REVIEW: THE LEGO BATMAN MOVIE

CAST

Will Arnett (Teenage Mutant Ninja Turtles)
Zach Galifanakis (The Hangover)
Michael Cera (Juno)
Rosario Dawson (Sin City)
Ralph Fiennes (Harry Potter)
Jenny Slate (The Lorax)
Hector Elizondo (The Princess Diaries)
Billy Dee Williams (BAtman)
Mariah Carey (Glitter)
Eddie Izzard (Hannibal)
Seth Green (Family Guy)
Jemaine Clement (Men In Black 3)
Ellie Kemper (21 Jump Street)
Jason Mantzoukas (Bad Neigbours)
Doug Benson (Super High Me)
Zoe Kravitz (Divergent)
Kate Micucci (The Big Bang Theory)
Riki Lindhome (Much Ado About Nothing)
Channing Tatum (Dear John)
Jonah Hill (Cyrus)
Laura Kightlinger (Lucky Louie)
Ralph Garman (Ted)
Chris Hardwick (Terminator 3)

Three years after saving the Lego Universe with Emmet and Wyldstyle, Batman continues fighting crime in Gotham City. During a mission to prevent The Joker from destroying the city, Batman hurts his arch-rival’s feelings by telling him he is not as important in his life as he thinks he is, leading to the Joker to desire seeking the ultimate revenge on him.
The following day, Batman attends the city’s winter gala as his alter ego, Bruce Wayne, to celebrate the retirement of Commissioner Gordon and the ascension of his daughter Barbara as Gotham’s new police commissioner, but is infuriated when she announces her plans to restructure the city’s police to function without the need of Batman. The Joker crashes the party with the rest of Gotham City’s villains, but has all of them surrender to the police. Despite realizing that this makes him no longer relevant to the city’s safety, Batman suspects his arch-rival is up to something and decides to stop him by banishing him into the Phantom Zone, a prison for some of the most dangerous villains in the Lego Universe.
Before he can make plans to acquire the Phantom Zone Projector that Superman uses, Alfred intervenes and advises him to take charge of Dick Grayson, whom Bruce had unwittingly adopted as his ward during the gala to which he eventually agrees and fosters Dick as Robin. The pair manage to recover the Projector from the Fortress of Solitude, before breaking into Arkham Asylum and using it on the Joker. Annoyed at his reckless actions and suspecting that the Joker wanted this to happen, Barbara locks up Batman and Robin. While the Projector is being seized as evidence, Harley Quinn steals it back and uses it to free the Joker, who unleashes the villains trapped within the Phantom Zone to cause havoc upon Gotham, including Lord Voldemort, King Kong, Sauron, the Wicked Witch of the West, Medusa, Agent Smith and his clones, the Daleks, and the Kraken.
Realizing that the city does still need him, Barbara releases Batman and Robin and reluctantly teams up with them as “Batgirl” to stop the Joker, with the team joined by Alfred. Batman soon finds himself able to trust and rely on the others, allowing them to defeat Sauron, but upon reaching Wayne Island, he ditches the team out of fear of losing them like his parents, before confronting Joker alone. Upon seeing that the Batman will never change, Joker zaps him to the Phantom Zone, before stealing the Batcave’s stash of confiscated bombs and heading for the city’s Energy Facility. Arriving in the Phantom Zone, Batman witnesses the harm he has caused to everyone because of his selfishness and slowly accepts his greatest fear when Robin, Barbara and Alfred decide to come to his aid. Making a deal with the Phantom Zone’s gatekeeper, Phyllis, to bring back all the villains in exchange for returning to Gotham City, Batman arrives to save the trio and admits to them his mistakes, requesting their help to save the day.
Seeking to stop Joker from setting off the bombs beneath the Energy Facility, thus causing the plates beneath Gotham to come apart and send the city into the infinite abyss, Batman and his allies team up with the city’s regular list of villains, after they had felt neglected by Joker, with the group successfully sending back the escaped villains to the Phantom Zone. However, Batman fails to reach the bombs in time, the detonation causing the city to split apart. Realizing how to stop the city from being destroyed, Batman reluctantly convinces Joker that he is the reason for being the hero he is, and working together alongside Batman’s friends, the villains, and the city’s inhabitants, chain link themselves together, reconnecting the city’s plates and saving Gotham City.
With the city saved, Batman prepares to be taken back into the Phantom Zone to fulfill his bargain with Phyllis, only to be rejected by the gatekeeper who chooses to let him remain after she saw how much he had changed in order to save everyone. Batman allows the Joker and the rest of his rogues gallery to escape with the confidence that whenever they return, then they’ll be no match for the combined team of himself, Robin, Batgirl, and Alfred.Overall, this is a very enjoyable movie with a gripping story, fantastic animation that tops its predecessor and clever humor. I definitely recommend giving this a watch if you’re a fan of The Lego Movie.

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REVIEW: BATMAN UNLIMITED: MECHS VS MUTANTS

CAST (VOICES)

Roger Craig Smith (Avengers Assemble)
Chris Diamantopoulos (About A Boy TV)
Will Friedle (Batman Beyond)
Charlie Schlatter (Diagnosis Murder)
Dana Snyder (Open Season 3)
John DiMaggio (Futurama)
Richard Epcar (Power Rangers)
Oded Fehr (V)
Phil LaMarr (Free Enterprise)
Dave B. Mitchell (The Lorax)
Troy Baker (Marvel Anime)

Image result for batman unlimited mechs vs mutantsBatman Unlimited: Mechs vs. Mutants is half Batman and Batfamily adventure. This time around for Batman, Robin (Damian Wayne), Flash, and Green Arrow vs. Penguin, Bane, Chemo, Mr. Freeze and Clayface. This is the third in the Batman Unlimited direct to video animated films.The latest in the toy-centric Batman Unlimited storyline transforms from a commercial to current Dynamic Duo adventure in a frozen Gotham City. Roger Craig Smith (Batman: Arkham Origins) returns as Batman and introducing Boy Wonder Damian Wayne voiced by Lucien Dodge (Fate/Zero). The Damian/Batman relationship is explored a bit here, in a surprising move that wholly embraces the current DC Rebirth status quo.Image result for batman unlimited mechs vs mutantsThere is no mention of Batman being Damian’s father, but it is hinted that he is the grandchild of Ra’s al Ghul when Robin awakens from a bad dream screaming, “Grandfather, NO!”. Pennyworth encourages Robin not to stay up too late studying to become Robin, as The Dark Knight has enrolled him into a “Robin Training Program”.Image result for batman unlimited mechs vs mutantsWill Friedle (Batman Beyond) appears as Nightwing and a simpatico brother to young Master Wayne. When faced with the threats lobbied by a team-up of the exiled Penguin (Dana Snyder) and Mr. Freeze (Oded Fehr) who recruits Killer Croc, Chemo, Clayface and Bane, Batman and Robin enlist the aide of Leaguesters Flash (Charlie Schlatter) and Green Arrow (Chris Diamantopoulos). Good guys round out their team with Commissioner Gordon and Dr. Kirk Langstrom.Genius scientist Victor Fries comes up with a formula to mix the compositional makeup of Bane, Chemo and Clayface to develop monsters capable of crushing cars and stomping through Gotham. Croc is the first to get juiced up, growing ten times his size and making the citizens of Gotham run for their lives. Of course, this is the Godzilla movie part, that frankly works pretty well.Image result for batman unlimited mech vs. mutantsWhat makes this Godzilla-type movie trope work really well is the cartooning and archetypes of these villains filling the Kaiju role. Batman has no choice but  to fight size with size. Batman and Green Arrow are able to pilot their own Mech suits to punish the bad guys before they have a chance to destroy Gotham’s Police Department and the rest of the city. Green Arrow is even conscious of which buildings to destroy in the process (by asking the computer which ones he owns). By placing a seed of doubt in Damian’s character early in the movie, he is able to redeem himself by playing detective himself and helping Batman problem solve. Green Arrow/Ollie Queen serves as a good uncle figure to Robin, who uses his years of experience dealing with Batman to assure Robin that he is important to the Batcave operations. Flash fulfills his normal role as comedian and lab scientist.Image result for batman unlimited mechs vs mutantsWhile not the grim and gritty, this Batman Unlimited release turns out a decent story. Of course, the allied bad guys find a way to stop getting along all together when the heroes’ strength lies in unity. While I was at first skeptical of the gigantic yellow Batsymbol on Bruce’s chest, it is growing on me, ever so slowly. Batman Unlimited: Mechs vs. Mutants is fun for most ages, riding the fine line between serving the fans and serving the general audience, and selling toys.

REVIEW: BATMAN: THE KILLING JOKE

CAST

Kevin Conroy (Batman: TAS)
Mark Hamill (The Flash)
Tara Strong (Sabrina Goes Top Rome)
Ray Wise (Agent Carter)
John DiMaggio (Futurama)
Robin Atkin Downes (Babylon 5)
Brian George (The Big Bang Theory)
JP Karliak (Skylanders)
Andrew Kishino (SUperman Vs The Elite)
Nolan North (Star Trek Into Darkness)
Maury Sterling (The A-Team)
Fred Tatasciore (Hulk Vs)
Bruce Timm (Batman: Year One)
Anna Vocino (Free Radio)
Kari Wahlgren (Justice League vs Teen Titans)

On patrol, Batgirl (Barbara Gordon) fails to stop a robbery, but manages to stop one fleeing criminal with help from Batman. Unknown to Batgirl, the robbers’ leader and the nephew of crime lord Francesco named Paris Franz develops a dangerous obsession with her. As she starts receiving messages from Franz, Batman shares his concerns that she is not taking the situation seriously. After Franz tricks her into finding his uncle’s dead body, Batman becomes even more concerned about her safety and takes her off the case. Outraged, Batgirl starts attacking Batman both verbally and physically. She eventually subdues him, shares a kiss with him, and they have sex. The next night, Batgirl tries to apologize to Batman, but he is ambushed by Franz and his men prompting her to go to his aid. When she arrives, she fights Franz and beats him, but relents from killing him. Realizing Batman was right, she retires from crime-fighting.

Sometime later, Batman investigates a murder scene with Detective Harvey Bullock and concludes that Joker, currently held at Arkham Asylum, might be behind the crime. He goes to Arkham to talk to him, only to discover that he had escaped and put Franz as a decoy in his place. He then learns that Joker attacked Barbara and her father Commissioner James Gordon, shooting and permanently paralyzing her in front of Gordon before kidnapping the latter. Joker takes Gordon to an amusement park where he strips the Commissioner naked and subjects him to torture, showing him photos he took of Barbara after shooting her and stripping her as well.

While the present-day story progresses, flashbacks are used to explain Joker’s origins. It is revealed that he was an engineer who quit his job at a chemical company to become a stand-up comedian, only to fail miserably. Desperately trying to support his pregnant wife Jeannie, he agrees to guide two criminals through his former workplace at the chemical plant in order to rob a card company next door. In turn, the criminals tell him that he has to use the Red Hood’s mask and caped costume, intending to frame him. During the planning, the police inform him that Jeannie and her baby both died in a household accident. Grief-stricken, he tries to withdraw from the plan, but the criminals talk him into keeping his commitment to them.

At the plant, the criminals have him don the red mask and cape. Once inside, they run into security personnel, and a shootout occurs. The criminals are gunned down and the engineer is confronted by Batman, who is investigating the disturbance. Terrified, the engineer trips and falls into the chemical plant’s waste pound, managing to escape Batman in the process, and is swept through a pipe leading to the outside. Once outside, he realizes that the chemicals have permanently bleached his skin chalk-white, stained his lips ruby-red, and dyed his hair bright green. The entire ordeal, combined with Jeannie’s death, drives him into madness and leads him to become the Joker.

Back in the present day and after many unsuccessful attempts, Batman manages to find Gordon after Joker sends him a clue that leads him to the amusement park. He saves Gordon while the Joker retreats into the funhouse. Despite his ordeals, Gordon remains sane and he demands Batman to capture Joker “by the book”. Batman follows Joker through the funhouse as Joker tries to persuade him that the world is just one big joke and thus not worth fighting for. He also states that just one bad day is enough to drive an ordinary man insane, and mocks Batman by correctly guessing that it was one bad day that drove Batman into becoming a vigilante.

Batman eventually subdues the Joker, tells him that Gordon remained stable despite everything he suffered, and concludes that Joker is alone in his madness. He then attempts to reach out to Joker, offering his help in rehabilitation in order to put an end to their everlasting fight, which Batman fears may one day result in their deaths. Joker declines, commenting it is too late for Batman to help him. He then says that the situation reminds him of a joke which he proceeds to tell. Batman starts laughing at the punch line accompanying Joker’s maniacal laughter as the screen cuts to black.

In a mid-credits scene, Barbara is in her wheelchair entering a secret room in her apartment. As she turns on the computers, Oracle’s logo appears on the screen.

A Good adaption. I enjoyed the added scenes to the story. The animation and voice acting is good. The movie has been criticized because people nowadays don’t seem to understand that men will behave like men such as the sex scene with batgirl and batman or the sexual implications in some joker scenes. Overall I found it to be very good but watch it yourself and make up your own mind about it.

REVIEW: GOTHAM – SEASON 2

CAST

Ben McKenzie (Batman: Year One)
Donal Logue (Ghost Rider)
David Mazouz (Mike & Molly)
Morena Baccarin (Firefly)
Zabryna Guevara (All Good Things)
Sean Pertwee (Dog Soldiers)
Robin Lord Taylor (Another Earth)
Erin Richards (The Quiet Ones)
Camren Bicondova (Girl House)
Corey Michael Smith (Carol)
James Frain (The Cape)
Jessica Lucas (Cult)
Chris Chalk (12 Years a Slave)
Nicholas D’Agasto (Final Destination 5)
Michael Chikilis (Fantastic Four)

RECURRING / NOTABLE GUEST CAST

Richard Kind (Stargate)
Clare Foley (Win Win)
Carol Kane (The Princess Bride)
Todd Stashwick (The Originals)
Peter Scolari (The Polar Express)
Anthony Carrigan (The Flash)
Cameron Monaghan (The Giver)
Dustin Ybarra (Hop)
Drew Powell (Straw Dogs)
Maria Thayer (Hitch)
Natalie Alyn Lind (The Goldbergs)
Michelle Veintimilla (Limitless TV)
Ron Rifkin (Alias)
Michelle Gomez (Highlander: The Raven)
Tommy Flanagan (Sin City)
Lori Petty (Tank Girl)
BD Wong (Jurassic World)
Tonya Pinkins (Enchanted)
Nathan Darrow (House of Cards)
Michael Bowen (Lost)
Melinda Clarke (Spawn)
Paul Reubens (Batman Returns)
Ned Bellamy (Termiantor: TSCC)
Jada Pinkett Smith (Collateral)

The origin story continues on Gotham and the stakes are higher than ever, as Super Villains more ambitious and depraved are introduced, and a shift of alliances shakes up the fight for power in Gotham City. In season two, Detective Jim Gordon (Ben McKenzie) and the ethically questionable veteran Detective Harvey Bullock (Donal Logue) remain at the forefront of the fight against crime in this dangerously corrupt city. While confronting Gotham’s most notorious criminals, however, Gordon’s moral compass begins to waver, but he is taken under the wing of Nathaniel Barnes (Michael Chiklis), a law-and-order zealot who is unafraid of making enemies. At the same time, Gordon continues his quest to gain the trust of the young Bruce Wayne (David Mazouz), who is on a clear path towards the man he is destined to become, after discovering his father’s deepest secrets, with the help of his trusted butler and mentor, Alfred Pennyworth (Sean Pertwee), and newfound ally at Wayne Enterprises, Lucius Fox (Chris Chalk).

In the epic turf war that occurred at the conclusion of season one, Oswald Cobblepot aka The Penguin (Robin Lord Taylor) battled his way into power over Gotham’s underworld. Heading into season two, Gotham will continue to follow the evolving stories of the city’s most malevolent villains: Edward Nygma/The Riddler (Cory Michael Smith), whose transformation from Gotham PD’s forensic expert to psychologically unhinged villain continues; Selina Kyle/the future Catwoman (Camren Bicondova), whose hard-knock existence propels her into a life of crime; and the increasingly unstable Barbara Kean (Erin Richards), who is out for Gordon and his girlfriend, Dr. Leslie Thompkins (Morena Baccarin). Also hoping to leave his mark on the city is Theo Galavan (James Frain), the billionaire industrialist, who appears to be the savior for whom Gotham has been waiting. Theo, along with his sister and lead enforcer, Tabitha Galavan aka Tigress (Jessica Lucas), keep their centuries-old vendetta hidden, as they manipulate their way to power.

Here in Season Two, there is far less dependence on self-contained episodes and more emphasis on the development of long running and serialised story arcs. In my opinion, this is better than Season One.
This remains a highly entertaining show.

REVIEW: BATMAN BLACK AND WHITE

 

CAST (VOICES)

Michael Dobson (Dreamcatcher)
Janyse Jaud (Hulk vs)
John Fitzgerald (Mon Ami)
Adam Fulton (Broken Saints)

Motion comics aren’t an itch many casual superhero buffs would take the time to scratch, but Batman: Black and White is an enticing collection that might sway some leery minds. I can understand the logic behind it: with one of the chief complaints about comic-to-film adaptations being a lack of faith to the source material, why not put those printed pages front and center? With a minimum of animation, motion comics can show classic heroes and their exploits in an interesting perspective, which Black and White does for the Caped Crusader with all the pitch-dark atmosphere you’d expect.

Twenty brief adventures set in the thick of Gotham’s seedy underworld are presented in Black and White. Bringing the work of writers like Bruce Timm and Alex Garland to life is striking art as provided by Dave Gibbons, Alex Ross, and others. There’s no shortage of the Dark Knight’s dynasty to cover, as we bear witness to stories ranging from macabre fantasy (“Monsters in the Closet”) to heartwarming and thoughtful (“Sunrise”). Batman combats street thugs, Nazis, mad scientists, and the most notorious members of his lengthy rogues gallery. A few of these villains even get their own turn in the spotlight, showing more than mere greed gnawing at their psyches. Fleeting as their lengths may be, these tales each do their part in shining a light on what’s made Batman’s crimefighting legacy endure for so long.

The DC Animated Universe has given fans some of the best superhero media in recent years — Wonder Woman and Justice League: Doom can stand toe to toe with Captain America or The Avengers, if you ask me. But what sets Batman: Black and White apart is that it’s not a linear narrative (or a single, connected story whatsoever). Every vignette is self-contained and lasts a few minutes at most, leaving next to no elbow room for grand, epic plotlines. This doesn’t always play out well, with some stories (“Hands,” especially) suffering abrupt anticlimaxes after a marathon of build-up. Black and White is staunchly economical and only so effective when its entirety is viewed in succession, but on their own, the bulk of the stories stand as distinct, eye-catching, and emotionally fulfilling. The wide range of art styles and environments each short incorporates (from a futuristic police state to a WWII-era Gotham) is impressive, as are the tones they adopt. We get some light-hearted escapades (as when Batman gets the jump on a trouble-making Harley Quinn), although most delve into its protagonist’s psychology to intriguing effect. It says a lot when a three-minute hostage crisis or quick encounter with a certain man of steel lingers in your mind as much as a grandiose Christopher Nolan opus.

Batman: Black and White might appeal most to those fans who’ve pledged complete allegiance to the cape and cowl, but there’s no reason outsiders shouldn’t find something to rile them up. With each scenario possessing a unique presentation and its own brand of derring-do, this omnibus has no trouble packing a collective punch.  Batman: Black and White does just right by Bob Kane’s legendary guardian of the night.

REVIEW: BATMAN: ASSAULT ON ARKHAM

 

CAST

Kevin Conroy (Batman: TAS)
Neal McDonough (Arrow)
Hynden Walch (The Batman)
Matthew Gray Gubler (Excision)
Troy Baker (Ultimate Spider-Man)
CCH Pounder (Avatar)
Greg Ellis (Dexter)
Giancarlo Esposito (Alex Cross)
John DiMaggio (Futurama)
Jennifer Hale (Batman Beyond)
Nolan North (Teenage Mutant NInja Turtles 2012)
Eric Bauza (Justice League: Gods and Monsters)
Chris Cox (Family Guy)

Assault on Arkham actually takes place a few years before the events of Arkham Asylum, making it a prequel with loose, flexible ties to the games’ Batman mythology. Unsurprisingly, there isn’t a whole lot more to the premise beyond what’s covered in the title: after a black-ops attempt to apprehend The Riddler (Matthew Gray Gubler) goes sideways thanks to the Dark Knight’s (Kevin Conroy) nobler intervention, bigwig government agent Amanda Waller (CCH Pounder) — “The Wall” — assembles a crew of imprisoned villains to covertly raid his new place of residence, Arkham Asylum, to recover a sensitive device that was in his possession. Veterans to Waller’s “Task Force X” (both in-universe and on a meta level) including Deadshot (Neal McDonough), a Joker-less Harley Quinn (Hynden Walch), and Captain Boomerang (Greg Ellis) are brought together with newbies — Black Spider (Giancarlo Esposito), Killer Frost (Jennifer Hale), King Shark (John DiMaggio), and KGBeast (Nolan North) — for a calculated strike involving sleight of hand and usage of their individual strengths, all while evading Batman’s grasp both off and on the grounds.

Assault on Arkham soars past several of their recent offerings with its presentation of the villains and an unabashed, darkly-humorous attitude. Mostly, it’s because the concept doesn’t intrude on the characters’ varied demeanors: there’s plenty of breathing room for the loose-cannon leadership of Neal McDonough’s excellent Deadshot and the supercharged quirk of Hynden Walch’s jilted Harley Quinn, as well as Captain Boomerang’s roguish gristle and the unlikely bond between King Shark (basically a cross between Bane and Croc) and the saucy Killer Frost. Allegiances fluctuate within the group amid the moving parts of Waller’s plan, and the erratic rapport between their allowable one-note personas spices up the simplicity of casing Arkham.

 

REVIEW: BATMAN: THE DARK KNIGHT RETURNS – PART 1

CAST (VOICES)

Peter Weller (Robocop)
Ariel Winter (Superman/Shazam)
David Selby (Dark Shadows)
Wade Williams (Beware The Batman)
Carlos Alazraqui (Happy Feet)
Dee Bradley Baker (American Dad)
Paget Brewster (Criminal Minds)
Maria Canals-Barrera (Justice League)
Cathy Cavadini (The Powerpuff Girls)
Michael Emerson (Lost)
Maurice LaMarche (Futurama)
Yuri Lowenthal (Legion of Super Heroes)

After the death of his protégé Jason Todd, billionaire industrialist Bruce Wayne was forced to retire from his Batman persona. Ten years later, Gotham City is overrun with crime and terrorized by a gang known as the Mutants. The 55-year-old Wayne maintains a friendship with 70-year-old retiring Police Commissioner James Gordon, while the Joker (Batman’s archenemy) has been catatonic in Arkham Asylum since Wayne’s retirement. Arkham inmate and former district attorney Harvey Dent undergoes plastic surgery to repair his disfigured face. Although he is declared sane, he quickly goes into hiding following his release. Dent’s disappearance, news stories of the crime epidemic throughout the city and the memory of his parents’ deaths drive Wayne to become Batman once more. He combats serious crimes, rescuing 13-year-old Carrie Kelley, but now struggles with the physical limitations of age.

Public reaction to his return is divided. Dent’s psychologist Bartholomew Wolper blames Batman for creating his own rogues gallery. Dent resurfaces, threatening to blow up a building unless he is paid a ransom. Batman defeats Dent’s henchmen, learning that the bombs will explode even if the ransom is paid; he realizes that Dent intends to kill himself. Batman disables one bomb, and the other detonates harmlessly. He defeats Dent, who reveals that although his face was repaired he still thinks of himself as Two-Face. Kelley dresses as Robin and looks for Batman, who attacks a gathering of the Mutants with a tank-like Batmobile (incapacitating most of them). The Mutant leader challenges Batman to a duel. He accepts to prove to himself that he can win. The Mutant leader (who is in his prime) nearly kills Batman, but Kelley distracts him long enough for Batman to subdue him. The leader and many gang members are arrested. Injured, Batman returns to the Batcave with Kelley; he allows her to become his protégée (despite protest from his butler, Alfred Pennyworth).

Batman has Kelley disguise herself as a Mutant, and she lures the gang to a sewer outlet at the West River. At the Gotham City Police Department, the Mutant leader murders the mayor during negotiations. Commissioner Gordon deliberately releases the leader, providing an escape from the building, which leads to the sewer outlet. Before the amassed Mutants, Batman fights the leader in a mud pit; the mud slows the leader, removing his physical advantage, and Batman overpowers him. Seeing their leader’s defeat, the Mutants divide into smaller gangs; one becomes the “Sons of Batman”, a violent vigilante group. Batman’s victory becomes public and the city’s inhabitants are inspired to stand up against crime. Gordon retires after meeting his anti-Batman successor, Ellen Yindel. In Arkham, televised reports about Batman bring the Joker out of his catatonic state.

You have a very loyal animated version of one of the greatest graphic novels ever made. This is thoughtful, classy, grown up stuff and thoroughly recommended to both batfans and lovers of a good noir story