12 DAYS OF CHRISTMAS REVIEW: TWO GUYS AND GIRL: THE CHRISTMAS EPISODES

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MAIN CAST

Ryan Reynolds (Deadpool)
Richard Ruccolo (Rita Rocks)
Traylor Howard (Son of The Mask)
Suzanne Cryer (10 Cloverfield Lane)
Nathan Fillion (Firefly)
Jillian Bach (Julie & Julia)

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GUEST CAST

Marguerite MacIntyre (The Vampire Diaries)
Michael Welch (Star Trek: Insurrection)
Robert Goulet (Scrooged)
Adam Caine (Days of Our Lives)

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TWO GUYS, A GIRL AND A CHRISTMAS STORY

Pete embarks on a new relationship with an older woman who has a 10-year old son. Sharon is having trouble organizing an office Christmas party and it’s only 4 days till Christmas. Berg is having trouble with one of his older patients who doesn’t seem to like him.

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OUT WITH THE OLD

Berg treats Robert Goulet for an ear infection. When Goulet learns that he cannot fly to the destination where he is doing a gig, Berg seizes the opportunity to get him to sing at Ashley’s New Year’s Eve party. But Berg has to work that night, so he swaps with another doctor whom Ashley has a crush on. She thinks he did it intentionally. Johnny tries to get out of a romantic evening with Sharon to hear Robert sing saying that his late grandfather used to sit him on his lap when he was a kid and play some of Goulet’s songs. Pete invites Irene to the party and she surprises him by acting normal. He even starts to fancy her, but Goulet moves in on his gal before he can get anywhere with her. To be a nice guy, Berg goes back to the hospital and swaps back his shift with the English doctor that Ashley likes. Ashley goes to the hospital to thank him and they end up having sex on a hospital bed.

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This was one of the funniest sit-coms ever, and it’s a shame that it had low ratings. Both the writing and acting were top rate. I usually hate TV sit coms. The actors tend to over do it, and most stories are trite, ie, been there, done that. But Two Guys, A Girl and a Pizza Place was always inventively funny, and, I think, very genuine for the age group it was portraying. The Christmas episodes were some of the best they ever made. I highly recommend it.

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REVIEW: AMERICAN DAD – VOLUME 4-6

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MAIN CAST (VOICES)

Seth MacFarlane (Family Guy)
Wendy Schaal (Small Soldiers)
Scott Grimes (Robin Hood)
Rachael MacFarlane (The Batman)
Dee Bradley Baker (Star Wars: The Clone Wars)

RECURRING / NOTABLE GUEST CAST

Curtis Armstrong (New Girl)
Seth Green (Austin Powers)
Ivana Milicevic (Banshee)
Swoosie Kurtz (Mike & Molly)
Jeff Fischer (Happy Feet)
Sandra Bernhard (2 Broke Girls)
Kevin Michael Richardson (The Cleveland Show)
Eddie Kaye Thomas (American Pie)
Patrick Stewart (X-Men)
Daisuke Suzuki (I Am Gangster)
David Koechner (Anchorman)
Raven-Symone (Dr. Dolittle)
Mike Henry (The Cleveland Show)
Richard Gant (Godzilla)
Ed Helms (The Hangover)
Ari Graynor (Bad Teacher TV)
Elizabeth Banks (The Hunger Games)
John DiMaggio (Futurama)
J.K. Simmons (Whiplash)
Jean Smart (Smanatha Who?)
Lizzy Caplan (Cloverfield)
Josh Gad (Frozen)
Lisa Edelstein (House)
Jon Cryer (Two and a Half Men)
Niecy Nash (Scream Queens)
Henry Rollins (Wrong Turn 2)
Forest Whitaker (Panic Room)
Kelli Garner (Horns)
Ken Jeong (The Hangover)
Jon Tenney (Green Lantern)
Megyn Price (Grounded for Life)
Daran Norris (Izombie)
Judd Hirsch (A Beautiful Mind)
Amy Sedaris (Elf)
Grey DeLisle (The Replacements)
Glenn Howerton (That 80s Show)
Bob Odenkirk (How I Met Your Mother)
Suzanne Cryer (Two Guys & a Girl)
Brian Doyle-Murray (Groundhog Day)
Estelle Harris (3rd Rock From The Sun)
Robet Patrick (Terminator 2)
Ricardo Montalban (Star Trek II)
Dan Folger (Fanboys)
Clancy Brown (Highlander)
Harve Presnell (Lois & Clark)
Rob Riggle (21 Jump Street)
Barret Swatek (Power Rangers Turbo)
Zach Galifianakis (The Hangover)
Kat Dennings (2 Broke Girls)
Donald Faison (Scrubs)
Tom Kenny (The Batman)
Andy Samberg (Hot Rod)
Richard Kind (Gotham)
Emmanuelle Chriqui (Wrong Turn)
Bryan Cranston (Argo)
Sandra Oh (Sideways)
Kevin Nealon (Weeds)
Bobby Cannavale (Ant-Man)
Cleo King (Mike & Molly)
Ioan Grufford (Fantastic Four)
Kevin Durand (Dark Angel)
Amanda Seyfried (Ted 2)

American Dad is on fire at the moment. I’ve always enjoyed it, but it has lived in the shadow of it’s bigger brother, ‘Family Guy’, since it began.

This volume has such highlights as…

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TEARJERKER: In this James Bond parody, Stan plays a 007-type secret agent sent to stop the diabolical Tearjerker (played by Roger) from fulfilling his master plan to create a movie so sad that it causes anyone who watches it to cry themselves to death.

WIDOWMAKER: Francine pushes Stan to open up to her emotionally but, after a few psychiatrist sessions with Roger, he is more touchy-feely than she can handle when he tells her he killed her friend’s husband. Meanwhile, Steve vows vengeance when Hayley kills the queen bee from his science project.

OFFICE SPACEMAN: When the CIA initiates an Alien Task Force, a peculiar twist of fate puts Roger in charge of the task force in disguise, who marks Stan as an alien to protect his own identity. Meanwhile, Francine freaks out when she finds Steve with a black girl as his study-buddy, but reveals that she did not freak out because Steve’s study-buddy is black, but because she is left-handed.

STANNY SLICKERS II: THE LEGEND OF OLLIE’S GOLD: After officially dying and coming back to life, Stan decides to leave a legacy on the world and begins to search for legendary buried treasure. As the search for gold goes “North”, life at home heads south as Hayley becomes addicted to body-piercing, Steve turns the vacuum into a robotic girlfriend, and Roger hatches a scam to get sexually harassed at work so he can win an out-of-court settlement.

SPRING BREAK-UP: Stan has a spring break-induced mid-life crisis. With Francine away visiting her parents, Roger (as “Scotch Bingington”) invites Spring Breakers to party at the Smith household. But Stan nearly has a “Spring Breakdown” when he falls prey to a sexy booze-cruiser and Steve tries to lose his virginity to actress Carmen Selectra.

1600 CANDLES: Roger becomes excited when he turns 1600, and he spies on his family as they prepare to throw a birthday party for him. Much to his dismay, Roger is interrupted when Steve runs down the stairs and reveals to the family that he has grown his first pubic hair. Stan and Francine become horrified when they hear of the news, and they begin to take drastic measures to deal with Steve’s puberty after having reoccurring memories of when Hayley began menstruating, which is what turned her aggressive. While Francine desperately goes to the CIA to get some aging retardant, Steve makes plans with Lisa Silver to meet up at a Macy’s. During his sleep, Francine injects the aging retardant, only to wake up to him morphing into a toddler. Steve becomes enraged when he sees this, and Lisa Silver angrily walks out of the store. Steve is given another opportunity as going with Lisa, this time as the school prom. Stan and Francine later inject a different serum into Steve during his sleep. However, much to their dismay, Steve is an elder. Stan and Francine later drops Steve off at his school, and give him the antidote. Some of the school bullies later give Steve a swirly, claiming that the first pubic hair is nothing special, and the hair is blown out the window, drifts across the town, only to finally land onto Roger’s birthday cake

THE ONE THAT GOT AWAY: The Smith family schedule an intervention to tackle down Roger’s rampant alcoholism. When Roger arrives drunk at the house, they also mention his tendency to have an inferiority complex from wearing his various costumes and personas. Ignoring their worries, Roger goes shopping for beer, only to find out that his credit card has maxed out. He later investigates who the culprit is, revealing to be Sidney Hoffman. He vows to make Hoffman’s life a living hell, and he gets Hoffman unemployed, sets his apartment on fire, and breaks up with his fiancée. At his home, Roger discovers that Sidney Hoffman is the same person as he is. Unknown to him, Sidney has hired a hitman to kill him. While at a department store, the Sidney Hoffman persona confronts Roger in a dressing room. Hoffman is later killed from being stabbed by Roger, and Hoffman’s ex is seen holding hands with Roger, revealing to him that she’s a hermaphrodite

ONE LITTLE WORD: Stan becomes envious that he does not get any special treatment after seeing a coworker dine with his boss, Avery Bullock, at the executive lounge. He is finally given the opportunity to become Bullock’s personal assistant after Stan’s coworker refused to stand in line to get Bullock opera tickets due to personal issues. Bullock leaves his son, Avery Jr., in the care of Francine on various occasions, in which she later is on the verge of an mental breakdown. Stan accompanies his boss on various errands, including picking up women for sex and retrieving his wife from being held captive by terrorists in Fallujah. When the ordeal ends, Francine and Stan plan their Valentine’s Day trip to an old honeymoon spot. When they arrive, Francine finds out that Stan has been harboring Bullock’s son, as well as his mistress in a nearby cabin in an attempt to hide her from his wife. Bullock’s wife, infuriated by his betrayal, shoots him in the knee and takes Avery Jr. home with her. In pain, Bullock pleads Stan to call the paramedics, but Stan blatantly refuses. He carries Francine out of the cabin and proceeds to kiss her. Dick is currently Bullock’s number one

CHOOSEY WIVES CHOOSEY SMITH:Stan announces to Francine that he has become a registered pilot, much to her dismay. Francine reveals to Stan that before meeting him, she was once engaged to a pilot who has been presumed dead. When the pilot, named Travis, suddenly is found to be alive, she had already reengaged to Stan. Stan becomes upset and envious that Francine was with another man prior to him, and he tracks Travis down. When Roger and him arrive in Montana, Travis is found to be a wealthy rancher. Stan returns to Langley Falls to reveal to Francine that he has tracked down Travis in order to see his qualities. He struggles to schedule events, even going as far as to plan a dinner. Frustrated, Francine does not settle and tells Stan that she loves him. Stan, reluctant to believe her, sets up a staged crash with Roger and fakes his death. They arrive and relax at a remote island, only to be washed up by a tsunami. After being stranded out at sea for three months, Stan and Roger are saved, and they return home. Francine is ecstatic to see Stan, only to have Travis walk into their reunion. Francine later reveals that she faked having a relationship with Travis in an attempt to make Stan jealous. Angry, Travis leaves the house. Meanwhile, Steve finds a stray cat. He tries on various occasions to befriend the cat, only to be the victim of multiple attacks

ESCAPE FROM PEARL BAILEY: Steve gets back together with his former ex-girlfriend Debbie, much to the jealousy of his friends. His rival, Lisa Silver, organizes a campaign to become the student council president of the school. Debbie devises a plan to run against Lisa, much to her frustration. Lisa warns her that she vows to humiliate her if she makes a successful campaign. A slander post was made by Lisa and her friends in an attempt to humiliate Debbie, enraging Steve. Steve initiates a plot to gain revenge for his girlfriend, which includes infecting one of Lisa’s stuffed animals with herpes. Debbie is horrified when he tells her about this, and she ends their relationship. Steve soon realizes Snot, Toshi and Barry made the slander post and framed Lisa and her friends. As soon as Steve is later found to be the culprit of the plan, and his friends behind the slander post, the whole school chases them down. They stumble upon an empty room, only to find Debbie and her friends. Steve explains to her why he went through with the plan, and Debbie reluctantly accepts his apology. Steve and his friends manage to escape from the school, where Francine is waiting for them. However, the whole school corners them, and they mercilessly attack them.

PULLING DOUBLE BOOTY: Hayley goes on a rampage shortly after Jeff breaks up with her. Francine and Stan try to help their daughter get through the grief, as the police have informed them that she will go to jail if she has another rampage. Francine later peeps into Hayley’s room one night, only to find her making out with a person that closely resembles Stan. Disturbed and horrified, she confronts Stan only for the look-alike to come out with Hayley. The look-alike, named Bill, is later caught by Stan after an attempt to have sex with Francine. They kick him out of the house, and Stan vows to act as Bill to prevent Hayley from going on another rampage. Meanwhile, Roger and Steve get summer jobs of determining the gender of baby chicks.Image result for american dad most adequate christmasIf you’re new to American Dad, this is where the best material lies (so far).

American Dad! is one of those shows that just keeps getting better. The show got off to a rocky start in its first series, definitely being born into its older brother Family Guy’s shadow, but since then it has slowly turned into its own show, with its own style of comedy. This sets highlights are ..Image result for american dad phantom of the telethonPHANTOM OF THE TELETHON: Stan learns that the Central Intelligence Agency (CIA) can no longer afford torture devices as the Democrats are shifting money to teaching inner city children to read. While Stan tries to come up with ideas for revenue-raising inventions, Roger suggests that the CIA hold a telethon, which Stan says is a stupid idea. The next day however, Stan then suggests a telethon and takes all the credit and does not admit that it was Roger’s idea, despite his protests that it was.

STAN TIME: Feeling exhausted all the time, Stan begins taking pills that allow him to stay up all night and feel like he had a full night’s sleep. He tries to use his newfound energy and time on hobbies, only to ultimately discover he would rather spend more time with his wife. Meanwhile, Roger and Steve are asked to make a screenplay for a pornographic film.

FAMILY AFFAIR: Roger has been making excuses about prior commitments, prompting the Smiths to realize that he has been “cheating” on them with other families. The Smiths take action to teach Roger a lesson about monogamy until Roger discovers for himself why he is not a one-family kind of guy

LIVE AND LET FRY: When Langley Falls implements a ban on trans fats, Stan finds himself legally separated from his favorite foods. He sets a poor example for the rest of the family when he blatantly disregards the law by crossing county lines and using Steve as a trans-fatty food mule to satisfy his own gluttonous desires

JACK’S BACK: Steve signs Stan up for a father-son bike tournament, but the plan veers off-track when Stan admits that his father never taught him how to ride a bike. Determined to make things better, Steve helps reconcile Stan with his convict father. Meanwhile, Hayley needs internship credit for school, so Roger hires her to bar tend at his makeshift bar in the attic

WIFE INSURANCE: When Stan gets kidnapped in Colombia, Francine fears he is gone for good. Stan finally reappears unharmed, but the real trouble erupts in the Smith household when he admits that he has a plan to marry his dentist if Francine dies before him. Meanwhile, Steve and Roger play detective duo “Wheels and the Legman.”

WEINER OF OUR DISCONTENT: Stan has had enough of Roger’s antics! When he calls Roger out, Roger claims he has been sent to Earth to determine the fate of mankind. Stan challenges him to prove it, and is tickled pink when he learns Roger’s real purpose for being on Earth. Roger struggles to get a grip on reality until a fateful turn of events helps put things in perspective.

e show is hilarious, every episode makes you laugh. American dad is amazing, watch it. Roger is so funny its unbelievable.

It’s a show that continues to fly under the radar of many, and as those who have enjoyed the exploits of American Dad! will happily tell you, that’s very much their loss. For this is a golden animated series, aimed firmly at grown ups, and bursting with quotable lines. Episode Highlights are ….

IN COUNTRY..CLUB: Stan teaches Steve that the only way he can truly appreciate the national anthem is by participating in a war re-enactment, but the experience leaves Steve looking and acting like a traumatized Vietnam War veteran. Meanwhile, Roger gets a pet bird and badgers Stan into giving him a cable code so he can watch a Barbra Streisand pay-per-view special. And an amputee mental patient who has psychic powers, named John Q. Mind (Randy Spears), escapes from a mental hospital on a motorcycle.

MOON OVER ISLA ISLAND: In order to get a promotion at work, Stan has to convince the dictator of Isla Island to sign a treaty. Stan meets the general and accidentally kills him and has Roger pose as the leader of the small island nation. Meanwhile, Steve and Snot compete for the sexual advances of each other’s mothers.

HOME ADRONE: Steve is left home alone when the family takes a trip to look at a potential college for Hayley. When his friends arrive and realize he has the run of the house, they persuade Steve to break the rules. They’re soon in over their heads when they discover that what they thought was a video game is actually a military controlled drone. As Hayley’s flight is about to leave, the pilot sees the drone, and delays the flight for safety of the passengers. As Steve and his friends attempt to cover their tracks, Roger has a meltdown that keeps the family from making their trip by dressing as Stan instead of a little girl to get alcohol. The Air Marshall threatens to kill everyone unless the little girl (Roger) is found. Stan returns to find that Steve has betrayed his trust and thrust them into a high-level security situation.

MAN IN THE MOONBOUNCE: Steve must become the “man of the house” when Stan relives his childhood after an emotional breakdown on a moonbounce – and ends up in Chimdale Minimum Security prison for vandalizing a house. Meanwhile, Hayley gives Klaus a wig so he can have his first haircut in years.

SHALLOW VOWS: When Stan lets it slip that he only married Francine for her looks days before they renew their wedding vows, Francine purposely lets herself go so she can see if Stan really does love her. Meanwhile, Steve and Hayley go on the run when one of Roger’s personalities threatens to kill them.

G-STRING CIRCUS: Stan opens up a dry-cleaning shop with 20-year-old strippers as the workers to prove Hayley should take his advice, but when Stan’s business goes south, Stan decides to take off his own clothes for money. Meanwhile, Steve and his friends go to space camp (which turns out to be boring) and try to escape when he sees a webcam shot of Roger housing Stan’s stripper dry-cleaning workers in Steve’s room.

RAPTURE’S DELIGHT: Stan is upset when he cannot find his family a good seat for a Christmas Day church service, but that proves to be the least of his worries when Stan discovers that he, Roger, and Francine are the last people left on Earth and everyone else has ascended into Heaven as part of the Biblical end of days.

A JONES FOR A SMITH:  Stan gives Francine a hard time when she is sentenced to work in a soup kitchen following a drunk driving arrest (since Stan does not believe social programs that help the homeless and impoverished are of any value to American society), but when Stan gets hooked on crack cocaine, he refuses to get help (and costs Steve a chance to hook up with a beautiful high school girl who’s attracted to nerds), but later he discovers that asking others for help does not hurt.

MAY THE BEST STAN WIN: Stan gives Francine “love coupons” for Valentine’s Day, but refuses to honor them once he becomes preoccupied with his very own CIA cyborg. Meanwhile, Roger helps Steve and his friends remake a classic ’80s movie.

RETURN OF THE BLING: Roger reveals that he played on the gold-medal-winning Miracle on Ice 1980 U.S. Olympic hockey team as a steroid-abuser. Stan is able to convince Roger to return his Olympic gold medal, but Roger has a difficult time dealing with the loss. Meanwhile, Hayley reevaluates her relationship status with Reginald the Koala.

COPS AND ROGER: Roger joins the police force after he and Francine are mugged, but he turns into a dirty cop, and Hayley gets a new friend.

MERLOT DOWN DIRTY SHAME: Roger winds up kissing Francine when the two go wine-tasting, leading Francine having to tell Stan so it’s not bad if they told soon, but Roger tries everything to keep Francine from telling Stan. Meanwhile, Klaus and Hayley screw with Steve’s head by making him think his reality is a lucid dream, but he goes too far when he tries to fly out the window.

GREAT SPACE ROASTER: It is Roger’s birthday, and he begs to be roasted, but Roger takes the cruel jokes to heart and goes on a rampage against the Smith family.Image result for american dad great space roaster

American Dad is very firmly in its stride here, with the maturity of the show working in its favor. It’s a little American-centric at times, as you might expect from the show’s title and origin, but it’s still always accessible. In fact, it’s more than that. American Dad! is arguably one of the most underappreciated television shows of the modern era. And if you’re in any doubt of that, there’s an abundance of evidence in this box set waiting to be uncovered.

REVIEW: TWO GUYS AND A GIRL – THE HALLOWEEN EPISODES

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MAIN CAST

Ryan Reynolds (Deadpool)
Richard Ruccolo (Rita Rocks)
Traylor Howard (Son of The Mask)
Suzanne Cryer (10 Cloverfield Lane)
Nathan Fillion (Firefly)
Jillian Bach (Julie & Julia)
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GUEST CAST

Kathy Kinney (Lois & Clark)
Maury Ginsberg (Vinyl)
Ken Lerner (The Running Man)
Robert Joy (Land of The Dead)

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Two Guys, a Girl and a Psycho Halloween

It’s Halloween in this surreal episode and Berg is working late in the hospital when Psycho Berg appears, ties him up and goes on a murderous rampage. Pete and Sharon are throwing a costume party, unaware that it is Psycho Berg with them. When they find the real Berg, they try to protect themselves from the killer by locking themselves into the pizza place. After a mix up, they must decide which one is the real Berg and which one is the killer.

 

Halloween 2: Mind over Body

A mad scientist switches Pete’s brain with Ashley’s brain and Berg’s brain with Sharon’s brain and the only who can help them is Johnny.

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The Satanic Curses

When Pete, Berg and Sharon won’t let Irene watch scary movies with them she puts a curse on them. The next day Pete has Ashley’s head grow out of his shoulder, Berg becomes ugly and Sharon wakes up with a penis.

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This was one of the funniest sit-coms ever, and it’s a shame that it had low ratings. Both the writing and acting were top rate. I usually hate TV sit coms. The actors tend to over do it, and most stories are trite, ie, been there, done that. But Two Guys, A Girl and a Pizza Place was always inventively funny, and, I think, very genuine for the age group it was portraying. The Halloween episodes were some of the best they ever made. I highly recommend it.

REVIEW: 10 CLOVERFIELD LANE

CAST

John Goodman (Red State)
Mary Elizabeth Winstead (Scott Pilgrim vs The World)
John Gallagher Jr. (Hush)
Douglas M. Griffin (12 Years A Slave)
Suzanne Cryer (Two Guys and a Girl)
Bradley Cooper (Joy)
Sumalee Montano (Nashville)

Following an argument with her fiancé Ben, Michelle leaves New Orleans and drives through rural Louisiana. Late at night, she turns on the radio only to hear that there were continuous blackouts in major cities. Distracted by a call from Ben, Michelle gets into an accident and is rendered unconscious. She wakes up in a concrete room chained to a wall in her underwear, and is approached by a man named Howard, who explains that an attack of unknown origin has taken place and that he brought her to his bunker after finding her on the side of the road. Michelle meets Emmett, another survivor who witnessed the attack and fled to Howard’s bunker. During dinner, an unconvinced Michelle steals Howard’s keys and tries to escape, but discovers Leslie, a woman suffering from severe skin lesions, begging to get into the bunker. When the desperate woman bangs her head against the bunker’s reinforced door in an attempt to get in, Michelle realizes Howard was right and stays.

As time passes, the trio begins adapting to living underground, and Howard tells Michelle about his daughter Megan, of whom he lost custody. But Michelle and Emmett eventually detect inconsistencies in his story, ultimately discovering that the picture of “Megan” Howard showed Michelle is actually that of Brittany, a high-school classmate of Emmett’s younger sister who went missing two years before. Upon finding another photo of Howard and a glum Brittany in the bunker, Michelle and Emmett realize that Howard abducted and murdered Brittany. Realizing that Howard is dangerous, they begin to plan an escape and fashion a makeshift biohazard suit, but Howard discovers that they are planning something. In defense of Michelle, Emmett accepts the blame and claims he was creating a weapon in order to steal Howard’s gun, wanting Michelle to respect him the same way she respected Howard. After seemingly accepting the apology from Emmett, Howard summarily murders him with a revolver. Michelle works to complete the biohazard suit but is again discovered by Howard, who realizes her true intentions of leaving. Exposed, Michelle makes her escape attempt and is cornered by Howard, but dumps a vat of perchloric acid on him, severely burning him and inadvertently starting an electrical fire. She climbs through the air ducts despite the burnt Howard’s protests that “You can’t run from them”, puts on the suit, and escapes outside, where she realizes the air is not toxic.

A techno-organic extraterrestrial craft appears in the distance; the bunker then explodes from the fire, killing Howard in the process and drawing the craft’s attention. Michelle is attacked by the craft and by a creature on the ground. The craft releases toxic gas, forcing her to take shelter in Howard’s truck, which is then picked up by the craft as it attempts to consume her. However, Michelle assembles a Molotov cocktail and throws it into the craft, which is destroyed. Michelle drives away in Leslie’s car and hears a radio broadcast about successful human resistance efforts. Survivors are directed to evacuate north of Baton Rouge, while those able to aid in the fight are directed to Houston; reaching a crossroads, she heads for Houston while two other alien ships can be seen in the air when lightning strikes the night sky.


10 Cloverfield Lane is a tense, claustrophobic thriller with believable actors planning believable characters, making this unbelievable situation real and leg-achingly delicious.

REVIEW: TWO GUYS, A GIRL AND A PIZZA PLACE – SEASON 1-4

 

MAIN CAST
Ryan Reynolds (The Voice)
Richard Ruccolo (Desperate Housewives)
Traylor Howard (Son of The Mask)
Julius Carry (The New Guy)
Jennifer Westfeldt (Kissing Jessica Stein)
David Ogden Stiers (Stargate: Atlantis)
Suzanne Cryer (Bones)
Jillian Bach (American Pie)
Nathan Fillion (Firefly)
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RECURRING / NOTABLE GUEST CAST
Sean O’Bryan (Yes Man)
Matt Landers (Commando)
Jean Speegle Howard (Apollo 13)
Rena Sofer (Traffic)
Jason Clarke (Rise of The Planet of The Apes)
Amy Van Horne (The Amityville Haunting)
Carmen Electra (Scary Movie)
Howard Hesseman (Flight of The Navigator)
Harve Presnell (Fargo)
Maury Ginsberg (Voodoo)
Sarah Thompson (Cruel Intentions 2)
Fred Willard (Anchorman)
Kenneth Kimmins (Lois & Clark)
Kathy Kinney (Scrooged)
Brigitta Dau (Retro Puppet Master)
Jane Carr (The Five Year Engagement)
Suzy Nakamura (Dodgeball)
Jon Cryer (Two and A Half Men)
Dick Martin (3rd Rock From The Sun)
Adam Carolla (Family Guy)
Bobbie Phillips (Showgirls)
Marguerite MacIntyre (The Vampire Diaries)
Michael Welch (All The Boys Love Mandy Lane)
Beth Grant (Wonderfalls)
Conchata Ferrell (Mr Deeds)
Anthony Head (Buffy)
John Ducey (Sabrina)
Suzanne Krull (Go)
Giuseppe Andrews (American History X)
Stephen Tobolowsky (Heroes)
Cheryl Ladd (Charlies Angels)
Terry Kiser (Lois & Clark)
James Denton (Desperate Housewives)
Tiffani Thiessen (Saved By The Bell)
Sam Anderson (Angel)
Christie Lynn Smith (Swamp Thing)
James Avery (That 70s Show)
Bo Derek (Tommy Boy)
Alanna Ubach (Meet The Fockers)
Lacey Kohl (Secretary)
Robin Riker (The Glades)
The series premiered on March 10, 1998, as Two Guys, a Girl and a Pizza Place. The episode entitled “The Pilot” was watched by almost 18 million viewers. The story of season 1 centers around the pizza place. Actors such as Jennifer Westfeldt (Melissa), and Julius Carry (Bill) were credited as secondary cast members to principals Ryan Reynolds, Richard Ruccolo and Traylor Howard. Mr. Bauer, played by David Ogden Stiers, frequently appeared around the pizza place, telling stories of life events which actually occurred in movies. Pete and Berg share an apartment, on which Peter pays the rent every month, with Berg testing experimental drugs to supplement their income. Pete structures his life around architecture and grad school, while Sharon, their friend upstairs, works for an evil corporation who exploit the Earth’s natural resources, much to her dislike.
The episodes contained storylines including: Pete preparing for a presentation which Berg ruins; Berg stealing the Celtics’ ’81 championship banner; Sharon joining the softball team; and the story of how they all met. Because the episodes aired out of order, the season seems very disjointed. This is demonstrated by the status of Pete’s relationship with Melissa: in episode 8 – “Party” Melissa and Pete are still together despite having previously broken up in episode 5 – “Apartment”.
Season 2 had a more structured basis for each episode. Two additional primary characters arrived, Ashley Walker (Suzanne Cryer) and Johnny Donnelly (Nathan Fillion), as well as the dismissal of characters Bill, Mr. Bauer and Pete’s long-time girlfriend Melissa.
The season starts with Berg’s realization that someone in his class, Walker, is cleverer than he is. This leads to an anticipated romance between Berg and Ashley as they both head down the path of becoming physicians. Jukebox repairman Johnny Donnelly begins a relationship with Sharon. Other secondary characters (Irene, Kamen, Shaun) are introduced throughout the season. Episodes of season 2 include: “Two Guys, a Girl and an Engagement”, “Two Guys, a Girl and a Valentine’s Day” and “Two Guys, a Girl and Ashley’s Return,” all of which mark turning points in the story of the show. Johnny and Sharon break up on Valentine’s Day due to Sharon’s jealousy of Shaun, Johnny’s best friend. Berg and Ashley finally get together in “…And Ashley’s Return,” Pete confesses his feelings towards Sharon, and Johnny proposes in “…And an Engagement”. The season ends with Sharon not giving Johnny an answer as well as her realizing she may have feelings for Pete.
The pizza place is completely abandoned in the third season so that the characters can pursue different dreams. The premiere resolves the season two cliffhanger, with Sharon answering Johnny’s proposal with ‘Yes, in theory’, although she is still holding out on her feelings for Pete. Evidently, Pete flew to Paris after the night’s events and returns completely over Sharon, with a new girlfriend who speaks only French and is revealed to be extremely racist. Berg and Ashley continue to build on their relationship and finally become doctors involved in Psych rotations. The season portrays their relationship as unsteady and completely built on hate of one another. This leads to Berg breaking up with Ashley during the middle of the season.
Ashley lives with Pete and Berg before moving into her own apartment, which was originally Sharon and Johnny’s, who move to the basement to become the new supers. She starts dating Boston Red Sox baseball star Nomar Garciaparra, who appears as himself. Pete finds his true calling by becoming a firefighter. He enjoys the experiences of being an honorary firefighter until the feisty Marti, played by Tiffani Thiessen, comes along to thwart him at every turn. The two continue to take shots at each other until she starts dating Berg, to Pete’s dislike. Pete and Berg get into a huge fight concerning Marti and consider not being roommates anymore.
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When Pete gets his acceptance letter to Fireman Boot Camp, he goes to Marti with open arms and they become an item. Pete continues to hate Berg throughout the final episodes of the season. Sharon and Johnny bicker at one another until Johnny calls off the wedding. When they get back together, they decide that a quickie wedding is the best idea. Irene, Pete’s alleged stalker, agrees to throw Sharon and Johnny a wedding on the roof of the building. This results in her inviting Robert Goulet, who conducts the ceremony and brings Pete and Berg back together as friends during the wedding. At the end of the two part season finale, Pete and Marti leave to go to Fireman Boot Camp, Sharon and Johnny go on their honeymoon, and Ashley leaves to sort out a joke that Pete told Nomar, causing him and Ashley to break up. Berg and Irene are left alone at the wedding and start to dance. The series ends with another cliffhanger as the audience is led to believe something will happen between Berg and Irene.
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 Season 4 continues the story arc from the end of Season 3. Johnny and Sharon are married, Pete and Marti are now firefighters and Berg and Irene are sleeping together. After Berg gets over being on academic probation, he continues to be Irene’s “sex buddy”. The two start sleeping together secretly, hoping that Pete won’t find out. Johnny continues to be the superintendent until Sharon makes him an honorary fireman for the day on his birthday. Johnny decides that he wants to be a fireman, much to Sharon’s dislike. Meanwhile, Berg and Irene become a couple and Pete and Marti break up. Marti leaves Pete for Ashley’s ex, Nomar. Sharon feels unfulfilled after leaving her evil corporate job and decides that she wants to be a lawyer.
When Berg tells Irene that he loves her and she has no reply, Berg goes out and meets someone else. Katie, the girl he meets, admits that she’s been following him for 8 years. However, the two of them kiss and Berg tells Irene. Berg apologizes and Irene breaks up with him for the mailman Roger. In the final episode, Berg assumes that Irene may be pregnant and decides that he must win her back.
Hilarious and just as fun to watch as it was when it was originally aired. Even though it ends as though it could have been carried to another series the questions were answered. Some episodes are not in the correct order so it can be a little frustrating, but this due to the airdate order and not production order, still it’s a great show which introduced us to Ryan Reynolds and Nathan Fillion.

REVIEW: WAG THE DOG

CAST

Dustin Hoffman (Rain Man)
Robert De Niro (Silver Linings Playbook)
Anne Heche (Spread)
Denis Leary (The Amazing Spider-Man)
Willie Nelson (The Dukas of Hazzard)
Andrea Martin (BLack Christmas)
Kirsten Dunst (All Good Things)
William H. Macy (The Cooler)
John Michael Higgins (Stil LWaiting)
Suzie Plakson (Red Eyed)
Woody Harrelson (The Hugner Games)
Suzanne Cryer (Veronica Mars)
Phil Morris (Jingle All The Way)
John Cho (Sleepy Hollow)
Marguerite Moreau (Easy)
Craig T. Nelson (My Name Is Earl)
The President of the United States is caught making advances on an underage “Firefly Girl” less than two weeks before Election Day. Conrad Brean (De Niro), a top-notch spin doctor, is brought in to take the public’s attention away from the scandal. He decides to construct a diversionary war with Albania, hoping the media will concentrate on this instead. Brean contacts Hollywood producer Stanley Motss (Hoffman) to create the war, complete with a theme song and fake film footage of a photogenic orphan (Dunst) in Albania.
When the CIA learns of the plot, they send Agent Young (Macy) to confront Brean who convinces him that revealing the deception is against his best interests. The CIA announces that the war has ended, but otherwise maintains the deception and the media begins to turn back to the President’s abuse scandal. Motss decides to invent a hero who was left behind enemy lines, and inspired by idea that he was “discarded like an old shoe” has the Pentagon provide him with a soldier named Schumann (Harrelson) around whom he constructs a further narrative including T-shirts, additional patriotic songs, and faux-grassroots demonstrations of patriotism. At each stage of the plan, Motss continually dismisses setbacks as “nothing” and compares them to past movie-making catastrophes he averted.
When the team goes to retrieve Schumann, they discover he is in fact a criminally insane Army prison convict before their plane crashes en route to Andrews Air Force Base. The team survives and is rescued by a farmer, but Schumann attempts to rape the farmer’s daughter and the farmer kills him. Motss then stages an elaborate military funeral, claiming that Schumann died from wounds sustained during his rescue.
While watching a political talk show Motss gets frustrated that the media are crediting the president’s win to a tired campaign slogan of “Don’t change horses in mid-stream” rather than Motss’s hard work. Despite previously claiming he was inspired by the challenge, Motss announces that he wants credit and will reveal his involvement, despite Brean’s warning that he is “playing with his life”. Motss refuses to back down, so Brean reluctantly has him killed and makes it look as if he had a heart attack. The president is successfully re-elected and a news report about a violent incident in Albania is shown, but it is ambiguous whether this is a true event or simply a continuation of the fictional war.
“Wag the dog” gathers a very good cast to tell a clever story about politics and its close connection to the TV business. Although the story sometimes seems to be topped by real-life events (Clinton-Lewinsky) it still remains a very entertaining flick. This is due to the many great characters and its precise dialogue which delivers a whole lot of sharp little comments on the dirty business of politics.

REVIEW: BONES – SEASON 1-10

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MAIN CAST

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Enchanted)
T.J. Thyne (Ghost World)
Eric Millegan (The Phobic)
Jonathan Adams (Castle)
Tamara Taylor (Serenity)
John Francis Daley (Waiting…)
John Boyd (Argo)

RECURRING / NOTABLE GUEST STARS

Larry Poindexter (Blade: The Series)
Tyrees Allen (Robocop)
Bonita Friedericy (Chuck)
Chris Conner (Walk of Shame)
Anne Dudek (White Chicks)
Heavy D (The Cider House Rules)
Toby Hemingway (The Finder)
Alex Carter (Out of Time)
Bokeem Woodbine (Spider-Man: Homecoming)
Morris Chestnut (Kick-Ass 2)
Rachelle Lefevre (Twilight)
Michael Mantell (Angel)
Jeffrey Nordling (Arrow)
David Starzyk (Veronica Mars)
Heath Freeman (Nancy Drew)
John M. Jackson (JAG)
Josh Hopkins (Cold Case)
Leonard Roberts (Agent Carter)
Rachel Miner (The Butterfly Effect 3)
Alicia Coppola (Bull)
Jim Ortlieb (Roswell)
Billy Gibbons (Two and a Half Men)
Ty Panitz (Because I Said So)
Harry Groener (Buffy)
Michael B. Silver (I Am Sam)
Penny Marshall (The Simpsons)
Suzanne Cryer (Two Guys and a Girl)
Lawrence Pressman (Dark Angel)
Jaime Ray Newman (Bates Motel)
Zeljko Ivanek (Heroes)
Judith Hoag (Teenage Mutant Ninja Turtles)
Ivar Brogger (Andromeda)
Josh Keaton (Transformers Prime)
Adriana DeMeo (Killer Movie)
Robert LaSardo (Nip/Tuck)
Jose Pablo Cantillo (Standoff)
Emilio Rivera (Renegade)
Michael Bowen (Lost)
Adam Baldwin (Firefly)
David Denman (Power Rangers)
Brian Gross (2 Broke Girls)
James Parks (Kill Bill)
Robert Foxworth (Evil Beneath Loch Ness)
Rodney Rowland (Veronica Mars)
Cullen Douglas (Agents of Shield)
Michelle Hurd (Jessica Jones)
Patricia Belcher (Mike & Molly)
Giancarlo Esposito (Son of Batman)
Alexandra Krosney (Lost)
Loren Dean (Apollo 13)
Ray Wise (Robocop)
Sam Witwer (Smallville)
Shane Johnson (Birds of Prey)
Jessica Capshaw (Valetnine)
Chris Conrad (Young Hercules)
Leah Pipes (The Originals)
Christie Lynn Smith (Swamp Thing: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Carlos Lacamara (Heroes Reborn)
Cerina Vincent (Cabin Fever)
Kali Rocha (Buffy)
Kyle Gallner (Smallville)
Lisa Thornhill (Veronica Mars)
Ariel Winter (Kiss Kiss Bang Bang)
Nelson Lee (Blade: The Series)
Benito Martinez (Million Dollar Baby)
Julie Ann Emery (Hitch)
Charles Mesure (V)
Sali Richardson-Whitfield (I Am Legend)
Joshua Leonard (The Blair Witch Project)
Michael Trevino (The Vampire Diaries)
Eddie McClintock (Agents of SHIELD)
Alex Winter (Waynes World)
French Stewart (Mom)
Stephen Fry (The Hobbit 2 & 3)
Ernie Hudson (Ghostbusters)
James Hong (The Big Bang Theory)
Deborah Theaker (Best In Show)
Eric Stonestreet (Modern Family)
George Coe (The Entity)
Johnny Lewis (Felon)
Ryan O’Neal (Love Story)
Brian Hallisay (Bottoms Up)
Roxanne Hart (Highlander)
Cleo King (Mike & Molly)
Eugene Byrd (Arrow)
Cynthia Preston (Prom Night III)
Scout Taylor-Compton (Halloween)
Ron Canada (Ted 2)
Michael Cudlitz (The Walking Dead)
Christina Cox (Earth: Final Conflict)
Erin Chambers (Stargate: Atlantis)
Beth Grant (Wonderfalls)
Scoot McNairy (Batman V Superman)
Denise Crosby (Star TreK: TNG)
Rider Strong (Cabin Fever)
Azura Skye (28 Days)
Lyndsey Bartilson (Grounded for Life)
Sam Jones III (Smallville)
Xander Berkeley (Kick-Ass)
Patrick Fabian (Veronica MArs)
Patrick Fischler (Birds of Prey)
Bess Wohl (Flightplan)
David Deluise (Vampires Suck)
Reginald VelJohnson (Die Hard)
Alessandra Torressani (Caprica)
Chris William Martin (Dollhouse)
James Black (Anger Management)
Jamil Walker Smith (Stargate Universe)
Dasniel Roebuck (Lost)
Whitney Anderson (Zombie Strippers)
Taylor Kinney (Zero Dark Thirty)
Mekia Cox (Undercovers)
Austin O’Brien (The Lawnmower Man)
George Wyner (American Pie 2)
Ethan Phillips (Bad Santa)
Ian Reed Kesler (2 broke Girls)
Sean Blakemore (Star Trek Into Darkness)
Indira Varma (Game of Thrones)
Carla Gallo (Superbad)
Elizabeth Lackey (Heroes)
Jill wagner (Blade: The Series)
Richard Grant (Rocky V)
Dean Norris (Breaking Bad)
Devon Gaye (Dexter)
Adam Rose(Veronica Mars)
Michael Grant Terry (Cold Case)
Joel David Moore (Julia X)
David Gallagher (7th Heaven)
Bruce Thomas (Legally Blonde)
Blake Shields (Heroes)
Jonathan LaPaglia (Seven Days)
Nichole Hiltz (Smallville)
Eric Lange (Lost)
Brendan Fehr (Roswell)
Gina Torres (Firefly)
Ryan Cartwright (Alphas)
Mageina Tovah (Spider-Man 2 & 3)
Andy Ritcher (Arrested Development)
Stephen Lee (The Negotiator)
Bianca Lawson (Buffy)
Nathan West (The SKulls 2)
Marisa Coughlan (Super Troopers)
Noel Fisher (Teenage Mutant Ninja Turtles 2014)
Deirdre Lovejoy (American Gothic)
Tara Buck (True Blood)
Zachary Knighton (Flashforward)
Christine Lakin (Family Guy)
Kayla Ewell (The Vampire Diaries)
Pej Vahdat (Lie To Me)
Spencer Breslin (Wonderfalls)
Dana Davis (Heroes)
Audrey Wasilewski (Pushing Daisies)
John Pyper-Ferguson (Caprica)
Linda Hart (The Insider)
Mayim Bialik (The Big Bang Theory)
Tania Raymonde (Texas Chainsaw)
Brian Tee (Jurassic World)
Bumper Robinson (Sabrina: TTW)
Jaimie Alexander (Thor)]
Rick Peters (Veronica Mars)
Edwin Hodge (The Purge)
Ryan Pinkston (Bad Santa)
Scottie Thompson (Skyline)
Seth MacFarlane (Ted)
Cyndi Lauper (Girls Just Want To Have Fun)
Michael Arden (Anger Management)
Christopher B. Duncan (Veronica Mars)
Riki Lindhome (Million Dollar Baby)
Tiffany Hines (Lie To Me)
Billy Gardell (Mike & Molly)
Josie Davis (Sonny)
Amy Gumenick (Arrow)
Diedrich Bader (Vampires Suck)
Andy Umberger (Angel)
Tracy Middendorf (Scream: The Series)
Dan Castellaneta (The Simpsons)
Debbie Lee Carrington (Total Recall)
Wynn Everett (Agent Carter)
Martin Klebba (The Cape)
Lindsay Hollister (Blubberella)
Ralph Waite (The Waltons)
Nakia Burrise (Power Rangers Turbo)
Mickey Jones (V)
Dorian Missick (The Cape)
Zooey Deschanel (New Girl)
Dale Dickey (My Name Is Earl)
Penny Johnson Jerald (Star Trek DS9)
Richard T. Jones (Terminator: TSCC)
Rusty Schwimmer (Highlander 2)
Henri Lubatti (Angel)
Joshua Malina (The Big Bang Theory)
Clea DuVall (The Faculty)
Ben Falcone (New Girl)
Robert Englund (A Nightmare on Elm Street)
Victor Webster (Mutant X)
Ravil Isyanov (Alias)
Rena Sofer (Heroes)
Michael Des Barres (Ghoulies)
Jillian Bach (Two Guys and a Girl)
Kate Vernon (Battlestar Galactica)
Wade Williams (Buffy)
Dylan Bruno (The Rage: Carrie 2)
Danielle Bisutti (Curse of Chucky)
Justina Machado (Final Destination 2)
Bobby Hosea (Xena)
Karina Logue (Bates Motel)
Katheryn Winnick (Vikings)
B.J. Britt (Agents of SHIELD)
Antonio Sabato Jr (Lois & CLark)
David Alan Grier (Jumanji)
Thomas Kopache (Catch Me If You Can)
Greg Cipes (Anger Management)
Kelly Stables (Two and a Half Men)
Wayne Knight (3rd Rock The Sun)
Enrico Colantoni (Veronica Mars)
Francis Capra (Heroes)
Arnold Vosloo (The Mummy)
Matthew John Armstrong (Heroes)
Laura Regan (Minority Report TV)
Leslie-Anne Huff (The Vampire Diaries)
Marisa Ramirez (Spartacus: Gods of The Arena)
Michael Welch (All The Boys Lvoe Mandy Lane)
Sarah Baker (Mike & Molly)
Saffron Burrows (Agents of SHIELD)
Danny Trejo (Machete)
Michael Clarke Duncan (Sin City)
Mini Anden (Chuck)
Suzie Plakson (Red Eye)
Geoff Stults (Wedding Crashers)
Carlo Rota (Stargate Universe)
Sean O’Bryan (Roswell)
McKenzie Applegate (Torchwood)
Luke Kleintank (The Man In The High Castle)
John Ross Bowie (The Big Bang Theory)
Morgan Fairchild (Chuck)
Tina Majorino (Veronica Mars)
Chrlie Weber (Buffy)
Andrew Leeds (Cult)
Jessica Tuck (Super 8)
Pruitt Taylor Vince (Heroes Reborn)
Neil Hopkins (Lost)
Jennifer O’Dell (The Lost World)
William Sanderson (Blade Runner)
J.p. Manoux (Birds of Prey)
John Ducey (Sabrina: TTW)
Rosalind Chao (Star TRek: DS9)
Scott Lowell (Queer as Folk)
Reed Diamond (Dollhouse)
Alexandra Holden (The Hot Chick)
Drew Powell (Gotham)
Lori Alan (Family Guy)
Danielle Panabaker (The Flash)
Abraham Benrubi (Buffy)
Charlayne Woodard (Unbreakable)
Brad William Henke (Fury)
Henry Simmons (Agents of SHIELD)
Vik Sahay (Chuck)
Larry Poindexter (Blade: The Series)
Tamlyn Tomita (Highlander: The Series)
Brooke Langton (The Net: The Series)
Brian Klugman (Cloverfield)
Danny Woodburn (Watchmen)
Ntare Guma Mbaho Mwine (Queen of Katwe)
J.D. Walsh (Two and a Half Men)
Nishi Munshi (The Originals)
Curtis Armstrong (New Girl)
Dave Thomas (Rat Race)
Allison Scagliotti (Warehouse 13)
Danielle Harris (urban Legend)
Joanna Cassidy (Blade Runner)
Kenneth Mitchell (Odyssey 5)
Alimi Ballard (Sabrina: TTW)
Sarah Stouffer (Chastity Bites)
Mather Zickel (The Cape)
Kathleen York (Crash)
Alastair Duncan (The Batman)
Freddie Prinze Jr (Scooby-Doo)
John Ratzenberger (Cheers)
Millicent Martin (Alfie)
Rebecca McFarland (Two and a Half Men)
Angela Alvarado (Freedom Writers)
Joaquim de Almeida (Desperado)
Loren Lester (Batman: TAS)
Nora Dunn (New Girl)
Margo Harshman (The Big Bang Theory)
Ben Lawson (No Strings Attached)
Bonnie Root (Coming Soon)
Kelly Rutherford (Gossip Girl)
Chad Donnella (Smallville)
Robert Picardo (Stargate: Atlantis)
Chris Browning (Supergirl)
Nazneen Contractor (Heroes Reborn)
Ignacio Serricchio (The Wedding Ringer)
Elizabeth Ann Bennett (The Passing)
Courntey Gains (Children of The Corn)
Sam Anderson (Lost)
Rance Howard (Angel)
JD Cullum (Glory)
Laura Spencer (The Big Bang Theory)
Francois Chau (Lost)
Gil Bellows (Flashforward)
Sean Marquette (All My Children)
Chastity Dotson (Veronica Mars)
Steven Williams (Jason Goes to Hell)
Nathaniel Buzolic (The Originals)
Jason Gray-Stanford (Monk)
Jeremy Ratchford (Cold Case)
Vito D’Ambrosio (The Flash 90s)
Kurt Fuller (Midnight In Paris)
Taylor Spreitler (Melissa & Joey)

Bones very quickly garnered rave reviews and amassed a loyal following. Bones is loosely inspired by real life forensic anthropologist and author Kathy Reichs. This funny, clever, sometimes gross, and totally addictive crime drama centers around forensic anthropologist Dr. Temperence Brennan (Emily Deschanel), who toils out of the Jeffersonian Institution and, on the side, writes mysteries starring her fictional heroine (and here’s the twist) Kathy Reichs. Because Brennan has an almost supernatural ability to generate accurate assumptions based on her examination of the corpse’s bones, she is often consulted by the FBI on difficult, seemingly unsolvable cases. She is frequently partnered by brash wiseacre FBI Special Agent Seely Booth (David Boreanaz), who seems to hold a bias against science and those who practice in that field. It’s Booth who breezily saddles Brennan with the nickname “Bones.” Naturally intuitive and freewheeling, Booth immediately is at odds with the clinically analytical Brennan. But, despite their personality clashes, and with the aid of Brennan’s gifted and quirky colleagues, the cases do get solved.

It’s no great secret that the palpable chemistry between Deschanel and Boreanaz is what actually propels the show and is what separates it from the other, more formulaic, dispassionate crime dramas. Every week, fans tune in for the leads’ deliciously caustic banter more so than for the weekly dose of mystery. You see, the mystery jones can be fixed by viewing any other one of the gazillion forensic dramas so currently prevalent on the airwaves. So the mystery is basically the MacGuffin that drives the show forward. But the cantankerous chemistry – that palpable “something” between the two leads as they hilariously bicker and wrangle – is definitely unique to this show.
Emily Deschanel is a find. I haven’t seen her before but she’s awfully good and ingratiating enough with her acerbic character. She imbues Brennan with a cooly detached yet vulnerable and lonely quality that intrigues and endears her to the fans. Her social awkwardness and pop culture ignorance are also quite charming. It’s pretty funny that a mention made regarding a pop culture reference almost always elicits a response of “I don’t know what that means” from the clueless Bones. And, of course, her expertise in the martial arts doesn’t detract from her allure.

And David Boreanaz. Yeah, I found it difficult going, at first, watching him in a new role, seeing as how I’m a fan of Buffy and Angel. But it helps that Booth isn’t much like our vampire with a soul. This ex-Army Ranger Special Agent is breezy, personable, and outgoing, not brooding, tortured, and introspective like Angelus. So, the transition, while disconcerting for me, was ultimately smooth enough. Boreanaz brings such command, self-assurance and charm to his character that I bought into it soon enough.
My favorite episodes are the pilot episode, where we are introduced to the cast; “The Man in the Fallout Shelter” – the team is quarantied together in the Jeffersonian during Christmas and we learn personal stuff about the characters; “Two Bodies in the Lab” – character development galore in this episode as Brennan dates on-line and is targeted while she works on two cases; “The Superhero in the Alley” – a decomposed body is found wearing a superhero costume; and “The Woman in Limbo” – a gripping, emotional season finale as Brennan discovers shocking facts about her parents.

The start of the season sees a new boss, Cam, arrive at the Institute. Not only is she very hands on, she is a former love of Booth, and Tempe and Cam do not hit it off in the early episodes. The new character is well written and softens as the season progresses until it is hard to imagine the team without her input. Meantime Zac undergoes a make-over in order to secure a permanent place on the staff once he gains his doctorate, and Hodkins and Angela begin a tentative office romance.
Booth and Brennan continue to spar verbally with each other and some of their exchanges will have you laughing out loud. When a fellow agent, Sully, begins a relationship with Tempe, Booth’s feelings are confused – but as is observed, Tempe “is rubbish at being a girl” and her own complicated life does not bode well for a permanent relationship. Tempe continues to put her foot in it socially, particularly when a case involves Booth’s Catholic religion.

Among the classy episodes are ‘The Girl with the Curl’ about child beauty Queens, (with a wonderful scene of Tempe trying to talk to a group of 8 year olds at a dance class!), ‘Aliens in a Spaceship’ which has Tempe and Hodgkins buried alive by a serial killer, and ‘The Headless Witch in the Woods’ which has more than a nod to The Blair Witch Project. Guest stars this season include Stephen Fry as a laid back, insightful Psychiatrist whom Booth must see after he shoots an ice cream van, and Ryan O’Neal as Tempe’s estranged and mysterious father whose elusive character comes into his own when Booth is targetted by the Mob. And, once again, Angela’s instantly recognisable father – from ZZ Top – pops up!

BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers’ strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3’s first episode (“The Widow’s Son in the Windshield”) opens up, we learn that Bones has been reluctant to go in the field with Booth and she won’t say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences.

Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2’s finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela’s search for her long-time but vaguely remembered husband. “The Secret of the Soil” introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI’s concern due to Booth having arrested Bones’ father. These sessions are generally funny stuff as, mostly, Booth can’t help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth.

I’ve a couple of Season 3 favorites. “The Widow’s Son in the Windshield” introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. “Mummy in the Maze” is a very neat Halloween show, wherein Booth’s shameful phobia is unveiled and Bones’s costume is…simply awesome. “The Knight on the Grid” is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And “The Santa in the Slush” is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. “The Baby in the Bough” has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, “The Wannabe in the Weeds” (in which Zach and Bones both sing) and “The Pain in the Heart” are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of “The Wannabe in the Weeds” should’ve been developed further in “The Pain in the Heart.” In fact, “The Pain in the Heart” – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans.
The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric “thing” between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance “Bones” Brennan. And while her character might’ve loosened up a little bit (not too much), there’s still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he’s just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in “The Santa in the Slush” is one of the best, most touching scenes of the season.

World-renowned forensic anthropologist Temperance “Bones” Brennan is as brusque and tactless as ever, as confounded by the subtleties of social decorum as ever (or as Sweets exclaims: “She is wicked literal!”). Bones is still very much that intimidating icy intellect, still a wounded soul, and still solving murders. FBI Special Agent Seeley Booth is still the one with the people skills and that well-developed bump of intuition. More onions are peeled in this season as we learn even more about the underpinnings of our core characters. The absolute big draw of this show is that sizzle between David Boreanaz and Emily Deschanel, their fabulous interplay tantalizing and frustrating the viewers. Could this be the season that they get together? Well, kind of, sort of. Taking what the show is giving, I wallow in their ever evolving relationship.

Staying on the personal, Hodgins and Angela are trying to move past their break-up. “The Skull in the Sculpture” demonstrates that Angela is more ready to move on than Hodgins, and if you thought Angela was a free spirit before, well, now… This episode also has Sweets demonstrating the best way ever to fire someone. Young FBI psychologist Lance Sweets, by the way, becomes a regular cast member in this season, and I like him more and more as each episode progresses, even if Booth and Bones continually treat him like a pesky little brother. Even Dr. Saroyan’s past is delved into.

Zack Addy, apprentice to the Gormagon Killer, has been institutionalized, which doesn’t keep him from strolling out to help the squints on a baffling case. Still, this gives rise to a running theme, that of the rotating roster of interns as Saroyan and Bones attempt to fill Zack’s spot, and the fun thing is that each of these interns comes with baggage. There’s the morbid one, the excessively chirpy one, the one constantly dispensing trivia, etc. The most martyred one may well be that repressed intern who insists on keeping things professional at all times – except that, the squints being a tight bunch, he keeps getting exposed to a deluge of innuendo and gossip in the workplace.

There isn’t really a running mystery arc to tie these episodes together – no one like the Gormagon Killer running around, for example. But that doesn’t mean that the cases aren’t gripping; some of them are really interesting. The season opens with “Yanks in the U.K.”  which plants Brennan and Booth in jolly old England, investigating a murder and running into a British version of themselves. In “The Passenger in the Oven” Bones and Booth are on a flight bound to China and have only four hours to solve a murder before the plane lands and Booth loses jurisdiction. “Double Trouble in the Panhandle” has Booth and Bones infiltrating the Big Top as “Buck & Wanda and their Knives of Death,” and their circus act is actually fraught with more suspense than in just about any other scene in this season.

Some other favorites? In “The Double Death of the Dearly Departed,” Bones and Booth steal a corpse due for cremation from a funeral home, Bones believing that the body had been “translated,” which is Booth’s made-up code for murder. “Mayhem on a Cross” unveils some dark stuff about Sweets’ past, this episode also featuring the return of the awesome Stephen Fry as FBI shrink Gordon Gordon Wyatt. It also had me cracking up whenever Bones insisted on correctly pronouncing “skalle” (the Norwegian word for “skull”). “The Hero in the Hold” features the return of the Grave Digger serial killer. “The Princess and the Pear” plonks Bones and Booth’s temp replacement in the world of comic book conventions, and Bones finally gets another chance to flash her martial arts mojo.
Image result for bones the critic in the cabernetIn “The Critic in the Cabernet” Bones drops a bomb on Booth and Booth gets advice from a cartoon character, a frivolous conceit which goes on to have a terrifying payoff. Finally Season 4 closes with a quirky fantasy episode featuring a re-shuffling of roles. In this reality, Dr. Saroyan and Booth’s brother are homicide detectives and Booth and Bones are a married couple who run a nightclub and who end up as suspects in a murder case. It’s neat that just about everyone is in this one.

At the beginning of the fifth season of the wildly popular forensic drama “Bones,” many viewers tuned in trepidatiously after the spectacularly strange fourth season finale. Thankfully, all fears were allayed and relieved when the fifth season kicked into high gear in the very first episode and maintained that pace throughout the season; “Bones”‘ fifth season is perhaps its greatest yet.
The one thing that has always set “Bones” apart from the countless other procedurals on the airwaves right now is the focus on the characters solving the crimes rather than the crimes themselves, and the strength of this approach shines through brilliantly in every episode of this season.
David Boreanaz and Emily Deschanel return to the roles of Booth and Bones and deliver their strongest performances yet as each character is shaken to their core. As Booth struggles to regain his sense of self, he has to confront the knowledge of his feelings for his partner, while Bones herself goes through a whirlwind of emotion as the emotional barriers she has erected around her heart begin to crumble down, leaving her questioning not only herself but her relationship with Booth as well as her work at the Jeffersonian itself. The tension between the two has never been more delicious or more addictive, and both lead actors knock their roles absolutely out of the park.
But while the relationship between Booth and Brennan becomes increasingly more complex, the wonderful supporting cast of engaging characters at the Jeffersonian keep the show moving along briskly and lightly. Cam (Tamara Taylor) must run the lab while dealing with the challenge of being a good mother, guiding the team effectively toward each conclusion; Sweets (John Francis Daley) continues to provide invaluable insight into the minds of the team; Angela (Michaela Conlin) remains the emotional heart and soul of the team as she opens her heart to love’s possibilities; and Hodgins (TJ Thyne) struggles with his feelings for Angela as he returns to his abrasive, loveable self.

The cases themselves have regained a fascinating light as the mysteries the team confronts become more complex, and the special effects department has outdone themselves in the gore and goop department this year as Booth and Bones investigate some of the most gruesome crime scenes in history, all moved along by the brisk black humor the show excels at; the team investigates a possible secret agent locked in a truck for days, a would-be rocker torn to pieces by an industrial washer/dryer, a gamer literally melted in a vat of fast-food grease, and a dozen more cheerfully disgusting cases where the outcomes of the mysteries hold the power to shock and surprise the audience; the writers have once again caught the perfect balance between the whodunnit and the drama to craft a truly unique show. But it’s not merely the cases that hold the viewers’ attention this season; season five is full of true powerhouse episodes: heartbreaking cases like “The Plain in the Prodigy”; darkly comical shows like “The Beautiful Day in the Neighborhood”; truly shocking mysteries like “The Proof in the Pudding,”; and even a historically fascinating case written by the author of the original Temperance Brennan novels Kathy Reichs herself (“The Witch in the Wardrobe”) — however, all of these merely lead up to the three knockout moments of the season:
In the fifth season, “Bones” reaches its 100th episode, “The Parts in the Sum of the Whole.” Likely the most beloved and most contested episode in the show’s history, the 100th episode completely redefined Booth and Brennan’s relationship as it showed the viewers the pair’s first meeting, something never before revealed, and circles around to one of the most hearbreaking and yet most powerfully hopeful moments of the series. “Parts” was also directed by David Boreanaz, one of the series’ leads, and the sheer emotion wrung out of Boreanaz and Deschanel by the end speaks volumes to the talent of the show’s leads.
As the series continues, however, the characters were shocked to their cores as they were forced to come face-to-face with their most terrifying adversary yet: the cunningly frightening sociopath dubbed The Gravedigger, in “The Boy with the Answer,” a nail-bitingly tense hour of television that had viewers’ hearts pounding as Heather Taffet, the Gravedigger, proved that her true arena was the courtroom, tearing apart her victims and throwing the entire future of Brennan’s life into question.
This only segues into the season’s amazingly dramatic finale, “The Beginning in the End.” As the team investigates the home of a hoarder, Bones questions what she truly wants to do with her life, Booth’s past comes calling, and Angela’s father blows back into town, all leading to a truly shocking season ender, a masterful finale that not only redefined the very foundations of the show and the characters but also continued to set the show on a rising point, ensuring that every faithful viewer of “Bones” will be frantically waiting for the sixth season to premiere in the fall.

To resuscitate a dead team out of their scattered disappearance is not an easy task. Luckily the DA in Washington DC is a powerful woman, stubborn and resolute, and she generally gets what she wants. So she brought Agent Booth back from Afghanistan, and Temperance Brennan, aka Bones, from the exotic place where she was trying to get some archaeologically interesting bones with Daisy, Dr Sweet’s girl friend, and Dr Sweet from his hideout somewhere in Paris where he was having a showbiz career as a cabaret singer. They all come back, change clothes and back in the business in a jiffy. Angela and Dr Hodgins are also back though from not so far away and Angela is pregnant.
As usual one case per episode, clean and neat, always dealing with a lot of bones, gross and dirty, soaked in a lot of decomposed muck with a tremendous number of maggots, worms and other corpse parasites. A series not to watch while eating anything more delicate than dry cookies.
Angela and Dr Hodgins have a full plate with the pregnancy and the delivery of the baby. For them that’s enough and that will require some help from a friendly psychiatrist because it is hard for the father not to become overprotective and it is hard for the mother to accept the physical handicap this pregnancy may represent. Yet they decided that working with the people they are used to work and live with was the best thing for the pregnancy, the mother and the child. Angela was not alone at any moment of her days or nights.
Agent Booth brought a journalist back from Afghanistan, a sort of love substitute for Temperance. But will that not cause some problems, like conflicting interests between the two professions? And Booth with his own son is already very busy in life. Will that new woman in the picture be able to cope with a child, what’s more the child of another woman? And the question of marriage will come up sooner or later and how are the two going to react to that eventuality? Probably not very well, maybe not too bad. A decision that is always difficult to take for someone who is constantly in the field of police investigation and for a journalist just back from a war zone.

You have the interns still rotating, the four of them. They are the surprise of each episode because they are so different and they can be so funny, though at times they are just funny for us because they are mismatched with what is happening around them, but that’s what interns are all about. Unluckily one will end up very badly. That’s not the first case, but so far none had ended up that badly. But a song will carry him through: lime and coconut, sung in a chorus all together, mellow and heart stirring.
There will be a case that will run over the whole season, the case of a sniper who had been a colleague and friend of Booth in Afghanistan and who came back slightly berserk and decided that what he did over there was good enough for the USA too and he started killing those who were rotten, and those who were in his way for his type of justice and these were only collateral victims for him, hence justified by the end. It will take the whole team to stop him and it will bring a lot of suffering and even mourning to that team.

This refreshingly different season of Bones is gearing up to be one of the series’ best! It is just the reinvigoration the show needed! Life has changed at the Jeffersonian since we last saw our favorite crime-solvers. After last season’s pregnancy bombshell of an ender, we pick up with forensic anthropologist Dr. Temperance Brennan entering her third trimester, hormones all over the place as she bumbles in that adorable way that only Brennan can into the frightening role of motherhood. As always, her partner FBI Agent Seeley Booth is there by her side, more loving and more happy than we’ve ever seen him.

I think David Boreanaz and Emily Deschanel slipped into this new relationship quite easily. What’s great is that not a lot has changed, and yet, everythinghas. They live together, they’re planning on buying a house, they kiss and cuddle on the couch and Booth croons to Brennan’s belly in the cutest baby voice you will ever hear… and yet, they’re still “Booth and Bones”. They still solve murders. They still bicker good-naturedly over everything under the sun.

They banter. They get overprotective. They make mistakes- and own up to them after. They’re like any new couple expecting a child. But are they normal? Far from it, because at its core, Bones is still the same show: a journey of love between two very different people… one a woman who views the world through utmost rationalism and who is still learning how to open her heart; the other a man who relies on instincts and gut feeling to do his job, and who lets faith and emotion drive his personal life. Both coming from traumatic pasts and both craving a new beginning.That, and the other characters are still as charming and as “comedic gold” as ever. Hodgins and Angela’s baby situation juxtaposes nicely with Booth and Brennan’s, Cam struggles with keeping the workplace professional, there’s a new intern, a new recurring villain, and other familiar faces return.

The end of the seventh season of “Bones” left Bones on the run with her infant child after being framed for murder by the highly skilled serial killer Christopher Pelant. The opening of the eighth season finds Booth and her colleagues at the Jeffersonian Institute trying to clear her name. Fortunately for the series, they succeed, although Pelant eludes justice to pose a future threat. This eighth season continues to feature crime-of-the-week murders for Bones, Booth, and the Jeffersonian lab rats to solve through clever forensics and Booth’s old-fashioned police work. One of the most interesting episodes is told through the eyes of the murder victim, with the assistance of a psychic (a well-cast Cindy Lauper). Another standout episode involves a group effort to resolve a cold case whose victim turns out to be a forgotten hero of the 9/11 attack on the Pentagon.

Outside the lab, Bones has an uncomfortable but touching period of readjustment to living with Booth, after her time on the run. Her changed perspective will lead to some of the most interesting conversations as she and Booth commute to crime scenes. Just to complicate things, staff psychiatrist Dr. Sweets will temporarily move in with the couple right after he breaks up with girlfriend Daisy, a technician in the lab. Series regulars Angela and Hodgins will have their own challenges as working parents. The continuing parade of interns through the Jeffersonian crime lab will feature in several episodes, and one of them will become a surprising emotional complication for Dr. Saroyan. Christopher Pelant will return to menace the team in a gut-wrenching season finale.

“Bones” returns for a welcome ninth season with its core cast, clever plots, and sense of humor intact. Forensic anthropologist Dr. Temperance “Bones” Brennan and her crack team of specialists at the Jeffersonian Institute continue to work with their FBI liaison, Special Agent Seeley Booth, on new and challenging criminal cases. First, however, the team will have to resolve their long-running, lethal battle with cyber-genius serial killer Christopher Pelant, who has stayed one step ahead of them while inflicting pain on each member of the cast.
When we last saw the team, they had barely survived their most recent encounter with Pelant. In a final twist of spite, Pelant blackmailed Booth into withdrawing his marriage proposal to Bones, while forbidding him to reveal the reason why. Booth’s promise puts a strain on his relationship with Bones. He will reach out to old Army buddies, including a CIA agent and a former priest turned bartender, for advice. Pelant has his own plan for separating Bones from Bones from Booth, permanently. The entire team will have to be on its mettle to head off Pelant’s insidious plot.
The ninth season continues to feature crime of the week murders for Bones, Booth, and the Jeffersonian lab rats to solve. One episode will have Booth and Bones resurrecting their undercover “Tony” and “Roxie” identities for a hilarious marriage retreat in which they talk all too frankly about their relationship. Psychologist Dr. Sweets will take a leave of absence to work in an outreach center, only to find himself drawn back into a gut-wrenching case involving a gang feud. As in past seasons, other members of the team, including Lab boss Dr. Saroyan, Dr. Hodgins, Angela, and the interns will have their moments in the spotlight.
The biggest highlight is the Woman in White, featuring the  wedding of the two leads after nine years they final tie the knot.

In the 10th season of Bones, suspense is at an all-time high as Seeley Booth (David Boreanaz) is framed and jailed for the murder of three FBI agents while Temperance Brennan (Emily Deschanel) considers committing blackmail to get him out of prison.


The new season brings some changes. The team will lose a key player at a dramatic moment early in the season, and have to work in a replacement after an emotional farewell. Another primary character will develop a emotional bond with one of the rotational lab interns, one that threatens their official relationship. Still another will strike it rich, a couple of season after having been cleaned out by a particularly nasty serial killer. Yet another character will revisit a gambling habit that threatens a job and a relationship. And, one key character will become pregnant. And those events are just character development. There is a fresh lot of challenging cases that will need solving.

Those week to week cases continue to be innovative and interesting, challenging the team and the viewer to keep up. At the same time, the series hasn’t lost its sense of humor, or its willingness to experiment. As an example, you just have to see this season’s throwback Hitchcock episode. “Bones” is still good fun and recommended to its loyal fans in its tenth season.