REVIEW: STARGATE SG.1 – SEASON 7

Starring

Richard Dean Anderson (MacGyver)
Amanda Tapping(Sanctuary)
Christopher Judge (The Dark Knight Rises)
Don S. Davis (Twin Peaks)
Michael Shanks (Smallville)

Michael Shanks in Stargate SG-1 (1997)

RECURRING / NOTABLE GUEST CAST

Corin Nemec (Parker Lewis Can’t Loose)
George Touliatos (This Means War)
Kevan Ohtsji (Elektra)
David Palffy (Blade: The Series)
Michael Adamthwaite (Supergirl)
Eric Breker (Scary Movie 3)
Cliff Simon (Project Eden)
Adrian Hough (the Fog)
Michael Welch (All The Boys Love Mandy Lane)
Tony Amendola (Annabelle)
Odi Ndefo (Angel)
David Richmond-Peck (V)
Christopher Heyerdahl (Sanctuary)
Peter LaCroix (Atomic TTrain)
Tiffany Lyndall-Knight (I, Robot)
James Parks (Kill BIll)
Michael Rooker (Guardians of The Galaxy)
Steven Williams (Jason Goes To Hell)
Alex Zahara (Horns)
Kavan Smith (Mission To Mars)
G. Patrick Currie (Dark Water)
Scott MacDonald (Jack Frost)
Peter Kelamis (Stargate Universe)
Benjamin Ayres (Saving Hope)
Patrick McKenna (Robocop: The Series)
Christine Adams (Black Lightning)
Jolene Blalock (Star Trek: Enterprise)
Kirsten Zien (Elektra)
Carmen Argenziano (House)
Bill Dow (Izombie)
Teryl Rothery (Arrow)
Zak Santiago (Caprica)
Enrico Colantoni (Veronica Mars)
Ingrid Kavelaars (Dreamcatcher)
John Novak (War)
Sasha Pieterse (Pretty Little Liars)
Craig Veroni (Dark Angel)
Emily Holmes (Paycheck)
Anna-Louise Plowman (Black Sails)
David DeLuise (Wizards of Waverly Place)
Sebastian Spence (First Wave)
Nels Lennarson (The Cabin In The Woods)
Saul Rubinek (True Romance)
Mitchell Kosterman (Smallville)
David Lewis (Man of Steel)
Adam Baldwin (Chuck)
Ronny Cox (Robocop)
Jim Byrnes (Highlander: The Series)
Kristen Dalton (Jack Reacher)
Brad Greenquist (Ali)
William Devane (Interstellar)
James McDaniel (Sleepy Hollow)
Robert Picardo (Star Trek: Voyager)
Jerry Wasserman (Alive)
Jessica Steen (Chaos)

Richard Dean Anderson in Stargate SG-1 (1997)That is the season when Daniel Jackson (Michael Shanks) returns from being an ascended being, albeit on an alien world without his memory (“Fallen”). This required getting rid of Jonas Quinn (Corin Nemec) to get the old gang back together again, which happens when Anubis download Jonas’ memory and the Goa’uld attack Kelowna (“Homecoming”). Wisely, this is not the last appearance of Jonas for the season (“Fallout”) as he becomes another one of recurring guest characters that are a major strength of the series.Don S. Davis, Amanda Tapping, and Michael Welch in Stargate SG-1 (1997)There are several Daniel Jackson stories that make a point of giving the actor interesting things to do, such as “Lifeboat,” where his mind becomes a resting place for a bunch of alien minds, “Enemy Mine,” which requires Jackson to show diplomatic skills, and big time flashbacks in “Chimera,” to before Daniel first saw the Stargate.Amanda Tapping in Stargate SG-1 (1997)Overall, Season 7 is really Samantha Carter’s season and Amanda Tapping has several episodes where she pretty much goes it alone. “Space Race” has her joining an alien pilot for a little intergalactic competition, while “Death Knell” finds Carter being hunted by the supers soldiers of Anubis after an attack on Earth’s secret off-world base. In “Grace” Carter literally ends up alone when the Prometheus is attacked and she wakes up to find herself the only one on a ship drifting in deep space. The other characters show up as the angels of her better nature, which is the only way that Sam and Jack are ever going to have an honest conversation.Richard Dean Anderson, Christopher Judge, Michael Shanks, and Amanda Tapping in Stargate SG-1 (1997)The whole Anubis/Lost City bit ends up being equal parts time to beat another bigger and badder system lord and find a fitting end point for the series that can also work as a transition to the spinoff.

REVIEW: CONAN THE ADVENTURER (1997)

MAIN CAST

Ralf Moeller (The Scorpion King)
Danny Woodburn (Watchmen)
Robert McRay (Legend of The Phantom)
Jeremy Kemp (A Bridge To Far)
T.J. Storm (VR Troopers)
Andrew Craig (The Toxic Avenger)

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RECURRING / NOTABLE GUEST CAST

Ally Dunne (V.I.P.)
Andrew Divoff (Wishmaster)
Edward Albert (Power Rangers Time Force)
Arthur Burghardt (Transformers)
Mickey Rooney (Nationel Velvet)
Vernon Wells (Mad Max 2)
Brad Greenquist (Alias)
Andrew Bryniarski (Batman Returns)
Paul Le Mat (Puppet Master)
Matthias Hues (Star Trek VI)
Ali Landry (Eve)
Brooke Burns (Baywatch)
Lou Ferrigno (The Incredible Hulk)
Eric Steinberg (Stargate SG.1)
Anthony De Longis (Masters of The Universe)
Angelica Bridges (Mystery Men)
Scott MacDonald (Jack Frost)
Claudette Mink (Children of The Corn 7)
Justina Vail (Seven Days)

xb3aghiq2wii23iaSyndicated television is often called the last bastion of poor writers in this modern age, much like the pulp fiction writers of years gone by were back in their day. This is not to say that syndicated television is always bad, just that the odds greatly favor such a global statement. The first example that comes to mind would be Black Scorpion but I’m sure you’re familiar with other shows like Sinbad, Robin Hood, and Lost World (an admittedly guilty pleasure). The 1990’s were the best years for fantasy shows in syndication due in large part to the success of Hercules and Xena; both of which proved profitable beyond the imagination of their creators. Is it any wonder that other producers sought to cash in as well? Such was the case with a single season show by the name of Conan The Adventurer, based on the writings of famed 1930’s pulp fiction writer, Robert E. Howard, a young man from the desolate plains of Texas.

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Mr. Howard created the mythic hero Conan as a character that could help free him from the shackles of poverty.His character of Conan evolved from another, King Kull, set in the same age of Atlantis era of 10,000 years ago, in epoch known as the Hyborian Age. Conan was a thief, a liar, and a barbarian in every sense of the word. His code of conduct was generally considered less than chivalrous with a “me first” attitude befitting the wild imagination of his writer, a man caught in the trappings of his time. Howard’s own description of the character was: “Some mechanism in my subconsciousness took the dominant characteristics of various prizefighters, gunmen, bootleggers, oil field bullies, gamblers, and honest workmen I had come in contact with, and combining them all, produced the amalgamation I call Conan the Cimmerian.” The world-view of such a man can only be placed in the proper context by understanding the effects of where he lived and the conditions the entire country were in, making more understandable the type of anti-hero that later was popularized in the Marvel comic books and art of Frank Frazetta. I think the rise of the anti-hero in the 1960’s attributed much to reviving such characters as Conan, a being thought up in 1931 by Howard, who only wrote 22 short stories in his later years (before he killed himself). With this in mind, let me turn to the television series this review is about:

Keeping in mind that the original character was a thief, cutthroat, mercenary that did anything asked of him for a price and ignored all social conventions that didn’t suit him (similar to the original Hercules being a power mad rapist drunkard), the show started off on the wrong foot with me by suggesting his “destiny was to free the oppressed” in the opening monologue since there’s nothing further from the truth in the original stories or in the previous movies starring famed bodybuilder-turned-Governor of California, Arnold Schwarzenegger. Given that a kinder and gentler version of the character would probably be the only way to get the series made, I started off watching the episodes a bit disgruntled but content that a watered down Conan might be better than no Conan at all, I figured how bad could it be considering all the other shows I enjoyed (even as guilty pleasures).
Conan (1997)
The show focused on Conan’s quest to find, and kill, a wizard, Hissah Zul (that was responsible for the death of his sweetheart and the guy responsible for all the ills in the world. Each week would find Conan and a mish mash of odd companions  fighting the minions of evil and cheap CGI effects as they continued on a path to dethrone the wizard. I watched the generic exploits of the cast as they went through the motions and about midway through the series; I actually started enjoying it way too much.
Conan (1997)
So, after watching the episodes as presented in the set (which were out of order from the air dates) and then as they were originally shown, I found the plot to make at least a little more sense in the DVD order they were aired in syndication. Keeping in mind that most, if not all, of the episodes borrowed heavily from the Marvel Comics versions as opposed to the pulp works of Howard. The show tried to be in line with a modern sensibility imposed on the age old character, an uneasy fit at times. While the humor was often as dry as Dilbert in its own way, I think this was what was lacking compared to the movies. Regardless, it was nice to see a show long lost into the archives of some vault given new life for fans of the genre, if not the actual character himself, and I doubt Robert E. Howard would’ve lost any sleep over the way his characters were evolved.