vegas)

It would be hard to argue that any comic book superhero has enjoyed a more sustained popularity over the last five decades than Spider-Man. The Marvel Comics character, the mainstay of that company’s flagship publication The Amazing Spider-Man, has been spun off  into numerous other venues, from cartoon and live action television shows to a rock album, a series of wildly popular theatrical movies, and even a recurring part in the old PBS series The Electric Company.

The Spectacular Spider-Man is a current incarnation of this comics legend that takes its name from a now-defunct spin-off comic book title. It’s a half-hour cartoon series, aimed primarily at kids but with some postmodern nods to adults, and basically offers an early 21st century update of the original Spider-Man comic books. Here, Peter Parker (voiced by Josh Keaton) attends high school with Harry Osborn and Gwen Stacey. Bully Flash Thompson is also around, and Parker’s future wife Mary Jane Watson transfers to his school midway in the series. Parker lives at home with his Aunt May, and moonlights as the crimefighting Spider-Man whenever he can. As he battles colorful super-villains, he’s taking snapshots of himself for the newspaper Daily Bugle. Several of the classic characters from that fictional periodical are here, including Betty Brant and the obnoxious J. Jonah Jameson (voiced hilariously by Daran Norris).spidey_wp-01

The series is light and fun, with a nice sense of humor. As such, it captures the essence of Spider-Man fairly well. Each episode is relatively self-contained, although certain plot points connect the episodes into a larger whole. The animation strikes me as bright and colorful – and certainly competent for a weekly television program. The characters are presented with some awkward angularity at times, but at least it’s consistent and uniform in presentation. As an old comics fan, I enjoyed this updating of the Spider-Man mythos, and I certainly imagine that it will entertain its core audience: adolescents.ranking-the-spider-man-animated-series_cgbj

In season 2 Peter Parker’s life becomes significantly more complicated as he finds himself torn between Gwen Stacy and Liz Allan, both of whom have confessed their feelings for him; he eventually chooses Liz. Norman Osborn takes on the role of Peter’s mentor, pulling strings to re-establish his job as Dr. Connors’ lab assistant, as well as overseeing the installment of the conniving Dr. Miles Warren into the ESU Labs. Meanwhile, as Spider-Man, Peter encounters new villains Mysterio and Kraven the Hunter, leading him to investigate the activities of a mysterious new crime lord known as the “Master Planner”.fe109-spiderman-animatedWhen the Master Planner’s first scheme fails, Spider-Man is faced with a three-way gang war between the Planner’s super-villain forces, the Big Man’s established order, and the old guard of Silvio “Silvermane” Manfredi’s family. Peter’s search for Eddie Brock also leads to the return of Venom, who attempts to expose Spider-Man’s secret identity and remove his powers. Finally, when the three major crime lords are arrested, Spider-Man once again goes up against the Green Goblin, who is once again bent on eliminating the wall-crawler once and for all.

ranking-the-spider-man-animated-series_cgbjOther new characters introduced in the second season include Calypso, Sha Shan Nguyen, Silver Sable, Roderick Kingsley and Molten Man. Quentin Beck and Phineas Mason return as Mysterio and the Tinkerer respectively.fe109-spiderman-animatedIt appears that the episodes in this eighth volume of The Spectacular Spider-Man are the swan song of the series. That’s a shame as this was a fun and energetic cartoon take on the classic Marvel superhero. Based upon content, The show was cancelled to make way for the Ultimate Spider-man cartoon which as we all know is just a train wreck.spidey_wp-01

REVIEW: SPIDER-MAN UNLIMITED

MAIN CAST

Rino Romano (The Batman)

RECURRING / NOTABLE GUEST CAST

RECURRING / NOTABLE GUEST CAST

Michael Donovan (ReBoot)
Brian Drummond (Dragon Ball Z)
Mark Gibbon (The 6th Day)
Jennifer Hale (Cinderella II)
Ron Halder (Stargate SG.1)
Richard Newman (Beast Wars)
Garry Chalk (Arrow)
Kim Hawthrone (Lucky Louie)
Jim Byrnes (Highlander: The Series)
Scott McNeil (Beast Wars)

This is such a brilliant innovation in the Spiderman story and characterisation it really is a shame that it only ran for a total of thirteen episodes. This complete series is featured on two discs and an inlay card is included which folds out to be about the size of the box itself, clips from each episode are featured alongside comics caption/dialogue boxes which provide a synopsis of the action in this episode.

What struck me watching this was the extent to which for what is pretty much a simple saturday morning kids cartoon the episodes are cerebral, there is as much serious philosophizing as wise cracking. There are not just the normal heroics, standing up to bullies and being your best content which you may associate with cartoons of this kind but morally complex dilemmas too.

Spiderman himself has been rebooted but I think the detractors of the series who suggested it was essentially Spiderman reborn go too far. In addition to the powers imparted to him by being mutated by a spider bite Peter Parker has a costume now which can be deployed from a wrist watch like device comprised of nano technology. In addition to web slinging he can fire small darts, use a kind of sonic emitting blast to repell enemies, provides a stealth camoflage and be protected against fumes and gas canisters.

These are major changes and Spiderman has become much more sophisticated but given that his major antagonists from the start of this series are Venom and Carnage I really think this is necessary because these are two of the most formidable adversaries in the Marvel universe and I always thought some of the battles in the comics when Spiderman did not have the enhanced capabilities featured here where unconvincing.While the initial conflict is with Carnage and Venom the action quickly moves to an alternate universe in which humankind are the bottom of the heap in a caste system created by a sort of Dr Moreau Nemesis, there are now humans, servitor machines and bestial masters. Enter reflections upon class struggle, insurrection, subversion, terrorism, oppression and totalitarianism. None of this is played down or presented in a simplistic fashion. For instance Peter Parker’s initial objective of simply finding a way home to MJ becomes untenable as he discovers the pilot from an earlier mission to the alternate reality is a leader of the human resistance. Peter does not wish to join the insurgents but initially fufils the role of mediator between the factions, assisted in some way by lack of assurance on the part of the bestials that he is a human at all. The villain/nemesis himself in his back story is not unambiguously evil but rather is a plausibly disillusioned utopian genuis turned bitter, like Captain Nemo. There are possibly other more down played comments on animal testing, vivisection and vigilantism too.

However, all this said, is also possible to treat it as simple entertainment. There are appearences by alternate versions of Green Goblin and Vulture, heroes rather than villains, and The Hunter.

REVIEW: SPIDER-MAN (1994) – SEASON 1-5

 

 

CAST

Christopher Daniel Barnes (The Little Mermaid)
Edward Asner (Elf)
Linda Gary (He-Man)
Rodney Saulsberry (The Animatrix)
Jennifer Hale (Wreck-It Ralph)
Gary Imhoff (The Green Mile)
Sara Ballantine (Batman Year One)

RECURRING / NOTABLE GUEST STARS

Liz Georges (As Told By Ginger)
Hank Azaria (The Smurfs)
Joseph Campanella (Ben)
Patrick Labyorteaux (Yes Man)
Maxwell Caulfield (Alien Intruder)
Neil Ross (Rambo)
Roscoe Lee Brown (Babe)
Efrem Zimbalist Jr. (Batman: TAS)
Dawnn Lewis (Futurama)
Martin Landau (Ed Wood)
Gregg Berger (Transformers)
Don Stark (That 70s Show)
Mark Hamill (Star Wars)
George Buza (Mutant X)
Cedric Smith (Earth: Final Conflict)
Norm Spencer (Rescue Heroes)
Catherine Disher (Forever Knight)
Alison Sealy-Smith (You Kill Me)
Alyson Court (Beetlejuice TV)
Chris Potter (Heartland)
Malcolm McDowell (Star Trek Generations)
J.D. Hall (Undercover Brother)
Peter Mark Richman (Friday the 13th – Part 8)
George Takei (Star Trek)
John Vernon (Batman: TAS)
Courtney Peldon (Frozen)
Edward Albert (Power Rangers Time Force)
Robert Hays (Airplane)
Barbara Goodson (Power Rangers)
James Avery (Teenage Mutant Ninja Turtles 80s)
Tony Jay (Lois & Clark)
Dorian Harewood (Earth: Final Conflict)
Jack Angel (A.I.)
Jeff Corey (Conan The Destroyer)
Nichelle Nichols (Star Trek)
Richard Moll (Scary Movie 2)
David Warner (Teenage Mutant Ninja Turtles II)
Mira Furlan (Lost)
Earl Boen (The Terminator)
David Hayter (X-Men)
Roy Dotrice (Hercules: TLJ)
Paul Winfield (Star Trek II)
Majel Barrett (Star Trek)
Stan Lee (Avengers Assemble)

The set itself is well presented, although the artwork is a little cheap, and clearly done in a way as to mimic the style of the 90s series. Anyone who has the recent X-Men Season releases will be familiar with this. Unlike those, this one also has a slipcase. A booklet with episode synopses is also included.

Spider-Man has season-long arcs, which when viewed in succession make for great television. Christopher Barnes is brilliant as Spider-Man (especially in those fleeting moments of extreme rage), and the guests were memorable too, particularly Rob Paulsen’s oafish Hydro Man and Jennifer Hale as Felicia Hardy/ Black Cat.

The music was great too, but while Spider-Man relied on several repeated  cues,  Another thing about Spider-Man is that even after all these years I find myself being surprised by some of the plot twists, which were even more abundant upon first viewing. Thankfully, John Semper (creative head of the show) was bold enough to change much of the original stories to make them worth animating in the first place. What else? A minor triumph, but the colouring on this cartoon is the best of any I’ve ever seen. A simple praise. While the show lost its way during the muddled fourth year it had some great episodes in the last series, with one of the greatest resolution-with-cliffhanger endings in animation history. A rare treat in that its much, much better than you remember it.

Some of the best episodes were – the three-parter, “The Alien Costume”- a marvellous introduction for the ultimately underused Venom (a deliciously insane Hank Azaria)- and the two-part “Hobgoblin” are among the best in the show’s five-year run. “Night of the Lizard”, a pilot of sorts, is interesting in that there’s an awful lot more effort put into the animation than in later episodes, as is often the case.

Animation from the 1990s doesn’t come much better than this, and Marvel have yet to top it.

REVIEW: SPIDER-MAN (1981)

Image result for spider-man 1981

CAST (VOICES)

Ted Schwartz (Transformers)
William Woodson (The Naked Gun 2 1/2)
Mona Marshall (South Park)
Linda Gary (He-Man)
Stan Jones (Little Shop of Horrors)

UntitledWhen I sat down to watch Spider-Man 5000 I was expecting some futuristic Batman Of The Future-type deal, with Spidey zooming into space decked out in weblined silver, led by a computerised spider-sense. In fact, the 5000 refers to an episode numbering system, not a time period. This 1981 animated series is set straight after the ‘60s Spider-Man show, with Peter Parker now attending Empire State University. The villains are contemporary and familiar – The Lizard, Sandman, Dr. Octopus.

Untitled

The series does a great job of capturing the ethos of the comic book. Peter Parker is a teenager juggling his love life with work and webswinging. Aunt May fusses over him and there’s a running gag about him slipping into the house without her noticing. Peter’s impatient date Betty Brant gets stood up on a regular basis. Spider-Man’s quips and interior monologues ring true. For example, he calls Magneto “Bucket Head” and “Turret Top”.The series adds its own quirks as well. Peter acts clumsy and cowardly a la Clark Kent. We learn that he prefers The Beatles to disco music, can make armpit web wings to glide from buildings, and isn’t above taking money to guard a million dollar artifact. These all come across more as plot devices than attempts to develop character or build continuity.

Spider-Man 5000 retains the child-friendly, uncluttered look of the ‘60s show but adds texture to its art and storytelling. There are detailed touches like the underwater ripples when Spidey treads water, and sight gags such as a billboard for Spritz Bug Spray. In each 20 minute tale, the hero has time to discover the villain’s plan, get knocked down and get back up again for a rousing finale. The villains come across as greedy, bellowing buffoons who thrive on thievery rather than any grand master plans. Even the Black Cat is a plain burglar here, more Catwoman than Felicia Hardy. This being the early ‘80s, Spider-Man relies on the miracle power of microwaves on more than one occasion to battle the bad guys. Who knew that those reheating waves could turn sand to dust and amplify magnetic power, bouncing it back to its source?  Spidey isn’t the only character who harnesses technology in unusual ways. In the first episode Bubble, Bubble, Oil And Trouble, classic villain Doctor Octopus modifies his terrible tentacles, adding a diamond sawblade and a vibrator. That’s a sonic quartz vibrator, which zaps walls to rubble around Spider-Man. Ock wants to get his protuberances on the world’s oil supply, but before he can thwart the tanker snatcher Peter has to do his homework and compete with rival photographer Mortimer (J. Jonah Jameson’s wonderfully sniveling nephew).16174889_1836004673347908_6687458020023952722_nIn Dr. Doom, Master Of The World, the Latverian dictator forgoes a typical destructive scheme for something more polite. He brainwashes UN representatives so they’ll vote him into absolute power. Questionable tactics aside, this is the Doom we all want to see – creepy and menacing with a Darth Vader voice. Sadly, he’s defeated too easily and he just runs away at the end. Above all, 5000 has some great visual ideas even if they’re not always executed effectively. They’re the kind of ideas that get kids talking in the playground, looking forward to their next Saturday morning episode. We get Doc Ock striding over the skyline with his tentacles extended, The Lizard breeding giant monitors and other zoo lizards in the subway, blocking off the exits with crashed trains, the Black Cat tightrope walking across power lines, and Spidey wrestling a gator in the Everglades, getting magnetized to a satellite and finding himself in other imaginative scrapes.

On the downside, true believers have been up in all eight arms about the transfer quality of these discs. Clear Vision blames it on the age of the material, but the color isn’t so much faded as flickering, as if an old digital generation has been used as the source footage. Cleaning up video frames can be painstaking, but if Clear Vision wants a loyal fan base then it’s going to have to put more work into the other volumes in this series. If you don’t mind the bad flicker and odd black and white frames, this early Marvel Production will surprise you with its joie de vivre, if not its sophistication. As the missing link between the original cartoon and Spider-Man And His Amazing Friends, this is a rare gem.

REVIEW: SPIDER-MAN (1967) – SEASON 1-3

CAST

Paul Soles (Terminal City)
Bernard Cowan (Iron Man 60s)
Paul Kligman (Winnipeg)
Peg DIxon (Strange Paradise)

Untitled

48 years before modern audiences oohed and awed over the amazing adventures of a teenager bitten by a radioactive spider, kids were sitting in front of their television, singing “Spider-Man, Spider-Man, does what a spider can, spins a web, any size, catches thieves, just like flies,” all while staring intently at their hero in red tights.

Untitled

Thanks to Clear Vision which captures the entire 52 episodes of the animated series on 8 discs, I discovered the exciting superhero escapades kids thrilled over and emulated in the late 1960s. After watching nearly 20 hours of classic Spider-Man, I realized the cartoon is corny, cheesy, unbelievable, and at times, downright laughable. But I loved every minute of it.

Untitled

Talk about nostalgia. Watching these DVDs was like walking through a time warp and stepping into a simpler time. And I can’t wait to go back.. I was delighted with Peter Parker’s exploits and I was thrilled at how Spider-Man always outwitted the bad guys. Sure, the adult side of my brain tried to interfere by pointing out that Spidey was swinging over rooftops on a web that wasn’t attached to anything, or that a web could never stop a bullet, or a laser, or whatever cockamamie weapon the crazed super villain happened to be using.

The old Spider-Man cartoon is definitely not Shakespeare. Instead, it’s shear fun. Even for the adults, as long as you’re willing to let your childishness shine through. Maybe it’s the corny nature of the simple plots—which almost always saw a villain trying to rob crabby old J. Jonah Jameson only to be out-smarted by your friendly neighborhood Spider-Man—that makes the show so much fun. Or maybe it’s the always outrageous villains, which included the typical rogues gallery of Scorpion, Electro, Kingpin, and Rhino, but also included interesting characters like ice men from Pluto, spirits in an old theatre, dangerous man-eating plants, and my personal favorite, Dr. Noah Boddy, an invisible man who thinks he’s smarter than the authorities. Even the simplistic art and dated animation style just adds to the shows charm.

These cartoons are all about the action and the usual Peter Parker wit. The first 20 episodes, which aired in the show’s first season, are broken into two 10-minute adventures, so there’s no time for in-depth plots. The show’s writers put Spidey in as many crazy situations as possible, as fast as possible, and found even more ludicrous ways to get him out.

The next 32 episodes, which aired in the second and third seasons, were mostly 21-minute adventures that included a bit more story, a bit more suspense, and sometimes a bit more mystery, yet never lost sight of the show’s heart. Many of these episodes featured more “real life” villains, such as mobsters or bank robbers, but there were plenty of super villains and zany creatures ready to take over New York. Which means even these longer episodes were light on the character development and heavy on the outlandish action scenes.