REVIEW: EASY A


CAST

Emma Stone (Birdman)
Penn Badgley (John Tucker Must Die)
Amanda Bynes (What a Girl Wants)
Dan Byrd ((Heroes)
Aly Michalka (Izombie)
Thomas Haden Church (Sideways)
Lisa Kudrow (Bad Neighbours)
Juliette Goglia (Mike & MOlly)
Braeden Lemasters (The Stepfather)
Patricia Clarkson (Lars and The Real Girl)
Stanley Tucci (The Lovely Bones)
Cam Gigandet (Twilight)
Malcolm McDowell (Tank Girl)
Stacey Travis (Ghost world)
Fred Armisen (Achorman)
Johanna Braddy (Paranormal Acitivity 3)
Yoshi Sudarso (Power Rangers Dino Charge)

Olive Penderghast, a 17-year-old girl living in Ojai, California, lies to her best friend Rhiannon Abernathy about going on a date in order to get out of camping with Rhiannon’s hippie parents. Instead, she hangs around the house all weekend listening to Natasha Bedingfield’s “Pocketful of Sunshine”, which is played by a greeting card she was sent. The following Monday, pressed by Rhiannon, Olive lies about losing her virginity to a college guy. Marianne Bryant, a prissy and strictly religious Christian at their school, overhears her telling the lie and soon it spreads like wildfire. The school’s conservative church group run by Marianne decides Olive will be their next project. Olive confides the truth to her friend Brandon, and he explains how others bully him because of his homosexuality. He later asks Olive to pretend to sleep with him so that he will be accepted by everyone as a “straight stud”.Brandon convinces Olive to help him and they pretend to have sex at a party. After having a fight with Rhiannon over Olive’s new identity as a “dirty skank”, Olive decides to counteract the harassment by embracing her new image as the school tramp. She begins to wear more provocative clothing and stitches a red “A” to everything she wears. Boys who usually have had no luck with girls in the past beg Olive to say they have had sex with her in order to increase their own popularity, in exchange for gift cards to various stores, in turn increasing her reputation. Things get worse when Micah, Marianne’s 20-year-old boyfriend, contracts chlamydia from sleeping with Mrs. Griffith, the school guidance counsellor, and blames it all on Olive. Olive agrees to lie to cover up the affair so that the marriage of her favorite teacher, Mr. Griffith, would be spared.
Marianne’s religious clique, which now includes Rhiannon, begins harassing Olive in order to get her to leave school. After an ill-fated date with Anson, a boy who wants to pay her to actually sleep with him and not just pretend she did, Olive reconnects with Todd, her old love interest, who is also the school’s mascot. Todd then tells her that he does not believe the rumors because he remembers when she lied for him when he was not ready for his first kiss years ago. Olive then begins to ask everyone she lied for to help her out by telling the truth, but Brandon and Micah have abruptly left town and everyone else is enjoying their newfound popularity and do not want the truth to get out. Mrs. Griffith also refuses to tell the truth and when Olive threatens to expose her, Mrs. Griffith rebuffs her, saying no one would believe her.
Out of spite, Olive then immediately tells Mr. Griffith, who believes her and separates from Mrs. Griffith. After a friendly talk with her open-minded mother Rosemary, Olive comes up with a plan to get everything finally out in the open. She then does a song and dance number at a school pep rally to get people’s attention to watch her via web cam, where she confesses what she has done (the web cam is the framing device of the film). The various boys whose reputations Olive helped improve are also shown watching. Later, Olive texts Rhiannon, apologizing for lying to her. When she is finishing up her web cast, Todd comes by riding a lawnmower and tells her to come outside. She signs off by saying she may lose her virginity to Todd, and proudly declares “it’s nobody’s goddamn business”. She goes outside to meet him, they kiss and the two are shown riding off on the lawnmower.Overall, Easy A doesn’t provide anything groundbreaking or revolutionary to the comedy genre, but it is certainly a breath of fresh air and just a good fun film.

Advertisements

REVIEW: ALL ABOUT STEVE

 

CAST

Sandra Bullock (Gravity)
Bradley Cooper (Limitless)
Thoams Haden Church (Sideways)
Ken Jeong (The Hangover)
DJ Qualls (Road Trip)
Katy Mixon (Mike & Molly)
Beth Grant (Wonderfalls)
Howard Hesseman (Halloween II)
M.C. Gainey (Lost)
Keith David (Pitch Black)
Holmes Osborne (Donnie Darko)
Kerri Kenney (Anger Management)
Lucy Davis (Shaun of The Dead)
Eddie Jemison (IZombie)

Mary Horowitz, a crossword puzzle writer for the Sacramento Herald, is socially awkward and considers her pet hamster her only true friend. Her parents decide to set her up on a blind date. Mary’s expectations are low, as she tells her hamster. Mary is pleasantly surprised when her date turns out to be handsome and charming Steve Miller, a cameraman for the television news network CCN. Steve does not reciprocate her feelings. After an attempt at an intimate moment fails, in part because of her awkwardness and inability to stop talking about vocabulary, Steve fakes a phone call about covering the news out of town. Trying to get Mary out of his truck, he tells her he wishes she could be there.
Mary believes him and decides to pursue him. Mary’s obsession gets her fired when she creates a crossword titled “All About Steve”. Following her termination, Mary decides to track Steve around the country in the hopes of winning his affection. She is encouraged by CCN news reporter Hartman Hughes, who hopes to use Mary’s encyclopedic knowledge in his reports to help himself get a promotion to become an anchor. On the road, Mary annoys some bus passengers so much, the driver abandons her. She hitchhikes with a trucker named Norm, then meets and travels with a pair of protesters, Elizabeth, a ditzy but sweet and likeable girl, and Howard, who sells apples he carves into celebrities. She gradually grows close to the two.

Steve and crew end up covering a breaking news story: an old mine collapsed with numerous deaf children stuck inside. Initially, it appears that the children are rescued. Mary, who arrives on the scene, accidentally falls into the mine shaft as well while making a beeline for Steve. It turns out that not all the children have been rescued, and Mary is trapped with one left behind. Steve begins to realize that Mary, in her own unique way, is a beautiful person. Just as Mary figures a way out, the two are joined by Hartman, who is made to feel guilty by Elizabeth and Howard for getting Mary into this predicament. Mary’s rescue plan works, but she lets Hartman take the credit. Mary finally realizes she does not need Steve to be happy. She states, “If you love someone, set him free; if you have to stalk him, he probably wasn’t yours in the first place.” After the end credits, a competitive TV reporter, in despair that Hartman got popularity by falling into the mine while trying to save Mary, also jumps into the mine.I was a little dubious at first at watching this film as I hadn’t heard good things…..But what can I say it was a laugh from start to finish. Sandra Bullock is as always fantastic. A fun film not to be taken seriously.

REVIEW: TEEN TITANS – SEASON 1-5

ce09bee54b30957bf2f735bff61de89a

MAIN CAST (VOICES)

Scott Menville (Full House)
Hynden Walch (Justice League War)
Khary Payton (The Walking Dead)
Tara Strong (Batman: The Killing Joke)
Greg Cipes (Anger Management)

RECURRING / NOTABLE GUEST CAST

Ron Perlman (Hellboy)
Kevin Michael Richardson (The Cleveland Show)
Lauren Tom (Futurama)
Dee Bradley Baker (American Dad)
Tom Kenny (Superhero Squad)
Keith Szarabajka (Angel)
Tracey Walter (Conan The Destroyer)
Clancy Brown (Highlander)
Dave Coulier (Full House)
Wil Wheaton (Powers)
Malcolm McDowell (Heroes)
James Arnold Taylor (Batman: The Brave and The Bold)
Xander Berkeley (Kick-Ass 2)
Ashley Johnson (Dollhouse)
Keith David (Pitch Black)
John DiMaggio (Futurama)
Tress MacNeille (The Simpsons)
Thomas Haden Church (Sideways)
Will Friedle (Batman Beyond)
Tony Jay (Lois & Clark)
Henry Rollins (Wrong Turn 2)
James Hong (BLade Runner)
T’Keyah Crystal Keymáh (Cosby)
Freddy Rodriguez (Ugly Betty)
Michael Clarke Duncan (The Finder)
Jason Marsden (Return to The Batcave)
Glenn Shadix (Beetlejuice)
Judge Reinhold (Ruthless People)
Virginia Madsen (Highlander II)
Bumper Robinson (Sabrina: TTW)
Michael Rosenbaum (Smallville)

Teen Titans centers around the five main members of the superhero team: Robin (Scott Menville), the intelligent, capable leader of the Teen Titans; Starfire (Hynden Walch), a quirky, curious alien princess from the planet Tamaran; Cyborg (Khary Payton), a half-human/half-robot who is known for his strength and technological prowess; Raven (Tara Strong), a stoic girl from the parallel world Azarath, who draws upon dark energy and psionic abilities; and Beast Boy (Greg Cipes), a ditzy, good-natured joker who can transform into various animals. They are situated in Titans Tower, a large T-shaped structure featuring living quarters as well as a command center and variety of training facilities, on an island just offshore from the fictional West Coast city of Jump City.

The team deals with all manner of criminal activity and threats to the city, while dealing with their own struggles with adolescence, their mutual friendships, and their limitations. Slade, their main enemy, is a newly designed version of the DC villain Deathstroke. The team encounters several allies throughout the series; including Aqualad in the first season; Terra in the second season (who is integral to that season’s story arc), as well as Speedy, Hotspot, and Wildebeest; Bumblebee and Más y Menos in the third season (who join Aqualad, Speedy and bumblebee to form ‘Titans East’), and numerous other heroes adapted from the DC universe in the fifth season to aid in the battle against the Brotherhood of Evil.

I admit I wasn’t sure what to expect from Teen Titans. The show is nothing like the Teen Titans comic books, which it is based on. It ended up being more of a kids show. The characters are quite different than their comic book counterparts.


The animation is definitely inspired by Anime. It is borrowing elements from several children’s anime. There is a emphasis on exaggerated character facial expressions, that definitely add to the charm of the show. The show isn’t shy to admit its cultural inspirations by enlisting the Japanese pop band Puffy AmiYumi to perform the catchy theme song.
Teen Titans isn’t for everyone. Overall, I quite enjoy the show. It is worth giving it a try.

REVIEW: SIDEWAYS

CAST

Paul Giamatti (The Amazing Spider-Man 2)
Thomas Haden Church (Easy A)
Virginia Madsen (Highlander 2)
Sandra Oh (Tammy)
Marylouise Burke (Wild Canaries)
Jessica Hecht (The Forgotten)
Stephanie Faracy(Flightplan)
Missy Doty (Nebraska)
M.C. Gainey (Lost)
Alysia Reiner (Better Things)

Miles Raymond is an aspiring – but unsuccessful – writer, a wine aficionado and a divorced, depressed, borderline alcoholic middle-aged English teacher living in San Diego, who takes his soon-to-be-married actor friend and former college roommate, Jack Cole, on a road trip through Santa Ynez Valley wine country. Though still recognized on occasion, Jack’s acting career appears to have peaked years ago, when he had a role in a popular TV soap but now does commercial voice-overs and plans to enter his future father-in-law’s successful real estate business after he’s married. Miles wants to spend the week relaxing, golfing, enjoying good food and wine; however, much to Miles’ consternation, Jack is on the prowl and wants one last sexual fling before settling into domestic life.In the wine country, the pair visit Miles’ favorite restaurant, The Hitching Post II, and meet Maya, an attractive, intelligent waitress with whom Miles is casually acquainted. Jack senses that Maya is interested in Miles, who downplays his friend’s intuition, and tells Jack that Maya is married. Jack tells Maya that Miles’ manuscript has been accepted for publication, even though it is only being considered. Later, at a tasting in a local winery, they meet an attractive wine pourer named Stephanie, who is also acquainted with Maya. Jack is immediately attracted to Stephanie and arranges a double date, to include Miles and Maya, and tells Miles that he learned Maya is no longer married (“sans rock”, as he describes it). During the date, Miles gets drunk and telephones Vicki, his ex-wife, after learning from Jack earlier that day that she has remarried. They return to Stephanie’s home, where Jack and Stephanie immediately adjourn to her bedroom for sex, while Miles and Maya connect through their mutual interest in wine. Miles tells Maya about his book, and Maya says she is finishing a master’s degree in horticulture so she can leave serving. Miles makes a gauche pass at Maya, which she rejects. They leave separately, but not before he gives her a copy of his manuscript. As the week progresses, Jack’s affair with Stephanie continues, to the point where he believes he’s falling in love with her; he bonds with her daughter and makes the suggestion to Miles that they move there for him to be closer to Stephanie. After spending the day together, Miles and Maya return to her apartment and have sex. The next day, Miles lets it slip that Jack is to be married. Disgusted with the dishonesty, Maya dumps Miles and later tells Stephanie who, furious and devastated to learn she’s been used, hits Jack repeatedly and breaks his nose using her motorcycle helmet.On finding out his manuscript has been rejected again, Miles drinks heavily and causes a scene during a wine tasting when the server cuts him off, and ends up trying to drink from the spit bucket. That night, with Stephanie gone, Jack hooks up with another waitress named Cammi, who recognized him from his acting career. Hours later, Jack shows up back at the motel room he shares with Miles – naked and confessing that Cammi’s husband came home early while she and Jack were having sex. Jack explains he was forced to flee without his clothes and wallet (which contains a pair of irreplaceable wedding rings). Jack convinces Miles to drive him back to Cammi’s house and sneak inside, where he discovers Cammi and her husband having sex. Miles spies Jack’s wallet, grabs it and runs from the house, barely escaping Cammi’s irate husband, who pursues him in the nude. To explain the broken nose and cover up the infidelity to his fiancée, Jack runs Miles’ convertible into a tree, giving the appearance they had been in an accident. The pair return to the home of Jack’s fiancée, where he is welcomed with open arms, and Miles drives away in his battered car.Following the wedding ceremony, Miles runs into his ex-wife Vicki and meets her new husband. After learning that she is also pregnant, Miles accepts that he will never get Vicki back. Alone, he drinks his prized wine, a 1961 Château Cheval Blanc, from a disposable coffee cup at a fast-food restaurant and falls into an even deeper depression. After some time passes, Miles returns to the routine of teaching school; coming home one afternoon, he receives a voice-mail from Maya, who says she enjoyed his manuscript and invites him to visit. Ultimately, Miles is seen driving back to Santa Ynez and knocking on Maya’s door.

While it is so easy to resort to the wine as metaphor – as the film amply does with smart, sharp and pungent dialogue – the film is a full-bodied, never precocious vintage that needs to be savored in a desirable bouquet of cinematic finesse

REVIEW: SPANGLISH


CAST

Adam sandler (Jack & Jill)
Paz Vega (Kill The Messenger)
Téa Leoni (Jurassic Park III)
Cloris Leachman (Bad Santa)
Aimee Garcia (D.E..B.S.)
Sarah Steele (Speech & Debate)
Thomas Haden Church (Sideways)
Nichole Hiltz (Smallville)
Spencer Locke (Monster House)

Cristina Moreno (Shelbie Bruce – Aimee Garcia as narrator) is applying to Princeton University. For her application essay, she tells the story of her childhood and narrates throughout the movie.
Flor Moreno (Paz Vega) is a poor Mexican single mother who moved to America to have a better life for her and her daughter, Cristina (Shelbie Bruce). When she could not maintain her two jobs due to the safety of her daughter, Flor’s cousin takes her to a job interview as a nanny for the Claskys, consisting of John (Adam Sandler) and Deborah Clasky (Téa Leoni), their children Bernice (Sarah Steele) and Georgie (Ian Hayland), and Deborah’s mother Evelyn Wright (Cloris Leachman). John is a man who cares about cooking good food and raising his kids. Deborah is a former businesswoman turned stay-at-home mother, and Evelyn is a raging alcoholic. Deborah is uptight and her neurotic behavior often upsets the family: she mentally abuses her daughter to exercise by buying her smaller-sized clothes and putting her down for certain behaviors, and she mentally abuses her husband by telling him to co-parent with her on their son, but she really wants him to be submissive to her parenting instead. John is more laid back and supports the mental well-being of his children, but he feels he cannot stand up to Deborah on her parenting and often leaves it as it is.
Summer comes and Flor is needed 24/7 at the Claskys’ summer home. Unable to communicate well in English, Deborah finds a neighbor to interpret. Flor admits she is unable to maintain these hours because she has a daughter; out of desperation to keep Flor as their nanny, Deborah invites Cristina to come stay with them, acting as interpreter for her mother. Deborah immediately becomes attached to Cristina when she first arrived due to her beauty and begins to treat her more like a daughter than Bernice, taking Cristina shopping, buying her gifts, and getting her hair done. To make Cristina feel more comfortable, John gives the children a small glass-collecting project in which they receive money and includes Cristina. She was given $640 for her glass collection, which Flor finds out. The two argue with Cristina as the interpreter, and Flor wants to leave because of the awkwardness it will create afterwards, but John coaxed her into staying. She begins to learn English so she can communicate better with the Claskys.
In the meantime, John opens a new restaurant, but falls into a temporary depression because of the stress of the business, and Deborah is having an affair, dressing provocatively and leaving only at nighttime. She enrolls Cristina into a private school with Bernice, upsetting Flor, who wants Cristina to keep in touch with her Mexican roots and working-class values. She feels Deborah is overstepping her bounds and voices her objection to John, who tells her he is just as stressed because Bernice has no support system from her own mother.
Summer is over and it is Cristina’s and Bernice’s first day of school; that afternoon, Cristina was allowed to bring friends back to the Clasky’s home from school, but not Bernice. Deborah tries to cover for Cristina to keep her there, but an angry Flor marches to her place. The now-sober Evelyn realizes that her daughter is having an affair and that her marriage is in trouble. She pleads with Deborah to end the affair, telling her she will never get another man as good as John. Deborah confesses to John that she cheated on him and begs him to stay so the two could talk everything over; however, a dejected John walks out and bumps into Flor, who was trying to tell him that she is quitting. He offers to give Flor a ride in his car, but he wanted to “hang out” when they arrived at her bus stop, and they ended up going to his restaurant, where he cooks for Flor. They become extremely close to the point of falling in love, but Flor is afraid of the consequences of having an affair while they both have kids. While the two enjoyed the “conversation of their lives”, Flor tells John she loves him, but leaves him before he could kiss her. Deborah, though, becomes desperate and seeks to call John, but Evelyn prevents her from doing so. She blames Evelyn’s mistakes as a mother that led Deborah to cheating on her husband; the two become closer as mother and daughter.
Flor quits and takes her daughter home, upsetting Cristina, who got along well with the Claskys. As they are about to leave, John tries to talk to Flor and confesses to her that he envies whoever will get to have her in the future before parting ways forever. On their way home, she tells Cristina that she cannot go to the private school anymore, upsetting Cristina even more; she screams in the middle of the street, accusing Flor of ruining her life. Flor loses patience with Cristina after she asks her mother for space, similar to the Claskys asking for space when they cannot solve a problem. Flor explains to her daughter that she must answer the most important question of her life, at a very young age: “Is what you want for yourself to become someone very different than me?” Cristina considers this on their bus ride home, and they make up and embrace. Cristina, on her paper in applying to Princeton University, acknowledges that her life rests firmly and happily on the simple fact that she is her mother’s daughter.Not Adam Sandler’s usual type of film. There is No slapstick or knock about comedy. It is funny, but in a more sarcastic, educated, witty way. The whole team of actors work well together and they are all included in the story, everyone has a part to play. Definitely a film for all of the family.

REVIEW: JOHN CARTER

CAST
Taylor Kitsch (Battleship)
Lynn Collins (The Number 23)
Willem Dafoe (American Psycho)
Samantha Morton (Minority Report)
Thomas Haden Church (Sideways)
Mark Strong (Kick-Ass)
Ciaran Hinds (Game of Thrones)
Dominic West (Punisher Warzone)
James Purefoy (Solomon Kane)
Bryan Cranston (Drive)
Polly Walker (Caprica)
Don Stark (That 70s Show)
Jon Favreau (Iron Man)
After the sudden death of John Carter (Taylor Kitsch), a former American Civil War Confederate Army captain, Carter’s nephew, Edgar Rice Burroughs (Daryl Sabara), attends the funeral. Per Carter’s instructions, the body is put in a tomb that can be unlocked only from the inside. His attorney hands Burroughs Carter’s journal, which Burroughs reads in the hope of finding clues to Carter’s cause of death and the reason he is willed heir. The bulk of the film is enactment of what Burroughs reads.
Burroughs reads of Carter’s exploits in the Arizona Territory as a prospector, where Union Colonel Powell (Bryan Cranston) arrests him. Powell, knowing about Carter’s military background, seeks his help in fighting the Apache, insisting that Carter owes it to his country. Carter refuses, stating that he paid any debt he had when he lost his family. Carter escapes his holding cell, but is pursued by Powell and his cavalry. After a run-in with a band of Apaches, Carter and a wounded Powell are chased until they take to hiding in a cave that turns out to be the object of Carter’s earlier searching, the “Spider Cave of Gold”. A mysterious being, called a Thern, appears in the cave at that moment; Carter kills him but accidentally activates the Thern’s powerful medallion, and is unwittingly transported to a ruined and dying planet, Barsoom, later revealed as Mars.
Because of his different bone density and Barsoom’s low gravity, Carter is able to jump high and perform feats of incredible strength. He is captured by the 4-armed Green Martian clan, the Tharks and their Jeddak (chieftain) Tars Tarkas (Willem Dafoe). Tars instructs Sola (Samantha Morton) to watch over Carter which results in her feeding him a liquid that enables him to understand the Martian language. Elsewhere on Barsoom, the human Red Martian city of Helium led by Thardos Mors (Ciarán Hinds) and the mobile scavenger city of Zodanga, led by the villainous Sab Than (Dominic West), have been at war for a thousand years. Sab Than, who wants to conquer Barsoom, is armed with a special weapon obtained from Matai Shang (Mark Strong), the leader of the Therns. He proposes a cease-fire and an end to the war by marrying Mors’ daughter, the Princess of Helium Dejah Thoris (Lynn Collins). Disguised as a soldier, the Princess escapes in a Helium ship.
When Tars Tarkas wants John Carter to show off his jumping abilities, a Thark states the sightings of one ship from Helium and one ship from Zodanga scattering the Tharks to their hiding place. John Carter takes action and saves Dejah from falling. He does manage to kill some Zodanga soldiers and have a brief fight with Sab Than. Following the fight, which leads to Sab Than’s ship retreating, John Carter is hailed as Dotar Sojat (which roughly translates to “My Right Arms”) by Tars Tarkas due to his strength and skill. Tarkas even has Dejah given to him as part of the Thark spoils. Sometime after that, Carter, accompanied by Dejah, tries to find a way to get back to Earth, and stumbles upon a temple ruin sacred to the Tharks where Sola encounters them and tries to stop them from entering, but fails. After discovering an inscription depicting a way back to Earth in the sacred river of Iss, Carter, Dejah, and Sola are caught by Sarkoja (Polly Walker) and Tal Hajus (Thomas Haden Church). The three are sentenced to death due to the Thark code, but are aided in their escape by Tars Tarkas, who reveals to Carter that Sola is his daughter. When Tal and Sarkoja find the prisoners gone, Tal Hajus states that Tarkas has betrayed them.
Carter, Dejah, Sola, and Woola (a Martian Calot – which is somewhat like a mixture of a lizard and a dog) embark on a quest to get to the end of a sacred river to find a way for Carter to get back home. They obtain information about the “ninth ray”, a means of utilizing infinite energy and also the key to understanding how the medallion works. But they are attacked by the Green Martian Clan of Warhoon, which were manipulated by Matai Shang to pursue them, as part of a new plan by Sab Than. After initially fleeing, Carter decides to buy the others time by fighting the horde himself as atonement for not being able to save his family. Though defeating many Warhoon, Carter is ultimately overpowered and is saved when a Helium ship intervenes. Sab Than is also in the company of Thardos Mors as he mentions that Sab came alone and stated that he organized the rescue party. The demoralized Dejah grudgingly agrees to marry Sab Than as Carter is taken to Zodanga to be healed.
When Carter awakens, he is guided to Dejah’s room. After the servant girls leave, Dejah gives Carter his medallion and tells him to go back to Earth. As Dejah leaves with Sab Than, Carter is met by Matai Shang, who takes Carter for a walk around Zodanga. In different Zodangan forms, Shang explains to Carter the purpose of Therns and how they manipulate the civilizations of different planets into total self-destruction, also revealing Sab Than’s secret plan that he will kill Dejah once he marries her and destroy Helium and rule Barsoom, at the same time completing the course the Therns have set for Barsoom. (Shang also mentions that he and the Therns have been doing the same process for millions of years.) Carter is able to make an escape thanks to Woola as he and Sola go back to the Tharks requesting their help. There, they discover Tars Tarkas has been overthrown by Tal Hajus. Tarkas, Carter, and Sola are put on trial in a Colosseum battle with two enormous vicious creatures, the four-armed Great White-Apes. After defeating them and then challenging and easily killing Hajus, Carter becomes the leader of the Tharks.
Carter and the Thark army charge on Helium and defeat the Zodangan army in a huge battle, killing Sab Than. Carter marries Dejah and becomes prince of Helium. On their first night, Carter decides to stay forever on Mars and throws away his medallion. Seizing this opportunity, Matai Shang, in the form of a Helium Guard, sends him back to Earth before leaving Mars forever. Back on Earth, Carter embarks on a long quest looking for clues of the Therns’ presence on Earth and hoping to find one of their medallions; after several years he appears to die suddenly and asks for unusual funeral arrangements — consistent with his having found a medallion, since his return to Mars would leave his Earth body in a coma-like state. He makes Burroughs his protector, giving him clues about how to open the tomb.
The film reverts to the present, where Burroughs runs back to Carter’s tomb and opens it, hoping to find Carter’s body. A Thern in the form of a man with a bowler hat, who had been following Carter over the ten years he’d returned, appears holding a knife, having followed Burroughs. But as he prepares to strike, both he and Burroughs see the tomb is empty. A shot suddenly rings out and the Thern drops dead. Carter emerges and confesses to Burroughs that he never found a medallion. Instead, he devised a scheme to lure a Thern into revealing himself in order to get that Thern’s medallion. After suggesting to Burroughs that he enjoy his life on Earth and to try writing books (alluding to the fact that Burroughs is the real-life author of the “Barsoom” novels), Carter takes the Thern’s medallion, whispers the code, and is then transported back to Barsoom and Dejah.
thought it was amazing.
I loved the way there was a mystery at the beginning of the film and it all got pieced together at the end. I also liked the really good CGI with the awesome aliens and battle ships. I would definitely recommend this to people looking for a good film to watch.

REVIEW: SPIDER-MAN 1,2 & 3

CAST

Tobey Maguire (Pleasantville)
Kirsten Dunst (All Good Things)
Willem Dafoe (American Psycho)
Janes Franco (This Is The End)
Cliff Robertson (Escape From L.A.)
Rosemary Harris (This Means War)
J.K. Simmons (Whiplash)
Joe Manganiello (True Blood)
Bill Nunn (True Crime)
Michael Papajohn (Predator 2)
Elizabeth Banks (Power Rangers)
Ron Perkins (House)
Randy Savage (Bolt)
Octavia Spencer (Mom)
Lucy Lawless (Xena)
Bruce Campbell (Ash vs Evil Dead)
Ted Raimi (Odyssey 5)
Stan Lee (Avengers Assemble)

This film spends a lot of its time on the origin of Spider-Man. Peter Parker (played by Tobey Maguire) is an ordinary unpopular high school student. At the beginning of the movie we hear a narration by Peter that says this story is like every other story in that it is all about a girl. The girl in this case is Mary Jane Watson (Kirsten Dunst). Peter has had a crush on MJ since he was 6 years old, but obviously MJ has not reciprocated the feelings. Problem is Peter is not the kind of person to express his feelings to MJ, he instead lets everyone else know what he feels for MJ. It is the classic “everyone knows except for the person it involves” scenario. Peter admires her from afar and seems to always be there to bring her spirits up.

One day Peter and MJ’s class go to Columbia University for a field trip about spiders. We find out that the people here have been studying spiders and then creating super-spiders through genetic manipulation. One of the spiders gets loose and as Peter is taking pictures of MJ for the school paper, he is bit by it. Here is where the origin of Spider-Man begins. The first hour is spent with Peter getting used to the special powers he has gotten and refining them. He is both scared and excited by what he can do and Maguire makes Peter seem like one of us. This is the core of why Spider-Man is so great. It shows that even someone with a normal upbringing and great powers can have a difficult life. This is very much in contrast with heroes like Batman and Superman who either grew up in a rich family or is from another planet. Peter Parker is like many of us. He has a normal life like the rest of us. This is why it is so easy to sympathize with his character.

The other part of the first hour is about Norman Osborn (Willem Dafoe), the CEO and of Oscorp. He has been working on a super serum that will give a human super strength. However one animal died during the testing of the serum. The military is getting tired of Osborn not having a human test of this serum. They give him two weeks to test it to success on a human, but if he is not able to do so they will stop funding on the project and hand it over to another corporation. Osborn decides he is going to be the human guinea pig and exposes himself to the serum in a self-contained vessel. For a while his heart stops and his assistant comes in to revive him. Osborn’s heart revives at a faster rate and he has super strength. He turns into the Green Goblin and employs a rocket-powered glider to get around New York City. You can somewhat sympathize with Osborn in the fact that he is very close to his company losing the contract and him possibly losing the company itself. He takes a liking to Peter and treats him like his son, much to the chagrin of his real son, Harry (James Franco). The best parts with Willem Dafoe are when his two personalities (Norman and the Goblin) have a conversation with each other. Norman is obviously insane after being subjected to the serum, but he is still a human that is, albeit very little, trying to fight his Goblin personality. The rest of the movie is spent between Spider-Man and Green Goblin having some encounters here and there and a big encounter at the end.

Spider-Man is a movie not to be missed. If you have never been introduced to Spider-Man, this movie does a good job with his origin and one of his greatest enemies. This movie has a great plot (written by David Koepp) and is easily going to be a huge moneymaker. Some of the special effects may look unrealistic or maybe you will not notice them at all. This is a movie you can enjoy both from a story and action angle.

CAST

Tobey Maguire (Pleasantville)
Kirsten Dunst (All Good Things)
Willem Dafoe (American Psycho)
Janes Franco (This Is The End)
Alfred Molina (Frida)
Rosemary Harris (This Means War)
J.K. Simmons (Whiplash)
Elizabeth Banks (Power Rangers)
Donna Murphy (Star Trek: Insurrection)
Daniel Gillies (The Originals)
Dylan Baker (The Cell)
Willem Dafoe (American Psycho)
Mageina Tovah (Sleepover)
Bruce Campbell (Ash vs Evil Dead)
Stan Lee (Avengers Assemble)
Joel McHale (Ted)
Hal Sparks (Dude, Where’s My Car?)
Emily Deschanel (Bones)
Phil LaMarr (Free Enterprise)
Cliff Robertson (Escape From L.A.)
Reed Diamond (Dollhouse)
Elya Baskin (October Sky)
Ted Raimi (Odyssey 5)
Bill Nunn (True Crime)

This time around, New York City is plagued by the nefarious Doctor Octopus. When famed scientist Dr. Otto Octavius (Alfred Molina) designs a fusion device that can generate enough power to make limitless amounts of affordable electricity, the experiment goes horribly wrong and the four mechanical arms that he uses to run the experiment become fused to his spine and his cerebellum. Whereas prior to this Octavius controlled the arms, now it seems that they control him and he goes on a crime spree across the city, robbing banks in order to further fund the experiments he so desperately wants to finish. While all this is going on, Peter Parker (Tobey Maguire) is wrestling with whether or not he should make his movie on his one true love, Mary Jane Watson (Kirsten Dunst), trying not to flunk out of school, and trying to get his rent paid on time.

This second film brings Peter Parker into the real world, so to speak. Part of what made the comic series so great was the fact that Parker was someone we could relate to on one level or another. Sure, he was a superhero but he had real world problems. He didn’t always get the girl, he couldn’t always pay his rent, and he had trouble getting to class on time. In the first film we didn’t get to dig on that aspect of the character as the film had to setup how and why he becomes Spider-Man. Here we know that part already and so the film effectively takes things up a notch in terms of character development and action.

It’s precisely these changes in tone that makes Spider-Man 2 so much fun. It makes it feel like more of a comic book come to life.  Molina shines in his role as the mad scientist with the mechanical arms and proves to be a much better foe for Spidey than the Goblin was in the first film. He’s not quite as over the top and maniacal, but still sufficiently evil enough that we want Spidey to give him what for. The fight scenes between the hero and the villain, particularly the final showdown, are harder, faster, and more intense, which gives the movie a faster pace which works in it’s favor.  Those who enjoy the ‘little touches’ that Raimi is known for scattering throughout his films going all the way back to the first Evil Dead film will find lots of nice little details to look for. Bruce Campbell and Ted Raimi have fun cameo roles once more, and of course, it wouldn’t be a Raimi movie without the car showing up once or twice. Little details like this make the humor work nicely within the context of what is essentially an action movie.

In short, the movie flows better. The characters progress nicely from the events in the first film. The effects are bigger and better and more effective. It feels like a comic book movie should feel like. It’s a more fluid.

spider-man 3

CAST

Tobey Maguire (Pleasantville)
Kirsten Dunst (All Good Things)
Willem Dafoe (American Psycho)
Janes Franco (This Is The End)
Thomas Haden Church (Sideways)
Topher Grace (That 70s Show)
Bryce Dallas Howard (Jurassic World)
Rosemary Harris (This Means War)
J.K. Simmons (Whiplash)
James Cromwell (Star Trek: First Contact)
Dylan Baker (The Cell)
Willem Dafoe (American Psycho)
Elizabeth Banks (Power Rangers)
Cliff Robertson (Escape From L.A.)
Elya Baskin (October Sky)
Ted Raimi (Odyssey 5)
Mageina Tovah (Sleepover)
Michael Papajohn (Predator 2)
Joe Manganiello (True Blood)
Bruce Campbell (Ash vs Evil Dead)
Stan Lee (Avengers Assemble)
Bill Nunn (True Crime)
Steve Valentine (Mike & Molly)

Picking up shortly after the exploits chronicled in Spider-man 2, the new film finds things having turned around for Peter. Where he was once misunderstood by the city he protects from all manner of crime and villainy, he is now New York’s favorite son. Everywhere Peter Parker turns (Tobey Maguire), there are signs of the undying adoration being heaped on his crime-fighting alter ego. But even for Peter, whose life seldom shares the same glory as his other persona, things aren’t going all that bad. Sure he’s still broke and over-worked as he tries to balance college, work and saving the day, but things are seemingly going well with the love of his life, Mary Jane Watson (Kirsten Dunst).

He even plans on asking her to marry him. A wrench, however, is waiting to screw up the machine, coming in the form of Peter’s former best friend Harry Osborn (James Franco). Harry blames Peter for the death of his father, who, as the Green Goblin, tangled with Spider-man in the first film, and lost his life. Harry has armed himself with his father’s arsenal, and in the first of many spectacular action sequences that dominate Spider-man 3, attacks Peter. A defining, special effects extravaganza that kick starts the movie into high gear, the battle doesn’t even have Peter in his Spider-man costume. It is an interesting choice to have such a pivotal sequence take place without Spider-man present, but it serves as fast-paced foreshadowing of the personal battles that Peter will be experiencing over the duration of the film. Where the first film introduced Peter Parker and Spider-man, the second film developed the crime fighter, and the third film is more about the man who wears the costume.Fresh from his battle with Harry, Peter must face two new challenges. First, his relationship with Mary Jane is starting to strain, because she can’t handle the fact that Spider-man is so popular. Then, he learns that the crook who killed his Uncle Ben in the first film was not really the killer after all. The real killer was Flint Marko (Thomas Hayden Church), an escaped convict who, through a series of events that only happens in comic books and films that adapt them, is turned into Sandman, a mutated creature made of sand that can manipulate his size and shape. And as if that wasn’t enough, there is also Spidey’s new black suit, which is actually an alien life form that has formed a symbiotic relationship with Peter. The gooey black creature attaches itself to Peter, manifesting itself as the new black costume, and bringing with it increased strength for Spider-man, as well as a new level of confidence, and aggression for Peter. Soon, the suit becomes a villain, and Peter must fight to gain control of his life (not to mention battle Sandman, Harry, and try to restore his relationship with Mary Jane).There is no getting around the fact that Spider-man 3 is the weakest of the three films in the franchise, at least in terms of script and story. As is the case with other superhero sequels, this film suffers, from among other things, introducing too many characters into the mythology. But the script also has some leaps in logic, a few contrived coincidences and a plot hole or two that seem excusable at first glance, but start to nag after the final credits have rolled. Clocking in at well over two hours, there are times when it feels like a good twenty or thirty minutes have been trimmed from the film in order to make for a more reasonable run time, resulting in a poor sense of character development, and a frantic pace where there should be a bit more exposition. The first act takes special care to introduce Sandman as a morally complex, tragic villain, but most of that is jettisoned as the story moves into the second and third acts. Likewise, Eddie Brock (Topher Grace), Peter’s rival who will eventually don the black costume and become Venom, seems to make a huge leap from annoying twerp to murderous psycho.The problems that weigh down Spider-man 3 begin to emerge near the end of the first act, as weaknesses in the script begin to pop up. Where the first two films tried to keep things as grounded as possible given the outrageous subject matter, Spider-man 3 throws caution to the wind, throwing the film off balance. Both of the earlier films went out of their way to paint the villains as somewhat believable within the context of the on-screen world. But in this new film, no such attempts are made. And so while it is cool to see Venom, the half-ass explanation of what the creature is carries no weight. Ten minutes after the movie is over, you can’t help but start asking questions like, “Where did this thing come from?” And then those questions open up another line of inquiry that starts picking apart all of the ridiculous coincidences that riddle the film.The biggest problem with Spider-man 3 are two separate sequences that are meant to show how much the new alien costume has effected Peter Parker’s personality. The first sequence is silly, and by comparison rather innocuous. But the second scene, involving Peter’s attempt to woo new love interest Gwen Stacey (Bryce Dallas Howard), while making Mary Jane jealous, is just plain ridiculous. Comic book purists will hate this scene, and even die-hard fans of the films may find it a bit out of place within the cinematic universe.But despite the problems that plague Spider-man 3, it is still an incredibly fun film. Director Sam Raimi once again delivers the superheroic goods. And in terms of how the action sequences and special effects have been put together this time around, Raimi leaves the first two films in the dust. This is clearly the best of the three from that standpoint, as the action comes alive in sequences that would have been impossible cinematically less than a decade ago. In fact, the action may even be more spectacular than anything you could see in a comic book. Unfortunately, the film never manages to be anything more than a sequel. What made Spider-man 2 such an amazing film was that it managed to emerge from the shadow of its predecessor, standing on its own as a superior movie. Spider-man 3, however, is never able to come out from the massive shadow cast by the first two installments.