CHRISTMAS 2017 REVIEW: LOIS & CLARK – THE CHRISTMAS EPISODES

Image result for LOIS & CLARK LOGO
MAIN CAST
Dean Cain (Supergirl)
Teri Hatcher (Desperate Housewives)
Lane Smith (V)
Justin Whalin (Childs Play 3)
Eddie Jones (The Terminal)
K Callan (Heroes)

SEASON’S GREEDINGS

GUEST CAST
Sherman Hemsley (The Jeffersons)
Isabel Sanford (Love at First Bite)
Dick van Patten (Spaceballs)
Denice Richards (Wild Things)
The toymaker Winslow Schott (Sherman Hemsley) gets fired from his job along with his secretary Margaret Duffy (Isabel Sanford). Deciding to take revenge, he invents a new toy named “Space Rats” that includes a substance which when someone is sprayed with, it makes adults act like children and children be greedy. Everyone at the Daily Planet is affected, including Clark, and they start fighting over gifts. Clark realizes that the whole situation has to do with the “Space Rats” and along with Lois they try to find out who is the creator of the new toys. Their investigation leads them to Schott who gets arrested for his creation but also regrets and makes clear that he cares and loves kids. In the meantime, Superman asks from toy store owners to donor toys to the orphanage kids and Lois plans a Christmas dinner for family and friends. All of them though end up having other plans and Lois is alone at her apartment until Clark appears on her door, who canceled his Christmas with his family to be with her.
A great Christmas for Superman, Lois acting like a spoilt child is one the biggest highlight, and you can see a before she was famous Denise Richards which is an added bonus.

HOME IS WHERE THE HURT IS

GUEST CAST
Robert Carradine (Django Unchained)
Beverly Garland (My Three Sons)
Harve Presnell (Star Trek: Voyager)
Jessica Collins (Tru Calling)
Joel Swetow (The Loax)
Lois tries to avoid spend Christmas with her parents because they always fight but they surprise her by showing up at her apartment uninvited causing chaos. Her father, Sam (Harve Presnell), also brought with him his new fiancee, a cyborg named Baby Gunderson (Kathy Trageser). In the meantime, Mindy Church (Jessica Collins), who is now the head of Intergang even though Intergang is shut down and keeps a low profile, plans to kill Superman using a virus from Krypton. Superman gets sick and Lois asks her father’s help. Sam explains that the only cure will be if Superman gets very close to death since that way the virus will die too. The treatment is successful and Superman gets well, just in time to save Lois and his parents’ life. They suspect Mindy is behind everything but Mindy manages to frame her partner Joey (Robert Carradine) for turning his back on her and she gets away.
This episodes sees the return of Jessica Collins as Mindy, we see her trying to take over the criminal underworld. We also see Superman get infected and weakened with Lois having to turn to her father. It’s another great Christmas episode from a beloved show.

TWAS THE NIGHT BEFORE MXYMAS

GUEST CAST
Beverly Garland (My Three Sons)
Harve Presnell (Star Trek: Voyager)
Howie Mendel (Gremlins)
Keene Curtis (Stargate Sg.1)
It is Christmas Eve and Lois and Clark are getting ready for the first Christmas dinner at their home with family and friends but things get weird when an imp from the fifth dimension named Mister Mxyzptlk (Howie Mandel) appears and wants to conquer the Earth making Superman leave. Mxyzptlk traps Metropolis in a time loop where everyone lives the same day over and over again and no one remembers it except Clark. Clark tries to figure out what is happening and Mxyzptlk tells him that every time people live the same day they lose a little of their hope and when the hope is lost completely, Superman will not be necessary to them. Clark tries to break this loop asking Lois’ help for whom is hard to believe at first what Clark says. Clark manages to rekindle Lois’ hope and frees her from the time loop and the two of them work together to free everyone else as well. They give everyone their hope back and trick Mxyzptlk into going back to his own dimension. With the imp gone, the loop is finally broken and everyone celebrates Christmas.
One of my favorite Christmas specials as it introduces Mxyzptlk   played by Howie Mandel. This is defiantly one to watch every xmas.
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REVIEW: BATMAN UNLIMITED: MECHS VS MUTANTS

CAST (VOICES)

Roger Craig Smith (Avengers Assemble)
Chris Diamantopoulos (About A Boy TV)
Will Friedle (Batman Beyond)
Charlie Schlatter (Diagnosis Murder)
Dana Snyder (Open Season 3)
John DiMaggio (Futurama)
Richard Epcar (Power Rangers)
Oded Fehr (V)
Phil LaMarr (Free Enterprise)
Dave B. Mitchell (The Lorax)
Troy Baker (Marvel Anime)

Image result for batman unlimited mechs vs mutantsBatman Unlimited: Mechs vs. Mutants is half Batman and Batfamily adventure. This time around for Batman, Robin (Damian Wayne), Flash, and Green Arrow vs. Penguin, Bane, Chemo, Mr. Freeze and Clayface. This is the third in the Batman Unlimited direct to video animated films.The latest in the toy-centric Batman Unlimited storyline transforms from a commercial to current Dynamic Duo adventure in a frozen Gotham City. Roger Craig Smith (Batman: Arkham Origins) returns as Batman and introducing Boy Wonder Damian Wayne voiced by Lucien Dodge (Fate/Zero). The Damian/Batman relationship is explored a bit here, in a surprising move that wholly embraces the current DC Rebirth status quo.Image result for batman unlimited mechs vs mutantsThere is no mention of Batman being Damian’s father, but it is hinted that he is the grandchild of Ra’s al Ghul when Robin awakens from a bad dream screaming, “Grandfather, NO!”. Pennyworth encourages Robin not to stay up too late studying to become Robin, as The Dark Knight has enrolled him into a “Robin Training Program”.Image result for batman unlimited mechs vs mutantsWill Friedle (Batman Beyond) appears as Nightwing and a simpatico brother to young Master Wayne. When faced with the threats lobbied by a team-up of the exiled Penguin (Dana Snyder) and Mr. Freeze (Oded Fehr) who recruits Killer Croc, Chemo, Clayface and Bane, Batman and Robin enlist the aide of Leaguesters Flash (Charlie Schlatter) and Green Arrow (Chris Diamantopoulos). Good guys round out their team with Commissioner Gordon and Dr. Kirk Langstrom.Genius scientist Victor Fries comes up with a formula to mix the compositional makeup of Bane, Chemo and Clayface to develop monsters capable of crushing cars and stomping through Gotham. Croc is the first to get juiced up, growing ten times his size and making the citizens of Gotham run for their lives. Of course, this is the Godzilla movie part, that frankly works pretty well.Image result for batman unlimited mech vs. mutantsWhat makes this Godzilla-type movie trope work really well is the cartooning and archetypes of these villains filling the Kaiju role. Batman has no choice but  to fight size with size. Batman and Green Arrow are able to pilot their own Mech suits to punish the bad guys before they have a chance to destroy Gotham’s Police Department and the rest of the city. Green Arrow is even conscious of which buildings to destroy in the process (by asking the computer which ones he owns). By placing a seed of doubt in Damian’s character early in the movie, he is able to redeem himself by playing detective himself and helping Batman problem solve. Green Arrow/Ollie Queen serves as a good uncle figure to Robin, who uses his years of experience dealing with Batman to assure Robin that he is important to the Batcave operations. Flash fulfills his normal role as comedian and lab scientist.Image result for batman unlimited mechs vs mutantsWhile not the grim and gritty, this Batman Unlimited release turns out a decent story. Of course, the allied bad guys find a way to stop getting along all together when the heroes’ strength lies in unity. While I was at first skeptical of the gigantic yellow Batsymbol on Bruce’s chest, it is growing on me, ever so slowly. Batman Unlimited: Mechs vs. Mutants is fun for most ages, riding the fine line between serving the fans and serving the general audience, and selling toys.

REVIEW: SUPERGIRL – SEASON 1

Untitled

 

MAIN CAST

Melissa Benoist (Whiplash)
Mehcad Brooks (Necessary Roughness)
Chyler Leigh (Brake)
Jeremy Jordan (Smash)
David Harewood (Blood Diamond)
Calista Flockhart (The Last Shot)

RECURRING / NOTABLE GUEST STARS

Laura Benanti (Take The Lead)
Dean Cain (Lois & Clark)
Helen Slater (Supergirl 80s)
Owain Yeoman (Troy)
Faran Tahir (Iron Man)
Robert Gant (Popular)
Briana Venskus (Agents of S.H.I.E.L.D.)
Chris Vaance (Prison Break)
Peter Facinelli (Twilight)
Jenna Dewan Tatum (Witches of East End)
Chris Browning (Cowboys & Aliens)
Brit Morgan (True Blood)
Scott Michael Campbell (Push)
Tristin Mays (The Vampire Diaries)
Charles Halford (Constantine TV)
Eric Steinberg (Stargate SG.1)
Hope Lauren (Agent Carter)
Emma Caulfield (Buffy)
Tawny Cypress (Heroes)
Italia Ricci (American Pie: Beta House)
Laura Vandervoort (Smallville)
Sara Gilbert (The Big Bang Theory)
Eddie McClintock (Bones)
Glenn Morshower (Transformers 3)


Warner Bros have had a rocky road when it comes to their superhero characters and although the Christopher Nolan Batman franchise epitomized this character, their other attempts at films like Green Lantern and Batman v Superman: Dawn of Justice met with criticism. Sometimes ‘dark’ does not always work, particularly when it comes to superheroes and if you want an example at this, check out the Marvel Universe of superheroes. However for their TV series (Arrow, Flash, Legends of Tomorrow), they’ve successfully captured the spirit of these characters and the comic universe where they came from and thankfully Superman’s cousin Kara Zor-El (aka Kara Davers) is also part of this success thanks to the excellent TV series Supergirl that stars Melissa Benoist as this intelligent and beautiful Kryptonian. Given that, the entire casting for Supergirl is perfect!

The series is also created by Ali Adler, Greg Berlanti and Andrew Kreisberg who are no strangers to the world of superheroes and compared to the entire DC Comics TV line-up, Supergirl is easily one of my favorite as it doesn’t try to be too dark but rather, uplifting and enjoyable.

Also joining Benoist as Supergirl is Mechad Brooks (Jimmy Olsen), David Harewood (Hank Henshaw or the ‘Martian Manhunter’ known as J’onn J’onzz), Chyler Leigh (Kara’s adopted sister Alex Danvers), Jeremy Jordan (Kara’s sidekick) and also Calista Flockhart who plays Cat Grant, the owner of CatCo Worldwide Media (think a modern version of the Daily Planet). Sure, some of the actors camp it up for the TV series but this campiness actually works well with the characters and the story and once again, continue with the light-hearted nature of the series.

Given that, there are some darker moments in the series but overall and compared to The Flash, Arrow, Legends of Tommorrow, Supergirl is a much more colorful and hopeful story. The series even boasts Helen Slater (who played the original Supergirl in the 1984 movie) as Eliza Danvers as Kara’s adoptive mother plus Dean Cain as her father who played Superman in the classic 1993 TV series, Lois & Clark. This is also what I enjoy about Supergirl is all the cameos and whether that’s from film or the world of DC Comics itself, the creators really cram in quite a few people into the series, many as Easter Eggs.

Although each episode has a ‘villain’, the overarching villain is Laura Benanti as Alura Zor-El who plays the evil twin sister of Kara’s mother. Having additional Kryptonians in the show does increase the jeopardy for our heroine and some of these episodes are considerably darker. Then you have billionaire Maxwell Lord (Peter Facinelli) who is not evil perse but wants the best for the world which of course causes conflict. Once again, some great villains for Supergirl. Kara’s supporting cast include an African American Jimmy Olsen who also provides a love interest for Supergirl plus their geeky tech-head sidekick Winn Schott who together attempt to protect the fictitious National City. Then you have Kara’s sister Alex who works for the DEO (Department of Extra-Normal Operations) that is run by Hank Henshaw, an alien known as J’onn J’onzz disguised as a human in order to protect the world from alien threats. The character of Henshaw also has a great history.

Interestingly, Superman is mentioned in the series and does appear off screen. He will  actually makes a full appearance in Season 2 of Supergirl but the coolest crossover in any TV series was when Grant Gustin from The Flash starred in one episode which had fanboys and fangirls gushing from the coolness factor. With 20 episodes in this collection, Supergirl does end with a cliffhanger and with a second season confirmed (moving to CW) things are looking up for the Girl of Steel.

Supergirl on Blu-ray boasts some exceptional video and audio quality that really highlights the colourful costumes, villains and heroes of this universe. For special features, we get a handful of deleted scenes plus a couple of fun documentaries about J’onn J’onzz and Supergirl. All in all, it’s a great release from Roadshow Warner.

Supergirl is a proof that superheroes don’t need to be dark and moody and this TV series captures the spirit and core of this character that thanks to its creators successfully transforms the comic into a very enjoyable, clichéd and action packed live-action series with lots of world building and character development!. An Excellent series and a must see for all DC fans.

REVIEW: JUSTICE LEAGUE: THRONE OF ATLANTIS

CAST (VOICES)

Sean Astin (Cabin Fever 3)
Rosario Dawson (Daredevil)
Nathan Fillion (Firefly)
Christopher Gorham (Ugly Betty)
Matt Lanter (Disaster Movie)
Sumalee Montano (Beware The Batman)
Shermar Moore (Birds of Prey)
Jerry O’Connell (Mockingbird Lane)
Jason O’Mara (Resident Evil: Retribution)
Sam Witwer (Smallville)
Steve Blum (Wolverine and The X-Men)

In the Atlantic Ocean, the USS California submarine picks up incoming human-like threats approaching the sub by sonar. The sub is attacked, leaving the entire crew dead by the invading hostiles. At S.T.A.R. Labs’ Justice League headquarters, Cyborg, who has recently received environmental upgrades in an operation that replacing his remaining lung, is given news by Colonel Steve Trevor, the liaison for the Justice League, over the sunken sub. Cyborg decides to check it himself, deciding against Trevor’s idea of calling the other superheroes, as he puts it “there is no Justice League”, feeling there is truly no unity to them as they have never come to help each other since Darkseid’s invasion. At Mercy Reef in Maine, Arthur Curry, drunk over the recent death of his father, picks a fight with a group of tough guys over them wanting to eat the lobster Arthur was talking to. He defeats them using inhuman strength and when the last man tries to stab him, his knife breaks into pieces against Arthur’s chest. After throwing him into the ocean, Arthur leaves, unaware that he is being watched by Mera and Dr. Shin. Cyborg uses a Boom Tube to teleport down to the sunken sub and discovers hand prints on the hull and that several nuclear missiles are missing from the launch bays. He is then attacked by the same hostiles that attacked the sub and suffers damage to his servos through his escape, though manages to take a knife-like weapon off one of his attackers when they stab him with it.

Back at their HQ, Cyborg gets help from Flash and Shazam to get Superman, Wonder Woman, and Green Lantern, leaving Batman the last one remaining. Green Lantern decides to head to Gotham City to get Batman, who is currently chasing henchmen of the Scarecrow. Green Lantern captures them for Batman, but Batman is angry as he needed them to head to where Scarecrow was and about his plot against Gotham’s City Hall. With the entire team together, they check the raised sub and Cyborg’s assault. They realize the enemy is not related to Darkseid but warriors from Earth’s origin. Thanks to Diana’s knowledge, she reveals these warriors are from Atlantis, beings saved from death after their land sunk into the ocean after being turned into underwater creatures by their king’s mystical trident, after seeing the weapon Cyborg was stabbed with, with the theory of war related to the missing missiles. Using Shazam’s suggestion, Superman and Batman decide to meet Atlantis-expert Dr. Shin, while the others are tasked in finding Atlantis.

At Atlantis, Prince Orm and Black Manta, the latter of whom secretly accompanied Dr. Shin when he was watching Arthur disguised as a man named David, meet with Orm’s mother, Queen Atlanna. They argue over declaring war on the surface world because of the damage during the events of Darkseid’s attack, with Atlanna saying that the volcano that killed Orm’s father the king, was due to Darkseid’s forces while Orm says it was the Justice League’s fight with Darkseid that killed him. Orm also says that the humans polluting the Earth will eventually destroy it and Atlantis in the process, which he believes is a reason to attack them first. Atlanna silences Orm with the Trident of Neptune, the king’s trident of the Atlantean legend with immeasurable powers, which seem electrically based, that can only be accessed by Atlantean royalty and asks Mera to bring Arthur, her other son, to Atlantis.Black Manta uses a craft holographically disguised as a submarine to attack Atlantis using the same stolen missiles, framing the surface for their “unprovoked” attack. Arthur answers the door to Dr. Shin, who tries to tell him that his father contacted him before his death to help Arthur. Moments later, Dr. Shin is killed by Atlantean soldiers sent by Black Manta. Arthur is overwhelmed by the attack, being knocked out and blasted out of his collapsing house, until he is saved by Mera, who dispatches the soldiers by using her control over water and its density, and taken underwater. Batman and Superman enter Dr. Shin’s home discovering that his work is destroyed. Superman recreates a photograph of Arthur Curry and a letter from his father revealing that his son is half-Atlantean.Batman decides they must find him. The attack on Atlantis leads the citizens and Orm to demand for war and to break the seal on war plans created by the former king in the event of conflict with the surface. Queen Atlanna decides that they might need to reveal themselves after centuries of being hidden and contact the Justice League. Arthur wakes up with gills on his neck in underwater Atlantean ruins with Mera, who explains his situation. Atlanna met Arthur’s father and gave birth to him. Due to her being royal, she could not be with him nor Arthur, so she had to leave to be with her king and Orm, though she still loved Arthur greatly and had even been watching Arthur when he was a child. Arthur had once encountered Atlanna when he was swimming by the shore. Now, Atlanna believes Arthur can help Atlantis be the bridge between the two worlds. Mera then dresses him with the kings royal garb, hidden by Atlanna inside the ruins. Arthur, having difficulty process the situation, removes the armor and crown from his garb, leaving only the orange and green Atlantean bodysuit underneath, and heads to surface with Mera following him. Soon, they are attacked by the Trench. The creatures overwhelm Arthur, one of them even biting his hand, making him bleed. The Justice League arrives in time to defeat the Trench. Orm hears from Black Manta that the Trench failed to kill Arthur. Orm and Queen Atlanna argue because Orm wants to start a war as per his late father’s wishes and reveals his knowledge of Arthur Curry. Queen Atlanna reveals to him that she knows he attacked Atlantis. With this news, Black Manta confronts the queen, but is overpowered due to her trident. Orm then stabs her from behind, killing her and taking over Atlantis as the new king.Arthur, Mera, Superman, Wonder Woman, Green Lantern, and Cyborg arrive at Atlantis and learn of Queen Atlanna’s death, the Atlantean people being under the impression that a surface dweller killed her. The heroes are then defeated by Orm, who has assumed the mantle of “Ocean Master” and uses the trident to incapacitate and restrain them inside cacoon like pods. Superman even sheds blood when attacked with the trident. The group is sent to be consumed by the monstrous Dark Trench, while Ocean Master leads Atlantis’ army to the surface. Arthur destroys his pod by tapping into the power of the trident and with Superman’s help, as well as his telepathic control over sea creatures, they save the rest and defeat the monster. In Metropolis, a massive tidal wave created by Ocean Master’s trident is used to conceal Ocean Master’s army, which reaches the shores and begins their attack. The military fights back but are powerless until the League arrive. During the fight, Superman saves John Henry Irons, and Wonder Woman saves Lois Lane and Jimmy Olsen. Arthur is attacked by Black Manta, who reveals that he manipulated Ocean Master and plans to kill him when the time is right and take Atlantis for himself. While Black Manta is revealing his plan, Arthur calls a megalodon to attack him, dragging Black Manta underwater.Mera and the League attack Ocean Master but are once again defeated and unable to gain an advantage over him due to his Trident’s power, as Shazam turned to his normal form, Billy Batson, and Cyborg is electricuted and disabled. Wonder Woman successfully disarms him of the Trident, though she is nearly incapacitated by its energy when she holds it. Superman is further wounded with the trident, being pierced in the chest with it. Arthur becomes the last to face Ocean Master, who has an upper hand during the fight until the end due to Orm being unable to use the trident’s true power on Arthur due to his own status as Atlantean royalty. Despite this, Ocean Master manages to defeat Arthur with the trident’s power by not using it directly on it and causing a massive blast of power to incapacitate him. Batman saves Cyborg from dying by electrocuting him with a taser device, and Cyborg reveals that he has video of Ocean Master confessing to killing his mother when they were captured. As Ocean Master is killing Arthur, nearly impaling him on his trident, Cyborg broadcasts Ocean Master’s confession all over Metropolis for Atlantis’ soldiers to see. Stunned by his treachery, the soldiers do not obey Ocean Master’s commands and Arthur uses the distraction to defeat him. He then convinces the soldiers to stand down and declares his desire to bring Atlantis and the surface world together in peace.

Later in Atlantis, Arthur is crowned as king, with the Justice League among the audience celebrating. Batman suggests that, with new threats appearing, they need to solidify the team and Cyborg reveals plans for a watchtower. Arthur joins as Aquaman (which is a nickname everyone on the Internet gave him and he hates), and soon heads with now-love interest Mera against the Trenchers outside Atlantis.  In the post-credits, Ocean Master is incarcerated at Belle Reve, yelling at the guards to release him. He is approached by Lex Luthor who has a proposition for him to consider.maxresdefaultThis was enjoyable, it is nice to see a story about other characters in the DC universe.

REVIEW: JUSTICE LEAGUE: THE FLASHPOINT PARADOX

CAST (VOICES)

Justin Chambers (Grey’s Anatomy)
C. Thomas Howell (The Amazing Spider-Man)
Kevin McKidd (Kingdon of Heaven)
Dee Bradley Baker (American Dad)
Steve Blum (Wolverine and The X-Men)
Kevin Conroy (Batman: TAS)
Sam Daly (Red Tails)
Dana Delany (Desperate Housewives)
Cary Elwes (The Princess Diaries)
Nathan Fillion (Firefly)
Grey Griffin (Ultimate Avengers)
Jennifer Hale (Batman Beyond)
Danny Huston (The Number 23)
Danny Jacobs (Futurama)
Vanessa Marshall (The Zeta Project)
Ron Perlman (Hellboy)
Hynden Walch (The Batman)
James Patrick Stuart (Batman: The Brave and The Bold)

MV5BMTQ3NDQxOTc4NV5BMl5BanBnXkFtZTgwNjYxNTEwMDE@._V1_SX1777_CR0,0,1777,999_AL_The early sequence in Justice League: The Flashpoint Paradox is nothing but bright, vivid, four-color superheroics. The Rogues are pretty much harmless goofballs with Silver Age gimmicks. Professor Zoom’s genocidal agenda casts a darker pall onto what could otherwise play like an episode of Challenge of the Super-Friends, but the dialogue is still gleefully comic book-y. ” The rest of the Justice League swoops in just in the nick of time, It’s a big, triumphant display of Saturday morning superheroics, but one snide little comment Professor Zoom made before being dragged over to a holding cell at S.T.A.R. Labs keeps rattling around in Barry Allen’s head. The Flash runs towards the screen at impossible speed. Barry Allen is startled awake in the forensics lab, halfway-glancing at a PC with some ominous headline splattered across the screen. He catches wind of some villainy that only the Flash can handle, makes a mad dash towards the front door, strikes his usual heroic pose, and…stumbles down a few steps and falls flat on his face on the pavement. Before Barry can even try to make sense of whatever it is that just happened, he looks up and sees his his mother smiling down on him. She’s there for her birthday dinner with her baby boy, and she doesn’t even mind that it apparently slipped Barry’s mind. It’s not that Barry forgot, exactly; it’s that his mother had been brutally murdered decades earlier.
MV5BMjcwOTI3NjM3NF5BMl5BanBnXkFtZTgwNzYxNTEwMDE@._V1_Everything has changed. A war between Atlantis and Themyscira has claimed more than a hundred million lives. The only ‘Man of Steel’ most anyone has heard of is Cyborg, someone most cape-‘n-cowl types sneer at as the President’s lapdog. Batman looks to be a hell of a lot older, gunning down costumed freaks atop the Wayne Casino with a semi-automatic pistol in each hand. The power of Captain Marvel…errr, Captain Thunder is wielded by six children. Someone or something has tampered with the past, and everything Barry Allen knows is wrong. His memories of the world he once knew are beginning to fade, and the post-apocalyptic wasteland that’s taken its place may not be around long enough for the former Flash to find a way back home.
I’m astonished by how effective Justice League: The Flashpoint Paradox is. this readily ranks among one of the best animated DC animated movies. I love the contrast between the classic superheroics that open the movie and the bleak, dystopian world that soon takes its place.The acting weaves together established talent in DC animation with several new voices, with the ensemble cast featuring Kevin Conroy, Dana Delany, Nathan Fillion, Justin Chambers, Vanessa Marshall, Kevin McKidd, James Patrick Stuart, Cary Elwes, Ron Perlman, and Michael B. Jordan, among many others. The performances are generally outstanding. The anime-influenced character designs look incredible, especially when animated with such polish and fluidity. It’s a daunting challenge to effectively realize the Flash’s impossible speed on a direct-to-video budget, but the animators at Studio 4C do a brilliant job with this as well, especially throughout the awe-inspiring final moments of the film. The Atlantean/Themysciran war is addressed in a far superior way here than in the core “Flashpoint” comics.The Flashpoint Paradox is genuinely horrifying. Heroes we once looked up to now murder one another without hesitation, and the body count is staggering. Aquaman skewers a freedom fighter with his trident. A severed head is held up as a trophy. Wonder Woman strangles a spy, and the movie doesn’t turn away from the sight of his neck snapping and blood spurting from his mouth. This may be the single most brutal superhero movie I’ve ever experienced, animated or live-action. There’s an emotional core to the story that transcends the hero-trapped-on-an-alternate-Earth premise, delivering levels of joy, hope, determination, and heartbreak that are remarkably powerful. That Flashpoint takes place outside of established continuity allows it to better explore these characters — or what we’ve come to think of these characters — in an entirely different context. Because there are no concerns about marketing to kids, how anything that happens here will impact the next installment in the franchise, or whatever else, these twisted reinterpretations of iconic heroes can kill and be killed.the-losers-1280There are stakes that go far beyond what’s generally felt in direct-to-video superhero animation. The Flashpoint Paradox is unnervingly intense, and yet it’s hardly masturbatory brutality or grim and gritty just for the sake of being grim and gritty.file_204535_4_Black_Moon_Rising_Tommy_Lee_Jones

REVIEW: ALL STAR SUPERMAN

 

CAST (VOICES)
James Denton (Desperate Houswives)
Christina Hendricks (Mad Men)
Anthony LaPaglia (Summer of Sam)
Edward Asner (Elf)
Frances Conroy (American Horror Story)
Linda Cardellini (Super)
Cathy Cavadini (The Batman)
Steven Blum (Wolverine ad The X-Men)
Alexis Denisof (Angel)
Matthew Gray Gubler (500 days of Summer)
Finola Hughes (Generation X)
Arnold Vosloo (The Mummy)
Dr. Leo Quintum and his team are exploring the Sun when they are sabotaged by a booby-trapped genetically-enhanced clone, turned into a time-bomb by Lex Luthor. Superman stops the clone but in doing so receives an overdose of solar radiation. Though the radiation is slowly killing him, it does give Superman new powers. Luthor, having orchestrated the death of Superman while under the employment of General Sam Lane, is arrested by the military thanks to Clark Kent’s article and sentenced to death by a Metropolis tribunal. Superman asks Dr. Quintim to keep news of his impending death secret from the public. Wanting to spend as much of his remaining time with Lois Lane, Superman reveals to her that he is Clark Kent. Lois doubts his revelation because she had been unable to prove Superman’s “Kent” identity herself. Superman takes her to the Fortress of Solitude. During this visit, Superman’s secretive behavior and her indirect exposure to alien chemicals heightens Lois’ paranoia.
She is startled by Robot 7, shooting it and then Superman with a kryptonite laser. The solar radiation having made him immune to green kryptonite, Superman is able to calm her, explaining his caginess was to hide her birthday present, a serum granting her superpowers for 24 hours. Now as a Superwoman, she and Superman stop an attack by Subterranosauri led by Krull in Metropolis just as Samson (who tricked Krull into leading an attack on the surface world) and Atlas arrive. After the Subterranosauri are returned to the center of the Earth, their leader Tyrannko states to Superman that Krull will be dealt with. Samson flirts with Lois and gives her a necklace, the crown jewels of the Ultra-Sphinx. When Superman tells him to back off, he shows Superman a newspaper that reads “Superman Dead” and challenges Superman to contests to win Lois. The Ultra-Sphinx travels through time to reclaim the jewels Samson had stolen, placing Lois between life and death. Superman must answer an unanswerable question to save Lois. The unanswerable question is “What happens when the Unstoppable Force meets the Immovable Object?” Superman beats Ultra-Sphinx’s challenge with the answer being “they surrender.” Superman then defeats Atlas and Samson in a double arm-wrestling match before spending the rest of the day with Lois as her powers fade.
Later, Kent meets Luthor in his death row cell for an exclusive interview at Stryker’s Island. However, Superman’s energy allows the Parasite to free himself and cause havoc in the prison. Clark stops him while not revealing his secret identity, with Luthor disclosing his respect for Clark as both a journalist and a man. Luthor then reveals a tunnel from his cell for Clark to escape through, aided by Luthor’s delinquent niece Nasthalthia. Luthor chooses not to escape as the satisfaction of outliving Superman is rewarding enough. Clark tells Lois he’s dying, before leaving to take the city of Kandor to a new planet to thrive, as he does not believe he’ll survive the trip back. Lois denies it, speaking of their future together with their super-children. Clark informs her that their biology is too incompatible for them to bear children. Clark leaves with Lois promising to wait for his return.
Two months later, Superman returns to find Metropolis has been repaired with Kryptonian architecture and that Earth has been protected by Bar-El and Lilo, lost astronauts from Krypton. They followed the trail of the vessel that brought Superman to Earth. To his dismay, the two have less altruistic goals and intend to turn Earth into a new Krypton. As they fight Superman outside of the Daily Planet, Bar-El and Lilo begin showing signs of illness: the two had passed through the remnants of Krypton and thus were saturated with Kryptonite. To save them and at their request, Superman places the two in the Phantom Zone until a cure can be found.After settling his affairs, Superman proceeds to finish his last will and testament. Luthor reprogrammed one of the Fortress’ robots to steal the serum he made for Lois’ birthday. Having the powers of Superman, Luthor’s death by electric chair failed and he escapes unfettered. He meets with Nasthalthia below one of his lairs to continue his plans. Superman finishes his will when he learns of Luthor’s secret ally Solaris, the tyrant star computer has betrayed Luthor by tampering with Earth’s sun and turned it blue. With his robots, Superman engages Solaris in space. However, Solaris’ raw power output vaporized all of the robots, with Robot #7 sacrificing itself to damage Solaris to redeem itself for being manipulated into stealing the super serum. All seems lost until Superman’s pet Sun-Eater sacrifices itself to weaken the tyrant star, which allows Superman to destroy Solaris.
Clark returns to the Daily Planet, very ill, and collapses upon completing his article, “SUPERMAN DEAD”. When the staff tries to save him they realize that he has stopped breathing and his heart stopped. But before they can do anything to help Clark, the super-powered Lex Luthor arrives and attempts to kill Lois. Clark revives and fires a gravity gun at Luthor. Superman tells Luthor he has been on to him ever since Superman Robot #7 first malfunctioned. As his powers fade, Luthor briefly sees the world as Superman sees it and weeps as he gains a measure of understanding of the subatomic and how it interconnects. The gravity weapon has warped time causing Luthor’s powers to burn out at a faster rate. As his powers drain, Luthor wishes the experience to continue. He believes he can solve the grand unification theory but when he reaches for his next vial of serum, he realizes that Superman has stolen his supply. Superman then destroys the serum over Luthor’s protests, pointing out that if Luthor truly cared about solving the world’s problems, he would have done so long ago.
With Superman’s body starting to turn into pure energy, he and Lois embrace one final time and he proclaims his love for her once and for all. He gives her his cape as a way to remember him before he leaves and flies into the Sun, seemingly sacrificing himself to save the Earth.
Later, when Lois sits on a bench in front of a statue of Superman, Jimmy invites her to attend a memorial service being held for Superman. Lois does not go as she believes Superman is not dead and will return after he repairs the sun. Quintum visits Luthor in his cell. Now enlightened from his ordeal and accepting his impending death, Luthor presents Quintum with the only thing that could redeem him for his actions over the years….a formula to recreate Superman’s genetic structure through a healthy human ovum. As Quintum leaves, he sadly muses “They always said they wanted children”. The movie ends with a picture of Superman fixing the sun and Lois’ voice once more stating “He’s not dead. He’s up there fixing the Sun. And when he’s done, he’ll be back.”
An excellent take which sticks closely to its source material. Approach with an open mind and you shouldn’t be disappointed

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!