REVIEW: RABID (2019)

Starring

Laura Vandervoort (Bitten)
Ben Hollingsworth (Cold Pursuit)
Ted Atherton (V-wars)
Stephen Huszar(Faces In The Crowd)
Phillip Brooks (Girl On Third Floor)
Greg Bryk (Ad Astra)
Stephen McHattie (Immortals)
Mackenzie Gray (Man of Steel)
Hanneke Talbot (Ready of Not)

Laura Vandervoort and Benjamin Hollingsworth in Rabid (2019)Jen and Sylvia Soska’s much-anticipated remake of David Cronenberg’s 1977 film Rabid was fittingly released, in theaters and on VOD, on Friday the 13th. The Soska Sisters accomplish more than just crafting a remake; they also fantastically pay homage to Cronenberg in their film. Laura Vandervoort gives a memorable performance as Rose, a fashion designer with drab skin and dull designs who dreams of being successful in high fashion. Hanneke Talbot plays Chelsea, a model and Rose’s best friend. When Rose is the victim of a gruesome traffic accident that cost her part of her large intestine and half her face, she decides to undergo an experimental stem-cell treatment at a clinic run by Dr. William Burroughs (Ted Atherton). The SFX makeup in Rabid is frighteningly realistic, especially the scenes where Rose’s jaw is protruding with her teeth exposed, and the accompanying practical effects are quite literally jaw-droppingly magnificent.Laura Vandervoort in Rabid (2019)Dr. Burroughs and his red-draped surgical staff perform surgery on Rose in a scene straight out of Cronenberg’s Dead Ringers (1988). Throughout Rabid, the Soskas’ use of color, especially the color red, is outstanding and sets the aesthetic and tone for the film. After undergoing the radical, secretive procedure, Rose is shocked when she looks in the mirror; not only is her face restored; she is much more beautiful than she was before. Rose also notices that she is hungry all the time and she is having difficulty controlling basic urges. While recovering at the clinic, she has an encounter with another patient, Dominic, in the pool, which results in Dominic being bitten. Dominic is a daytime television star, and shortly after his rendezvous with Rose, he is unable to control his anger and experiences a meltdown on set that doesn’t end well for another actor. Laura Vandervoort in Rabid (2019)In addition to being ravenously hungry and uncontrollable urges, Rose is experiencing blood-soaked imagery of herself killing men in a frenzy. Dr. Burroughs blames her medication and tells Rose she is suffering from hallucinations. Rose is finally thriving professionally and achieving success as a fashion designer, but she finds herself questioning her sanity because she suspects the hallucinations might be real. Benjamin Hollingsworth plays Brad Hart, a fashion photographer who secretly agrees to keep an eye on Rose for Dr. Burroughs, while helping with a fashion show spotlighting Rose’s designs, some of which are to be modeled by her friend Chelsea. Chelsea arrives for the fashion show sick and what ensues is an unforgettable, nightmarish, bloody runway sequence featuring transformation and tentacles. Just like the makeup and practical effects, the sound design is excellent and integral in making Rabid an effective horror movie.Laura Vandervoort and Hanneke Talbot in Rabid (2019)Brad helps Dr. Burroughs transport Rose to his clinic, but he realizes too late that he and Rose are both in danger. In the process of searching for a cure to his wife’s deadly disease, Dr. Burroughs created something new that led him to perform Rose’s experimental surgery, which led to him locking Brad and Rose in a room with his creation. This leads to a terrifying finale. One of the few complaints I have with the film is that there are a couple of scenes that feel like they could have been shorter, but overall the pacing is good and the awe-inspiring SFX makeup and practical effects nearly make up for the runtime.Laura Vandervoort and Kyle Bailey in Rabid (2019)With Rabid, the Soska Sisters honor Cronenberg and manage to make the story feel fresh by putting their own twisted spin on it. Laura Vandervoort gives an arresting performance as Rose, but it’s clear the real star of Rabid is the special effects team.

REVIEW: BIRDS OF PREY

MAIN CAST

Ashley Scott (Into The Blue)
Dina Meyer (Starship Troopers)
Rachel Skarsten (Reign)
Shemar Moore (Criminal Minds)
Ian Abercrombie (Army of Darkness)
Mia Sara (Legend)

RECURRING / NOTABLE GUEST STARS

Chris Ellis (The Dark Knight Rises)
Shawn Christian (Las Vegas)
Mark Hamill (Star Wars)
AJ Michalka (Super 8)
Maggie Baird (Eragon)
Silas Weir Mitchell (My Name Is Earl)
Brent Sexton (Flightplan)
Joe Flanigan (Stargate: Atlantis)
Robert Patrick Benedict (Waiting)
Autumn Reeser (The American Mall)
Riley Smith (Eight Legged Freaks)
Michael Welch (Twilight)
Brody Hutzler (Angel)
Lori Loughlin (Full House)
Stephen McHattie (300)
Shane Johnson (Behind Enemy Lines)
Sarah Brown (VR Troopers)
Kristoffer Polaha (Dollhouse)
Brian Thompson (Hired To Kill)
Annie Wersching (The Vampire Diaries)
Sung Hi Lee (The Girl Next Door)
Brad Bufanda (Veronica Mars)
Neil Hopkins (Lost)
Mitch Pileggi (The X-Files)
Bob Papenbrook (Jeepers Creepers 2)
Llia Volok (Power Rangers Wild Force)
J.P. Manoux (Euro Trip)
Bob Clendenin (That 70s Show)
Ian Reed Kesler (2 Broke Girls)
Kirk Baltz (Natural Born Killers)
Steve Hytner (Roswell)

Aaron Paul (Breaking Bad)

untitled-3-copyLoosely based on DC Comics and a variety of other sources with a touch of Marvel’s the X-Men thrown in, the series continues the legend of The Batman. We enter the future, dark and fantastic world of New Gotham City. Long after The Batman has driven himself into exile, his legacy lives on in the form of the Birds of Prey – Black Canary, Oracle, and the Huntress. From the creators of the CW hit Smallville, Birds of the Prey was produced in 2002 for the now defunct WB, but had only 13 episodes before cancellation. Since then, its devoted fan base worked tirelessly to have the series released on DVD. It was a really exciting action show, breaking new ground because ALL of the lead characters were women.This boxed set collects all 13 episodes and a never-collected-on-DVD before Flash-animated series “Gotham Girls.” Awesomely, it also includes the unaired pilot, which featured Sherilyn Fenn (Twin Peaks) in the role of Dr. Quinzel. Mia Sara was later cast as Quinzel in the series. She also appeared in the AIRED pilot. Interestingly, all of the scenes featuring the character in the AIRED pilot were reshot with Sara, word-for-word. Also of note, the aspect ratio of the episodes in the set will be full frame, but will have dark bars on top and on bottom to mimic widescreen. While normal citizens slept, the Birds of Prey flocked together to fight crime on the streets of New Gotham City. Several years after the city was abandoned by Batman, the awesome threesome of Huntress (Ashley Scott), Oracle (Dina Meyer), and Black Canary (Rachel Skarsten) was formed. Huntress is the daughter of Batman and Catwoman, and can smell danger from miles away. Black Canary has the gift of clairvoyance and Oracle leads the team through her cyber experience, despite being wheelchair bound by Batman’s nemesis, the evil Joker.When the series opens, we learn that New Gotham’s Batman has disappeared leaving behind a daughter from his long-time love Catwoman. Her name is Helena Kyle, who transforms herself into the mysterious superhero known as “The Huntress.” Helena has hypersensitive senses and agility, but uses her gifts selfishly. Fate brings her face-to-face with her choices as well as a wheel-chair-bound Barbara Gordon, the hero Oracle, who befriends her but agrees to train her only if she uses her powers for good.splash_780-1376-720x340She teams up with Barbara, who had been “Batgirl” prior to being paralyzed by the Joker. By day, Barbara is a teacher at New Gotham High, but by night she fights crime from her secret lair in the New Gotham Clock Tower. The two meet a determined Dinah Redmond, a young woman who was drawn to New Gotham to learn more about her powers. Dinah is a touch-telepath and psychic who had terrifying dreams about Batgirl’s brutal incident that resulted in her paralysis. The Huntress resists working with Dinah, but Oracle convinces her to give the younger woman a chance. Now, they must learn not only how to work together as New Gotham’s protectors, but also as a family.Special recognition goes to Mark “Star Wars” Hamill who briefly reprises his award-winning voice role as the Joker from the iconic classic, Batman: the Animated Series. In Birds of Prey, “Mister J” on-camera is portrayed by actor/stuntman Roger Stoneburner but Hamill’s voice was dubbed over Stoneburner’s performance.  During the course of the series, the women are often confronted with schemes masterminded by the Joker’s on-and-off girlfriend, psychiatrist Dr. Harleen “Harley Quinn” Quinzel (Mia Sara), but they always prevail and eventually beat her at her own game.jsyjp3Other characters of note are: Alfred Pennyworth (Ian Abercrombie), who serves Helena as heir to the Wayne estate, and Police Detective Jesse Resse (Shemar Moore), confronted with crimes and abilities he cannot explain. A central feature of the series is the concept of metahumans: Individuals born with powers that cannot be explained. No two metahumans have the same specific ability (or set of abilities) and there exists a whole sub culture of metahuman society that the outside world knows nothing about. It is this world that Detective Reese is drawn into, reluctantly teaming up with Huntress and the Birds of Prey to defeat metahuman criminals. At first, he is disapproving of Helena’s vigilantism, even trying to arrest her, but eventually he realizes there is a need for the Birds of Prey to take down criminals the police can’t handle. Episodes in this four-disc collection are: the Pilot; Slick; Prey for the Hunter; Three Birds and a Baby; Sins of the Mother; Primal Scream; Split; Lady Shiva; Nature of the Beast; Gladiatrix; Reunion; Feat of Clay; and Devil’s Eyes. Very popular theme song “Revolution” was performed by Aimee Allen.

REVIEW: OCTOBER FACTION – SEASON 1

J.C. MacKenzie, Tamara Taylor, Gabriel Darku, and Aurora Burghart in October Faction (2019)

Starring

Tamara Taylor (Bones)
J. C. MacKenzie (Dark Angel)
Aurora Burghart (The Stranger)
Gabriel Darku (Impulse)
Wendy Crewson (The Covenant)
Megan Follows (Reign)
Stephen McHattie (300)

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Recurring / Notable Guest Cast

Maxim Roy (Shadowhunters)
Nicola Correia-Damude (Coroner)
Sara Waisglass (Holly Hobbie)
Anwen O’Driscoll (Burden of Truth)
Sima Fisher (Lost Girl)
Praneet Akilla (Still/Born)
Dayo Ade (Heartland)
Joris Jarsky (Saw V)
Lyla Porter-Follows (Reign)
Kristen Kurnik (XXX 3)
Michelle Nolden (Red)
Emilia McCarthy (Zapped)
Amanda Zhou (Rabid)
Dale Whibley (The Christmas Cure)
Chris Violette (Power Rangers SPD)
Robin Dunne (Sanctuary)
Kate Ross (Reign)
Taveeta Szymanowicz (Dare Me)
Nicola Correia-Damude (Nurses)
Ted Whittall (Suicide Squad)

october-faction-review-netflixArriving today, with little fanfare and only a day ahead of the much-anticipated third season of Chilling Adventures of Sabrina, October Faction Season 1 looks to scratch the itch for family-centric supernatural adaptations left behind by the Big N’s own The Umbrella Academy. Based on the same-named comic series created by writer Steve Niles and artist Damien Worm, which ran for 18 issues as IDW Publishing and enjoyed two follow-up miniseries’ in October Faction: Deadly Season and October Faction: Supernatural Dreams, this latest adaptation boasts enough geek-savvy casting and essential genre elements to entice a sizeable crowd, even if it might be subsequently overshadowed by Netflix’s algorithm and the release of one of its heavy-hitters.1579779112There’s always the chance of enduring cult popularity here, since those trademark components — dysfunctional family, small-town secrets, supernaturalism, established fanbase, and so on — are plentiful and reliable. Double-life-living Fred (J.C. MacKenzie) and Deloris (Tamara Taylor) are monster hunters and parents to twins Viv (Aurora Burghart) and Geoff (Gabriel Darku), and the parallels between horrors of both the supernatural and high-school varieties are not subtle. Their relocation to a mysterious town in upstate New York following the death of Fred’s father is an excuse for this all to come together across ten episodes.OCTOBERFACTION_107_DAY5_SS_072.DNGExpect the usual beats: An aging man grappling with an old life and its old enemies, and burgeoning powers being a metaphor for growing up and into adulthood. Expect, also, to feel that the show goes on for slightly too long; despite the abundance of the source material, ten episodes is heavy-going for this kind of thing and can lead to the reiteration of dynamics and the delaying of plot points that always amounts to frustration in a binge-watch.october-factionOne has to wonder about Netflix’s strategy here — search for October Faction Season 1 now, and you’ll find it heavily-marketed, but tomorrow, in the wake of a quite similar show with a much more enthusiastic following, that almost certainly won’t be the case. In the meantime, though, if you need to feel better about your own family keeping secrets, there are worse ways.

 

REVIEW: HIGHLANDER: THE SERIES – SEASON 3

Starring

Adrian Paul (Arrow)
Stan Kirsch (Shallow Ground)
Jim Byrnes (Sanctuary)
Philip Akin (Robocop 2014)
Lisa Howard (Earth: Final Conflict)
Michel Modo (The Troops Get Married)

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RECURRING / NOTABLE GUEST CAST

Tamlyn Tomita (The Day After Tomorrow)
Stephen McHattie (Watchmen)
Robert Ito (Quincy M.E.)
Hiro Kanagawa (Heroes Reborn)
Randall ‘Tex’ Cobb (Raising Arizona)
Chandra West (White Noise)
Michelle Thrush (Pathfinder)
Miguel Fernandes (Trancers)
Liliana Komorowska (Screamers)
Andrew Kavadas (Ninja Turtles: Next Mutation)
John Novak (Wishmaster 3 & 4)
Elizabeth Gracen (Marked For Death)
Brion James (Blade Runner)
Jason Gray-Stanford (Bones)
Rob Stewart (Painkiller Jane)
Gabrille Miller (Corner Gas)
Alan Scarfe (Andromeda)
John Pyper-Ferguson (Caprica)
Mark Acheson (Elf)
Peter Bryant (Legends of Tomorrow)
Catherine Lough Haggquist (The Flash)
Jonathan Scarfe (Van Helsing)
Myles Ferguson (Edgemont)
Jesse Moss (Ginger Snaps)
Cameron Bancroft (Legends of Tomorrow)
Sherry Miller (The Virgin Suicides)
Laura Harris (Dead Like Me)
Garwin Sanford (Stargate SG.1)
Frank C. Turner (IT)
Anthony De Longis (Masters of The Universe)
Vincent Gale (Van Helsing)
Tamara Gorski (Hercules: TLJ)
Stella Stevens (The Poseidon Adventure)
Barry Pepper (True Grit)
Vivian Wu (Teenage Mutant Ninja Turtles III)
Richard Lynch (Puppet Master III)
David Robb (Downtown Abbey)
Eugene Lipinski (Arrow)
Lynda Boyd (Sanctuary)
John Tench (Andromeda)
Roger Daltrey (Tommy)
Peter Wingfield (Sanctuary)
Kim Johnston Ulrich (Passions)
Ben Pullen (Prince Valiant)
Paudge Behan (Love/Hate)
Robert Cavanah (Pimp)
Roland Gift (Brakes)
George Harris (Layer Cake)

Highlander - The Samurai 55After a few growing pains and struggles to find its footing and players in its first two seasons, Highlander: The Series’ third year sends the heads rolling with plenty of fine drama, sweet action, and immortal style.239560Duncan MacLeod (Adrian Paul) once again faces Kalas (David Robb) – an evil immortal enemy from his past- in a battle that threatens to expose the existence of Immortals and the secret Watcher organization to the world. Watcher Joe Dawson (Jim Byrnes) struggles between his oath to not interfere with immortal confrontations and his continuing friendship with Mac. Richie (Stan Kirsch) takes up bike racing- a risky prospect despite his immortality while 1,200-year-old thief Amanda (Elizabeth Gracen) just can’t stay on the right side of the law. However, is Dr. Anne Lindsey’s (Lisa Howard) budding romance with Duncan just as dangerous or is it the exact solace he needs?Highlander The Cross of St Antoine 68At last, Season 3 establishes some internal consistency for Highlander: The Series and the result is a damn fine season with nary a bad episode in sight. The mortal crimes and drama in “Blackmail” and “Take Back the Night” are fresh and dynamic, tying in nicely with the immortal deceptions and relationship angles presented in “Line of Fire” and “Shadows.” The Watchers are made useful and brought into the forefront, particularly in “Those Who Serve,” where we get a chance to see the Immortal Game from their supposedly uncolored perspective. Consequences to one’s actions and inactions are investigated wonderfully this season with immortals debating their ability to change for good or evil.MV5BNzY3NTI4MjAyOV5BMl5BanBnXkFtZTgwODg0NTEzMjE@._V1_Can worthwhile redemption for horrid past doings be found for them? Whose place is it to forgive and judge immortals? Religion, spiritual motifs, and even immortal drug use are examined in “Courage,” “Blind Faith,” and “Mortal Sins.” Normal life issues such as parenting and the difficulty with computers also carry through Season 3, along with thoughts on the extreme price of perpetual youth in “The Lamb.” While die-hard Highlander fans may know an episode title when they see it- even if you don’t recognize the titles, almost every show had me saying, ‘Oh yeah! I remember this one!’MV5BNzY3NTI4MjAyOV5BMl5BanBnXkFtZTgwODg0NTEzMjE@._V1_We learn a lot about our titular Highlander this season, beginning with the 1994 opener “The Samurai” and going straight through to the two-part “Finale.” Paul shows plenty of layers in Duncan through his past loyalties and contemporary justices. The sword fights and kick ass are without a doubt kick ass indeed, but there’s plenty of time for questioning immortality and space for 400 years of melancholy to get to someone. While he’s often shown enjoying himself in the flashbacks, Mac is afraid to open up again to another mortal girlfriend like Anne Lindsey. Of course, the audience knows there will be trouble thanks to all those pesky immortal secrets! While some may not like Anne simply because she follows Tessa in Duncan’s heart, its nice to have someone unaware who can be good for MacLeod.

MV5BYTkzMDExNWItZGZkMC00ZWI1LWI3ZmEtMzlhNGZlODczNzI5XkEyXkFqcGdeQXVyNjk3NDI3OTk@._V1_Howard (Earth: Final Conflict) keeps Anne independent, intelligent, confident, and likeable. But could the good doctor deal with immortality? Her job is to save lives, so a man devoid of a medical history and no immunization scars is just too much of a mystery for Anne. Fortunately, Elizabeth Gracen adds some spice and familiar fun as Amanda in “The Cross of St. Antoine” and the two-part season ender. Her duck and run immortal loyalty and devotion to MacLeod are perfectly at odds with her inability to go legit and not screw things up.kalasUnfortunately, once again Richie and Philip Akin as Charlie DeSalvo get the short end of the supporting stick. Charlie is written out of Season 3 nicely- not that his leaving is super good, but the episode “The Revolutionary” is sublime. The character should have been a guest player as necessary all along, rather than been squeezed in willy nilly. Likewise, Richie, despite being in the opening credits, only appears in half the episodes this year. While the youthful immortal needed to go off and explore, sure, it’s tough to care again when he does come around for some motorcycle action. The stock footage for the races and the intercut of Richie and his pals getting rough doesn’t help either. Why not let him have a season off so we can enjoy when he returns with heavy, living forever angst? Sometimes we see recurring players more than the folks actually in the opening credits. Despite such a cool opening scheme, Highlander: The Series never seems to balance its core players or its ensemble repertoire properly in its listings. Michel Modo’s lovable but often drunk chef Maurice is also downgraded to a guest star this season, and it’s wonderfully that his few special appearances give him respect and something to do.finalepart2cWatcher Joe Dawson again doesn’t appear as much as I might have liked, but the growth of the watchers as a help, hindrance, or detriment comes along wonderfully in Season 3. Dawson is there for MacLeod despite the rules, and Duncan likewise. Joe’s new bar is also a great place for mortals and immortals to mingle, and the neat introduction of Peter Wingfield (24) as Methos adds a separate watcher buddy angle for Dawson to explore. Thankfully, this crack team unites wonderfully against David Robb (Swing Kids, I Claudius) as the Highlander’s bane this season, Kalas. His midseason trilogy of “Song of the Executioner”, “Star-Crossed,” and “Methos” is perhaps when Highlander: The Series truly becomes great TV. There’s not a crappy Renegade knock off plot in sight- just awesome immortals like Hugh Fitzcairn and Xavier St. Cloud- both played by cool rockers Roger Daltry and Roland Gift. By time things get juicy for the two-part “Finale” there isn’t anything in this season of Highlander: The Series not to like.finalepart2aI dare say it, but even the styles this season are catching up, with toned down dojo action, great blues music, and sweet French locations. But my goodness they use that same Tudor house for every frickin’ thing! Anne dresses a little edgy for a doctor- with short skirts and tall boots; but hey, it looks good and is actually still in relatively recent fashion. Of course, the period piece scenes are top notch again, and we spend more time in the past- even having flashbacks within flashbacks. The times and places we visit also vary it up some, but a few return nicely to places and people we’ve already seen. The transitions to the flashbacks are also nicely done; sometimes they are set up in crafty ways but other times they know the viewer knows and just cut right to it. The audience isn’t underestimated with excessive montages and unnecessary action anymore. Although sometimes entire swordfights and quickening flashbacks from previous episodes are revisited, I’m glad they now put the dates, times, and places onscreen for the past storylines. Some of those orgasmic quickenings still amuse me – but there are some seriously good ones this season as well.
highlander0322Once again, the DVD features for Highlander: The Series Season 3 are packed to the gills with bloopers, deleted scenes, interviews, audio and video commentaries, scripts, and more. The interface is a little dated, but its fun to go through the embedded Watcher’s Chronicles and look for all their treats within the episodes. Again, new fans or those who wish to remain unspoilt are better served with rental or online options or a features marathon post- series. If you’ve been remiss on the first two seasons, new audiences can still jump in here as well. Honestly, there’s no reason for anyone not to give this season a chance.

HALLOWEEN OF HORROR REVIEW: MOTHER!

CAST

Jennifer Lawrence (American Hustle)
Javier Bardem (Vicky Cristina Barcelona)
Ed Harris (Westworld)
Michelle Pfeiffer (Batman Returns)
Domhnall Gleeson (Star Wars: The Force Awakens)
Brian Gleeson (Assassin’s Creed)
Kristen Wiig (Girl Most Likely)
Stephen McHattie (300)

Javier Bardem and Jennifer Lawrence in Mother! (2017)In a house recently burned by fire, Him, an acclaimed poet struggling with severe writer’s block, places a crystal object on a pedestal. The house then suddenly morphs to look newly renovated. In bed, Mother wakes up, wondering aloud where Him is. She starts seeing things around the house that unsettle her, including visualizing a beating heart within the walls.Jennifer Lawrence in Mother! (2017)One day, Man turns up at the house, asking for a room. Him readily agrees, and Mother reluctantly follows suit. During his stay, Man is seen with an open wound in his side. The next day, Man’s wife, Woman, also arrives to stay. Mother is increasingly frustrated with her guests, while Him begs her to let them stay, telling Mother that the guests are fans of his work and that the male guest is dying, and wanted to meet Him. However, when Man and Woman accidentally break and shatter the crystallized object, Mother decides to kick them out.Jennifer Lawrence in Mother! (2017)The couple’s two sons arrive and start to fight over the will left by their father. The Oldest Son, who is willed nothing, mortally injures his Younger Brother and apparently flees, while Him, Man, and Woman take the injured son to get help. Mother is left alone in the house, where she discovers the furnace’s oil tank hidden behind the basement walls. Upon returning, Him informs Mother that the son has died. Dozens of people begin arriving at the house following the death of the son. More people arrive, and behave in a way that bothers Mother; she becomes angrier and eventually snaps when they flood the house. She kicks everyone out. Angry with Him for allowing into the house so many people for his pleasure and ignoring her, she berates him before the two engage in sex.Jennifer Lawrence in Mother! (2017)The next morning, Mother announces that she is pregnant. The news leaves Him elated and inspires him to finish his work. A few months later, Mother prepares for the arrival of their child and reads Him’s beautiful new poem. Upon publication, the edition immediately sells out. In celebration, Mother prepares dinner. Meanwhile, a group of fans arrives at the house. As she barricades herself, more fans arrive and begin to enter the house to use the bathroom. Their behavior devolves into disrupting the environment and stealing their belongings as keepsakes. An increasingly disoriented Mother makes her way around the house as each room devolves into chaos. Him’s publisher, the Herald, takes part in the madness. Military men with guns arrive to help Mother, but a cult of devoted fans forms around Him; they start to engage in rituals.Javier Bardem and Jennifer Lawrence in Mother! (2017)Mother goes into labor and finds her husband. Him takes her to his study, where she gives birth. The havoc outside subsides as he tells Mother that the massive crowd wants to see the baby. Refusing, she holds on tight to her son. When she falls asleep, however, he takes the baby outside to the crowd. The crowd proceeds to pass the baby around recklessly, breaking his neck. Devastated, Mother makes her way to the front of the crowd where she sees the hacked corpse of her baby and witnesses the crowd eating his flesh. Furious, she begins stabbing at them with a shard of glass. They turn on her, beginning to strip and beat her until Him intervenes and stops it. Calling Him and the crowd murderers, Mother escapes their hold and makes her way to the cellar and the furnace oil tank. Her husband pleads but Mother alights the oil, destroying the crowd, the house, and the surrounding garden and trees.Jennifer Lawrence in Mother! (2017)Both Mother and Him survive. However, Mother suffers horrific burns while Him remains unscathed. He asks her for the love she has left for him, and she allows Him to take it. He tears open her chest, and removes her heart. As his hands open the heart, a new crystal object is revealed. He places the object on a pedestal. Once again, the house changes from a burnt-out shell to being renovated. In a bed, a new Mother forms and wakes up, wondering aloud where Him is.Jennifer Lawrence in Mother! (2017)I find the film to be amazing in scope, like Cloud Atlas or A’s The Fountain. Like I said earlier, if you don’t appreciate films like these, or even Black Swan don’t bother. It’s simply not your brand. I feel the film is an amazing encapsulation of our existence performed in very unique fashion. The message here is strong. I prefer the avant-garde probably because I’ve seen so many films. I need to view films that present something new, and this one certainly does. For me, it is a masterpiece. Aren’t artists allowed to target their audience? They all can’t have happy endings.

 

 

 

HALLOWEEN OF HORROR REVIEW: PAY THE GHOST

CAST

Nicolas Cage (Ghost Rider)
Sarah Wayne Callies (Prison Break)
Veronica Ferres (The Devil’s Violinist)
Lyriq Bent (Saw III)
Jack Fulton (Shadowhunters)
Stephen McHattie (Watchmen)

A professor, Mike Lawford (Nicolas Cage) frantically searches for his son who was abducted during a Halloween parade. As nearly a year goes by, the parents are still looking for their son and starting to hear and see their son reaching out to them from the other world—the Professor sees his son on a passing bus, but upon chasing the bus down and gaining access, his son is not there. He disembarks and notices spray painted on a building, “pay the ghost,” the phrase his son uttered before vanishing. He enters the building and finds homeless people living there. Unearthly screams of a woman are heard, and a blind homeless man calls for the others to mask their fires, explaining to Mike that the screams are heard every year before Halloween. Mike asks about the phrase, and is taken to a wall with more of the same phrases written on it. Engrossed by the wall and the homeless man, he does not notice the wall behind him shift into another world, and a demonic figure briefly appears behind him, then vanishes. The homeless man explains nothing, but quickly tells Mike to leave.His wife later sees their son’s scooter move on its own, and calls him. Later that night while pouring wine, the power in their home goes out. Mike looks out the window to see three children appear and burned at the stake, then turns and sees his apartment crowded with figures of children, standing lifeless and pale. They call a psychic to investigate. Standing in their son’s room, she senses nothing, but then abruptly walks to the window, looks at the approaching storm, and says, “It’s here… it has all the children.” The psychic is then thrown against the wall and strangled before collapsing, burn scars all over her hands. A later autopsy shows her internal organs were burned to ash.Later, Mike walks upstairs to his wife’s room, and she addresses him with their son’s voice, pleading for help and saying “She’s coming, Dad. I’m scared.” He walks closer, and sees his wife cutting herself. Cleaning the wound, they find a symbol, which leads them to a Celtic Halloween celebration. A participant explains—the children are burning dolls to pay the ghost, so they won’t be taken. In early New York, on Halloween night of 1679, because of her Celtic worship, a young widow living on the first New York settlement was burned alive with her three children by an angry mob of settlers suspecting her to be a witch, and she takes revenge every year on Halloween, when the border between the spiritual world and the physical world dissolves for a short time.Since then, every Halloween the ghost of this woman takes three living children from their parents and puts them in an alternate world. The borders solidify until next Halloween, and the children taken are able to reach out and be rescued. But if the children cannot escape this alternate world within the first year, they are stuck in this world forever. The professor is able to break into this world and bring back his son as well as the other children that were taken exactly one year ago on Halloween.It’s pretty generic “lost my son! someone believe me supernatural forces are at work! i’ll go get him myself!”  Very predictable dialogue and storyline, but I am a fan of horror movies that aren’t super gory or too much thriller or jump scares out of nowhere so this was perctfor me! I recommend entirely! I like Nic Cage movies and this is another one of his better films.

REVIEW: WATCHMEN – THE DIRECTORS CUT

CAST

Malin Ackerman (The Heartbreak Kid)
Billy Crudup (Almost Famous)
Matthew Goode (Match Point)
Jackie Earle Haley (Human Target)
Jeffrey Dean Morgan (The Losers)
Patrick Wilson (The Conjuring)
Carla Gugino (Sin City)
Matt Frewer (Jailbait)
Stephen McHattie (300)
Rob Labelle (Jack Frost)
Garry Chalk (Dark angel)
Chris Gauthier (Smallville)
Patrick Sabongui (The Flash)
Agam Darshi (Sanctuary)
Danny Woodburn (Mirror Mirror)
Laura Mennell (Van Helsing)
Kurt Evans (Izombie)
Robert Wisden (Highlander: The Series)
Jerry Wasserman (I, Robot)
Don Thompson (Slither)
Michael Kopsa (Fantastic Four)
Fulvio Cecere (Valentine)
Mark Acheson (Elf)
Jay Brazeau (Bates Motel)
Niall Matter (The Predator)
Apollonia Vanova (Man of Steel)
Carrie Genzel (Jennifer’s Body)
Frank Cassini (Timecop)
Sonya Salomaa (The Collector)
Michael Eklund (Arrow)
John Tench (Andromeda)
Jason Schombing (Sanctuary)
Colin Lawrence (Virgin River)
Alessandro Juliani (Smallville)
Sahar Biniaz (Blade: The Series)
Tom McBeath (Stargate SG.1)
Kevin McNulty (Snakes on a Plane)
Michael Adamthwaite (Supergirl)

Malin Akerman and Patrick Wilson in Watchmen (2009)In the latter half of the 1980s, three illustrated novels challenged the mainstream perception of comic books. While the Pulitzer Prize-winning ‘Maus’ by Art Spiegelman introduced emotionally complex subject matter and established the genre as a viable literary format, Frank Miller’s ‘Batman: The Dark Knight Returns’ scaled national bestseller lists and demonstrated that superheroes struggle with the conditions of the world they feel destined to protect. When the 12-issue limited series of ‘Watchmen’ by Alan Moore and Dave Gibbons was published as a novel-length comic, it stunned audiences with its commercial success and its innovative structure layout. The book’s narrative also took a radical approach, scrutinizing the concept of superheros and offering a sort of “deconstruction” of their being, one which has pervaded the comic book world, including film adaptations, ever since. Over twenty years later, director Zack Snyder finally brings to the screen what so many once thought could never be filmed.Matthew Goode in Watchmen (2009)Taking place in an alternate reality of America, where Richard Nixon is serving his fourth term as president after winning the Vietnam War. The Keene Act of 1977 has outlawed all acts of masked vigilantism, forcing many into retirement. One October night, the murder of Edward Blake interests Rorschach, a masked avenger seen by the public as more a psychotic criminal than a hero. His investigation leads him to discover that Blake was the man behind The Comedian, a fellow crime fighter turned government operative. Fearing a conspiracy against costumed adventurers, he sets out to warn his former comrades: the Batman-esque Dan Dreiberg/Nite Owl, the successful businessman Adrian Veidt/Ozymandias, an angst-ridden Laurie Juspeczyk/Silk Spectre, and the only true superhero of the bunch Dr. Jon Osterman/Doctor Manhattan. As the investigation progresses, the band of superhero outcasts uncovers a plot more sinister and gruesome than they initially expected, revealing an enemy no one would’ve anticipated.Matthew Goode and Jeffrey Dean Morgan in Watchmen (2009)At the time of its theatrical release, the film version of the popular graphic novel was seen as a mild success, never coming close to expected box office figures. It was also heavily criticized by fans on internet boards around the globe for failing to truly capture the spirit of the series. Being one of those critics (yes, I am that kind of a nerd), the 162-minute adaptation felt rushed and heavily cluttered, as a wealth of information was quickly thrown at the audience with little time to digest it all. Those unfamiliar with the novel were alienated by the onscreen events, while the core fans saw a large amount of exposition skimmed over for the sake of time. Ultimately, what is now considered the theatrical cut seemed more concerned with reverence for its source, rather than a commitment to acting as a legitimate film that stood on its own. Much of the novel’s power and depth was lost in the translation.Jackie Earle Haley in Watchmen (2009)Now, in this Director’s Cut, Snyder is allowed to thicken the plot and create a better flow within the already-trimmed narrative. Arguably, Snyder shows more style over substance, seemingly imitating the original look of the comic rather than offering his own interpretation. But with 24 minutes of footage now added to the story, the film captures the comic’s dark, gritty appeal nicely, giving it more of a realistic feel and creating more human fascination. These masked vigilantes are confronted with contemporary real-world events, where they are frequently made aware of the Cold War reaching the breaking point and the fact that nuclear holocaust is imminent. As gloomy and pessimistic as that may sound, the idea posits these would-be superheroes against issues of power and the failure of salvation. They must cope with the world as it truly is: a dark and unpredictable existence, driven by fear and uncertainty of the future.This band of costumed avengers challenges what normally typifies the superheroics of their peers. They are flawed humans and deeply haunted by their pasts, primarily a shared experience of feeling unwanted from The Keene Act. Their interactions with one another and society at large expose questions about the limitations inherent to the superhero archetype trying to save humanity from itself. It’s the reason why fans are attracted to the two most complex characters in the series: Rorschach and The Comedian. While one idealizes his fight against injustice as a battle that must be won, the other possesses a harshly cynical worldview of civilization doomed beyond repair. The narrative also opens doors to discussions on power relations and politics, issues of certainty and doubt, metaphysics and existential nihilism, moral ambiguity, and Ozymandias’s actions bring to mind Nietzsche’s central theme of the “Master-slave morality”.Coming in at 186 minutes, ‘Watchmen: Director’s Cut’ may be daunting to some viewers, but for fans, this will be the closest we’ll ever come to seeing a faithful adaptation of the ragtag group of outcasts. Some of its drawbacks, I feel, are quickly outweighed by the overall sense that the comic book’s central conceit is maintained and clearly expressed with a genuine approach. Granted, certain aspects are still missing, but I admit they are necessary alterations to make the transition into film a success. As a long time fan of the illustrated novel, this director’s cut of ‘Watchmen’ easily bests the theatrical version, making it worthy of multiple viewings to take in its dense and complex implications.
After twenty years of hardcore fans hearing that the ‘Watchmen’ comics are “unfilmable”, Zack Snyder defies logic and gives audiences the closest we’ll ever come to experiencing the novel on film. In the ‘Watchmen: Director’s Cut’, Snyder is allowed to flesh out the details better and create a smoother narrative flow, offering an improved vision of this alternate reality.

REVIEW: WATCHMEN: TALES OF THE BLACK FREIGHTER / UNDER THE HOOD

 

 

 

TALES OF THE BLACK FREIGHTER

CAST (VOICES)

Gerard Butler (300)
Cam Clarke (He-Man 2003)
Jared Harris (Lincoln)

Rider-Time-Ryuki-Another-RyukiWatchmen was a great movie, and a great comic-book adaptation . It’s true that the metafictitious Tales Of The Black Freighter comic story was a marvellous little additional plot device which nicely mirrored The Watchmen’s main story and was allegorical of many of the main characters’ – specifically Ozymandias’ – bloody paths to becoming what they most hated, all paved with good intentions. It fitted nicely within the pages of the comic books and all was well-and-good. Tales Of The black Freighter was never likely to make it into the movie-proper though and – as much as those purist geeks may disagree – it is far from an essential part of the story, however much I may personally have liked to see it on celluloid. I was delighted, therefore, when I heard that, so dedicated were Zack Snyder and Co. to providing the closest possible rendering to the source text/art, that they would be releasing a near-coinciding straight-to-DVD animation of Black Freighter.MV5BODc2MmM2N2EtZGY1Yi00ZjdiLWI1MmMtODU5MTU2MTc2MTVjXkEyXkFqcGdeQXVyNTAyODkwOQ@@._V1_SX1777_CR0,0,1777,748_AL_Tales Of The Black Freighter is, like Watchmen, a painstakingly accurate re-telling of the meta-comic on which it is based, but I’m sure that this time the complaint will be that, when no longer juxtaposed in context to the principal narrative, the once well-timed symbolism somewhat loses it’s impact. They may well be right, of course, and maybe releasing this separately sold DVD – which also includes a well-conceived 1985 period-themed Under The Hood author’s spotlight feature – could be construed as a little cynical when the Black Freighter itself is a mere 20 minutes long, but then if it weren’t made available until bundled with the Watchmen’s DVD release then it couldn’t be viewed as a companion piece until long after the film had left the cinemas.MV5BYTNjM2I0YzMtMjU1NS00MjM4LTlmZjEtNzQzOGJlZTlhNDUwXkEyXkFqcGdeQXVyNTAyODkwOQ@@._V1_As an addendum to The Watchmen movie, Tales Of The Black Freighter entirely succeeds.

CAST

Ted Friend (Elf)
Stephen McHattie (300)
William S. Taylor (Scary Movie 3)
Matt Frewer (Jailbait)
Rob LaBelle (Jack Frost)
Carla Gugino (Sin City)
Jeffrey Dean Morgan (Texas Killing Fields)
Danny Woodburn (Mirror Mirror)
Niall Matter (The Predator)
Apollonia Vanova (Man of Steel)
Jay Brazeau (Bates Motel)
Frank Cassini (Timecop)

UNDER THE HOOD

 

DC put together this short documentary as a companion piece extra to the “source” of the film, which itself is a take-off on the in-between chapters of the Watchmen book. Hollis Mason, the original Nite Owl in Watchmen, writes an autobiography chronicling the history of the costumed heroes that are a big deal in the 40s, then becoming less of a “fad” in the 1950s and then being outlawed, all with the prose of who was originally a NYC police officer. It’s a series of interviews done in faux 1970 style TV (even includes a few “vintage” commercials, one of the three actually quite funny), with an interviewer who gets the actors playing the characters to improvise (or maybe it’s all written, I can see that very well being the case as well) on the subjects posed and raised. It’s fun to watch and a little clever. It’s a nice companion to the film.

REVIEW: WATCHMEN

 

CAST

Malin Ackerman (The Heartbreak Kid)
Billy Crudup (Almost Famous)
Matthew Goode (Match Point)
Jackie Earle Haley (Human Target)
Jeffrey Dean Morgan (The Losers)
Patrick Wilson (The Conjuring)
Carla Gugino (Sin City)
Matt Frewer (Jailbait)
Stephen McHattie (300)
Rob Labelle (Jack Frost)
Garry Chalk (Dark angel)
Chris Gauthier (Smallville)
Patrick Sabongui (The Flash)
Kurt Evans (Izombie)
Agam Darshi (Sanctuary)
Danny Woodburn (Mirror Mirror)
Laura Mennell (Van Helsing)
Robert Wisden (Highlander: The Series)
Jerry Wasserman (I, Robot)
Don Thompson (Slither)
Michael Kopsa (Fantastic Four)
Fulvio Cecere (Valentine)
Mark Acheson (Elf)
Jay Brazeau (Bates Motel)
Niall Matter (The Predator)
Apollonia Vanova (Man of Steel)
Carrie Genzel (Jennifer’s Body)
Frank Cassini (Timecop)
Sonya Salomaa (The Collector)
Michael Eklund (Arrow)
John Tench (Andromeda)
Jason Schombing (Sanctuary)
Colin Lawrence (Virgin River)
Alessandro Juliani (Smallville)
Sahar Biniaz (Blade: The Series)
Tom McBeath (Stargate SG.1)
Kevin McNulty (Snakes on a Plane)
Michael Adamthwaite (Supergirl)

66262-ycoiuhbnkq-1503295178Watchmen was easily the most hotly awaited picture of the first half of 2009, and I’ll readily admit that the dynamic yellow-and-red poster billboards around town generated a charge of anticipation that Savant hasn’t felt in years. That the film was not considered a runaway success doesn’t surprise me. A movie about superheroes that is neither consistently feel-good nor entertainingly funny is a hard sell. Other writers have noted that the Watchmen are relative unknowns in comparison to icons like Spiderman and Superman; there’s less of a built-in audience for them. Describing the Watchmen movie also suggests expressions like “intellectual puzzle” and “non-linear”. Large segments of the audience have little use for narrative complexities and historical irony.

What movie audiences do care about is action, and to compensate Watchmen ratchets up the graphic novel’s considerable violence. Bloody content limited to a single comic panel or two, looks like gore porn when turned into a film sequence.  Even with a few subplots deleted, Watchmen is so complicated that it bears comparison with David Lynch’s noble 1984 attempt to film Dune. Lynch got lost in wall-to-wall exposition and characters reduced to walk-ons. Watchmen avoids the same fate by closely following the original’s highly cinematic structure. Moore and Gibbons’ comic book panels made heavy use of devices familiar to moviegoers — parallel cutting, associative transitions.Watchmen is a multi-generational story of costumed superhero crime fighters. They got their start in the 1940s as “The Minutemen”, later formed another association called “The Watchmen” and then were outlawed in the early 1980s. Most have kept their anonymity in retirement. Nite Owl (Patrick Wilson), Silk Spectre (Malin Ackerman), Rorschach (Jackie Earle Haley), Ozymandias (Matthew Goode) and The Comedian (Jeffrey Dean Morgan) have no super-powers. The one Watchman who does is Dr. Manhattan (Billy Crudup), an “atomic man” who glows a soft blue color. A research scientist transformed into a near demigod by an experiment gone wrong, Dr. Manhattan wins the Vietnam War for Richard Nixon, allowing the President to run for a third term by popular demand. Most of Watchmen plays out as a science fiction alternate history tale, although the film drops a major Sci-Fi element from the final act.In 1985 an unknown assailant murders The Comedian. Defying the ban on costumed vigilantes, Rorschach warns the other Watchmen and puts pressure on the underworld to find out who is responsible. Dr. Manhattan breaks up with Laurie Jupiter (secretly the Silk Spectre) and abandons humanity to meditate on Mars. The Cold War goes into panic mode, as the U.S. and the Soviets are already at the brink of nuclear war, and Dr. Manhattan was America’s defense insurance policy. Laurie and Dan Dreiburg (secretly the Nite Owl) become an item. Frustrated by all the bad news, they ignore the ban and reassume their roles as crime fighters. Laurie and Dan spring Rorschach from prison and begin an investigation that leads to the activities of the millionaire technocrat Adrian Veidt, formerly Ozymandias.That synopsis doesn’t begin to touch the intricacies of Watchmen or its pleasing assortment of superheroes, that collectively flesh out a pantheon of comic book traditions. The Nite Owl is a kinder Batman type, a quiet millionaire who has engineered a flying vehicle and other crime-fighting gadgets. He’s actually following in the footsteps of the original Nite Owl, a two-fisted hero from the 1940s. The Silk Spectre is a Wonder Woman- like beauty with identity issues. She was pushed into her role by her flamboyant mother, the Silk Spectre of the Minuteman years. The corrupt Comedian lost sight of his crimefighting ethics and became a murderer, war criminal, rapist and dirty ops agent for Dick Nixon. The highly intelligent Ozymandias is also a fabulously wealthy international businessman under the name Adrian Veidt; he’s put his crime-fighting past on the public record and even sells Ozymandias toy action figures. Veidt considers himself a modern Alexander the Great.The most interesting Watchman is Rorschach, a seedy misanthrope who wears a strange mask that forms mysterious symmetrical patterns identical to a psychologist’s inkblot test. Now considered an outlaw vigilante, Rorschach keeps a bitter Travis Bickle-like diary and refuses to compromise on his mission to slay criminals. Between them the Watchmen cover numerous approaches to the concept of “masked crusaders” trying to function in a complex world. Director Zack Snyder  epitomizes the modern director who prepares computerized pre-visualization sequences, directs the live action, and waits for his technician-artisans to deliver test composites to critique. Elements that the director once had to make “come together” before a real camera on a real set can now be added, subtracted or altered almost indefinitely; the director of an effects-heavy film now functions as a creative manager. Snyder openly admits that his goal is to faithfully replicate the visions of other artists, which has prompted some to question exactly what he contributes artistically to the show. To the extent that Snyder still casts and directs the actors and decides when and when not to follow the graphic novel, he is actually much more “involved” than were many old-school studio directors. Even the biggest Hollywood names sometimes worked from locked scripts and often had little contact with projects before or after the actual filming. Considering how little opportunity for personal expression the Watchmen assignment afford, Snyder’s done a fine job.In this case, closely following the original was Snyder’s only choice. CGI allows the presentation of almost any visual, and the leagues of Watchmen fans wouldn’t have tolerated detours from their story. Most of Snyder’s adjustments are good ones. The strange sidebar tangent involving a “Black Freighter” horror comic has wisely been spun off into a separate direct-to-video production. To get out from under a mountain of plot complications, Snyder drops Adrian Veidt’s elaborate hoax on humanity that involves murdering an army of technicians that mock up the corpse of a gigantic space alien.Watchmen was somewhat overpowering in the movie theater, precisely because it is so close to the original. Instead of being taken in a new direction, I felt like Snyder was holding the book in front of my eyes and turning the pages for me. But movies of this kind are no longer made to be seen only once, and on a second viewing it was easier to simply watch what was happening, admire the classy designs and marvel at the excellent casting.

REVIEW: BEAUTY AND THE BEAST (2012) – SEASON 3

MAIN CAST

Kristin Kreuk (Smallville)
Jay Ryan (Mary Kills people)
Austin Basis (J. Edgar)
Nina Lisandrello (The Devil Wears Prada)
Nicole Gale Anderson (Mean Girls 2)

Jay Ryan in Beauty and the Beast (2012)

RECURRING / NOTABLE GUEST CAST

Zach Appelman (Sleepy Hollow)
Natasha Henstridge (Species)
Alan Van Sprang (Reign)
Stephen McHattie (300)
Saul Rubinek (Memory Run)
Emily Swallow (Supernatural)
Lochlyn Munro (Scary Movie)
Khaira Ledeyo (Da Vinci’s Inquest)
Brennan Brown (Focus)
Jason Gedrick (Major Crimes)
Ted whittall (Suicide Squad)
Dan Jeannotte (Reign)

Beauty and the Beast (2012)Season three opens with Cat and Vincent now living a seemingly idyllic life together in New York, after the traumatic events of Season 2, when Vincent was being hunted both by the NYPD for murder and then by Cat’s deranged ex-boyfriend, Gabe. Cat has been re-instated in her role of detective and Vincent has had his medical licence returned to him so he can begin, at last, to earn a living after living off the grid for more than 10 years.Beauty and the Beast (2012)He is happy with where they stand and, due to the lack of clouds on the horizon, has wedding bells on his mind. Cat meanwhile has been secretly meeting with agents from Homeland Security, who want to recruit both her and Vincent to help them deal with a new kind of threat. Someone has been experimenting on innocent New Yorkers, enabling them to do incredible things but also putting them and the general population at risk. Cat feels it’s her and Vincent’s responsibility to get to the bottom of the mystery and stop the experimentation. But that will put both their lives in danger, again, and threaten the normal future they have craved for so long.Beauty and the Beast (2012)This season focuses on the struggles of our beloved couple to take their relationship to the next level, in the midst of these new threats. The performances of Kristin Kreuk as Catherine Chandler and Jay Ryan as Dr. Vincent Keller are excellent as usual and they are well supported by the rest of the ensemble cast: Nina Lisandrello as Tess Vargas, Cat’s former partner and now her boss and Austin Basis as Vincent’s best friend J.T. Forbes. Cat’s sister Heather, played by Nicole Gale Anderson, makes a welcome return and provides some much appreciated lighter moments in what can be a dark and brooding story. There are also some great guest stars this season with Natasha Henstridge and Alan Strang playing Bob and Carol, an enhanced super-couple who cause all manner of problems for our Vincat, and Jason Gedrick, playing the role of the terrifyingly calm, super-bad Liam.Thankfully, there are no love triangles in this season and the chemistry between the two main actors remains strong. Even when they are arguing, they are still exceptionally cute together and the mutual respect they have for each other shines through. Enjoy the ride as Cat and Vincent negotiate, engagement, co-habitation and co-dependency on their journey to become Dr. & Mrs. Keller. Do they finally tie the knot? You’ll have to buy the DVD and find out for yourselves.All in all, essential viewing for any BATB fan and a series that once watched leaves you wanting more. Shame we only have one more season of this show to look forward to.