REVIEW: WALKING TALL (2004)

CAST

Dwayne Johnson (Cental Intelligence)
Johnny Knoxville (The Ringer)
Neal McDonough (Arrow)
Michael Bowen (Kill Bill)
Ashley Scott (Birds of Prey)
Barbara Tarbuck (Short Circuit)
John Beasley (The Purge: Anarchy)
Kristen Wilson (Dr. Dolittle)
Kevin Durand (X-Men Origins)
Ryan Robbins (Sanctuary)
Michael Adamthwaite (Stargate SG.1)
Aaron Douglas (Battlestar Galactica)
Cobie Smulders (How I Met Your Mother)

Former U.S. Army Special Forces sergeant Chris Vaughn (The Rock) returns to his small home town in Kitsap County, Washington. Looking for work, he finds the local cedar mill was closed down three years prior by its heir, Jay Hamilton (Neal McDonough), who opened a new casino that now accounts for the majority of revenue for the local area. Hamilton, who was also Vaughn’s school friend, invites him to a night of fun at the casino. While checking out the VIP lounge, Vaughn stumbles upon his childhood friend Deni (Ashley Scott), who is now working as a stripper. Later, he notices the craps dealer using loaded dice and demonstrates this to the patrons by placing a bet and calling out the roll before throwing the dice. When the floorman declares no payout, Vaughn instigates a fight. Although he beats down most of the security guards, he is subsequently subdued with a cattle prod and knocked unconscious. The security staff take Vaughn into the basement and Hamilton’s right-hand man and head of security Booth (Kevin Durand) tortures him by cutting his torso with a utility knife before dumping him on a roadside. He is found by a trucker and hospitalized, but recovers quickly.Vaughn goes to the sheriff, Stan Watkins (Michael Bowen), to press charges against the guards, but Sheriff Watkins refuses to allow him to do so because the casino is viewed as too important to the town’s economy, stating that because of its position, the casino is considered a “no fly zone”. After this, Vaughn also learns that his nephew, Pete (Khleo Thomas), experimented with crystal meth, which was sold to his friends by the casino security guards. Infuriated, Vaughn goes to the casino, and using a piece of lumber as a club, begins destroying casino property, and brutally beats the security guards when they attempt to stop him. Vaughn is apprehended by Sheriff Watkins and his deputies as he is driving away from the scene.In the ensuing trial, all of Hamilton’s security and staff testify against Vaughn. When the judge allows Vaughn to present his defense, he fires his appointed attorney, who is implicitly under Hamilton’s employ. After making a civic speech about the town’s great former self, Vaughn tells the jury and the rest of the town that if he’s cleared of the charges, he will run for sheriff and clean up the town. To further emphasize his plea, Vaughn reveals the grotesque scars on his torso from his being tortured by the casino staff. He is then acquitted and wins the election for sheriff. Upon taking office, he summarily dismisses the entire police force and deputizes his friend, Ray Templeton (Johnny Knoxville), whom Vaughn feels he can trust, as well as help Vaughn learn about narcotics (Templeton revealed earlier that he served time in prison after becoming a drug addict).Vaughn and Templeton find drugs on Booth and they take him into custody. In an attempt to make him reveal information on the town drug operation, they hold him captive in a garage and proceed to strip his truck into pieces in front of him, but he does not talk. Vaughn assigns Templeton to stand watch over his house, as he knows Hamilton will likely target his family. Vaughn himself remains at the sheriff’s office to supervise Booth. He is visited by Deni, stopping by under the pretense of bringing him food and reveals that she quit her job as the casino stripper. The two end up spending the night together in the office. The next morning, Watkins and his deputies arrive at the Sheriff’s office where they blow up Vaughn’s truck and fire upon the building with machine guns. Recognizing his dangerous predicament, Booth pleads for Vaughn to let him out of his cell, prompting Vaughn to use Booth’s perilous situation as leverage for information. Booth reveals that the old mill is where the drugs are being produced, but is immediately killed by the indiscriminate fire of the attackers. Vaughn manages to kill all of the attackers with Deni’s help.Vaughn’s parents’ house is attacked, but Templeton and Vaughn’s father are able to dispatch the gunmen. After ensuring their safety, Vaughn heads for the mill where he discovers a meth lab as well as Hamilton, calmly waiting in a control room. Hamilton attempts to kill Vaughn with the mill equipment by dropping him through a trap door, but Vaughn drags Hamilton down with him and the two fall through a chute. Vaughn, whose leg is injured, manages to tend to his injury in a nearby forest before Hamilton attacks him with an axe. The two fight for their lives, with Vaughn ultimately coming out on top by beating Hamilton with a nearby uprooted tree, breaking his leg. Vaughn repeats what Hamilton said to him earlier “You’re right, Jay. This does change our relationship. This is my town. You’re under arrest.” And Hamilton is arrested and taken into custody, with Templeton’s assistance, Vaughn shuts down the casino. In the closing scene it is revealed that the local mill is back in use.This movie is decidedly ‘heavier’ then Rock’s previous outings, dealing with more significant topics like prostitution and drugs, which gives it a more serious edge. Overall, I enjoyed Walking Tall, and would recommend it to anyone

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REVIEW: TAKEN (2002)

CAST

Dakota Fanning (War of The Worlds)
Eric Close (American Snuper)
Catherine Dent (Terminator: TSCC)
Joel Gretsch (V)
John Hawkes (Winter’s Bone)
Tine Holmes (Half Nelson)
Steve Burton (Cyber Tracker)
Julie Benz (Angel)
Stacy Grant (Shanghai Noon)
Jason Gray-Stanford (Bones)
Michael Moriarty (Courage Under Fire)
Rob LaBelle (Jack Frost)
Julie Ann Emery (Fargo)
Adam Kaufman (Buffy: The Vampire Slayer)
James McDaniel (Sleepy Hollow)
Ian Tracey (Bates Motel)
Ryan Robbins (Arrow)
Willie Garson (Stargate SG.1)
Ryan Hurst (Bates Motel)
James Kirk (X-Men 2)
Anton Yelchin (Star Trek)
Kevin Durand (X-Men Origins)
Brenda James (Slither)
Chad Morgan (The Purge: Anarchy)
Jonathan Young (Sanctuary)
Ryan Merriman (Final Destination 3)
Brent Stait (Andromeda)
Emily Holmes (The Wicker Man)
Erin Karpluk (Being Erica)
David Paetkau (Flashpoint)
Fulvio Cecere (Valentine)
Jim Byrnes (Highlander: The Series)
Matt Frewer (Watchmen)
Desmond Harrington (Ghost Ship)
Alessandro Juliani (Smallville)
Emily Bergl (Carrie 2)
Britt Irvin (V)
Camille Sullivan (The Birdwatcher)
Ben Cotton (Stargate: Atlantis)
Elle Fanning (Super 8)
Gabrielle Rose (Dark Angel)
Roger Cross (Arrow)
Brian Markinson (Izombie)
Linda Ko (Antitrust)
Peter Bryant (Legends of Tomorrow)
Justin Chatwin (Taking Lives)
Gwynyth Walsh (Van Helsing)
Heather Donahue (The Blair Witch Project)

From none other than visionary Steven Spielberg comes TAKEN (2002), which I first saw during it’s initial run on the BBC. I admire the scope, ambition, and emotion attached to this entertaining mini series.It starts off in 1944, with Russell Keys, along with his bomber crew, being ‘taken’ by an alien spacecraft during their WWII mission. The crew is experimented on, but Keys is essentially the lone survivor. Keys returns home with PTSD, not due to war, but due to the alien experience. This compels him to leave his wife and child to solve the mystery. Eventually, the aliens take Russell’s teen son Jesse Keys. The aliens obviously see an internal resolve in the Keys’ men that distinguishes them from the rest of the human race.
A second parallel story starts around 1947, and involves the lone survivor of a downed alien spacecraft that manages to take human form as “John” , who seeks refuge on a Texas farm owned by Sally Clarke, a hard-working waitress and single mother of two. John and Sally bond and she is impregnated, leading to a human-alien hybrid Jacob Clarke (superbly played by then-newcomer Anton Yelchin, now known for being the new Chekhov in the re-booted Star Trek franchise).The final parallel story also starts in 1947 in the infamous Roswell, New Mexico, where the local Air Force has found John’s downed ship and his 4 alien compadres who did not survive. Backed by the government, the military takes over the super-secret project, which starts off being briefly led by Colonel Campbell and is soon taken over by his ambitious son-in-law Captain Owen Crawford (brilliantly played by Joel Gretsch), military intelligence officer. Gretsch perfectly essays the role of megalomaniacal Crawford, who runs the project with unapologetic brio. I really felt that Gretsch’s character carried the first few episodes (spanning 1947 to 1962) with strong support from the other actors.
Taken’s first half  storytelling is strong, a perfect balance of science fiction, politics, speculation, and drama. One really buys into the premise that these goings-on could have actually happened. It’s definitely not fiction that many an American have reported UFO sightings and alien experiences over the years, and this miniseries is one of the better attempts at relaying this message to the viewer.
With the second half of the mini series the puzzle pieces finally start to come together to an interesting conclusion. Emily Burgl (as Lisa Clarke) and Andy Kaufman (as Charlie Keys) were commendable as the adult versions of the last respective offspring of the Clarke-Keys clans, the main highlight of the second half was  was the performance of newcomer Dakota Fanning (who plays Allie) whose wonderful narration is a key to the series overall success. She stole the show from all of her adult counterparts. I would definitely recommend the miniseries based on ambition and overall scope and the tightly woven storytellingthe show demonstrates. It’s an epic Sci-Fi story that is intriguing and at times touching. It wasthe series that made Dakota Fanning a star.

REVIEW: REASONABLE DOUBT

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CAST

Dominic Cooper (Agent Carter)
Samuel L. Jackson (The Legend of Tarzan)
Erin Karpluk (Ripper 2)
Gloria Reuben (Lincoln)
Ryan Robbins (Arrow)
Dylan Taylor (Defying Gravity)
Philippe Brenninkmeyer (Super Troopers)

High flying District Attorney Mitch Brockden (Cooper) finds his life turned upside down, when he is involved in a hit & run accident, but as he covers up his own involvement, things begin to take a frightening turn when he uncovers an even more gruesome discovery that leaves him in a catch-22 situation of moral ambiguity.

Canadian crime thriller Reasonable Doubt is very predictable, that we figured out the whole plot within the first 20 minutes or so of it’s 80 minute run time. And parts of it’s story are pretty contrived to say the least, while it misses a beat to add some exciting action towards the end, instead deciding to rely purely on low key suspense & psychological thrills that is palatable enough for the most part, albeit very hard to swallow in places (walking out of police station with a gun in hand ? seriously ?). On the plus side it manages to offer an interesting & enjoyable enough experience in it’s execution, thanks to some good cinematography, credible acting performances & that it moves at a good pace that pushes you along to the next part of it’s story, so that you don’t get too bogged down in the details of how you got there.

The acting is passable enough to maintain immersion. Dominic Cooper is beliveable as the upstanding successful prosecuting lawyer Mitch Brockden , stuck in a catch-22 situation as he’s dragged down into a traumatic state of panic trying to keep his house of cards upright as long as possible & do some detective work to dig himself out of a hole. Samuel L. Jackson was a surprise inclusion, not needing to break a sweat in his limited screen time.
You know what’s coming way before it get’s there, but it’s that anticipation of experiencing the execution that keeps you watching on. An okay movie to pass some time.

REVIEW: WARCRAFT: THE BEGINNING

CAST

Travis Fimmel (Vikings)
Paula Patton (Mission Impossible 4)
Ben Foster (The Punisher)
Dominic Cooper (Dracula Untold)
Toby Kebbell (Dawn of The Planet of The Apes)
Clancy Brown (Highlander)
Ruth Negga (Agents of SHIELD)
Anna Galvin (Caprica)
Callum Keith Rennie (Legends of Tomorrow)
Ryan Robbins (Arrow)
Michael Adamthwaite (Stargate SG.1)
Anna Van Hooft (Flash Gordon)
Elisabeth Rosen (Bles The Child)
Patrick Sabongui (The Flash)
Mackenzie Gray (Man of Steel)
Wesley MacInnes (Smallville)
Eugene Lipinski (Goosebumps)
Glenn Close (Guardians of The Galaxy)

Draenor, the homeworld of the orcs, is being torn apart by a mysterious force known as fel magic. Gul’dan, a powerful orc warlock, unites the orc clans and forms the Horde, and creates a portal to the world of Azeroth. The orcs begin to use fel magic to drain the life out of captive draenei in order to sustain the portal. Once it is operational, Gul’dan leads a small warband to capture prisoners on Azeroth and sacrifice them to bring the rest of the Horde through the portal. Despite their doubts, Durotan, the chieftain of the Frostwolf Clan, his pregnant mate Draka, and his friend Orgrim Doomhammer join this initial warband. While crossing through the portal, Draka goes into labor. When the orcs arrive on Azeroth, Gul’dan assists Draka with giving birth, but the baby is stillborn. Gul’dan then drains the life out of a nearby deer to revive and infuse fel magic into the baby, which Durotan later names Go’el.

The orcs raid several settlements throughout Azeroth. Anduin Lothar, the military commander of the human forces in the Stormwind Kingdom, looks over some of the men that were killed, and finds a trespassing mage named Khadgar, who explains that he was investigating the dead bodies because they contained traces of fel magic. Khadgar persuades Stormwind’s king, Llane Wrynn, to consult Medivh, the renowned Guardian of Tirisfal, and Llane sends Anduin and Khadgar to Medivh’s stronghold, Karazhan, to inform him of the fel magic’s presence on Azeroth. In the Karazhan library, a ghostly shadow leads Khadgar to a mysterious book, which he takes.

Anduin, Khadgar and Medivh join a scouting team following traces of fel magic, but are ambushed by orcs. Medivh uses a spell to kill the fel-corrupted orcs, leaving the Horde’s warchief, Blackhand to flee along with Durotan and Orgrim. Khadgar restrains a half-orc slave, Garona, and the soldiers take her prisoner. King Llane frees Garona in exchange for loyalty to Stormwind, and she leads the humans to spy on the orc camp, where they learn of Gul’dan’s plan to bring the Horde to Azeroth. Meanwhile, Durotan realizes that the fel magic is responsible for the destruction of Draenor, and if Gul’dan is not thwarted, Azeroth will suffer the same fate. Despite Orgrim’s objections, Durotan invites Llane to a secret meeting so that the Frostwolf Clan and the humans can unite to defeat Gul’dan. While studying the book he took from Karazhan, Khadgar learns that Gul’dan could not have opened the portal on his own; he had help from someone on Azeroth. He is confronted by Medivh, who burns Khadgar’s research when Khadgar offers to help him with his work.

The Frostwolf Clan meets with the humans to negotiate an alliance, but the group is ambushed by Blackhand. As the humans retreat, Medivh forms a magical barrier to protect them, but Lothar’s son Callan is separated from the rest of the group and killed by Blackhand. Medivh is severely weakened, and Garona and Khadgar take him back to Karazhan to recover. After noticing Medivh’s eyes shine green, showing that he is infected by fel magic, Khadgar returns to his former home, Dalaran, to seek help from the Kirin Tor, the authority of human and high elven mages. The Kirin Tor facilitate a meeting with Alodi, revealed to be the shadow who led Khadgar to the book; she confirms that Medivh has indeed been corrupted by fel magic and possessed by an unknown demon. At the orc camp, Blackhand purges the Frostwolf Clan. Orgrim helps Draka to escape, and she sends Go’el down a river in a basket, but is then found and killed by another orc. Durotan challenges Gul’dan to Mak’gora, a traditional orcish duel to the death for leadership of a clan – in this case, all of the orcs. During the fight, Gul’dan violates the honorable combat rules by draining the life out of Durotan with his magic, killing him and earning the disapproval of the orcs watching, and he empowers Blackhand with the same magic. Medivh, now in a half-demonic state, starts to open the portal to Draenor, and Gul’dan begins sacrificing the captured human villagers to allow the rest of the Horde to enter Azeroth.

Llane leads the human army in an assault on the orc camp, while Anduin and Khadgar fight Medivh and destroy the demon that had begun to manifest on the outside. Medivh is left mortally wounded, and uses the last of his strength to close the portal to Draenor and instead open a portal to Stormwind, allowing Llane to evacuate most of the freed prisoners. When Medivh eventually dies, the portal closes, leaving Llane, Garona and a small number of human soldiers to fight the orcs. Llane secretly orders Garona to kill him, bringing her honor among the orcs and putting her in a position of power to bring peace between the two races. Garona reluctantly does so, and is welcomed into the Horde by Gul’dan. As the orcs celebrate, Lothar arrives to retrieve King Llane’s body and discovers Garona’s knife in the body, realizing that it was she who had killed their king. Blackhand challenges Lothar to Mak’gora, and Lothar quickly disposes of him. Against Gul’dan’s demands, the orcs, bound by tradition, allow Lothar to depart with Llane’s body. At Llane’s funeral in Stormwind, the leaders of the other human nations, along with the high elves and dwarves, proclaim an alliance against the orcs and rally behind Lothar as the leader of the Alliance forces. Elsewhere, Orgrim takes one of Durotan’s tusks to one day give to Go’el, and the basket containing Go’el is found by a human.Having never played the game i went into this blind, and as a high fantasy epic i found it to be pretty agreeable. The special effects were generally very good. The use of Magic was novel and added a definite element to proceedings. The story was fairly generic for this genre, but there were enough surprises for me to make it worthwhile. The cast were good without a standout star, which in my opinion did help matters as you were never sure who was going to make it in the end. Overall it was an enjoyable way to spend a couple of hours.

VAN HELSING (2016) – SEASON 1

CAST

Kelly Overton (Beauty and The Beast)
Jonathan Scarfe (Into The West)
Christopher Heyerdahl (Sanctuary)
David Cubitt (Arrow)
Vincent Gale (Battlestar Galactica)
Rukiya Bernard (Colossal)
Trezzo Mahoro (Izombie)
Hilary Jardine (Camera Shy)

RECURRING / NOTABLE GUEST CAST

Tim Guinee (Iron Man)
Hannah Cheramy (Summer Love)
Anne Openshaw (American Mary)
Paul Johansson (Highlander: The Raven)
Marci T. House (Godzilla)
Alison Wandzura (Mistresses)
Aleks Paunovic (Kindergarten Cop 2)
John DeSantis (The 13th Warrior)
Laura Mennell (Alphas)
Avery Konrad (The Killing)
Terry Chen (Bates Motel)
Sarah Desjardins (Wayward Pines)
Naika Toussaint (Deadpool)
Ben Cotton (Stargate: Atlantis)
Jennifer Copping (Slither)
Chris Ippolito (The Revenant)
Ryan Robbins (Sanctuary)
Gwynyth Wlash (Star Trek Generations)
Christopher Russell (Land of Teh Dead)
Tom Cavanagh (The Flash)

One thing becomes abundantly clear three minutes into the pilot of SyFy’s latest genre offering Van Helsing; this is not your teenaged daughter’s vampire story. Gone is the inherent sexiness we’ve come to associate with the highly attractive creatures of the night, and in its place a gritty, grimy, visceral appearance that articulates the reality of an existence that revolves solely around securing basic human needs in the face of post-apocalyptic obstacles. Bloodthirsty vampires attempting to storm Seattle Valley General Hospital give 21st century viewers a unique re-imagining with all the prerequisite details: buckets of blood, ravaged body parts, frequent bouts of terror, and above all, characters that inspire concern.It’s 2019 as the series opens; “Three years since The Rising began. Civilization has fallen. Vampires rule the streets. Only whispers of a human savior have given mankind hope.” Let’s get this out of the way right now. Comparisons to The Walking Dead are unavoidable, and it remains to be seen what will set Van Helsing apart from being just another horror series with an attractive woman wearing black and kicking ass as she fights back against beings that have lost their humanity. Though we don’t see Vanessa Helsing in action until midway through the episode, Kelly Overton (True Blood) plays a young woman who wakes from a coma having missed the volcanic eruption that led to the vampire pandemic. We’re immediately struck by the strength of her performance as Overton dominates every scene she’s in. Disoriented and confused after being roused from her repose by a feral bite to the neck, she immediately springs into action revealing that she is not a woman to be trifled with. And in the first of LaBute’s plot twists, we learn that biting Vanessa not only fails to turn her into a creature, but produces the unexpected consequence of returning a vampire to a human state. However, we are also left to ponder whether she lay dead or merely comatose on the hospital table leading up to her resurrection.Axel (Jonathan Scarfe, Hell on Wheels) has been ordered to guard Vanessa without knowing why, and his stoic response to this situation embodies everything we expect from a U. S. Marine. Referring to Vanessa as Sleeping Beauty, it’s clear he’s developed an attraction to her, and now that she’s awake and determined to find her daughter, it seems rather obvious that they’ll be leaving the relative safety of the hospital. The friction between the two provides a perfect launch of the relationship these two will undoubtedly have as she searches not only for her daughter, but an understanding of what makes her inherently special.LaBute and director Michael Nankin (Defiance, Hell on Wheels) employ some character tropes, but these are used judiciously to establish how members of the small group react to self-serving motives along the way. It’s understandable that one man who’s narrowly made it inside the compound wants leave to find his wife from whom he’s been separated, but these are dire times when the well-being of the group takes precedence over the needs of the one. Like The Walking Dead, we have a group of individuals thrown together in a life or death situation, but Vanessa’s “magic bullet” status raises the game’s stakes.All pilots face the same hurdle; can the writers lead viewers to care enough about the characters to return on a weekly basis? Are the stakes facing them high enough, and how can the writing team avoid simply presenting Vanessa on a quest to bring the world back from the brink of disaster one bite at at time? Interestingly, many pilots rely too heavily on narrative exposition and voiceover, but here, not only does the violent and oft times gruesome action demand the viewer’s attention, it forces the individuals to take sides in the approaching storm and provides viewers some necessary character motivation. One who does emerge as a potential dark horse is Sam (Christopher Heyerdahl, Sanctuary), a deaf man who steps forward as things begin spiralling out of control, lending a hand to Axel as the team leader faces a potential mutiny. Thou as the series progresses he hides a dark secret and could become a menacing threat.debuted on SyFy on September 23, the pilot showed a great unveiling reveals a show with a wealth of potential and a strong genre pedigree including Continuum’s Simon Barry and Jonathan Lloyd Walker. On the surface Van Helsing may appear to be just another post-apocalyptic survival tale, but as the series progresses through its first season it begins to raise questions about  Vanessa Helsing and her role as mankind’s savior to compel viewers to return and watch this reluctant messiah cope physically and emotionally with a role she didn’t ask for and doesn’t want. with season coming to an end I can’t wait for the second season. This first season has had me hooked and knowing early on not to get too attached to characters along way as this is a real no hold bards vampire series where anyone can be killed at anytime.

REVIEW: PAYCHECK

 

CAST

Ben Affleck (Gone Girl)
Aaron Eckhart (The Dark Knight)
Uma Thurman (Kill Bill)
Paul Giamatti (The Amazing Spider-Man 2)
Colm Feore (Gotham)
Joe Morton (Smallville)
Michael C. Hall (Dexter)
Kathryn Morris (Cold Case)
Fulvio Cecere (The Tortured)
Ivana Milicevic (Vanilla Sky)
Callum Keith Rennie (Legends of Tomorrow)
Michelle Harrison (The Flash)
Krista Allen (The Final Destination)
Peter Shinkoda (Daredevil)
Ryan Robbins (Arrow)
Aaron Douglas (Battlestar Galactica)

In the near future, Michael Jennings (Affleck) is a reverse engineer; he analyzes his clients’ competitors’ technology and recreates it, often adding improvements beyond the original specifications. To protect his clients’ intellectual property and himself, Jennings, with the aid of his friend Shorty (Giamatti), undertakes a memory wipe to remove knowledge of his engineering.

Jennings is approached by his old college roommate, James Rethrick (Eckhart), the CEO of the successful Seattle technology company Allcom. Rethrick proposes a lengthy three-year reverse engineering job to Jennings, requiring him to live on Allcom’s secured campus until its conclusion but rewarding him handsomely with company stock. Jennings agrees and, after arranging for his long-term absence, arrives at Allcom, turns in his personal possessions, and is given a brief tour of the facility where he meets and flirts with botanist Dr. Rachel Porter (Thurman). He is injected with a long-term memory marker for the post-job memory wipe.

Three years later (June 2007), at the conclusion of the memory wipe, Jennings is sitting in Rethrick’s office, being thanked for a successful job. On returning home, Jennings finds that, although his Allcom shares would have been worth around $92 million, he had signed them away near the end of his tenure. Furthermore, he finds that his personal possessions have been replaced with an envelope containing a random assortment of everyday items. Soon after, the FBI captures him; and Agent Dodge (Morton) interrogates him on charges related to the death of physicist William Dekker. Jennings is able to escape custody, finding that the items in the envelope can be used at the right time to evade capture. After warning Shorty of his plight, he finds the items pointing him to a café meeting with Porter. Rethrick, who has been watching Jennings’ movements, discovers a message to Porter about this meeting and sends a body double to take her place to try to recover the envelope. The real Porter shows up and helps Jennings escape from both the FBI and Rethrick’s men.

They take shelter at a local school, examining the remaining items in the envelope while Porter tries to convince Jennings of the relationship they shared during his tenure at Allcom. One of the stamps holds a microdot that, on enlargement, reveals several pictures of newspaper headlines taken from a machine’s display showing Allcom becoming financially successful with a device that can depict future events, but the resultant doomsday visions ultimately lead to a series of self-fulfilling prophecies resulting in financial panic, political strife and America launching a pre-emptive nuclear strike. Jennings realizes he must have built this device based on Dekker’s invention and, on realizing the horrors that will come, prepared the envelope, using the forecasts from the machine to allow his future self to return to Allcom and destroy the machine. Furthermore, as Rethrick shortly discovers, Jennings rigged the device to malfunction, preventing Rethrick from anticipating Jennings’ actions.

Jennings and Porter return to Allcom and make their way to the machine room undetected, jamming the door behind them. Jennings determines the location of the defective circuit and removes it, subsequently rigging the machine to explode in a few minutes. Jennings uses the machine one last time, seeing a vision of himself being shot by an FBI agent in the catwalks above the machine. Soon, Rethrick’s men storm the room and, after a brief shootout, Jennings and Porter escape to the catwalks. Rethrick is waiting there, holding them at gunpoint, the same tableau Jennings previously saw. When Jennings’ watch, taken from the envelope, beeps, Jennings ducks in time to avoid the FBI Agent’s bullet that then kills Rethrick. The machine is destroyed, and Jennings and Porter escape the FBI in the chaos. When Agent Dodge and his men arrive and investigate, they take sympathy and report Jennings killed in the destruction.

In the film’s conclusion, Jennings, Porter, and Shorty have opened a greenhouse nursery. Jennings recalls a fortune cookie note from the envelope and discovers one last act he had done with the machine, foreseeing the results of a $90 million lottery and leaving the winning ticket in Porter’s birdcage

This is a good movie for spending a couple of hours entertained, but it is not one I would enjoy seeing repeatedly.

 

REVIEW: BATTLESTAR GALACTICA (2004): THE COMPLETE SERIES

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CAST

Edward James Olmos (The Green Hornet)
Mary McDonnell (Independence Day)
Katee Sackhoff (Riddick)
Jamie Bamber (Pulse 2)
James Callis (Flashforward)
Tricia Helfer (Two and a Half Men)
Grace Park (Hawaii Five-O)
Michael Hogan (Red Riding Hood)
Paul Campbell (Andromeda)
Aaron Douglas (The Flash)
Kandyse McClure (Sanctuary)
Alessandro Juliani (Smallville)
Nicki Clyne (Saved)
Tahmoh Penikett (Dollhouse)
Sam Witwer (Smallville)

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RECURRING / NOTABLE GUEST CAST

Connor Widdows (Dark Angel)
Richard Hatch (Battlestar Galactica Original)
Matthew Bennett (Stargate SG.1)
Brent Stait (Andromeda)
Lorena Gale (The Butterfly Effect)
Donnelly Rhodes (Tron: Legacy)
Jill Teed (X-Men 2)
Tobias Mehler (Wishmaster 3)
Luciana Carro (White Chicks)
Terry Chen (Bates Motel)
Dominic Zamprogna (Oddysey 5)
Bodie Olmos (Stand and Deliver)
Callum Keith Rennie (Legends of Tomorrow)
Eric Breker (Godzilla)
Kate Vernon (Heroes)
Camille Sullivan (The Birdwatcher)
Kerry Norton (Toy)
Leah Cairns (88 Minutes)
Michael Trucco (Sabrina: TTW)
Rick Worthy (Collateral  Damage)
James Remar (The Shannara Chronicles)
Benjamin Ayres (The Vampire Diaries)
Lucy Lawless (Ash vs Evil Dead)
Aleks Paunovic (Van helsing)
Michelle Forbes (Powers)
Fulvio Cecere (The Tortured)
Mike Dopud (Arrow)
Vincet Gale (Bates Motel)
Sebastian Spence (First Wave)
Colm Feore (Gotham)
Bill Duke (Commando)
John Mann (The Butterfly Effect 2)
Christopher Jacot (Mutant X)
Dana Delany (Body of Proof)
Erica Carroll (Supernatural)
Dean Stockwell (Dune)
Rekha Sharma (V)
Amanda Plummer (Hannibal)
Emilie Ullerup (Sanctuary)
Alisen Down (Smallville)
Carl Lumbly (Alias)
Bruce Davison (High Crimes)
Gabrielle Rose (Dark Angel)
Steve Bacic (Andromeda)
Lucinda Jenney (Rai nman)
Mark Sheppard (Supernatural)
Keegan Connor Tracy (Bates Motel)
Ryan Robbins (Arrow)
Leela Savasta (Stargate: Atlantis)
Nana Visitor (Star Trek: DS9)
Sonja Bennett (Preggoland)

If you want to watch a brilliantly scripted series, then this is the one for you. In a nutshell, Humanity inhabits the Twelve Colonies of Man, somewhere out there in the galaxy. They created robots, “Cylons”, who did everything we wanted until they rebelled. A massive war broke out which ultimately ended in the Cylons leaving the Twelve Colonies. No-one had heard from the Cylons in 40 years until the events of the Mini-Series where they come back and completely destroy Humanity. The survivors (Around 50,000 people) are forced to flee the Colonies where billions have already died and forced to find a new home with the Cylons constantly in pursuit. The idea is to follow the route of the “13th Tribe/Colony” who went out into the stars and settled on a planet named “Earth”. That’s the basic premise of the story but so much happens over the 4 seasons that I’d feel ashamed to spoil it for others. It’s hard to say what parts of BSG really stood out because all of it was so frakking good but some notable parts are the entire “New Caprica” occupation storyline at the end of Season 2/start of Season 3, the big reveal of 4 out of 5 of the “Final Five” Cylons at the end of Season 3/start of Season 4, the hopelessness that is felt after “Earth” is actually found mid-Season 4 and the final battle at the end of Season 4.

The storyline can be bleak at times and sometimes you do think whether you’d have the strength to carry on if you were in their position but that’s what makes it so interesting to watch. Add in a dash of “God”, “Angels”, “Prophecy” and “Destiny” and you have a perfect recipe for a great story.Highly recommended!

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