Christopher Reeve (Rear Window)
Margot Kidder (The Amityville Horror)
Gene Hackman (Heartbreakers)
Ned Beatty (Rango)
Jackie Cooper (The Champ)
Terence Stamp (Yes Man)
Marc McClure (Back To The Future)
Sarah Douglas (Puppet Master III)
Jack O’Halloran (King Kong 1976)
Clifton James (Live and Let Die)
Valerie Perrine (What Women Want)
Marlon Brando (The Godfather)
Many fans of the Christopher Reeve Superman movies know the story behind the second film in that series. Richard Donner directed the first installment and it was a huge success. While he did make a very popular film, he fought with the producers, Alexander and Ilya Salkind, quite a bit. In a surprise move the Salkinds fired Donner from Superman II although he had already filmed 70% of it. The fan magazines at the time attributed the departure of Donner either because 1) the Salkinds were manipulative producers who insisted in micromanaging the production or 2) Donner had turned into a prima donna after the reception that the first received and was acting like an out of control mad-man on the set. The truth is probably somewhere between the two stories.
In any case Richard Lester (A Hard Day’s Night, The Three Musketeers) was handed the reins and created a popular but somewhat silly sequel that has one of the lamest endings of any modern film. (The ‘kiss of forgetfulness’.) A couple of year ago, in 2004, Margo Kidder stated in an interview that Donner had shot enough footage to edit together his version of the film. This started a grass roots based campaign to collect the existing footage and recreate the film that Donner was never able to make. Warner Brothers agreed to go ahead with the project and Michael Thau was put in charge of the restoration. Now, at last, fans of the series can get an idea of what might have been.Starting off at the end of Superman: The Movie, albeit with a slightly different conclusion, Superman II begins with Superman sending an atomic missile out into space to save countless lives. When it finally detonates in the vast space between planets, the shockwave destroys the portal to the Phantom Zone that three Kryptonian criminals were exiled to in the first movie. General Zod (Terence Stamp) and his accomplices, Ursa (Sarah Douglas) and the destructive mute Non (Jack O’Halloran) emerge from their imprisonment and head to Earth where they discover that they have all of the powers of Superman. Though they failed to take over Krypton, conquering Earth will be easy.
It’s made even more facile by the fact that Superman isn’t around. Like in the comics, Lois becomes convinced that mild mannered Clark Kent is really Superman. To prove it she throws herself out of a 30th story window, and when that doesn’t work she comes up with a deviously clever scheme that does.
Clark/Superman seems a bit relieved that his secret is out, because now he can share his life with someone. He takes Lois to his Fortress of Solitude and there he does something with her that never would have gotten past the old Comics Code Authority. The man from Krypton falls in love with his human companion. When he discusses this with the generated image of his father, Jor-El informs him that the only way he can give himself to an Earth woman totally is by becoming human himself. Over his father’s protests, Kal-El places himself in the red sun chamber and is exposed to the rays of his home world sun, rendering him mortal and powerless. Of course when he and Lois make it back to civilization they discover that General Zod has taken over the world and the only person who can stand up to the brute is now powerless.
This is a significantly different version of this story. It’s not just an alternate cut, this movie tells the tale in a totally different way. Though the narrative is a little rough in parts due to the nature of the creation of this film, it is superior to the original in a lot of ways. Gone are a lot of the hokey, silly parts, like most of the fight between Zod and the Texas Sheriff (Clifton James), the Mount Rushmore section and the over-the-top Superman carrying the American Flag ending. The sight gags, which were never very funny, are removed and in their place is more of the witty dialog that made the original movie so much fun. This version has Lois discovering Clark’s secret in a creative and imaginative way, not through some stupid slip on Superman’s part. This version also features Marlon Brando as Jor-El once again, and it’s great to see him playing the role which was originally cut from the theatrical release.
Of course there are some problems. There are some minor plot holes sprinkled through the film, along with several scenes that don’t quite match being forced together, but this is largely due to the nature of this edit. A more troubling aspect is the conclusion. Donner hadn’t actually figured out the ending of the film, so this edit has to fall back to the way the movie was originally going to end before Salkinds decided to eliminate the cliffhanger ending from the first film. This gives viewers a sense of déjà vu, and though it’s still a pretty dumb way to wrap up the movie, it’s better than what Lester came up with.