31 DAYS OF HORROR REVIEW: CABIN FEVER 2

CAST

Rider Strong (Pulse 3)
Noah Segan (Looper)
Alexi Wasser (Choose)
Rusty Kelley (Dear Pillow)
Marc Senter (Starry Eyes)
Giuseppe Andrews (Two Guys and a Girl)
Michael Bowen (Kill Bill)
Judah Friedlander (The Wrestler)
Lindsey Axelsson (The Killing Jar)

ojqv78Sometime after the events of the previous film, a very disfigured Paul (Rider Strong) escapes from the creek and wanders through the woods, leaving pieces of his own flesh along the way. When he finally manages to make it to the highway, he is splattered and killed by a school bus. His remains are checked by Deputy Winston Olsen (Giuseppe Andrews), the local policeman from the previous film. Winston assures the shocked bus driver that he had hit a moose. The creek Paul was lying in turns out to be connected to a bottled-water company and the infected water was distributed to the local high school.  John (Noah Segan), a senior at the high school, is deciding whether to go to prom with his long-time crush Cassie (Alexi Wasser) or stay home. His friend Alex (Rusty Kelley) is against going until he hooks up with a girl named Liz (Regan Deal). She says if she can get off work that night, she will meet him there.  John asks Cassie to go to prom but she refuses. Meanwhile, Winston is at a restaurant where a worker from the bottled-water company dies from the infection. He then realizes the creek got heavily contaminated and goes to the water plant to tell the officials that the water is contaminated. The worker he informs is quickly killed by a group of CCD (Contamination Control Division) soldiers in NBC suits. Winston leaves before they can get to him.
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At the high school the infection begins to spread slowly. Frederica (Amanda Jelks) dies in the swimming pool from the infection and Rick (Thomas Blake, Jr.) is killed when he drowns after hitting his head on the side of the pool and falling in. Alex is disappointed that Liz did not come, while John gets into a fight with Cassie’s boyfriend Marc (Marc Senter). Principal Sinclair (Michael Bowen) then kicks John out. Cassie follows him and John angrily confesses his love to her. CCD then forces John and Cassie back into the school. The CCD locks all of the main exits from the school and kill Principal Sinclair when he demands to know what is going on. The infection then begins to kill the students in the gym at an alarming rate. The gym is then gassed from the outside. Cassie, John, and Alex watch in horror as all the students are killed. Winston is picked up by his cousin Herman (Mark Borchardt), ready to leave town.

Alex discovers he is infected and that the disease is incurable necrotizing fasciitis. The only way to stop the infection is to amputate the infected limb. However, Alex’s infection is already too severe and he stays behind. John begins to show signs of the infection too and lets Cassie amputate his hand to stop it. Cassie’s boyfriend Marc then comes out of nowhere, hits Cassie with a hammer, and tries to kill John but Cassie recovers and kills him with a nail gun. The two leave the school only to be ambushed by the CCD. John stalls them, allowing Cassie to escape. She finds herself on the highway and stops Herman’s van. Winston and Herman take Cassie with them. The camera shows her back where she is starting to show signs of infection.
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Meanwhile, Alex’s date Liz is at her workplace. She is a stripper at Teazers and she spreads the infection to the customers, who in turn spread it further around the country and even to Mexico. Liz arrives home later that night, sick, and goes to bed, thinking “I should’ve fucking gone to prom.” After the credits, Dane and Darryl are shown watching television and Dane says “Prom blows.”Cabin Fever 2 is definitely worth the watch. It has one of the best opening sequences in b-movie history, and you can tell by the cinematography that Ti West not only knows his stuff, but has a deep love for the genre. I wish they would have given him creative freedom, as I feel this would become a cult classic, but as it stands, we’re left with a competent, gory, fun romp at the prom, with a bloodbath that makes “Carrie” look like Babe.

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31 DAYS OF HORROR REVIEW: CABIN FEVER (2002)

CAST

Jordan Ladd (Death Proof)
Rider Strong (Pulse 3)
James DeBello (American Pie)
Cerina Vincent (Power Rangers Lost Galaxy)
Joey Kem (Super Troopers)
Robert Harris (Eyeborgs)
Giuseppe Andrews (Two Guys and a Girl)

A hermit walking in the woods comes across his dog. He tries to get the dog’s attention, but the dog is dead due to a bloody infection, and the hermit comes into contact with the infected blood.  A group of college students, Jeff, Marcy, Paul, Karen, and Burt, take a vacation to a remote cabin in the woods to celebrate the start of spring break. Jeff and Marcy are in a physical relationship, while Paul is trying to get his childhood friend Karen to sleep with him. Burt is the proverbial “fifth wheel” of the group. Upon their visit to a local convenience store, they meet an unusual boy named Dennis, who has a tendency to bite people. When the five get to the cabin, Jeff and Marcy have sex while Paul and Karen go for a swim. Meanwhile, Burt goes out to shoot squirrels with his rifle, but ends up shooting the hermit, now disfigured and bloody. The hermit flees, but Burt does not tell anyone about the incident.

That night, the friends gather around a campfire, where they are joined by a friendly drifter named Justin, who prefers to be called Grimm, and his angry dog, Dr. Mambo. After they share some marijuana, it starts to rain, so Grimm leaves with his dog to pack up his stuff. While the friends wait for Grimm indoors, the hermit returns, in a much worse state than before and begging for help. Burt shuts the door on the sick hermit, who then tries to steal the group’s car, while vomiting blood all over it. When the hermit threatens Marcy and Karen, Paul accidentally sets the hermit on fire while trying to ward him off. The group looks for help the next day. Jeff and Burt find a helpful neighbor, but leave when they find out she’s the dead hermit’s cousin. To make matters worse, Dr. Mambo begins harassing the group. Paul later gets assistance from police Deputy Winston, who promises to send up a tow truck, but in the meantime encourages Paul to have a good time and party. Paul goes on to comfort Karen, who is upset over the killing of the hermit. After he calms her down, it appears Paul is finally going to have sex with her, but when he goes to touch her, he discovers a massive bloody infection on her thigh. The group isolates her in a shed outside of the cabin.

After fixing the truck, Burt begins coughing up blood, revealing he is infected, but does not tell the others. After Karen vomits blood on the truck, Jeff takes the group’s remaining beer and leaves. Burt goes back to the convenience store to get help, but incurs the wrath of Dennis’s father after inadvertently infecting Dennis with the disease when Dennis bites him. Showing more signs of infection, Burt flees, chased by Dennis’s father and two friends. After moving Karen back to the shed, Marcy and Paul return to the cabin and have unprotected sex on a whim. Immediately regretting the affair, Paul leaves while Marcy, who developed infected sores on her back during the sex, takes a bath, crying. When she shaves her legs the flesh begins to peel off and she runs outside in a panic, where she is chased and killed by Dr. Mambo who tears her apart.

Meanwhile, Paul discovers the dead body of the hermit floating in a reservoir, revealing the infection has been spreading through the drinking water. After racing back to the cabin, Paul finds Marcy’s gory remains and Dr. Mambo feeding on Karen in the shed. After killing Dr. Mambo with Burt’s gun, Paul puts Karen out of her misery by beating her to death with a shovel. A dying Burt later returns to the cabin, still pursued by Dennis’s father and his two companions. Burt is brutally killed by the posse who shoot him, before Paul kills all three of them. After killing Dennis’ father and his friends, Paul sets out to find Jeff. Finding the dismembered body of Grimm and discovering early signs that he is infected, Paul takes the group from the convenience store’s truck and hits a deer, covering him in blood. He later reunites with Deputy Winston, who is partying with underage drinkers. After Winston is radioed about several infected people in a cabin going on a killing spree, Paul attacks and infects several of Winston’s friends before knocking Winston out. Paul is later picked up by a passing truck and dropped off at a hospital. There, he is interrogated about the virus, but he cannot provide any response. The sheriff tells Winston to “take care” of Paul. Paul tries to warn Winston about the drinking water by saying “water…” but Winston only responds by dumping him at the edge of a creek.

The next day, Jeff, who has been hiding out and drinking in the woods, returns to the cabin. Initially crying after seeing the remains of his friends, he later becomes ecstatic upon realizing he is the only one who made it without being infected. As he raises his arms in victory, he is gunned down and killed by several police officers, who burn his body along with the others. Back at the convenience store, a couple of children sell lemonade, that they have made with water from the creek Paul was dumped in, to the same police officers. In addition, a large truck, filled with bottles of water taken from the creek, can be seen leaving the store.Eli Roth is a very hit and miss director and star, Cabin fever however is by far his best piece of work, a great original horror with some crazy messed up ideas.he movie does have a hint of dark humor to it too, if you love horror than this is begging to be in your collection.

 

 

31 DAYS OF HORROR REVIEW: BONES – THE HALLOWEEN EPISODES

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MAIN CAST

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (The Lincoln Lawyer)
Eric Millegan (On_Line)
Tamara Taylor (Lost)
T.J. Thyne (Ghost World)
John Boyd (Argo)

GUEST CAST

Rider Strong (Cabin Fever)
Azura Skye (28 Days)
Nathan Anderson (Man Men)
Vince Grant (Dreamgirls)
Lynsey Bartilson (Grounded for Life)
Caitlyn Folley (Happy Endings)
Tom Mison (Sleepy Hollow)
Nicole Beharie (Sleepy Hollow)
Michael Grant Terry (Grimm)
Sean Patrick Thomas (Barbershop)
Malcolm David Kelley (Lost)

THE MUMMY IN THE MAZE

At a Halloween hay maze, an announcer tells a bunch of dressed-up kids whoever gets to the end first wins the grand prize. He starts the race, and one kid named Matty is shown getting lost in the maze. He runs into a mummy and freaks out and when a spider crawls out of the mummy’s eye and lands on Matty’s nose, he passes out. Booth and Bones arrive at the scene that night and work their way through the maze with a pediatrician/coroner to try to find the mummy. They get lost, and eventually Booth knocks through some bales of hay to get them to the mummy. Bones confirms that the mummy is indeed human remains.
Cam and Zack examine the body. They find out that the mummy was mummified quickly, which cannot be done under normal conditions. Cam tells Hodgins and Zack that everyone has to go to the Halloween party that’s coming up because donors and benefactors will be there. Zack says he’s going to be the back end of a cow, and Naomi from paleontology is going to be the front end. Hodgins says he’s going to be Edward John Smith, the captain of the Titanic. Cam continues examining the body, and says the victim is covered in lacquer. Hodgins says that the clothing is from a church thrift store, which confuses Zack because there’s no bug or slime evidence and he doesn’t know how Hodgins could have figured that out. Then Hodgins shows Zack the tag on the victim’s clothing to show he’s undoubtedly right.
Booth and Bones go to the church thrift store and talk to Pastor Jonas. He explains how the church does a “Hell House” for Halloween as “a positive celebration of Christian values.” They find that no one ever dresses up as a mummy there and that none of his kids have disappeared recently. Amber Kippler, a private investigator, tells Hodgins and Angela that she’s going to be doing all the footwork in their investigation of Angela’s husband. She proves her experience to Angela by revealing a very personal fact about her. Amber says that she found Grayson, Angela’s husband. She’s told that she should talk to him and try to get him to sign the divorce papers. In Booth’s car, Booth and Bones talk about their meeting with the pastor. Booth is surprised when Brennan says that science has to take a leap of faith. Cam calls and says that a couple is at the lab and thinks that the mummy in the maze is their daughter, then tells Booth and Bones to hurry back to talk to them. When Booth and Bones get to the lab they talk to the parents who reveal that their daughter Megan disappeared in a fun house recently, and that when they saw the mummy story, they were sure it was Megan. The mother says she’s sure Megan isn’t alive. They show the couple a picture Angela drew of the mummy victim, and the parents confirm that it’s not Megan. Cam then calls Bones and says another victim was found at Shoreline Amusement Park.
Booth and Bones arrive at the amusement park and find a woman being treated for panic or possibly asthma by an EMT. She says she saw an actual corpse in the fun house. They seem skeptical of her judgement, but she insists that, as a nurse, she knows a dead body when she sees one. Booth and Bones go into the “Dungeon of 1000 Corpses” to find the body, and Bones realizes that Booth is afraid of clowns based on his reaction to them in the maze. Cam calls and says that they identified the victim from the maze as Stella Higgins, who disappeared exactly a year ago from Shoreline Amusement Park. They get to the body and once again Bones confirms that it’s human remains. At the lab, Zack says the new victim isn’t Megan Shaw either. Cam says that it looks like the same person killed both victims, and gets mad at Zack when he says that she leaped to a conclusion. They also determine that the second victim looks like she was buried alive. Angela comes in with information that identifies the second victim as Judith Suzanne Evans. Hodgins comes in and says that Stella pulled out her own hair and that the lacquer found on the victims is generic. Cam finds lots of small punctures on one of the bodies.
Booth goes back to Shoreline Amusement Park and talks to the guy who runs the “Dungeon of 1000 Corpses,” who’s standing with all the employees of the dungeon. Booth recognizes one of the employees, Gregg Liscombe, from the maze the night before and questions him. Another girl named Lola butts in and tells Gregg not to tell Booth anything without a lawyer, which makes her a suspect along with Gregg. Back at the lab, Zack, Booth, and Cam figure out that Judith was buried alive. Hodgins says that Stella was bitten by tarantulas, which is what caused all the punctures on her body and probably caused her to pull out her own hair. Hodgins also found mysterious steel dust on Judith. Traces of drugs that would induce panic were also found on both victims, which causes Cam to think that the murderer literally caused the victims to be scared to death.
Booth talks to Judith’s older sister in his office. She says that she took her to the amusement park, but Judith was scared to go into the fun house. Her sister went without her, but when she got out Judith was gone. Her sister says that Gregg was at the fun house while they were there, and he told her that Judith walked away with some guy while her sister was in the fun house. Booth and Bones interrogate Gregg at the FBI building. Booth says that it’s quite suspicious that Gregg, a sex offender, was found at both places where the victims were found. Gregg keeps saying everything is a coincidence until Booth hits him then grabs him. Bones also smacks him, then Gregg says that Lola is the one who took away Judith, not some guy. He says that Lola likes when Gregg fools around with the younger girls, then she comes in and smacks them around, which gets her hot. He says she goes a little too far though sometimes. Amber returns from her trip to see Grayson and tells Angela and Hodgins that Grayson was very pleasant and smelled good. She says she smelled him because she was being thorough. She then says that Grayson doesn’t want a divorce. He remembers his marriage to Angela and built a house/shack for her on the beach. She says that Grayson really misses Angela a lot, and even had tears in his eyes when he talked about her. Hodgins says he and Angela don’t know what they want to do next and that they’ll tell Amber when they figure it out.
Booth is talking to Bones in the hall at the FBI building, telling her how he’s going to interview Lola, when another agent walks up to them. He says he found out that Megan has a fear of snakes and Booth tells him to find out who’s been buying a bunch of snakes at pet shops. Booth tells Bones he’s going to talk to Lola on his own. At the lab Hodgins is examining spores. Cam is in her costume – she’s Catwoman. Brennan and Cam argue about Catwoman being powerful, then Hodgins tells them that he figured out that the spores were from flowers found in Hawaii. This makes them think that the victims were mummified in Hawaii, which doesn’t really make much sense. Booth goes to find Lola at the fun house, and she’s once again uncooperative. Lola admits that she roughed up the victims, then Booth arrests her and takes her back with him. Back at the lab, Booth and Bones talk about how Booth got a profile of the killer from Dr. Sweets. Booth is now in his squint costume and Brennan is changing into hers on the other side of a door. When she comes out Booth says that she looks wonderful. When they walk over to Zack he says Angela and Hodgins have something to show them. Angela says that snakes were sold out at three pet shops over the last week, and that the last place just sold out an hour ago, which means Megan is still alive. It also means that Gregg and Lola aren’t the killers because they’re in custody.
Booth tells the squints to guess and figure out where Megan is being held, but it ends up in an argument. Brennan says she, Zack, and Hodgins can’t work with Booth, Angela, and Cam pressuring them to guess, so the latter three leave the room. After a bunch of calculations they figure out that the killer is at a subway station (based on the steel dust) which is under a flower shop (based on the Hawaiian flower spores).Booth and Brennan call for backup on the way to the crime scene, while also arguing about whether Brennan guessed about the location or not. Arriving at the scene they find a subway entrance. They go down into a tunnel and find a room with mummification chemicals in it. After finding other drugs in the room, Booth figures out that the murderer is someone who has access to drugs and an ambulance – the EMT who was treating the nurse at the amusement park fun house where they found the second mummified corpse.Leaving the room, they hear Megan screaming from a locked room. Bones tries to shoot the lock off the door but shoots Booth too, giving him a flesh wound. When they open the door they see a bunch of snakes, which Bones is scared of. She goes on Booth’s back as they enter the room. A man dressed as a clown comes to the door with a gun and Bones tries to shoot him, but she misses. Booth drops her and goes after the clown while he tells Bones to stay in the snake room and protect Megan.
Booth has an intense shoot-out with the clown, and eventually the clown notices that Booth only has one bullet left in his gun. Booth grabs a metal panel which he uses to protect himself from the clown’s bullets, but is knocked over after another bullet shot by the clown. The clown hides behind a wall, but Booth’s gun was powerful enough to shoot through it, killing him. Amber returns to the lab to tell Angela that she tried to seduce Grayson to see how in love he was with Angela. It didn’t work and she found out that Grayson is deeply in love with Angela. She suggests that Angela should go talk to Grayson, but she declines. As Angela leaves Amber runs into Hodgins. She says that most of the time in this type of case, the partners go back to their old husbands and wives, but in this case she doesn’t think Angela will, because she doesn’t have any interest in Grayson, despite Amber telling her of his attractiveness.  Booth and Bones finally arrive back at the lab and agree that they shouldn’t go to the party looking all dirty like they do. Booth says he’s sort of mad that Bones shot him, and then in a change of mood Bones says she’s sorry that Booth had to kill someone because she knows that Booth doesn’t like to be forced to kill people. They then decide to get something to eat and walk away, with Bones doing a Lynda Carter-esque Wonder Woman twist on the way out.

This is a pretty interesting episode with a good mix of suspense and comedy.I would definitely recommend watching it if you get a chance to.

THE RESURRECTION IN THE REMAINS

It was Halloween on Bones Season 11 Episode 5, and all bets were off. From headless corpses to witchcraft, flatlining to pranking, there was plenty of spooky fun to go around. Not to mention Ichabod Crane dropping in for a visit that gave us both historical and supernatural moments. When you watch a show week in and week out, there are little things you forget, like the fact that The Jeffersonian was named after Thomas Jefferson or that its archives are filled with old documents, some of which were written by Ichabod himself.


Yes, this was the cross over episode with FOX’s Sleepy Hollow. Is handwriting really that precise a science? I thought Ichabod’s explanation about the matching handwriting was an adept way of handling the situation. As Brennan said, what other explanation could there be? Ichabod was obviously not a 200 year old man…or was he? But Brennan has never believed in the hereafter or the supernatural. She’s a women of science who requires proof. It’s nice to know that hasn’t changed, even if other things have. Leave it to Brennan to make a exact edible mold of a brain for her young daughter’s school party. It wasn’t all that many years ago that she couldn’t have pulled off that prank on Booth. I’m not sure she even would have tried, but being married and having kids have let her grow and have more fun. Hodgin’s demon contact lenses were startling. I can only imagine what Halloween is like in the Hodgins household. I wish we had seen what all of the kids were wearing.

Thankfully this installment had a lot of fun moments, such as…
• Booth comparing soy cheese to hell.
• Brennan encouraging Ichabod to explore the sexual side of he and Abbie’s relationship.
• Ichabod claiming that Benjamin Franklin named a drink Fondling the Forest.
• Hodgins saying he was a conspiracy theorist and not a supernatural nut and Cam looking at him like she wasn’t sure there was a difference.
It maybe odd to crossover these shows, but it actually worked and was a fun experience.

REVIEW: BONES – SEASON 1-10

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MAIN CAST

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Enchanted)
T.J. Thyne (Ghost World)
Eric Millegan (The Phobic)
Jonathan Adams (Castle)
Tamara Taylor (Serenity)
John Francis Daley (Waiting…)
John Boyd (Argo)

RECURRING / NOTABLE GUEST STARS

Larry Poindexter (Blade: The Series)
Tyrees Allen (Robocop)
Bonita Friedericy (Chuck)
Chris Conner (Walk of Shame)
Anne Dudek (White Chicks)
Heavy D (The Cider House Rules)
Toby Hemingway (The Finder)
Alex Carter (Out of Time)
Bokeem Woodbine (Spider-Man: Homecoming)
Morris Chestnut (Kick-Ass 2)
Rachelle Lefevre (Twilight)
Michael Mantell (Angel)
Jeffrey Nordling (Arrow)
David Starzyk (Veronica Mars)
Heath Freeman (Nancy Drew)
John M. Jackson (JAG)
Josh Hopkins (Cold Case)
Leonard Roberts (Agent Carter)
Rachel Miner (The Butterfly Effect 3)
Alicia Coppola (Bull)
Jim Ortlieb (Roswell)
Billy Gibbons (Two and a Half Men)
Ty Panitz (Because I Said So)
Harry Groener (Buffy)
Michael B. Silver (I Am Sam)
Penny Marshall (The Simpsons)
Suzanne Cryer (Two Guys and a Girl)
Lawrence Pressman (Dark Angel)
Jaime Ray Newman (Bates Motel)
Zeljko Ivanek (Heroes)
Judith Hoag (Teenage Mutant Ninja Turtles)
Ivar Brogger (Andromeda)
Josh Keaton (Transformers Prime)
Adriana DeMeo (Killer Movie)
Robert LaSardo (Nip/Tuck)
Jose Pablo Cantillo (Standoff)
Emilio Rivera (Renegade)
Michael Bowen (Lost)
Adam Baldwin (Firefly)
David Denman (Power Rangers)
Brian Gross (2 Broke Girls)
James Parks (Kill Bill)
Robert Foxworth (Evil Beneath Loch Ness)
Rodney Rowland (Veronica Mars)
Cullen Douglas (Agents of Shield)
Michelle Hurd (Jessica Jones)
Patricia Belcher (Mike & Molly)
Giancarlo Esposito (Son of Batman)
Alexandra Krosney (Lost)
Loren Dean (Apollo 13)
Ray Wise (Robocop)
Sam Witwer (Smallville)
Shane Johnson (Birds of Prey)
Jessica Capshaw (Valetnine)
Chris Conrad (Young Hercules)
Leah Pipes (The Originals)
Christie Lynn Smith (Swamp Thing: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Carlos Lacamara (Heroes Reborn)
Cerina Vincent (Cabin Fever)
Kali Rocha (Buffy)
Kyle Gallner (Smallville)
Lisa Thornhill (Veronica Mars)
Ariel Winter (Kiss Kiss Bang Bang)
Nelson Lee (Blade: The Series)
Benito Martinez (Million Dollar Baby)
Julie Ann Emery (Hitch)
Charles Mesure (V)
Sali Richardson-Whitfield (I Am Legend)
Joshua Leonard (The Blair Witch Project)
Michael Trevino (The Vampire Diaries)
Eddie McClintock (Agents of SHIELD)
Alex Winter (Waynes World)
French Stewart (Mom)
Stephen Fry (The Hobbit 2 & 3)
Ernie Hudson (Ghostbusters)
James Hong (The Big Bang Theory)
Deborah Theaker (Best In Show)
Eric Stonestreet (Modern Family)
George Coe (The Entity)
Johnny Lewis (Felon)
Ryan O’Neal (Love Story)
Brian Hallisay (Bottoms Up)
Roxanne Hart (Highlander)
Cleo King (Mike & Molly)
Eugene Byrd (Arrow)
Cynthia Preston (Prom Night III)
Scout Taylor-Compton (Halloween)
Ron Canada (Ted 2)
Michael Cudlitz (The Walking Dead)
Christina Cox (Earth: Final Conflict)
Erin Chambers (Stargate: Atlantis)
Beth Grant (Wonderfalls)
Scoot McNairy (Batman V Superman)
Denise Crosby (Star TreK: TNG)
Rider Strong (Cabin Fever)
Azura Skye (28 Days)
Lyndsey Bartilson (Grounded for Life)
Sam Jones III (Smallville)
Xander Berkeley (Kick-Ass)
Patrick Fabian (Veronica MArs)
Patrick Fischler (Birds of Prey)
Bess Wohl (Flightplan)
David Deluise (Vampires Suck)
Reginald VelJohnson (Die Hard)
Alessandra Torressani (Caprica)
Chris William Martin (Dollhouse)
James Black (Anger Management)
Jamil Walker Smith (Stargate Universe)
Dasniel Roebuck (Lost)
Whitney Anderson (Zombie Strippers)
Taylor Kinney (Zero Dark Thirty)
Mekia Cox (Undercovers)
Austin O’Brien (The Lawnmower Man)
George Wyner (American Pie 2)
Ethan Phillips (Bad Santa)
Ian Reed Kesler (2 broke Girls)
Sean Blakemore (Star Trek Into Darkness)
Indira Varma (Game of Thrones)
Carla Gallo (Superbad)
Elizabeth Lackey (Heroes)
Jill wagner (Blade: The Series)
Richard Grant (Rocky V)
Dean Norris (Breaking Bad)
Devon Gaye (Dexter)
Adam Rose(Veronica Mars)
Michael Grant Terry (Cold Case)
Joel David Moore (Julia X)
David Gallagher (7th Heaven)
Bruce Thomas (Legally Blonde)
Blake Shields (Heroes)
Jonathan LaPaglia (Seven Days)
Nichole Hiltz (Smallville)
Eric Lange (Lost)
Brendan Fehr (Roswell)
Gina Torres (Firefly)
Ryan Cartwright (Alphas)
Mageina Tovah (Spider-Man 2 & 3)
Andy Ritcher (Arrested Development)
Stephen Lee (The Negotiator)
Bianca Lawson (Buffy)
Nathan West (The SKulls 2)
Marisa Coughlan (Super Troopers)
Noel Fisher (Teenage Mutant Ninja Turtles 2014)
Deirdre Lovejoy (American Gothic)
Tara Buck (True Blood)
Zachary Knighton (Flashforward)
Christine Lakin (Family Guy)
Kayla Ewell (The Vampire Diaries)
Pej Vahdat (Lie To Me)
Spencer Breslin (Wonderfalls)
Dana Davis (Heroes)
Audrey Wasilewski (Pushing Daisies)
John Pyper-Ferguson (Caprica)
Linda Hart (The Insider)
Mayim Bialik (The Big Bang Theory)
Tania Raymonde (Texas Chainsaw)
Brian Tee (Jurassic World)
Bumper Robinson (Sabrina: TTW)
Jaimie Alexander (Thor)]
Rick Peters (Veronica Mars)
Edwin Hodge (The Purge)
Ryan Pinkston (Bad Santa)
Scottie Thompson (Skyline)
Seth MacFarlane (Ted)
Cyndi Lauper (Girls Just Want To Have Fun)
Michael Arden (Anger Management)
Christopher B. Duncan (Veronica Mars)
Riki Lindhome (Million Dollar Baby)
Tiffany Hines (Lie To Me)
Billy Gardell (Mike & Molly)
Josie Davis (Sonny)
Amy Gumenick (Arrow)
Diedrich Bader (Vampires Suck)
Andy Umberger (Angel)
Tracy Middendorf (Scream: The Series)
Dan Castellaneta (The Simpsons)
Debbie Lee Carrington (Total Recall)
Wynn Everett (Agent Carter)
Martin Klebba (The Cape)
Lindsay Hollister (Blubberella)
Ralph Waite (The Waltons)
Nakia Burrise (Power Rangers Turbo)
Mickey Jones (V)
Dorian Missick (The Cape)
Zooey Deschanel (New Girl)
Dale Dickey (My Name Is Earl)
Penny Johnson Jerald (Star Trek DS9)
Richard T. Jones (Terminator: TSCC)
Rusty Schwimmer (Highlander 2)
Henri Lubatti (Angel)
Joshua Malina (The Big Bang Theory)
Clea DuVall (The Faculty)
Ben Falcone (New Girl)
Robert Englund (A Nightmare on Elm Street)
Victor Webster (Mutant X)
Ravil Isyanov (Alias)
Rena Sofer (Heroes)
Michael Des Barres (Ghoulies)
Jillian Bach (Two Guys and a Girl)
Kate Vernon (Battlestar Galactica)
Wade Williams (Buffy)
Dylan Bruno (The Rage: Carrie 2)
Danielle Bisutti (Curse of Chucky)
Justina Machado (Final Destination 2)
Bobby Hosea (Xena)
Karina Logue (Bates Motel)
Katheryn Winnick (Vikings)
B.J. Britt (Agents of SHIELD)
Antonio Sabato Jr (Lois & CLark)
David Alan Grier (Jumanji)
Thomas Kopache (Catch Me If You Can)
Greg Cipes (Anger Management)
Kelly Stables (Two and a Half Men)
Wayne Knight (3rd Rock The Sun)
Enrico Colantoni (Veronica Mars)
Francis Capra (Heroes)
Arnold Vosloo (The Mummy)
Matthew John Armstrong (Heroes)
Laura Regan (Minority Report TV)
Leslie-Anne Huff (The Vampire Diaries)
Marisa Ramirez (Spartacus: Gods of The Arena)
Michael Welch (All The Boys Lvoe Mandy Lane)
Sarah Baker (Mike & Molly)
Saffron Burrows (Agents of SHIELD)
Danny Trejo (Machete)
Michael Clarke Duncan (Sin City)
Mini Anden (Chuck)
Suzie Plakson (Red Eye)
Geoff Stults (Wedding Crashers)
Carlo Rota (Stargate Universe)
Sean O’Bryan (Roswell)
McKenzie Applegate (Torchwood)
Luke Kleintank (The Man In The High Castle)
John Ross Bowie (The Big Bang Theory)
Morgan Fairchild (Chuck)
Tina Majorino (Veronica Mars)
Chrlie Weber (Buffy)
Andrew Leeds (Cult)
Jessica Tuck (Super 8)
Pruitt Taylor Vince (Heroes Reborn)
Neil Hopkins (Lost)
Jennifer O’Dell (The Lost World)
William Sanderson (Blade Runner)
J.p. Manoux (Birds of Prey)
John Ducey (Sabrina: TTW)
Rosalind Chao (Star TRek: DS9)
Scott Lowell (Queer as Folk)
Reed Diamond (Dollhouse)
Alexandra Holden (The Hot Chick)
Drew Powell (Gotham)
Lori Alan (Family Guy)
Danielle Panabaker (The Flash)
Abraham Benrubi (Buffy)
Charlayne Woodard (Unbreakable)
Brad William Henke (Fury)
Henry Simmons (Agents of SHIELD)
Vik Sahay (Chuck)
Larry Poindexter (Blade: The Series)
Tamlyn Tomita (Highlander: The Series)
Brooke Langton (The Net: The Series)
Brian Klugman (Cloverfield)
Danny Woodburn (Watchmen)
Ntare Guma Mbaho Mwine (Queen of Katwe)
J.D. Walsh (Two and a Half Men)
Nishi Munshi (The Originals)
Curtis Armstrong (New Girl)
Dave Thomas (Rat Race)
Allison Scagliotti (Warehouse 13)
Danielle Harris (urban Legend)
Joanna Cassidy (Blade Runner)
Kenneth Mitchell (Odyssey 5)
Alimi Ballard (Sabrina: TTW)
Sarah Stouffer (Chastity Bites)
Mather Zickel (The Cape)
Kathleen York (Crash)
Alastair Duncan (The Batman)
Freddie Prinze Jr (Scooby-Doo)
John Ratzenberger (Cheers)
Millicent Martin (Alfie)
Rebecca McFarland (Two and a Half Men)
Angela Alvarado (Freedom Writers)
Joaquim de Almeida (Desperado)
Loren Lester (Batman: TAS)
Nora Dunn (New Girl)
Margo Harshman (The Big Bang Theory)
Ben Lawson (No Strings Attached)
Bonnie Root (Coming Soon)
Kelly Rutherford (Gossip Girl)
Chad Donnella (Smallville)
Robert Picardo (Stargate: Atlantis)
Chris Browning (Supergirl)
Nazneen Contractor (Heroes Reborn)
Ignacio Serricchio (The Wedding Ringer)
Elizabeth Ann Bennett (The Passing)
Courntey Gains (Children of The Corn)
Sam Anderson (Lost)
Rance Howard (Angel)
JD Cullum (Glory)
Laura Spencer (The Big Bang Theory)
Francois Chau (Lost)
Gil Bellows (Flashforward)
Sean Marquette (All My Children)
Chastity Dotson (Veronica Mars)
Steven Williams (Jason Goes to Hell)
Nathaniel Buzolic (The Originals)
Jason Gray-Stanford (Monk)
Jeremy Ratchford (Cold Case)
Vito D’Ambrosio (The Flash 90s)
Kurt Fuller (Midnight In Paris)
Taylor Spreitler (Melissa & Joey)

Bones very quickly garnered rave reviews and amassed a loyal following. Bones is loosely inspired by real life forensic anthropologist and author Kathy Reichs. This funny, clever, sometimes gross, and totally addictive crime drama centers around forensic anthropologist Dr. Temperence Brennan (Emily Deschanel), who toils out of the Jeffersonian Institution and, on the side, writes mysteries starring her fictional heroine (and here’s the twist) Kathy Reichs. Because Brennan has an almost supernatural ability to generate accurate assumptions based on her examination of the corpse’s bones, she is often consulted by the FBI on difficult, seemingly unsolvable cases. She is frequently partnered by brash wiseacre FBI Special Agent Seely Booth (David Boreanaz), who seems to hold a bias against science and those who practice in that field. It’s Booth who breezily saddles Brennan with the nickname “Bones.” Naturally intuitive and freewheeling, Booth immediately is at odds with the clinically analytical Brennan. But, despite their personality clashes, and with the aid of Brennan’s gifted and quirky colleagues, the cases do get solved.

It’s no great secret that the palpable chemistry between Deschanel and Boreanaz is what actually propels the show and is what separates it from the other, more formulaic, dispassionate crime dramas. Every week, fans tune in for the leads’ deliciously caustic banter more so than for the weekly dose of mystery. You see, the mystery jones can be fixed by viewing any other one of the gazillion forensic dramas so currently prevalent on the airwaves. So the mystery is basically the MacGuffin that drives the show forward. But the cantankerous chemistry – that palpable “something” between the two leads as they hilariously bicker and wrangle – is definitely unique to this show.
Emily Deschanel is a find. I haven’t seen her before but she’s awfully good and ingratiating enough with her acerbic character. She imbues Brennan with a cooly detached yet vulnerable and lonely quality that intrigues and endears her to the fans. Her social awkwardness and pop culture ignorance are also quite charming. It’s pretty funny that a mention made regarding a pop culture reference almost always elicits a response of “I don’t know what that means” from the clueless Bones. And, of course, her expertise in the martial arts doesn’t detract from her allure.

And David Boreanaz. Yeah, I found it difficult going, at first, watching him in a new role, seeing as how I’m a fan of Buffy and Angel. But it helps that Booth isn’t much like our vampire with a soul. This ex-Army Ranger Special Agent is breezy, personable, and outgoing, not brooding, tortured, and introspective like Angelus. So, the transition, while disconcerting for me, was ultimately smooth enough. Boreanaz brings such command, self-assurance and charm to his character that I bought into it soon enough.
My favorite episodes are the pilot episode, where we are introduced to the cast; “The Man in the Fallout Shelter” – the team is quarantied together in the Jeffersonian during Christmas and we learn personal stuff about the characters; “Two Bodies in the Lab” – character development galore in this episode as Brennan dates on-line and is targeted while she works on two cases; “The Superhero in the Alley” – a decomposed body is found wearing a superhero costume; and “The Woman in Limbo” – a gripping, emotional season finale as Brennan discovers shocking facts about her parents.

The start of the season sees a new boss, Cam, arrive at the Institute. Not only is she very hands on, she is a former love of Booth, and Tempe and Cam do not hit it off in the early episodes. The new character is well written and softens as the season progresses until it is hard to imagine the team without her input. Meantime Zac undergoes a make-over in order to secure a permanent place on the staff once he gains his doctorate, and Hodkins and Angela begin a tentative office romance.
Booth and Brennan continue to spar verbally with each other and some of their exchanges will have you laughing out loud. When a fellow agent, Sully, begins a relationship with Tempe, Booth’s feelings are confused – but as is observed, Tempe “is rubbish at being a girl” and her own complicated life does not bode well for a permanent relationship. Tempe continues to put her foot in it socially, particularly when a case involves Booth’s Catholic religion.

Among the classy episodes are ‘The Girl with the Curl’ about child beauty Queens, (with a wonderful scene of Tempe trying to talk to a group of 8 year olds at a dance class!), ‘Aliens in a Spaceship’ which has Tempe and Hodgkins buried alive by a serial killer, and ‘The Headless Witch in the Woods’ which has more than a nod to The Blair Witch Project. Guest stars this season include Stephen Fry as a laid back, insightful Psychiatrist whom Booth must see after he shoots an ice cream van, and Ryan O’Neal as Tempe’s estranged and mysterious father whose elusive character comes into his own when Booth is targetted by the Mob. And, once again, Angela’s instantly recognisable father – from ZZ Top – pops up!

BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers’ strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3’s first episode (“The Widow’s Son in the Windshield”) opens up, we learn that Bones has been reluctant to go in the field with Booth and she won’t say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences.

Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2’s finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela’s search for her long-time but vaguely remembered husband. “The Secret of the Soil” introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI’s concern due to Booth having arrested Bones’ father. These sessions are generally funny stuff as, mostly, Booth can’t help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth.

I’ve a couple of Season 3 favorites. “The Widow’s Son in the Windshield” introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. “Mummy in the Maze” is a very neat Halloween show, wherein Booth’s shameful phobia is unveiled and Bones’s costume is…simply awesome. “The Knight on the Grid” is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And “The Santa in the Slush” is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. “The Baby in the Bough” has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, “The Wannabe in the Weeds” (in which Zach and Bones both sing) and “The Pain in the Heart” are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of “The Wannabe in the Weeds” should’ve been developed further in “The Pain in the Heart.” In fact, “The Pain in the Heart” – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans.
The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric “thing” between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance “Bones” Brennan. And while her character might’ve loosened up a little bit (not too much), there’s still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he’s just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in “The Santa in the Slush” is one of the best, most touching scenes of the season.

World-renowned forensic anthropologist Temperance “Bones” Brennan is as brusque and tactless as ever, as confounded by the subtleties of social decorum as ever (or as Sweets exclaims: “She is wicked literal!”). Bones is still very much that intimidating icy intellect, still a wounded soul, and still solving murders. FBI Special Agent Seeley Booth is still the one with the people skills and that well-developed bump of intuition. More onions are peeled in this season as we learn even more about the underpinnings of our core characters. The absolute big draw of this show is that sizzle between David Boreanaz and Emily Deschanel, their fabulous interplay tantalizing and frustrating the viewers. Could this be the season that they get together? Well, kind of, sort of. Taking what the show is giving, I wallow in their ever evolving relationship.

Staying on the personal, Hodgins and Angela are trying to move past their break-up. “The Skull in the Sculpture” demonstrates that Angela is more ready to move on than Hodgins, and if you thought Angela was a free spirit before, well, now… This episode also has Sweets demonstrating the best way ever to fire someone. Young FBI psychologist Lance Sweets, by the way, becomes a regular cast member in this season, and I like him more and more as each episode progresses, even if Booth and Bones continually treat him like a pesky little brother. Even Dr. Saroyan’s past is delved into.

Zack Addy, apprentice to the Gormagon Killer, has been institutionalized, which doesn’t keep him from strolling out to help the squints on a baffling case. Still, this gives rise to a running theme, that of the rotating roster of interns as Saroyan and Bones attempt to fill Zack’s spot, and the fun thing is that each of these interns comes with baggage. There’s the morbid one, the excessively chirpy one, the one constantly dispensing trivia, etc. The most martyred one may well be that repressed intern who insists on keeping things professional at all times – except that, the squints being a tight bunch, he keeps getting exposed to a deluge of innuendo and gossip in the workplace.

There isn’t really a running mystery arc to tie these episodes together – no one like the Gormagon Killer running around, for example. But that doesn’t mean that the cases aren’t gripping; some of them are really interesting. The season opens with “Yanks in the U.K.”  which plants Brennan and Booth in jolly old England, investigating a murder and running into a British version of themselves. In “The Passenger in the Oven” Bones and Booth are on a flight bound to China and have only four hours to solve a murder before the plane lands and Booth loses jurisdiction. “Double Trouble in the Panhandle” has Booth and Bones infiltrating the Big Top as “Buck & Wanda and their Knives of Death,” and their circus act is actually fraught with more suspense than in just about any other scene in this season.

Some other favorites? In “The Double Death of the Dearly Departed,” Bones and Booth steal a corpse due for cremation from a funeral home, Bones believing that the body had been “translated,” which is Booth’s made-up code for murder. “Mayhem on a Cross” unveils some dark stuff about Sweets’ past, this episode also featuring the return of the awesome Stephen Fry as FBI shrink Gordon Gordon Wyatt. It also had me cracking up whenever Bones insisted on correctly pronouncing “skalle” (the Norwegian word for “skull”). “The Hero in the Hold” features the return of the Grave Digger serial killer. “The Princess and the Pear” plonks Bones and Booth’s temp replacement in the world of comic book conventions, and Bones finally gets another chance to flash her martial arts mojo.
Image result for bones the critic in the cabernetIn “The Critic in the Cabernet” Bones drops a bomb on Booth and Booth gets advice from a cartoon character, a frivolous conceit which goes on to have a terrifying payoff. Finally Season 4 closes with a quirky fantasy episode featuring a re-shuffling of roles. In this reality, Dr. Saroyan and Booth’s brother are homicide detectives and Booth and Bones are a married couple who run a nightclub and who end up as suspects in a murder case. It’s neat that just about everyone is in this one.

At the beginning of the fifth season of the wildly popular forensic drama “Bones,” many viewers tuned in trepidatiously after the spectacularly strange fourth season finale. Thankfully, all fears were allayed and relieved when the fifth season kicked into high gear in the very first episode and maintained that pace throughout the season; “Bones”‘ fifth season is perhaps its greatest yet.
The one thing that has always set “Bones” apart from the countless other procedurals on the airwaves right now is the focus on the characters solving the crimes rather than the crimes themselves, and the strength of this approach shines through brilliantly in every episode of this season.
David Boreanaz and Emily Deschanel return to the roles of Booth and Bones and deliver their strongest performances yet as each character is shaken to their core. As Booth struggles to regain his sense of self, he has to confront the knowledge of his feelings for his partner, while Bones herself goes through a whirlwind of emotion as the emotional barriers she has erected around her heart begin to crumble down, leaving her questioning not only herself but her relationship with Booth as well as her work at the Jeffersonian itself. The tension between the two has never been more delicious or more addictive, and both lead actors knock their roles absolutely out of the park.
But while the relationship between Booth and Brennan becomes increasingly more complex, the wonderful supporting cast of engaging characters at the Jeffersonian keep the show moving along briskly and lightly. Cam (Tamara Taylor) must run the lab while dealing with the challenge of being a good mother, guiding the team effectively toward each conclusion; Sweets (John Francis Daley) continues to provide invaluable insight into the minds of the team; Angela (Michaela Conlin) remains the emotional heart and soul of the team as she opens her heart to love’s possibilities; and Hodgins (TJ Thyne) struggles with his feelings for Angela as he returns to his abrasive, loveable self.

The cases themselves have regained a fascinating light as the mysteries the team confronts become more complex, and the special effects department has outdone themselves in the gore and goop department this year as Booth and Bones investigate some of the most gruesome crime scenes in history, all moved along by the brisk black humor the show excels at; the team investigates a possible secret agent locked in a truck for days, a would-be rocker torn to pieces by an industrial washer/dryer, a gamer literally melted in a vat of fast-food grease, and a dozen more cheerfully disgusting cases where the outcomes of the mysteries hold the power to shock and surprise the audience; the writers have once again caught the perfect balance between the whodunnit and the drama to craft a truly unique show. But it’s not merely the cases that hold the viewers’ attention this season; season five is full of true powerhouse episodes: heartbreaking cases like “The Plain in the Prodigy”; darkly comical shows like “The Beautiful Day in the Neighborhood”; truly shocking mysteries like “The Proof in the Pudding,”; and even a historically fascinating case written by the author of the original Temperance Brennan novels Kathy Reichs herself (“The Witch in the Wardrobe”) — however, all of these merely lead up to the three knockout moments of the season:
In the fifth season, “Bones” reaches its 100th episode, “The Parts in the Sum of the Whole.” Likely the most beloved and most contested episode in the show’s history, the 100th episode completely redefined Booth and Brennan’s relationship as it showed the viewers the pair’s first meeting, something never before revealed, and circles around to one of the most hearbreaking and yet most powerfully hopeful moments of the series. “Parts” was also directed by David Boreanaz, one of the series’ leads, and the sheer emotion wrung out of Boreanaz and Deschanel by the end speaks volumes to the talent of the show’s leads.
As the series continues, however, the characters were shocked to their cores as they were forced to come face-to-face with their most terrifying adversary yet: the cunningly frightening sociopath dubbed The Gravedigger, in “The Boy with the Answer,” a nail-bitingly tense hour of television that had viewers’ hearts pounding as Heather Taffet, the Gravedigger, proved that her true arena was the courtroom, tearing apart her victims and throwing the entire future of Brennan’s life into question.
This only segues into the season’s amazingly dramatic finale, “The Beginning in the End.” As the team investigates the home of a hoarder, Bones questions what she truly wants to do with her life, Booth’s past comes calling, and Angela’s father blows back into town, all leading to a truly shocking season ender, a masterful finale that not only redefined the very foundations of the show and the characters but also continued to set the show on a rising point, ensuring that every faithful viewer of “Bones” will be frantically waiting for the sixth season to premiere in the fall.

To resuscitate a dead team out of their scattered disappearance is not an easy task. Luckily the DA in Washington DC is a powerful woman, stubborn and resolute, and she generally gets what she wants. So she brought Agent Booth back from Afghanistan, and Temperance Brennan, aka Bones, from the exotic place where she was trying to get some archaeologically interesting bones with Daisy, Dr Sweet’s girl friend, and Dr Sweet from his hideout somewhere in Paris where he was having a showbiz career as a cabaret singer. They all come back, change clothes and back in the business in a jiffy. Angela and Dr Hodgins are also back though from not so far away and Angela is pregnant.
As usual one case per episode, clean and neat, always dealing with a lot of bones, gross and dirty, soaked in a lot of decomposed muck with a tremendous number of maggots, worms and other corpse parasites. A series not to watch while eating anything more delicate than dry cookies.
Angela and Dr Hodgins have a full plate with the pregnancy and the delivery of the baby. For them that’s enough and that will require some help from a friendly psychiatrist because it is hard for the father not to become overprotective and it is hard for the mother to accept the physical handicap this pregnancy may represent. Yet they decided that working with the people they are used to work and live with was the best thing for the pregnancy, the mother and the child. Angela was not alone at any moment of her days or nights.
Agent Booth brought a journalist back from Afghanistan, a sort of love substitute for Temperance. But will that not cause some problems, like conflicting interests between the two professions? And Booth with his own son is already very busy in life. Will that new woman in the picture be able to cope with a child, what’s more the child of another woman? And the question of marriage will come up sooner or later and how are the two going to react to that eventuality? Probably not very well, maybe not too bad. A decision that is always difficult to take for someone who is constantly in the field of police investigation and for a journalist just back from a war zone.

You have the interns still rotating, the four of them. They are the surprise of each episode because they are so different and they can be so funny, though at times they are just funny for us because they are mismatched with what is happening around them, but that’s what interns are all about. Unluckily one will end up very badly. That’s not the first case, but so far none had ended up that badly. But a song will carry him through: lime and coconut, sung in a chorus all together, mellow and heart stirring.
There will be a case that will run over the whole season, the case of a sniper who had been a colleague and friend of Booth in Afghanistan and who came back slightly berserk and decided that what he did over there was good enough for the USA too and he started killing those who were rotten, and those who were in his way for his type of justice and these were only collateral victims for him, hence justified by the end. It will take the whole team to stop him and it will bring a lot of suffering and even mourning to that team.

This refreshingly different season of Bones is gearing up to be one of the series’ best! It is just the reinvigoration the show needed! Life has changed at the Jeffersonian since we last saw our favorite crime-solvers. After last season’s pregnancy bombshell of an ender, we pick up with forensic anthropologist Dr. Temperance Brennan entering her third trimester, hormones all over the place as she bumbles in that adorable way that only Brennan can into the frightening role of motherhood. As always, her partner FBI Agent Seeley Booth is there by her side, more loving and more happy than we’ve ever seen him.

I think David Boreanaz and Emily Deschanel slipped into this new relationship quite easily. What’s great is that not a lot has changed, and yet, everythinghas. They live together, they’re planning on buying a house, they kiss and cuddle on the couch and Booth croons to Brennan’s belly in the cutest baby voice you will ever hear… and yet, they’re still “Booth and Bones”. They still solve murders. They still bicker good-naturedly over everything under the sun.

They banter. They get overprotective. They make mistakes- and own up to them after. They’re like any new couple expecting a child. But are they normal? Far from it, because at its core, Bones is still the same show: a journey of love between two very different people… one a woman who views the world through utmost rationalism and who is still learning how to open her heart; the other a man who relies on instincts and gut feeling to do his job, and who lets faith and emotion drive his personal life. Both coming from traumatic pasts and both craving a new beginning.That, and the other characters are still as charming and as “comedic gold” as ever. Hodgins and Angela’s baby situation juxtaposes nicely with Booth and Brennan’s, Cam struggles with keeping the workplace professional, there’s a new intern, a new recurring villain, and other familiar faces return.

The end of the seventh season of “Bones” left Bones on the run with her infant child after being framed for murder by the highly skilled serial killer Christopher Pelant. The opening of the eighth season finds Booth and her colleagues at the Jeffersonian Institute trying to clear her name. Fortunately for the series, they succeed, although Pelant eludes justice to pose a future threat. This eighth season continues to feature crime-of-the-week murders for Bones, Booth, and the Jeffersonian lab rats to solve through clever forensics and Booth’s old-fashioned police work. One of the most interesting episodes is told through the eyes of the murder victim, with the assistance of a psychic (a well-cast Cindy Lauper). Another standout episode involves a group effort to resolve a cold case whose victim turns out to be a forgotten hero of the 9/11 attack on the Pentagon.

Outside the lab, Bones has an uncomfortable but touching period of readjustment to living with Booth, after her time on the run. Her changed perspective will lead to some of the most interesting conversations as she and Booth commute to crime scenes. Just to complicate things, staff psychiatrist Dr. Sweets will temporarily move in with the couple right after he breaks up with girlfriend Daisy, a technician in the lab. Series regulars Angela and Hodgins will have their own challenges as working parents. The continuing parade of interns through the Jeffersonian crime lab will feature in several episodes, and one of them will become a surprising emotional complication for Dr. Saroyan. Christopher Pelant will return to menace the team in a gut-wrenching season finale.

“Bones” returns for a welcome ninth season with its core cast, clever plots, and sense of humor intact. Forensic anthropologist Dr. Temperance “Bones” Brennan and her crack team of specialists at the Jeffersonian Institute continue to work with their FBI liaison, Special Agent Seeley Booth, on new and challenging criminal cases. First, however, the team will have to resolve their long-running, lethal battle with cyber-genius serial killer Christopher Pelant, who has stayed one step ahead of them while inflicting pain on each member of the cast.
When we last saw the team, they had barely survived their most recent encounter with Pelant. In a final twist of spite, Pelant blackmailed Booth into withdrawing his marriage proposal to Bones, while forbidding him to reveal the reason why. Booth’s promise puts a strain on his relationship with Bones. He will reach out to old Army buddies, including a CIA agent and a former priest turned bartender, for advice. Pelant has his own plan for separating Bones from Bones from Booth, permanently. The entire team will have to be on its mettle to head off Pelant’s insidious plot.
The ninth season continues to feature crime of the week murders for Bones, Booth, and the Jeffersonian lab rats to solve. One episode will have Booth and Bones resurrecting their undercover “Tony” and “Roxie” identities for a hilarious marriage retreat in which they talk all too frankly about their relationship. Psychologist Dr. Sweets will take a leave of absence to work in an outreach center, only to find himself drawn back into a gut-wrenching case involving a gang feud. As in past seasons, other members of the team, including Lab boss Dr. Saroyan, Dr. Hodgins, Angela, and the interns will have their moments in the spotlight.
The biggest highlight is the Woman in White, featuring the  wedding of the two leads after nine years they final tie the knot.

In the 10th season of Bones, suspense is at an all-time high as Seeley Booth (David Boreanaz) is framed and jailed for the murder of three FBI agents while Temperance Brennan (Emily Deschanel) considers committing blackmail to get him out of prison.


The new season brings some changes. The team will lose a key player at a dramatic moment early in the season, and have to work in a replacement after an emotional farewell. Another primary character will develop a emotional bond with one of the rotational lab interns, one that threatens their official relationship. Still another will strike it rich, a couple of season after having been cleaned out by a particularly nasty serial killer. Yet another character will revisit a gambling habit that threatens a job and a relationship. And, one key character will become pregnant. And those events are just character development. There is a fresh lot of challenging cases that will need solving.

Those week to week cases continue to be innovative and interesting, challenging the team and the viewer to keep up. At the same time, the series hasn’t lost its sense of humor, or its willingness to experiment. As an example, you just have to see this season’s throwback Hitchcock episode. “Bones” is still good fun and recommended to its loyal fans in its tenth season.

REVIEW: VERONICA MARS – SEASON 1-3

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MAIN CAST

Kristen Bell (Frozen)
Teddy Dunn (Jumper)
Jason Dohring (The Originals)
Percy Daggs III (Izombie)
Francis Capra (Heroes)
Enrico Colantoni (Powers)
Sydney Tamiia Poitier (Death Proof)
Tessa Thompson (Thor: Ragnarok)
Ryan Hansen (2 Broke Girls)
Kyle Gallner (Smallville)
Tina Majorino (Bones)
Julie Gonzalo (Dodgeball)
Chris Lowell (The Help)
Michael Muhney (Columbus Day)
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RECURRING / NOTABLE GUEST STARS

Corinne Bohrer (Police Academy 4)
Amanda Seyfried (Jennifer’s Body)
Lisa Thornhill (The Family Man)
Kyle Secor (The Purge 3)
Daran Norris (Izombie)
Brandon Hilock (Villains)
Patrick Wolff (Power Rangers Lost Galaxy)
Bradley Joseph (A Cinderella Story)
Duane Daniels (First Strike)
Paris Hilton (Bottoms Up)
Aaron Ashmore (Smallville)
Melissa Leo (The Fighter)
Paul Marshall (Cheaper By The Dozen)
Alison MacInnis (Power Rangers Lightspeed Rescue)
Kyla Pratt (Dr. Dolittle)
Adam Wylie (Under Wraps)
Sam Huntington (Superman Returns)
Lisa Rinna (Melrose Place)
Jane Lynch (Glee)
Harry Hamlin (Clash of The Titans)
Jessica Chastain (Interstellar)
Steven Williams (The Blues Brothers)
Adam Kaufman (Buffy)
Bonita Friedericy (Chuck)
Alona Tal (Cult)
Erica Gimpel(Roswell)
Christian Clemenson (Lois & CCLark)
Jonathan Bennett (Van Wilder: Freshman Year)
Chris William Martin (The Vampire Diaries)
Megalyn Echikunwoke (Arrow)
Emmanuelle Vaugier (Two and a Half Man)
Christopher B. Duncan (Three Kings)
Anthoyn Anderson (Transformers)
Jowharah Jones (The Client List)
Leighton Meester (The Roommate)
Max Greenfield (New Girl)
Christine Lakin (Family Guy)
Adam Scott (Krampus)
Cynthia LaMontagne (That 70s Show)
Zachery Ty Bryan (Fast and The Furious 3)
Erin Chambers (Happy Feet)
Ken Marino (Agent Carter)
Jonathan Taylor Thomas (Smallville)
Roy Werner (Power Rangers Time Force)
Kevin Sheridan (The Closer)
Jeffrey D. Sams (Soul Food)
Charisma Carpenter (Buffy)
Steve Guttenberg (Police Academy)
Kevin Smith (Clerks)
David Starzyk (Bones)
Ari Graynor (For A Good Time, Call..)
Kristin Dattilo (Dexter)
Laura Bell Bundy (Anger Management)
Dana Davis (Heroes)
Krysten Ritter (Jessica Jones)
Rick Peters (The Craving HearT)
Tracey Walter (Batman)
Joss whedon (Angel)
Rodney Rowland (The 6th Day)
Taylor Sheridan (Sicario)
Jason Molina (Alpha Dog)
Lucas Grabeel (Smallville)
Alyson Hannigan (How I Met Your Mother)
B.J. Britt (Agents of SHIELD)
Curtis Andersen (Sabrina: TTW)
Jessy Schram (The Lizzie Borden Chronicles)
Michael Cera (Juno)
Kayla Ewell (The Vampire Diaries)
Patrick Fabian (The Last Exorcism)
Jason Beghe (G.I. Jane)
Samm Levine (Not Another Teen Movie)
Rider Strong (Cabin Fever)
Chastity Dotson (Single Ladies)
Lucy Lawless (Ash Vs Evil Dead)
Keri Lynn Pratt (Cruel Intentions 2)
Dan Castellaneta (The Simpsons)
Rachelle Lefevre (Twilight)
Ryan Devlin (Weather Girl)
Armie Hammer (The Social Network)
Lindsey McKeon (One Tree Hill)
Ed Begley Jr. (Batman Forever)
Parry Shen (The New Guy)
Blake Shields (Heroes)
Ryan Pinkston (Bad Santa)
Jaime Ray Newman (Bates Motel)
Krista Kalmus (North Shore)
Adam Rose (Up In The Air)
Amanda Walsh (Disturbia)
Charlie Weber (Buffy)
Sandra McCoy (Power Rangers Wild Force)
Michael Grant Terry (Bones)
David Tom (Pleasantville)
Charles Shaughnessy (Stargate SG.1)
David Blue (Stargate Universe)
Jeremy Roberts (The Mask)
Robert Ri’chard (The Vampire Diaries)
Jesse James (Jumper)
Paul Rudd (Ant-Man)
Suzanne Cryer (Two Guys and a GIrl)
Ed Gathegi (X-Men: First Class)
Travis Van Winkle (Meet The Spartans)

Veronica Mars is set in Neptune, California, a town without a middle-class. Everyone’s either a millionaire or works for one, and the man largely responsible for Neptune’s unparalleled success is Jake Kane (Kyle Secor), the resident billionaire software mogul. Kane and his family are still reeling from the murder of his daughter Lilly (Amanda Seyfried) some months earlier, and as if that loss wasn’t enough, the beloved Kane family was doggedly pursued by a county sheriff convinced that they were hiding something. Public sentiment turned against Sheriff Keith Mars (Enrico Colantoni), who was ousted from office and abandoned by his wife.

Cue the title character. His daughter Veronica (Kristen Bell) had already lost her best friend with Lilly’s death, but standing by her father also cost Veronica her friends, her social status, her house…even her mother. Veronica had already been unceremoniously dumped by Lilly’s brother Duncan (Teddy Dunn) shortly before her friend’s murder, and a defiant visit to face her former friends at a party weeks later led to Veronica being drugged and raped. Despite having lost so much, Veronica is resilient enough to move on with her life, and as her father struggles to stay afloat as a private eye, Veronica puts her smarts and determination to work to help ease the caseload at Mars Investigations. She also puts her talents to use to help her classmates with their troubles — for a price, of course. To cap it all off, Veronica’s faced with a couple of her own mysteries to solve. What convinced Lianne Mars to abandon her family, and where is she now? Who was it who drugged and raped Veronica last December? Also, is her father right — did someone other than disgruntled Kane Software employee Abel Koontz murder Lilly? If there is, who orchestrated the conspiracy that led to Koontz’ confession and why?

The dialogue in Veronica Mars has the same sparkle as Joss Whedon’s work…arguably better, even, since Buffy sometimes sounded like a deliberate attempt to be hip, whereas Veronica Mars manages to be witty and clever without feeling quite so forced. The writing doesn’t skew as young as one might expect from a TV show set in a high school. If anything, the target audience seems to be twentysomething — I don’t know how many fifteen year olds would be able to appreciate references to Archie comics or 21 Jump Street, f’r instance. Characterization is another strength of the series, and part of the reason Veronica Mars works as well as it does is that the audience truly does care about the characters. Despite having a seemingly endless array of talents, Veronica isn’t some sort of idyllic Mary Sue. She’s not always right. Her investigations frequently take morally questionable turns. Things don’t always go the way she wants. Not every episode has a happy ending.Image result for veronica mars return of kaneAlong with the cases that are solved in the space of forty minutes and change every week, a couple of mysteries are introduced in the pilot that are gradually explored throughout the entire length of the season. That’s right — unlike the hydra that is Lost, where answering one question spawns ten more, all of Veronica Mars’ mysteries are resolved by the time the season finale rolls around. (The finale tosses out a couple questions of its own, but if a second season hadn’t gotten the green light, it still would’ve been a fitting end to the series.)

Veronica Mars has a capable cast to match the quality of the writing. Veronica is strong and cynical…bright and sarcastic…and even though all of the trauma she’s suffered over the past year has aged her somewhat, she’s still an emotionally vulnerable teenage girl. That’s a lot to juggle, but Kristen Bell is talented enough to make such a colossal task seem effortless and captivating enough to carry a show on her shoulders. Of course, Bell is joined by a strong enough supporting cast that she doesn’t have to shoulder it all herself.

After cutting down Wallace (Percy Daggs III), the new kid at school, who’d been stripped naked and duct taped to a flagpole, he and Veronica become best friends. In teen-TV land, it’s an immutable rule that people of different genders can’t just be pals…there’s this endless temptation to couple everyone. Veronica Mars manages to resist, resulting in one of the few platonic friendships like this left on television.Enrico Colantoni, who plays Veronica’s father, is another fan favorite, able to shift from warm, loving, and borderline-goofy to secretive and deadly serious when the situation calls for it. There’s also Eli “Weevil” Navarro (Francis Capra), the leader of a local biker gang from the wrong side of the tracks who engages in some mutual backscratching with Veronica.

The character who stands out the most — aside from Veronica, of course — is Logan Echolls (Jason Dohring). Like Kristen Bell, Dohring is endlessly engaging. He’s introduced as an “obligatory psychotic jackass”, but as the season progresses, Logan’s humanized without being watered-down; even when he’s doing something as thoroughly loathesome as bribing a homeless vet to join in on his homebrew Bumfights video, there’s an undercurrent of understanding why Logan is the way he is. The character changes throughout the season, but the shift feels deserved and natural, not just because that’s what’s scrawled on the whiteboard in the writing room.Other guest stars throughout the season include Napoleon Dynamite’s Tina Majorino as computer whiz Mac, Aaron Ashmore as a love interest with a shady past, Logan’s movie star family (played by Harry Hamlin, Lisa Rinna, and Alyson Hannigan), Anthony Anderson, Zachary Ty Brian, Joey Lauren Adams, Jonathan Taylor Thomas, and, in a shameless bit of stuntcasting, Paris Hilton. The fact that the second episode of Veronica Mars manages to be really good despite a Paris Hilton guest spot really is a testament to how good a series this is. Oh, and, in true Laura Palmer fashion, just because Lilly Kane is dead doesn’t mean that Amanda Seyfried can’t rear her head in nearly every other episode.The conclusion to most of the mysteries caught me by surprise. Throughout the entire season, the only time I correctly guessed the culprit was in “Lord of the Bling”, and even then, the motivation and execution were well out of my reach. The many twists the stories take are clever, and watching these episodes a second time, I could spot all sorts of clues and hints that didn’t seem that important the first time through.  Veronica Mars is a series that’s easy to dive into as a marathon, but for viewers catching these episodes for the first time, I’d recommend drawing it out a bit.

The central arcs of Veronica Mars’ first season were all intensely personal: Veronica being abandoned by her mother, not to mention every one of her former friends, roofie-fueled date rape at a party a year earlier, and the brutal murder of her closest friend, Lilly Kane. How do you follow up a season like that? t’d be nearly impossible to craft another set of stories that’d resonate in quite that same way without retreading familiar ground, so season two of Veronica Mars takes a different approach, shifting the focus away from our plucky junior detective and more towards the sticky underbelly of Neptune, California as a whole.Mayoral candidate Woody Goodman (Steve Guttenberg) has a vision for the glorified country club that is Neptune. Incorporating Neptune would have a Tide with Bleach effect, making the whites whiter and the rich richer as property values are boosted and less desirable elements are rezoned onto someone else’s doorstep. Woody’s plan is announced as the tensions between the haves and have-nots are already boiling over in Neptune.Logan Echols, the cocky son of an aging Hollywood action hero, has walked away unscathed from accusations of stabbing a Hispanic biker to death, prompting a series of vicious attacks from both sides. The stark differences between the classes are also apparent after a school-sponsored trip; the rich kids hop in a limo and ride back in style, and the not-so-privileged cram into a rank schoolbus and careen off the side of a cliff. The town is torn apart by the tragedy, and Veronica, who’d barely missed the bus and was very nearly among the dead, is determined to find out if the crash was a terrible accident, suicide, or something much more ominous.Image result for veronica mars driver edIt’s a hectic season, with a bus crash, two murder trials, class-slash-racial tensions throughout Neptune, a sheriff race, the possibility of Neptune incorporating, the ambiguity about Wallace’s family life, a coma-baby, Beaver following in his shamed father’s footsteps as he tries to get his own real estate endeavour off the ground, the strife former baseball star Terrence Cook and his overbearing daughter Jackie (Tessa Thompson) bring to Neptune, the newly-introduced clan of Irish drug-peddlers known as the Fitzpatricks, and the machinations of Dick and Beaver’s scheming stepmother Kendall (Charisma Carpenter). There’s enough to follow The season plays a lot better on DVD; it’s easier to keep the scores of characters and plot points fresh in the mind over the course of a few days as opposed to the better part of a year.In its third — and ultimately final — season, Veronica Mars steps away from any season-length stories. Slightly truncated to twenty episodes, season three is neatly grouped into three distinct chunks of episodes. The season opens with Veronica settling into her freshman year at Hearst College, but the campus continues to be plagued by a spree of sexual assaults. Mac’s bubbly roommate Parker (Julie Gonzalo) is the latest victim to be roofied and raped, with the attacker leaving his calling card by shaving her head. Having suffered through the past couple of years as a rape victim herself and unwittingly in a position to have caught Parker’s rapist during the attack, Veronica’s grim determination to put an end to this reign of terror makes up the first and the lengthiest of the season’s arcs.The season’s second arc picks up a couple of months after the grisly final shot of “Spit and Eggs” as the police have shrugged off the death of someone close to Veronica as a suicide. A devastating emotional blow delivered just hours earlier, a gunshot to the temple, a vague suicide note typed on a PC…it’s tragic, yes, but the pieces fit neatly together just the same. Still, it’s a scenario lifted directly from a paper Veronica penned for her criminology class on how to commit the perfect murder. Throughout the course of their investigation, Veronica and her father become entangled in a pair of other murders, among them the death of one of Veronica Mars’ most enduring characters.Facing cancellation and attempting to make the largely serialized series more accessible to new viewers, Veronica Mars draws to a close with a set of five standalone episodes. There aren’t any overarching investigations, although some threads leak from one episode to the next, including a sheriff’s race between Keith Mars and an unlikely contender.

The season premiere introduces two other Hearst students who’d go on to stick around for the rest of the year: Wallace’s roommate Stosh “Piz” Piznarski (Chris Lowell) and Mac’s roomieuntitledThe hunt for Hearst’s rapist, which runs for the nine of the season’s twenty episodes, is the highest point of the set. It’s the most engaging of the season’s various arcs, which is impressive considering that these episodes have to juggle the weekly mysteries, the overarching search for the rapist, and introduce the new characters and Hearst College as a whole. There seems to be some connection between the rapes and the Greek system at Hearst, pitting Veronica against a group of feminists determined to bring the frats down, forcing her to defend the same lecherous halfwits she thought were tied to the rapes last season, and clawing her way into the Zeta Theta Beta house. This first half of the season also gives the supporting cast a reasonable amount of screentime, including Wallace and Logan on opposite ends of an Abu Ghraib-inspired prison experiment, Logan stumbling onto a life-changing discovery when trying to find out why his trust fund is dwindling so quickly, and Keith making the same sorts of excuses with a married client as the skeevy men whose infidelities pay his rent. The arc comes to a close with “Spit and Eggs”, which, in true Veronica Mars form, plays like more of a thriller than a mystery, and it’s by far the most intense episode of the season. Veronica Mars was an excellent a show spread across 3 seasons and become a great cult show, and with the arrival of the movie saw resurgence in its popularity.

REVIEW: BATMAN BEYOND – SEASON 1-3

 

 

CAST (VOICES)

Will Friedle (Boy Meets World)
Kevin Conroy (Batman: TAS)
Teri Garr (Young Frankenstein)
Ryan O’Donohue (A Bug’s Life)
Lauren Tom (Futurama)
Cree Summer (Inspector Gadget)
Seth Green (Family Guy)

RECURRING / NOTABLE GUEST CAST

Michael Gross (Tremors)
Sherman Howard (Superboy)
George Takei (Star Trek)
Sam McMurray (Drop Dead Gorgeous)
CCH Pounder (Avatar)
Clyde Kusatsu (The Interpreter)
Frank Welker (Transformers)
Marc Worden (Ultimate Avengers)
Rino Romano (The Batman)
Corey Burton (Transformers)
Shannon Kenny (7th Heaven)
Stockard Channing (Grease)
Kevin Michael Richardson (The Clevland Show)
Melissa Dinsey (In A World..)
Scott McAfee (Midnight Run)
Bill Smitrovich (Ted)
Pauley Perrette (The Ring)
Linda Hamilton (Chuck)
Michael Ansara (Star Trek)
Tress Macneille (Futurama)
Chris Mulkey (Whiplash)
Olivia d’Abo (Conan The Destroyer)
Amanda Donahue (Liar Liar)
George Lazenby (Gettysburg)
Scott Cleverdon (The Prophecy 3)
Brian George (The Big Bang Theory)
Ian Ziering (Sharknado)
Larry Drake (Firefly)
Jon Cypher (Masters of The Universe)
Vernee Watson (The Big Bang Theory)
Dorian Harewood (Gothika)
William H. Macy (The Cooler)
Kimmy Robertson (Stuart Little)
Paul Winfield (The Termiantor)
Miguel Sandoval (Medium)
Ice-T (Tank Girl)
Lindsay Sloane (The Other Guys)
Stephen Collins (No Ordinary Family)
Ethan Embry (Eagle Eye)
Rider Strong (Cabin fever)
Stacy Keach (Two and a Half Men)
Carl Lumbly (Alias)
Daphne Zuniga (Spaceballs)
Sarah Douglas (Superman)
Jason Marsden (Full House)
Michael Rosenbaum (Smallville)
Henry Rollins (Wrong Turn 2)
Kate Jackson (Charlie’s Angels)
Shiri Appleby (Roswell)
Dan Castellaneta (The Simpsons)
Tim Curry (IT)
John Ritter (bride of Chucky)
Rachael Leigh Cook (Antitrust)
Adam Wylie (Superman Doomsday)
Michael McKean (This Is Spinal Tap)
Andy Dick (Dude, Where’s My Car?)
Gary Cole (Chuck)
Kerrigan Mahan (Power Rangers)
Johnny Galecki (The Big Bang Theory)
Chris Demetral (Lois & Clark)
Patton Oswalt (Caprica)
Mitch Pileggi (Stargate: Atlantis)
Curtis Armstrong (American Dad)
Bumper Robinson (Sabrina: TTW)
Eli Marienthal (American Pie)
Angie Harmon (Agent Cody Banks)
Robert Patrick (Terminator 2)
Olivia Hussey (Black Christmas)
David Warner (Teenage Mutant Ninja Turtles 2)
Mark Hamill (Star Wars)
Adrienne Barbeau (Swamp Thing)
Farrah Forke (Lois & Clarke)
Christopher McDonald (Fanboys)
Clancy Brown (Highlander)
Alexlis Denisof (Angel)
Diedrich Bader (Batman: TBATB)
Julie Nathanson (The Zeta Project)
Kurtwood Smith (That 70s Show)
Keone Young (Crank)
Keith Szarabajka (The Dark Knight)
Sean Marquette (13 Going on 30)


Fifty years after Batman: The Animated Series came to a close, Gotham City is without a protector. Failing health and a chilling act of desperation prompted Bruce Wayne to give up Batman’s cape and cowl, and the corporation that had stayed in his family for generations has been wrest from him by a corporate raider named Derek Powers. Never married and abandoned by his sidekicks, the elderly, embittered Wayne lurks inside a sprawling mansion that seems more like a mausoleum than the stately manor of old. Derek Powers is using the remnants of WayneCorp to illegally manufacture an endlessly destructive but extremely profitable nerve gas, a secret that Wayne/Powers employee Warren McGinnis stumbles upon and pays for with his life. His troubled son Terry blames himself for the murder, but a chance encounter with Bruce Wayne results in the theft of a Batman suit brimming with cutting-edge technology and the revelation of the man truly responsible for his father’s death. By the time the two-part episode “Rebirth” is over, Bruce Wayne has agreed to guide Terry as the new Batman, and an irradiated Derek Powers is a walking fusion reactor.batman-beyondBatman: The Animated Series, Superman, and Justice League all drew heavily from the established mythos, but Batman Beyond is a largely original creation. Sure, there are quite a few nods to the original series — it’s still set in Gotham City, Barbara Gordon has taken the mantle of police commissioner, and there are winks to fans like the Grey Ghost costume in the Batcave.
Terry McGinnis is a very different lead character than Bruce Wayne was in Batman: The Animated Series. In the previous series, it seemed more as if Batman was who this man really was and Bruce Wayne was just an occasionally convenient mask for him to wear. Terry is seen out of costume much more frequently than Bruce ever was and feels like more of a fleshed-out character. He has friends, he has family, and he has a life outside of the pointy-eared hood. Gotham City is still teeming with bad guys, but even though Batman has been transplanted to the future, he’s not squaring off against Joker II or The Riddler Redux. The rogue’s gallery of this futuristic Batman doesn’t lift much from the previous animated series or even from the comics. The only familiar faces are Mr. Freeze, The Royal Flush Gang, and, briefly and unrecognizably, Bane. The other villains are original creations with some striking character designs, such as the amorphous corporate saboteur Inque, sound-engineer-with-a-power-suit Shriek, and the hypnotic Spellbound. This season also doesn’t rehash the same villains over and over again, with Inque being the only badnik other than Derek Powers’ Blight to strike more than once.

 


Several of the supervillains aren’t costumed-threats-of-the-week, but ordinary people in extraordinary situations: Willie Watt in “Golem” is a nerdy high schooler who seizes control of a two-story-tall construction robot to exact revenge on the bullies who torment him, and “The Winning Edge” is about high school athletes using steroids yet deftly avoids playing like ‘a very special episode of Batman Beyond’. One thing Batman’s adversaries, costumed and plainclothes alike, have in common is their origins. Nearly all of the villains in Batman Beyond are born of tragedy or greed, and that gives these episodes more of a resonance than something like The Joker pumping Gotham City with laughing gas for no reason in particular.

Another stand-out is “Shriek”, pitting Batman against an enemy whose technology enables him to manipulate sound. One of the most inventive sequences in the entire run of the series is set in a car factory where Batman starts setting off every piece of equipment in arm’s reach as a distraction. Shriek uses his technology to block out the noise and isolate Batman’s movements, resulting in an almost entirely silent battle with no dialogue, few sound effects, and a sparse, subtle score.

This first season of Batman Beyond is remarkably consistent, offering perhaps the strongest debut of any DC animated series to date.

Batman Beyond—Season Two would be ambitious and further expand the adventures of Terry McGinnis, the new Dark Knight of the Gotham City’s future, but it would also be quite different from the first season in several ways. For one thing,  the creators had killed off Terry arch nemesis Derek Powers (a.k.a. Blight) at the end of season and despite having a cliffhanger ending, the character never returned for season two, or season three for that matter. In fact, the fundamental change between the two seasons was that the network requested more episodes be written around Terry and the kids he interacted with in his high school, instead of focusing on a corporate espionage subplot like in the previous season. The producers did not argue with this as it was more or less the direction they were interested in going too. The network also wanted the show to introduce a stronger female character that could assist Terry in his mission as Batman. The not led to the creation of new supporting character Maxine “Max” Gibson, a beautiful and intelligent girl at Terry’s high school who would discover his secret in her first episode and would become one of his allies for the rest of the series. She was always intended to be her own character and not a placeholder for Robin, Batgirl, Alfred or anyone from the classic Batman supporting cast. Most of Terry’s teenage peers like Dana Tan, Chelsea Cunningham, Blade Summer and Nelson Nash came back in this season and is some cases got slightly more prominent roles. But there was also at least one more friend of Terry’s introduced named Howard Groote, a nerdy comic relief who design was, amusingly, inspired by producer/writer Paul Dini.

As for villains this season, many characters like the Jokerz gang, Ten of the Royal Flush Gang, Spellbinder, Willie Watt, Shriek and Curare return for further episodes. But there were also several new villains introduced, though unfortunately many of them were only one-time threats and did not become members of terry’s recurring rogues gallery. The three major recurring villains introduced this season were the Stalker, a cybernetically-enhanced big-game hunter who sees Batman as his ultimate prey, the insanely liberal bomber Mad Stan, and the terrorist snake cult known as Kobra). Memorable one-shot villains include gene splicer Dr. Able Cuvier, the A.I. ‘ghost’ of a former corporate mogul who takes control of the Batsuit, a rat boy named Patrick that kidnaps Dana, the father of one of Terry’s friends who becomes a supervillain named Armory, a burly woman named Mom Mayhem and her two sons, a snobby gossip reporter using invisibility technology, and a vigilante named Payback who takes his revenge against tormentors of troubled teenagers too far.

Overall, Batman Beyond—Season Two is twice and big as the first season, and just as strong.

The episodes in this final release aren’t as dark as some of the great shows in the first box, but they’re still very exciting. The villains don’t have that tragic quality which translated so well from the regular Batman universe, but this lack of atmosphere is made up for with a great sense of adventure and fun.

“The Call”, for example, is a fantastic two-parter that sees Batman team-up with a future Justice League – it’s probably too much to assume that this “Justice League Unlimited” was a conscious forbearer to the actual series, but it’s certainly a great cartoon-geek moment. In the episode, Terry McGuiness uproots a villain who conspires to take over the JLU  in a suspenseful story that has a great connection to the original comic book origin of the League.

But the champion episode of the box – and perhaps the series – is “Out of The Past” (would it surprise you to learn that it’s penned by Paul Dini?). Not only does the episode bring back two excellent characters from Bruce Wayne’s past, Ra’s Al Ghul and Talia, and not only does it do it in a way that resonates with both Batman and Bruce, but it’s got, hands down, one of the best tongue-in-cheek moments in the entire DC Animated Universe. It is the stories, and their execution, where the true appeal of these episodes lies. Sure there’s a great setting and a great character, but each of these mini sci-fi/fantasy stories is a very fun and exciting peak into a great imaginary world. Sure, one that happens to borrow a lot from the Batman mythology, but it’s the show’s imaginative qualities that make it a unique world that translates perfectly to the cartoon form.

While the traditional episode structure does tend to bore, it also does its job. Furthermore, the imaginative fight scenes – whether they be with a villain who is physically untouchable, or a fight in a giant wind tunnel – will keep your attention long after more kinetic, but ultimately rote new series have lost their appeal.


A major sticking point to this set is the lack of a satisfactory conclusion. The series was rather abruptly put to a stop after its checkpoint 52-episode run in 2001. It wasn’t until Justice League Unlimited’s Season Four finale, “Epilogue”, that Batman Beyond was given a proper send-off. But what a send-off it was! After you finish this set it is highly recommended that you seek out the aforementioned episode. While this box’s closer, “Unmasked”, is a nice story, it’s not the series finale that, ironically – yet thankfully – another series would provide.  Batman Beyond was born out of a WB executive’s desire to cash in on a popular and recognizable franchise. Because of the fantastic people behind the show, what might have been a hollow concept was turned into something fresh, imaginative, and very worthwhile.