REVIEW: THE SCORPION KING 4: THE QUEST FOR POWER

CAST

Victor Webster (Mutant X)
Ellen Hollman (Spartacus)
Lou Ferrigno (The Incredible Hulk)
Rutger Hauer (Blade Runner)
Eve Torres (Supergirl)
Ian Whyte (Clash of The Titans)
Barry Bostwick (The Rocky Horror Picture Show)
Will Kemp (Reign)
Michael Biehn (The Terminator)
M. Emmet Walsh (The Flash 90s)
Brandon Hardesty (Bart Got a Room)
Esmé Bianco (Game of Thrones)
Don Wilson (Cybertracker)

Mathayus and his partner Drazen (who is under the Akkadian’s tutelage) infiltrate the palace of Skizzura to find and acquire an artifact known as the Urn of Kings for King Zakkour of Al-Moraad. In the process, they are discovered and a short fight ensues, revealing Drazen to be a traitor who was really after the Urn.Mathayus returns to Zakkour, who tells him that the Urn’s inscription will show the way to use the powers of Lord Alcaman, a powerful sorcerer who once controlled the entire known world. Under the instructions of the King, Mathayus follows Drazen to the kingdom of Norvania in the Northern Forests to deliver a peace treaty. Drazen gives the Urn to his father King Yannick who shatters it to retrieve the Golden Key of Lord Alcaman, which has the true inscription written on it. Mathayus arrives in Norvania and is accosted by the king’s guards. The soldiers are unable to best Mathayus, who allows himself to be arrested so he can enter the King’s castle. In jail, Mathayus meets another inmate, Valina Raskov, who convinces Mathayus to pay her to meet the king. She explains that she is a member of the original royal bloodline and Drazen wishes to cement his father’s rise to power with her public execution. Drazen appears with guards and takes Mathayus to be tortured, suspecting his peace treaty is a pretense. However, King Yannick believes Mathayus, releases him, and invites him to a dinner banquet. Drazen assassinates his father with black scorpions to cast blame on Mathayus and stall the treaty. Before dying, Yannick gives the Key to Mathayus, who resists capture and flees with Valina, who has feigned an illness to escape her cell, uses the ensuing chaos to leave the castle.In the process, Mathayus suffers an arrow wound to the shoulder (as he did when fighting King Memnon), forcing the pair to go to Valina’s father, Sorrell Raskov, an eccentric scholar and inventor who is unwilling to retake his place as ruler. Sorrell is shown the Key and explains how it will allegedly unlock Alcaman’s palace, where a worthy man can take the Lord’s crown and rule the world. Drazen arrives and forces them to give up the key, leaving them to die as he burns the house. The heroes escape and follow Drazen to Glenrrossovia, a village in Sorrell’s notes on the Key’s code. Drazen begins terrorizing the villagers to find the palace. After enlisting a local boy to steal the key, they take it to the Temple of the Goddess, presided over by High Priestess Feminina. They discover the Key inserts into a symbolic hole in a Goddess statue, located in the Temple’s underground sanctuary. The sanctuary is pushed through the earth, revealing stained glass that reveals the next direction of the journey.After a fight in Gorak’s lair with her opponent Chancara, Valina finds her dungeon friend Roland and has him join their party so they can find a map of the Tugarin Forest in which Alcaman’s palace is hidden in a mountain and guarded by a dragon. They are trapped by Chief Onus who leads the native Tugarin pygmy tribe and attempts to sacrifice them to the spider-like “creatures of the forest.” But Mathayus’ bellow causes the creatures to retreat, and the tribe to embrace them. Despite warnings of the beast, the heroes proceed towards the mountain, where they find the dragon is really a mechanical contraption.Finally, they arrive at Alcaman’s palace and open the hidden door into the mountain. Roland proves to be a traitor in Drazen’s service and the usurper’s men surround and fill the throne room of Alcaman. Mathayus and Valina fight the attackers, but Sorrell receives a mortal wound from Drazen. Armed with Sorrell’s notes, Mathayus proceeds deeper into Alcaman’s palace, rigged with traps that kill those with Drazen and finds the Crown of Alcaman believing its power to be the only hope of healing Sorrell. Putting it on, he is covered in fire, but does not burn. As he prepares to return to his comrades, Drazen overpowers him and takes the Crown. Drazen is judged unworthy and the Crown freezes him to death. Mathayus shatters Drazen’s frozen body and revives Sorrell, who finally believes in magic, with the Crown.The group leaves the mountain and seals the door with the Key and Crown inside, telling the remainder of Drazen’s men that the power of Lord Alcaman was just a myth. Sorrell is crowned King once more, but gives his crown to Valina, who promises to build a kingdom based on “science and mathematics, truth and reason, and just a little bit of magic.” During the credits, Mathayus is relieved from his service to King Zakkour who allowed him to stay with Queen Valina in her service. Valina and Mathayus share a kiss as Gorak and Chancara are also present at the dinner.Scorpion King 4 is a great action adventure and with Victor Webster (who is the only actor to portray Mathayus twice). It’s a fun film for a direct to dvd release.

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REVIEW: THE SCORPION KING 3: THE BATTLE FOR REDEMTPION

CAST

Victor Webster (Mutant X)
Bostin Christopher (Unbreakable)
Temuera Morrison (Spartacus: Gods of The Arena)
Krystal Vee (THe Lazarus Papers)
Selina Lo (28 Weeks Later)
Kimbo Slice (Blood and Bone)
Dave Bautista (Guardians of The Galaxy)
Billy Zane (Zoolander)
Ron Perlman (Hellboy)

A handful of years after giving Mathayus the prophecy that his peaceful kingdom wouldn’t last forever, Cassandra dies. Mathayus allows his kingdom to fall apart in the aftermath of the deadly plague which claimed his wife’s life and he believes his reign of nobility to be over. Mathayus then becomes a mercenary once more, just as he was prior to his war with Memnon. Talus is the younger brother of Horus, a powerful king of Egypt wishes to conquer his brother’s kingdom since Horus was made the king over him. In order to do so Talus, along with his army, goes to the Far East to steal the Book of the Dead from Ramusan, a king who is an ally of Horus. To stop Talus, Horus hires Mathayus and pairs him up with the Scandinavian warrior Olaf. In turn, Talus kidnaps Ramusan’s daughter, Silda. Ramusan then tells Mathayus that if he can save his daughter, he will have the right to wed her and once again raise a kingdom.Before Mathayus manages to rescue Silda, she is whisked away by the ninja army of the mysterious “Cobra”. Talus hires Mathayus and Olaf to bring back the princess as well as Cobra’s head. They wind up in an exiles’ camp led by Cobra, who turns out to be Silda herself. Talus then arrives at Ramusan’s palace and takes the Book of the Dead while injuring Ramusan. With this, he reanimates the dead warriors Zulu Kondo, Agromael and Tsukai. In a test to see their strength, Talus orders them to kill his best men which they do easily. Tsukai and Zulu Kondo are ordered to attack the exiles’ camp. Working together, Mathayus, Olaf and Silda’s ninjas manage to defeat Zulu Kondo in battle. However, Tsukai manages to escape.Mathayus and Olaf return to Ramusan’s palace, now Talus’ headquarters. They pretend to have rescued Silda and present a severed head supposedly belonging to Cobra. Talus still intends to marry Silda and takes her to his sleeping chambers. Mathayus attacks Talus, who is saved by the timely intervention of Tsukai. Mathayus pursues Talus while Silda faces Tsukai. At the same time, Olaf attempts to get the Book of the Dead but has to fight Agromael. While Talus faces the wrath of the ninjas, Mathayus somehow finds the ailing Ramusan and together they use the Book of the Dead to prevent Tsukai and Agromael from killing Silda and Olaf, respectively.With Ramusan dying in his daughter’s arms and Talus left to face the wrath of the ninjas, Tsukai and Agromael bow down to Mathayus as the new ruler of Ramusan and Talus’ kingdoms. When Horus arrives at the city gates, he is greeted by Mathayus, who has taken up the mantle of Scorpion King once more. During the credits, it’s revealed Mathayus and Silda shared a kiss on the night of their earlier party, though Silda appears to leave the prospects of a relationship with him behind as she bestows him the artifact which could one day be used to contact Anubis.Unlike the second film this is set after the first movie. Victor Webster takes over the role of Mathayus and does a great job of it. There is a lot of action and fighting in this movie, and it works out well enough. The fight scenes are well choreographed and are set at a high pace full of adrenaline. I liked what I saw. The Scorpion King 3: Battle for Redemption is a decent enough action movie that will entertain most people.

REVIEW: DEAD RISING: ENDGAME

CAST

Jesse Metcalfe (Dallas)
Keegan Connor Tracy (Bates Motel)
Dennis Haysbert (24)
Patrick Sabongui (Power Rangers)
Billy Zane (Zoolander)
Camille Sullivan (The Unseen)
Marie Avgeropoulos (50/50)
Ian Tracey (Sanctuary)
Jessica Harmon (Hollow Man 2)
Victor Webster (Mutant X)

burnt-01The reporter Chase Carter (Jesse Metcalfe) returns to East Mission City to investigate a mysterious building where prisoners are transported to be guinea pig on experiments to find a cure of the zombie infection. He uses a camera to record and transmit the images to the reporter Jill (Jessica Harmon) and to the skilled computer hacker Sandra Lowe (Marie Avgeropoulos) and finds that General Lyons (Dennis Haysbert) in involved in a secret government conspiracy. Carter is found and has to flee from Lyons’s henchmen. However the editor is afraid to broadcast the images since the TV network would certainly be sued by the government. The former executive George Hancock (Ian Tracey) from the pharmaceutical corporation Phenotrans meets Carter and tells that the army is hunting him down. Further, they should go to East Mission City to shut down the servers since Lyons plans to kill 1.5 million-people that have an implanted chip, including Sandra, and stop the cruel scientist Rand (Billy Zane), who uses humans to test his experiments. Will they succeed to stop Lyons’evil plan?
maxresdefaultDead Rising: Endgame is a good sequel to Dead Rising: Watchtower. The non-stop action in the zombie infected city is highly entertaining.

REVIEW: BRINGING DOWN THE HOUSE


CAST

Steve Martin (Cheaper By The Dozen)
Queen Latifah (Chicago)
Eugene Levy (American Pie)
Joan Plowright (101 Dalmations)
Jean Smart (The Accountant)
Kimberly J. Brown (Tumbleweeds)
Angus T. Jones (Two and a Half Men)
Missi Pyle (Dodgeball)
Michael Rosenbaum (Smallville)
Betty White (The Golden Girls)
Steve Harris (Minority Report)
Victor Webster (Mutant X)

Peter Sanderson (Steve Martin) is a workaholic tax attorney working for a set of competitive colleagues and bosses while he tries to turn his life around. Having just separated from his wife Kate (Jean Smart) and lost privileges to his children, 15-year-old Sarah (Kimberly J. Brown) and 8-year-old Georgie (Angus T. Jones), he tells his wife that the previously planned Hawaii trip will not happen, but he lets them be in their house for some allotted time. While tending to his career, he corresponded with an online friend known only as “lawyer-girl”. On their first blind date, Peter learns that “lawyer-girl” is Charlene Morton (Queen Latifah); a wrongfully convicted felon accused of bank robbery claiming her innocence who wants Peter’s help in getting the charges dropped. He kicks her out but then decides to let her stay.
The next day as Peter leaves the house to pick up the kids, he tricks Charlene to make her leave, but she breaks back into the house along with her friends. As they drive home, he realizes that Charlene didn’t give up on leaving his house and again forces her to leave the house. While Howie Rottman (Eugene Levy) and Peter are waiting to have Peter make a deal promised for Mrs. Virginia Arness, she appears to finally convince him to help her out. Ashley (Missi Pyle), Kate’s gold-digging sister, thinks she is here to serve drinks and food. However, Peter makes it seem that she is the nanny of his house since his ex-wife is not with him. Much later, Charlene appears in Peter’s office informing him of new evidence. When his associate Sofia (Tracey Jones) told Peter that one of his bosses Mr. Edward Tobias (Jim Haynie) wants to see him, he & Howie try to get her out of there but to no avail as Tobias shows up before them. But the two gentlemen manage to get off the hook when Charlene tells Ed about Peter helping with the financial situation at a church and then leaves. At the golf resort, as Peter plays a round with Mrs. Arness and Howie and Charlene are having a talk, Ashley talks trash and nasty enough for Charlene to get in a fight with her.
Later that night, Georgie sits with Charlene as she starts to help him develop his reading skills to impress his dad but by way of an inappropriate magazine Charlene found under Peter’s desk. Georgie later goes to Mrs. Kline’s house for ladies’ poker night. At the same time, Sarah and her friend tricks her father into thinking she’s going to dinner with him at his house; but in actuality they’re going to a party. Meanwhile, Peter goes out to eat with Charlene and for the first time since the start of his separation, he begins to have fun and then Peter & Charlene dance. But Ashley and Kate, who are also at the restaurant are very scared of the scenario. When they return home, they start having sex, but as a way for Peter to win Kate back. When she brings Georgie back, Mrs. Kline believes he accidentally humped his nanny and the next day, Peter explains the whole situation to his bosses. Later that night by the pool, Charlene is speaking to her old boyfriend Widow (Steve Harris) about another piece of new evidence that could help or hurt Charlene. Then Charlene and Widow reconcile after which Peter confronts her, thinking they were planning another crime. Then Peter convinces Charlene not to have any further visitors. Next, Peter receives a call from Sarah who asks her father if she wants to speak to Charlene. So she does and she asks Charlene to take her home. When Charlene arrives at the house Sarah was in, Sarah informs Charlene that she lied to Peter and actually had a different boyfriend who tried to have sex with her to which Sarah refused. So to teach the boy a lesson, Charlene hangs him by his ankles at the balcony and forces him to tell Sarah that he’s sorry and will never try to do it again. As Charlene takes Sarah home, Peter realizes that she was with bad friends but doesn’t get angry after Charlene tells him, “Sarah didn’t need a warden, she needed her father.”
The next night Mrs. Arness comes for dinner but on that same night she’s there she realizes that Peter has for a nanny, an escaped convict (Charlene), wanted for a murder she did not commit. So she walks out and at the same time, Peter kicks Charlene out. The next day at his firm, Peter fearing that his boss is going to fire him, realizes that Arness didn’t call the cops but the FBI. Peter runs out of the firm in terror, but not before Howie asks him to tell Charlene if & when he sees her, this term: “The cool points are out the window and she’s got him all twisted up in the game”. When Peter gets into his car and after adjusting his rear view mirror, he sees Widow in the back. Widow threatens Peter not to reopen Charlene’s case nor go anywhere near her. With that threat in his mind, Peter starts his car and drives off, causing Widow to roll out. This makes Peter realize that Charlene really “is” innocent and was framed by Widow as he made the case affect him all along as he was in hiding. So he decides to forgive Charlene and tries to call her, but he doesn’t know where Charlene is until Sarah tells Peter that Charlene has his cell phone, so he calls her by his house phone. Charlene now knows who set her up and Peter is determined to get a confession. Howie’s positive attention begins to get Charlene to be with him. They reach the Arness house but trouble doesn’t come due to William Shakespeare (her dog) being tied up and Julia, Arness’ assistant out of reach. Todd Gendler (Michael Rosenbaum), Peter’s rival & his apparent replacement gets a punch from Charlene for making a negative remark. Back at the house, the kids told their mom about Charlene and try to persuade her to believing that he moved on from the old ways and he doesn’t think about himself anymore.
Later, we see Peter drive up to “The Down Low”, the gangster club of Widow’s and makes a final confrontation, disguising himself to get in undetected. Widow arrives later and when he sees Peter in disguise, he gets his bodyguards to take Peter in the backroom. The other three (Charlene, Howie and Arness) arrive shortly after. Howie & Charlene figure out a way to save Peter while Arness is having drinks and getting stoned next to two customers. Meanwhile in the room, Peter tells Widow he & Charlene now knows who Widows accomplice was; but Widow tells Peter that there was no accomplice at all, it was just him in disguise. After Charlene calls the FBI, she goes go into the backroom as Peter & Widow came out. Widow throws Peter onto the floor, & then points the gun at both Charlene and Howie. Peter elbows Widow in the groin, causing him to drop the gun. Howie grabs the gun and points it at Widow and his bodyguards, but Peter accidentally nudges Howie and he fires the gun towards the bar, causing everyone to panic and run out the club. Charlene and Widow ensue in a fistfight, but Widow quickly gets his gun off the floor and points it at Charlene. Widow shoots Charlene and she falls on the couch, presumably dead. This angers Howie and he jumps on Widow trying to fight him. Peter goes over to Charlene to grief but Charlene wakes up and pulls Peter’s cellphone out of her shirt and reveals the bullet went through the phone, saving her life. The FBI agents come in the club to arrest them. However, Peter has a lot of proof to not only make Charlene’s record expunged, but to put Widow away for a long time. Mrs. Arness almost wants no more from Peter, but Peter escorts her to an all-night diner, convincing her to make him her lawyer again.
The next day, Gendler tells Ed that he called Arness four times with no success since she said she’ll only talk to Peter. The bosses decide to keep Peter around when they see him move out. When Peter, Howie and Sofia move out, Tobias, and his partners are sorry for understanding the new dynamic in Peter but in self-retiring from the firm, he moves out of the office saying, “Ed, you can kiss my natural black ass!” At the new office, Charlene thanks him for everything he did with one final appreciated remark and she now leaves Peter to have a good conversation with his wife after they see her walk in. Peter gave the same line Howie gave to Charlene to Kate as a way of asking her to give him a second chance, she does and reconciles once and for all. Their reconciliation was briefly interrupted by Peter’s cell phone, but rather than answering, Peter just threw it away and they continued to hug. The end of the film shows Charlene putting braids on Howie’s head and she brings down the shade.MCDBRDO EC029There are many references to racial differences within the film but they’re not unpleasant as some people make them out to be. The film could have been a lot, lot better (blame the writers, not the actors), but it gets four stars just because it’s a nice way to spend an afternoon! But don’t buy if you expect to be rolling on the floor laughing.

REVIEW: WISHMASTER 4: THE PROPHECY FULLFILLED

CAST
John Novak (Legends of The Fall)
Tara Spencer-Nairn (The Listener)
Michael Trucco (Battlestar Galactica)
Jason Thompson (Circle)
Victor Webster (Mutant X)
Kimberly Huie (Andromeda)
Jennifer Pudavick (Wrong Turn 4)
Aleks Paunovic (I Spy)
As in the previous films, an evil genie is released from his prison – an ancient jewel – and must grant three wishes to the person who awakens him, in order to release the race of Djinns from hell and allow them to take over the earth. Painter Sam (Jason Thompson) and his girlfriend Lisa (Tara Spencer-Nairn) have just moved in together when he has a terrible accident that leaves him paraplegic; specifically, the bones in his lower legs are fractured. Determined to help him, Lisa retains a lawyer, Steven (Michael Trucco), who has a crush on her. Due to his condition, Sam grows ever more distant from Lisa, ruminating on his and Lisa’s inability to have sex and believing that she and Steven are having an affair. Sensing Sam’s growing distance from Lisa, Steven moves in, awkwardly offering as a gift a jewel he found hidden away in an antique desk. The jewel, unknown to Steven, is the Djinn’s cell. Lisa inadvertently awakens the Djinn, which secretly kills Steven and takes his form. The Djinn/Steven begins making advances on Lisa to trick her into making wishes. She first wishes for the case for Sam’s condition to be won. The Djinn calls the opposing attorney and forces him to torture himself until he signs a settlement for 10 million dollars. The Djinn next takes Lisa out to a restaurant called The Palace to celebrate the winning of the case, asking her what she wishes for the most. When she says she wishes Sam could walk again, the Djinn grants this wish, enabling Sam to walk, but not repairing the injuries that left him paralyzed. They next go to Steven’s place where they share champagne. While getting more for them to drink, the Djinn hears Lisa wish she could love “Steven” for who he really is.
Aware that his true form will lose her forever, he is unable to grant the third wish right away. The Djinn spends much time trying to decipher human love in order to “make” Lisa truly love him, and in the process he develops feelings for her. One of these attempts is talking with one of her coworkers, who explains he has to grant Lisa’s deepest desires, amongst which is ending her three-year-long sex-less life, and accidentally wishes for killer sex, that is extremely pleasurable to her at first, but does kill her. Meanwhile, his fellow Djinn constantly beg him to grant the third wish and let their race inherit the earth. He ignores them to keep learning about love, even visiting a Strip Club, where he meets Sam. Though he tries tricking Sam into making a wish, Steven ends up granting the wishes of a bartender to be a pimple on the rear of one of the strippers, and that of the bouncer, who wished he’d put up more of a fight after being thrown out. An angel attempts to kill Lisa to prevent the third wish from being granted to her, which would cause the release of all Djinn and an ensuing armageddon. However, Steven arrives and sends her away to safety. The angel and the Djinn fight, with the Djinn eventually winning the battle and killing the angel. Due to his previous planning, Steven has tricked Sam into believing Lisa has now fallen in love with Steven and this forces him to leave. Steven later arrives at Lisa’s house with some flowers in an attempt to calm her down from the angel’s attack and console her. He gives her a kiss, which leads to them making out and then having sex in the living room. Once Lisa calms down afterward, she realizes she has missed having sex but does not love Steven. Steven asks Lisa very emphatically if she “truly [loves him] for who [he is]” in an attempt to make her grant the third wish; however she is taken aback and somewhat repulsed by his pushiness. Lisa runs upstairs for new clothes, leaving Steven with his thoughts.
At his wit’s end, Steven redresses himself and heads upstairs to her bedroom, where she has finished putting on new clothes. Steven explains he gave Lisa what she wanted, but is angrily rebuffed with “thanks for the charity”. The Djinn brethren make their presence known, forcing Lisa to flee. Steven voices rage at his fellow Djinn for jeopardizing the wish, telling them he will take care of it. Using his magic to make the upstairs a looping maze, Steven brings Lisa back to the bedroom and reveals his true form to her, offering Lisa a choice: take his hand as the second in command when the Djinn race takes over the world, or to be cast down to another dimension of hell. At the climax, Sam returns and tries to save the day with an angel’s sword (wished for by him), but gets stabbed by the Djinn. While the Djinn is still attempting to convince Lisa to take his hand, Sam signals Lisa to push the Djinn through the blade, which is sticking out of Sam. Lisa does that, and both the Djinn and Sam perish. Lisa makes it out of the house and looks back at it, remembering the happier times that she and Sam shared.movie-wishmaster-4-the-prophecy-fulfilled-bigAlthough having flaws in the story, Wishmaster 4 is a good sequel. In this fourth episode, there is a lack of humor in the deaths of The Wishmaster.You can’t tell who’s a good guy and who’s bad sometimes. Interesting twist on the good vs. evil plot — I liked it.

REVIEW: MUTANT X – SEASON 1-3

MAIN CAST
Forbes March (As The World Turns)
Victoria Pratt (Cleopatea 2525)
Lauren Lee Smith (Lie With Me)
Victor Webster (Wishmaster 4)
John Shea (Lois & Clark)
Karen Cliche (Flash Gordon 2007)
RECURRING / NOTABLE GUEST CAST
Tom McCamus (Ginger Snaps Back)
Douglas o’ Keeffe (Dark Angel)
Cedric Smith (X-men: The Animated Series)
Andrew Gillies (Odyssey 5)
Michael Easton (Coldfire)
George Buza (X-men: The Animated Series)
Dylan Bierk (Andromeda)
Laura Vandervoort (Bitten)
Yannick Bisson (Beauty and the Beast 2012)
Monique Ganderton (Smallville)
Anthony Lemke (Robocop: Prime Directives)
Mark Lutz (Angel)
Greg Bryk (Reign)
Anne Openshaw (Izombie)
Guylaine St-Onge (Highwayman)
Sarah Gadon (Dracula untold)
Larissa Laskin (John Q)
Callum Keith Rennie (Memento)
Louis Ferreira (Stargate Universe)
Krista Allen (The Final Destination)
Lindy Booth (Cry Booth)
Noah Danby (Painkiller Jane)
Sandrine Holt (Underworld Awakening)
Philip Akin (Highlander: The Series)
Melinda Deines (Earth: Final Conflict)
Frank Moore (Rabid)
David Sutcliffe (Lie To Me)
Jenya Lano (Xena)
Alan C. Petersen (Stargate SG.1)
Rachel Hayward (Jingle All The Way 2)
Steve Bacic (Blade: The Series)
Gary Hudson (Cold Case)
Sebastian Spence (First Wave)
Alan Van Sprang (Reign)
Lauren Collins (Degrassi: The Next Generation)
Euegne Robert Glazer (La Femme Nikita)
Peter Stebbings (Bates Motel)
John Ralston (The Lizzie Borden Chronicles)
Sasha Roiz (Caprica)
 Mutant X was a brilliant, and totally original, syndicated series that had have genre fans tuning in faithfully week after week. Drawing from the timely topic of genetic research and engineering and experimentation on human DNA, Mutant X tells the completely original story of a group of outcasts with genetically engineered super-human powers and abilities and their attempts to evade capture or destruction by the ultra-secret, evil government agency which created them.
Mutant X  created by comics veteran Howard Chaykin (writer for Earth: Final Conflict and Viper) and Avi Arad (executive producer of X-Men, X-Men 2, and every other Marvel comic to movie adaptation in the pipeline from Daredevil  to The Fantastic Four). With a totally straight face, they insist that this new show has absolutely nothing whatsoever to do with the X-Men. Both of these guys know the comic industry and Arad obviously is familiar with  X-Men, and yet they expect us to believe that cashing in on the popularity of the X-Men wasn’t in their minds at all while developing this series. They can’t even seem to recognize the similarity.

The main difference in plot line deals with the fact that the powers that the Mutant X mutants possess were a result of human intervention through science rather than a naturally-occurring genetic mutation, as in the X-Men. Apart from this very minor difference, the sky is the limit when it comes to Mutant X – X-Men similarities.
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The leader of the Mutants is Adam, a wealthy scientist who headed up the government project that created the Children of Genomex (a.k.a. the Mutants). He has seen the error of his ways and now is engaged in a crusade to locate, protect, and train the Mutants. He doesn’t actually own a school or have mutant powers himself, but this is the Professor X of the group.371266752_640The leader of the evil, covert government agency is Mason Eckhart, played by Andy Warhol as himself. This guy, complete with white hair and chunky glasses, wants to either use the Mutants for evil purposes or see them all destroyed. He’s sort of the Magneto of Mutant X without the overwhelming desire to see the Mutants rule the earth. Eckhart doesn’t have any super powers, unless you count just plain being evil, but his right hand man has telekinetic abilities.
a great series that lasted 3 seasons and only ended because the tribune company came to and end

REVIEW: BONES – SEASON 1-10

Image result for bones tv logo

MAIN CAST

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Enchanted)
T.J. Thyne (Ghost World)
Eric Millegan (The Phobic)
Jonathan Adams (Castle)
Tamara Taylor (Serenity)
John Francis Daley (Waiting…)
John Boyd (Argo)

RECURRING / NOTABLE GUEST STARS

Larry Poindexter (Blade: The Series)
Tyrees Allen (Robocop)
Bonita Friedericy (Chuck)
Chris Conner (Walk of Shame)
Anne Dudek (White Chicks)
Heavy D (The Cider House Rules)
Toby Hemingway (The Finder)
Alex Carter (Out of Time)
Bokeem Woodbine (Spider-Man: Homecoming)
Morris Chestnut (Kick-Ass 2)
Rachelle Lefevre (Twilight)
Michael Mantell (Angel)
Jeffrey Nordling (Arrow)
David Starzyk (Veronica Mars)
Heath Freeman (Nancy Drew)
John M. Jackson (JAG)
Josh Hopkins (Cold Case)
Leonard Roberts (Agent Carter)
Rachel Miner (The Butterfly Effect 3)
Alicia Coppola (Bull)
Jim Ortlieb (Roswell)
Billy Gibbons (Two and a Half Men)
Ty Panitz (Because I Said So)
Harry Groener (Buffy)
Michael B. Silver (I Am Sam)
Penny Marshall (The Simpsons)
Suzanne Cryer (Two Guys and a Girl)
Lawrence Pressman (Dark Angel)
Jaime Ray Newman (Bates Motel)
Zeljko Ivanek (Heroes)
Judith Hoag (Teenage Mutant Ninja Turtles)
Ivar Brogger (Andromeda)
Josh Keaton (Transformers Prime)
Adriana DeMeo (Killer Movie)
Robert LaSardo (Nip/Tuck)
Jose Pablo Cantillo (Standoff)
Emilio Rivera (Renegade)
Michael Bowen (Lost)
Adam Baldwin (Firefly)
David Denman (Power Rangers)
Brian Gross (2 Broke Girls)
James Parks (Kill Bill)
Robert Foxworth (Evil Beneath Loch Ness)
Rodney Rowland (Veronica Mars)
Cullen Douglas (Agents of Shield)
Michelle Hurd (Jessica Jones)
Patricia Belcher (Mike & Molly)
Giancarlo Esposito (Son of Batman)
Alexandra Krosney (Lost)
Loren Dean (Apollo 13)
Ray Wise (Robocop)
Sam Witwer (Smallville)
Shane Johnson (Birds of Prey)
Jessica Capshaw (Valetnine)
Chris Conrad (Young Hercules)
Leah Pipes (The Originals)
Christie Lynn Smith (Swamp Thing: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Carlos Lacamara (Heroes Reborn)
Cerina Vincent (Cabin Fever)
Kali Rocha (Buffy)
Kyle Gallner (Smallville)
Lisa Thornhill (Veronica Mars)
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Alex Winter (Waynes World)
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Stephen Fry (The Hobbit 2 & 3)
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George Coe (The Entity)
Johnny Lewis (Felon)
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Stephen Lee (The Negotiator)
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Bones very quickly garnered rave reviews and amassed a loyal following. Bones is loosely inspired by real life forensic anthropologist and author Kathy Reichs. This funny, clever, sometimes gross, and totally addictive crime drama centers around forensic anthropologist Dr. Temperence Brennan (Emily Deschanel), who toils out of the Jeffersonian Institution and, on the side, writes mysteries starring her fictional heroine (and here’s the twist) Kathy Reichs. Because Brennan has an almost supernatural ability to generate accurate assumptions based on her examination of the corpse’s bones, she is often consulted by the FBI on difficult, seemingly unsolvable cases. She is frequently partnered by brash wiseacre FBI Special Agent Seely Booth (David Boreanaz), who seems to hold a bias against science and those who practice in that field. It’s Booth who breezily saddles Brennan with the nickname “Bones.” Naturally intuitive and freewheeling, Booth immediately is at odds with the clinically analytical Brennan. But, despite their personality clashes, and with the aid of Brennan’s gifted and quirky colleagues, the cases do get solved.

It’s no great secret that the palpable chemistry between Deschanel and Boreanaz is what actually propels the show and is what separates it from the other, more formulaic, dispassionate crime dramas. Every week, fans tune in for the leads’ deliciously caustic banter more so than for the weekly dose of mystery. You see, the mystery jones can be fixed by viewing any other one of the gazillion forensic dramas so currently prevalent on the airwaves. So the mystery is basically the MacGuffin that drives the show forward. But the cantankerous chemistry – that palpable “something” between the two leads as they hilariously bicker and wrangle – is definitely unique to this show.
Emily Deschanel is a find. I haven’t seen her before but she’s awfully good and ingratiating enough with her acerbic character. She imbues Brennan with a cooly detached yet vulnerable and lonely quality that intrigues and endears her to the fans. Her social awkwardness and pop culture ignorance are also quite charming. It’s pretty funny that a mention made regarding a pop culture reference almost always elicits a response of “I don’t know what that means” from the clueless Bones. And, of course, her expertise in the martial arts doesn’t detract from her allure.

And David Boreanaz. Yeah, I found it difficult going, at first, watching him in a new role, seeing as how I’m a fan of Buffy and Angel. But it helps that Booth isn’t much like our vampire with a soul. This ex-Army Ranger Special Agent is breezy, personable, and outgoing, not brooding, tortured, and introspective like Angelus. So, the transition, while disconcerting for me, was ultimately smooth enough. Boreanaz brings such command, self-assurance and charm to his character that I bought into it soon enough.
My favorite episodes are the pilot episode, where we are introduced to the cast; “The Man in the Fallout Shelter” – the team is quarantied together in the Jeffersonian during Christmas and we learn personal stuff about the characters; “Two Bodies in the Lab” – character development galore in this episode as Brennan dates on-line and is targeted while she works on two cases; “The Superhero in the Alley” – a decomposed body is found wearing a superhero costume; and “The Woman in Limbo” – a gripping, emotional season finale as Brennan discovers shocking facts about her parents.

The start of the season sees a new boss, Cam, arrive at the Institute. Not only is she very hands on, she is a former love of Booth, and Tempe and Cam do not hit it off in the early episodes. The new character is well written and softens as the season progresses until it is hard to imagine the team without her input. Meantime Zac undergoes a make-over in order to secure a permanent place on the staff once he gains his doctorate, and Hodkins and Angela begin a tentative office romance.
Booth and Brennan continue to spar verbally with each other and some of their exchanges will have you laughing out loud. When a fellow agent, Sully, begins a relationship with Tempe, Booth’s feelings are confused – but as is observed, Tempe “is rubbish at being a girl” and her own complicated life does not bode well for a permanent relationship. Tempe continues to put her foot in it socially, particularly when a case involves Booth’s Catholic religion.

Among the classy episodes are ‘The Girl with the Curl’ about child beauty Queens, (with a wonderful scene of Tempe trying to talk to a group of 8 year olds at a dance class!), ‘Aliens in a Spaceship’ which has Tempe and Hodgkins buried alive by a serial killer, and ‘The Headless Witch in the Woods’ which has more than a nod to The Blair Witch Project. Guest stars this season include Stephen Fry as a laid back, insightful Psychiatrist whom Booth must see after he shoots an ice cream van, and Ryan O’Neal as Tempe’s estranged and mysterious father whose elusive character comes into his own when Booth is targetted by the Mob. And, once again, Angela’s instantly recognisable father – from ZZ Top – pops up!

BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers’ strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3’s first episode (“The Widow’s Son in the Windshield”) opens up, we learn that Bones has been reluctant to go in the field with Booth and she won’t say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences.

Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2’s finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela’s search for her long-time but vaguely remembered husband. “The Secret of the Soil” introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI’s concern due to Booth having arrested Bones’ father. These sessions are generally funny stuff as, mostly, Booth can’t help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth.

I’ve a couple of Season 3 favorites. “The Widow’s Son in the Windshield” introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. “Mummy in the Maze” is a very neat Halloween show, wherein Booth’s shameful phobia is unveiled and Bones’s costume is…simply awesome. “The Knight on the Grid” is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And “The Santa in the Slush” is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. “The Baby in the Bough” has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, “The Wannabe in the Weeds” (in which Zach and Bones both sing) and “The Pain in the Heart” are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of “The Wannabe in the Weeds” should’ve been developed further in “The Pain in the Heart.” In fact, “The Pain in the Heart” – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans.
The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric “thing” between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance “Bones” Brennan. And while her character might’ve loosened up a little bit (not too much), there’s still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he’s just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in “The Santa in the Slush” is one of the best, most touching scenes of the season.

World-renowned forensic anthropologist Temperance “Bones” Brennan is as brusque and tactless as ever, as confounded by the subtleties of social decorum as ever (or as Sweets exclaims: “She is wicked literal!”). Bones is still very much that intimidating icy intellect, still a wounded soul, and still solving murders. FBI Special Agent Seeley Booth is still the one with the people skills and that well-developed bump of intuition. More onions are peeled in this season as we learn even more about the underpinnings of our core characters. The absolute big draw of this show is that sizzle between David Boreanaz and Emily Deschanel, their fabulous interplay tantalizing and frustrating the viewers. Could this be the season that they get together? Well, kind of, sort of. Taking what the show is giving, I wallow in their ever evolving relationship.

Staying on the personal, Hodgins and Angela are trying to move past their break-up. “The Skull in the Sculpture” demonstrates that Angela is more ready to move on than Hodgins, and if you thought Angela was a free spirit before, well, now… This episode also has Sweets demonstrating the best way ever to fire someone. Young FBI psychologist Lance Sweets, by the way, becomes a regular cast member in this season, and I like him more and more as each episode progresses, even if Booth and Bones continually treat him like a pesky little brother. Even Dr. Saroyan’s past is delved into.

Zack Addy, apprentice to the Gormagon Killer, has been institutionalized, which doesn’t keep him from strolling out to help the squints on a baffling case. Still, this gives rise to a running theme, that of the rotating roster of interns as Saroyan and Bones attempt to fill Zack’s spot, and the fun thing is that each of these interns comes with baggage. There’s the morbid one, the excessively chirpy one, the one constantly dispensing trivia, etc. The most martyred one may well be that repressed intern who insists on keeping things professional at all times – except that, the squints being a tight bunch, he keeps getting exposed to a deluge of innuendo and gossip in the workplace.

There isn’t really a running mystery arc to tie these episodes together – no one like the Gormagon Killer running around, for example. But that doesn’t mean that the cases aren’t gripping; some of them are really interesting. The season opens with “Yanks in the U.K.”  which plants Brennan and Booth in jolly old England, investigating a murder and running into a British version of themselves. In “The Passenger in the Oven” Bones and Booth are on a flight bound to China and have only four hours to solve a murder before the plane lands and Booth loses jurisdiction. “Double Trouble in the Panhandle” has Booth and Bones infiltrating the Big Top as “Buck & Wanda and their Knives of Death,” and their circus act is actually fraught with more suspense than in just about any other scene in this season.

Some other favorites? In “The Double Death of the Dearly Departed,” Bones and Booth steal a corpse due for cremation from a funeral home, Bones believing that the body had been “translated,” which is Booth’s made-up code for murder. “Mayhem on a Cross” unveils some dark stuff about Sweets’ past, this episode also featuring the return of the awesome Stephen Fry as FBI shrink Gordon Gordon Wyatt. It also had me cracking up whenever Bones insisted on correctly pronouncing “skalle” (the Norwegian word for “skull”). “The Hero in the Hold” features the return of the Grave Digger serial killer. “The Princess and the Pear” plonks Bones and Booth’s temp replacement in the world of comic book conventions, and Bones finally gets another chance to flash her martial arts mojo.
Image result for bones the critic in the cabernetIn “The Critic in the Cabernet” Bones drops a bomb on Booth and Booth gets advice from a cartoon character, a frivolous conceit which goes on to have a terrifying payoff. Finally Season 4 closes with a quirky fantasy episode featuring a re-shuffling of roles. In this reality, Dr. Saroyan and Booth’s brother are homicide detectives and Booth and Bones are a married couple who run a nightclub and who end up as suspects in a murder case. It’s neat that just about everyone is in this one.

At the beginning of the fifth season of the wildly popular forensic drama “Bones,” many viewers tuned in trepidatiously after the spectacularly strange fourth season finale. Thankfully, all fears were allayed and relieved when the fifth season kicked into high gear in the very first episode and maintained that pace throughout the season; “Bones”‘ fifth season is perhaps its greatest yet.
The one thing that has always set “Bones” apart from the countless other procedurals on the airwaves right now is the focus on the characters solving the crimes rather than the crimes themselves, and the strength of this approach shines through brilliantly in every episode of this season.
David Boreanaz and Emily Deschanel return to the roles of Booth and Bones and deliver their strongest performances yet as each character is shaken to their core. As Booth struggles to regain his sense of self, he has to confront the knowledge of his feelings for his partner, while Bones herself goes through a whirlwind of emotion as the emotional barriers she has erected around her heart begin to crumble down, leaving her questioning not only herself but her relationship with Booth as well as her work at the Jeffersonian itself. The tension between the two has never been more delicious or more addictive, and both lead actors knock their roles absolutely out of the park.
But while the relationship between Booth and Brennan becomes increasingly more complex, the wonderful supporting cast of engaging characters at the Jeffersonian keep the show moving along briskly and lightly. Cam (Tamara Taylor) must run the lab while dealing with the challenge of being a good mother, guiding the team effectively toward each conclusion; Sweets (John Francis Daley) continues to provide invaluable insight into the minds of the team; Angela (Michaela Conlin) remains the emotional heart and soul of the team as she opens her heart to love’s possibilities; and Hodgins (TJ Thyne) struggles with his feelings for Angela as he returns to his abrasive, loveable self.

The cases themselves have regained a fascinating light as the mysteries the team confronts become more complex, and the special effects department has outdone themselves in the gore and goop department this year as Booth and Bones investigate some of the most gruesome crime scenes in history, all moved along by the brisk black humor the show excels at; the team investigates a possible secret agent locked in a truck for days, a would-be rocker torn to pieces by an industrial washer/dryer, a gamer literally melted in a vat of fast-food grease, and a dozen more cheerfully disgusting cases where the outcomes of the mysteries hold the power to shock and surprise the audience; the writers have once again caught the perfect balance between the whodunnit and the drama to craft a truly unique show. But it’s not merely the cases that hold the viewers’ attention this season; season five is full of true powerhouse episodes: heartbreaking cases like “The Plain in the Prodigy”; darkly comical shows like “The Beautiful Day in the Neighborhood”; truly shocking mysteries like “The Proof in the Pudding,”; and even a historically fascinating case written by the author of the original Temperance Brennan novels Kathy Reichs herself (“The Witch in the Wardrobe”) — however, all of these merely lead up to the three knockout moments of the season:
In the fifth season, “Bones” reaches its 100th episode, “The Parts in the Sum of the Whole.” Likely the most beloved and most contested episode in the show’s history, the 100th episode completely redefined Booth and Brennan’s relationship as it showed the viewers the pair’s first meeting, something never before revealed, and circles around to one of the most hearbreaking and yet most powerfully hopeful moments of the series. “Parts” was also directed by David Boreanaz, one of the series’ leads, and the sheer emotion wrung out of Boreanaz and Deschanel by the end speaks volumes to the talent of the show’s leads.
As the series continues, however, the characters were shocked to their cores as they were forced to come face-to-face with their most terrifying adversary yet: the cunningly frightening sociopath dubbed The Gravedigger, in “The Boy with the Answer,” a nail-bitingly tense hour of television that had viewers’ hearts pounding as Heather Taffet, the Gravedigger, proved that her true arena was the courtroom, tearing apart her victims and throwing the entire future of Brennan’s life into question.
This only segues into the season’s amazingly dramatic finale, “The Beginning in the End.” As the team investigates the home of a hoarder, Bones questions what she truly wants to do with her life, Booth’s past comes calling, and Angela’s father blows back into town, all leading to a truly shocking season ender, a masterful finale that not only redefined the very foundations of the show and the characters but also continued to set the show on a rising point, ensuring that every faithful viewer of “Bones” will be frantically waiting for the sixth season to premiere in the fall.

To resuscitate a dead team out of their scattered disappearance is not an easy task. Luckily the DA in Washington DC is a powerful woman, stubborn and resolute, and she generally gets what she wants. So she brought Agent Booth back from Afghanistan, and Temperance Brennan, aka Bones, from the exotic place where she was trying to get some archaeologically interesting bones with Daisy, Dr Sweet’s girl friend, and Dr Sweet from his hideout somewhere in Paris where he was having a showbiz career as a cabaret singer. They all come back, change clothes and back in the business in a jiffy. Angela and Dr Hodgins are also back though from not so far away and Angela is pregnant.
As usual one case per episode, clean and neat, always dealing with a lot of bones, gross and dirty, soaked in a lot of decomposed muck with a tremendous number of maggots, worms and other corpse parasites. A series not to watch while eating anything more delicate than dry cookies.
Angela and Dr Hodgins have a full plate with the pregnancy and the delivery of the baby. For them that’s enough and that will require some help from a friendly psychiatrist because it is hard for the father not to become overprotective and it is hard for the mother to accept the physical handicap this pregnancy may represent. Yet they decided that working with the people they are used to work and live with was the best thing for the pregnancy, the mother and the child. Angela was not alone at any moment of her days or nights.
Agent Booth brought a journalist back from Afghanistan, a sort of love substitute for Temperance. But will that not cause some problems, like conflicting interests between the two professions? And Booth with his own son is already very busy in life. Will that new woman in the picture be able to cope with a child, what’s more the child of another woman? And the question of marriage will come up sooner or later and how are the two going to react to that eventuality? Probably not very well, maybe not too bad. A decision that is always difficult to take for someone who is constantly in the field of police investigation and for a journalist just back from a war zone.

You have the interns still rotating, the four of them. They are the surprise of each episode because they are so different and they can be so funny, though at times they are just funny for us because they are mismatched with what is happening around them, but that’s what interns are all about. Unluckily one will end up very badly. That’s not the first case, but so far none had ended up that badly. But a song will carry him through: lime and coconut, sung in a chorus all together, mellow and heart stirring.
There will be a case that will run over the whole season, the case of a sniper who had been a colleague and friend of Booth in Afghanistan and who came back slightly berserk and decided that what he did over there was good enough for the USA too and he started killing those who were rotten, and those who were in his way for his type of justice and these were only collateral victims for him, hence justified by the end. It will take the whole team to stop him and it will bring a lot of suffering and even mourning to that team.

This refreshingly different season of Bones is gearing up to be one of the series’ best! It is just the reinvigoration the show needed! Life has changed at the Jeffersonian since we last saw our favorite crime-solvers. After last season’s pregnancy bombshell of an ender, we pick up with forensic anthropologist Dr. Temperance Brennan entering her third trimester, hormones all over the place as she bumbles in that adorable way that only Brennan can into the frightening role of motherhood. As always, her partner FBI Agent Seeley Booth is there by her side, more loving and more happy than we’ve ever seen him.

I think David Boreanaz and Emily Deschanel slipped into this new relationship quite easily. What’s great is that not a lot has changed, and yet, everythinghas. They live together, they’re planning on buying a house, they kiss and cuddle on the couch and Booth croons to Brennan’s belly in the cutest baby voice you will ever hear… and yet, they’re still “Booth and Bones”. They still solve murders. They still bicker good-naturedly over everything under the sun.

They banter. They get overprotective. They make mistakes- and own up to them after. They’re like any new couple expecting a child. But are they normal? Far from it, because at its core, Bones is still the same show: a journey of love between two very different people… one a woman who views the world through utmost rationalism and who is still learning how to open her heart; the other a man who relies on instincts and gut feeling to do his job, and who lets faith and emotion drive his personal life. Both coming from traumatic pasts and both craving a new beginning.That, and the other characters are still as charming and as “comedic gold” as ever. Hodgins and Angela’s baby situation juxtaposes nicely with Booth and Brennan’s, Cam struggles with keeping the workplace professional, there’s a new intern, a new recurring villain, and other familiar faces return.

The end of the seventh season of “Bones” left Bones on the run with her infant child after being framed for murder by the highly skilled serial killer Christopher Pelant. The opening of the eighth season finds Booth and her colleagues at the Jeffersonian Institute trying to clear her name. Fortunately for the series, they succeed, although Pelant eludes justice to pose a future threat. This eighth season continues to feature crime-of-the-week murders for Bones, Booth, and the Jeffersonian lab rats to solve through clever forensics and Booth’s old-fashioned police work. One of the most interesting episodes is told through the eyes of the murder victim, with the assistance of a psychic (a well-cast Cindy Lauper). Another standout episode involves a group effort to resolve a cold case whose victim turns out to be a forgotten hero of the 9/11 attack on the Pentagon.

Outside the lab, Bones has an uncomfortable but touching period of readjustment to living with Booth, after her time on the run. Her changed perspective will lead to some of the most interesting conversations as she and Booth commute to crime scenes. Just to complicate things, staff psychiatrist Dr. Sweets will temporarily move in with the couple right after he breaks up with girlfriend Daisy, a technician in the lab. Series regulars Angela and Hodgins will have their own challenges as working parents. The continuing parade of interns through the Jeffersonian crime lab will feature in several episodes, and one of them will become a surprising emotional complication for Dr. Saroyan. Christopher Pelant will return to menace the team in a gut-wrenching season finale.

“Bones” returns for a welcome ninth season with its core cast, clever plots, and sense of humor intact. Forensic anthropologist Dr. Temperance “Bones” Brennan and her crack team of specialists at the Jeffersonian Institute continue to work with their FBI liaison, Special Agent Seeley Booth, on new and challenging criminal cases. First, however, the team will have to resolve their long-running, lethal battle with cyber-genius serial killer Christopher Pelant, who has stayed one step ahead of them while inflicting pain on each member of the cast.
When we last saw the team, they had barely survived their most recent encounter with Pelant. In a final twist of spite, Pelant blackmailed Booth into withdrawing his marriage proposal to Bones, while forbidding him to reveal the reason why. Booth’s promise puts a strain on his relationship with Bones. He will reach out to old Army buddies, including a CIA agent and a former priest turned bartender, for advice. Pelant has his own plan for separating Bones from Bones from Booth, permanently. The entire team will have to be on its mettle to head off Pelant’s insidious plot.
The ninth season continues to feature crime of the week murders for Bones, Booth, and the Jeffersonian lab rats to solve. One episode will have Booth and Bones resurrecting their undercover “Tony” and “Roxie” identities for a hilarious marriage retreat in which they talk all too frankly about their relationship. Psychologist Dr. Sweets will take a leave of absence to work in an outreach center, only to find himself drawn back into a gut-wrenching case involving a gang feud. As in past seasons, other members of the team, including Lab boss Dr. Saroyan, Dr. Hodgins, Angela, and the interns will have their moments in the spotlight.
The biggest highlight is the Woman in White, featuring the  wedding of the two leads after nine years they final tie the knot.

In the 10th season of Bones, suspense is at an all-time high as Seeley Booth (David Boreanaz) is framed and jailed for the murder of three FBI agents while Temperance Brennan (Emily Deschanel) considers committing blackmail to get him out of prison.


The new season brings some changes. The team will lose a key player at a dramatic moment early in the season, and have to work in a replacement after an emotional farewell. Another primary character will develop a emotional bond with one of the rotational lab interns, one that threatens their official relationship. Still another will strike it rich, a couple of season after having been cleaned out by a particularly nasty serial killer. Yet another character will revisit a gambling habit that threatens a job and a relationship. And, one key character will become pregnant. And those events are just character development. There is a fresh lot of challenging cases that will need solving.

Those week to week cases continue to be innovative and interesting, challenging the team and the viewer to keep up. At the same time, the series hasn’t lost its sense of humor, or its willingness to experiment. As an example, you just have to see this season’s throwback Hitchcock episode. “Bones” is still good fun and recommended to its loyal fans in its tenth season.