REVIEW: THE ORVILLE – SEASON 2

Starring

Seth MacFarlane (Sing)

Adrianne Palicki (Agents of S.H.I.E.L.D.)

Penny Johsnon Jerald (Star Trek: DS9)

Scott Grimes (American Dad)

Peter Macon (Shameless)

Halston Sage (Goosebumps)

J. Lee (Family Guy)

Mark Jackson (The Royal Today)
Jessica Szohr (Piranha 3D)

Seth MacFarlane and Adrianne Palicki in The Orville (2017)

Recurring / Notable Guest Cast

Will Sasso (Mom)
Mike Henry (The Cleveland Show)
Chris Johnson (The Vampire Diaries)
Jason Alexander (Shallow Hal)
Rachael MacFarlane (American Dad)
Chad L. Coleman (Arrow)
Lesley Fera (Pretty Little Liars)
Candice King (The Vampire Diaries)
Robert Picardo (Star Trek: Voyager)
John Billingsley (Star Trek: Enterprise)
Kerry O’Malley (Annabelle: Creation)
Patrick Warburton (Ted)
Molly Hagan (No Good Nick)
Norm MacDonald (Dr. Dolittle)
Michaela McManus (SEAL Team)
Fred Tatasciore (Hulk Vs)
Ted Danson (The Good Place)
John Rubinstein (Angel)
Kevin Daniels (Atypical)
Wren T. Brown (Whoopi)
Bruce Willis (Glass)
Nick Chinlund (Training Day)
Mackenzie Astin (The Magicians)
Leighton Meester (The Roommate)
Tim Russ (Star Trek: Voyager)
Sarah Scott (The Artist)
F. Murray Abraham (Amadeus)
Rena Owen (Siren)
Kelly Hu (Arrow)
Tony Todd (Candyman)
Marina Sirtis (Star Trek: TNG)

Penny Johnson Jerald and Mark Jackson in The Orville (2017)It would be profoundly unfair at this point to keep comparing The Orville to Star Trek: The Next Generation. But the parallels are pretty obvious. The titular Orville has the same ‘Giant Conference Hotel’ in space look that the old Star Trek show did; the Union has a similar aesthetic as The Federation, and so on. But all of this is shorthand; we know Star Trek, so all the visual clues are really just there to quickly get the viewer up to speed.Seth MacFarlane in The Orville (2017)Season 1 of The Orville worked pretty hard to establish its own world. This was an optimistic yet militaristic future in which people still behaved like people. They got drunk, they made dirty jokes, they had affairs, they got divorced. The central relationship of the show is that the First Officer is the Captain’s ex-wife, after all. Season 1 had a lot of missteps and frequently fell flat. Season 2 addresses these issues by simply being more straight forward and blunt.Halston Sage in The Orville (2017)For a start, it’s more obvious that the various prominent alien races in the show represent various social issues. Stories that feature the ‘All-Male’ Moclus tend to focus on sex, identity, and gender. It helps a lot that Peter Macon plays the role of Bortus brilliantly. He can switch from sombre and serious to physical comedy extremely well and is perhaps one of the most under-rated characters in the show. The war-like Krill allow the show to reflect on religious intolerance and the mechanical Kaylon serve a general cypher for the human experience. None of these ‘issue’ stories are subtle, but they are fun and filled with humour.Seth MacFarlane in The Orville (2017)The show’s twists and turns are also pretty significant, and from the outset there are plenty of them. The Orville isn’t afraid to use story arcs, and the ‘reset’ button is rarely used here. Mistakes and tragedies are permanent. Certainly the last few episodes of the series feel like a promise. The past is another country and that even the slightest thing can have ruinous consequences.Penny Johnson Jerald and Seth MacFarlane in The Orville (2017)The special effects budget has also gotten a significant bump. Though there are plenty of ‘people standing around talking’-type scenes, when the action gets underway it really does go for it, reminding the viewer that this show is versatile enough to do both action and drama very well.Penny Johnson Jerald and Mark Jackson in The Orville (2017)Despite the short second season, it seems that Fox is very fond of its very marketable sci-fi show. Season 2 is occasionally a bumpy ride for its changes in story and pacing, but it’s well worth the journey.

REVIEW: THE ORVILLE – SEASON 1

 

Starring

Seth MacFarlane (Sing)
Adrianne Palicki (Agents of S.H.I.E.L.D.)
Penny Johsnon Jerald (Star Trek: DS9)
Scott Grimes (American Dad)
Peter Macon (Shameless)
Halston Sage (Goosebumps)
J. Lee (Family Guy)
Mark Jackson (The Royal Today)

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RECURRING / NOTABLE GUEST CAST

Victor Garber (Legends of Tomorrow)
Chad Coleman (Arrow)
Norm Macdonald (Jack & Jill)
Larry Joe Campbell (Hall Pass)
Brian George (The Big Bang Theory)
Joel Swetow (Alice In Wonderland)
Jeffrey Tambor (Hellbnoy)
Holland Taylor (Two and a Half Men)
Ron Canada (Wedding Crashers)
Deobia Oparei (Santa Clarita Diet)
Rena Owen (Siren)
Lamont Thompson (Evan Almighty)
Jonathan Adams (Bones)
Robert Knepper (Cult)
Liam Neeson (Chloe)
Rachael MacFarlane (American Dad)
Charlize Theron (The Road)
Kelly Hu (X-Men 2)
Michaela McManus (SEAL Team)
James Horan (Transformers Prime)
Giorgia Whigham (The Punisher)
Steven Culp (Jason Goes To Hell)
Loren Lester (Batman: TAS)
Brian Thompson (The Terminator)
Rob Lowe (Wayne’s World)
Derek Mears (The Flash)
Robert Picardo (Star Trek: DS9)
Molly Hagan (Izombie)
Mike Henry (The Cleveland Show)
Erica Tazel (The Good Fight)

Scott Grimes, Seth MacFarlane, Adrianne Palicki, J. Lee, and Halston Sage in The Orville (2017)When we first heard the news that Seth Macfarlane (Family Guy, Ted, A Million Ways to Die in the West) was making a comedy homage to Star Trek we thought hell yeah. It didn’t take long however before we started thinking it would just be another Family Guy-styled series with cheesy “adult” jokes, something that many people thought would be the case. Now that we’ve seen the first season, I can happily say that this is one of his finest works. It’s hilarious and pays tribute to the classic sci-fi series perfectly.Adrianne Palicki and Jasper McPherson in The Orville (2017)Seth Macfarlane plays Ed Mercer, an up and coming officer in the Planetary Union who has recently separated from his wife after finding her in bed with a blue alien. Shortly after these events, he is given a chance to prove himself after being given the Captain’s chair of The Orville, a mid-level exploratory vessel.Seth MacFarlane and Adrianne Palicki in The Orville (2017)The other members of the crew include Penny Johnson Jerald (24, Star Trek: Deep Space Nine, Castle) as Dr Claire Finn, Scott Grimes (ER, Band of Brothers, Critters) as Lieutenant Gordon Molloy, Peter Macon (Shameless, Dexter, Supernatural) as Lieutenant Commander Bortus and Halston Sage (How to Rock, Crisis, Paper Towns) as Lieutenant Alara Kitan.Scott Grimes, Seth MacFarlane, Adrianne Palicki, and Mark Jackson in The Orville (2017)The crew is missing a first officer and the Officers of the Planetary Union chose to place Adrianne Palicki (John Wick, Agents of S.H.I.E.L.D, Red Dawn) who plays First Officer Kelly Grayson in the role. The only problem is that she’s Captain Mercer’s ex-wife.Scott Grimes, Seth MacFarlane, Adrianne Palicki, J. Lee, and Halston Sage in The Orville (2017)Whilst this sounds like your typical cheesy sit-com scenario, and it is, this is one of those rare occasions where it just works. The casting in this series is brilliant and the characters play off each other so well that every now and again you forget that this is a homage and actually start to believe that this is a new Star Trek series. The interactions between Mercer and Grayson are first class and the comedy stoic nature of Bortus is inspired. There are also several brilliant interactions between Dr Finn and her long-time admirer, a gelatinous blob named Yaphit, as he tries to seduce her at every opportunity.Adrianne Palicki in The Orville (2017)The Orville tackles some fantastic issues, worthy of any Next Generation episode. From discovering a massive ship floating In space that houses a holographic world that the inhabitants don’t realise isn’t real to getting trapped on a planet ruled by social media where everyday justice is dished out in popularity points which are displayed live on peoples clothing. The latter is probably the best episode of the series and tackles some very real subject matter involving the current state of social media, public opinion and controlled media based on distraction and frivolity and proves The Orville can be both both funny and intelligent at the same time.MV5BMWEyM2ZkYmQtOTQyMS00NjRmLTk5NzItMzYwMmU2NDUzZDg3XkEyXkFqcGdeQXVyNjc5Mjg0NjU@._V1_SY1000_SX1500_AL_I can’t recommend this series enough so you should probably go now and watch it immediately. Oh, and as an added bonus it has been renewed for a second season so it won’t just be a flash in the pan one-off either, which is great news. Essentially if you love comedy and you love Sci-Fi then you can’t go wrong with The Orville!

HALLOWEEN OF HORROR REVIEW: AMUSEMENT

Starring

Keir O’Donnell (Wedding Crashers)
Katheryn Winnick (Vikings)
Laura Breckenridge (Related)
Karley Scott Collins (Pulse 2)
Jadin Gould (Man of Steel)
Jessica Lucas (Gotham)
Alisha Boe (13 Reasons Why)
Tad Hilgenbrink (Lost Boys: The Tribe)
Reid Scott (Venom)
Rena Owen (Star Wars – Episode II)
Kevin Gage (G.I. Jane)

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Shelby

While on the highway, Shelby Leds and her boyfriend Rob Alerbe pull over for gas, joined by a semi-truck and a Jeep. At the gas station, Shelby sees a frightened woman in the truck’s back window, though Rob does not see her and tells Shelby that the trucker said he was driving alone. On the road, the same woman jumps from the truck and lands on their car. The truck continues onward as Shelby, Rob, and the driver of the Jeep stop to help the woman. Rob then drives after the truck to get its plates, but fails to catch up and returns only to discover the Jeep driver injured, with Shelby and the woman missing. The Jeep driver says the trucker took them, and they take the Jeep to an old, isolated house. The Jeep driver goes alone to the front door, where he overhears the trucker talking on the phone, claiming he is the woman’s father and that he was taking her to a rehabilitation facility for a drug addiction. Meanwhile, in the Jeep, Rob discovers Shelby and the woman under a tarp in the backseat, bound and gagged. The Jeep driver kills the trucker when he goes out and then approaches the Jeep. Rob locks the door and tries to drive away, only to discover that the keys are missing. The Jeep driver then breaks open the window with his sledgehammer and kills Rob.avatar_user990414_313539111753239

Tabitha

Elsewhere, Tabitha Wright is spending the night in her aunt’s house to babysit her cousins, Max and Danny. She finds out that their babysitter, June, had already left, though she was supposed to wait for Tabitha to arrive before leaving. Later that evening, a man claiming to be June’s boyfriend, Owen, arrives looking for her since she missed cheerleading practice. He leaves when Tabitha tells him she does not know where June is. While exploring the house, Tabitha finds the guest bedroom decorated with clown toys, and becomes particularly scared of a life-sized clown doll sitting on the rocking chair. She later talks with her aunt about the life-sized doll, but is told that the family has no such a doll. Tabitha and the boys are then attacked by the clown, who the boys insist is Owen. Tabitha helps the boys escape before hiding in the shed. Inside, she opens the closet and finds June’s corpse. The clown enters the room, his laughter similar to the Jeep driver’s.avatar_user990414_1695531774049405

Lisa

Sometime earlier, Lisa Swan and her boyfriend Dan begin searching for her roommate Cat, who had disappeared during a party the night before. They go to an old hotel that Cat said she will be at. Lisa tries to get in, but the caretaker, a man whose face is covered by a face mask, refuses to let her in. She convinces Dan to pose as a health inspector and look inside. After letting him in, the caretaker shows Dan a music player and encourages him to play it, claiming there is a surprise in the end. Dan does so, and at the end of the song, a knife flies out of the speaker, stabbing him in the eye. Unable to get in contact with Dan, Lisa sneaks into the house and meets an apparently deaf man, who leads her to a room filled with beds that have dead bodies stuffed into the mattresses. Lisa finds Cat stuffed alive in one mattress, but as she attempts to free Cat, the deaf man attacks her, revealing himself to be the killer.deianeira_circle_of_fire

Connection

In a police interrogation room, Tabitha is revealed to be alive and in shock. When she does not answer the interrogator’s questions, he leaves her alone. Tabitha then reminisces about her childhood, where she, Shelby, and Lisa were once all friends at Briar Hills Elementary School. After they were tasked to design miniature sets inside shoeboxes that can be viewed through peepholes, a male classmate demanded to see their work before showing his to Tabitha; it was of a rat chained up and its skin pulled back to reveal its organs. Tabitha is then interrogated by a therapist who asks her about Shelby and Lisa. When Tabitha says that they were all friends at Briar Hills Elementary, the therapist remembers a patient she once had who was from Briar Hills. Then, she comes to a realization and informs Tabitha that Lisa and Shelby are also here, before leaving to find a phone that works. Tabitha wanders out after her and discovers that she is not in a police station. She finds the therapist dead and sees the police interrogator, who was the killer all along, approaching.AmusementTabitha flees to the basement, where she finds herself trapped between two glass walls. Beyond either side, she finds Shelby and Lisa, bound and gagged and their skin pulled back similar to the rat in the boy’s shoebox. The killer initially taunts them, but then reveals that the two are unharmed, and that their opened skin is just a trick. Just as the man is about to kill Shelby, Tabitha pretends to laugh, prompting him to open the glass wall and approach her. Tabitha then stabs him in the neck with a scalpel she had grabbed and unties her friends. As they try to escape, Lisa and Shelby are killed, while Tabitha climbs a ladder that leads to a barn shed. She hides in a room with props used to kidnap the three women as well as the dead bodies of other people the killer had murdered. The killer surprises her as he looks through a peephole, and reveals that she is in the back of a truck, which is by the same old house where Rob died. After he drives a short distance, the truck stalls. Tabitha takes hold a spiked weapon and, when he returns to look through the peephole again, stabs him through the face, killing him.downloadTabitha restarts the truck and drives away, narrating about how she and her friends had laughed at the killer when they were young, thinking that he was a joke. After he was sent away, they had forgotten all about him, but he never forgot them. She then remarks that even though it was all over, she still cannot get his laugh out of her head.740full-amusement----------------------------------(2008)-screenshotThe best thing about Amusement is that it doesn’t try to be anything other than a horror movie. It’s not trying to be theater or shock cinema, it’s not trying to be a high-tension thriller, and it certainly isn’t designed to ‘make you think’ or carry some kind of a pseudo-political ‘message’ to viewers. Amusement isn’t great cinema, but it’s definitely a decent popcorn horror flick

REVIEW: STAR WARS – EPISODE III: REVENGE OF THE SITH

 

CAST
Hayeden Christensen (Awake)
Natalie Portman (No Strings Attached)
Ewan McGregor (Cassandra’s Dream)
Ian McDiarmid (Margaret)
Samuel L. Jackson (Jackie Brown)
Jimmy Smits (Cane)
Frank Oz (Sesame Street)
Anthony Daniels (The Lego Movie)
Kenny Baker (Labyrinth)
Christopher Lee (Lord of The Rings)
Keisha Castle-Hughes (Game of thrones)
Ahmed Best (Poolboy)
Jay Laga’ala (Xena)
Bruce Spence (Mad Max 2)
Temuera Morrison (Once Were Warriors)
Oliver Ford Davies (Johnny English)
Peter Mayhew (Killer Ink)
Joel Edgerton (The Gift)
Rena Owen (The Last Witch HUnter)
James Earl Jones (Conan The Barbarian)
Wayne Pygram (Farscape)
Jeremy Bulloch (Starhyke)
Genevieve O’Reilly (THe Legend of Tarzan)
Star Wars Episode III: Revenge of the Sith is the best Star Wars movie in the prequel trilogy, hands down.

Objectively speaking, Revenge of the Sith’s greatest contribution to the Star Wars family is first and foremost the massive improvement of the quality of the visual effects. This film was released in 2005, and yet even today I have absolutely zero issues with any of the special effects, even in blu-ray format. They look stunning, detailed and realistic to the point of complete satisfaction. I think pretty much everyone can agree on this at least.

To me, Revenge of the Sith was a jaw dropping sci-fi movie from start till finish. I don’t remember any other science fiction film having action of this magnitude and scale going on in the history of film making. We are treated to probably the largest space battle ever shown in cinema when the film opens. This entire sequence, from Anakin and Obi-Wan fighting their way through the thick of battle to Count Dooku’s flagship all the way to them landing the damaged space ship on Coruscant, takes over half an hour and you’re completely engaged throughout.

The film then quietens down to politics and Anakin spending time with his wife Padme. Again, I never felt bored or checked my watch during these sequences as I felt they added much to the story, which is ultimately about Anakin’s fall. Now, a person who just watched this film might say Palpatine barely did anything to make Anakin turn to the Dark Side of the Force, and therefore all of this is a big disappointment. However, Anakin’s fall makes far more sense if you have recently watched The Phantom Menace and Attack of the Clones. Things that step by step shake his faith in the Jedi order are all strewn across these two films, which then culminate in the third. The initial rejection of the Jedi council to train young Anakin, the death of his mentor Qui-Gon, his romantic feelings for Padme despite his oaths of celibacy and detachment as Jedi, the lack of trust he gets from Mace Windu, Yoda and even Obi-Wan at times, the death of his mother Shmi and the visions that foretell the death of Padme in childbirth all contribute to him feeling confused, lonely and isolated – vulnerable for one particular Sith, who after all, had managed to not only fool the entire galactic senate, but also the Jedi order itself about being a good natured and harmless Chancellor. To blame troubled Anakin for buying into the deception of Palpatine, who had pretty much managed to deceive everyone else so far, would indeed be unfair.

The rest of the film is top notch. We are taken to many stunning locations that serve as backdrops for large scale battles, and General Grievous does a far better job of being an interesting antagonist than the stoic and almost vampiric Count Dooku did in Episode II. The film builds up in tension until it treats us to the greatest light saber duel in the entire series, bar none. Amazingly filmed by Steven Spielberg, who George Lucas allowed to be in charge of this part of the movie. The hellish landscape of Mustafar is a fitting place for such a titanic clash between Anakin and Obi-Wan, one that we had been waiting for so long and, I believe satisfied us all. The final portion of the film is spent tying up loose ends in the same fashion that the final section of Return of the King did – many short, disjointed scenes taking place in different locations, but necessary to complete the overarching narrative. There are some deleted scenes which I think could have been added to give this film the finishing touches it needed, but overall I am still very happy about the quality, presentation and entertainment Revenge of the Sith offers from start till finish.

Of course the end will leave a sour taste in your mouth since it isn’t a happy ending, but that was the whole point of the prequel trilogy, wasnt it – to explain how Darth Vader became Darth Vader and what led to the fall of the Republic and the creation of the totalitarian Galactic Empire. If you’re like me and watch the films in the order I to VI, you can sit back with satisfaction and anticipation after the conclusion of III, because the story will go on and we’re just getting started!

 

REVIEW: STAR WARS – EPISODE II: ATTACK OF THE CLONES

CAST

Hayden Christensen (Awake)
Natalie Portman (No Strings Attached)
Ewan McGregor (Cassandra’s Dream)
Christopher Lee (Lord of The Rings)
Samuel L. Jackson (Jackie Brown)
Frank Oz (Sesame Street)
Ian McDiarmid (Margaret)
Pernilla August (Search)
Temuera Morrison (Once Were Warriors)
Jimmy Smits (Cane)
Jack Thompson (Around The Block)
Ahmed Best (Poolboy)
Rose Byrne (The Voices)
Oliver Ford Davies (Johnny English)
Jay Laga’ala (Xena)
Anthony Daniels (The Lego Movie)
Kenny Baker (Labyrinth)
Joel Edgerton (The Gift)
Rena Owen (The Last Witch HUnter)
Marton Csokas (Aeon Flux)

Photo- Lucasfilm

Ten years after the Trade Federation’s invasion of Naboo, the Galactic Republic is threatened by a Separatist movement organized by former Jedi Master Count Dooku. Senator Padmé Amidala comes to Coruscant to vote on a plan to create an army of the Republic to assist the Jedi against this threat. Narrowly avoiding an assassination attempt upon arrival, she is placed under the protection of Jedi Knight Obi-Wan Kenobi and his apprentice Anakin Skywalker. The two Jedi thwart another attempt on her life and subdue the assassin, Zam Wesell, a shape-shifter who is killed by her bounty hunter client with a toxic dart before she can reveal his identity. The Jedi Council assigns Obi-Wan to identify and capture the bounty hunter, while Anakin is assigned to escort Padmé back to Naboo, where the two fall in love.
Photo- Lucasfilm
Obi-Wan’s investigation leads him to the remote ocean planet Kamino, where he discovers an army of clones is being produced for the Republic, with bounty hunter Jango Fett serving as their genetic template. Obi-Wan deduces Jango to be the bounty hunter he is seeking, and follows him and his clone son Boba to the desert planet Geonosis via a homing beacon placed on their ship, the Slave I. Meanwhile, Anakin becomes troubled by premonitions of his mother Shmi in pain, and travels to Tatooine with Padmé to save her. They meet Owen Lars, Anakin’s stepbrother who is the son of Shmi’s new husband Cliegg Lars. Cliegg tells Anakin that Shmi was abducted by Tusken Raiders weeks earlier and is most likely dead. Determined to find her, Anakin ventures out and finds the Tusken campsite. He discovers too late that his mother has been tortured by the tribe. As she dies from her wounds, Shmi reunites with Anakin. Anakin loses his temper and kills the Tuskens before returning to the Lars homestead with Shmi’s remains. After revealing his deed to Padmé, Anakin says that he wants to prevent death.
Photo- Lucasfilm
On Geonosis, Obi-Wan discovers a Separatist gathering led by Count Dooku, who Obi-Wan learns had authorized Padmé’s assassination and is developing a new battle droid army together with Trade Federation Viceroy Nute Gunray. Obi-Wan transmits his findings to Anakin to relay to the Jedi Council, but is captured mid-transmission. With knowledge of the droid army, Supreme Chancellor Palpatine is voted emergency powers to send the clones into battle. Anakin and Padmé journey to Geonosis to rescue Obi-Wan, but are also captured. The three are sentenced to death, but are eventually saved by a battalion of Jedi and clone troopers led by Mace Windu and Yoda; Jango is killed by Mace during the rescue. As the clone and droid armies battle, Obi-Wan and Anakin intercept Dooku and the three engage in a lightsaber battle. Dooku subdues Obi-Wan and Anakin, but then Yoda arrives and engages the Count in a duel. Finding he is unable to defeat Yoda, Dooku flees. Arriving at Coruscant, he delivers blueprints for a superweapon to his Sith master, Darth Sidious, who confirms that everything is going well and as planned. As the Jedi gravely acknowledge the beginning of the Clone Wars, Anakin is fitted with a robotic arm and secretly marries Padmé on Naboo, with C-3PO and R2-D2 as their witnesses.

Photo- Lucasfilm

Attack of the Clones is a very good entry in the series. Ewan McGregor is superb as Obi Wan who teams up with Anakin to protect the Queen. He also has his own sub plot as he hunts down Jango Fett on a mysterious planet and we get a nice back story involving one of the coolest characters ever in Star Wars, Boba Fett. The action scenes are superb and towards the end we are introduced to Coutn Dooku, Christopher Lee who gives a superb performance. Yoda appears and fights as you’ve never seen him before and Jar Jar Binks time on screen is very limited. This movie is one hell of an underrated ride.

REVIEW: WHEN LOVE COMES

CAST

Dean O’Gorman (The Hobbit)
Simon Prast (Xena)
Rena Owen (A.I.)
Nancy Brunning (Shortland Street)
Jon Brazier (Power Rangers Mystic Force)
Grant Triplow (Jubilee)
Meighan Desmond  (Young Hercules)

 

Stephen (Simon Prast) is a New Zealand gay man pushing 30 (from the wrong side) who has loved and lost in his life. He apparently has some modest financial success but not a lot of fulfillment. Katie (Rena Owen) is a singer who had several number one songs in the 70’s but who is now past her peak. She has accepted a large advance for a new TV pilot (thanks to the efforts of her married lover) but has no inspiration, no ideas and no energy to go on.

Katie and Stephen have been best friends for decades. Together they are both world weary but still hopeful and exhibit the kind of camaraderie that a decades long friendship allows. When Katie returns from L.A. at the movie’s beginning, Stephen has his own problems. He has fallen in love with Mark, (Dean O’Gorman) a former rent boy, who is unable to return his affection. Mark is totally unconvinced of any self worth and can’t believe or accept that Stephen is in love with him.


Mark’s also involved with Fig and Sally,( Nancy Brunning and Sophia Hawthorne) two girls in a band for which he writes the lyrics. While Fig has eyes only for Sally, Sally enjoys sleeping with men, including Mark. Whether or not Mark has problems with his gayness I’ll leave to your judgment, to me his problems seemed more basic than that.

Getting to know these characters as they get to know themselves and as they work through their immediate problems is what makes this a great indie film.  This is a small but significant film with honest characters who have personalities.