REVIEW: LEGO DC COMICS SUPER HEROES: THE FLASH

CAST (VOICES)

Dee Bradley Baker (American Dad)
Troy Baker (Batman: Assault on Arkham)
Eric Bauza (Nerdland)
Grey DeLisle (Transformers: Revenge of The Fallen)
Tom Kenny (The Powerpuff Girls)
Phil LaMarr (Free Enterprise)
Vanessa Marshall (Batman: Bad Blood)
Kate Micucci (The Big Bang Theory)
Nolan North (teenage Mutant Ninja Turtles 2012)
Khary Payton (Teen Titans)
Kevin Michael Richardson (The Cleveland Show)
Dwight Schultz (The A-Team)
Jason Spisak (Jla Adventures)
James Arnold Taylor (Justice League: The New Frontier)
Audrey Wasilewski (Terminal Error)

Lego DC Comics Super Heroes: The Flash (2018)The morning sun shines on the jewel of the Metropolis skyline, The Daily Planet building. But when The Joker decides this building needs a renovation, it’s time to sound the Trouble Alert because all bricks are about to break loose! The Justice League leaps into action but as the battle is brewing against The Joker something goes haywire with The Flash’s powers causing him to get caught in a repeating time loop and even stranger is the yellow clad Reverse Flash taunting him at every turn! It will take all of Flash’s speed, a little magic and the helping hands and paws of the Justice League’s new recruits The Atom, Krypto the Super Dog and Ace the Bat Hound to break the cycle and save Metropolis!legodcsuperheroestheflash600_size3Lego DC Comics Super Heroes: The Flash (2018) is a film that not alot of viewers will relate and it makes sense i guess but as a long life DC Fan and Lego Fan this film was a blast for me. With lot’s of cameos from heroes and villains of the DC universe like Joker, Killer Croc, Penguin, Cheetah, Trickster, Krypto, Bat Hound and even Aquaman. The jokes are clever and super funny and the plot as a whole although we have seen it all before it was interesting and smart too. Casual viewers won’t love this movie but fans of Lego and DC and those who know what to expect will have a hell of a blast. LEGO-Flash-3

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CHRISTMAS 2017 REVIEW: LEGENDS OF TOMORROW – BEEBO THE GOD OF WAR

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MAIN CAST

Brandon Routh (Chuck)
Caity Lotz (The Pact)
Franz Drameh (Edge of Tomorrow)
Maisie Richardson-Sellers (The Originals)
Amy Louise Pemberton (Suspence)
Tala Ashe (Odyssey)
Nick Zano (2 Broke Girls)
Dominic Purcell (A Fighting Man)

RECURRING / NOTABLE GUEST STARS

Neal McDonough (Paul Blart Mall Cop 2)
Wentworth Miller (Prison Break)
Courtney Ford (Supernatural)
Graeme McComb (UnReal)
John Noble (Sleepy Hollow)
Jes Macallan (Mistresses)
Thor Knai (Crazy Ex-Girlfriend)
Katia Winter (Arena)
Emily Tennant (Mr. Young)
Hiro Kanagawa (Heores Reborn)
Matt Ryan (Constantine)

I’m sure most of us were expecting a very glum, downbeat midseason finale as the Legends mourned Professor Stein’s passing and struggled to get back into the time travel groove. So it comes as some surprise that this episode wound up being one of the most overtly silly and slapstick in Legends history. And this is the same season where the team reenacted the events of E.T. with a baby Dominator. It’s a real testament to the power of this show, the skill of the writing staff and the chemistry of the cast that such a goofy episode also managed to hit home in such a profound way.Granted, maybe I should have expected a goofy approach to this episode based on the title alone. “Beebo the God of War” certainly didn’t fail to live up to its name. The idea of a group of Vikings worshiping the Arrowverse version of Tickle Me Elmo and rewriting the course of North American history is just bizarre and stupid and wonderful in a way only Legends can really pull off. The Beebo doll and the Viking trappings proved to be an endless source of amusement here, while at the same time serving as a clever way to briefly bring Graeme McComb’s younger Martin Stein back into the picture.There were plenty of great character moments along the way as that conflict grew progressively more chaotic. Naturally, this was a big week for Jax, as he mourns the loss of his partner/father figure and wrestles with his guilt. Ultimately, this felt like a necessary coda to the rest of Season 3’s Stein material. It wrapped up the character’s journey on a happier, more uplifting note. It allowed McComb one last hurrah as a pitch-perfect stand-in for Garber. And it helped Jax move past his guilt and embrace the next phase of his own journey. Seeing Jax bid farewell to his team/family was extremely bittersweet.Above and beyond Jax’s struggles and young Stein’s Back to the Future dilemma, this episode really succeeded in celebrating the team’s status as a dysfunctional but close-knit family. Everyone mourned Stein’s death in their own way, resulting in a steady stream of hilarious and somber moments. Even Agent Sharpe was integrated into the conflict in a fun way. And if it wasn’t obvious that there’s a spark between Sharpe and Sara before, it definitely is now.Wentworth Miller’s return really helped speed things along this week. “Leo” Snart is a real blast – even more entertaining here than he was in “Crisis on Earth-X.” This episode reminded me how much the team dynamic lost when the original Snart was killed off in Season 1. Leo’s antics are a hoot, but the revamped Captain Cold/Heat Wave relationship proved very poignant as well. I’m thrilled that Miller, like Garber, is being given an opportunity to really have fun with his character before saying his final Arrowverse farewell.This episode proved very reminiscent of “Return of the Mack” in how an initially goofy storyline took a dark turn with the appearance of Damien Darhk. The fact that Grainne Godfree was a lead writer on both episodes is probably no coincidence. Fortunately, “Beebo the God of War” avoided falling victim to formula. The appearance of Darhk and his daughter merely served to add stakes to what would otherwise have been a fairly straightforward conflict. And it’s not like Darhk didn’t bring his own brand of hilarity to the table. His tacky Odin costume was simply divine (especially the wig). And you really have to appreciate those little stylistic flourishes, like the final showdown that played out more as a series of Rashomon-style daydreams than a straightforward battle.This episode was a perfect way to cap off 2017 and deliver the final word on Martin Stein.

CHRISTMAS 2017 REVIEW: LEGENDS OF TOMORROW – TURNCOAT

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MAIN CAST

Victor Garber (Alias)
Brandon Routh (Chuck)
Arthur Darvill (Doctor Who)
Caity Lotz (The Pact)
Franz Drameh (Edge of Tomorrow)
Matt Letscher (Her)
Maisie Richardson-Sellers (The Originals)
Nick Zano (2 Broke Girls)
Dominic Purcell (A Fighting Man)
Amy Louise Pemberton (Suspence)

RECURRING / NOTABLE GUEST STARS

Randall Batinkoff (As Good As It Gets)

Legends of Tomorrow delivered a Christmas-themed episode in feburary 2017 , making it only about a month-and-a-half late to the party. But when time travel is involved, you can always argue that’s Christmas somewhere (or some-when). “Turncoat” allowed Legends to keep delivering the fun, frantic action it’s been doing so well in season 2, while also going to some pretty dark and dramatic places along the way.Granted, I had my concerns going into this episode. Legends has been particularly strong since returning from its midseason hiatus, and it didn’t seem like reverting to the familiar formula of “The Legends go back in time and protect a famous historical dead dude” didn’t see like the best way of keeping the hot streak alive. And if this episode had focused mainly on the fight to protect George Washington (played by Randall Batinkoff), it probably would have floundered. The show’s portrayal of Washington was about as bland and straightforward as its Ulysses S. Grant from earlier this season. With his penchant for flowery speeches and obsession with military decorum, it’s like he walked straight out of an elementary school history textbook.Fortunately, Washington himself was more or less an afterthought here. The real focus was on the painful reunion between the Legends and their old captain, now rebooted as a nihilistic villain who’d rather trample over history than safeguard it. As fun as it was watching Arthur Darvill play Rip as a cowardly American hippie in recent episodes, it’s even more entertaining watching this new version. Perhaps in part because he doesn’t just come across as a brainwashed tool of the Legion of Doom. There was a real weight to Rip’s words as he reflected on his past self’s willingness to be manipulated by others and his failure to save his own family. While the new Rip may be a product of brainwashing, there’s little denying that he already existed somewhere in the old Rip’s mind. Once again, it’s great to see the writers pushing the character in such new and dramatic directions rather than simply roll him back into the cast as if nothing had changed.Evil Rip helped keep the conflict grounded throughout the episode. There was certainly plenty of the familiar Legends charm to go around. Mick’s narration in the opening credits alone took care of that, to say nothing of Ray’s mad dash through the Waverider’s air ducts or Professor Stein’s hilarious Dr. McCoy homage. But despite the healthy dose of humor, “Turncoat” actually proved to be one of the darker episodes of the season. Sara very nearly died at Rip’s hand. Jax was forced to take over as captain and found himself on the brink of shooting Rip. Professor Stein nearly had a panic attack while trying to save Sara. And while everything generally worked out in the end, there’s no getting around the fact that once again, the Legends allowed another priceless artifact to fall into the Legion’s clutches. This is a team that loses even when they win, and that’s a major source of their appeal.That dark turn definitely worked in Jax’s favor. He’s a character who tends to be used for comic relief or as a foil to Stein, so it was nice to see Jax front-and-center and really dealing with some complicated emotional baggage as he confronted Rip. His game of cat-and-mouse with Rip was nothing if not suspenseful, and his struggle to stop himself from killing his old captain felt very genuine. By the end it was hard not to root for Jax to gun down Rip given the emotional gauntlet he had just been through. Luckily, the writers seemed to know when to ease off the gas and let the darkness recede in favor of some good, old-fashioned Christmas charm. That impromptu celebration helped balance out the otherwise glum conclusion to this week’s conflict, while also reminding us what a tight-knit group the Legend shave become since first banding together to hunt Vandal Savage.It really seems like Legends of Tomorrow can do no wrong lately. Even in an episode that ran the risk of retreating into simpler, more formulaic time travel fare, the show managed to deliver a wildly entertaining adventure that balanced dark character drama, sexual tension and wacky superheroics. The debut of dark Rip Hunter is just one more inspired addition to a show that already has so much working in its favor.

CHRISTMAS 2017 REVIEW: ARROW – THE CLIMB

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THE CLIMB

CAST
Stephen Amell (Screamer 2)
Katie Cassidy (Black Xmas)
David Ramsey (Dexter)
Willa Holland (Legion)
Paul Blackthorne (The Dresden Files)
Emily Bett Rickards (Brooklyn)
John Barrowman (Torchwood)
Colton Haynes (Teen Wolf)

GUEST CAST

Brandon Routh (Superman Returns)
Kelly Hu (X-Men 2)
Matt Nable (Riddick)
Katrina Law (Spartacus)
Karl Yune (Reel Steel)
Rila Fukushima (The Wolverine)
Alex Kingston (Flashforward)

You can draw a lot of parallels between season 1’s Flash mid season finale and Arrow season 3’s. Both served as mid-season finales. Both prominently featured a major villain who had only appeared briefly in the past. There were many similarities, but the overall impact in this episode was stronger. Arrow needed a bigger, bolder villain this season, and it got one in Ra’s al Ghul. Even the opening of “The Climb” paralleled “The Man in the Yellow Suit,” as we were treated to a brief flash-forward of Ollie surmounting a cliff before the episode flashed back 48 hours earlier. This framing device was repeated several times throughout the episode, always serving to heighten the tension and the build-up to the final showdown between the Arrow and the Demon’s Head.
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There was a definite sense of increased momentum this week. The mystery behind Sara Lance’s murder again became the focus, with Ollie and the gang now given a strict 48-hour ultimatum to either turn over her killer or face the League’s wrath. After two months of build-up, we finally learned the killer’s identity. I can’t say I was surprised to learn it was Thea, between the DNA almost matching Ollie’s and the footage of her accompanying Malcolm Merlyn. But that wasn’t really the point. The conflict quickly became more about Ollie trying to understand why Thea could have committed such an act, and choosing how far he would go to defend his last living family member. This became a much more emotionally stirring conflict than a mere whodunit.
I was almost disappointed that Thea’s actions were explained away by the magical brainwashing root. It would be far more interesting if she had fired the arrows of her own free will and was forced to be held accountable for her actions. Though maybe Thea needed that level of sympathy to her actions given how much Ollie gave up for her in the end. In any case, it was cool to see Ollie and Thea briefly battle it out in their apartment. His stunned reaction upon realizing that his sister had become a martial arts whiz was pretty great. This conflict culminated on a great note as Ollie decided that he would rather throw himself to the wolves and be devoured rather than risk turning the League’s wrath on Thea. He definitely played right into Merlyn’s hand, but he didn’t have much choice. Any chance that Merlyn might have softened since his defeat two years ago is clearly gone. Having already manipulated Ollie and wormed his way out of the League’s crosshairs, Merlyn is free to carry out whatever the next stage of his plan might be. You have to wonder if he’ll prove to be the true villain of the season rather than Ra’s.
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Ollie bidding farewell to his friends was easily one of the most emotionally stirring moments of the season. It was pretty clear that he knew he was going to his death and acted accordingly. His goodbye to Felicity was powerful stuff. The confrontation with Ra’s didn’t disappoint either. In a lot of ways, Matt Nable is an odd choice to play the iconic villain. He’s more rugged and scruffy than you’d expect of the character, and even his accent is less refined than what we’ve seen in the past. But Nable does bring charisma and danger to the part. He also has the physicality to pull off a shirtless sword fight with a guy who spends 90% of his free time on a salmon ladder. Nable doesn’t look or sound much like Ra’s, but he manages to be Ra’s all the same. The sword duel was definitely a highlight of the episode. From Ra’s story about his first kill (“I replaced great evil with death.”) to his choice to fight without a blade of his own, it was clear how badly outmatched Ollie was. And even though our hero nearly got the drop on Ra’s at the end, death finally came him, as promised.
Now, obviously the writers aren’t going to kill off the show’s main character halfway into the third season. Ra’s offhand remark about Ollie being the first person in 67 years to challenge him was full with meaning. It all but confirms that Lazarus Pits exist in this universe and that Ra’s uses them. The writers also found time for several subplots in between all the League business. Laurel continued to mourn her sister’s death, with the added complication that her mother briefly returned to town. Laurel’s confession was nonetheless another key emotional moment in an already emotional episode. Arrow never disappoints when it comes to finales (mid-season or otherwise). This episode offered a steady stream of tension and emotional drama as Ollie learned the truth about his sister and chose to confront his own death. Both Ra’s al Ghul and Malcolm Merlyn emerged as clear and present threats to Starling City.

REVIEW: LEGENDS OF THE SUPER HEROES

CAST

Adam West (Return To The Batcave)
Burt Ward (The New Adventures of Batman)
Frank Gorshin (Star Trek)
Jeff Altman (Highlander 2)
Charlie Callas (Switch)
Gabriel Dell (Earthquake)
Howard Morris (Splash)
Mickey Morton (Starchaser)
William Schallert (Santa Barbara)
A’leisha Brevard (American Pop)
Garrett Craig (The Blue Knight)
Howard Murphy (Satan’s Mistress)
Danuta Rylko Soderman (The 700 Club)
Bill Nuckols (Sunset Cove)
Rod Hasse (Hero at Large)
Barbara Joyce (Hothead)
Gary Owens (That 70s Show)
Ruth Buzzi (Freaky Friday)
Pat Carroll (The Little Mermaid)
Alfie Wise (The Cannonball Run)
Ed McMahon (Bewitched)

On January 18, 1979, NBC aired Legends Of The Superheroes: The Challange, an hourlong special in which Adam West, Burt Ward, and Frank Gorshin reprised their Batman, Robin, and Riddler roles from the campy ’60s Batman series, alongside a cast of legendary TV comedians and generic hunks. The show had the heroes dealing with a series of traps laid by a team of supervillains, with each trap setting the stage for a wacky skit. Intended as a live-action Superfriends, LOTS came off more like a live-action version of Scooby’s All-Star Laff-a-lympics.But even The Challenge wasn’t as wretched at what NBC aired the following week: Legends Of The Superheroes: The Roast, in which the cast of the previous special returned for a series of painfully unfunny sketches and stand-up routines. According to the website TV Obscurities, The Challenge finished 58th out of 59 shows the week it aired, and The Roast finished 62nd out of 63. NBC and Hanna-Barbera’s experiment with live-action superhero slapstick was over.

The Challenge opens with the heroes and villains in their respective lairs, where the former have an orderly meeting, complete with a salute to elderly superhero Retired Man (played by William Schallert, better-known as Patty Duke’s dad on The Patty Duke Show), while the latter have a chaotic meeting complete with random acts of violence and lots of indistinct muttering, captured in an ugly-looking medium-long shot.
The villains seize on a doomsday plot put forward by Dr. Sivana (played by sitcom vet Howard Morris, a.k.a. Ernest T. Bass on The Andy Griffith Show) and divide up, each tasked to find ways to slow the superheroes down. Sinestro (played by funny-faced comic Charlie Callas) poses as a gypsy and reads Green Lantern’s fortune.The Weather Wizard (played by fast-talking young comedian Jeff Altman) poses as a used-car salesman, and sells Batman and Robin a lemon. The Riddler pretends to be a psychiatrist and gets Captain Marvel to sit on his outdoor couch and talk about his feelings. Finally, the heroes locate the villain’s island hideout, where Batman and Robin hop on Jet Skis and chase the wizard Mordru (an obscure DC bad guy played by former Dead End Kid Gabriel Dell) before heading indoors for an old-fashioned punch-up.
Oddly enough, the cheesiness of the costumes are a point in favor of LOTS: The Roast, where the ridiculousness of everything is part of the concept. At the outset, host Ed McMahon jokes that he hasn’t seen so many crazy costumes since he last “had lunch at Alice Cooper’s house,” and adds that the heroes’ HQ looks like “Truman Capote’s closet.”
The Roast is a beast to sit through. The special includes several corny routines in which McMahon trades quips with guests like Hawkman’s mom (played by showbiz legend Pat Carroll, who jokes that when young Hawkman brought notes home from school, “they were strapped to his leg”) and hulking monster Solomon Grundy (who roars and threatens McMahon whenever he’s reminded of the word “swamp”), and, yet again, Retired Man.
Later, Dr. Sivana shows up, giving Howard Morris a chance to get uncomfortably close to Black Canary’s breasts.…and the inevitable Ruth Buzzi pops up as a gun-toting Aunt Minerva.
Also, gossip-monger “Rhoda Rooter” conducts an interview with the unlikely couple of The Atom and Giganta……and West and Ward participate in an interminable skit where Robin tries to keep Batman from finding out that he totaled the Batmobile. Again, it’s impressive—at least for an old DC devotee like myself—to see how far into the character pool the writers were willing to jump, and it’s not like the level of comedy here was any worse than moist shows of its time.  Hanna-Barbera use the occasion of this special to allow Jeff Altman to do a few minutes of stand-up material as Weather Wizard (complete with storms), and to have comedian Brad Sanders lay down some jokes along the lines of “If Hawkman walked through Harlem, by the time he got to Lennox Avenue, he’d be Kentucky-fried,” in the unfortunate guise of Ghetto Man. The Roast ends with Mordru doing a little song-and-dance routine, changing the lyrics to “That’s Entertainment” to something more villain-friendly……and then the whole affair should’ve been permanently consigned to the ash-heap of TV history. But alas, it was dug back up by warner brothers.
It’s a collectable piece for any DC fan as long as they don’t take it seriously

REVIEW: VIXEN: THE MOVIE

CAST (VOICES)

Megalyn Echikunwoke (The 400)
Stephen Ammell (Arrow)
Grant Gustin (The Flash)
Emily Bett Rickards (Arrow)
Victor Garber (Titanic)
Brandon Routh (Chuck)
Franz Dremeh (Edge of Tomorrow)
Katie Cassid (Black Christmas)
Carlos Valdes (The Flash)
Aika Noni Rose (Dreamgirls)
Sean Patrick Thomas (Cruel Intentions)
Kari Wuhrer (Hellraiser: Deader)
Kevin Michael Richardson (The Cleveland Show)
Fred Tatasciore (Hulk vs)
Neil Flynn (Scrubs)
Toks Olagundoye (The Neighbours)

When Mari returns to Detroit after searching for information on her birth parents, she ends up in jail for stabbing a potential employer in the hand with a pen. Her foster father, Chuck, posts her bail, and the two are confronted in an alley by some thugs looking to take Mari’s Tantu Totem, which she inherited from her birth parents at a young age. Mari uses the totem’s powers to defeat the thugs, and the next day, visits Professor Macalester hoping to learn more about the totem and her family. Elsewhere, at S.T.A.R. Labs, Cisco becomes aware of Mari and her powers, and the Flash and the Arrow go to Detroit to investigate. In Detroit, Mari shows Chuck the totem’s powers, when Barry and Oliver show up at their house. Convinced they want to imprison her, she flees, with the two heroes giving chase. Finally getting Mari to stop, the Flash and Arrow try to convince Mari to let them help her. Not trusting them, Mari leaves and returns to Professor Macalester in hopes of getting more answers. Unbeknownst to Mari, Macalester is working for Kuasa, who shows up looking to retrieve the totem. Unable to remove the totem from her neck, Mari tries to escape and is shot by Kuasa’s men. She wakes up in an abandoned African village near the river of Zambezi, where Kuasa reveals she is her older sister and this is her birthplace, telling her the history of the totem and the village’s destruction. Kuasa reveals she was chosen to protect the totem and attempts to sever the bond it has with Mari. The attempt fails and Mari flees, though she passes out shortly after, allowing Kuasa to claim the totem. After coming to, the animal spirits of the totem confront Mari, telling her she is its true wielder. With their support, Mari returns to the village and defeats Kuasa and her followers, regaining the totem. Back in Detroit, Mari begins fighting crime as the vigilante “Vixen”, finally knowing her purpose in life, with Arrow and Flash promising to offer assistance should she ever ask.Months after returning to Detroit, Mari attends a lecture by Macalester on the five totems of Zambezi, which grant their wearers the powers of the elemental forces–air, earth, water, fire, and spirit. He reveals that the fire totem has been found, and would be on display at the Detroit Museum. Mari confronts Macalester about kidnapping her, and he tells her her Tantu Totem is also one of the lost totems of Zambezi, the spirit totem. Mari gets a call from Cisco to help the Flash and Firestorm defeat Weather Wizard. Mari ends up in the hospital after fighting Weather Wizard, and learns that the fire totem and other gems had been stolen from the Detroit Museum. Searching for the person who performed the heist, she eventually learns that Benatu Eshu has stolen the fire totem, traveling from Zambezi to claim it. As she confronts him, Eshu claims to know Mari’s birth mother.The two fight, but Eshu proves too powerful for Mari. Mari goes to Macalester to find a way to stop the fire totem and he suggests they visit Kuasa. Finding her in an African hospital, Kuasa tells them that Eshu was a general who raided their village in search of Kuasa and Mari’s mother and the Tantu Totem. She suggests that in order to defeat Eshu, they must find the water totem, which leads them to Star City. Once they find the water totem, Kuasa double crosses Mari and takes the totem for herself. Mari gives chase and is able to contain Kuasa with the help of Black Canary and the Atom. Felicity Smoak informs the heroes that Eshu is rampaging through Detroit, which makes Mari reluctantly ask Kuasa to help them defeat Eshu. The heroes travel to Detroit to confront Eshu, where Macalester calls Mari and tells her that each totem has a core, which, if destroyed, will cause the totem to lose their powers. The heroes are quickly overpowered, and despite her use of the water totem, Eshu kills Kuasa, leaving Mari the only one remaining. Mari is able to subdue Eshu underwater to weaken him, and takes the fire totem. Macalester arrives to tell her that in order sever Eshu’s ties to the totem, it needs to be smashed by someone with great strength. Mari summons many spirits from the animal kingdom and is able to destroy the totem. Later, she joins Green Arrow, Flash, Black Canary and Atom in Coast City to take on a threat.Vixen is based on the DC Character Mari McCabe / Vixen, a costumed superhero crime-fighter with the power to mimic the abilities of any animal that has ever lived on Earth. The series is set in the same fictional universe as Arrow, The Flash, and Legends of Tomorrow. The “Movie” is the entire series of shorts put together as  a film. A lot of the stuff that Vixen can do would be very hard to pull off on a TV budget, which is why introducing her this way is so important.  I’ll admit that the 5 minute segments can be a bit annoying at times, but it gives that need for the next chapter so all-in-all, the formula works. It’s great to see the series as one whole entity.

REVIEW: ARROW – SUICIDAL TENDENCIES

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MAIN CAST

Stephen Ammell (Teenage Mutant Ninja Turtles 2)
Katie Cassidy (Black Xmas)
David Ramsey (Dexter)
Willa Holland (Legion)
Emily Bett Rickards (Brooklyn)
Colton Haynes (Scream Queens)
Paul Blackthorne (Dumb and Dumber To)

RECURRING / NOTABLE GUEST CAST

Brandon Routh (Superman Returns)
Audrey Marie Anderson (The Unit)
Cynthia Addai-Robinson (The Accountant)
Karl Yune (Real Steel)
Amy Gumenick (Natlee Holloway)
Christina Cox (Defying Gravity)
Carmen Moore (Andromeda)
Michael Rowe (Tomorrowland)
Steven Culp (Code Black)

It’s celebration time as Diggle and Lyla get married. However, Deadshot interrupts their honeymoon and tells them the Suicide Squad has been given a new mission – rescue United States Senator Joseph Cray from a hostage situation in the Republic of Kasnia. Amanda Waller breaks down the mission and introduced them to the newest member of the Suicide Squad, Cupid. Meanwhile, Oliver learns about Ray’s new Atom costume and the two have a heated stand-off. Felicity and Ray hit a rough patch.mv5bmtaxmtmynzg4mdneqtjeqwpwz15bbwu4mdaynjewndex-_v1_Last week left off with Ras framing Arrow of plenty of murders and the episode directly addressed that with Ray Palmer AKA The Atom going after Arrow. Just as Captain Cold finding out about Barry’s identity last night felt forced to form an alliance between the two for the spin off show, tonight was the same with Palmer finding out about Oliver. Ray has become a pretty likable character so it was different to see him so quickly turn on Oliver like that. And knowing the amount of Olicity fans, myself being one of them, it was annoying seeing that storyline continue. Not to mention the awkward moment when Ray ministered Diggle and Lyla’s wedding. But how awesome was that moment when Diggle threatened Ray about Felicity? Also, I have really liked Audrey Marie Anderson as the Lyla character, but it seems like they are heading down a dark path with her. The whole ‘never letting you go’ parts of tonight felt like they are setting up an emotional death scene. Especially considering the fact that episode 20 is titled ‘The Fallen’.
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Tonight also focused on Floyd Lawton/Deadshot. The back and forth between Lawton and Diggle has been terrific and I have grown to enjoy the love-hate relationship the two have. So to see Lawton go down like he did was pretty rough and didn’t seem like a fitting ending to the character, but the flashbacks helped make the character come full circle. Let’s also remember the character was ‘dead’ before, and he came back several times. The rest of the Suicide Squad took down some senator. That story was just a device and didn’t seem to need much screen time but I will always agree to seeing more Amy Gumenick on screen. Her character, although over-the-top has worked both times and I would welcome a future return. It’s also worth mentioning that HIVE was brought up in the flashbacks. We have heard of the organization before and they become a prominent part of  season 4.