REVIEW: GAME OF THRONES – SEASON 4

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MAIN CAST
Peter Dinklage (Threshold)
Nikolaj Coster-Waldau (Kingdom of Heaven)
Lena Headey (Dredd)
Emilia Clarke (Terminator:L Genysis)
Kit Harington (Pompeii)
Aidan Gillen (The Dark Knight Rises)
Charles Dance (Last Action Hero)
Natalie Dormer (The Hunger Games: Mockingjay)
Liam Cunningham (Wrath of The Titans)
Stephen Dillane (The Hours)
Carice van Houten (Black Book)
Jack Gleeson (Batman Begins)
Alfie Allen (Elizabeth)
Isaac Hempstead-Wright (The Box Trolls)
Sophie Turner (X-Men: Apocalypse)
Maisie Williams (Cyberbully)
John Bradley (Borgia)
Rose Leslie (honeymoon)
Kristofer Hivju (The Thing)
Hannah Murray (Skins)
Rory McCann (Hot Fuzz)
Gwendoline Christie (Star Wars – Episode VII)
Iwan Rheon (Misfits)
Conleth Hill (Serena)
Jerome Flynn (Ripper Street)
Sibel Kekilli (Tatort)
Iain Glen (Kick-Ass 2)
GUEST / RECURRING CAST
Diana Rigg (The Avengers)
Pedro Pascal (The Mentalist)
Indira Varma (Human Target)
Daniel Portman (River City)
Julian Glover (Troy)
Roger Ashton-Griffiths (A Knight’s Tale)
Anton Lesser (Charlotte gray)
Finn Jones (Wrong Turn 5)
Dean-Charles Chapman (Ripper Street)
Ian Beattie (Alexander)
Michiel Huisman (The Young Victoria)
Ian McElhinney (Hornblower)
Nathalie Emmanuel (Fast & Furious 7)
Jacob Anderson (4.3.2.1.)
Ciarán Hinds(the Woman In Black)
Thomas Sangster(Love Actually)
Ellie Kendrick (Being Human)
Kristian Nairn (Ripper Street)
Burn Gorman(The Dark Knight Rises)
Michael McElhatton (Intermission)
Peter Vaughan (Silk)
Owen Teale (Stella)
Noah Taylor (Powers)
Mark Stanley (Dickensian)
Ben Crompton (Doctor Who)
Josef Altin (The Young Victoria)
Charlotte Hope (Les Miserables)
Elizabeth Webster (Call The midwife)
Gemma Whelan (The Wolfman)
Kate Dickie (Tinsel Town)
Lino Facioli (Get Him to The Greek)
Whilst nothing in Series 4 comes quite as close to the sheer jaw dropping drama of Series 3 classic episode “The Red Wedding” the Series 4 finale has a quality about it that can only be found in great films like “The Godfather II”. The drama unfolds in almost a Shakespearian fashion and whilst loose ends are tied up a myriad of questions evolve out of the pulsating script. The acting throughout deserves Grammys by the shedload not least one of the most unlikely “buddy” pairings in TV history namely Ayra Stark (the brilliant Maisie Williams) and the strangely loveable uber thug “The Hound”. The scriptwriters have also played a huge role in this series with more deviations from George R R Martins books which makes the plot and storyline sharper and more dynamic. For example that gigantic Brienne and the Hound fight never happened in the novels, but it was stellar television. The other key dimension of the series is that the multiplicity of individual story lines are now merging ever closer so the overall plot line is much clearer and the context more powerful. Despite the ritual disposal of numerous major characters in Series 4 the deep fascination of the future of existing characters like the mystic Bran, the heroic Jon Snow, the Machiavellian “Littlefinger” and the worlds most popular dwarf (Peter Dinklage) is utterly engrossing. We also have nagging doubts emerging not least is Daenerys Targaryen’s unstoppable rise now threatened by her errant dragons, and whilst the key figure of Stannis Baratheon looms large was that also an alluring smile from the sinister but sexy Melisandre, the priestess of the Lord of Light to Jon Snow? Meanwhile beyond the Wall in the frozen north the Whitewalkers are massing.

Game of Thrones has been renewed for a further two seasons and we are informed that the day after the premiere of season 4, filming started in Belfast on the next instalment.The new season is scheduled to start on TV between the end of March and mid-April 2015. Can however the programmes show runners, David Benioff and D.B. Weiss, be asked nicely by all Amazon readers to get a move on and bring this true wonder back to our screens. Indeed this reviewer could be reduced to begging. Game of Thrones – Series 4 is absolutely essential television and the best current drama on the small screen.

 

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REVIEW: GAME OF THRONES – SEASON 3

CAST

Peter Dinklage (X-Men: Days of Future Past)
Nikolaj Coster-Waldau (Mama)
Lena Headey (Dredd)
Emilia Clarke (Terminator: Genysis)
Kit Harington (Pompeii)
Richard Madden (Cinderella)
Iain Glen (Tomb Raider)
Michelle Fairley (The Lizzie Borden Chronicles)
Aidan Gillen (The Dark Knight Rises)
Charles Dance (Last Action Hero)
Liam Cunningham (Clash of The Titans)
Stephen Dillane (The Hours)
Carice van Houten (Black Book)
Natalie Dormer (Captain America: The First Avenger)
Isaac Hempstead-Wright (The Boxtrolls)
Sophie Turner (X-Men: Apocalypse)
Maisie Williams (Cyberbully)
Rose Leslie (Honeymoon)
Alfie Allen (John Wick)
Jack Gleeson (Batman Begins)
John Bradley (Borgia)
Oona Chaplin (What If..)
Joe Dempsie (Monsters 2)
Sibel Kekilli (When We Leave)
Rory McCann (Hot Fuzz)
Conleth Hill (Serena)
Jerome Flynn (Ripper Street)
James Cosmo (Highlander)
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RECURRING / NOTABLE GUEST STARS

Ciarán Hinds (The Woman In Black)
Robert Pugh (Robin Hood)
Mackenzie Crook (Ironclad)
Kristofer Hivju (After Earth)
Mark Stanley (Star Wars – Episode VII: The Force Awakens)
Ben Crompton (Kill List)
Luke Barnes (The Last Hours of Lauara K)
Burn Gorman (Pacific Rim)
Hannah Murray (Skins)
Edward Dogliani (The Hybrid)
Natalia Tena (Harry Potter)
Iwan Rheon (Wild Bill)
Thomas Sangster (Wolf Hall)
Ellie Kendrick (Misfits)
Kristian Nairn (Four Warriors)
Art Parkinson (Dracula Untold)
Peter Vaughan (Brazil)
Josef Altin (Eastern Promises)
Charlotte Hope (The Theory of Everything)
Patrick Malahide (Quills)
Gemma Whelan (The Wolfman)
David Bradley (The World’s End)
Gwendoline Christie (The Hunger Games – Mockingjay – Part 2)
Richard Dormer (11 Minutes)
Paul Kaye (Match Point)
Clive Russell (Ripper Street)
Tobias Menzies (Atonement)
Noah Taylor (Powers)
Michael McElhatton (Albert Nobbs)
Diana Rigg (The Avengers)
Julian Glover (Troy)
Finn Jones (Wrong Turn 5)
Esmé Bianco (The Scorpion King 4)
Daniel Portman (Outcast)
Ian Beattie (Alexander)
Paul Bentley (The Iron Lady)
Will Tudor (Vampire Academy)
Ian McElhinney (City of Ember)
Nathalie Emmanuel (Fast & Furious 7)
Jacob Anderson (Adulthood)
Ed Skrein (Deadpool)

Stannis licks his wounds after his defeat in season two, becoming ever more obsessed with his new God and the Red Woman Melisandre, desperately trying to recuperate and get back in the game as a contender for the throne. Making life hard for his ever suffering but loyal second in command Davos as he attempts to reason with his Zealot obsessed king. Davos is such a likeable character and his loyalty to Stannis is both heart warming and heart breaking as we watch Davos desperately play off and counter the many savage suggestions of the religious Melisandre, with great chemistry between all three characters you can feel the tension in the room with every scene as the two confidants battle for their kings mind which is forever unbalanced and as likely to take either side depending on his mood.

Daenerys begins her liberation of slavers bay quickly gaining momentum and power throughout the series in the way only the dragon born can, quickly becoming the most powerful character in the show, gathering more and more allies to her cause, she becomes seemingly unstoppable, yet remains one of the viewers favourite candidates for the throne as she shows again and again compassion and fairness for the people she comes into contact with, really becoming the light in this dark world. Followed by her loyal and love struck aid Jorah he also has new challenges to face as he finds himself in competition with the new allies flocking to her side, including the humiliated Commander of the Kings Guard from season one Ser Barristen Selmy and the handsome Daario Naharis of the Second Sons mercenaries.

Robb Stark once again faces betrayal as he attends his grandfathers funeral in River Run, introducing us at last to the Tullys including the humorous Blackfish and the Mr Bean of Westeros; Edmure Tully. Watching Robb struggle to handle the political aspect is quite sad as we watch the young wolf, who has never lost a battle decline purely due to his lack of political leadership and his restricting honour, both marching him towards a fate like his fathers. The similarities between Ned and Robb become more apparent as he makes foolish decisions all in vain attempts to do the right thing or make up for mistakes made, all culminating in one of the most memorable and terrible scenes of the entire show.

Theon Greyjoy, probably has the worst time of it in this season, after his betrayal of Robb in season two he finds himself captured by an unknown assailant and very very violently tortured both Physically and psychologically as well as mutilated, forever distorting and changing the character into somebody entirely new. Despite his betrayals and actions in season two you really begin to feel for the character again very early on, even forgiving his actions as he confesses how he really feels about himself and is made the play thing of the sadistic Ramsey Snow.  Tyrion continues to play the game in kings landing, battling with his sister for their fathers approval who has now taken his place as Hand of the King. Tyrion now has a harder time keeping his head above water, struck from all his power by his father, Tyrion is left vulnerable to the cruelty of Joffrey who continues to enjoy torturing his subjects. Watching him keep his composure under such odds and witnessing the cruelty of his father first hand, Tyrion remains a solid favourite of the fans, who after his heroes exploits in season two deserves a lot more than he gets in this season.

Jon Snow follows his new Wildling lifestyle while ever secretly looking for an opportunity to escape back to his fellow men of the nights watch, Jon Snow begins to realise the real threat to Westeros and begins to understand that the only way to win the real war is unity… something nobody else wants. Breaking his nights watch vows and literally skating on real thin ice Jon begins to craft himself as the hero Westeros needs.

Jaime Lannister continues life as captive, with the ever honourable and faithful Brienne charged with transporting him the two run into all sorts of adventures on their way to Kings Landing, including run ins with not so honourable Stark Soliders, farmers and then the sadistic soldiers of house Bolton and their leader Lock. Survival looks bleak for the pair and as Jaime attempts his usual charm and smarmy talk to get out of a situation it backfires changing his life forever, if he survives.

Overall, definitely the best season so far, completely shifting the power around the country and countless heartbreaking revelations and moments, this is the defining season that will make and break lifelong fans, if you thought the execution of Ned Stark was the pinnacle of Game of Thrones, that seems like child’s play after this season.

REVIEW: GAME OF THRONES – SEASON 2

MAIN CAST
Peter Dinklage (Death at a Funeral)
Lena Headey (Dredd)
Nikolaj Coster-Waldau (Black Hawk Down)
Michelle Fairley (Chatroom)
Emilia Clarke (Terminator Genysis)
Aidan Gillen (The Dark Knight Rises)
Iain Glen (Tomb Raider)
Kit Harington (Seventh Son)
Charles Dance (Underworld 3)
Liam Cunningham (Dog Soldiers)
Isaac Hempstead-Wright (The Boxtrolls)
Richard Madden (Cinderella)
Sophie Turner (X-Men: Apocalypse)
Maisie Williams (Cyberbully)
Alfie Allen (The Other Boleyn Girl)
John Bradley (Borgia)
Jack Gleeson (Batman Begins)
Rory McCann (Solomon Kane)
Natalie Dormer (The Hunger Games: Mockingjay)
Stephen Dillane (The Hours)
Carice Van Houten (Black Book)
James Cosmo (Highlander)
Jerome Flynn (Ripper Street)
Conleth Hill (Suits)
Sibel Kekilli (Tatort)
NOTABLE RECURRING/GUEST STARS
Jason Momoa (Stargate: Atlantis)
Rose Leslie (Honeymoon)
Hannah Murray (Dark Shadows)
Mark Stanley (Star Wars – Episode VII)
Ben Crompton (Ideal)
Julian Glover (Indiana Jones 3)
Roy Dotrice (Beauty and the Beast 1989)
Eugene Simon (House of Anubis)
Esme Bianco (the Scorpion King 4)
Donald Sumpter (K-19)
Ron Donachie (Titanic)
Natalia Tena (Harry Potter)
Kristian Nairn (Ripper Street)
Art Parkinson (Dracula Untold)
Ian Beattie (Vikings)
Daniel Portman  (River City)
Gemma Whelan (The Wolfman)
Patrick Malahide (Fortress 2)
Nonso Anozie (Dracula)
Roxanne McKee (Wrong Turn 5)
Amrita Acharia (I Am Yours)
Elyes Gabel (World War Z)
Oona Chaplin (What If…)
Finn Jones (Wrong Turn  5)
Michael McElhatton (Blow Dry)
Gethin Anthony (Aquarius)
Gwendoline Christie (Doctor Parnassus)
Ian Whyte (Alien Vs Predator)
Joe Dempsie (Monsters 2)
Having won three victories, Robb Stark offers the Lannisters peace in exchange for the North’s independence, sending Theon Greyjoy to gain Balon Greyjoy’s support and Catelyn Stark to seek Renly Baratheon’s. Cersei Lannister rejects Robb’s terms. Meanwhile, Tyrion Lannister exiles Janos Slynt, head of the Gold Cloaks, to the Wall, promoting Bronn to commander of the watch.
Catelyn arrives at King Renly’s camp to negotiate an alliance, and Brienne of Tarth wins the right to join Renly’s guard. Catelyn and Brienne witness Renly’s murder at the hands of dark magic sent by the ‘Red Lady’ Melisandre, an emissary of Renly’s brother and rival claimant to the Iron Throne Stannis Baratheon. Catelyn and Brienne flee Renly’s camp and rejoin Robb’s army as Renly’s supporters switch their allegiance to Stannis. Meanwhile, Theon betrays the Starks by siding with his father and seizing Winterfell by force. Robb receives news of Theon’s plans and sends men to retake Winterfell, while inside the city the Starks’ allies form plans to sneak Bran and Rickon Stark out.
Robb learns that his mother Catelyn has secretly freed Jaime Lannister, now escorted by Brienne of Tarth, in order to ransom her daughters Sansa and Arya; he also enters into a romantic relationship with Volantene healer Talisa Maegyr. Yara Greyjoy arrives at Winterfell to bring Theon back to the Iron Islands, after his botched attempt to recapture the Stark boys.
Tywin Lannister leaves Harrenhal, which allows Arya, Gendry and Hot Pie to make an escape with the help of the enigmatic Jaqen H’ghar. In King’s Landing, Cersei attempts to blackmail Tyrion by abducting the prostitute, Ros, whom Cersei believes to be his secret lover. Leading the defense against Stannis’ attack on King’s Landing, Tyrion destroys many of the attacking craft with an exploding ship full of wildfire, and is forced to lead a counterattack as King Joffrey Baratheon and his bodyguard Sandor Clegane each desert the battlefield. Stannis’s forces make it inside the castle, but Tyrion leads his men behind the Baratheon forces via underground tunnels and attacks. Baratheon is defeated when Tywin’s forces arrive at King’s Landing shortly after.
Following Khal Drogo’s death, Daenerys and the remnants of her khalasar find refuge in the city of Qarth, where they are taken in by the merchant Xaro Xhoan Daxos. However, Xaro conspires with the warlock Pyat Pree to kill most of Daenerys’ servants, kidnap her dragons and assume control of Qarth. Daenerys is lured into a showdown with Pyat Pree at the House of the Undying, where her dragons kill Pyat Pree. Daenerys seals Xaro in his own vault as punishment for his treachery and leaves Qarth with Jorah and her remaining servants.
Whilst on a ranging beyond the Wall, Jon Snow captures a Wildling, Ygritte, who soon leads him into a trap where he himself is captured by Ygritte’s fellow wildlings. Amongst the wildlings’ prisoners is fellow ranger Qhorin Halfhand, who convinces Jon to kill him in order to gain the wildlings’ trust so he can get close to their leader, King-beyond-the-Wall Mance Rayder. The rest of the rangers set up camp at an ancient fortification, the Fist of the First Men, where they come under attack from an ancient enemy, the White Walkers.
Season 2 is superior to Season 1. This show is quite extraordinary and just gets better and better as it progresses. Although the climax of each episode means the end, it’s not without some amazing cliffhanger which makes you crave for more.

31 DAYS OF HORROR REVIEW: HONEYMOON

CAST

Rose Leslie (Game of Thrones)
Harry Treadaway (Control)
Ben Huber (Shilo)
Hanna Brown (Hubcap)

The directorial debut of Leigh Janiak, Honeymoon stars Rose Leslie and Harry Treadway as Bea and Paul, two newlyweds who head to a remote lakeside cabin for their honeymoon. Once there – in a place that appears to be a significant part of Bea’s early life – things seem idyllic and perfect. That is, until Paul finds Bea naked and shivering in the woods one night, the supposed result of sleep-walking. From there, Bea’s personality begins to undergo subtle changes – mood swings, memory loss, strange wounds on her body – leading Paul to wonder who, or what, is living under his new wife’s skin…

What we have here is not a typical, jump-at-the-noises scary film, set in a woods/cabin. Instead, we have a slow-burning film that takes its time to develop the main characters and all their inherent and human quirks and foibles. Most especially, it shows a very convincing portrait of two young people are in love and want to spend the rest of their lives together. This development is important – nay, essential – in order to make what follows as affecting as it possibly can be. To that end, it’s clear that the right actors need to be chosen and the casting have done a sterling job here. Leslie is engaging and down to earth here – though I had real difficulty at first, separating her from the role she plays on Game Of Thrones – charismatic and happy, without being overly sweet. Treadway is, unlike many young male actors, very appealing and completely sympathetic. They both seem very sincere in their roles, which is just as well, as pretty much the entire film rests on their shoulders.

As to that – it’s one of those films that’s difficult to describe without spoiling it, so I will try my best to be both vague and informative. First off, for a debut film, it’s astonishingly well directed. There is an assuredness and level of professionalism here that completely belies both the low budget and the fact that it’s Janiak’s fist film

There are a couple of places where it nearly loses it. The first is a scene early on showing Bea and Paul going fishing, a happy, life affirming scene – and the music is very schmaltzy, almost too much so; it sidles right up to that line but thankfully, never crosses it. The other is the final scenes where we nearly see the reveal of…well, the reveal of something. It just about holds it for me, and keeps the air of ambiguity, but it felt close and I think if they’d shown any more, it would have let the film down.

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However, these are tiny points and Honeymoon has actually been one of the best films I’ve seen in while, certainly I was pleasingly surprised by a movie that looks, for all intents and purposes, like any other ‘creepy’ horror set in the woods, in a remote cabin. It’s not. It’s a very confident bit of film-making and continues to show – for me at least – that some of the best films are currently being made completely under the radar. Watch it yourself, you might just like it.