REVIEW: THE FOUNTAIN

Starring

Hugh Jackson (The Wolverine)
Rachel Weisz (The Favourite)
Ellen Burstyn (The Exorcist)
Mark Margolis (Breaking Bad)
Stephen McHattie (300)
Fernando Hernandez (Apocalypto)
Cliff Curtis (Sunshine)
Sean Patrick Thomas (Save The Last Dance)
Donny Murphy (Spider-Man 2)
Ethan Suplee (My Name Is Earl)

Hugh Jackman in The Fountain (2006)Conquistador Tomás Verde in New Spain fights a band of Mayans to gain entry into a pyramid, where he is attacked by a Mayan priest. The story intercuts to a similar looking man, tending a tall tree in a glass dome biosphere travelling through space, annoyed by a woman called Izzi. Finally, a third iteration, present-day doctor Tom Creo, is losing his wife Izzi to a brain tumor. Tom is working on a cure using samples from a tree found through exploration in Guatemala, which are being tested for medicinal use for degenerative brain diseases in his lab. Izzi has come to terms with her mortality, but Tom refuses to accept it, focused on his quest to find a cure for her.Rachel Weisz and Hugh Jackman in The Fountain (2006)She writes a story called “The Fountain” about Queen Isabella losing her kingdom to the Inquisition and a commission given by her to Tomás Verde to search for the Tree of Life in the Central American forest in Mayan territory. As she does not expect to finish her book, Izzi asks Tom to finish it for her. As they look up at the golden nebula of Xibalba, she imagines, as the Mayans did, that their souls will meet there after death and when the star goes supernova. She dies shortly thereafter and Tom dedicates himself to curing not only her disease but death itself after seeing experimental success in reversing aging. His colleagues fear that this drive has made him reckless, but they support him in his scientific work and emotionally at Izzi’s funeral. Tom plants a sweetgum seed at Izzi’s grave in the manner of a story she told him relating how a Mayan guide’s dead father lived on in a tree nourished by the organic nutrients of the buried body.Hugh Jackman in The Fountain (2006)In the Mayan jungle, Tomás finds that most of his fellow knights are exhausted and refuse to continue searching for the Tree of Life. He takes the few who remain loyal with him to a pyramid, carrying a ceremonial dagger. Once he arrives at the pyramid, the first scene repeats and Tomás engages in combat with the Mayan priest. The space traveller (whether this character is a version of Tom, an element of Izzy’s story, or Tom himself in the future is unclear) spends much of his time performing physical or mental exercises, including a form of meditation allowing him to perceive and interact with the past. In that past, Tomás is stabbed in the stomach but, just as the priest is about to kill him, he appears before the figurehead. The priest now believes Tomás is the “First Father” who birthed all life.the-fountain-hugh-jackman-2Tomás kills the priest as a sacrifice and proceeds to a pool with a large tree, convinced this is the Tree of Life. Tomás applies some of its sap to his torso and is cured of his stab wound. He drinks the sap flowing from the bark. But in a reenactment of the Mayan creation myth recounted earlier, his body is turned into flowers and grass that burst forth from it and he literally gives rise to new life, killing himself in the process. In space, the tree finally dies just before the spaceship arrives at its destination, much to the horror of the version of Tom tending it. A final vision of Izzi appears, comforting him in the face of his acceptance of death. The star goes supernova, engulfing the ship and everything within. The traveler’s body, engulfed by the dying star inside the nebula, is absorbed by the tree, causing it to flourish back to life. Izzi’s apparition picks a fruit from the new tree of life and hands it to Tom, who plants it in Izzi’s grave.MV5BMjI4Mzk1NjMyMV5BMl5BanBnXkFtZTcwOTUwNTE5NQ@@._V1_SX1500_CR0,0,1500,999_AL_All in all, I really liked this movie. It brought plenty of drama which makes you care for the characters and their fate, thus keeping you eager to find out how it ends. It’s unique idea manages to be at the same time it’s most important plus but also a bit of a let-down, in terms of connection. I had a very good time with it so I will definitely recommend it to anyone. It brings something new, a fresh idea, and this alone deserves recognition, not to mention the feelings involved throughout.

REVIEW: JUSTICE LEAGUE – SEASON 2

Main Cast

Kevin Conroy (Justice League Doom)
George Newbern (Law & Order: SVU)
Susan Eisenberg (Lego aquaman)
Phil LaMarr (Futurama)
Michael Rosenbaum (Smallville)
Carl Lumbly (Alias)
Maria Canals (Batman: The Dark Knight Returns)

justice-league-season-2-2-twilight-part-2-brainiac-review-episode-guide-list

Recurring / Notable Guest Cast

Michael Ironside (Total Recall)
Corey Burton (Transformers)
Ron Perlman (Hellboy)
Rene Auberjonois (Star Trek: DS9)
Michael Dorn (Ted 2)
Mitchell Ryan (Halloween 6)
Rob Paulsen (Teenage Mutant Ninja Turtles)
Tara Strong (Batman: The Killing Joke)
Clancy Brown (Highlander)
Robert Picardo (Star Trek: Voyager)
Lisa Edelstein (House)
Tom Kenny (The Super Hero Squad Show)
William Atherton (Die Hard)
Fairuza Balk (The Craft)
Dana Delany (Tombstone)
Mark Hamill (Star Wars)
Peri Gilpin (Frasier)
Mark Rolston (Aliens)
Jason Marsden (Hocus Pocus)
David Kaufman (Prom Night)
Dorie Barton (Down With Love)
Phil Morris (Smallville)
Larry Drake (Darkman)
Alfred Molina (Spider-Man 2)
Dan Castellaneta (The Simpsons)
Keith David (Pitch Black)
Kim Mai Guest (TMNT)
Dennis Haysbert (24)
Michael Jai White (Arrow)
Brian George (The Big Bang Theory)
Diane Pershing (Gotham Girls)
Bruce McGill (Lincoln)
Ted McGinley (No Good Nick)
Lauren Tom (Bad Santa)
Lukas Haas (Inception)
Tracey Walter (batman)
Enrico Colantoni (Veronica Mars)
Brian Doyle-Murray (JFK)
Oded Fehr (The Mummy)
Scott Rummell (Six)
Kristin Bauer van Straten (Nocturnal Animals)
Powers Boothe (Sin City)
Ted Levine (The Silence of The Lamabs)
Stephen McHattie (300)
Brad Garrett (Tangled)
Efrem Zimbalist Jr. (Hot Shots)
Arleen Sorkin (Days of Our Lives)
Khary Payton (The Walking Dead)
Greg Cipes (Teenage Mutant Ninja Turtles)
Scott Menville (Teen Titans Go)
John C. McGinley (Scrubs)
Hynden Walch (Groundhog Day)
Ian Buchanan (Panic Room)
Mike Farrell (Patch Adams)
Shelley Fabares (Coach)
Kimberly Brooks (Voltron)
Robert Ito (Midway)
Victor Rivers (The Mask of Zorro)
Hector Elizondo (The Princess Diaries)
Elizabeth Peña (The Incredibles)
Kevin Michael Richardson (The Cleveland Show)

MV5BMTkxOTY5NTY5N15BMl5BanBnXkFtZTgwMjEwOTM2MjE@._V1_Now this is more like it. Justice League’s second season takes all of the wrinkles found in the first year and smoothes them over. The action is bigger, the stories are more exciting, and Batman’s rating on the cool-o-meter reaches new highs – exactly how things should be. The result is a boxed set that offers perhaps the finest collection of superhero animation that your hard-earned dollars can buy. They don’t come any better then this, kids.MV5BODg3ODYzM2QtNTIwOS00YzhjLThmMDItZTY4MDc0NzU1NDhkXkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_Much like the comic book universe from which these characters came, the Warner Bros. superhero shows headed by Bruce Timm and friends (Batman: The Animated Series, Superman: The Animated Series and Batman Beyond) have created a continuity and universe all their own. Justice League is the latest (and, sadly, final) entry in this cartoon universe and it takes all of the best stuff from what has come before it and combines it into a near-perfect superhero animated series. While the first season was light on character development and solid storytelling, the second season gets the balance of action, story, and character just right. Again we’ve got great supporting characters and villains from the DC universe; Darkseid, John Dee, Despero, and even Doomsday all make appearances.MV5BMTQxNzgzNDg3OF5BMl5BanBnXkFtZTgwNTAwOTM2MjE@._V1_The action is also a lot more exciting, with more imagination having gone into the writing of the fights. Furthermore, this season we’ve got some great CG effects (used for vehicles and ships) – the air dogfight in Maid of Honor between the Batwing and some jetfighters is especially cool to watch.  Another standout this season is the music. The series composers (Lolita Ritmanis, Michael McCuistion, and Kristopher Carter) have created some amazing stuff here. In each episode you’ll find several musical cues that will really get your attention and at least one that will tug at the ol’ heartstrings. The music knows when to fade into the background and let the images do the work and when to take centre stage. With stuff this good you want the music to take centre stage as much as possible. There is a Princess Mononoke-esque “nature endures” moment in Hearts and Minds where the score was just wonderful. The music in these episodes is too good for a cartoon TV show.MV5BMTQ1MjM0MTMwNV5BMl5BanBnXkFtZTgwNjc5ODM2MjE@._V1_So the action is awesome, Superman is fixed, and the music is one-of-a-kind. All that’s left is the writing… and it’s the best part. The writing here is really great, with story and character always being the focus of each episode. A Better World answers a simple question in an interesting way: what if Superman crossed the line? In an alternate universe, Superman realizes that Luthor really is an unredeemable villain and he kills him. We see that the murder – even the murder of a monster like Luthor – changes both Superman and the League. They become Big Brother-like sentries of the planet. When a cross-dimensional rift is opened, this “darker” league (known as the Justice Lords) has a showdown with our untainted heroes. The episode brings up some very interesting questions and is a blast to watch.MV5BMTYwOTU0OTUwMl5BMl5BanBnXkFtZTgwNTk5ODM2MjE@._V1_We’ve also got some fantastic variety. The Paul Dini-penned Comfort and Joy is a very touching Christmas episode, while Hereafter transports Superman to a Planet of the Apes-ish future where he is the planet’s sole survivor (he even grows a Robinson Crusoe beard and fashions himself a jungle-machete!). The Terror Beyond makes for a very fun H.P. Lovecraft-inspired romp which sees Solomon Grundy fighting his way into the brain of the massive Ichthulhu (voiced by Rob Zombie) and wrestling a nightmare creature inside this thing’s head. Very bizarre, but very cool. Finally there’s the three-part season finale, Starcrossed. This is a balls-to-the-wall action spectacular which culminates in Batman piloting the League’s watchtower into the planet, while Green Lantern and Hawkgirl’s relationship is torn to shreds.MV5BMTkxMDQzODI2OF5BMl5BanBnXkFtZTgwMDIwOTM2MjE@._V1_This is a fantastic collection of episodes, to be sure, but there are still a few nitpicks that keep the set from getting a perfect score. For one, while Superman is tougher, much of the new attitude doesn’t feel genuine – it seems that they wanted to make him “cooler” so they made him more badass. Problem is, Superman isn’t a badass character. Second, there are a few episodes (Maid of Honor and Eclipsed) that feel somewhat stale, and one episode, Wild Cards, that, sadly, let its driving gag get the better of the story. On TV you’ll find many cartoons, but you’ll only find one Justice League – its second season is a shining example of superhero animation done right in virtually every respect. Most importantly, the show’s creators have crafted a series that respects the intelligence, attention-span, and maturity of its audience. This isn’t just a kids show nor is it just a television show. It’s Justice League – and it’s great.

REVIEW: JUSTICE LEAGUE – SEASON 1

Main Cast

Kevin Conroy (Justice League Doom)
George Newbern (Law & Order: SVU)
Susan Eisenberg (Lego aquaman)
Phil LaMarr (Futurama)
Michael Rosenbaum (Smallville)
Carl Lumbly (Alias)
Maria Canals (Batman: The Dark Knight Returns)

JL_line-up

Recurring / Notable Guest Cast

Gary Cole (Fam)
Jason Marsden (Young Justice)
Susan Sullivan (Castle)
Corey Burton (Transformers)
Clyde Kusatsu (Midway)
Kevin Michael Richardson (The Cleveland Show)
James Remar (Black Lightning)
Kurtwood Smith (Robocop)
Rene Auberjonois (Star Trek: DS9)
Garrett Morris (2 Broke Girls)
Brian George (The Big Bang Theory)
Dennis Haysbert (24)
Scott Rummell (Six)
Kristin Bauer van Straten (50 First Dates)
Xander Berkeley (Terminator 2)
Robert Englund (A Nightmare On Elm Street)
John Rhys-Davies (Lord of The Rings)
Eric Roberts (The Finder)
William Smith (Laredo)
David Ogden Stiers (Two Guys and a Girls)
Cathy Cavadini (THe Powerpuff Girls)
Bill Duke (Black Lightning)
Virginia Madsen (Better Watch Out)
Keone Young (Crank)
Powers Boothe (Sin City)
Phil Morris (Smallville)
Julie Bowen (Modern Family)
Olivia d’Abo (Conan The Destroyer)
Mark Hamill (Star Wars)
Stephen McHattie (300)
David Naughton (The Gathering)
Stephen Root (Barry)
Ted McGinley (No Good Nick)
Neil Patrick Harris (How I Met Your Mother)
Udo Kier (Iron Sky)
Michael McKean (This Is Spinal Tap)
Jeffrey Jones (Howard The Duck)
William Katt (Carrie)
Clancy Brown (Highlander)
Ian Buchanan (Panic Room)
Sheryl Lee Ralph (Moesha)
Grant Heslov (THe Scorpion King)
Michael T. Weiss (The Pretender)
Pam Grier (Jackie Brown)
William Morgan Sheppard (Transformers)
Dave Thomas (Coneheads)
Cam Clarke (Teenage Mutant Ninja Turtles)
Danica McKellar (The Wonder Years)
Earl Boen (The Terminator)
Richard Moll (Scary Movie 2)
Michael Bell (Transformers: The Movie)
Dee Bradley Baker (American Dad)
Tom Sizemore (Red Planet)
Patrick Duffy (Dallas)
Ted Levine (The Silence of The Lambs)
Robert Picardo (Star Trek: Voyager)

secret-origins-pan-01They’re the rockstars of the DC universe and they’re a heck of a lot of fun to be around. Giant robot rampaging through the city and Superman alone can’t stop it? Insidious villain plotting to invade the world with an army of zombies and the task is too much for Wonder Woman? Puzzling crime-spree that Batman can’t – er, wait. Strike that last one. Given enough time, Batman can do just about anything. Even so, when the world is in dire need of saving, it’s a job for the Justice League. MV5BMDMyN2UzOWQtZjg4OS00MmFiLTk0MzItNTlkZTk3NTRjZWRmXkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_This series is the culmination of nearly ten years of animation continuity headed up by animation producer Bruce Timm and friends. It’s very rare for a consistent creative team to play around in what is essentially the same sandbox for so long. From the writers to the directors to the voice actors – Kevin Conroy has been voicing Batman for over ten years now – Justice League is the spiritual conclusion to the DC animated universe that Batman: The Animated Series helped kick off way back in 1992.MV5BM2Y5M2JmYTEtNWRiMy00OTgwLTkwOGMtMzI2ZWIxZmM3ODAwXkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_The creative team has taken everything they’ve learned in their previous shows (Batman: The Animated Series, Superman: The Animated Series and Batman Beyond) and brought it to the next level. Justice League features seven main heroes and a host of villains. If that wasn’t enough, in its later seasons the series would expand its roster to include virtually the entire DC comic book universe. MV5BOTUyYzZlMDUtOTk2ZC00NGQxLTkxNzMtZmVmMjNjNWNhNGYzXkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_Obviously, since the show features the world’s greatest superheroes, you’ve got to come up with some pretty challenging foes for them to face. At the same time you’ve got to ensure that the characters maintain unique personas and don’t step over each other’s ground. This is not an easy task, especially when confined to the constraints of a kids’ show. The greatest weakness of the first season is the show’s inability to keep its characters distinct and interesting at the same time. Sure, it’s easy making Batman cool – and it never gets old – but its somewhat more difficult peeling the other characters apart. For example, Superman and Hawkgirl seem to be identical characters in terms of functionality. They both fly, are very strong, and can tear things apart. The only difference is that Hawkgirl uses a mace.MV5BMTYzMjA5NzEyNF5BMl5BanBnXkFtZTgwOTEwOTM2MjE@._V1_The best way to keep characters with overlapping powers interesting is to develop them as individuals. Sadly, the show’s first season seems more interested in flashy action than character development. Wonder Woman, Green Lantern, and J’onn J’onzz get some great moments, but The Flash, Superman, and Hawkgirl are left out in the cold. My personal pet peeve this season is that Superman gets dumbed down to the point of uselessness. Bruce Timm admits in the extras that they thought having Superman get beaten up so often would make their villains look even scarier. After all, if something can take down Superman it’s got to be tough. However, after a while Superman gets beat up so often that the “Super” is sapped out of him. If you see anything electrical it’s a guarantee that it will shock ol’ Supes and put him out of action. If you’re willing to forgive a few missteps (I certainly was) then you’ve got a real treat in store for yourself.MV5BODQ1Nzk0OGQtYWNmYy00N2M0LWFmYTgtZjA4MDhjYmVjNjUzXkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_In a wise move by the show’s producers, the first season (along with the second) is divided into a series of two-part episodes. This gives the show forty-four minute episodes in which to tell more complicated stories than would be possible in the standard twenty-two minutes. The result is a four disc set packed with high-flying superhero fun. From Injustice For All, where our heroes battle an evil society headed-up by a terminally diagnosed Lex Luthor, to The Enemy Below, where the League team up with Aquaman, this entire boxed set is full of great action and enjoyable comic book storytelling.MV5BYjQ4NmY2NzEtMTM1Yi00YzY2LWEyMjItZjlkODE3M2E1N2JmXkEyXkFqcGdeQXVyNTQ0NjQzNTE@._V1_If you’re willing to forgive some unbalanced character development then you’ll have a great time with this first season. Justice League is a very entertaining show that any fan of superhero animation should not be without. These guys were the world’s first superhero team and they set the template for everyone that came after. They were the best then, and thanks to this show, they’re the still the best today.

REVIEW: IMMORTALS

CAST

Henry Cavill (Man of Steel)
Mickey Rourke (Iron Man 2)
Stephen Dorff (Blade)
Freida Pinto (Rise of The Planet of The Apes)
Luke Evans (Dracula Untold)
John Hurt (Hellboy)
Joseph Morgan (The Originals)
Greg Bryk (Bitten)
Alan Van Sprang (Reign)
Peter Stebbings (Never Cry Werewolf)
Isabel Lucas (Mad Max: Road Fury)
Kellan Lutz (Legend of Hercules)
Steven Byers (Smallville)
Stephen McHattie (300)
Patrick Sabongui (The Flash)
Daniel Sharman (Teen Wolf)
Corey Sevier (The Northlander)
Mark Margolis (Breaking Bad)

MV5BMTY2NDE5MjEzMl5BMl5BanBnXkFtZTcwOTAxNTc5Ng@@._V1_SX1500_CR0,0,1500,999_AL_Eons after the Gods won their mythic struggle against the Titans, a new evil threatens the land. Mad with power, King Hyperion (Mickey Rourke) has declared war against humanity. Amassing a bloodthirsty army of soldiers disfigured by his own hand, Hyperion has scorched Greece in search of the legendary Epirus Bow, a weapon of unimaginable power forged in the heavens by Ares. Only he who possesses this bow can unleash the Titans, who have been imprisoned deep within the walls of Mount Tartaros since the dawn of time and thirst for revenge. In the king’s hands, the bow would rain destruction upon mankind and annihilate the Gods. But ancient law dictates the Gods must not intervene in man’s conflict. They remain powerless to stop Hyperion…until a peasant named Theseus (Henry Cavill) comes forth as their only hope. Secretly chosen by Zeus, Theseus must save his people from Hyperion and his hordes. Rallying a band of fellow outsiders – including visionary priestess Phaedra (Freida Pinto). I thoroughly enjoyed everything about this film from beginning to end. Tarsem knew exactly what he wanted and its evident in every shot. The cinematography was magnificent, the set design was superb and the costumes were just gorgeous. The fight scenes were definitely impressive .Henry Cavill did a great job as our hero. He had a strong presence. Mickey Rourke is always a good villain but i must say his performance topped any other he played as an antagonist. Luke evans brought a power to the screen as Zeus. Kellan Lutz, did a good job as Poseidon giving more depth than he does in the Twilight Saga. Freida Pinto and Isabel Lucas are both gorgeous and commanded the screen as our two leading ladies.
Charleg and Vlas Parlapanides did an excellent job writing the film. There were no cheesy lines or inane dialogue. Everything that happened in the film had a purpose. I was very impressed with the pacing if the film. Being only 98 minutes, it wasn’t too short or too long to do what it needed to do.  Overall, this movie is a wonderfully stylized, Greek fantasy.

REVIEW: WATCHMEN: TALES OF THE BLACK FREIGHTER / UNDER THE HOOD

 

 

 

TALES OF THE BLACK FREIGHTER

CAST (VOICES)

Gerard Butler (300)
Cam Clarke (He-Man 2003)
Jared Harris (Lincoln)

Rider-Time-Ryuki-Another-RyukiWatchmen was a great movie, and a great comic-book adaptation . It’s true that the metafictitious Tales Of The Black Freighter comic story was a marvellous little additional plot device which nicely mirrored The Watchmen’s main story and was allegorical of many of the main characters’ – specifically Ozymandias’ – bloody paths to becoming what they most hated, all paved with good intentions. It fitted nicely within the pages of the comic books and all was well-and-good. Tales Of The black Freighter was never likely to make it into the movie-proper though and – as much as those purist geeks may disagree – it is far from an essential part of the story, however much I may personally have liked to see it on celluloid. I was delighted, therefore, when I heard that, so dedicated were Zack Snyder and Co. to providing the closest possible rendering to the source text/art, that they would be releasing a near-coinciding straight-to-DVD animation of Black Freighter.MV5BODc2MmM2N2EtZGY1Yi00ZjdiLWI1MmMtODU5MTU2MTc2MTVjXkEyXkFqcGdeQXVyNTAyODkwOQ@@._V1_SX1777_CR0,0,1777,748_AL_Tales Of The Black Freighter is, like Watchmen, a painstakingly accurate re-telling of the meta-comic on which it is based, but I’m sure that this time the complaint will be that, when no longer juxtaposed in context to the principal narrative, the once well-timed symbolism somewhat loses it’s impact. They may well be right, of course, and maybe releasing this separately sold DVD – which also includes a well-conceived 1985 period-themed Under The Hood author’s spotlight feature – could be construed as a little cynical when the Black Freighter itself is a mere 20 minutes long, but then if it weren’t made available until bundled with the Watchmen’s DVD release then it couldn’t be viewed as a companion piece until long after the film had left the cinemas.MV5BYTNjM2I0YzMtMjU1NS00MjM4LTlmZjEtNzQzOGJlZTlhNDUwXkEyXkFqcGdeQXVyNTAyODkwOQ@@._V1_As an addendum to The Watchmen movie, Tales Of The Black Freighter entirely succeeds.

CAST

Ted Friend (Elf)
Stephen McHattie (300)
William S. Taylor (Scary Movie 3)
Matt Frewer (Jailbait)
Rob LaBelle (Jack Frost)
Carla Gugino (Sin City)
Jeffrey Dean Morgan (Texas Killing Fields)
Danny Woodburn (Mirror Mirror)
Niall Matter (The Predator)
Apollonia Vanova (Man of Steel)
Jay Brazeau (Bates Motel)
Frank Cassini (Timecop)

UNDER THE HOOD

 

DC put together this short documentary as a companion piece extra to the “source” of the film, which itself is a take-off on the in-between chapters of the Watchmen book. Hollis Mason, the original Nite Owl in Watchmen, writes an autobiography chronicling the history of the costumed heroes that are a big deal in the 40s, then becoming less of a “fad” in the 1950s and then being outlawed, all with the prose of who was originally a NYC police officer. It’s a series of interviews done in faux 1970 style TV (even includes a few “vintage” commercials, one of the three actually quite funny), with an interviewer who gets the actors playing the characters to improvise (or maybe it’s all written, I can see that very well being the case as well) on the subjects posed and raised. It’s fun to watch and a little clever. It’s a nice companion to the film.

REVIEW: WATCHMEN

 

CAST

Malin Ackerman (The Heartbreak Kid)
Billy Crudup (Almost Famous)
Matthew Goode (Match Point)
Jackie Earle Haley (Human Target)
Jeffrey Dean Morgan (The Losers)
Patrick Wilson (The Conjuring)
Carla Gugino (Sin City)
Matt Frewer (Jailbait)
Stephen McHattie (300)
Rob Labelle (Jack Frost)
Garry Chalk (Dark angel)
Chris Gauthier (Smallville)
Patrick Sabongui (The Flash)
Agam Darshi (Sanctuary)
Danny Woodburn (Mirror Mirror)
Laura Mennell (Van Helsing)
Robert Wisden (Highlander: The Series)
Jerry Wasserman (I, Robot)
Don Thompson (Slither)
Michael Kopsa (Fantastic Four)
Fulvio Cecere (Valentine)
Mark Acheson (Elf)
Jay Brazeau (Bates Motel)
Niall Matter (The Predator)
Apollonia Vanova (Man of Steel)
Carrie Genzel (Jennifer’s Body)
Frank Cassini (Timecop)
Sonya Salomaa (The Collector)
Michael Eklund (Arrow)
John Tench (Andromeda)
Jason Schombing (Sanctuary)
Colin Lawrence (Virgin River)
Alessandro Juliani (Smallville)
Sahar Biniaz (Blade: The Series)
Tom McBeath (Stargate SG.1)
Kevin McNulty (Snakes on a Plane)
Michael Adamthwaite (Supergirl)

66262-ycoiuhbnkq-1503295178Watchmen was easily the most hotly awaited picture of the first half of 2009, and I’ll readily admit that the dynamic yellow-and-red poster billboards around town generated a charge of anticipation that Savant hasn’t felt in years. That the film was not considered a runaway success doesn’t surprise me. A movie about superheroes that is neither consistently feel-good nor entertainingly funny is a hard sell. Other writers have noted that the Watchmen are relative unknowns in comparison to icons like Spiderman and Superman; there’s less of a built-in audience for them. Describing the Watchmen movie also suggests expressions like “intellectual puzzle” and “non-linear”. Large segments of the audience have little use for narrative complexities and historical irony.

What movie audiences do care about is action, and to compensate Watchmen ratchets up the graphic novel’s considerable violence. Bloody content limited to a single comic panel or two, looks like gore porn when turned into a film sequence.  Even with a few subplots deleted, Watchmen is so complicated that it bears comparison with David Lynch’s noble 1984 attempt to film Dune. Lynch got lost in wall-to-wall exposition and characters reduced to walk-ons. Watchmen avoids the same fate by closely following the original’s highly cinematic structure. Moore and Gibbons’ comic book panels made heavy use of devices familiar to moviegoers — parallel cutting, associative transitions.Watchmen is a multi-generational story of costumed superhero crime fighters. They got their start in the 1940s as “The Minutemen”, later formed another association called “The Watchmen” and then were outlawed in the early 1980s. Most have kept their anonymity in retirement. Nite Owl (Patrick Wilson), Silk Spectre (Malin Ackerman), Rorschach (Jackie Earle Haley), Ozymandias (Matthew Goode) and The Comedian (Jeffrey Dean Morgan) have no super-powers. The one Watchman who does is Dr. Manhattan (Billy Crudup), an “atomic man” who glows a soft blue color. A research scientist transformed into a near demigod by an experiment gone wrong, Dr. Manhattan wins the Vietnam War for Richard Nixon, allowing the President to run for a third term by popular demand. Most of Watchmen plays out as a science fiction alternate history tale, although the film drops a major Sci-Fi element from the final act.In 1985 an unknown assailant murders The Comedian. Defying the ban on costumed vigilantes, Rorschach warns the other Watchmen and puts pressure on the underworld to find out who is responsible. Dr. Manhattan breaks up with Laurie Jupiter (secretly the Silk Spectre) and abandons humanity to meditate on Mars. The Cold War goes into panic mode, as the U.S. and the Soviets are already at the brink of nuclear war, and Dr. Manhattan was America’s defense insurance policy. Laurie and Dan Dreiburg (secretly the Nite Owl) become an item. Frustrated by all the bad news, they ignore the ban and reassume their roles as crime fighters. Laurie and Dan spring Rorschach from prison and begin an investigation that leads to the activities of the millionaire technocrat Adrian Veidt, formerly Ozymandias.That synopsis doesn’t begin to touch the intricacies of Watchmen or its pleasing assortment of superheroes, that collectively flesh out a pantheon of comic book traditions. The Nite Owl is a kinder Batman type, a quiet millionaire who has engineered a flying vehicle and other crime-fighting gadgets. He’s actually following in the footsteps of the original Nite Owl, a two-fisted hero from the 1940s. The Silk Spectre is a Wonder Woman- like beauty with identity issues. She was pushed into her role by her flamboyant mother, the Silk Spectre of the Minuteman years. The corrupt Comedian lost sight of his crimefighting ethics and became a murderer, war criminal, rapist and dirty ops agent for Dick Nixon. The highly intelligent Ozymandias is also a fabulously wealthy international businessman under the name Adrian Veidt; he’s put his crime-fighting past on the public record and even sells Ozymandias toy action figures. Veidt considers himself a modern Alexander the Great.The most interesting Watchman is Rorschach, a seedy misanthrope who wears a strange mask that forms mysterious symmetrical patterns identical to a psychologist’s inkblot test. Now considered an outlaw vigilante, Rorschach keeps a bitter Travis Bickle-like diary and refuses to compromise on his mission to slay criminals. Between them the Watchmen cover numerous approaches to the concept of “masked crusaders” trying to function in a complex world. Director Zack Snyder  epitomizes the modern director who prepares computerized pre-visualization sequences, directs the live action, and waits for his technician-artisans to deliver test composites to critique. Elements that the director once had to make “come together” before a real camera on a real set can now be added, subtracted or altered almost indefinitely; the director of an effects-heavy film now functions as a creative manager. Snyder openly admits that his goal is to faithfully replicate the visions of other artists, which has prompted some to question exactly what he contributes artistically to the show. To the extent that Snyder still casts and directs the actors and decides when and when not to follow the graphic novel, he is actually much more “involved” than were many old-school studio directors. Even the biggest Hollywood names sometimes worked from locked scripts and often had little contact with projects before or after the actual filming. Considering how little opportunity for personal expression the Watchmen assignment afford, Snyder’s done a fine job.In this case, closely following the original was Snyder’s only choice. CGI allows the presentation of almost any visual, and the leagues of Watchmen fans wouldn’t have tolerated detours from their story. Most of Snyder’s adjustments are good ones. The strange sidebar tangent involving a “Black Freighter” horror comic has wisely been spun off into a separate direct-to-video production. To get out from under a mountain of plot complications, Snyder drops Adrian Veidt’s elaborate hoax on humanity that involves murdering an army of technicians that mock up the corpse of a gigantic space alien.Watchmen was somewhat overpowering in the movie theater, precisely because it is so close to the original. Instead of being taken in a new direction, I felt like Snyder was holding the book in front of my eyes and turning the pages for me. But movies of this kind are no longer made to be seen only once, and on a second viewing it was easier to simply watch what was happening, admire the classy designs and marvel at the excellent casting.

REVIEW: THE LIZZIE BORDEN CHRONICLES

MAIN CAST
Christina Ricci (The Addams Family)
Clea DuVall (The Faculty)
Cole Hauser (2 Fast 2 Furiuous)
GUEST / RECURRING CAST
John Heard (Prison Break)
Andrew Howard (Agents of S.H.I.E.L.D.)
Olivia Llewellyn (Penny Dreadful)
Jeff Wincott (S.W.A.T.)
Michael Ironside (Total Recall)
John Ralston (Bitten)
Bradley Stryker (Izombie)
Jessy Schram (Veronica Mars)
Jonathan Banks (Highlander: The Series)
Rhys Coiro (30 Days of Night: Dark Days)
Stephen McHattie (300)
Ronan Vibert (Hex)
Michelle Fairley (Game of Thrones)

What happens after Lizzie Borden takes an ax to her father and stepmother? Lifetime follows up its popular television movie from 2014 about the notorious accused murderess with an eight-episode miniseries sequel that becomes a guilty pleasure


Lizzie (Christina Ricci) has been cleared of all wrongdoing in those earlier killings, though the townspeople of Fall River, Mass. suspect that she’s gotten away with murder. Lizzie delights in her new infamy, taking all the shade-throwing stares in stride and scaring the local children as opportunity permits. Trouble comes quickly, however, when her father’s former business partner, William Almy (John Heard), makes claims on the Borden estate.  Suddenly, Lizzie and her sister, Emma (Clea DuVall), find themselves threatened with bankruptcy, which doesn’t please their deadbeat half brother, William (Andrew Howard), who has appeared out of the blue looking for a handout. As if that weren’t enough, there’s also the matter of the dogged Pinkerton agent Charlie Siringo (Cole Hauser), who has come to town with the express aim of proving Lizzie’s criminality. Even Better Call Saul’s Jonathan Banks shows up as a scarily temperamental gangster who does his best to intimidate Lizzie. What’s a girl to do in the face of all this threatening machismo but strengthen her resolve and sharpen ye ole hatchet? It’s not long into the first episode before Lizzie’s back to her murderous ways, bleeding men out with the well-placed stab of a hairpin or getting them drunk enough that they can more easily be pushed from high places with nooses around their necks.


The Lizzie Borden Chronicles best talent comes exclusively from Ricci and DuVall, who have a delectable rapport not too far removed from Bette Davis and Joan Crawford at their hag-horror peak in What Ever Happened to Baby Jane? Ricci’s porcelain-doll features make her seem even more alluringly alien now than she did as a child actress. There’s a winking self-consciousness to her portrayal of Lizzie that works to the character’s advantage; she’s like an out-of-time avenging angel, a feminist icon (before there were words to describe it) lashing out at patriarchy the only way she knows how. By contrast, DuVall is all plain-faced earnestness and the loving voice of reason that complements Lizzie’s lunacy, at least for now. It’s often tough to play the straight man to a more flashy companion, but DuVall does it exceptionally well.


The sisters’ relationship intrigues because it constantly seems on the point of implosion, and does come to a head by the end of the miniseries.