REVIEW: WARRIORS OF VIRTUE

Original Cinema Quad Poster - Movie Film Posters

CAST

Mario Yedidia (Under Wraps)
Angus Macfadyen (Saw V)
Marley Shelton (Planet Terror)
Jack Tate (Theodore Rex)
Doug Jones (Hellboy)
Don Lewis (Breakin’ 2)
J. Todd Adams (The Flyboys)
Doug Parker (Ninja Turtles: Next Mutation)
Kathleen Barr (Beast Machines)
Chao-Li Chi (Big Trouble In Little China)
Tom Towles (The Prophecy 2)
Jay Brazeau (Bates Motel)
Garry Chalk (Arrow)
Ian James Corlett (Beast Wars)#
Teryl Rothery (Stargate SG.1)

HHDFHRyan Jeffers suffers a disability to his leg preventing him from trying out for sports and fitting in with other kids at school. He is currently the waterboy of his school’s football team and has a crush on quarterback Brad’s girlfriend. He often seeks escape through comic books and dreams of adventure, hiding the depression of his disability from his mother Kathryn.maxresdefaultOne day, the owner of his favorite restaurant, his friend Ming, gives him a manuscript of Tao representing the five elements: Earth, Fire, Water, Wood and Metal. He advises Ryan to live his life no matter his physical limits. That night, Ryan and his best friend Chucky are approached by Brad and his friends who suggest an initiation for their group. Leading them to a water plant, Ryan is told he needs to cross a narrow pipe in order to sign his name on a wall of graffiti. Ignoring Chucky’s protests, Ryan attempts to cross the pipe. During this time, a water pipe opens up and throws Ryan into the water.MV5BMjIwOTI0OTQ1MF5BMl5BanBnXkFtZTcwOTIwNTc3NA@@__V1_Ryan wakes in a strange forest and is attacked by assailants who are drawn off by a creature from the lake. He screams and runs in fear, but soon realizes his leg works. He meets a dwarf-like man named Mudlap where a beautiful girl named Elysia drives him off. She tells Ryan that he is in Tao. Ryan tells her about the manuscript, which had been stolen with his backpack. Believing it to be the Manuscript of Legend, Elysia takes Ryan to Master Chung and he meets four of the five warriors, anthropomorphic kangaroos each representing an element: Lai, Warrior of Wood; Chi, Warrior of Fire; Tsun, Warrior of Earth; and Yee, Warrior of Metal. He is told that Yun, the Warrior of Water had left them following an earlier conflict. Ryan thinks that the creature that saved him is Yun and that he has the manuscript. He is told that the manuscript would be sought by Komodo, a warlord who betrayed the Warriors and is stealing from the Lifesprings of Tao in order to stay young forever where the Warriors are protecting the last Lifespring. While talking to Elysia, Ryan is captured by Mantose, Barbarocious, and Dullard, but is saved by Yun who admits he doesn’t have the book leading Ryan to believe Komodo has it. He convinces Yun to return to the Lifespring.Ryan flees, wanting to return home, but Mudlap leads him into General Grillo’s arms and he is saved by Chung. Yun, Yee and Chi go after the manuscript and fall into a trap after being betrayed by Elysia, who joined Komodo as vengeance against Yun for killing her brother by accident. They are nearly killed in a trap, but narrowly escape using their skills and they return to the Lifespring to prevent Komodo from ambushing the others. Komodo attempts to kidnap Ryan, but instead fights Chung. The battle is brutal, but Chung is defeated and killed by Komodo who then makes off with Ryan.YYYYYYYYYYYYYYYYYYYYWhen Ryan awakens at Komodo’s palace, Elysia explains of Yun killing her brother and tries to convince him to read from the book so that Komodo could possibly invade his world for more Lifesprings. Ryan realizes he can’t read the book and this upsets Komodo, who tries to strike Ryan down. Elysia interferes and is struck down by Barbarocious. Komodo kills Barbarocious in rage as Ryan escapes. Komodo, now growing unhinged, returns to the Lifespring and challenges the Warriors to one-on-one combat, splitting into five versions of himself. He taunts and defeats the warriors while Ryan, after getting an apology from Mudlap for his betrayal, finds an inscription in the manuscript. Facing Komodo and taunting him, Ryan tricks Komodo into using his power on him, weakening him so that the warriors can use their powers to purify his spirit, reforming him to a kind man while purifying his surviving army. Ryan, now mortally wounded, is surrounded by his friends and Yee astonishes everyone by thanking Ryan as he speaks for the first time in many years.Suddenly, Ryan is back at the water plant before crossing the pipe. Realizing his desperation to fit in led to his accident, he changes it this time and refusing to go through with it. The water pipe opens like it did before, trapping Brad on the other side. His insults to his friends only prompt them to leave him behind for the police to find. That night at home, Ryan apologizes to his mother for an earlier argument. When he goes to bed, he offers to tell his dog, Bravo, about Tao.It’s a wonderful family film, it has a great storyline, and the fight sequences aren’t all that bad. The characters are lovable, there are several quite funny parts, and it leaves you with a warm feeling in your heart.

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REVIEW: IZOMBIE – SEASON 1

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MAIN CAST

Rose McIver (Power Rangers RPM)
Malcolm Goodwin (The Bellman)
Rahul Kohli (Happy Anniversary)
Robert Buckley (Killer Movie)
David Anders (Alias)

RECURRING / NOTABLE GUEST CAST

Aly Michalka (Two and a Half Men)
Molly Hagan (Sully)
Bradley James (Merlin)
Steven Weber (2 Broke Girls)
Ty Olsson (Battlestar Galactica)
Daran Norris (Veronica Mars)
Hiro Kanagawa (Caprica)
Elysia Rotaru (Arrow)
Sarah-Jane Redmond (Smallville)
Devon Gummersall (Roswell)
Elise Gatien (Fifty Shades of Grey)
Aleks Paunovic (Van Helsing)
Ryan Hansen (Veronica Mars)
Chris Gauthier (Watchmen)
Fulvio Cecere (Valentine)
Chad Rock (Timeless)
Sunita Prasad (Unreal)
Teryl Rothery (Stargate SG.1)
Jillian Bach (Two Guys and a Girl)
Erica Cerra (Power Rangers)
Britt Irvin (Smallville)
Erica Luttrell (Lost Girl)
Percy Daggs III (Veromnica Mars)
Bryce Hodgson (Falling Skies)
Bex Taylor-Klaus (Scream: The Series)
Nick Purcha (Angels In The Snow)
Leanne Lapp (No Clue)
Brian Markinson (Arrow)

I’ve been impressed with Rob Thomas (Veronica Mars’ creator) and Diane Ruggiero’s adaptation of iZombie. The comic of the same name by Chris Roberson and Michael Allred inspired the world on The CW show, but the series used the existing story as a launching pad. Thomas and Ruggiero developed the plot and world in new directions and executed one of the best first seasons of a television series in recent memory.One aspect that contributed to the success was how the stakes kept moving. When we first met Liv, life as a functioning zombie didn’t seem like the worst thing ever. The overall tone was more humorous, Liv was more introspective. She learned more about living and embracing existence by being undead. But then, things shifted. Different types of zombies were introduced, character paths started converging, and the stakes grew higher and higher — and much bigger than Liv and her self-actualization.The show followed a case of the week formula, which a tricky thing to manage, but it often worked to the benefit of the series. The new cases added consistency and allowed the relationships between Liv and Clive and Liv and Ravi to breathe. Though some of the cases didn’t particularly resonate, they occasionally tied into the larger story arc. When those tie-ins happened, they didn’t feel forced; they were a natural extension that helped grow the mystery or pushed characters into new territory. And oh boy, were the characters pushed. Liv went through a slew of personalities, sure, but additionally, she dealt with mortality, gaining and losing someone she loved, seeing her friends in danger, and the list goes on. Rose McIver rose to the challenge of portraying not only Liv, but Liv as several people. She did fantastic work keeping a thread of Liv present through all of the character’s various meals.McIver also communicated the weight and struggles of Liv’s problems in a way that was human. Liv put brains in all her food regularly (and I so appreciate how Liv changes up her methods of brain consumption), but she rarely came across as a monster. The entire cast played well together. Each relationship was the right amount of comfortable at the right time. Example: Liv took a little while to warm up to Lowell — as she should have — and then they were in the new couple phase where they were extremely adorable. Ravi and Liv is one of my favorite friendships on television, but then again, so is the Ravi and Major pairing. Clive’s more serious, get the job done personality is a wonderful complement to the group, and Blaine is the ideal villain.When you create a world where zombies are real, telling people the news and seeing how they react to it is a big part of the story. iZombie surprised me in this regard. I expected Clive to find out long before Peyton — and I do think Clive should know by now because he’s too smart and observant to not realize something’s off with Liv — and I didn’t think Major would be the person to react violently to the news. They showed varying responses, which is how it should be. It wouldn’t have been believable if everyone was as accepting as Ravi. Back to Major briefly, he went on the most unexpected journey. Transforming the nicest guy into a gun-toting zombie killer seems like an impossible task, but they accomplished it and made it believable. They found just the right hook to make the turn work.Seattle has a zombie problem, and the first season made us understand the extent of the issue without dumping it into our lap like a memo. We learned slowly as Liv learned, and the reveal of each puzzle piece made the severity of the situation hit home. With Blaine’s enterprising business presumably closed down and Max Rager employees potentially on the hunt for zombies, the pieces are lined up for a second season full of possibilities.iZombie had an incredibly strong first season. It was intricate and smooth in a way most series don’t come close to achieving in their initial episodes. Though a lighthearted tone was consistent throughout, they regularly upped the stakes and delivered emotional moments. The performances were top notch, and I look forward to seeing what this cast can do together in the years to come.

REVIEW: WHISPER (2007)

CAST

Josh Holloway (Lost)
Michael Rooker (Guardians of The Galaxy)
Sarah Wayne Callies (Prison Break)
Blake Woodruff (Cheaper By The Dozen)
Julian Christopher (Elysium)
Teryl Rothery (Stargate SG.1)
Joel Edgerton (The Gift)
Rekha Sharma (V)

912ovz0yzl-_sl1500_After being released from prison, convicted felon Max Truemont (played by Josh Holloway) and his fiancée Roxanne (played by Sarah Wayne Callies), wish to have a fresh start by running a small diner of their own. However, the bank refuses to loan US$ 50,000.00 to them to open the business, and without alternatives, Max accepts the invitation of his former partner Sydney and his associate Vince to participate in the kidnapping of the eight-year-old David, the son of a wealthy woman in New England, under the command of a mysterious mastermind behind the kidnapping.32ef91aa32efAfter the successful abduction of the eight-year-old boy, David (played by Blake Woodruff), the group awaits ransom instructions in a secluded hideout. However, as they begin to become suspicious of each other, Max realizes the boy is not as innocent as he seemed. The boy commands various characters in the movie to kill each other. As the film evolves we learn that the mastermind is none other than the boy’s own mother who it turns out had adopted him. She tells Max that the kidnapped boy is a demon. He can suggest or “whisper” ideas to weak minded individuals. She pleads with Max to kill the boy on her behalf. On Max’s refusal, she kills herself with her own hand gun. In the end, Max kills David, but with the loss of his fiancee Roxanne, who’s killed accidentally by Max himself.a4f298880de7d0f5731f2f6b5aeWhisper is a slick, better than I had expected, horror flick. The cinematography is beautiful and the direction fluid and sure. The acting is good with a standout, scene stealing, turn by Joel Edgerton, someone I had never heard of before, but whose films I will now seek out. There are lots of wolves with glowing eyes, the usual “jump out at you” scenes,”and a really creepy child actor, and even with an overlong screenplay, somehow the whole project comes together nicely.A decent popcorn type movie.

REVIEW: WHITE NOISE 2: THE LIGHT

CAST
Nathan Fillion (Firefly)
Katee Sackhoff (Battlestar Galactica)
Craig Fairbrass (Cliffhanger)
Adrian Holmes (Elysium)
Kendall Cross (The Butterfly Effect)
Teryl rothery (Stargate Sg.1)
William MacDonald (Slither)
David Milchard (The Eye)
Tegan Moss (Little Women)
After witnessing the murder of his wife and young son at the hands of Henry Caine (Craig Fairbrass), who then turned the gun on himself, Abe Dale (Nathan Fillion) is so distressed that he attempts to take his own life. A near-death experience follows that leaves Abe with the ability to identify those who are about to die. He acts on these premonitions to save three people from death, among them a nurse met during his recovery, Sherry Clarke (Katee Sackhoff).
Abe soon learns that Henry, before murdering Abe’s wife and son, actually saved their lives. Abe concludes that Henry also had the ability to see death. Wanting to learn more about Henry, Abe visits his house only to learn that Henry survived his suicide. Investigating further, Abe discovers the phenomenon of “Tria Mera”, The Third Day, when Christ was resurrected. Also on the third day the devil takes possession of the mortals who cheated death. Abe concludes that three days after he saved their lives, those he saved will be possessed and compelled to take the lives of others. Accepting this responsibility, Abe comes to terms with the horrible fact that he must consider killing those he had saved to prevent further tragedy.
Abe tries unsuccessfully to prevent the second man he saved from killing others, but arrives just a minute too late. Abe is able however to take the gun from the man before he kills himself. Abe tries to explain the situation to Sherry but she is at first non-receptive and he must follow her to the cafe his wife and son were murdered in. This time Sherry listens but, just as Abe brings up the gun, police who are already in the cafe shoot him dead. Abe spends his last minutes trying to convince Sherry she must kill herself before her own possession is complete. However, as she reaches for the gun the police pick it up and she is put into an ambulance.
In the ambulance Sherry struggles against the demons inside her and Abe is able to comfort her and help her pass on so as to keep her from causing any harm to a crowded bus that is stopped by an 18-wheeler transporting gas. At the last minute Abe appears outside the ambulance causing the driver to swerve and miss the tanker, thus saving everyone else. Abe finally sees the white light and his family waiting in the distance and is able to move on. Back at Blackmount county’s asylum, Henry is tormented and driven further insane by the restless spirits of all the victims who died at the hands of people he saved.
Love Nathan Fillion after watching Firefly and Serenity and Castle so I thought this very serious film would be just as enjoyable and I wasn’t disappointed. It was heartbreaking to see his pain from his loss and how the twist in the tale came about. My attention was gripped and I always think that is proof of a good film.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: ALICE (2009)

CAST

Caterina Scorsone (Grey’s Anatomy)
Andrew-Lee Potts (Primeval)
Matt Frewer (Lawnmower Man 2)
Kathy Bates (Misery)
Philip Winchester (Solomon Kane)
Colm Meaney (Star Trek: DS9)
Tim Curry (IT)
Harry Dean Stanton (The Avengers)
Zak Santiago (Caprica)
Charlotte Sullivan (Smallville)
Alessandro Juliani (Battlestar Galactica)
Teryl Rothery (Stargate SG.1)

Alice Hamilton is a judo sensei living with her mother Carol. Her father disappeared when she was ten, and she has spent much of her life looking for him. She invites her new boyfriend Jack Chase to dinner, but is shocked when he gives her a valuable-looking ring as a gift. Jack abruptly leaves, Alice following only to witness Jack being abducted by several men. A man (the White Rabbit) appears and finds out that Alice is in possession of the ring because he hears the click of the mechanical box that contains the ring opening behind her back. He manages to take the box from her, thinking the ring is still in it, but Alice had already quickly taken it out and resealed the box. The White Rabbit runs away and Alice chases him to find out where they had taken Jack, but falls through a giant looking glass and lands in Wonderland, which has evolved over the past 150 years. The Queen of Hearts rules over Wonderland from the Heart Casino, where people from Alice’s world (“Oysters”) are taken to, sedated and play games in the casino, their positive emotions drained from them and turned into drug-like substances for the people of Wonderland to digest, keeping them under the Queen’s control.

Alice escapes her own capture, with the ring still in her possession. Identified as an “Oyster” by the tattoo she gains, Alice is taken to the Hatter, a member of the resistance seeking to free the Oysters from the Queen’s control. The Hatter takes Alice to ask Dodo to help save Jack, but Dodo refuses, until the Hatter reveals the ring Alice wears, which Dodo recognizes as the Stone of Wonderland, able to open the Looking Glass back to the human world. Alice flees when Dodo tries to kill her, the Hatter accompanying her to the forest where they escape a jabberwock and meet Charlie, a surviving White Knight, who fled a battle years ago where Wonderland’s knights were wiped out by the Queen. The Queen has the White Rabbit executed, and has the Walrus and Carpenter revive Mad March, her favorite assassin to track Alice.

Alice deliberately allows Mad March to capture her, so she can negotiate with the Queen to free Jack in return for the ring, which Alice has hidden. Jack appears, revealed as the Queen’s son and to already be engaged to the Duchess. However, Jack passes Alice her father’s watch, implying he is alive and in Wonderland. Alice is put in the Truth Room, where Tweedledum and Tweedledee interrogate her to learn the ring’s location, but she is freed by the Hatter and Charlie, the trio escaping back to the forests, whilst Jack also escapes. In hopes of aiding the resistance and returning Alice home, Hatter uses his connections to find someone who can bring them to Caterpillar, leader of the resistance, using the ring as leverage. To their surprise, the agent who arrives is Jack, revealing him as an agent of the resistance who had originally stolen the ring as part of a ploy to initiate a coup to overthrow the queen. Trusting him, Alice retrieves the ring, and accompanies Jack to meet Caterpillar, who reveals that Alice’s father is Carpenter, but he has no memory of her. As the Carpenter has been crucial in process for extracting emotions for the Queen, Jack had deliberately approached Alice in hopes that she could help the Carpenter break away from the Queen’s control. Just as the Carpenter shows signs of regaining memories, Mad March and his minions arrive, capturing Alice and Jack whilst Caterpillar escapes.

Reunited with her ring, the Queen decides to send Alice home and execute Jack. The Hatter stages a rescue with Charlie but is captured by Mad March after Charlie loses his courage and flees. Charlie, after feeling guilty for deserting the Hatter, uses the skeletons of the extinct White Knights as a distraction to trick the Hearts into believing they are under attack. After being tortured by Dr. Dum and Dee, Hatter kills Mad March and escapes. Alice escapes again, joining up with the Hatter to snap the Oysters out of their sedations and rally them to escape. Carpenter appears, having regained his memories, but is killed by Walrus. The Oysters’ unpleasant emotions run high, causing the casino to start collapsing. Alice, the Hatter, Jack, the Duchess and the Queen escape but Winston, the loyal King of Hearts willingly perishes knowing his wife never loved him. With her followers no longer listening to or fearing her, the powerless Queen surrenders the Stone of Wonderland to Alice. Alice returns home, learning her experience may have been a dream when she awakens in hospital to find she had been found unconscious an hour after chasing Jack. However, the next day she discovers the “construction worker” who found her was the Hatter. The two share a passionate kiss in front of a looking glass, as Carol stares in shock.

Scorsone makes an excellent modern Alice — intelligent, capable and capable of butt-kicking her way out, but still vulnerable and young (“You don’t remember me!”). Potts makes a quirky, disheveled Hatter, and Frewer rounds out the main trio as a mildly insane White Knight. Winchester and Colm Meaney are also excellent, Tim Curry is brilliant but underused, and Kathy Bates absolutely rules as the casually cruel, petulant Queen. And yes, she does say “off with his head!. lots of action, a touch of romance, and just enough surreality.

12 DAYS OF CHRISTMAS REVIEW: DEAD LIKE ME – GHOST STORY

MAIN CAST
Ellen Muth (Hannibal)
Callum Blue (Smallville)
Jasmine Guy (The Vampire Diaries)
Cynthia Stevenson (Agent Cody Banks)
Mandy Patinkin (The Princess Bride)
Britt McKillip (Trick ‘r Treat)
Chtistine Willes (Kingdom Hospital)
Laura Harris (The Faculty)
GUEST CAST
Teryl Rothery (Stargate SG.1)
Lochlyn Munro (Scary Movie)

 

Feeling like she does not fit in, George decides to shirk her reaping duties and go on Happy Time’s annual camping retreat. However, even there she can’t escape from her duties as Rube follows with an assignment. Back on the job in Seattle, Daisy and Mason must scramble to find the Post-it note he lost before tragedy occurs because of his ineptitude. Joy does her best to sell her house, but Reggie scares the potential buyers away by saying that George, her late sister, still keeps in touch with her from beyond the grave.

Dead Like Me was always a fun series, this isn’t much of a Christmas episode as there’s only one scene set as Christmas, but it’s still a great episode and any excuse to watch a classic show like is a good excuse.