REVIEW: CAPRICA – PART 2

 

Starring

Eric Stoltz (The Butterfly Effect)
Esai Morales (Titans)
Paula Malcomson (The Hunger Games)
Alessandra Torresani (The Big Bang Theory)
Magda Apanowicz (You)
Sasha Roiz (Grimm)
Brian Markinson (Sanctuary)
Polly Walker (Pennyworth)

Caprica (2009)

Recurring / Notable Guest Cast

Kendall Cross (X-Men 2)
Peter Wingfield (Highlander: The Series)
Andrew Airlie (Fifty Shades of Grey)
Hiro Kanagawa (Izombie)
Panou (Flash Gordon)
Zak Santiago (Shooter)
Bridget Hoffman (Darkman)
Scott Porter (Speed Racer)
John Pyper-Ferguson (The Last Ship)
Anita Torrance (Smallville)
Genevieve Buechner (The Final Cut)
Ben Cotton (Stargate: Atlantis)
Teryl Rothery (Stargate SG.1)
Patton Oswalt (Veronica Mars)
Ryan Kennedy (Smallville)
Christopher Heyerdahl (Van Helsing)
Calum Worthy (American Vandal)
Tom McBeath (Stargate SG.1)
Aleks Paunovic (Van Helsing)
Elisabeth Rosen (Cult of Chucky)
Sina Najafi (Stargate SG.1)
Carmen Moore (Flash Gordon)
Mike Dopud (Arrow)

Esai Morales in Caprica (2009)Nothing would’ve made me happier than to deem Syfy’s decision to cancel Caprica a grave and unwarranted one, but that’s something which simply can’t happen. Bear with me now, because there’s a reason for saying this. As a defender of the series when it was on the brink of cancellation, there’s no joy in stating that it’s easy to see why Ron Moore and David Eick’s offshoot from Battlestar Galactica received the axe when it did. Though far from faultless, the first half of the series established a fine foundation for a world rife for exploration: the mechanics of a society that would ultimately create a sentient lifeform, robots which would rebel and eventually annihilate most of the human race. But concept’s only part of the journey, and Caprica saw tonal and storytelling issues that shaped it into a rough, erratic exploration of those ideas, reaching an especially stagnant point at the beginning of this second half. It’s a shame, then, that the writers and producers finally discover their rhythm in the last five-and-a-half episodes, as it truly becomes the series I had hoped it’d become.Paula Malcomson in Caprica (2009)The story revolves around the polytheistic, technologically-advanced colony of Caprica roughly sixty years before “the downfall”, focusing on the conflict between, and within, two families: The Graystones, and the Adamas. Lawyer Joseph Adams (Esai Morales) lives a somewhat normal life with his wife and two children, Tamara and Billy, attempting to juggle his high-profile stature in the legal realm with his domestic life. He fights a bit with keeping himself as distanced as he can from his unsavory lineage, the Tauron mob Ha’la’tha, though it’s hard since the organization funded his education and requires his services regularly — usually by messages delivered through his brother, Sam (Sasha Roiz). BSG devotees with get a jolt in seeing the blossoming of young “Billy” in this environment early on, watching the growth of the semi-troubled youth that’d transform into the disquieting, powerful Galactica commander Bill Adama.Magda Apanowicz in Caprica (2009)Caprica’s central draw, however, is the Graystones. Daniel Graystone (Eric Stoltz) heads a tech development firm working on a mechanized super-soldier that’s just not cutting the mustard, all the while generating profit (60% of net, to be exact) with virtual reality headsets — holobands — that connect to a network of fully-interactive, realistic digital worlds. Graystone’s seemingly safe digital construct quickly broke down into a laissez-faire underground, filled with hacked sections that exploit sex, drug-use, and violence. Daniel’s daughter, a silver-tongued high-school student named Zoe (Alessandra Torresani) who battles with her mother Amanda (Paula Malcomson) over authority, frequents the holoband V-Club with boyfriend Ben (Avan Jogia) and timid best friend Lacy (Magda Apanowicz), yet they’re beyond the carnal satisfaction that the place has to offer. Instead, they’ve found purpose in monotheistic religious belief within an activist organization, the Soldiers of The One (STO), and, in the process, created an exact digital copy of Zoe who will somehow aid the resistance.Eric Stoltz and Paula Malcomson in Caprica (2009)Caprica utilized a cliffhanger episode at the end of the first half of the season, one that leaves the mortality of several characters up in the air. It’s uncertain whether the depression-driven grief that Amanda’s been going through truly led her to suicide; similarly, we’re unsure if the full-throttle abrasiveness that Zoe was enacting inside the U-87 Cylon body destroyed her at the end. Then, Syfy opted to go on a very lengthy mid-season break (read: they shelved the episodes), leaving curious minds in the dark for roughly seven months and, effectively, knocking the wind out of Caprica. Already, the series wasn’t on the strongest of legs; as mentioned before, it establishes a fine world that explores the emotions coursing through decisions to either reject or embrace digital memories of loved ones, while also giving some deep-rooted glimpses into the underpinnings of Moore and Eick’s Emmy-winning Battlestar Galactica. Yet it wasn’t all gelling together as of yet, only improving as the series went along but ultimately lacking the joie du vivre that pumped its inspiration forward.Eric Stoltz in Caprica (2009)Therefore, when Caprica’s second half starts off sluggish and overbearingly dour, it’s almost like a death toll. Let’s be perfectly honest here: the first three installments following a seven-month hiatus end up being misfired glut, something the series couldn’t withstand at that point. Starting with a jump-forward in time that echoes the end of Battlestar Galactica’s second season, it throws the story in a pit of depression, despair, and cutthroat politics surrounding Daniel that bloats beyond its boundaries. When the Ha’la’tha use killing one’s mother — someone unassociated with the crime syndicate — as a sign of loyalty, when the STO enact murderous power moves over their religious heads, or when Zoe’s avatar is bludgeoned to near-death for simply looking like the STO terrorist she’s perceived to be, the tone gets molasses-level thick and fairly objectionable. It’s as if Moore and Eick are overcompensating so their audience knows they’re not pulling any punches, while the output they produce leans toward ham-handed and hard-faced discomfort — and extremely awkward in “Things We Lock Away”, a sloppily glued-together hodgepodge of poorly-orchestrated arena brawls in New Cap City and intent Lacy/STO development.Esai Morales in Caprica (2009)None of Caprica’s issues root in the performances, however, or the production design. From the ground up, Moore and Eick continue the shrewdly-cast and stylish thrust of science-fiction with a fine vein of suspense, capturing the city’s expanses with a unique blend of metropolitan polish, futuristic gris-gris, and slick ’50s-esque allure. Locations like the Graystone mansion sport angular windows and a glaring pour of cold light, while the Adama household encapsulates a warm yet dark demeanor. These fitting aesthetic touches cradle some exceptional dramatic performances, including Eric Stoltz and Esai Morales whom have come into their own as tried-and-true denizens of Caprica. The same can be said for Magda Apanowicz as Lacy, who takes the complications surrounding a semi-innocent girl lost in the world of terrorism and runs with them with stalwart momentum. Lacy’s role, which gets sloshed around in the first half of the season, begins to grow more focused as she embeds further into the STO (and learns of her affinity with post-Zoe Cylons). The faces of Caprica are what keep the series afloat, both during the well-executed and bungled stretches in the show.Still from CapricaReally, the issues hinge on a general question: “What’s the driving force behind Caprica?” At first, the series closed in on the machinations of the Cylon origins, as well as exploring monotheism vs. polytheism, the benefits and hindrances of an abandon-free V-World, and the reluctance for people to let go of those whom have died. Upon the second half of Caprica, all that’s somewhat switched out for direct drama involving the robots’ “creator”, as well as concentration on the gangster Adama network and the blossoming of the terrorist organization as idealists — which, by the way, the STO material’s fairly bland and oddly-executed during that stretch. In essence, it starts to go down a fairly generic path of aggressive human drama, leaving the intrigue behind Zoe’s presence somewhat alone for a two-hour burst. It’s pretty clear that the minds behind the show tinkered with some new (and time-weathered) ideas to try and wrangle together a new audience. And it didn’t really pan out as such.Caprica with Eric StoltzFortunately, the creative team seems to have had an inclination towards this. Starting with “False Labor”, Caprica begins to see an awakening, as if they both discover where their weaknesses lie and resurrect the spirit of Battlestar Galactica — which carries over in “Blowback”, marking the first of five episodes that Syfy shelved around the time of cancellation. In this episode, Daniel attempts to recreate Zoe’s “resurrection” software, while in the process using an avatar of Amanda as a basis for comparison. Since he knows all the mannerisms and minutiae of his wife, he’s able to determine exactly how human or inhuman she’s acting, and the content that unfolds as he dissects this digital Amanda can be both penetrating and emotionally stirring. On top of that, Lacy gets her first hearty taste of the STO’s domineering, contentious presence, while meeting other “recruits” similar to her. Moreover, it rediscovers its tonality; difficult drama remains, but the way it’s handled regains the excitement of its inspiration. In short, it gets good. Really, really good.With Syfy cancelling the show and five episodes still left to run, the big question likely will be: “Does it get a proper, strong conclusion?” Piggybacking off the regained proficiency that it rediscovers in “Blowback”, Caprica sprints through the remaining episodes as if it knows that the end’s coming, losing its abandon in a furious, gripping rush that certainly echoes to Battlestar Galactica’s aptitude in 11th-hour intensity. It hits the accelerator and really doesn’t stop until an unquestionably finite conclusion, bringing together Daniel’s hunt for Zoe’s avatar in V-World and the unsavory connections between Graystone Industries and the Tauron mob to a very fine, robust head. Moreover, the content surrounding Lacy’s presence in the STO finally reaches a meaningful point, instead of evoking the sensation that it’s a time-killing subplot like it did at first. But, much like the conclusion of Battlestar Galactica, it also ditches some sensibility in lieu of excitement, breaking some of its own rules and established character mannerisms just to find a definite close. When it all melts together, though, it’ll be worth gritting one’s teeth through a few questionable moments.Those who’ve watched Caprica and cashed in their chips owe it to themselves to check out the tense follow-through, with the knowledge that the tone’s anything but consistent. There’s only a handful of great moments scattered within; however, there are assuredly some really great moments, ones that ensnare the type of essence I’d hoped would resonate in a depiction of the pre-Cylon world. In the middle of that, along with blatant reflection on the current climate of terrorism, it also provokes thought about the extents that some might go to preserve the memories and essence of those they love, and whether the recreation of an individual would push the boundaries of their belief structure. Caprica’s an intelligent show at its core, one with a complex network of emotion buttons that simply never properly learned how and when to push them. What’s a shame is that the show reveals a few glimmers at the end that suggest it might’ve found out how, ones that likely hadn’t even been seen by those that made the decision to power down this tale of the pre-war Cylon race.

REVIEW: CAPRICA – PART 1

Starring

Eric Stoltz (The Butterfly Effect)
Esai Morales (Titans)
Paula Malcomson (The Hunger Games)
Alessandra Torresani (The Big Bang Theory)
Magda Apanowicz (You)
Sasha Roiz (Grimm)
Brian Markinson (Sanctuary)
Polly Walker (Pennyworth)Eric Stoltz and Paula Malcomson in Caprica (2009)

Recurring / Notable Guest Cast

William B. Davis (The X-FIles)
Sina Najafi (Stargate SG.1)
Hiro Kanagawa (Izombie)
Genevieve Buechner (The Final Cut)
Anna Galvin (Unspeakable)
Karen Elizabeth Austin (The Eye)
Scott Porter (Speed Racer)
Avan Jogia (Shaft)
Françoise Yip (The Predator)
Anita Torrance (Smallville)
James Pizzinato (Godzilla)
Michael Eklund (Bates Motel)
Patton Oswalt (Veronica Mars)
Kendall Cross (X-Men 2)
Peter Wingfield (Highlander: The Series)
Luciana Carro (Helix)
Teryl Rothery (Stargate SG.1)
Alex Arsenault (Tucker and Dale vs Evil)
Panou (Flash Gordon)
Eve Harlow (Bitten)
James Marsters (Buffy: TVS)
John Pyper-Ferguson (The Last Ship)
Leah Gibson (Jessica Jones)
Richard Harmon (The 100)
Patrick Sabongui (The Flash)
Jill Teed (Battlestar Galactica)
Zak Santiago (Shooter)
Ryan Robbins (Sanctuary)
Kacey Rohl (Hannibal)

 

Paula Malcomson in Caprica (2009)Creators Ronald Moore and David Eick relied on three key components for their hit SyFy series, Battlestar Galactica, to stay fresh and compelling for as long as it did: complex ideas behind evolved sentient lifeforms, religious parables, and the fondness for the characters’ home worlds — especially that of Caprica. The characters all look back at their previous lives almost as ghosts; Admiral Bill Adama painfully drudges up memories of his ex-wife and lawyer father, while Kara “Starbuck” Thrace carries memories of her small, ramshackle apartment and Samuel Anders yearns for the thrill of a sports stadium. Seems like such a rich mythos created just to be the ruminants of a past life, doesn’t it? The Moore-Eick team also sees this potential, now capitalizing on the gap left by Battlestar Galactica’s end to create the appropriately-titled Caprica. Though it moves slowly at first while constructing an involved narrative framework in its predecessor’s shadow, this mythos-rich offshoot eventually finds the footing needed to fall in-line with the original series’ current of storytelling.Patton Oswalt in Caprica (2009)The story revolves around the polytheistic, technologically-advanced colony of Caprica roughly sixty years before “the downfall”, focusing on the conflict between, and within, two families: The Graystones, and the Adamas Adams. Lawyer Joseph Adams (Esai Morales) lives a somewhat normal life with his wife and two children, Tamara and Billy, attempting to juggle his high-profile stature in the legal realm with his domestic life. He fights a bit with keeping himself as distanced as he can from his unsavory lineage, the Tauron mob Ha’la’tha, though it’s hard since the organization funded his education and requires his services regularly — usually by messages delivered through his brother, Sam (Sasha Roiz). BSG devotees with get a jolt in seeing the blossoming of young “Billy” in this environment early on, watching the growth of the semi-troubled youth that’d transform into the disquieting, powerful Galactica commander Bill Adama.Hiro Kanagawa in Caprica (2009)Caprica’s central draw, however, is the Graystones. Daniel Graystone (Eric Stoltz) heads a tech development firm working on a mechanized super-soldier that’s just not cutting the mustard, all the while generating profit (60% of net, to be exact) with virtual reality headsets — holobands — that connect to a network of fully-interactive, realistic digital worlds. Graystone’s seemingly safe digital construct quickly broke down into a laissez-faire underground, filled with hacked sections that exploit sex, drug-use, and violence. Daniel’s daughter, a silver-tongued high-school student named Zoe (Alessandra Torresani) who battles with her mother Amanda (Paula Malcomson) over authority, frequents the holoband V-Club with boyfriend Ben (Avan Jogia) and timid best friend Lacy (Magda Apanowicz), yet they’re beyond the carnal satisfaction that the place has to offer. Instead, they’ve found purpose in monotheistic religious belief within an activist organization, the Soldiers of The One (STO), and, in the process, created an exact digital copy of Zoe who will somehow aid the resistance.Alessandra Torresani in Caprica (2009)Observant fans will see where Caprica’s going with the duplicate Zoe, coming together in an introductory pilot that realizes the germ of an idea behind the genesis of the Cylon race, but it certainly doesn’t leave newcomers in the cold. Moore and Eick, with this freshness in mind, go in a startling direction with the content surrounding the Cylon conception; a murderous STO-related terrorist attack on a train rattles the city of Caprica, leaving the Graystones without their daughter and Joseph with only his son, Billy. The grief they endure becomes a convincing dramatic catalyst for what’s to come, breaking a floodgate for aggressive decision-making regarding family memories and Daniel’s technological advancement — with the idea of an exact digital replication of both mind and memory, such as the avatar of Zoe that lingers after her death, propelling it forward. It’s a thought-provoking launch that tackles some rather challenging concepts, including that of the human psyche as raw data and the extent that open-minded intellectuals might go to preserve those they’ve lost. And, of course, the narcissistic power behind potential immortality.Eric Stoltz and Esai Morales in Caprica (2009)Upon the second episode, “Rebirth”, one fact becomes very clear: Caprica isn’t cut from the same cloth as its inspiration, instead existing as a compelling new creation with its own hurdles to cross. In retrospect, the reimagined Battlestar Galactica painlessly continued the momentum from its original two-part miniseries, thrusting forward with space warfare and political components into the dazzling episode “33”. With Caprica, a shrewd character-driven thriller with complexity surrounding terrorism and family grief, the carry-over isn’t as easy. Thankfully, the Moore-Eick team never shies away, hitting the gas with some rather incisive writing as they drive deeper into Caprica’s unraveling and the Graystone company’s waning success in the wake of the terrorist attack. Along the way, they also grapple with themes of Tauron racism (“dirt eaters”) and religious extremism through the STO and one of its leaders, Zoe’s teacher Sister Clarice (Polly Walker), that correlate to actual issues, while also cleverly using the concept of a digital underground — especially in the anarchistic “New Cap City” game simulation, a mix of World of Warcraft and Grand Theft Auto — as a way of escape and purpose-finding.Esai Morales and Sasha Roiz in Caprica (2009)Yet as Caprica focuses on these modern analogous ideas while its characters develop into a mixture of morally desolate entities, the first batch of six or so episodes move at a deliberate, slow-burning tempo that shifts between intrigue and sluggishness. The harsh chemistry between Daniel and Joseph as scorned parents electrifies, driven by Eric Stoltz and Esai Morales in two stark, authentic performances, and the pacing focuses on the causal events that unfold around their family-affecting decisions. But focusing on this calculated slow-burn can, at times, temper the series’ manner and cause the multiple plot threads to stray from the course, weaving intuitive dramatic performances around a lot of existential meditation and shots of neo-religious content without the right energy to propel it forward. I still find it compelling; the depth of Daniel’s egotism reaches a genuine depth that’s unexpected, while offering a cluster of explosive moments — such as the board meeting in “There is Another Sky” that actually starts the Cylon race — spliced within the persistent, astute drama.Polly Walker and Magda Apanowicz in Caprica (2009)Then, as Caprica approaches “Ghosts in the Machine” and the mid-season finale “End of Line”, the gradual tension sees a much-needed outburst. These prior episodes extend into what’s essentially a rather lengthy fuse leading to this batch of dynamite, using brewing family turmoil and growing suspicions into an emotionally-taxing, brilliantly-realized culmination point. “Ghosts in the Machine” plays with the intensity of psychological torment in a staggering rush of emotion, while “End of Life” finds the first episode of the series to use the familiar “__ Hours Before” time mechanic frequently used in Battlestar Galactica. Quite simply, the build-up becomes worth the time at this point, igniting the series with the narrative outbreak it desperately lacked to become fully involving. Whether Caprica can maintain this momentum still remains to be seen, but the succession of these explosive developments that derive from subtly-evolving plot points — Amanda’s weakening sanity, Daniel’s obsession with meeting the development deadline, and the presence of the STO as violent radicals — satisfies with evocative, edge-of-your-seat chills at this midpoint, finally achieving that addictive science-fiction adrenaline that hallmarked its predecessor.

 

REVIEW: SANCTUARY – SEASON 3

Starring

Amanda Tapping (Stargate SG.1)
Robin Dunne (Space Milkshake)
Christopher Heyerdahl (Van Helsing)
Ryan Robbins (Arrow)
Agam Darshi (You Me Her)

Robin Dunne in Sanctuary (2008)

Recurring / Notable Guest Cast

Callum Blue (Smallville)
Shekhar Paleja (Arrow)
Terry Chen (Jessica Jones)
Sahar Biniaz (Blade: The Series)
Paul McGillion (The Flash)
Robert Lawrenson (Underworld: Awakening)
Jim Byrnes (Highlander: The Series)
Chasty Ballesteros (The Internship)
Gary Jones (Stargate SG.1)
Peter Flemming (Unspeakable)
Michael J Rogers (Two For The Money)
Jonathon Young (Impastor)
Martin Christopher (Night At The Museum)
Jorge Vargas (Power Rangers Ninja Storm)
Chris Gauthier (Smallville)
Michael Adamthwaite (Supergirl)
Allison Hossack (Fringe)
Pauline Egan (Home Before Dark)
Adrian Hough (Chilling Adventures of Sabrina)
Ian Tracey (Bates Motel)
Peter Wingfield (Highlander: The Series)
Vincent Gale (Van Helsing)
Pascale Hutton (Chaos)
Polly Walker (Pennyworth)
Scott McNeil (Beast Wars)
Nels Lennarson (Cold Pursuit)
Jody Thompson (The 4400)
Françoise Yip (The Predator)
Peter DeLuise (21 Jump Street)
Chuck Campbell (Jason X)
Aliyah O’Brien (Bates Motel)
Douglas O’Keeffe (Mutant X)
Barclay Hope (Stargate SG.1)
Elysia Rotaru (Arrow)
Tom McBeath (Van Helsing)
Greyston Holt (Bitten)

Amanda Tapping in Sanctuary (2008)Season three sees Sanctuary taking a big step forward,and for the most part being very successful. instead of the previous two seasons 13 episode runs,this has 20 episodes,something which allows the writers to expand storylines and explore things further,bringing more depth to this seasons story arc. As always the acting from the entire cast is first rate .There is also plenty of Jonathan Young as Nikola Tesla,whos presence always lifts any episode he appears in,and guarantees some sharp dialogue.Robin Dunne and Amanda Tapping in Sanctuary (2008)This series looks better as well,and steps out of,whenever possible,the confines of a cgi generated world,something which I always believed limited it far too much.Season three sees Sanctuary setting itself up as a major league player,and staking a claim as a show to be taken seriously,and it does it very well.Giving you more than it has before,while leaving you with the impression that there is much more to come,and the desire to find out what.The Sanctuary team deal with the aftermath of the gigantic tidal wave released by Big Bertha while Will’s life remains in balance but soon the errand comes to an end once Will leads one final plea to “Kali” A.K.A. Big Bertha in his near death experience to stop the destruction. Following Will’s return to life two abnormals appear to him to rekindle his memory and in doing so Will remembers an important message that Gregory sent for Helen to find an underground city with great technology and secrets.Agam Darshi in Sanctuary (2008)Later Nikola sends an SOS call and after his rescue continues to help Helen in discovering the secrets of the city which eventually leads them to a Hollow Earth atlas. Soon Adam Worth, a former acquaintance, tricks Helen and causes radiation poisoning (that should kill both Helen and Adam in a few weeks) so that she may show Adam the Hollow Earth. Upon Adam’s interference Helen, Will, Henry and Kate enter the city to save Gregory and find a cure for the poisoning but only to be executed immediately when caught while Adam imprisons John, leaving Tesla and Big-Guy alone in the mysteries. Magnus is then revived by Ranna for answering and Magnus finds out that she needs her to help an abnormal from the events of ‘KALI’, thereby Magnus and the gang is revived and she given the cure and is reunited with her father, together Gregory and Helen save the abnormal and reach the surface back again while John kills Adam. The show returned to its original format, featuring a new short story for every episode until Tesla and Magnus discover a Praxian Stronghold. This is revealed to have been taken by Vampires and as such was a Vampire Stronghold where a whole army of Vampires and their queen were buried to be awakened someday. Magnus views this as a threat and destroys the stronghold, but not before restoring Tesla to a Vampire again.Christopher Heyerdahl in Sanctuary (2008)Season 3 has lots of fun and lots of action, with a extended season it helps to do greater story-arcs. a must watch for fans of good sci-fi.

REVIEW: CLASH OF THE TITANS (2010)

 

CAST

Sam Worthington (Avatar)
Liam Neeson (Batman Begins)
Ralph Fiennes (Red Dragon)
Jason Flemyng (X-Men: First CLass)
Gemma Arterton (The Voices)
Alexa Davalos (Angel)
Mads Mikkelsen (Hannibal)
Luke Evans (Dracula Untold)
Izabella Miko (The Cape)
Liam Cunningham (Game of Thrones)
Polly Walker (Caprica)
Pete Postlethwaite (Solomon Kane)
Rory McCann (Hot Fuzz)
Alexander Siddig (Kingdom of Heaven)
Danny Huston (30 Days of Night)
Ian Whyte (Game of Thrones)
Nicholas Hoult (The Favourite)
Vincent Regan (Troy)
Luke Treadaway (A Street Cat Named Bob)
Kaya Scodelario (The Maze Runner)
Tamer Hassan (Layer Cake)

In ancient times after defeating their predecessors, the Titans, the gods divided the Universe among themselves. Zeus took the skies, Poseidon took the seas, and Hades was left with the Underworld upon being tricked by Zeus. The gods created the mortals, whose faith and prayers fueled the gods’ immortality. As time passed, however, mortals began to question and soon resist their creators, angering the Olympians. A fisherman named Spyros finds a coffin adrift in the sea, discovering a baby, Perseus and his mother Danaë. Spyros decided to raise Perseus.

As Perseus and his family fish from a boat, they watch soldiers from the city of Argos destroy a statue of Zeus. Infuriated at this desecration, the Gods unleash the Furies who attack the soldiers and destroy the fishing vessel. Only Perseus survives and is found by a group of the soldiers. Perseus is brought before King Cepheus and Queen Cassiopeia, who are celebrating their campaign against the gods. Queen Cassiopeia brashly compares her daughter Andromeda to the gods and boasts that she is more beautiful than Aphrodite. The revelry is cut short by the arrival of Hades, who has been given leave by Zeus to punish the mortals for their defiance. Hades threatens to unleash his monster the Kraken against Argos, unless Andromeda is offered as a sacrifice. Before leaving, he reveals that Perseus is a demigod and the son of Zeus.

Perseus meets Io, who confirms his origin. Io also reveals that she has watched over Perseus his entire life. She has always protected him for he is the only one who can defeat the gods. Perseus leads the King’s Guard to the Stygian Witches, looking for a way to kill the Kraken. After being betrayed by the power-hungry Hades, Zeus gives Perseus a sword forged on Mount Olympus and a winged horse named Pegasus. Perseus refuses both, but the captain of the King’s guard named Draco keeps the sword for when Perseus needs it. Soon after, they are attacked by Calibos, an agent of Hades. Draco severs the beast’s hand and Calibos flees. The band give chase but are attacked by giant scorpions called Scorpioxs that spring from spilled drops of Calibos’s blood. They are saved by a band of Djinn, non-human desert sorcerers led by Sheik Suleiman where the remaining Scorpioxs are tamed by the Djinn. The Djinn also wish for the gods’ defeat and lend their aid to Perseus and his band.MV5BMTgyNTUyNjQwMl5BMl5BanBnXkFtZTcwNjUxNzYyMw@@._V1_SX1777_CR0,0,1777,822_AL_The group arrives at the lair of the Stygian Witches and learn that to kill the Kraken, they must obtain and use the head of Medusa, a gorgon who resides in a temple in the Underworld. Any living creature that looks on Medusa’s eyes turns into stone. Perseus, Io, Suleiman, Draco, and his remaining men, Solon, Eusebios, and Ixas, cross into the Underworld. The men enter Medusa’s temple lair while Io, being a woman and forbidden from entering, remains outside. Medusa kills all three of Draco’s men. Suleiman and Draco both wound the gorgon, sacrificing themselves in the process. Perseus finally beheads her by using his reflective shield to see her with his back turned. As he leaves the temple with Medusa’s head, Calibos appears behind Io and fatally stabs her. Perseus and Calibos fight where upon finally accepting that he is a son of Zeus, Perseus picks up the Olympian sword and stabs Calibos through the chest, who with his last breath urges Perseus not to become a God.

Before dying, Io urges a reluctant Perseus to leave her and save Andromeda and Argos. Then she dissolves into a golden ethereal vapor. Pegasus appears and Perseus mounts the flying horse and hastens back to Argos as the Kraken is released. The people of Argos seize and bind Andromeda to offer her to the Kraken. Meanwhile, as people die in the Kraken’s wake, the balance of power on Olympus shifts. Hades reveals he does not require the faith or worship of mortals (as Zeus does), as he has learned to survive on their fear. Hades then effortlessly subdues the weakened Zeus. Riding the black Pegasus, Perseus arrives at Argos and exposes Medusa’s head to the Kraken, which makes eye contact just before it is able to reach Andromeda. The Kraken, petrified, slowly turns to stone and shatters. Prokopion, the insane leader of the Cult of Hades, tries to kill Perseus, but Kepheus stops him and is stabbed, before both are killed when the kraken’s petrified hand falls on them. Hades appears, intending to finally kill Perseus. Perseus, calling upon Zeus, throws his sword at Hades. A lightning bolt engulfs the sword and the blast sends Hades back to the Underworld. Perseus rescues Andromeda, who is now the rightful Queen of Argos. Andromeda asks Perseus to stay by her side as King, but he declines. Perseus also refuses another offer of godhood from Zeus, who then proclaims that if Perseus is to live as a human he should not be alone and revives Io.

The movie keeps moving without feeling too chopped up and thankfully there’s a minimum of shakeycam or MTV overediting to accompany the overdose of testosterone. Big on spectacle and short on charm, it’s a very different animal to Harryhausen’s film (there’s even an injoke about that version’s irritating mechanical owl), but as long as you’re expecting that it’s one of the better action adventures of recent years.