Paul Essiembre (Chloe)
James Blendick (Tommy Boy)
Colin Fox (Goosebumps)
RECURRING / NOTABLE GUEST CAST
Dennis Akayama (Wild Roses)
Lawrence Bayne (Muatnt X)
Christopher Birtton (X-Men:TAS)
Alyson Court (Elvis Meets Nixon)
David Hemblen (Earth: Final Conflict)
Don Francks (La Femme Nikita)
John Neville (Odyssey 5)
Cedric Smith (Mutant X)
One of Marvel’s best ever in the animated arena. Yes, they only made one season and it ended on a cliff-hanger, but that had precious little to do with the series itself. Apparently it rated rather well. The problem was never with the show, but with the company that made it. Unfortunately that went belly-up.For the purists, it is true that this show isn’t strictly in accordance with cannon. But then, what superhero cartoon is? Like most animated shows derived from comic books, this production re-imagines the universe on which it is based in accordance with its own needs. While it can’t match the sheer intricacy and detail of the comic book universe with its decades of backstory, it does make good use of the time and space available.
My only real issue with the show’s departures from cannon is that for some reason its creators decided to make Thanos a worshipper of Chaos rather than of Death. I’m not sure if the worship of Death was considered a bit too strong for what was at least nominally a children’s show, but from an adult perspective, I do consider that a mistake. That one issue aside, the story can hold its own when compared to Marvel’s comic book epics. I’ve always loved the way Marvel does cosmic, and this show does not disappoint. It positively explodes with all the electrifying energy, godlike power, and inhuman solemnity and portent that makes all of Marvel’s best cosmic epics what they are. When you’re watching this show, you do buy into the idea that these are indeed cosmic beings whose deeds shape and destroy worlds, thence echo throughout their universe, and even perhaps throughout other universes as well.But where this show really excelled was on a visual level. Although the CGI may be technically a bit on the crude side by today’s standards (remember, this is a show made in the late 90’s), on an artistic level it is a triumph. The show’s creators did a magnificent job of integrating Jack Kirby’s original vision with the latest technology available at the time of the show’s creation. The integration isn’t as seamless as that to be found in more modern efforts, but then, it doesn’t try to be. The 2D and 3D artwork are at all times clearly distinguishable from one another, but the overall effect is still glorious.
Rick D. Wasserman (The Avengers: EMH)
Lisa Ann Beley (Dragon Ball Z)
Mark Hildreth (V)
Liam O’Brien (Ultimate SPider-Man)
Kevin Michael Richardson (The Cleveland Show)
Sam Vincent (Martin Mystery)
Michael Kopsa (Dark Angel)
Lee Tockar (Bast Wars)
With Planet Hulk, an adaptation of the like-titled comic book series, the studio delivers an above-average hit — a movie that doesn’t shy away from the fact that it’s basically Ridley Scott’s Gladiator, with Bruce Banner’s gamma-irradiated alter ego stepping in for Maximus.For comics fans seeking a pleasant distraction or looking for something to tide them over until the next live-action Hulk movie arrives, one could do worse than watching this gory, action-packed Marvel story.When Iron Man and Reed Richards deem Hulk too dangerous to remain on Earth, he is exiled into space and set on a course for an uninhabited planet. But our heroes never cleared that destination with the green guy, so he goes all smashy in mid-flight and ends up crash landing on the planet Sakaar. Here, Hulk is taken as a slave and forced to pla in the evil Red King’s gladiator arena. At first, all Hulk wants to do is pummel, brood and repeat, but then he joins forces with his fellow slaves in an attempt to take back the planet from Red King’s tyranny.Despite an obvious need for a bigger budget to fully realize the scale of the battles, Hulk manages to streamline the source material into a fast-moving 80 minutes that taps the necessary action beats to satisfy the Hall H attendee in all of us. Those looking for serious pathos will be disappointed, but that’s not to say that Greg Johnson’s screenplay is void of any character drama. Two of Hulk’s fellow slaves are provided decent flashbacks that add some depth to their otherwise 2D characters, but the script’s “telling tales around the campfire” approach to these flashbacks grows a bit redundant. Still, these character touches make us care more about Hulk’s fight to save a world, and maybe find peace, once the dust settles.
Fans of the comic will be glad to see that most of the original storyline and brawls are intact. One of the biggest changes from the comic has to be (spoilers) swapping out Silver Surfer for Beta Ray Bill as an opponent during a key fight. The swap, dictated mostly by the fact that 20th Century Fox has rights to the character, works well onscreen, and Hulk seems better matched to fight Bill than he did Galactus’ herald.For the most part, the core of the original story remains intact, which leads to a third act that feels separate from the main arc, but nonetheless entertaining. It’s Hulk vs. an invasion by the Spikes, which turn everyone into zombie porcupines. The climax provides us with the movie’s darkest beat, where a character carries a smoldering child who turns to ash, following the aftermath of a nuclear attack. The movie retains this darker edge leading to the final showdown between Hulk and the Red King, which feels a bit rushed.Planet Hulk is a great movie that provides several graphic “Hulk Smash!” moments without forgetting to link them to some semblance of characters that we care about. It’s not a perfect movie to be sure, but it certainly qualifies as one of Marvel’s better efforts in the direct-to-DVD realm.