Paul Walker (Hours)
Cameron Bright (Juno)
Vera Farmiga (Bates Motel)
Chazz Palminteri (Analyze This)
Karel Roden (Hellboy)
Johnny Messner (Tears of The Sun)
Ivana Milicevic (Vanilla Sky)
Michael Cudlitz (The Walking Dead)
Elizabeth Mitchell (V)
John Noble (Sleepy Hollow)
Arthur J. Nascarella (Billions)
Joey (Paul Walker) is a small-time mobster hired to dispose of ‘hot’ guns for his bosses. One of these weapons (with particular value over all the others) falls into the hands of his son’s best friend and is used to startling effect. Here is where the real fun starts. Joey can find neither the child nor the weapon in question, and he has only 18 hours before either the police, the Russian mafia or his own employers catch up with him.
Walker is surprisingly impressive, here he plays Joey as someone well aware of his impending death should he fail, and throughout he is totally watchable and believable. The story occasionally flags, particularly in the middle of the film, but Kramer is not afraid to play with the camera-work to keep the audience’s attention – whip-pans, CSI-style extreme close-ups, super slow-motion, sepia filters and colour bleaching are all used to give the film a gritty and somewhat unique look.The film’s charcoal-dark tone may be too relentless for some viewers, and the paedophilia subplot could be considered as taking things one step too far, but as long as you’ve got a strong stomach and can face hearing lashings of creative swearing, there’s a lot of enjoyment to be found here.