HALLOWEEN OF HORROR REVIEW: THE BABYSITTER (2017)

CAST

Judah Lewis (Point Break)
Samara Weaving (Ash vs Evil Dead)
Bella Thorne (Amityville: The Awakening)
Robbie Amell (The Flash)
Andrew B. Bachelor (Fifty Shades of Black)
Emily Alyn Lind (Lights Out)
Hana Mae Lee (Pitch Perfect)
Leslie Bibb (Iron Man)
Ken Marino (Agent Carter)

Twelve-year-old Cole Johnson is a naïve teenager who tries to fit in with everyone else. When he is bullied by his neighbour Jeremy, his babysitter Bee stands up for him and draws them away from him. The following day, when his parents go out for an overnight stay at a hotel, Bee and Cole spends quality time together until after 10.00pm. About 30 minutes or so later, Cole is encouraged by a text from his best friend Melanie to go see what Bee gets up to after he “goes to sleep”. To his surprise, he sees what looks like a harmless game of Spin the Bottle, as Bee passionately kisses each of her friends as part of a dare. However, as she kisses a nervous nerd called Samuel that she met the other day, she pulls two daggers from behind her back and spears them into his skull, spewing blood into golden goblets. As Cole sees this, he freezes in shock and, in a fit of fear, hurries to his room and ties his bedsheets together and throws them out the window. Unfortunately, shortly after the remaining members of the cult (including Bee) take a blood sample from him, Cole momentarily passes out.screen-shot-2017-10-03-at-12-39-34-pmLater, Bee and her posse question why he was spying on them. He, on the contrary, asks them why they are doing this. Bee claims that the blood sample was part of a “science project”, but Cole refuses to believe her. Just then, the cops arrive at the house and one member, Allison, is shot in her left breast, leaving a bloody wound. Max, a muscular quarterback jock, impales a cop in the eye with a pole, whereas Bee slits the other cop’s neck, again spraying blood into John’s face. As Cole re-attempts to escape, he is briefly pursued by John, but accidentally pushes him over the banister and he falls and lands on the floor with a trophy impaling his neck.Pursuing after Cole, Sonya and Max find him in a Crawlspace, where he lights a firework at Sonya but it misses her; he then traps her inside just as the firework explodes in a fireball and kills her. Max finds him and chases Cole up to an old treehouse, where after a brawl, the boys fall with Max hung by the rope, exposing part of his spine.Fresh, violent but also funny, The Babysitter is a love letter to the slasher genre. Turn off your brain and enjoy this nice experience.

HALLOWEEN OF HORROR REVIEW: THE CABIN IN THE WOODS

 

 

 

CAST

Kristen Connolly (The Happening)
Chris Hemsworth (Thor)
Anna Hutchison (Spartacus: Ward of The Damned)
Fran Kranz (Dollhouse)
Jessie Williams (Grey’s Anatomy)
Richard Jenkins (Step Brothers)
Bradley Whitford (The West Wing)
Brian White (Beauty and The Beast)
Amy Acker (Angel)
Tim DeZarn (Fight Club)
Tom Lenk (Buffy)
Jodelle Ferland (Silent Hill)
Adrian Holmes (Arrow)
Ellie Harvie (The New Addams Family)
Patrick Sabongui (The Flash)
Sigourney Weaver (Aliens)
Nels Lennarson (Horns)
Rukiya Bernard (Van Helsing)
Peter Kelamis (Stargate Universe)
Chelah Horsdal (You Me Her)
Terry Chen (Jessica Jones)

In a high tech underground facility, senior technicians Sitterson and Hadley discuss plans for a mysterious operation. A similar operation undertaken by their counterparts in Stockholm has just ended in failure. American college students Dana, Holden, Marty, Jules, and Curt are spending their weekend at a seemingly deserted cabin in the forest, a cabin recently acquired by Curt’s cousin. From their underground facility where they possess significant technological control over the area in which the cabin is situated, Sitterson and Hadley manipulate the teenagers by intoxicating them with mind-altering drugs that hinder rational thinking and increase libido. They take bets from coworkers as to what kind of monster will attack the teenagers and discuss the failures of similar rituals in other nationsIn the cabin’s cellar, the group finds many bizarre objects, including the diary of Patience Buckner, a cabin resident abused by her sadistic family. Dana recites incantations from the journal, inadvertently summoning the zombified Buckner family despite Marty’s warnings. By releasing pheromones, Hadley successfully induces Curt and Jules to have sex. Attacked by the marauding Buckner zombies, Jules is decapitated while Curt escapes to alert the group. Marty, a frequent marijuana smoker, discovers concealed surveillance equipment before being dragged off by one of the Buckners. Later, the facility workers learn that the ritual in Japan has also ended in failure, meaning that the American ritual is humanity’s last hope. It becomes apparent that the ritual involves blood sacrifice.Curt, Holden, and Dana attempt to escape in their RV, but Sitterson triggers a tunnel collapse to block them. Curt jumps a ravine on his motorcycle in an attempt to flee and alert the authorities, only to crash into a force shield, killing him. Holden and Dana retreat to the RV to plan their next move, but one of the Buckners, hiding within all along, fatally stabs Holden as they are driving away, resulting in the RV crashing and sinking into a lake. Dana escapes and swims ashore and is beset in turn. As she is attacked, Sitterson, Hadley, and their staff celebrate the successful completion of the ritual, viewing the events from their underground facility. The celebration is interrupted by a phone call pointing out that Marty has survived. His heavy marijuana use has apparently rendered him immune to Sitterson and Hadley’s manipulations.Marty rescues Dana and takes her to a hidden elevator he discovered under a grave. They descend into the underground facility, where a menagerie of monsters are imprisoned. Dana correlates them with the objects in the cabin’s cellar and realizes that those items gave victims the opportunity to choose the agents of their own deaths during the ritual. Cornered by the facility’s security personnel, she and Marty release the monsters, including zombies, goblins, mutants, witches, wraiths, a basilisk, a unicorn, a killer robot, and an evil clown. They wreak havoc and slaughter the staff; Hadley is killed by a merman and Sitterson escapes to the lower level.Dana and Marty flee the carnage (particularly menaced by a giant bat). Dana accidentally mortally wounds Sitterson, who begs her to kill Marty. Fleeing further, they discover an ancient temple and are confronted by the facility’s leader, known only as The Director. She explains that they are participating in an annual ritual sacrifice to appease the Ancient Ones (described as “giant evil gods”). Each facility’s ritual conforms to the rules of that region’s local lore; in America young people are chosen to be sacrificed based on similarity to certain archetypes: the whore (Jules), the athlete (Curt), the scholar (Holden), the fool (Marty), and the virgin (Dana). In order to complete the ritual the whore must die first and the virgin must survive or die last. Since all other facilities have failed, the penalty for not completing the ritual is the extermination of the entire human race. Hence, The Director urges Dana to kill Marty. Dana considers, but she is interrupted by a werewolf attack, while zombie Patience Buckner appears and kills The Director.Deciding that humanity is not worth saving, Dana and Marty share a joint while awaiting their fate. The temple floor collapses and a giant hand emerges, destroying the facility and the cabin itself.The genius of Cabin is the way director/co-writer Drew Goddard and producer/co-writer Joss Whedon have taken this mindset and embraced it. The film sat on the shelf for years when MGM suffered too many financial woes to afford a release, and yet its wit and invention remain as sharp as ever.  In the interest of keeping expectations managed, Cabin doesn’t reinvent the wheel. Its approach to horror is  original. The increasingly realistic and excessively gruesome style that they rode in on is far from universally loved. Cabin spills its fair share of guts, but it’s a good old-fashioned crowd pleaser.Cabin finds a way to access the reservoir of geekiness by engaging it rather than pandering to it.

HALLOWEEN OF HORROR REVIEW: ASH VS EVIL DEAD – SEASON 1

MAIN CAST

Bruce Campbell (Jack of All Trades)
Ray Santiago (My Name Is Earl)
Dana DeLorenzo (2 Broke Girls)
Jill Marie Jones (Sleepy Hollow)
Lucy Lawless (Spartacus)
Bruce Campbell, Ray Santiago, and Dana DeLorenzo in Ash vs Evil Dead (2015)
RECURRING / NOTABLE GUEST CAST

Damien Garvey (Terra Nova)
Mike Edward (Power Rangers Operation Overdrive)
Sian Davis (Hercules: The Legendary Journeys)
Bridget Hoffman (Frozen)
James Gaylyn (Avatar)
Mimi Rogers (Ginger Snaps)
Ben Fransham (Legend of The Seeker)
Jared Turner (30 Days of Night)
Hemky Madera (Weeds)
Kelson Henderson (Power Rangers SPD)
Peter Feeney (Black Sheep)
Rachel Blampied (Shortland Street)
Mark Mitchinson (Power Rangers Megaforce)
Milo Cawthorne (Power Rangers RPM)
Samara Weaving (Home and Away)
Indiana Evans (H20)
Ido Drent (Offspring)

Well, we’ve had to be patient for nearly a quarter of a century to finally see Ash wield his chainsaw again, but trust me: it was well worth the wait. Ash vs. Evil Dead fires on all cylinders.  After so many years had passed since Army of Darkness (aka Evil Dead III) came out in 1992, it looked like a direct sequel just wasn’t going to happen anymore, yet apparently, the Raimi-Campbell gang had been working on one for some time. According to recent interviews with the show’s creators Sam Raimi and Bruce Campbell, what was first supposed to be a new feature film and the fourth entry in the franchise, over time turned into an idea for a TV-series, and I believe fans will be very happy with the result. Instead of a 2-hour film for a sequel, we now get 10 episodes  with Ash and the Deadites.Bruce Campbell in Ash vs Evil Dead (2015)At the beginning of the show we meet Ash leading a lazy, but apparently happy slacker life, residing in a run-down trailer and working as a stock boy at a Value Stop (for some obscure legal reasons, the writers couldn’t use the name S-Mart from Army of Darkness’ iconic last scene). In the show, 30 years have passed since Ash’s last encounter with the Deadites, and while he might be well into middle age now, he hasn’t matured one bit. Ash is still the exact same guy we last saw fighting walking skeletons and other ghastly undead things in Army of Darkness, cracking wise and appearing as cock-sure of himself as ever. These days, he likes to spend most of his spare time either getting wasted in his trailer or picking up random ladies – or both . suffice to say that his rather irresponsible lifestyle ultimately won’t go too well with his duty as keeper of a certain  dangerous book, and  bloody mayhem soon ensues.In my opinion, Ash vs. Evil Dead does everything right. Instead of going down the “gritty drama” route of shows like The Walking Dead or taking the “straight horror” approach of Fede Alvarez’ Evil Dead remake, creators Sam Raimi and Bruce Campbell fully embrace the over-the-top goofiness and playful tone of Evil Dead II and Army of Darkness, while still delivering the scares of the first film and plenty of gore. The Deadites are frightening. The production values in general are absolutely great; the writing is in the vein of the first three films (no wonder, since the episodes were mostly written by Sam and Ivan Raimi); the music, the pacing and the direction: really everything just falls into place. It’s clear that this wasn’t some lazy attempt to cash in on the name of a beloved cult-franchise, but a labour of love for all involved.Another great plus of the series is the cast. Seeing Bruce Campbell step back into this iconic character is simply hilarious fun; it still fits him like a glove (or, perhaps more accurately in his case, a chainsaw). But there was never a doubt in my mind that he would deliver (it seems Ash is a character Campbell was born to play); what really surprised me was how well the rest of the cast fits into the show. Ray Santiago as Pablo and Dana DeLorenzo as Kelly (they’re Ash’s co-workers at the Value Stop) are completely able to hold their own; they are fully fleshed-out characters and just as fun to watch as Ash. Also we have Lucy Lawless of Spartacus and Xena fame, who’s character is a mystery until episode 9 when all hell breaks loose and leads into a great Season One finale.Ash vs Evil dead brings back everything that we all loved about the original Evil Dead films, but it also manages to introduce interesting new characters and story lines which help maintain the element of surprise for long-time fans. And the show works just as well as a stand-alone story, so people unfamiliar with the original trilogy need not worry either: they will find just as much to love here as those who know and cherish Sam Raimi’s classics – as long as they have a certain affection for trashy, gory horror comedies and don’t expect serious drama. The good news its already been picked up for a season 2, so we got more blood and gore to come