HALLOWEEN OF HORROR REVIEW: LEGENDS OF TOMORROW – PHONE HOME

Legends of Tomorrow (2016)

 

Starring

Victor Garber (Alias)
Brandon Routh (Chuck)
Caity Lotz (The Pact)
Franz Drameh (Edge of Tomorrow)
Maisie Richardson-Sellers (The Originals)
Amy Louise Pemberton (Storage 24)
Tala Ashe (American Odyssey)
Nick Zano (Mom)
Dominic Purcell (Straw Dogs)

Brandon Routh and Jack Fisher in Legends of Tomorrow (2016)

RECURRING / NOTABLE GUEST CAST

Jack Fisher (The Last Ship)
Susie Abromeit (Sex Drive)
Christina Brucato (The Intern)

Tala Ashe and Jack Fisher in Legends of Tomorrow (2016)Sometimes I wonder if Legends of Tomorrow will ever become too cute and lighthearted for its own good. The trailer for “Phone Home” made it seem as though this episode might go over the top, with its depiction of the team joining forces with young Ray Palmer for a saccharine-sweet spoof of E.T.: The Extra Terrestrial. But as always, the series manages to temper its goofy, earnest sense of humor with a touch of serious drama and a strong, if very dysfunctional team dynamic. “Phone Home” captures Legends at its most charming and lovable. This episode makes no bones about the fact that it’s lampooning E.T. Sure, there are plenty of other amusing references and callbacks to other films (including a great Aliens reference courtesy of Amaya), but this isn’t a Stranger Things-style mashup of all things ’80s. That said, the E.T. formula lent itself very well to this episode. The whole point was to explore the root of Ray’s inflappably cheerful and optimistic personality. Who else would befriend a hungry alien he met in a sewer pipe?This isn’t the first time an episode has revolved around the team meeting a younger version of one of their own, but it’s a trope that paid off just as well this week as it did way back in “Pilot Part 2” when Stein met his younger self and set a whole chain of events in motion. This time, it was Ray meeting himself circa 1988 (played by Jack Fisher) and realizing that maybe his childhood wasn’t as wonderful and idyllic as he remembers. That dynamic made for a great examination of the character. It quickly became clear that Ray’s cheerful positivity is less an innate quality than something he honed over years of trying to cope with a world where he never quite fit in. Fisher’s charmingly precocious take on young Ray contrasted nicely with Brandon Routh’s take on the character.Tala Ashe in Legends of Tomorrow (2016)For the most part, this episode did little to tie into the larger conflicts building this season. It did, however, build on the events of last year’s Invasion crossover by framing the conflict around a lost baby Dominator and the search for his “Mom-inator.” It’s fun to see these aliens cast in a different, less villainous light, one that fueled a predictable but charming story about a boy finding a friend at long last and adults learning not to judge others based on appearances. Definitely a low-stakes conflict, but a very entertaining one. And the Back to the Future-style struggle to prevent adult Ray from being erased from the timeline did add at least some tension to the mix.Jack Fisher in Legends of Tomorrow (2016)Mostly, though, this episode was about capturing that Spielberg-ian adventure quality and celebrating the power of movies in general. I found myself openly grinning at multiple points watching this episode. How can you not be won over by the shot of a baby Dominator nodding along to Singin’ in the Rain and kicking its feet, or Mick admitting he’s a big fan of Fiddler on the Roof or Zari using her powers to recreate the iconic climax of E.T.? But even those moments paled to the scene where the Dominator defeated the evil government stooges by forcing them to break out into song and dance. I really don’t think it’s a coincidence that two of the greatest, most spontaneous moments of brilliance on this show involve characters unexpectedly launching into song. I’m still holding out hope for a dedicated musical episode at some point.Zari’s arc is the only piece of the puzzle that left me feeling a bit underwhelmed this week. Other than exploring Ray’s background, the main goal with this episode seemed to be to strengthening the new team dynamic and making Zari feel more like a legitimate member of the group. It’s a nice sentiment, especially with Zari’s talk about people eventually finding their families, but it didn’t quite feel earned. It doesn’t seem like we know Zari well enough for her to be making that leap yet. Nor doe sit feel like the writers have quite figured out what role they want her to fill. Sometimes she’s played as the team’s wide-eyed newbie, and others more like the jaded, futuristic cynic. Either way, Tala Ashe doesn’t quite have the energy level necessary to stand alongside her co-stars Did it strike anyone else as a little weird that Zari has never heard of the Dominators before? Doing the math, the events of “Invasion!” happened 24 years before she was plucked from the future. Even if you assume that the authoritarian government in her time suppresses most media, you’d think humanity would remember its first alien invasion. Heck, it’s very possible Zari herself was alive when the invasion happened. On a sadder note, this episode began the process of writing Professor Stein out of the picture as Victor Garber gears up for a new Broadway role. It’ll be a shame to see him go, but if it has to be done, at least his exit is being handled gracefully. You can’t really fault Stein for wanting to be there for young Ronnie (a welcome nod to the late Ronnie Raymond) when he completely missed Lily’s entire childhood. And it gave us a wonderful little moment involving Stein, Jax and Mick at the hospital.Zari,_young_Ray,_and_Atom_fly_away (1)Phone Home captures so much of what makes Legends of Tomorrow the most entertaining branch of the Arrowverse. This episode delivers a lighthearted, entertaining and sweetly innocent look at a young Ray Palmer and his bond with a most unlikely new friend. The show really wears its influences on its sleeve here, but in a way that pays loving tribute to some truly classic films. With a few more episodes like this, Season 3 may soon come to rival Season 2 in overall quality.

 

HALLOWEEN OF HORROR REVIEW: ALIAS: DOPPELGANGER

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MAIN CAST

Jennifer Garner (The Kingdom)
Ron Rifkin (Limitless TV)
Michael Vartan (Bates Motel)
Bradley Cooper (Joy)
Merrin Dungey (Conviction)
Carl Lumbly (Justice League Unlimited)
Kevin Weisman (Clerks II)
Victor Garber (Legends of Tomorrow)

GUEST CAST

Tom Everett (Air Force One)
Lori Heuring (Wicked Little THings)
Yvonne Farrow (Roswell)
Greg Grunberg (Heroes)

Superman-II-645x370Back in “So It Begins,” Alias used Vaughn’s expansive map of SD-6’s influence to give both Syd and the audience a sense of the scope involved to truly take down Sloane and Company. “Doppelgänger” emphasizes what “A Broken Heart” reinforced: that ultimately taking down The Alliance not only would be slow, but had a degree of difficulty so high that any single mistake could undo the entire operation. Usually mistakes come in the form of incomplete intelligence. Sometimes you don’t know the existence of a factory in Badenweiler. Sometimes you don’t know the true nature of a Social Security number. Sometimes you don’t know your partner has a secondary detonator. If knowledge is power, then sometimes the lack of it can be fatal.

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As such, it’s fitting that this is the first hour that features a cliffhanger that represents an emotional moment, not simply an exciting stopgap in the action. The last three hours have featured final moments that interrupted an exciting sequence, but here all we have is fire shining in Syd’s horrified eyes. She might have maintained her double agent status, and Paul Kelvin might have only escaped with a broken arm, but the CIA field agents that died in the factory explosion are yet more casualties in a war Sydney may be waging but barely understands. What’s personal for her isn’t personal for Vaughn’s buddies inside of that blast, and that makes her guilt all the more potent.

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Syd talks again in this hour of the difficulty with which she masks her true feelings towards Sloane in their daily briefings. That’s an intense struggle, to be sure, but it’s one she can ultimately manage since it’s specific and self-contained anger. She can put aside her desire for revenge in order to obtain a greater, more permanent justice for Danny’s death. But she has a much more difficult time assessing the collateral damage that her actions (augmented by the CIA’s actions, which are equally sincere though not as emotionally specific) cause. “Doppelgänger” is rife with people that consciously or inadvertently get caught up between a Syd and a Sloane place this week: Jeroen Schiller, Kelvin, Dixon, and Will are all caught up to some extent in Syd’s decision to tell Danny about her spy status.

The show never shies away from the weekly assets that come under duress from the show’s missions. Oftentimes, these people have either signed up for the rollercoaster or have made decisions that leave them no other choice. But Dixon and Will (and Marshall, to an extent, though he’s still way on the sidelines at this point) both fashion themselves as protagonists in a story that they don’t yet realize is fabricated. I’m always fascinated by thinking about certain shows, and how they might be better if they focused on a secondary/tertiary character as opposed to the one the show chooses to highlight. (Case in point: Covert Affairs, an Alias knockoff that apparently never actually watched a damn episode of Alias, might actually be a fairly interesting show if it were about Auggie, not Annie.) But I’m also equally fascinated to watch characters that have no idea they aren’t actually the most important person in the narrative being spun.

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Dixon fashions himself the sturdy, non-flashy agent of an elite, noble government spy agency. He doesn’t think he’s James Bond, but he takes pride in a job well done. He acts as both partner and semi-father figure to a fellow agent that he worries may be in danger in light of her ex-fiancé’s death. He doesn’t picture himself as a hero per se, but definitely has trouble seeing himself as a pawn being used by other people. As for Will: we see in this hour how he can actually be a powerful player in the world of this show once his bullshit detector starts moving from green to red. Until this point, the evidence has been circumstantial at best, easily dismissed by someone like Francie. But a borrowed SSN from a dead woman? You can see his eyes harden in his interview with “Kate Jones,” turning him from a semi-skeevy dork willing to sell out his assistant’s looks for a scoop to a man that just might make some in-roads into the spy world after all. As for the spy world stuff this week, pretty good stuff here, if not the epic awesome of the past few weeks. Watching Dixon knock out Patel was hysterical, mostly for his “I am SO sorry!” apology pre-punch. And the subsequent ambulance chase is the type of sequence that Grand Theft Auto dreams are made of. But mostly the show eschewed big explosions for smaller, more intense interrogation scenes. Jack’s function as in-house Jack Bauer came to light this week which, along with his possible previous investigation by the FBI (Case 332L), gives yet more shading to Spy Daddy’s true leanings.

The lack of big action for a majority of the hour did, however, lead to make the final fireball that much more potent. Previous episodes have left us wondering how Sydney would get out of the situation she was in. This one leaves us wondering how Sydney will mentally cope with what she couldn’t prevent. While Alias will return to its more usual cliffhangers in episodes to come, it’s good to see them show that Syd’s life as a double agent won’t simply be threading the needle each week. There are consequences to her actions, even if she herself escapes them directly. Danny was only the first to die for her role in this dangerous world. But he won’t be the last. And he certainly may not be the only one close to her that has to suffer.

REVIEW: STARGATE UNIVERSE – SEASON 2

Starring

Robert Carlyle (One Upon A Time)
Louis Ferreira (Saw IV)
Brian J. Smith (Sense8)
Elyse Levesque (The Originals)
David Blue (Ugly Betty)
Alaina Huffman (Samllville)
Jamil Walker Smith (General Hospital)
Ming-Na Wen (Agents of Sheild)

SGU Stargate Universe (2009)

RECURRING / NOTABLE GUEST CAST

Julie McNiven (Doom Patrol)
Mike Dopud (Arrow)
Caroline Cave (Van Helsing)
Peter Kelamis (50/50)
Julia Benson (The Order)
Jennifer Spence (You Me Her)
Alisen Down (Smallville)
Robert Knepper (Izombie)
Lou Diamond Phillips (Young Guns)
Louise Lombard (CSI)
Jeffrey Bowyer-Chapman (UnREAL)
Reiko Aylesworth (24)
Kathleen Munroe (Patriot)
Camille Sullivan (Kingsway)
Michelle Harrison (The Flash)
Vincent Gale (Van Helsing)
Bill Dow (Izombie)
French Stewart (Mom)
Victor Garber (Legends of Tomorrow)
David Hewlett (Rise of TPOTA)
Robert Picardo (The Orville)
Anna Galvin (Tin Man)
Sarah Smyth (Supergirl)

The Stargate franchise has literally run its course, some may feel. While others feel, similar to the “Star Trek” franchise, there are many stories that can still be told.From “Stargate SG-1′ to the animated series “Stargate Infinity” and then “Stargate Atlantis”, here we are with the final season of “Stargate Universe”, a series that met with fans who were split on whether they enjoyed or disliked the series. Unfortunately, for this series which began in 2009, there was no renewal for a third season and thus the second season ended with a cliffhanger, just when the series had made some major changes and had gotten better.SGU Stargate Universe (2009)Should Stargate Universe had a chance to prove itself? Afterall, even the popular syndicated series “Star Trek: The Next Generation” had its haters and also didn’t do well initially in the ratings, but given the chance to make the series better, it became one of the best “Star Trek” spinoff.SGU Stargate Universe (2009)I’m sure that this will be a debate in which these split fans will continue to have varying opinions but the fact is,Alaina Huffman, Jamil Walker Smith, Patrick Gilmore, and Brian J. Smith in SGU Stargate Universe (2009)“Stargate” is over and in April 2011, “Stargate” producer announced that any plans for continuation of “Stargate” have been cancelled and that he had officially packed his desk. 17 years of “Stargate” on television and it looks as if this was the final nail on the popular franchise.ursini1I do dislike when a series never receives its full run and in this case, ending with a cliffhanger but still, the creators and the fans did all they can to keep the series going. But for the fans who stuck with this series from beginning to end. perhaps one day the franchise will be brought back in some shape or form.

REVIEW: UGLY BETTY – SEASON 2

Starring

America Ferrera (Real Women Have Curves)
Eric Mabius (Resident Evil)
Alan Dale (Lost)
Rebecca Romijn (X-Men)
Judith Light (Transparent)
Vanessa Williams (Shaft)
Becki Newton (How I Met Your Mother)
Ana Ortiz (Ralph Breaks The Internet)
Ashley Jensen (Sherlock Gnomes)
Tony Plana (Lone Star)
Michael Urie (Uptown Girls)
Mark Indelicato (Dead of Summer)

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RECURRING / NOTABLE GUEST CAST

Kevin Alejandro (Arrow)
Lorraine Toussaint (Selma)
Jayma Mays (Heroes)
Illeana Douglas (Ghost World)
Kurt Fuller (Ghostbusters II)
Alec Mapa (Doom Patrol)
Rick Fox (Oz)
Max Greenfield (Veronica Mars)
Justina Machado (The Purge: Anarchy)
Freddy Rodríguez (Planet Terror)
James Van Der Beek (Pose)
John Cho (Star Trek)
Victor Garber (The Orville)
David Blue (Stargate Universe)
Bailey Chase (Buffy: TVS)
Megan Hilty (Smash)
Juliette Goglia (Mike & Molly)
Derek Riddell (Gunpowder)
Mo’Nique (Domino)
Eliza Dushku (Wrong Turn)
Ron Canada (Wedding Crashers)
Betty White (Bones)
Candace Kita (Masked Rider)
Annie Potts (Young Sheldon)
Bow Wow (Scary Movie 5)
Hannah Marks (After Everything)
Carol Ann Susi (The Big Bang Theory)
Barry Bostwick (Spy Hard)
Gabrielle Union (Bring It On)
Ava Gaudet (Hurt)
Kari Matchett (Cube 2)
Eddie Cibrian (The Cave)
Lindsay Lohan (Mean Girls)

Christopher Gorham and America Ferrera in Ugly Betty (2006)In season two, the characters of Ugly Betty go through a whirlwind of drama and comedy. The whirlwind comes from a variety of new developments that include Betty’s complex romance with Henry and a new character Gio, Alexis losing her memory and rekindling friendship with the family, Daniel struggling to keep control of Mode, Mrs. Meade on the run, Hilda dealing with the loss of Santos, and more. It is a very dramatic season with several tidbits of comedy throughout. Overall, it is enjoyable like the season one.Ashley Jensen and America Ferrera in Ugly Betty (2006)“How Betty Got Her Grieve Back” is the season two premiere episode. In it, a lot of things happen. The biggest development involves Betty’s love life, or rather lack of. She comes to terms with Henry leaving for Tucsan to take care of the mother of his unborn baby. Later in the season, Harry returns to Mode to finish working. Betty and Henry have a complicated romance, as they try to figure out how they can be together with the unborn baby baggage. Also in the premiere, Amanda finds out her mother is Fey Sommers! Throughout the season, she tries to find answers about her parents. And Marc helps her. Wilhelmina also uses the events from the season one finale to her advantage. With Claire behind bars, she moves on Bradford.America Ferrera in Ugly Betty (2006)Daniel struggles with his personal demons about Alexis’ condition.Image result for ugly betty how betty got her grieve backIn the Saurez household, there are two key subplots introduced. The first is about Hilda, Justin, and Santos. Both Hilda and Justin come to terms with Santos death. Hilda goes through a couple phases, which include being boarded in her room and hanging out with aged widows. Justin goes through a rebellious phase, where he tries to take on qualities of his dad (sports and woman). The other development is about Ignacio still stuck in Mexico. Betty goes against her principles to help him acquire US citizenship.As the season continues, there are a lot of new developments — many of which grow from the seeds planted in the season opener. Betty’s love life with Henry gets more complex in “Betty’s Wait Problem”. A new character and love interest named Gio is introduced.Ashley Jensen and America Ferrera in Ugly Betty (2006)Alexis comes out of the coma without memory of the last two years. Daniel, Bradford, and Wilhelmina take advantage of the situation. Daniel and Alexis also struggle with Wilhelmina, who is still trying to take over Mode. Claire resurfaces after escaping from prison, which complicates Wilhelmina’s diabolical plans. The season developments continue with even more wild escapades.America Ferrera in Ugly Betty (2006)Overall, Ugly Betty’s second season is fun and entertaining. It has a similar light-hearted humorous tone with over the top, soap opera plotlines to season one. The major difference is that Betty is no longer trying to prove herself.

REVIEW: THE ORVILLE – SEASON 1

 

Starring

Seth MacFarlane (Sing)
Adrianne Palicki (Agents of S.H.I.E.L.D.)
Penny Johsnon Jerald (Star Trek: DS9)
Scott Grimes (American Dad)
Peter Macon (Shameless)
Halston Sage (Goosebumps)
J. Lee (Family Guy)
Mark Jackson (The Royal Today)

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RECURRING / NOTABLE GUEST CAST

Victor Garber (Legends of Tomorrow)
Chad Coleman (Arrow)
Norm Macdonald (Jack & Jill)
Larry Joe Campbell (Hall Pass)
Brian George (The Big Bang Theory)
Joel Swetow (Alice In Wonderland)
Jeffrey Tambor (Hellbnoy)
Holland Taylor (Two and a Half Men)
Ron Canada (Wedding Crashers)
Deobia Oparei (Santa Clarita Diet)
Rena Owen (Siren)
Lamont Thompson (Evan Almighty)
Jonathan Adams (Bones)
Robert Knepper (Cult)
Liam Neeson (Chloe)
Rachael MacFarlane (American Dad)
Charlize Theron (The Road)
Kelly Hu (X-Men 2)
Michaela McManus (SEAL Team)
James Horan (Transformers Prime)
Giorgia Whigham (The Punisher)
Steven Culp (Jason Goes To Hell)
Loren Lester (Batman: TAS)
Brian Thompson (The Terminator)
Rob Lowe (Wayne’s World)
Derek Mears (The Flash)
Robert Picardo (Star Trek: DS9)
Molly Hagan (Izombie)
Mike Henry (The Cleveland Show)
Erica Tazel (The Good Fight)

Scott Grimes, Seth MacFarlane, Adrianne Palicki, J. Lee, and Halston Sage in The Orville (2017)When we first heard the news that Seth Macfarlane (Family Guy, Ted, A Million Ways to Die in the West) was making a comedy homage to Star Trek we thought hell yeah. It didn’t take long however before we started thinking it would just be another Family Guy-styled series with cheesy “adult” jokes, something that many people thought would be the case. Now that we’ve seen the first season, I can happily say that this is one of his finest works. It’s hilarious and pays tribute to the classic sci-fi series perfectly.Adrianne Palicki and Jasper McPherson in The Orville (2017)Seth Macfarlane plays Ed Mercer, an up and coming officer in the Planetary Union who has recently separated from his wife after finding her in bed with a blue alien. Shortly after these events, he is given a chance to prove himself after being given the Captain’s chair of The Orville, a mid-level exploratory vessel.Seth MacFarlane and Adrianne Palicki in The Orville (2017)The other members of the crew include Penny Johnson Jerald (24, Star Trek: Deep Space Nine, Castle) as Dr Claire Finn, Scott Grimes (ER, Band of Brothers, Critters) as Lieutenant Gordon Molloy, Peter Macon (Shameless, Dexter, Supernatural) as Lieutenant Commander Bortus and Halston Sage (How to Rock, Crisis, Paper Towns) as Lieutenant Alara Kitan.Scott Grimes, Seth MacFarlane, Adrianne Palicki, and Mark Jackson in The Orville (2017)The crew is missing a first officer and the Officers of the Planetary Union chose to place Adrianne Palicki (John Wick, Agents of S.H.I.E.L.D, Red Dawn) who plays First Officer Kelly Grayson in the role. The only problem is that she’s Captain Mercer’s ex-wife.Scott Grimes, Seth MacFarlane, Adrianne Palicki, J. Lee, and Halston Sage in The Orville (2017)Whilst this sounds like your typical cheesy sit-com scenario, and it is, this is one of those rare occasions where it just works. The casting in this series is brilliant and the characters play off each other so well that every now and again you forget that this is a homage and actually start to believe that this is a new Star Trek series. The interactions between Mercer and Grayson are first class and the comedy stoic nature of Bortus is inspired. There are also several brilliant interactions between Dr Finn and her long-time admirer, a gelatinous blob named Yaphit, as he tries to seduce her at every opportunity.Adrianne Palicki in The Orville (2017)The Orville tackles some fantastic issues, worthy of any Next Generation episode. From discovering a massive ship floating In space that houses a holographic world that the inhabitants don’t realise isn’t real to getting trapped on a planet ruled by social media where everyday justice is dished out in popularity points which are displayed live on peoples clothing. The latter is probably the best episode of the series and tackles some very real subject matter involving the current state of social media, public opinion and controlled media based on distraction and frivolity and proves The Orville can be both both funny and intelligent at the same time.MV5BMWEyM2ZkYmQtOTQyMS00NjRmLTk5NzItMzYwMmU2NDUzZDg3XkEyXkFqcGdeQXVyNjc5Mjg0NjU@._V1_SY1000_SX1500_AL_I can’t recommend this series enough so you should probably go now and watch it immediately. Oh, and as an added bonus it has been renewed for a second season so it won’t just be a flash in the pan one-off either, which is great news. Essentially if you love comedy and you love Sci-Fi then you can’t go wrong with The Orville!

REVIEW: MILK

CAST
Sean Penn (Gangster Squad)
Josh Brolin (W.)
Emilie Hirsch (Alpha Dog)
Diego Luna (Elysium)
James Franco (Spring Breakers)
Alison Pill (Scott Pilgrim vs the World)
Victor Garber (Legends of Tomorrow)
Dennis O’ Hare (The Proposal)
Lucas Grabeel (Smallville)
Boyd Holbrook (Gone Girl)
Ted Jan Roberts (Masked Rider)
Dave Franco (Bad Neighbours)
Peter Jason (Mortal Kombat)
The film opens with archival footage of police raiding gay bars and arresting patrons during the 1950s and 1960s, followed by Dianne Feinstein’s November 27, 1978 announcement to the press that Harvey Milk (Sean Penn) and Mayor George Moscone (Victor Garber) had been assassinated. Milk is seen recording his will throughout the film, nine days (November 18, 1978) before the assassinations. The film then flashes back to New York City in 1970, the eve of Milk’s 40th birthday and his first meeting with his much younger lover, Scott Smith (James Franco).
Dissatisfied with his life and in need of a change, Milk and Smith decide to move to San Francisco in the hope of finding larger acceptance of their relationship. They open Castro Camera in the heart of Eureka Valley, a working-class neighborhood in the process of evolving into a predominantly gay neighborhood known as The Castro. Frustrated by the opposition they encounter in the once Irish-Catholic neighborhood, Milk utilizes his background as a businessman to become a gay activist, eventually becoming a mentor for Cleve Jones (Emile Hirsch). Early on, Smith serves as Milk’s campaign manager, but he grows frustrated with Milk’s devotion to politics, and he leaves him. Milk later meets Jack Lira (Diego Luna), a sweet-natured but unbalanced young man. As with Smith, Lira cannot tolerate Milk’s devotion to political activism, and eventually hangs himself. Milk clashes with the local gay “establishment” which he feels to be too cautious and risk-averse.
After two unsuccessful political campaigns in 1973 and 1975 to become a city supervisor and a third in 1976 for the California State Assembly, Milk finally wins a seat on the San Francisco Board of Supervisors in 1977 for District 5. His victory makes him the first openly gay man to be voted into major public office in California and the third openly homosexual politician in the entire US. Milk subsequently meets fellow Supervisor Dan White (Josh Brolin), a Vietnam veteran and former police officer and firefighter. White, who is politically and socially conservative, has a difficult relationship with Milk, and develops a growing resentment for Milk when he opposes projects that White proposes.
Milk and White forge a complex working relationship. Milk is invited to, and attends, the christening of White’s first child, and White asks for Milk’s assistance in preventing a psychiatric hospital from opening in White’s district, possibly in exchange for White’s support of Milk’s citywide gay rights ordinance. When Milk fails to support White because of the negative effect it will have on troubled youth, White feels betrayed, and ultimately becomes the sole vote against the gay rights ordinance. Milk also launches an effort to defeat Proposition 6, an initiative on the California state ballot in November 1978. Sponsored by John Briggs (Denis O’Hare), a conservative state legislator from Orange County, Proposition 6 seeks to ban gays and lesbians (in addition to anyone who supports them) from working in California’s public schools. It is also part of a nationwide conservative movement that starts with the successful campaign headed by Anita Bryant and her organization Save Our Children in Dade County, Florida to repeal a local gay rights ordinance.
On November 7, 1978, after working tirelessly against Proposition 6, Milk and his supporters rejoice in the wake of its defeat. A desperate White favors a supervisor pay raise, but does not get much support, and shortly after supporting the proposition, resigns from the Board. He later changes his mind and asks to be reinstated. Mayor Moscone denies his request, after being lobbied by Milk. On the morning of November 27, 1978, White enters City Hall through a basement window to conceal a gun from metal detectors. He requests another meeting with Moscone, who rebuffs his request for appointment to his former seat. Enraged, White shoots Moscone in his office and then goes to meet Milk, where he guns him down, with the fatal bullet delivered execution-style. The film suggests that Milk believed that White might be a closeted gay man.
The last scene is a candlelight vigil held by thousands for Milk and Moscone throughout the streets of the city. Pictures of the actual people depicted in the film, and brief summaries of their lives follow.
Sean Penn played the role of Harvey Milk so well that it really felt like I was getting a historic glimpse on what it might have felt like for Harvey Milk and for those that were the closest to him and helping him out. I normally love and prefer to watch only cheerful feel good movies. However, this movie pulled at my heartstrings because a very powerful, caring, and intelligent man was taken at such a stage in his life where he was just starting to reap the benefits of his hard work. Aside from this caveat, I still feel that this was a terrific movie with some convincing and talented actors and actresses.

REVIEW: ARGO

 CAST

Ben Affleck (Batman V Superman)
Bryan Cranston (Godzilla)
Alan Arkin (Get Smart)
John Goodman (10 Cloverfield lane)
Victor Garber (Legends of Tomorrow)
Tate Donovan (Shooter)
Clea DuVall (The Lizzie Borden Chronicles)
Scoot McNairy (Monsters)
Kerry Bishe (Red State)
Kyle Chandler (Super 8)
Zeljko Ivanek (Heroes)
Chris Messina (Devil)
Titus Welliver (Lost)
Keith Szarabajka (The Dark Knight)
Bob Gunton (Dardevil TV)
Richard Kind (Gotham)
Karina Logue (Bates Motel)
John Boyd (Bones)
Michael Parks (Django Unchained)
Adrienne Barbeau (Swamp Thing)
Tom Lenk (Buffy)
Nelson Franklin (New Girl)
Lindsey Ginter (S.W.A.T.)
Rory Cochrane (Empire Records)
Matthew Glave (The Wedding Singer)
Michael Cassidy (Batman V Superman)
Barry Livingston (The Social Network)
Michael Chieffo (Roswell)
Taylor Schilling (The Lucky One)
Philip Baker Hall (Hard Eight)

hqdefaultAfter Iranian militants stormed and took control of the U.S. Embassy in Tehran in November 1979 taking 56 Americans as hostages, six Americans managed to get away and took refuge in the home of the Canadian Ambassador. After two months of the Canadians putting their lives on the line everyday, the CIA and the US State Department try to come up with a plan to get their people out.Ben Affleck in Argo (2012)Tony Mendez is a specialist who proposes that they pose as a Canadian film crew scouting locations for a science fiction movie called Argo. Using Hollywood connections, Mendez creates a back story for the movie – ads in Variety, casting calls, inviting he media to a production launch – and then heads off to Iran to lead the six Americans out. When I first heard this film was being made, I had no education on the history of the movie, all I knew is that is was a true story based on something political in the middle east, with a really strange title.Affleck once again proves just how good of an actor her is in Hollywood and the way he mixes comedy with intense drama is wonderful. Some scenes are just genius, like the scene where there is a rehearsal, and the captives are treated to a pseudo execution, and then Affleck showing us that both sides can put on a show.Arkin And Goodman are the brilliant comic relief, and whenever they are on screen, the tension is ever so slightly lifted and relief sets in, apart from one scene involving a phone. Affleck, considering he is the director, is really restraint in this movie, and plays it down, whilst the rest of the cast go for it, and it’s to his credit, as it shows that his character has a lot riding on this. It never lets up on tension, even when the six are enjoying their final meal, there is a sense that the door could be broken down at any second.The final third is genuinely edge of your seat stuff. All in all, it’s a wonderful movie, a perfect antidote to some of the dross movies that get dumped on us around the time of year, and really worthy of your attention