REVIEW: WOLVERINE AND THE X-MEN

MAIN CAST (VOICES)

Steven Blum (Marvel Anime)
Susan Dalian (Ultimate Avengers 2)
Jennifer Hale (Biker Mouse From Mars)
Danielle Judovits  (The Batman)
Tom Kane (Spider-Man: TAS)
Yuri Lowenthal (Bleach)
Nolan North (Young Justice)
Liam O’Brien (Sailor Moon Crystal)
Roger Craig Smith (Batman Unlimited)
Fred Tatasciore (Hulk Vs)
Kieren van den Blink (Anywhere but Here)
Kari Wahlgren (Last Exile)
Jim Ward (Wall-E)

RECURRING / NOTABLE GUEST CAST

Charlie Adler (Transformers)
Tamara Bernier Evans (As You Like It)
Clancy Brown (Highlander)
A.J. Buckley (Happy Feet)
Corey Burton (Jutsice LEague Unlimited)
Grey DeLisle (Megas XLR)
Alex Désert (The Flash)
Richard Doyle (Ben 10)
Chris Edgerly (Dr. Dolittle 3)
Crispin Freeman (Hellsing)
Kate Higgins (Eureka Seven)
Mark Hildreth (V)
Michael Ironside (Total Recall)
Phil LaMarr (Free Enterprise)
Gabriel Mann (Dominion)
Graham McTavish (The Hobbit)
Phil Morris (Smallville)
Kevin Michael Richardson (The Cleveland Show)
Tara Strong (Batman: TAS)

The story begins with Rogue and Wolverine having an argument about him leaving. When Wolverine goes to Charles and Jean Grey get headaches. An explosion occurs, and Charles and Jean disappear. The resulting trauma caused the X-Men team to disband and go their separate ways, leaving Xavier’s once highly revered league of mutant peace preservers out of commission. Due to the loss of the Professor, Jean, and severe damage to the mansion, many of the X-Men have withered in their faith towards the stability of their former team and have since detached themselves from their former community. Some examples include Cyclops’ subsequent isolation resulting from Jean’s disappearance, Storm’s relocation back to her home continent of Africa, and Iceman’s move back into his parents’ home in the quiet suburbs.
One year later, the MRD (short for the Mutant Response Division), a government-supported organization created for the detainment and subsequent registration of existing mutants, begins capturing mutants from all over the country in response to the countless human protesters determined to protect the safety of humankind. This course of action causes Wolverine and Beast to ally and resolve to bring the once defunct X-Men team back together again. Meanwhile, Rogue is in the street and attacked by the Brotherhood of Mutants. They trick her into joining them, and she later smiles devilishly as she enters their base, appearing to have switched allegiance to become an evil mutant. Thanks to the generosity, wealth, and resourcefulness of Angel, the slowly reforming X-Men team begins to see a promising return to its former glory with the rejoining of junior members Iceman, Shadowcat and Forge along with the reconstruction of the previously demolished Xavier Institute. Unfortunately, without the necessary capabilities of a competent telepath to operate Cerebro, the possibility of locating some of the more globally scattered X-Men members along with the missing Charles Xavier and Jean seems all but a pipe dream.
Fortunately, this problem does not last for very long when Emma Frost, the beautiful former Headmistress of a now inactive mutant school of her own in Massachusetts, makes a surprising appearance on the doorstep of the Mansion with an interesting proposal: membership with the X-Men in exchange for utilizing her telepathy to pinpoint the missing Xavier’s whereabouts. Upon the team’s – and particularly Wolverine’s – reluctant acceptance of the offer, Emma’s efforts prove successful as she is able to locate a comatose Charles on the shores of Genosha in the care of Magneto. After their arrival on Genosha and a short confrontation with the Master of Magnetism himself, Magneto eventually permits the X-Men to take his old friend’s body back to the sanctity of the Mansion where he is certain that Xavier will be placed in proper care. Upon their return, Xavier telepathically contacts the X-Men twenty years from the present in an alternate dystopian future and informs Wolverine that he is to lead and reunite the X-Men if they wish to successfully prevent the inevitable war that will cause the world to fall under the domination of Master Mold and the Sentinels.
Throughout the course of the entire season, Emma’s role as the X-Men’s primary acting telepath enables the team to relocate the rest of the other members in the hopes of reforming once again and assisting in Xavier’s cause. While some were met with initial hesitancy such as with Nightcrawler, others such as Storm were more than willing to accept the offer once Xavier’s vision had been put into perspective. The X-Men overcome many hardships and obstacles along the way upon achieving their ultimate goal of relocating Jean and finally revealing the truth surrounding the mystery of the Mansion’s cause for explosion along with Xavier and Jean’s subsequent disappearances. Meanwhile, Magneto welcomes new mutants to Genosha, amongst whom is Nightcrawler. Magneto claims that Kenosha is a safe and secure area for mutants, rather than a threat. At first Nightcrawler believes this, but upon closer inspection Genosha is exposed as a method used by Magneto to use mutant’s powers. Nightcrawler escapes, but is captured by Mystique when he arrives back at the mansion.

Next, Wolverine had some sights of the past and with the help of Emma, he went to unveil the truth of his sightings. In the course, he met a lone mutant girl, and a past friend Sabretooth and finally unleash the truth of his past to a certain extent. In next, Cyclops has sad past about Jean, and he always thought that she is still alive. So, with the help of Emma, he went along Mister Sinister. The heavy fight between X-Men and Mister Sinister finished without the actual goal. Wolverine takes an oath from Cyclops to be in the X-Men and not to search for Jean. In the last scenes, Jean wakes up in a hospital after months in a coma.
It is later revealed in the three-part first season finale “Foresight” that the previously assumed attack on the Mansion was not from the efforts of a third party, but rather from the result of Jean who unwittingly releases the immense and highly destructive strength and power of the Phoenix Force, that originally lay dormant deep within her subconscious, in an attempt to halt an oncoming telepathic attack led by Emma (who was secretly working as a double agent for the Inner Circle and the Stepford Cuckoos). Along with Sebastian Shaw, Selene, Harry Leland, and Donald Pierce, it was the Inner Circle’s utmost duty to not only obtain the power of the Phoenix Force by abducting Jean from the protection of Xavier and the Mansion, but to also obliterate the ancient being’s existence before it could fully mature and consequently bring forth unparalleled destruction onto the world as it had done numerous times in the past throughout Earth’s history. However, in a move that was completely unknown to Emma at the time, the rest of the Inner Circle members all shared an entirely different and more sinister vision than Frost had initially believed: to control and manipulate the power of the Phoenix Force and have it cater to their own hidden agenda.Upon realizing the error of her ways, Emma betrays the Inner Circle and attempts to redeem herself in the eyes of the X-Men by not only rescuing Jean but, by also following through with her original plan of destroying the cosmic entity before it could mature. Unfortunately, her actions result in her apparent death. Rogue apologizes to Wolverine, and finally rejoins the X-Men for good. The now fully reformed X-Men are praised for their actions by Professor Xavier, but are warned of a new danger approaching: the Age of Apocalypse.Wolverine and the X-Men was a quite underrated animated series, which certainly deserved much more success than it got. I mean, this series at least deserved to have another season, but sadly it was cancelled too soon, despite having a high level of quality, good animation.

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REVIEW: CAPTAIN AMERICA: CIVIL WAR

CAST

Chris Evans (The Losers)
Robert Downey, Jr (Sherlock Holmes)
Scarlett Johansson (Lucy)
Sebastian Stan (The Covenant)
Anthony Mackie (The Hurt Locker)
Don Cheadle (Traffic)
Jeremy Renner (The Bourne Legacy)
Chadwick Boseman (Gods of Egypt)
Paul Bettany (Legion)
Elizabeth Olsen (Silent House)
Paul Rudd (Role Models)
Emily VanCamp (Revenge)
Tom Holland (The Impossible)
Frank Grillo (The Purge 2 & 3)
William Hurt (A.I.)
Daniel Brühl (Inglourious Basterds)
John Slattery (Mad Men)
Martin Freeman (The Hobbit)
Marisa Tomei (The Fighter)
John Kani (Coriolanus)
Hope Davis (About Schmidt)
Alfre Woodard (Star Trek: First Contact)
Jim Rash (That 70s Show)
Stan Lee (Avengers Assemble)

In 1991, the brainwashed super-soldier James “Bucky” Barnes is dispatched from a Hydra base in Siberia to intercept an automobile carrying a case of super-soldier serum. In the present day, approximately one year after Ultron’s defeat in the nation of Sokovia at the hands of the Avengers, Steve Rogers, Natasha Romanoff, Sam Wilson, and Wanda Maximoff stop Brock Rumlow from stealing a biological weapon from a lab in Lagos. Rumlow blows himself up, hoping to kill Rogers. When Maximoff tries to displace the blast into the sky with telekinesis, it destroys a nearby building, killing several Wakandan humanitarian workers.
U.S. Secretary of State Thaddeus Ross informs the Avengers that the United Nations (UN) is preparing to pass the Sokovia Accords, which will establish a UN panel to oversee and control the team. The team is divided: Tony Stark supports oversight because of his role in Ultron’s creation and Sokovia’s devastation, while Rogers has more faith in his own judgment than that of the government. At a conference in Vienna where the accords are to be ratified, a bomb kills King T’Chaka of Wakanda. Security footage indicates the bomber is Barnes, whom T’Chaka’s son, T’Challa, vows to kill. Informed by Sharon Carter of Barnes’ whereabouts and the government’s intentions to kill him, Rogers intends to bring in Barnes—his childhood friend and war comrade—himself. Rogers and Wilson track Barnes to Bucharest and attempt to protect him from T’Challa and the authorities, but all four including T’Challa are apprehended.
Helmut Zemo tracks down and kills Barnes’ old Hydra handler, stealing a book containing the trigger words that activate Barnes’ brainwashing. Infiltrating the facility where Barnes is held, Zemo recites the words to make Barnes obey him. He questions Barnes, then sends him on a rampage to cover his own escape. Rogers stops Barnes and sneaks him away. When Barnes regains his senses, he explains that Zemo is the real Vienna bomber and wanted the location of the Siberian Hydra base, where other brainwashed “Winter Soldiers” are kept in cryogenic stasis. Unwilling to wait for authorization to apprehend Zemo, Rogers and Wilson go rogue, and recruit Maximoff, Clint Barton, and Scott Lang to their cause. With Ross’ permission, Stark assembles a team composed of Romanoff, T’Challa, James Rhodes, Vision, and Peter Parker to capture the renegades. Stark’s team intercepts Rogers’ team at Leipzig/Halle Airport, where they fight until Romanoff allows Rogers and Barnes to escape. The rest of Rogers’ team is captured and detained at the Raft prison, while Rhodes is partially paralyzed after being inadvertently shot down by Vision, and Romanoff goes into exile.

Stark discovers evidence that Barnes was framed by Zemo and convinces Wilson to give him Rogers’ destination. Without informing Ross, Stark goes to the Siberian Hydra facility and strikes a truce with Rogers and Barnes, unaware they were secretly followed by T’Challa. They discover that the other super-soldiers have been killed by Zemo, who shows them footage from Hydra’s archives; it reveals that Barnes killed Stark’s parents during his mission in 1991. Enraged that Rogers kept this from him, Stark turns on them both, dismembering Barnes’ robotic arm. Rogers disables Stark’s armor and departs with Barnes, leaving his shield behind. Satisfied that he has avenged his family’s death in Sokovia by irreparably fracturing the Avengers, Zemo attempts suicide, but T’Challa stops him and he is taken to the authorities.

In the aftermath, Stark provides Rhodes with exoskeletal leg braces that allow him to walk again, while Rogers breaks his allies out of the Raft. In a mid-credits scene, Barnes, granted asylum in Wakanda, chooses to return to cryogenic sleep until a cure for his brainwashing is found. In a post-credits scene, Parker tests a new gadget.

The best Marvel film to date: great, charisma from the leads delivered through fantastic action that’s actually driven, for once, by a tight, believable and interesting storyline.

REVIEW: IRON MAN (1994)

CAST (VOICES)

Robert Hays (Airplane)
James Avery (The Fresh Prince of Bel-Air)
Ed Gilbert (Transformers)
Robert Ito (Batman: TAS)
Dorian Harewood (Sparkle)

RECURRING / NOTABLE GUEST STARS

Sarah Douglas (Superman 1 & 2)
Matt Frewer (Taken)
Neal McDonough (Arrow)
Ron Perlman (Hellboy)
Efrem Zimbalist Jr. (Batman: TAS)
David Warner (Teenage Mutant Ninja Turtles II)
Lisa Zane (Monkeybone)

Although only lasting two seasons, Iron Man was the subject of a major overhaul between seasons when its production studio was changed. The result was a massively changed premise, tone, and general approach, which left the disparate seasons scarcely recognizable as being two halves of the same series.

The first season of Iron Man featured little more than a Masters of the Universe-style battle of “good against evil”, as billionaire industrialist Tony Stark battled the evil forces of the world-conquering Mandarin as the armored superhero, Iron Man. In his evil endeavors to steal Stark’s technology and Iron Man’s armor, the Mandarin led a group of villains consisting of Dreadknight, Blizzard, Blacklash, Grey Gargoyle (when it comes to fighting Iron Man and his team, he has a tendency to accidentally turn his fellow villains to stone), Hypnotia (Dreadknight and Blacklash were rivals for the affections of Hypnotia), Whirlwind, Living Laser, MODOK, Fin Fang Foom and Justin Hammer. To combat these villains, Iron Man had the help of his own team (based on Force Works, a then-current comic book team which has since faded into obscurity), including Century, War Machine, Scarlet Witch, Hawkeye (replacing U.S. Agent from the comics) and Spider Woman.

The season consisted mostly of single-episode open-and-shut-case adventures, with two two-part stories late towards the end. Unlike many other Marvel animated series, despite featuring over-the-top titles that paid homage to the early Stan Lee written Marvel comics of the 1960s (for example, “The Grim Reaper Wears a Teflon Coat”, and “Rejoice, I am Ultimo, Thy Deliverer”), almost none of the episodes were adaptations of comic book stories, consisting instead of original stories penned by Ron Friedman, occasionally collaborated on by Stan Lee himself. The closest the season came to adapting a comic book tale was in the two-part “The Origin of Iron Man”, which recounted a (modified and modernized) version of the character’s comic book origin  just before the season concluded.

This late-run recounting of the title character’s origin is symptomatic of what is generally thought of as the season’s greatest weakness – despite (or perhaps because of) having such a large cast of characters, very few of the show’s heroes and villains were actually developed in any way, leaving viewers unaware of their personal stories and powers. The show is generally held to have been at its best when filling in these origin blanks (MODOK in “Enemy Without, Enemy Within,” Iron Man and the Mandarin in their self-titled “The Origin of…” episodes), but these were rare occasions, with virtually every other plot simply consisting of the Mandarin attempting to steal Stark’s newest invention and being bested, often through very strange and illogical means (with the nadir perhaps being Iron Man somehow using the energy of a small tape-player to restore his armor to full power in “Silence My Companion, Death My Destination”).

A small sub-plot in the first season revolves around Mandarin secretly spying on Force Works. It culminates in “The Wedding of Iron Man” when Stark realizes they have been spied on by reviewing events from previous episodes (and explaining how Mandarin’s forces always knew where they would be), realising that Mandarin has acquired enough information to potentially deduce the true identity of Iron Man. The entire episode’s plot is dedicated to resolving the problem, culminating in Iron Man and his team setting up an elaborate deception where Mandarin sees Iron Man and Tony Stark in the same place with the intention being to convince him that the two men are not the same person (The ‘Tony’ in the situation was an android).

In 1995, Marvel switched The Marvel Action Hour to a new animation studio (as previously mentioned, the animation in Season 1 was provided by the Rainbow Animation Group, while the animation in Season 2 was provided by Koko Enterprises), and with it came new writers (Ron Friedman was replaced by Tom Tataranowicz for Season 2) and new music for each sequence, coupled with a new direction for the series. The first season’s subtle keyboard theme music for Iron Man (composed by progressive rock artist Keith Emerson) was replaced by an intense electric guitar theme featuring the repeated refrain of “I am Iron Man!”, while showing Tony Stark beating red-hot iron plates into shape with a blacksmith’s hammer (possibly to mimic the Black Sabbath song “Iron Man”). Tony Stark’s longer hair style in the second season was based upon the artist Mark Bright’s depiction of Stark from the late 1980s, which is where most of the episodes from Season 2 were based upon.

The new story lines spanned multiple episodes and were no longer “open and shut” cases. They formed a linking narrative, featuring themes of duplicity, consequence, and phobias. Also, the stories were no longer centered on the Mandarin, whose rings had been scattered and whose power had been depleted. While the Mandarin did appear in these episodes, his appearances were reduced to cameos in the cliffhangers at the end of the story, as he tried to retrieve each ring.

Another change was that Force Works was mostly written out of the series, parting ways with Stark after he deceives them in order to work in secret with the Mandarin when Fin Fang Foom and his fellow Dragons were plotting to eliminate Earth. When Stark’s counter plan against Justin Hammer, which includes faking his death without the knowledge of his teammates, leads to a disbanding of Force Works, Julia Carpenter and James Rhodes are the only ones who continue to work with Stark. This split would be revisited with Stark’s ensuing conflicts with Hawkeye over the course of several episodes.

Also, War Machine develops a phobia of being trapped inside his armor (also based on a then-current comic storyline), but this is resolved before the final episode. While Rhodes was active as War Machine in Season 1, he remained out of armor for the majority of Season 2 due to reliving a tragic drowning experience while being trapped underwater in the War Machine armor in the Season 2 episode “Fire And Rain”. Rhodes eventually overcomes his fear and dons the War Machine armor once again in the episode “Distant Boundaries”.

Prior to finding his last two rings, the Mandarin claims his eighth ring from MODOK in the episode “Empowered”. “Empowered” was the clip show of the season, the purpose being that the Mandarin wanted to learn of Iron Man’s recent activities. In the finale,[9][10] the Mandarin, having regained all of his rings, unleashes a mist using the Heart of Darkness to render everything technological useless. Iron Man reunites with Force Works in order to stop him. The Mandarin unmasks Iron Man before their final showdown ends in his death. More specifically, Iron Man manages to reflect the power of Mandarin’s rings, destroying them, and ultimately leaving the Mandarin with amnesia and helpless before a band of desert bandits who likely killed him, or at least cut off his hand/fingers for the rings. After Mandarin was killed, MODOK and the rest of Mandarin’s henchmen were sent to jail. After disappointing ratings, the series was canceled.

After twenty six episodes, Iron Man the animated series remains a very mixed bag. Blame for this shows disappointing quality can be attributed to constrictions placed upon the writers to feature as many Iron Man suits as possible in each episode as free publicity for the toys. On the bright side, it got better, allowing the audience at least 13 episodes of decent animated entertainment.

REVIEW: X-MEN: EVOLUTION – SEASON 1-4

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CAST (VOICES)

David Kaye (Happy Gilmore)
Kirby Morrow (Ninja Turtles: Next Mutation)
Venus Terzo (Arrow)
Brad Swaile (Zoids)
Maggie Blue O’Hara (My Little Pony Tales)
Neil Dneis (Stargate SG.1)
Scott McNeil (Beast Wars)
Kirsten Williamson (Juno)
Meghan Black (Elf)
Michael Kopsa (Apollo 18)


RECURRING / NORABLE GUEST CAST

Noel Fisher (Teenage Mutant Ninja Turtles)
Christopher Judge (Stargate SG.1)
Alessandro Juliani(Smallville)
Michael Adamthwaite (BLack Xmas)
Megan Leitch (IT)
Mark Hildreth (V)
John Novak (Wishmaster 3 & 4)
Jim Byrnes (Highlander: The Series)
Teryl Rothery (Stargate SG.1)

UntitledThe first season introduces the core characters and lays the foundations for future story lines. Professor X, Cyclops, Wolverine, Storm and Jean Grey make up the original X-Men. As the season develops, the ranks of the X-Men are bolstered by the appearance of Nightcrawler in the first episode,[2] Shadowcat in the second, Spyke in the fifth, and Rogue (who originally joins the Brotherhood in the fourth episode) in the third. In the later episodes of this season, Nightcrawler discovers the identity of his birth mother, Wolverine finds answers to his past, Rogue switches sides to join the X-Men and Xavier’s half-brother, Juggernaut, is released from his prison.UntitledConfrontations are typically with the Brotherhood, who vie for new recruits with the X-Men over the course of the season. Toad is the first to be introduced, followed by Avalanche, Blob and Quicksilver. The Brotherhood, led by Mystique, are in fact being directed by a higher power, the identity of whom was “revealed” in the two-part season finale as being Magneto. After Cyclops discovers that his brother Alex actually survived the plane crash that killed their parents, they are both taken by Magneto into his “sanctuary” on Asteroid M. Magneto captures several X-Men and Brotherhood members in an attempt to amplify their mutant abilities and remove their emotions. The Brotherhood and X-Men show up leaving Magneto, Sabretooth and Mystique trapped on the asteroid. Asteroid M is destroyed by Scott and Alex Summers, but not before two metal spheres fly from the exploding asteroid.

UntitledThe second season sees the addition of several new mutants, including Beast, who becomes a teacher at the Xavier Institute and an X-Man, as well as a version of the New Mutants: Boom Boom, Sunspot, Iceman, Wolfsbane, Magma, Multiple, Jubilee, Berzerker, and Cannonball. During the course of the season, it is revealed that the villains who supposedly perished on Asteroid M are actually alive. Sabretooth continues his pursuit of Wolverine, while Magneto continues to work his own agenda. Mystique poses as Risty Wilde, a high school student at Bayville High who befriends Rogue and breaks into the mansion to steal Xavier’s Cerebro files. Using the files, she recovers Wanda Maximoff, the Scarlet Witch, Magneto’s daughter and Quicksilver’s sister. The mentally unstable mutant joins the Brotherhood upon Mystique’s return, allowing them to defeat the X-Men in a battle at the Bayville Mall. Before the finale, a pivotal episode aired featuring the telepath Mesmero opening one of three doors that would unleash a mutant known as Apocalypse.

UntitledIn the season finale, Xavier rigorously trains his X-Men to face Magneto, pairing them with the Brotherhood. Cyclops, furious with having to work with his former adversaries, leaves the team. The mansion is later set to self-destruct with Cyclops and several students still inside. Magneto, meanwhile, recruits Sabretooth, Gambit, Pyro and Colossus as his Acolytes to fight the X-Men/Brotherhood team. At the same time, Wolverine is captured by Bolivar Trask to use as a test subject for the anti-mutant weapon, the Sentinel. Magneto continues to manipulate events by unleashing the Sentinel onto the city, forcing the X-Men to use their powers in public. Wanda tracks down Magneto and attacks him while he is trying to deal with the Sentinel that is targeting him. The Sentinel is damaged and apparently crushes Magneto as it falls. When the mutants who have not been captured by the Sentinel return to the remains of the mansion, Cyclops and the students emerge from the explosion with minor injuries. Scott throws Xavier from his wheelchair and blames him for blowing up the mansion. Everyone is shocked as Xavier calmly stands up, transforming into Mystique.

In seasons three and four, the show notably begins to take a much more serious tone. After the battle with the Sentinel, the mutants are no longer a secret and public reaction is one of hostility. The show is brought into more traditional X-Men lore, dealing with themes of prejudice, public misconception, and larger threats. As the season progresses, the real Xavier is found, Mystique is defeated, the mansion is rebuilt, and the X-Men allowed back into Bayville High. Wanda continues to search for Magneto, who she discovers was saved by Quicksilver at the last second, until Magneto uses the telepathic mutant Mastermind to change her childhood memories. Scott and Jean develop a stronger and closer romantic relationship (particularly after Mystique kidnaps Scott and brings him to Mexico), and Spyke leaves the X-Men when his mutant ability becomes uncontrollable, deciding to live with the sewer-dwelling mutants known as the Morlocks.

 

As part of the series arc, Rogue loses control of her powers, leading to her hospitalization. During this time, she learns that she is in fact Mystique’s adoptive daughter. Mystique, through the visions of the mutant Destiny, foresaw that the fate of Rogue and herself lay in the hands of an ancient mutant that would be resurrected. Apocalypse emerges in the season’s final episodes. Mesmero manipulates Magneto into opening the second door, and uses Mystique and a hypnotized Rogue to open the last, turning Mystique to stone in the process. Now released, Apocalypse easily defeats the combined strength of the X-Men, Magneto, the Acolytes, and the Brotherhood before escaping

The final season contained only for nine episodes. In the season premiere, Apocalypse apparently kills Magneto while Rogue murders Mystique by pushing her petrified figure off a cliff, leaving Nightcrawler without closure. The Brotherhood become temporary do-gooders, Wolverine’s teenage girl clone X-23 returns, Spyke and the Morlocks rise to the surface, Shadowcat discovers a mutant ghost who is found in an underground cave, Rogue is kidnapped by Gambit and taken to Louisiana to help free his father, and Xavier travels to Scotland in order to confront his son David. The character Leech is also introduced as a young boy named “Dorian Leach”.

In the finale, Apocalypse defeats Xavier and Storm, transforming them, along with Magneto and Mystique, into his Four Horsemen. Apocalypse instructs his Horsemen to protect his three domes and his ‘base of operations’, which will turn the majority of the world population into mutants. In the final battle, the Horsemen are returned to normal and Apocalypse is sent through time. Rogue and Nightcrawler refuse the excuses of their mother, Shadowcat and Avalanche find love once again, Magneto is reunited with Quicksilver and the Scarlet Witch, Storm and Spyke are also reunited, and Xavier sees his students reunited as the X-Men.

 

X-Men: Evolution may not hold a candle to the 90s series, but on its own merits it is decent. I can see why people dislike it as even on its own terms it does have glaring flaws, but I do think it should be judged on its own rather than being compared all the time. Okay, Season 1 wasn’t brilliant, there was a lot of cheesy dialogue, slow and melodramatic story lines, not enough Wolverine, a great character, and too much of Spike, one like Kitty that annoys me to no end, plus Rogue seems bland to me in this series. However, Season 2 onward was much stronger, the pacing is much crisper, the action scenes are exciting, the writing was a little more intelligent.

REVIEW: X-MEN: THE ANIMATED SERIES – SEASON 1-5

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CAST

Cedric Smith (Mutant X)
Norm Spencer (Rescue Heroes)
Catherine Disher (The Good Witch)
Cathal J. Dodd (Goosebumps)
Iona Morris (Robotech)
Alison Sealy-Smith (This Is Wonderland)
Chris Potter (The Waiting Game)
Tony Daniels (Yin Yang Yo!)
Alyson Court (Elvis Meets Nixon)

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RECURRING / NOTABLE GUEST STARS

John Colicos (Battlestar Galactica)
Jeremy Ratchford (Cold Case)
Lawrence Bayne (Highlander: TAS)
Barry Flatman (Odyssey 5)
Richard Epcar (Power Rangers)
David Hemblen (Earth: Final Conflict)
Don Francks (La Femme Nikita)
Frank Welker (The Simpsons)
Len Carlson (Swamp Thing: TAS)
Susan Roman (The Racoons)
Dennis Akiyama (Pxiels)
Nigel Bennett (Andromeda)
Maurice Dean Wint (Robocop: Prime Directives)
Philip Akin (Highlander: The Series)

 

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I recently watched through the entire 90’s x-men Animated Series for the first time. So does the show hold up for someone who didn’t watch it when it first aired? Is it still a good show? Overall, the show is really good. It was also revolutionary as it was one of the first animated TV shows to have a continuing storyline throughout the first few seasons.

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Rather than creating exclusively new story lines, the show based most of its episodes on well known events from the comics. Stuff like the ultra-famous dark phoenix saga all the way to a modified version of Days of Future Past that included the time traveling mutant Bishop. Most of the episodes changed details here and there to keep thing simple, but the basic premise remains the same.

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The animation is a mixed bag. On the one hand, still shots look very good for a 90s cartoon. Both characters and environments are finely detailed and even facial expressions are usually well done. On the other hand, it doesn’t look too good in motion. The frame-rate is often choppy and at times characters in the background are just standing still. There are occasional continuity errors as well, like characters swapping outfits between shots (the episode titled “Nightcrawler” comes to mind).

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Characters are generally portrayed well in the TV show. The main team consists of Professor X, Cyclops, Jean Grey, Wolverine, Beast, Storm, Gambit, Rogue, and Jubilee. Professor X, Wolverine, Cyclops, Jean Grey, Beast and Gambit are all portrayed well in the show. I found some of their voice actors were a little off-putting at first, but as I watched they grew on me. Rogue probably has the best voice acting of the bunch.

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I wasn’t quite as fond with the portrayal of Storm or Jubilee however. Storm was alright, but having her constantly talk about what she was commanding the weather to do is annoying at times. Does she have to verbally command the wind every time she blasts enemies with it? I get that she’s a bit of a showoff and that’s part of her charm, but still.

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The show has a great spotlight of different villains as well. It features everyone from mega villains like Magneto, Mr. Sinister, and Apocalypse to smaller villains like Vertigo, the Juggernaut, and even the Brood. The show even mentions the Juggernaut’s relationship to Xavier (they’re step brothers). Mr. Sinister in particular is very well portrayed in the series, and we even get an origins episode in season five (heavily modified of course).

If you have any interest in the X-men and want to try out the comics, this is a decent show for finding out some of the franchises back-story. It’s rarely as good as the original stories it’s based on, but it’s easier to find and for the most part, it’s an easy watch.

REVIEW: CAPTAIN AMERICA (1966)

CAST (VOICES)

Sandy Becker (The Beagles)
Paul Kligman (Spider-Man 60s)
Paul Soles (The Score)
John Vernon (Dirty Harry)
Bernard Cowan (20,000 Leagues Under The Sea)
Peg Dixon (Strange Paradise)
Chris Wiggins (Babar)

The graphics during the cheesy but patriotic and memorable opening theme tune are a clue to what to expect from this 1966 cartoon series. Basically it is a cartoon version of several tales involving Captain America taken from the early years of Tales of Suspense and The Avengers.


It was great to see animated versions of several of Cap’s early triumphs, well animated in the sense of moving comic book images. Included here are several tales set in WWII involving The Red Skull who wears a sanitised version of the costume he wore in the original comic and Adolf Hitler’s role in the Skull’s origin has oddly been replaced by some generic Nazi figure. These tales also feature Cap’s sidekick Bucky Barnes. From the 1960’s C.A. takes on Batroc and the Red Skull again with his Sleepers and the Cosmic Cube, featuring A.I.M.


It also includes several tales from The Avengers. There is an edited version of Cap’s silver age re-appearance in Avengers #4 (minus the Sub-Mariner’s role) the other tales involve Zemo and his Masters of Evil (The Black Knight, Radioactive Man and the Melter), the Commissar, Super Adaptoid, Enchantress and Power-Man and ending with the Sworsdman and the Mandarin. Several versions of the Avengers are seen with Thor, Iron Man, Giant-Man and The Wasp, Hawkeye, Quicksilver and the Scarlet Witch….. even Rick Jones and Jarvis. The only downside of the Avengers tales is the daft voice given to Giant-Man. Just watch how the Wasp’s costume changes over even this short period of time. All 13 episodes are included here and I highly recommend it, just don’t expect Pixar quality animation

REVIEW: THE SUPER HERO SQUAD SHOW – SEASON 1-2

CAST (VOICES)

Charlie Adler (Wall-e)
Alimi Ballard (Sabrina: TTW)
Steven Blum (Wolverine and the X-Men)
Dave Boat (Ultimate Spider-Man)
Jim Cummings (Darkwing Duck)
Grey DeLisle (The Fairly Oddparents)
Mikey Kelley (Gravity Falls)
Tom Kenny (The Batman)
Stan Lee (Avengers Assemble)
Tara Strong (Batman: The Killing Joke)
Travis Willingham (Dragon Ball Z)

RECURRING / NOTABLE GUEST CAST

Shawn Ashmore (X-Men)
Dee Bradley Baker (American Dad)
John Barrowman (Arrow)
A.J. Buckley (Disturbing Behavior)
Ty Burrell (Muppets Most Wanted)
LeVar Burton (Star Trek: TNG)
Taye Diggs (Private Practice)
Michael Dorn (Ted 2)
Suisan Eisenberg (Justice League)
Carl Lumbly (Alias)
Robert Englund (A Nightmare on Elm Street)
Jonathan Frakes (Star Trek: TNG)
Greg Grunberg (Heroes)
Nika Futterman (Futurama)
Mark Hamill (Star Wars)
Lena Headey (Game of Thrones)
Tricia Helfer (Powers)
Cheryl Hines (The Ugly Truth)
Josh Keaton (Justice League: Gods and Monsters)
Wayne Knight (3rd rock from The Sun)
Maurice LaMarche (Futurama)
Phil LaMar (Free Enterprise)
Jane Lynch (Glee)
Jason Marsden (Full House)
James Marsters (Smallville)
Jennifer Morrison (Urban Legends 2)
Scott Menville (Teen Titans)
Jim Parsons (The Big Bang Theory)
Adrian Pasdar (Heroes)
Kevin Michael Richardson (The Cleveland Show)
Katee Sackhoff (Battlestar Galactica)
Kevin Sorbo (Hercules: TLJ)
Ray Stevenson (Divergent)
Fred Stoller (Little Man)
George Takei (Star Trek)
Cree Summer (Batman Beyond)
Michelle Trachtenberg (17 again)
Hynden Walch (The Batman)
Jim Ward (Danny Phantom)
Adam West (Batman 60s)
Nina Dobrev (The Vampire Diaries)

When I saw a preview of The Super Hero Squad Show back in February of 2009, I thought it looked pretty interesting, but certainly aimed at the kiddies, and as it aired on Cartoon Network, I never saw an episode. In fact, I forgot all about it, and when I got my hands on this disc, I thought it was an animated take on the old Fisher-Price Marvel kiddie figures. So I had no expectations coming in. Well, my only expectation being that it would be bad. So it was with a good deal of shock that I found it to be a pretty entertaining action-comedy series, if you don’t mind the cheese-level of many of the jokes.

The Super Hero Squad (sort of a loose version of the Avengers) is made up of an assortment of Marvel heroes, including Iron Man (as the leader), Captain America (who provides aid on a regular basis), Wolverine (adding the X-Men’s popularity,) The Hulk, Thor, a spacey surfer-dude version of the Silver Surfer, and Falcon (obviously added to bring some diversity.) Joining them is the mostly unknown Reptil (a dinosaur-powered bit player from the Avengers comics) who is both a young guy and Hispanic, helping fill out the P.C. scorecard a bit more and give younger viewers a stand-in.  They go up against Doctor Doom and his legion of bad guys (and ineffective henchmen), as he searches for the Infinity fractals, shards of the Infinity Sword (which seems connected to the Infinity Gems of the Infinity Gauntlet. Infinity.)


Though the storylines are pretty solid and offer big action-packed battles, the bulk of the show is comedy, with the character’s out-sized personalities carrying the jokes, be it Thor’s overwhelming concern about his appearance or Captain America being stuck in the ’40s. Maybe I don’t give kids a lot of credit, but I can see a large portion of these gags flying over their heads, which will make the show far more enjoyable for adults than one would have expected. There was more than one joke that got a genuine laugh out of me, though many of them rely on bodily functions or pratfalls for the punchline. The wordplay and character-generated jokes are much more entertaining and fun, especially Thor’s Asgardian versions of modern language, the Silver Surfer’s alien view of Earth life, and anything involving the always-ridiculous floating head known as M.O.D.O.K. (voiced hilariously by Tom Kenny.) One joke about the Hulk swallowing a yo-yo is technically genius. The only thing about the show that doesn’t really work is Reptil, who feels like the Poochie of the show, coming off as a bone tossed to kids, with his dino-focused power, youthful role and extreme behavior.


This version of the Marvel Universe smartly keeps the same look for its characters, giving long-time Marvel fans an in for the series, but presents them in a super-deformed style (squat bodies, large heads and feet, four fingers) that’s kid-cartoon friendly and which easily separates it from any other version of the Universe you’ve ever seen. That way, there are no issues with continuity or previous incarnations, and the show can be enjoyed on its own merits (allowing them to do something like make Dr. Strange a complete lunatic.) That’s a good thing, because the show is loaded to the gills with fan-service goodies, like the episode titles (which reference famous comic titles) and title cards which replicate memorable cover art. The show also pulls characters from the depths of the Marvel roster, like Screaming Mimi and the Melter, and having silly cartoon fun with them. Taken simply as a silly, almost What The–?! treatment of the characters, it’s well worth a look for comic-book fans out of grade school.

On a non-story note, the theme song, provided by Parry Gripp of Nerf Herder, is an energetic blast, while the voice cast for this series has to be one of the best for a non-prime time animated series, with tons of veterans of the cartoon industry, like Kenny, Tara Strong, Jess Harnell, Grey DeLisle, Cree Summer and Charlie Adler, along with plenty of genre stars, including Robert Englund, Tricia Helfer, Jennifer Morrison and Adrian Pasdar. It’s rare to see a show like this pull this kind of voice cast.

the overall plot of the cycle will feature the villain Thanos seeking the six stones of the Infinity Gauntlet, a powerful cosmic weapon. Opposing him will be the titular Super Hero Squad, which is made up of goofball takes on Iron Man, Thor, Falcon, Wolverine, Hulk, Ms. Marvel, original character Reptil, Scarlet Witch, and sometimes Captain America. While the first two shows focus specifically on the Thanos plot, other episodes detour into one-off excursions. For instance, “World War Witch!” takes the heroes back in time to when Cap was fighting the Red Skull alongside the Invaders in WWII, while “Support Your Local Sky-Father!” pits Olympus vs. Asgard, and it features the Marvel Universe rendition of Hercules.