REVIEW: THE NEW ADVENTURES OF SUPERMAN

CAST (VOICES)

Bud Collyer (Beat The Clock)
Jackson Beck (Popeye)
Joan Alexander (The Name’s The Same)
Jack Grimes (Speed Racer)
Julie Bennett (Mister Magoo)

The New Adventures of Superman’ was the first animated immortalisation of the Man of Steel for the small screen audience, since the Fleischer theatrical shorts of the 1940s. It was one of  Filmation’s first attempt at television animation, having acquired the license rights for DC characters, and quickly became Saturday morning’s staple for superheroics for decades to come.

The show’s first season, which aired on CBS from 1966-67, had a particular format of two 7-8 minute Superman cartoons, with one 7-8 minute episode of the first season of ‘The Adventures of Superboy’ sandwiched in-between. Subsequent seasons would incorporate a variety of other DC superheroes into the format, including Aquaman, Batman, Atom and Hawkman, amongst others. What is most interesting about this show and subsequent seasons is that it served somewhat as a precursor to the long-running Super Friends series of the 70s and 80s, after Hanna-Barbera acquired the rights to use DC characters from Filmation.


Throughout this first season of 36 7-8 minute episodes, Superman/Clark Kent deals with a lot of rather one-dimensional space villains from Pluto and Jupiter, for example, mad scientists harnessing insectoid and robotic powers, plus an army of sea-creatures and pre-historic dinosaurs. Classic villains from the Superman comic books also make their first appearance in animated form here in a few episodes, including Lex Luthor, the Prankster,the Parasite (albeit in a rather child-friendly depiction compared to his appearance in the comics), the Toyman, Brainiac, Mr. Mxyzptlk and original villains, the Sorcerer and the Wicked Warlock. Also making their small screen debut alongside the Man of Steel and his rogues gallery are Daily Planet Chief Editor Perry White, journalistic reporter Lois Lane and cub-reporter Jimmy Olsen. Interestingly, Bud Collyer, who voiced Superman in the 1940s’ Fleischer shorts and the long-running radio programme, also voiced the man of Steel here; while Joan Alexander, who also voiced Lois Lane in the same radio show, reprises her role here as the journalistic beauty of Metropolis. Ted Knight, who went on to narrate the adventures and action during the Super Friends series, also provides narration here, explaining the action as it is happening in a way very much synonymous with radio broadcasting.Ironically, compared to today’s standards, the action presented was very limited and Superman was not permitted to pull punches towards anyone or advocate any use of violence towards his enemies. This was due to a parental union, stating that comic book violence in books and on television were a bad influence on the young target audience. Therefore, the majority of DC’s Filmation Adventures series and subsequent Super Friends cartoons (as well as many other contemporary Hanna-Barbera cartoon series) were not especially full of animated action sequences, but did present a lot of moral messages for young children through dialogue and story-telling. Also, being a fledgling company, Filmation was famous for making use of stock footage quite frequently in their series and, unfortunately, this makes the cartoon sequences a little repetitive and predictable at times. However, on the whole, the character depictions and storyboards are relatively faithful to their comic-book counterparts, such as the utilisation of Jimmy Olsen’s Superman signal watch, for example.


Regarding this release from the DC Comics Classic Collection, the first season of ‘The New Adventures of Superman’, comprising 36 episodes (culminating in 252 minutes of classic animation fun!), is spread over two disks, containing 18 episodes each, with each disc having an approximate running time of just over two hours long. Unfortunately, the ‘Adventures of Superboy’ segments, exploring Superman’s teenage exploits, are not included, presumably due to the on-going legal dispute regarding character copyright and creation. Ironically, they did include the intro to one of the segments towards the end of the first disk, though the episode itself is not included. As an additional retro accompaniment, I would suggest exploring both the two disk DVD set of ‘DC Superheroes – The Filmation Adventures’; which includes the guest spot segments from ‘The Superman/Aquaman Hour of Adventure’ (1967/68), and ‘The Adventures of Aquaman’, also available in a two disk DVD set from the DC Comics Classic Collection (which includes the Aquaman segments from the aforementioned show). Thankfully, Warner Brothers have finally released the last two seasons of ‘The New Adventures of Superman’ onto DVD as of 2014, and let’s hope that we won’t have to wait too long for the interconnecting Season One Superboy segments to be made available to a very eager audience of golden-age animation and Superman enthusiasts.

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REVIEW: SUPERGIRL – SEASON 1

Untitled

 

MAIN CAST

Melissa Benoist (Whiplash)
Mehcad Brooks (Necessary Roughness)
Chyler Leigh (Brake)
Jeremy Jordan (Smash)
David Harewood (Blood Diamond)
Calista Flockhart (The Last Shot)

RECURRING / NOTABLE GUEST STARS

Laura Benanti (Take The Lead)
Dean Cain (Lois & Clark)
Helen Slater (Supergirl 80s)
Owain Yeoman (Troy)
Faran Tahir (Iron Man)
Robert Gant (Popular)
Briana Venskus (Agents of S.H.I.E.L.D.)
Chris Vaance (Prison Break)
Peter Facinelli (Twilight)
Jenna Dewan Tatum (Witches of East End)
Chris Browning (Cowboys & Aliens)
Brit Morgan (True Blood)
Scott Michael Campbell (Push)
Tristin Mays (The Vampire Diaries)
Charles Halford (Constantine TV)
Eric Steinberg (Stargate SG.1)
Hope Lauren (Agent Carter)
Emma Caulfield (Buffy)
Tawny Cypress (Heroes)
Italia Ricci (American Pie: Beta House)
Laura Vandervoort (Smallville)
Sara Gilbert (The Big Bang Theory)
Eddie McClintock (Bones)
Glenn Morshower (Transformers 3)


Warner Bros have had a rocky road when it comes to their superhero characters and although the Christopher Nolan Batman franchise epitomized this character, their other attempts at films like Green Lantern and Batman v Superman: Dawn of Justice met with criticism. Sometimes ‘dark’ does not always work, particularly when it comes to superheroes and if you want an example at this, check out the Marvel Universe of superheroes. However for their TV series (Arrow, Flash, Legends of Tomorrow), they’ve successfully captured the spirit of these characters and the comic universe where they came from and thankfully Superman’s cousin Kara Zor-El (aka Kara Davers) is also part of this success thanks to the excellent TV series Supergirl that stars Melissa Benoist as this intelligent and beautiful Kryptonian. Given that, the entire casting for Supergirl is perfect!

The series is also created by Ali Adler, Greg Berlanti and Andrew Kreisberg who are no strangers to the world of superheroes and compared to the entire DC Comics TV line-up, Supergirl is easily one of my favorite as it doesn’t try to be too dark but rather, uplifting and enjoyable.

Also joining Benoist as Supergirl is Mechad Brooks (Jimmy Olsen), David Harewood (Hank Henshaw or the ‘Martian Manhunter’ known as J’onn J’onzz), Chyler Leigh (Kara’s adopted sister Alex Danvers), Jeremy Jordan (Kara’s sidekick) and also Calista Flockhart who plays Cat Grant, the owner of CatCo Worldwide Media (think a modern version of the Daily Planet). Sure, some of the actors camp it up for the TV series but this campiness actually works well with the characters and the story and once again, continue with the light-hearted nature of the series.

Given that, there are some darker moments in the series but overall and compared to The Flash, Arrow, Legends of Tommorrow, Supergirl is a much more colorful and hopeful story. The series even boasts Helen Slater (who played the original Supergirl in the 1984 movie) as Eliza Danvers as Kara’s adoptive mother plus Dean Cain as her father who played Superman in the classic 1993 TV series, Lois & Clark. This is also what I enjoy about Supergirl is all the cameos and whether that’s from film or the world of DC Comics itself, the creators really cram in quite a few people into the series, many as Easter Eggs.

Although each episode has a ‘villain’, the overarching villain is Laura Benanti as Alura Zor-El who plays the evil twin sister of Kara’s mother. Having additional Kryptonians in the show does increase the jeopardy for our heroine and some of these episodes are considerably darker. Then you have billionaire Maxwell Lord (Peter Facinelli) who is not evil perse but wants the best for the world which of course causes conflict. Once again, some great villains for Supergirl. Kara’s supporting cast include an African American Jimmy Olsen who also provides a love interest for Supergirl plus their geeky tech-head sidekick Winn Schott who together attempt to protect the fictitious National City. Then you have Kara’s sister Alex who works for the DEO (Department of Extra-Normal Operations) that is run by Hank Henshaw, an alien known as J’onn J’onzz disguised as a human in order to protect the world from alien threats. The character of Henshaw also has a great history.

Interestingly, Superman is mentioned in the series and does appear off screen. He will  actually makes a full appearance in Season 2 of Supergirl but the coolest crossover in any TV series was when Grant Gustin from The Flash starred in one episode which had fanboys and fangirls gushing from the coolness factor. With 20 episodes in this collection, Supergirl does end with a cliffhanger and with a second season confirmed (moving to CW) things are looking up for the Girl of Steel.

Supergirl on Blu-ray boasts some exceptional video and audio quality that really highlights the colourful costumes, villains and heroes of this universe. For special features, we get a handful of deleted scenes plus a couple of fun documentaries about J’onn J’onzz and Supergirl. All in all, it’s a great release from Roadshow Warner.

Supergirl is a proof that superheroes don’t need to be dark and moody and this TV series captures the spirit and core of this character that thanks to its creators successfully transforms the comic into a very enjoyable, clichéd and action packed live-action series with lots of world building and character development!. An Excellent series and a must see for all DC fans.

REVIEW: SUPERMAN/BATMAN: PUBLIC ENEMIES

CAST (VOICES)
Kevin Conroy (Batman: TAS)
Tim Daly (Superman: TAS)
Clancy Brown (Sleepy Hollow)
Xander Berkeley (Terminator 2)
Corey Burton (Transformers)
Ricardo Chavira (Desperate Housewives)
Allison Mack (Smallville)
John C. McGinley (Highlander 2)
CCH Pounder (Avatar)
LeVar Burton (Star Trek: TNG)

LexCorp’s CEO, Lex Luthor, has been elected President of United States during a severe nationwide economic depression. Under his leadership, the economy begins to thrive, and he assembles a force of government-employed superheroes consisting of Captain Atom, Katana, Black Lightning, Power Girl, Starfire, and Major Force. Meanwhile, Superman and Batman maintain their distrust toward Luthor. The United States government discovers that a massive Kryptonite meteor is hurtling toward Earth. Instead of asking superheroes for aid and wanting to take credit for himself, Luthor decides to destroy it with nuclear missiles. Luthor arranges a meeting with Superman in Gotham City under the pretense of forming a pact. This results in a battle with the hired Metallo against Superman and Batman. Following the heroes’ escape, an unknown assailant kills Metallo.

On national television later that night, Luthor pins Metallo’s murder on Superman, using footage of their battle to implicate him. Luthor claims that the radiation being emitted by the meteor can affect Superman’s judgment, and he places a one-billion-dollar bounty on the Man of Steel.

While breaking into S.T.A.R. Labs seeking information on the meteor, Batman and Superman find Metallo’s remains and realize that intense radiation has killed him. An army of villains looking to collect on the bounty then attacks them. The army includes: Silver Banshee, Captain Cold, Icicle, Killer Frost, Mr. Freeze, Gorilla Grodd, Bane, Black Manta, Black Spider, Brimstone, Catman, Cheetah, Copperhead, Deadshot, Eclipso, Kestrel, King Shark, Brutale, Despero, Giganta, Girder, Lady Shiva, Mongul, Captain Boomerang II, Nightshade, Parasite, Solomon Grundy, and Shrike. After some effort, most of the villains are defeated. Captain Atom, who has arrived with Luthor’s superhero team to arrest Superman, defeats the remaining villains. All but Power Girl, whose loyalties are divided, attempt to capture the heroic duo. Superman creates a twister using his superspeed, and the two heroes escape with Power Girl.

In Metropolis, Power Girl admits that she feels unnerved by Luthor and does not believe Superman killed Metallo. Luthor’s superheroes catch up and the fight begins anew, this time with Power Girl aiding Superman and Batman. The Dark Knight realizes that Major Force killed Metallo under Luthor’s orders and goads him into admitting it in front of everyone. In anger, Power Girl punches him in the stomach with so much force that it ruptures his containment suit. Captain Atom, ashamed at his complicity in Luthor’s misdeeds, absorbs the energy, disintegrating Major Force and injuring himself in the process.

Meanwhile, Luthor’s missiles fail to stop the meteor when the sheer amount of radiation being emitted by it detonates them before impact. Amanda Waller later discovers that Luthor has secretly been taking a serum composed of liquid kryptonite and super steroid Venom since the last days of the presidential election campaign, making him lose whatever rationality he had left. Feeling disillusioned by his failure in destroying the meteor with his missiles, Luthor decides to let the meteor hit the Earth so that he may rule over what remains of society. Batman and Superman attempt to break into Luthor’s base of operations to retrieve data on the meteor’s radiation. They end up in battle with Captain Marvel and Hawkman, eventually emerging victorious with Power Girl’s (off-screen) aid. However, Luthor refuses to relinquish the data, going so far as to erase it from the lab computers. Waller gives them a copy, being disgusted with Luthor’s plans. Batman and Superman fly off to Tokyo to deliver the data on the meteor to the Japanese Toyman, who has already built a giant rocket-propelled spacecraft, intending to use it as a large missile to stop the meteor. Waller and the military then attempt to arrest Luthor, but he injects himself with more kryptonite steroid and dons a power suit. After escaping Waller and the military, Luthor follows Superman and Batman overseas.

After Batman and Superman arrive at Toyman’s base, he shows them the spacecraft, which resembles a giant, robotic composite version of Superman and Batman. With the data, Toyman is able to calculate the necessary reinforcements needed for his own rocket so it will not explode before impact. Unfortunately, the arriving Luthor neutralizes Power Girl, Superman and Batman, and then disables the rocket’s remote guidance systems so that it will not take off by itself. Having no other choice, Batman decides to fly the rocket himself, despite Superman’s protests. Though initially faring poorly against Luthor and his kryptonite power suit, the rage over losing his best friend allows Superman to gain the upper hand, and after an aerial chase leading them all the way back to Metropolis, he defeats him in the streets there. Batman succeeds in destroying the meteor, and Superman finds him alive and well in an escape pod.

Image result for superman/batman public enemies

With the truth of Metallo’s death now public knowledge, Superman is cleared of the murder charge and Luthor is arrested and taken away to face trial and impeachment for his crimes. Batman then returns to Gotham while the Daily Planet’s star journalist, Lois Lane, arrives and happily embraces the Man of Steel.

Nonstop action start to finish. Great acting by all the three lead characters Batman, Superman and Lex Luther. The background musical score is also superb.It’s one of the best DC Original animated Movies ever and showed what kind of hard hitting stories can be told by animation today.

REVIEW: SUPERMAN DOOMSDAY

CAST
Adam Baldwin (Chuck)
Anne Heche (Spread)
James Marsters (Smallville)
John DiMaggio (Futurama)
Tom Kenny (The Batman)
Swoosie Kurtz (Mike & Molly)
Cree Summer (Inspector Gadget)
Ray Wise (Robocop)
Adam Wylie (The Smurfs 2)
Chris Cox (Ted)
James Arnold Taylor (Star Wars: The Clone Wars)
Townsend Coleman (Batman: The Dark Knight Returns)
Kimberly Brooks (Justice League War)
Kevin Smith (Clerks)

Though not an outright adaptation of the “Death of Superman” comic story arc, this film(the first of Warner Premiere’s direct to video animated movies) does borrow a number of elements from there but ends up carving out its own unique storyline. The PG-13 violence is slightly more brutal than that seen in Justice League Unlimited or the Marvel Animated “Ultimate Avengers”. Where the animation excels in a high frame rate leading to smooth character actions, scene transitions and fight scenes, the level of art detail is painfully low. The artwork in this film is more detailed than in previous DC animated TV series.

From the start, we get into this new portrayal of Lex Luthor. Here he is not a madman obsessed with world domination or a underhanded business mogul. He is a genius who feels threatened by a Superior adversary, Superman. His obsession with defeating the man of steel is not so much because Superman keeps thwarting Luthor’s plans or to be rid of a nuisance. Rather, Luthor just wants to reaffirm his own superiority, that he is the “best of the best”, hence why only he deserves to take down Superman. We also get to see a deep budding romance between Superman and Lois Lane; very well developed love story there that only makes the loss that comes later, all the more tragic.

From there, the second act is where the film truly shines. We get to see how the characters react to his death. Many heart wrenching scenes include Martha Kent having to mourn the death of her son in secret;the son that nobody knows is hers, to Lois Lane’s tough and strong willed exterior finally crumbling into a sense of utter loss. The emotional impact is very clear on the people of Metropolis and translate very well to the viewers. The portrayal of events that take place following Superman’s death is just so believable, with rampant riots and soaring crime rates. Even Lex Luthor is emotionally torn; having been cheated of his dream, and Superman’s robot butler sinks into sorrow as well, having lost the one thing in his existence that gave his existence purpose. A number of good underlying themes such as human psychological nature in dealing with a loss, the question of purpose and shattered hope. The 3rd act is about Supermans Resurrection and the clone Luthor creates.. The theme especially of Superman’s conflicting views on justice and morality, embodied by a very creepy dialogue between him and another Superman, stands out as one of the high points of the act. It is almost as if the entire fight is actually a metaphor for Superman wrestling against himself; his inner doubt and his fears.

Overall, this movie is a very well crafted piece of work. As an adaptation of “Death of Superman”, this film strays very far from the source,  But viewed as a separate piece of work altogether, it allows this movie to truly shine.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

12 DAYS OF CHRISTMAS REVIEW: LOIS & CLARK – THE CHRISTMAS EPISODES

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MAIN CAST
Dean Cain (Supergirl)
Teri Hatcher (Desperate Housewives)
Lane Smith (V)
Justin Whalin (Childs Play 3)
Eddie Jones (The Terminal)
K Callan (Heroes)
SEASON’S GREEDINGS
GUEST CAST
Sherman Hemsley (The Jeffersons)
Isabel Sanford (Love at First Bite)
Dick van Patten (Spaceballs)
Denice Richards (Wild Things)
The toymaker Winslow Schott (Sherman Hemsley) gets fired from his job along with his secretary Margaret Duffy (Isabel Sanford). Deciding to take revenge, he invents a new toy named “Space Rats” that includes a substance which when someone is sprayed with, it makes adults act like children and children be greedy. Everyone at the Daily Planet is affected, including Clark, and they start fighting over gifts. Clark realizes that the whole situation has to do with the “Space Rats” and along with Lois they try to find out who is the creator of the new toys. Their investigation leads them to Schott who gets arrested for his creation but also regrets and makes clear that he cares and loves kids. In the meantime, Superman asks from toy store owners to donor toys to the orphanage kids and Lois plans a Christmas dinner for family and friends. All of them though end up having other plans and Lois is alone at her apartment until Clark appears on her door, who canceled his Christmas with his family to be with her.
A great Christmas for Superman, Lois acting like a spoilt child is one the biggest highlight, and you can see a before she was famous Denise Richards which is an added bonus.
HOME IS WHERE THE HURT IS
GUEST CAST
Robert Carradine (Django Unchained)
Beverly Garland (My Three Sons)
Harve Presnell (Star Trek: Voyager)
Jessica Collins (Tru Calling)
Joel Swetow (The Loax)
Lois tries to avoid spend Christmas with her parents because they always fight but they surprise her by showing up at her apartment uninvited causing chaos. Her father, Sam (Harve Presnell), also brought with him his new fiancee, a cyborg named Baby Gunderson (Kathy Trageser). In the meantime, Mindy Church (Jessica Collins), who is now the head of Intergang even though Intergang is shut down and keeps a low profile, plans to kill Superman using a virus from Krypton. Superman gets sick and Lois asks her father’s help. Sam explains that the only cure will be if Superman gets very close to death since that way the virus will die too. The treatment is successful and Superman gets well, just in time to save Lois and his parents’ life. They suspect Mindy is behind everything but Mindy manages to frame her partner Joey (Robert Carradine) for turning his back on her and she gets away.
This episodes sees the return of Jessica Collins as Mindy, we see her trying to take over the criminal underworld. We also see Superman get infected and weakened with Lois having to turn to her father. It’s another great Christmas episode from a beloved show.
TWAS THE NIGHT BEFORE MXYMAS
GUEST CAST
Beverly Garland (My Three Sons)
Harve Presnell (Star Trek: Voyager)
Howie Mendel (Gremlins)
Keene Curtis (Stargate Sg.1)
It is Christmas Eve and Lois and Clark are getting ready for the first Christmas dinner at their home with family and friends but things get weird when an imp from the fifth dimension named Mister Mxyzptlk (Howie Mandel) appears and wants to conquer the Earth making Superman leave. Mxyzptlk traps Metropolis in a time loop where everyone lives the same day over and over again and no one remembers it except Clark. Clark tries to figure out what is happening and Mxyzptlk tells him that every time people live the same day they lose a little of their hope and when the hope is lost completely, Superman will not be necessary to them. Clark tries to break this loop asking Lois’ help for whom is hard to believe at first what Clark says. Clark manages to rekindle Lois’ hope and frees her from the time loop and the two of them work together to free everyone else as well. They give everyone their hope back and trick Mxyzptlk into going back to his own dimension. With the imp gone, the loop is finally broken and everyone celebrates Christmas.
One of my favorite Christmas specials as it introduces Mxyzptlk   played by Howie Mandel. This is defiantly one to watch every xmas.

REVIEW: LOIS & CLARK – SEASON 1,2,3 & 4

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CAST

Dean Cain (Supergirl)
Teri Hatcher (Desperate Housewives)
Lane Smith (V: The Series)
Michael Landes (Final Destination 2)
Justin Whalin (Child’s Play 3)
Tracy Scoggins (Babylon 5)
K Callan (Heroes)
Eddie Jones (C.H.U.D.)
John Shea (Mutant X)
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RECURRING / NOTABLE GUEST CAST

Elizabeth Barondes (Oscar)
Kim Johnston Ulrich (Passions)
Mel Winkler (Coach Carter)
Shaun Toub (Iron Man)
Clyde Kusatsu (Paradise Road)
Persis Khambatta (Star Trek: TMP)
Joseph Campanella (Guding Light)
George Murdock (Star Trek V)
Terence Knox (Children of the Corn II)
Tony Jay (Beauty and The Beast)
Leslie Jordan (Jason Goes To Hell)
Jim Beaver (3rd Rock From The Sun)
Miguel Sandoval (Alias)
Jessica Tuck (Super 8)
Alexander Enberg (Gia)
David Deluise (Vampires Suck)
Courtney Peldon (Say It isn’t So)
L. Scott Caldwell (Lost)
Morgan Fairchild (That 70s Show)
Charles Cyphers (Halloween)
Fred Stoller (Little Man)
Richard Belzer (The Flash)
Brian George (The Big Bang Theory)
Elliott Gould (Ocean’s Eleven)
Eve Plumb (The Brady Bunch)
Penn Jillette (Sabrina: TTW)
Richard Gant (Godzilla)
Chris Demetral (Dolly Dearest)
Robert Costanzo (Batman: TAS)
David Warner (Teenage Mutant Ninja Turtles II)
Dean Stockwell (Quantum Leap)
Michael McKean (This Is Spinal Tap)
Beverly Johnson (Crossroads)
James Earl Jones (Star wars)
Phyllis Coates (Adventures of Superman)
Robert Beltran (Star Trek: Voyager0
Denise Crosby (Star TRek: TNG)
Earl Boen (The Terminator)
Traylor Howard (Two Guys and a Girl)
Michael Des Barres (Poison Ivy 3)
Barry Livingston (Argo)
William Schallert (Innerspace)
Peter Scolari (Gotham)
Rick Overton (Cloverfield)
Bronson Pinchot (True Romance)
Bruce Weitz (Deep Impact)
Dick Miller (Gremlins)
Farrah Forke (Wings)
Peter Boyle (Taxi Driver)
Melora Hardin (17 Again)
John Pleshette (Rocky II)
William Devane (Interstellar)
Isobel Sanford (Love at First Bite)
Dick Van Patten (Spaceballs)
Denise Richards (Valentine)
Sherman Hemsley (Amen)
John Rubinstein (Legends of Tomorrow)
Scott Valentine (My Demon Lover)
Christian Clemenson (Apollo 13)
Brian Doyle-Murray (Groudnhog Day)
Gerrit Graham (Child’s Play 2)
Raquel Welch (Fantastic Voyage)
Cliff De Young (Glory)
Jim Pirri (Alias)
Curtis Armstrong (American Dad)
Danny Woodburn (Watchmen)
Terry Kiser (Friday The 13th – Part VII)
Lane Davies (3rd Rock From The Sun)
Meredith Scott Lynn (Legally Blonde)
Charles Napier (The Silence of The Lambs)
Erick Avari (Stargate)
Frank Gorshin (Batman 60s)
Bruce Campbell (Ash vs Evil Dead)
Jason Carter (Babylon 5)
Michele Abrams (Buffy: The Vampire Slayer)
Martin Mull (Sabrina: TTW)
Adam West (Batman 60s)
Maurice Godin (Working)
Jessica Collins (Tru Calling)
Carlos Lacamara (Heroes Reborn)
Olivia Brown (48 Hours)
Rob LaBelle (Jack Frost)
Jonathan Frakes (Star Trek: TNG)
Genie Francis (Roseell)
Kenneth Kimmins (Beauty and The Beast)
Shelley Long (Cheers)
Mary Gross (Sabrina: TTW)
Sandra Hess (Gargoyle)
Sean Whalen (Twister)
Andrew Bryniarski (Batman Returns)
Robert Carradine (Django Unchained)
Harve Presnell (Star trek: Voyager)
Beverly Garland (Decoy)
Gary Dourdan (CSI)
Emily Procter (CSI: Miami)
Hamilton Camp (The Little Mermaid)
Fred Willard (Anchorman)
Brad Garrett (The Crazy Ones)
Tony Curtis (The Great Race)
Larry Poindexter (Blade: The Series)
Daniel Roebuck (Lost)
Kyla Pratt (Dr. Dolittle)
Justine Bateman (Family Ties)
Roger Daltrey (Highlander: The Series)
Jon Tenney (Green Lantern)
Nark Lindsay Chapman (Swamp Thing: The Series)
J.G. Hertzler (Star Trek: DS9)
Eric Allan Kramer (The Incredible Hulk Returns)
Simon Templeman (Angel)
Jack Larson (Adventures of Superman)
John D’Aquino (3rd Rock From The Sun)
Alan Rachins (L.A. Law)
Jasmine Guy (The Vampire Diaries)
Sydney Walsh (Point Break)
Antonio Sabato Jr. (The Big Hit)
Steve Hytner (Roswell)
Drew Carey (Fuck)
Kathy Kinney (Arachnophobia)
Howie Mandel (Bobby’s World)
Keene Curtis (Stargate SG.1)
Tony Amendola (Annabelle)
Kristanna Loken (Painkiller Jane)
Vito D’Ambrosio (The Flash_
Dwight Schultz (The A-Team)
Patrick Cassidy (Smallville)
Keith Brunsmann (Tweek City)
Lori Fetrick (CIA II)
Tim Thomerson (Transcers)
Stacey Travis (Highlander: The Series)
Grant Shaud (Antz)

Die-hard Superman fans are torn on this one. Some think of L&C as the black sheep of Superman history. Others see it as one of their favorite adaptations. And how could they not, really? Dean Cain and Teri Hatcher as Clark and Lois had some serious chemistry going on. The late Lane Smith as Perry White is still my favorite version of the character, though Michael McKean did a darn good job himself. Michael Landes as Jimmy, Tracy Scoggins as Cat, Eddie Jones and K Callan as Jonathan and Martha… it all really gelled. And John Shea as Lex – how was he missed as a regular in the later years. Because of personnel changes throughout the series’ run, unfortunately, there were very little references or flashbacks to the first year because the show was now guided by a new regime.
 But the first year really is where it’s at. Teri Hatcher, before she was a desperate housewife, looked real and spectacular as Lois Lane. They dressed Lois in retro outfits that looked like they came from another decade, which gave the show a timeless quality. Dean Cain as Clark offered a “cool” but alien take to the role. Both Dean and Teri look really fashionable even to this day in the first season of the show.
The special effects are hit-or-miss; in some scenes, the effects work, but in others, you cringe. We’ve really gotten spoiled by the top-notch effects work in programs like Smallville. Guest stars in that first season include model Beverly Johnson, James Earl Jones, Michael McKean, Law & Order’s Richard Belzer, Morgan Fairchild, Dean Stockwell, and many others. But it’s the show’s recurring cast that makes it the most, well, super.
The DVD set includes commentary on the pilot episode by actor Dean Cain, director Robert Butler, and show creator Deborah Joy LeVine. It’s a lot of fun, especially hearing stories about the show’s casting and production of that pilot episode. I really wish Deborah Joy LeVine had stayed on the series as an executive producer, because she had such an amazing vision for the show that I think is a big reason of why that first season was so good. There’s also a documentary on the effects, but the real treat is a bonus documentary where almost all of the L&C cast and many members of the crew are interviewed about the show, except for Michael Landes (Jimmy #1) and Lane Smith (Perry White). How cool is it, ten years later, to see Big TV Superstar Teri Hatcher talking about her days of Lois Lane, all while speaking on Housewives’ Wisteria Lane set. Even K Callan, Eddie Jones, Tracy Scoggins, and John Shea participated in the action. I applaud Warner Home Video for going to the effort of including these people.
 The second season of L&C holds a special place to me because it is the year that taught me how to be a fan. Series creator Deborah Joy LeVine exited after the thrilling first season finale, and departing at the same time were Tracy Scoggins (Cat Grant), Chris Demetral (Jack), and – the most painful loss at the time – Michael Landes, who I referred to back in the day as “the real Jimmy.” He was replaced by Justin Whalin in the role, and I admit, I didn’t take to him very easily. The show went for more of an action-oriented tone, but luckily, Lois & Clark had some very good writers who still managed to find a way to keep the romantic elements of the series. Teri Hatcher and Dean Cain had a chemistry, as did their characters of Lois and Clark, and you can’t help but feel for them as they go along.
Season Two was also the season where Lois & Clark finally became a hit – no “sophomore slump” here. From the time Clark finally asked Lois on a date in “The Phoenix” things were looking up. No Mayson Drakes or Dan Scardinos could get in the way of finally getting these two characters together.
Upon watching the DVD, my first stop after the special features was “Whine Whine Whine.” In it, Superman fights a foe more dastardly than Kryptonite – greed. The episode featured guests like Ben Stein, Adam West, Frank Gorshin, Martin Mull, and others… it’s just great. Long-time Lois & Clark fans will also remember it for bringing in a scene that we’ve waited for for a while. “
Like Season 1, the producers of the L&C DVDs went all out in providing an assortment of special material, and for the most part they were very successful. Dean Cain provides interviews again (no Teri this time), and other interviewees included K Callan (Martha Kent), Eddie Jones (Jonathan Kent), Denise Crosby (Dr. Gretchen Kelly), and Justin Whalin (Jimmy Olsen). The show’s Season 2 writers and some crew are also featured, including John McNamara, who is awesome not only for his great L&C contributions, but because he co-created Profit, which is the best show you probably have never seen.
In the interviews Justin Whalin talks about the initial fan reaction to his recasting, which makes me feel a bit bad for the way I felt and posted years ago after he was cast. I later met Justin and thought he was a really nice guy. I’ve also noticed on the DVD interviews that Justin has apparently not aged at all in the past 10 years – he looks almost exactly the same.
Another bonus feature takes a look at the fandom for the show, again featuring some actors and creators and some visits to some fans at a recent “FoLCFest” (Fans of Lois & Clark) gathering. I was glad to see an assortment of people interviewed for the featurette, but I was a bit disappointed that no one from the Krypton Club was represented – after all, its subscriber list WAS bigger than the listserv or the IRC channel for most of its existence – but that fact seems to have been forgotten in the passing of time.
Finally, Dean Cain provides commentary for “Season’s Greedings,” where you hear – about 2 dozen times – about how foamy material rather than real snow were used to provide the “snow” for the episode. It’s very cool to hear Dean talking about his writing debut, which conveniently also happened to be one of the most popular episodes of the series. Dean’s a great sport and I really love the fact that he’s even doing DVD commentary. .
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 The third season was probably the most memorable time for me to be a part of the Lois & Clark fandom, as the show started hitting high gear. Unfortunately, some of the situations that I found to be “funny” back as a kid are just kind of annoying and childish now. If I ever see Olivia Brown’s Star anytime soon, it’ll be too soon. Jonathan Frakes and Genie Francis also camp it up way too much as collectors Tim and Amber Lake. And they’re not the only ones who bring bad camp to the season.
Luckily, some episodes have a good mix of camp and story. “We Have A Lot To Talk About,” the season’s premiere, is an episode that will always be close to my heart and has some of the best quotations in Superman history. (“That is so unfair! You know I can’t fly!”) There’s camp in the form of the Churches in that said episode, but when it’s Peter Boyle, Bruce Campbell, and Jessica Collins, you really don’t seem to mind.
“Ultra Woman” gives Lois super-powers, and again, a very campy costume, but makes for a good story anyway. The episode also features the Metropolis Park Wishing Well, which now can be paused so you can actually see this author’s name inscribed on the well! Another highlight of the season – and one of the series’ best all around – is “Tempus Anyone,” a return appearance for the Tempus character from Season 2’s “Tempus Fugitive.” Season Three rushed right into a wedding, and “I Now Pronounce You” promises the “wedding of the century” – a wedding that ABC touted as being “bigger than Burt and Loni, Michael and Lisa Marie…” You see where they’re going with that. I don’t want to spoil the episode, but the episodes following it may become increasingly frustrating, even though “Double Jeopardy” and “Seconds” are also two of the season’s best shows.
The season finale introduces some aliens fom a New Krypton. This is the spot where the producers chose to ignore the whole “Last Son of Krypton” aspect of Superman.
 Season 4 does have some gems. Some I liked the first time around, like the “Meet John Doe/Lois and Clarks” two-parter… and some were surprisingly better than what I remembered, like the Leslie Luckabee trilogy. One advantage of watching this season on DVD ten years later, besides the feeling of nostalgia, is that many of these episodes were ones I had only seen once back in the day… compared to the dozens of times I re-watched the early episodes. So, in effect, this is kind of new, and I like that.
 Season 4 is still enjoyable but as you get closer to the last episode you know the end is coming, plus the final episode is a cliffhanger that will never be resolved.