REVIEW: THE FLASH – SEASON 2

CAST

Grant Gustin (Glee)
Candice Patton (Heroes)
Danielle Panabaker (Sky High)
Carlos Valdes (Arrow)
Tom Cavanagh (Scrubs)
Jesse L. MArtin (Injustice)
Keiynan Lonsdale (Insurgent)


RECURRING / NOTABLE GUEST CAST

Rick Cosnett (The Vampire Diaries)
Robbie Amell (Scooby Doo 3 & 4)
Dominic Purcell (Ice Soldiers)
Wentworth Miller (Underworld)
Teddy Sears (ugly Betty)
Vito D’Ambrosio (The Flash 90s)
Isabella Hofmann (The Promise)
Patrick Sabongui (Stargate: Atlantis)
Adam Copeland (Highlander: Endgame)
John Wesley Shipp (The Flash 90s)
Victor Garber (Alias)
Kett Turton (Saved)
Shantel VanSanten (The FInal Destination)
Vanessa Williams (Candyman)
Tony Todd (Chuck)
Michael Ironside (Total Recall)
Malese Jow (The Vampire Diaries)
Peyton List (Flashforward)
Amanda Pays (The Flash 90s)
Franz Drameh (Edge of Tomorrow)
Ciara Renee (Legends of Tomorrow)
Violett Beane (The Leftovers)
Stephen Amell (Teenage Mutant Ninja Turtles 2)
Willa Holland (Legion)
John Barrowman (Reign)
David Ramsey (Con Air)
Emily Bett Rickards (Brooklyn)
Neal McDonough (Paul Blart Mall Cop 2)
Casper Crump (The Legend of Tarzan)
Falk Hentschel (Knight and Day)
Anna Hopkins (Defiance)
Mark Hamill (Star Wars)
Liam McIntyre (Spartacus)
Michael Rowe (Arrow)
Aaron Douglas (Battlestar Galactica)
Matt Letscher (Her)
Morena Baccarin (Gotham)
Audrey Marie Anderson (Lie To Me)
Michelle Harrison (Tru Calling)
Nicholas Gonzalez (Sleepy Hollow)
Greg Finley (Izombie)
Jason Mewes (Dogma)
Katie Cassidy (Black Xmas)

Image result for the flash FLASH OF TWO WORLDSThe Flash’s first season has become the benchmark by which all other DC Comics-based shows on The CW are judged. It offered a truly winning blend of humor, heart, and romance, and superhero action, culminating in a terrific season finale that showed just how much emotional depth there is to the story of the fastest man alive. The cast and crew faced a real uphill battle in living up to the standard with Season 2. And more often than not, they succeeded. This season met and occasionally even exceeded the heights of its predecessor.Season 2 got off to a solid start as the writers explored the fallout of Season 1’s big cliffhanger. But rather than pick up right where “Fast Enough” left off – with a giant temporal vortex threatening to swallow up Central City – “The Man Who Saved Central City” jumped ahead several months to the somber aftermath. The question wasn’t whether Barry Allen (Grant Gustin) could save his city once again, it was what kind of life Barry would return to when he got back. As we saw, it was a pretty lonely existence. The premiere opened on a surprisingly somber note, but one that offered an effective look at Barry’s fragile emotional state and the current status quo of Team Flash, including Cisco, (Carlos Valdes), Caitlin (Danielle Panabaker) Iris (Candice Patton) and Joe (Jesse L. Martin). That darkness was a way to bring the gang back together while reminding viewers that many challenges awaited Barry even after defeating Reverse-Flash (Tom Cavanagh).Image result for the flash versus zoomEven as those early episodes touched base with some familiar faces from Season 1 (including Wentworth Miller’s Captain Cold and Peyton List’s Golden Glider), they also spent a great deal of time setting the stage for the next major villain in Barry’s life, Zoom. Rather than continue to rely on the familiar Season 1 formula, where Barry and his friends battled various metahuman villains spawned by the particle accelerator accident – this year they confronted foes like Atom-Smasher (Adam Copeland) and Sand Demon (Kett Turton) who crossed over from Earth-2 to Earth-1. The addition of parallel worlds this season wasn’t just the latest example of Greg Berlanti and friends delving into all corners of DC’s mythology, it was a fun shake-up that resulted in a wealth of both comedy and drama. Seeing characters like Cisco, Caitlin and Linda Park (Malese Jow) face off with their alternate universe doppelgangers never got old.No character benefited more from the doppelganger concept than Harrison Wells. Wells might have died at the end of Season 1, but thankfully the writers found a way to bring the character back in a very different role. Earth-2’s Dr. Wells made the trip to Earth-1 and began assisting Team Flash in their ongoing fight against Zoom. Cavanagh excelled in his rejiggered role. He consistently played this new Wells as a much different character than the cold, calculating villain of Season 1. This Wells was all nervous, agitated energy, driven by nothing but a desire to stop Zoom and rescue his daughter, Jesse (Violett Beane). His character arc was among the strongest of the season, as Wells formed close bonds with his new friends and worked to counteract some of the destruction his counterpart wreaked on Barry’s life. Most of the cast benefited from the ongoing Earth-1/Earth-2 status quo this year. Grant Gustin was frequently a highlight of the show as he explored Barry’s lingering guilt and heartache after briefly reuniting with his mother and tried to disprove the parting message from earth-1 Wells – the idea that he’d never allow himself to be truly happy. Wells’ words proved distressingly accurate and on-point over the course of the season. Barry went through a lot of emotional highs and lows this season, including a second tear-jerking, phone call reunion with his mother in “Welcome to Earth-2” and multiple traumatic clashes with Zoom. To their credit, the writers didn’t try to force a happy ending out of Barry’s arc, either. By the end of the finale, Barry was at an even lower point than he was a year before, which fuelled his decision to make another ill-advised trip back in time. He’ll no doubt be dealing with the consequences of that act for some time to come.Image result for the flash welcome to earth-2Both Cisco and Caitlin frequently stood out this year, as well. Cisco always served as a reliable source of comic relief, particularly as his bond with Wells deepened and the two bickered with one another. But on a deeper level, this season allowed Cisco to come into his own as a hero. He grew more familiar with his powers, even finally adopting the name and trademark glasses of Vibe. He caught a glimpse of what he could become when he met his doppelganger, Reverb, and began testing the limits of his courage and his abilities. Similarly, Caitlin was shown a glimpse of the villain she could become when she met Killer Frost. But even after her failed romance with Jay Garrick (Teddy Sears) and subsequent ordeal at the hands of Zoom, Caitlin never lost her heroic streak. If the writers ever decide to morph her into Killer Frost for real, that’s going to be one devastating emotional gut punch.The Flash also deserves credit for the way the writers are able to weave romantic drama into the narrative without it coming across as forced. The ongoing romance between Barry and Patty Spivot (Shantel Van Santen) was always entertaining, thanks in large part to the stellar chemistry between Gustin and Van Santen. And if Iris was never the most compelling character in any given episode, she definitely improved this year thanks to her more proactive behaviour and her deepening bond with Barry.Image result for the flash invincibleThen there was the debut of Wally West (Keiynan Lonsdale) to the Team Flash lineup. Looking back, I’m not entirely convinced Wally needed to be introduced this year. With everything else going on this season it didn’t always feel as though the character received the attention he deserved. But Lonsdale proved to be a solid addition to the cast nonetheless. And despite all the foreshadowing, at least the writers weren’t overzealous in terms of rushing Wally into becoming a speedster. There’s plenty of time for that in a later season.Image result for the flash the race of his lifeThere was a lot to love about Season 2. At its best, this season was easily a rival to its predecessor. “Welcome to Earth-2” stands as probably the best single episode the show has delivered to date, with episodes like “Flash Back,” “Rupture” and “The Runaway Dinosaur” also ranking among the best.Image result for the flash the race of his lifeThe Villain of the year was Zoom. This villain was tricky in that he was simultaneously one of the best  aspects of the season.  Zoom left a pretty strong impression during his first clash with Barry in “Enter Zoom.” Between the demonic costume and the gravely rasp of voice actor Tony Todd, Zoom was by far the scariest and most physically imposing villain Team Flash had yet encountered. That certainly counted for something.  Zoom’s characterization was even more intriguing in the second half of the season unfolded. We learned much more about the villain’s past and motivations, including the big twist that Zoom was actually Hunter Zolomon/Jay Garrick and that Team Flash’s newest ally was no ally at all. With all the emphasis on doppelgangers this season, it was fitting that Zoom himself was really Barry’s dark mirror. Both men had childhood’s defined by similar tragedies and grew up to become speedsters. But whereas Barry had a close circle of friends and family to help guide him along his way, Hunter had no one. He was utterly alone on his world and all others, and that gave the villain the humanity and pathos he needed. And it was nice to see the writers acknowledge just how crucial characters like Joe, Cisco and Caitlin are to the show. Without them, Barry would be as empty as Zoom.Image result for the flash the race of his lifeThe season finale, “The Race of His Life,” was a great way to wrap up Season  Zoom’s defeat was satisfying and his metamorphosis at the end was intriguing, it will be intresting if we will ever see him come back in season 3. Also in the finale  there was the reveal of the real Jay Garrick, an act which allowed Shipp to don a Flash costume for the first time in decades, then there was the final cliffhanger, with Barry traveling back in time and almost certainly sparking the beginning of a Flashpoint-inspired status quo for the series. That alone is cause to be excited for Season 3.Image result for the flash the race of his lifeThe Flash season 2 was firing on all cylinders and continued through too the end top form an awesome season and leaves you hanging waiting for season 3.

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REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

12 DAYS OF CHRISTMAS REVIEW: FLASHFORWARD – A561984

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A561984
MAIN CAST
Joseph Fiennes (Killing Me Softly)
John Cho (Sleepy Hollow)
Jack Davenport (Pirates of The Caribbean)
Zachary Knighton (Happy Endings)
Peyton List (The Flash)
Dominic Monaghan (Lost)
Brian F. O’Byrne (Million Dollar Baby)
Courtney B. Vance (Terminator Genisys)
Sonya Walger (Terminator: TSCC)
Christine Woods (The Walking Dead)
Ryan Wynott (The Cape)
GUEST CAST
Shohreh Aghdashloo (X-Men 3)
Michael Massee (The Crow)
James Frain (Gotham)
Ivar Brogger (Andromeda)
Michael Ealy (Underworld 4)
Gabrielle Union (Ugly Betty)
Nhadra Udaya is in deep thought in her office with the same view through the windows as that seen from the balcony in “White to Play” while she ponders her version of the Mosaic Investigation wall. In direct violation of Stan Wedeck’s orders, Mark Benford and Demetri Noh fly to Hong Kong to find the woman who called Demetri with the warning that he would be murdered on March 15, 2010. Upon landing on December 15, 2009, they are met by Marshall Vogel, who introduces himself as a member of the legal attaché’s office in Hong Kong. He tells Mark he should answer his ringing telephone call because it is Wedeck calling. Mark begins introductions and Vogel interrupts, displaying his foreknowledge of the reason for their journey and reminding them that they have come to a country, China, that has been labeled as being responsible for the Global Blackout by the United States Government. Vogel advises Mark and Demetri to return to Los Angeles while they still have jobs. When Mark’s phone rings with a second call from Wedeck, he answers it and is promptly reprimanded for flying to Hong Kong; Mark attempts to justify his actions and terminates the call by telling Stan that he had lied to Demetri and told him that Stan had changed his mind about letting them make the trip. He explains to Demetri that if things go badly, Demetri will need to be carrying a weapon.
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The agents begin with linguists information that the mysterious caller is in Hong Kong, is from Tehran, and is London educated; they add to that Demetri’s observation that her voice sounds like that of a smoker. With the coerced assistance of a man in a restaurant, they identify the restaurant where the woman routinely has a late supper. They confront the woman, who is eating her meal in the company of four armed men. Nhadra sends one of her men on an unidentified errand. She reluctantly reveals that Mark will be the one to murder Demetri in March using his service weapon, A SIG-Sauer model P226 with the serial number A561984. The situation flies out of control when Mark takes Nhadra into custody as a material witness, an act which is questionable on foreign soil. Marshall Vogel shows up and defuses the situation by telling Nhadra, addressing her by her first name, to have her men lower their weapons. When Mark and Demetri do the same, they are forcefully arrested by the Hong Kong police.  Vogel escorts Mark and Demetri to the airport. When Mark wants to know why Vogel is keeping them away from Nhadra, Vogel responds that they do not need to know what she knows. When Vogel again refers to the legal attaché’s office, Mark challenges his statement. Vogel admits to an affiliation with the Central Intelligence Agency. Mark’s phone rings again. When he answers, Wedeck tells him that he had seen the video of the confrontation with the police outside the restaurant. He orders Mark to surrender his badge and weapon to Demetri and, after hanging up, Mark complies. While Mark and Demetri are waiting for their flight, Mark assures Demetri that he will not shoot him. Meanwhile we find Nhadra in her office talking with D. Gibbons who entered Hong Kong against her advice.
Lloyd and his associates hold a press conference. Gordon Myhill introduces himself as the director of the National Linear Accelerator Project and tells the audience that they have information about the events of October 6, 2009. While he is making his introductory remarks, Simon Campos cautions Lloyd Simcoe that he is to stay within the talking points the three had discussed. Myhill introduced Lloyd and Simon and Lloyd as the associate directors of the Plasma-Wakefield Program. Lloyd speaks first and discloses that they were experimenting in the production of energy levels that existed just after the Big Bang and they conducted such an experiment at exactly “1100 hours” on October 6. The crowd erupts with questions, but Lloyd is able to calm them until he adds that the scientists believe that their experiment caused the GBO. Oscar Obregon asks if the scientists are taking responsibility for results of the GBO. Lloyd becomes flustered and Simon steps in to say that the results were totally unforeseeable and to remind the audience that scientists conduct experiments all the time without being able to predict the results. Myhill returns to the podium to attempt to conclude the conference and announce that NLAP would be releasing an official statement. Lloyd interrupts his colleague and tries to offer an apology for the GBO, adding that he lost his own wife and that he would give anything to have her back. An outraged woman grabs a security officer’s revolver and attempts to shoot Lloyd. Security officers subdue the woman and usher Lloyd and Simon off the stage. Simon accuses Lloyd of losing his objectivity. Lloyd responds that he was trying to be definitive. Simon rejects Lloyd’s argument and tells him that if they can not agree on Simon’s terms, then they are at war. In  a meeting with Stan Wedeck, Simon says that he does not believe his group caused the blackout. When Stan points out that Simon said he did, Simon replies that it was not his choice and that Lloyd Simcoe tends to be emotional. Simon tells Wedeck that he does not know who is responsible, but that he can “divine” the answer if allowed access to the Mosaic files, adding that he has a security clearance. Wedeck rejects Simon’s offer until Simon points out that, if the cause of the GBO is believed to be known, the funding for Wedeck’s investigation will evaporate. Wedeck offers to meet again the following morning and provided some information to Campos. In the next meeting, the two are joined by Janis Hawk, who shows images to Simon of Ganwar Region that have supposedly been sterilized to mask the location; Simon immediately identifies the area as Somalia by recognizing the terrain. Simon asks that Janis zoom in on a tower and pronounces that he designed the tower and identifies it as a specialized pulsed laser for a plasma afterburner; he adds that the concept should win a Nobel Prize in about two years. He compliments the agents on the Government’s modelling software, explaining that the tower looks real. Campos is taken aback when Janis tells him that it is real. He explains that scientists are still running simulations. Janis tells him that the picture was taken in 1991, a year before he thought of the idea. Simon has trouble believing that anyone else could have come up with his idea and points out that people like him thrive on fame and immortality. He ponders the idea that the person who thought of the existing tower might be both brilliant and reclusive. Wedeck shows Simon a composite drawing of D. Gibbons; he explains that Gibbons has been hacking into high-tech facilities and plays chess. Simon denies knowing Gibbons, but says he will help the FBI find the fugitive because he wants revenge.
Bryce Varley, thinking he is being surveilled, becomes nervous while Janis Hawk is waiting for Lloyd Simcoe. Janis assures him that he is not the subject of her interest. He tells her that he had heard about her being in the hospital and asks how she is doing. She responds that she is doing well but not well enough to have a baby. She explains that she was having a prenatal sonogram during her Flash. Janis continues that she may just give up the idea. She tells him that she was four months pregnant during the Flash. Bryce asks if she still wants to have a baby. When she says she does, he tells her not to give up. Janis sees Lloyd Simcoe and excuses herself to talk to him. Later, Janis returns and asks for Bryce’s advice on how to proceed. When he starts prescribing a prenatal vitamin, Janis tells him that she is gay and needs to get pregnant without involvement with a man. Bryce tells her about the Zoey Andata makes what she claims is her last attempt to speak with Demetri Noh’s parents; she leaves a message on their telephone telling them that she had seen them at her wedding, assuring them of her love for Demetri and begging them to help the two of them be together. As she finishes, the call, she encounters Paul Becker, a senior partner of her law firm, who asks if she will be attending the memorial for Joyce that evening, even though she did not know Joyce well. Zoey responds that Joyce was friendly to her and she would be there.  That evening, Zoey is in the group attending the memorial. As the priest reads from Revelation 21:2, Zoey’s attention is drawn to a white rose; she relives a portion of her Flash in which she drops a white rose onto the sand of the beach. Realizing that she has mistaken Demetri’s memorial service for their wedding, she begins to sob and runs from the room.
The next day she rings the bell at Demetri’s parents’ home. Mrs. Noh admits her and Zoe explains that she has finally understood her Flash. She asks why the Nohs did not tell Demetri and her what they had seen in their Flashes, Mrs. Noh explains that not talking about it made ther truth less real. She goes on to tell Zoey that they had difficulties with the idea of Zoey marrying their son until they realized from their Flashes how much she loved Demetri. They now wish that the future was Zoey and Demetri marrying instead of Demetri dying. Zoey tells Mrs. Noh that they are going to change the future.
After the announcement, Lloyd returns top Angeles Hospital to make arrangements to transfer his son Dylan to another facility. He rejects an offer from Janis for protection from the U. S. Government and encounters a very unsympathetic Mr. Dunkirk, who offers Southland University Hospital as the only option. Lloyd says that Southland less secure than Angeles. Dunkirk becomes critical of Lloyd and suggests his has some guilt for his involvement with the GBO. Lloyd responds that he needs to find a secure facility for his son. Olivia intervenes and suggests Travers, a private children’s hospital. Dunkirk continues to be unhelpful, stating that he doubts they have any beds available. Olivia responds that she will make the arrangements. Lloyd admits to Olivia that he can not expect very many people to want to help him in the future. Olivia is successful and brings transfer papers to Lloyd. She asks him if he is sure that there will not be another blackout and he responds that there will not be as long as he and his colleagues do not repeat their experiment. She tells him that she thinks he is brave to have come forward and they discuss the line between bravery and stupidity. Olivia and Lloyd talk about his attending Harvard University and her not attending because she followed Mark to Los Angeles. They discover that, if she had attended, she would have lived next door to him in the building his deceased wife did live in. Lloyd explains the many-worlds interpretation of quantum mechanics, in which they may have been neighbors and met in another universe. After a pregnant pause they agree that that is not the world in which they live. After dark, Olivia comes by while Dylan is being wheeled out to what appears to be an ambulance. One of the operators, John, introduces himself and his partner, Reed. When Dylan becomes agitated, Olivia points out that he is autistic. John responds that they have had training. When Dylan becomes agitated a second time, the situation spirals out of control. Olivia calls a security guard. Reed draws a weapon and shoots the guard, then threatens Olivia. Lloyd stands in front of Olivia, but the operators force him into their vehicle and drive away, leaving Olivia and a screaming Dylan behind.
Flashforward was a great series but suffered from a long break in the middle. The Christmas episode was where the break happens so fans had to wait for 3 months to find out what happened next. As a Christmas episode its hard to watch as a stand-a-lone episode but is still enjoyable to look back on a short lived series.

31 DAYS OF HORROR REVIEW: FLASHFORWARD: SCARY, MONSTERS AND SUPER CREEPS

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MAIN CAST

Joseph Fiennes (Elizabeth)
John Cho (Star Trek)
Jack Davenport (Pirates of The Caribbean)
Zachary Knighton (Happy Endings)
Peyton List (The Flash)
Dominic Monaghan (Lost)
Brian F. O’Byrne (Million Dollar Baby)
Courtney B. Vance (Terminator Genisys)
Sonya Walger (Lost)
Christine Woods (Perfect Couples)

GUEST CAST

Lee Thompson Young (Smallville)
Ashley Jones (Old School)
Lennon Wynn (Jennifer’s Body)
Cynthia Addai-Robinson (Arrow)
Amy Rossoff (Elektra Luxx)
Ryan Wynott (The Cape)
Rodney Rowland (Veronica Mars)

SCARY, MONSTERS AND SUPER CREEPS
The mysterious Simon is aboard a night train to Los Angeles. In the club car, he attempts to pick up a woman by telling her that he knows what caused the GBO. She assumes he is just a drunk, but follows his advice to search the Internet for images with the keywords “quantum physicist genius.” The woman is impressed when she gets a hit of a semi-nude Simon. Simon explains about the paradox of Schrödinger’s Cat and the woman is intrigued enough to follow him to his sleeping car compartment. In the afterglow, the woman tells Simon that her Flash placed her in Times Square on April 29th where she a half-million other people were waiting for the ball to drop. Simon tells the woman that he choked the life out of a man in his flashforward and that the act felt very satisfying. He concluded by asking her if she was glad she asked. When Simon arrives in Los Angeles, he hides in the back seat of Lloyd’s car and surprises him. Lloyd is not interested in talking to Simon. As Lloyd drives off, he says, “Our experiment killed 20 million people, Simon.”
In the aftermath of simultaneous attacks on the Mosaic investigation team, Janis is rushed to the hospital where Olivia manages to stabilize her. But complications arise involving her uterus. Olivia and Bryce pull her through but the chances of her being able to have children are all but gone. The news devastates Janis despite her never wanting to have a baby.
Demetri recruits Al to search for the people who shot Janis. At the morgue, a black (ultravoilet) light reveals a blue symbol on one of Janis’ attackers. Blue hand is one of the clues from Mark’s board and it was also related to the word Baltimore. There is a Baltimore Street in Los Angeles. They see a blue hand decal on a stop sign that points them to another on a telephone pole that leads them to a seemingly unoccupied house. There are blood stains on the porch and throughout the downstairs. Blood-soaked sheets cover several bodies in the main room. One of the bodies has a blue hand.  In Al’s flashforward, he was in London working on the Rutherford case with a Scotland Yard liaison. A bird crashed into the window and died. Al was investigating the Rutherford case, which didn’t yet exist. In the present, they find a passport on one of the deceased bodies. It’s for a Scottish man named Ian Rutherford. Al’s Rutherford investigation has just begun.
Mark tells Olivia that the attacks on him and Janis must be connected because of the Mosaic investigation. Olivia wants them to stop being so obsessed with the future and start living in the now. Of course, living in the now involves taking Charlie out for Halloween. While trick or treating, Mark and Aaron do a double-take as they see a kangaroo hopping through the neighborhood. Mark sees three figures wearing masks similar to the ones worn by the assassins in his flashforward. He chases one of the figures down in a cemetery. It’s just a teen who thought he was in trouble for pulling a prank. The young man says he got the mask at a discount store. Mark then gets a call from Nicole. There’s a problem at home.
Lloyd Simcoe tells his son Dylan that he wants them to live in Lloyd’s house after Dylan gets out of the hospital. Dylan withdraws, then says “It’s my house, too.” They are interrupted by Bryce Varley, who reminds Lloyd that it is time for trick or treat in the hospital. After trick or treating, Dylan wanders outside. He gets onto a bus and recites an address: 25696 Sawyer Court. The driver, Ernesto Garcia, wants Dylan to pay a fare, but a man intervenes. When Dylan arrives at 25696 Sawyer Court, it turns out to be the Benford home.
Dylan steps inside saying, “It’s my house, too.” When Mark arrives, Dylan and Charlie high-five each other as if they are old friends. In Dylan’s flashforward, Charlie lets him know that it was okay to have a cookie because this is his house, too. Dylan reads the address from a label attached to the refrigerator. Meanwhile, Nicole had called Lloyd at the hospital, as Dylan was still wearing his ID wristband. When Lloyd sees the inside of the Benford home, he realizes it’s the one from his Flash. When Olivia comes home, Lloyd then realizes that she has to be the woman he had such strong feelings for – and who called him “Honey.” Mark notices and takes exception. Mark tells Lloyd to never come back and later accuses Olivia of hiding things, unaware that she received an anonymous text letting her know he has been hiding things from her. Mark admits that he was intoxicated in his flashforward, but steadfastly promises that he will not drink. That’s not good enough for Olivia. Mark complains that Olivia is punishing him for something he has not yet done; Olivia responds that he has been doing exactly that to her. It is not about the drinking. It’s about trust. And they don’t trust each other anymore.
We finally got a nice, nasty taste of Monaghan’s Simon in this episode. We got to see him hit on True Blood‘s Ashley Jones on a train, and then, presumably strangle her after sex. Monaghan was actually pretty good in this quieter, more sinister role. He’s actually believable in this role, which is very different from the comic relief-type performances that he’s known for. Through his mad scientist genius character we also got to find out the death toll for the black out. 20 million. Wow. And the world still works in pretty much the same fashion? That might be the most fantastical element of this series.

REVIEW: FLASHFORWARD

CAST

Joseph Fiennes (Hercules)
John Cho (Sleepy Hollow)
Courtney B. Vance (Final Destination 5)
Sonya Walger (Lost)
Christine Woods (The Walking Dead)
Jack Davenport (Pirates of The Caribbean)
Zachary Knighton (Cherry Falls)
Peyton List (The Flash)
Dominic Monaghan (Lost)
Brían F. O’Byrne (Million Dollar Baby)

RECURRING / NOTABLE GUEST CAST

Ryan Wynott (The Cape)
Lennon Wynn (Jennifers Body)
Barry Shabaka Henley (Heroes)
Genevieve Cortese (Supernatural)
Michael Ealy (Almost Human)
Gabrielle Union (10 Things I Hate About You)
Michael Masse (The Amazing Spider-Man)
Lee Thompson Young (Smallville)
Neil Jackson (Blade: The Series)
Rachel Roberts (Simone)
Yūko Takeuchi (Ring)
James Callis (Battlestar Galacitca)
Shohreh Aghdashloo (The Exorcism of Emily Rose)
Gil Bellows (Sanctuary)
Mark Famiglietti (Terminator 3)
Annabeth Gish (Mystic Pizza)
Alex Kingston (Arrow)
Ricky Jay (Lie To Me)
Loren Lester (Batman: TAS)
Cynthia Addai-Robinson (Arrow)
Alan Ruck (Speed)
Kim Dickens (Lost)
Gina Torres (Firefly)
Keir O’ Donnell (Paul Blart: Mall Cop)
Navi Rawat (Thoughtcrimes)
Lindsay Crouse (Buffy)
Carmen Argenziano (Stargate SG.1)
Seth MacFarlane (Family Guy)
Lee Garlington (A Lot Like Love)
Callum Rennie (Legends of Tomorrow)
Peter Coyote (Sphere)
Jake Johnson (New Girl)
Thomas Kretschmann (Dracula)

In the summer of 2009 ABC realized that their ratting juggernaut, Lost, was coming to an end. When it started, Lost was the first real hit they’d had in half a decade and the network wanted to replace it with another show that would keep viewers coming back week after week for years. Their answer: Flashforward. Reportedly planned to last five seasons, the show starts out with a deep mystery that gets more complex and intricate as the show progresses. Unfortunately the show wasn’t renewed for a second season.


On October 6th, 2009 at precisely 11:00:00 PST on the dot, without warning, every person in the world blacked. This caused mayhem as planes fell out of the sky, cars plowed into crowds, and helicopters crashed into skyscrapers. Two minutes and seventeen seconds later everyone woke up, having all experienced the same thing: they saw what they would be doing on April 29, 2010, six month in the future.


People started calling this event a flashforward and it naturally affected people in different ways. To many the glimpse of what was to come was life altering, both good and bad. One man sees his daughter, who he thought was killed in Afghanistan, alive but wounded. A happily married woman sees a strange man in her bed. An alcoholic sees himself drinking. A few people don’t see anything. Does that mean that they’ll be dead in half a year?An FBI agent, Mark Benford (Joseph Fiennes), sees himself investigating who or what triggered the flashforward as armed gunmen break into the LA branch of the FBI with the purpose of killing him. Armed with what he can remember from the bulletin board covered with leads, Benford and his partner, Demetri Noh (John Cho), head up the investigation of the event. They start a web site, Mosaic, where people can publically post what they saw in their future and use the data to come up with a picture of what the world will look like in 6 months. They also discover some very interesting things that are hard to explain. Like the fact that not everyone was knocked out. Examining camera footage from a baseball stadium they discover images of a person calmly walking through the thousands of unconscious people towards an exit. He  is labeled ‘Suspect Zero’ and finding this person is the agency’s top priority. Second only to the person he was talking to on his cell phone.

When it originally aired, the program ran ten episodes and then took a three-and-a-half month break, then came back for another 12 installments. The show really hits its stride in that later half .  it was cancelled at the end of the first season. The show was conceived to run for 5 years and when this set ends, there are still a lot of plot lines that are unresolved. That’s going to be really disappointing to a lot of people who get hooked on this show

 

REVIEW: THE FLASH – SEASON 1

CAST

Grant Gustin (Glee)
Candice Patton (Heroes)
Danielle Panabaker (Sky High)
Rick Cosnett (The Vampire Diaries)
Carlos Valdes (Arrow)
Tom Cavanagh (Scrubs)
Jessie L. Martin (Injustice)

NOTABLE / RECURRING GUEST STARS

Chad Rock (Sanctuary)
Michelle Harrison (Tru Calling)
Patrick Sabongui (The Cabin In The Woods)
John Wesley Shipp (90s Flash)
Stephen Amell (Arrow)
Michael Smith (Fringe)
William Sadler (Iron Man 3)
Anthony Carrigan (Gotham)
Wentworth Miller (Prison Break)
Emily Bett Rickards (Brooklyn)
Dominic Purcell (Blade: Trinity)
Clancy Brown (Highlander)
Kelly Frye (Rake)
Greg Finley (Izombie)
Robert Knepper (R.I.P.D.)
Michael Reventar (Kidnao Capital)
Morena Baccarin (Gotham)
David Ramsey (Con Air)
Anna Hopkins (Defiance)
Robbie Amell (Scooby-Doo 3 & 4)
Amanda Pays (90s Flash)
Andy Mientus (Smash)
Victor Garber (Alias)
Malese Jow (The Scoial Network)
Britne Oldford (AWOL)
Liam McIntyre (Spartacus)
Nicholas Gonzalez (Sleepy Hollow)
Peyton List (Smallville)
Mark Hamill (Star Wars)
Matt Letschr (The Mask of Zorro)
Viro D’Ambrosio (90s Flash)
Devon Gaye (Dexter)
Brandon Roth (Superman Returns)
Emily Kinney (The Walking Dead)
Brandon Routh (Superman Returns)
Katie Cassidy (Black Xmas)
Paul Blackthorne (The Dresden Files)
Peter bryant (Dark Angel)
Martin Novotny (Art History)
Paul Anthony (American Mary)
Doug Jones (Hellboy)
Ciara Renee (Legends of Tomorrow)

The Flash was unique in its first season in the sense that it never really needed to find itself or grow into something better. It simply started strong and continually got better over the course of seven months. Much of the credit rests with the fact that the Flash was hardly starting from scratch. This show is the first spinoff of Arrow and its growing superhero universe. It features many of the same producers as Arrow and several writers responsible for Arrow’s stellar second season. Not only did The Flash not have to waste much time establishing its universe, it didn’t even have to introduce viewers to its protagonist. Grant Gustin debuted as a pre-speedster Barry Allen midway through Arrow’s second season, culminating with the accident that created the Flash. By the time this show came around, viewers already knew Barry, what made him tick and what fueled his particular quest.

Gustin rapidly grew into the role of Barry Allen once the spotlight was placed on him. Gustin brought a winning blend of youthful energy, latent pathos and Peter Parker-esque awkwardness to the table. He gave us a Barry Allen that’s impossible not to connect with. Barry is immensely likable. He’s less intense than Stephen Amell’s Oliver Queen. He’s driven by tragedy but anchored by a small family unit. He’s faithful to the comic book Barry Allen. One of the main reasons for The Flash’s success, though, was its supporting cast. So much of the drama and the emotional core of the show centered around Barry’s ties to his core circle of friends, family and allies. There was his adoptive father, Joe West (Jesse L. Martin). There was his adoptive sister/unrequited love, Iris (Candice Patton), a dichotomy that never came across as creepy or incest-y as it could have. There was his newfound father figure/mentor in Dr. Harrison Wells (Tom Cavanagh). There were his new friends/partners in metahuman-busting, Dr. Caitlin Snow (Danielle Panabaker) and Cisco Ramon (Carlos Valdes). And rounding out the core cast was Eddie Thawne (Rick Cosnett), Barry’s colleague and sometimes rival/sometimes ally.

The show exploited these various relationships to great effect. Above all, the father/son relationships between Barry/Joe and Barry/Wells were the source of great drama. Martin and Cavanagh were the MVPs among the cast. Martin brought a crucial warmth to his role as a concerned father and a man simply baffled by the increasingly bizarre state of life in Central City. Cavanagh, meanwhile, helped mold Wells into the show’s most captivating figure. It quickly became apparent that Wells was far more than he seemed, eventually emerging as the primary antagonist of Season 1. But thanks to Cavanagh’s performance, it was always apparent that Wells cared for Barry even as he plotted and schemed and tormented the hero.

Caitlin and Cisco became increasingly compelling characters in their own right as the season progressed. Caitlin, initially cold and a little haughty, grew as her relationship with Barry blossomed and her past relationship with Ronnie Raymond (Robbie Amell) came to light. Cisco was largely a comic relief character at first. And while he remained the show’s most reliable source of comedy, he too was fleshed out and developed a father/son connection to Wells of his own.

Iris and Eddie were a little more uneven when it came to their respective roles within the show. At times it was easy to forget about Eddie given his tendency to drop out of view. However, he definitely became an integral player in the final couple months of the season. I appreciated how the writers never took a one-note approach with Eddie. He may have been Barry’s romantic rival, but he was never written as a bully or a jerk, just a guy with his own set of hopes and desires. As for Iris, there were some episodes where she filled what seemed to be a mandatory quota as far as superhero relationship drama. The Barry/Iris/Eddie love triangle definitely had its moments, but some weeks it came across as pointless filler. The big offender was “Out of Time,” which featured a terrifically epic climax but dull build-up. The premiere episode,  did a fine job of laying out the cast of characters and basic status quo for the show. The idea that the STAR Labs particle accelerator created a new wave of metahumans alongside the Flash offered an easy way to start building a roster of villains and put Barry’s growing speed powers to the test. Luckily, it wasn’t long before The Flash began moving away from the “villain of the week” approach and building larger, overarching storylines. Bigger villains like Captain Cold (Wentworth Miller) and Heat Wave (Dominic Purcell) were introduced, paving the way for the Flash Rogues.

 

The show played its part in expanding the CW’s superhero universe, introducing Firestorm and crossing paths with Arrow at several points. The mid-season finale, “The Man In the Yellow Suit,” offered the full introduction of the Reverse-Flash and set the stage for a conflict that would drive the show all the way until the season finale. As that conflict developed, the question of just who Dr. Wells was and what he had planned for Barry became paramount. Wells symbolized just how much the show was willing to play with expectations and shake up the traditional comic book mythology. I noted in my review of the premiere episode that the show was showing signs of being too predictable for seasoned comic book readers. It wasn’t long before that concern faded away.

Looking back at these overarching conflicts and how they were developed over the course of the season, it’s clear that The Flash succeeded because it managed to adopt the serialized nature of superhero comics so well. Each new episode offered its fair share of twists and surprises, culminating in a dramatic cliffhanger that left viewers craving the next installment. It served as a reminder that, in many ways, TV is an inherently better medium for superheroes than film. A weekly series can do serialized storytelling in a way a couple superhero movies every year can’t. The show started out big with the premiere episode, pitting Barry against the first Weather Wizard and a massive tornado. Even that was chump change compared to later conflicts. Barry’s battle with the second Weather Wizard culminated with the hero stopping a tidal wave at supersonic speed. But the most impressive technical accomplishment was more subtle. The late-season episode “Grodd Lives” introduced viewers to Gorilla Grodd, a completely computer-animated villain who looked far more convincing than we had any right to hope.

Perhaps one of the strongest episode of Season 1 was “Tricksters.” That episode paid terrific homage to the short-lived 1990 Flash series as Mark Hamill reprised the part of the prank-obsessed villain the Trickster and former Flash John Wesley Shipp was given his most in-depth role as Barry’s father, Henry. Not only was “Tricksters” a fun love letter to the old show, it proved that this series can venture into full-on camp territory without losing sight of itself.

Ultimately, though, it’s the finale episode that stands out as the crowning moment of Season 1. The show bucked the usual trend by getting the physical confrontation with Reverse-Flash out of the way in the penultimate episode (via a team-up between Flash, Firestorm and the Arrow, no less). “Fast Enough” wasn’t concerned with the visceral element of the Flash/Reverse-Flash rivalry so much as the psychological one. The finale was intensely emotional, forcing Barry to decide just how much he was willing to sacrifice to save his mother. Just about every actor delivered their best work of the season. It was a tremendous payoff to a year’s worth of build-up.

The finale ended the season with a big question mark of a cliffhanger. The great thing about the way the season wrapped is that now the door is open for practically anything. The finale touched on the idea of the multiverse – other worlds inhabited by other Flashes like Jay Garrick. The Flash didn’t suffer from the familiar freshman growing pains most new shows experience in their first season. This show built from the framework Arrow laid out and made use of an experienced writing and production team, a great cast, and a clear, focused plan for exploring Barry Allen’s first year on the job. The show was never afraid to delve into the weird and wild elements of DC lore, but it always stayed grounded thanks to a combination of humor and strong character relationships.