HALLOWEEN OF HORROR REVIEW: SHAUN OF THE DEAD

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CAST
Simon Pegg (Star Trek)
Nick Frost (Snow White & The Huntsman)
Kate Ashfield (Spivs)
Lucy Davis (Ugly Betty)
Dylan Moran (Notting Hill)
Peter Serafinowicz (Spy)
Rafe Spall (Prometheus)
Bill Nighy (Underworld)
Martin Freeman (The Hobbit)
Matt Lucas (Alice In Wonderland)
Paul Kaye (Anna and The Apocalypse)
Shaun (Simon Pegg) is a 29-year-old electronics shop salesman with no direction in life. His younger colleagues show him no respect, he has a strained relationship with his stepfather, Phillip (Bill Nighy), and a tense one with his housemate Pete (Peter Serafinowicz) because of Ed (Nick Frost), Shaun’s other housemate and vulgar, unemployed best friend. Furthermore, Shaun’s girlfriend Liz (Kate Ashfield) dislikes their social life as they spend every date at the Winchester, Shaun and Ed’s favourite pub. Because Shaun always brings Ed, Liz is always forced to bring her flatmates, David (Dylan Moran) and Dianne (Lucy Davis). After a bad day at work, Shaun forgets to book a table at a nice restaurant, and after suggesting the Winchester again Liz breaks up with him. Shaun drowns his sorrows with Ed at the Winchester. While celebrating at home, an enraged Pete — suffering from a bite wound caused by “some crackheads” — confronts Shaun on his flaws, telling him to sort his life out.
The next morning, a zombie apocalypse has overwhelmed the city, but Shaun is too busy dealing with his hangover to notice. He and Ed discover a female zombie in their backyard, but assume she is just drunk until she survives being impaled on a pipe. Another zombie makes its way into the garden, and Shaun and Ed run back inside. They learn more about the outbreak by watching the news and kill the two zombies (and another zombie that slips in through the front door) with blows to the head. The two decide to rescue Shaun’s mother, Barbara (Penelope Wilton), and Liz so they can wait out the crisis in the Winchester.
Shaun and Ed escape in Pete’s car and pick up Barbara and Phillip — who has been bitten — and then switch vehicles after Ed deliberately crashes Pete’s car for Phillip’s Jaguar. They then head over to Liz, Dianne, and David’s flat and collect them. On their way to the Winchester, Phillip makes peace with Shaun, dies from his bites, and then reanimates — forcing them to abandon the vehicle and set off on foot. The streets surrounding the pub are overrun, so the group pretends to be zombies to sneak past them, but Shaun gets into an argument with Ed and breaks their cover. Shaun leads the horde away while the rest take refuge in the pub. Shaun rejoins them after losing the zombies.
shaun-of-the-dead
Several hours later, the zombies return; Shaun discovers the Winchester rifle above the bar is functional and the group uses it to defend themselves. Barbara reveals she was bitten along the way and dies, and a distraught Shaun is forced to shoot her after she reanimates. David is then pulled through a window and torn apart by the zombies, and Dianne frantically unbolts the front door to rescue him, disappearing into the advancing horde. Pete arrives as one of the zombies and bites Ed; Shaun kills Pete and sets fire to the bar, but also sets off the remaining rifle ammunition by accident. The survivors flee into the cellar and contemplate suicide, but discover a barrel hatch elevator that opens to the outside. Shaun and Liz escape on the elevator as Ed is left behind with the rifle. Back on the street, the British Army arrives and guns down the remaining zombies, rescuing the two. The couple approach the safety of the trucks, reconciled. Six months after the outbreak, civilization has returned to normal, but the living now use the zombies as cheap labour and entertainment. Liz has moved in with Shaun, and Shaun keeps Ed — now a zombie — tethered in the backyard shed so they can play video games together.
Simon Pegg and Nick Frost are both brilliant in this spoof of the zombie genre. If you are into zombie films, or comedy, then you will enjoy this film. It is a well made film that dosen’t fail to bring a smile to anybody who watches it.

REVIEW: JOHN WICK: CHAPTER 2

Starring

Keanu Reeves (47 Ronin)
Riccardo Scamarcio (Burnt)
Ian McShane (Hellboy)
Ruby Rose (Batwoman)
Common (Terminator: Salvation)
Claudia Gerini (THe Poison Rose)
Lance Reddick (Jonah Hex)
Laurence Fishburne (Hannibal)
Tobias Segal (The Drop)
John Leguizamo (Spawn)
Bridget Moynahan (Battle: Los Angeles)
Thomas Sadoski (Wild)
Peter Stormare (Armageddon)
Peter Serafinowicz (The Tick)

Keanu Reeves and Common in John Wick: Chapter 2 (2017)Four days after the events of the first film, former assassin John Wick retrieves his stolen 1969 Ford Mustang Boss 429 from a chop shop owned by Abram Tarasov, brother of Viggo and uncle of Iosef. John dispatches Tarasov’s men in a violent rampage that heavily damages the Mustang, but spares Tarasov under the auspices of peace and returns home, cementing his weapons into the ground once again.Keanu Reeves in John Wick: Chapter 2 (2017)After car shop owner Aurelio takes John’s Mustang for repairs, John is visited by Italian crime lord Santino D’Antonio. It is revealed that to complete his “impossible task”, which allowed him to retire and marry Helen, John asked Santino for help. As a form of contract, Santino swore John to a “marker”, an unbreakable promise symbolized by a “blood oath” medallion. Santino presents the medallion to demand services from John, who declines, claiming that he is retired. In retaliation, Santino destroys John’s home with a ARWEN 37 nonlethal launcher modified to shoot incendiary ammunition.Keanu Reeves in John Wick: Chapter 2 (2017)John travels to The Continental Hotel in New York City. Winston, the owner of the hotel, reminds John that if he rejects the marker, he will be violating one of the two unbreakable rules of the underworld: no blood on Continental grounds, and every marker must be honored. John reluctantly accepts his commitment and meets with Santino, who tasks him with assassinating his sister Gianna so he can claim her seat on the “High Table”, a council of high-level crime lords. Santino sends Ares, his mute personal bodyguard, to surveil John.Keanu Reeves in John Wick: Chapter 2 (2017)In Rome, Italy, John infiltrates Gianna’s coronation party and confronts her in her dressing room. Faced with certain death, Gianna chooses to take her own life by slitting her wrists. As Gianna dies, John holds her hand and shoots her in the head. Cassian, Gianna’s bodyguard, recognizes John and, after realizing that John was sent to kill Gianna, attacks him. John escapes to the catacombs, where he is ambushed by Santino’s henchmen, who intend to “tie up loose ends” by killing him. After killing most of the henchmen, John is pursued by Cassian. Their battle is halted when they crash into the reception area of the Rome Continental, which—like the New York Continental—prohibits any “business” on its grounds. As the two share a tense drink, Cassian vows revenge for Gianna’s death.Keanu Reeves in John Wick: Chapter 2 (2017)After John returns to New York City, Santino opens a $7 million contract for John’s death under the guise of avenging his sister, leading numerous assassins to unsuccessfully attack John. Eventually, Cassian confronts John once again in the subway. John wins the fight and badly wounds Cassian, but leaves him alive out of professional respect. Injured and desperate, John seeks help from an underground crime lord titled the Bowery King, whose subordinates treat John’s injuries and guide him to Santino’s location. John kills Santino’s bodyguards and defeats Ares in a knife fight, but Santino is able to escape to the Continental. Santino smugly makes it clear that he intends to remain indefinitely in its sanctuary. Despite Winston’s warnings, John shoots and kills Santino in the Continental lounge.Keanu Reeves in John Wick: Chapter 2 (2017)The next day, Winston sends for John and explains that, per the High Table, the contract on John has been doubled and offered globally. As a consequence of killing Santino on Continental grounds, Winston declares John “excommunicado” from the Continental, losing all access and privileges to the Continental’s underworld resources. However, Winston delays announcing John’s excommunication and global bounty by one hour to give him a head start, and provides him with a marker for future use. Before leaving, John advises Winston to make it known that whoever tries to come after him will be killed. As John and his dog run through the park, dozens of cellphones around him ring, signaling that the global contract is about to be posted and offered.Keanu Reeves and Ian McShane in John Wick: Chapter 2 (2017)John Wick 2 is an exciting joy ride for action fans and hopes to see more from this. I recommend seeing it, which you would not be disappointed.

REVIEW: GUARDIANS OF THE GALAXY

 

CAST

Chris Pratt (Jurassic World)
Zoe Saldana (Avatar)
Dave Bautista (Riddick)
Vin Diesel (The Fast and The Furious)
Lee Pace (The Hobbit)
Bradley Cooper (Joy)
Michael Rooker (The Walking Dead)
Karen Gillan (Oculus)
Djimon Hounsou (Stargate)
John C. Reilly (Step Brothers)
Glenn Close (Hoodwinked!)
Benicio Del Toro (Traffic)
Lauda Haddock (Luther)
Peter Serafinowicz (Spy)
Gregg Henry (Payback)
Brendan Fehr (Roswell)
Nathan Fillion (Firefly)
Alexis Denisof (Angel)
Ophelia Lovibond (4.3.2.1.)
Rob Zombie (Super)
Stan Lee (Avengers Assemble)
John Brotherton (Fuller House)
Josh Brolin (Jonah Hex)
Seth Green (Family Guy)

Lee Pace in Guardians of the Galaxy (2014)Guardians of the Galaxy stars are a loosely shaped band of intergalactic scoundrels who go from being bad guys to heroes despite their own penchant for greed and self-preservation. Amongst them is a cosmic kidnapping victim who goes by Star-Lord, a terrible alias, which is why most folks call him by his Earth name, Peter Quill (Chris Pratt, Parks and Recreation). Stolen from his parents in the movie’s prologue, Quill has become a spacefaring thief and scavenger. He has recently struck off on his own, betraying his adopted crew to sell a mysterious metal orb and pocket the profits. This action sets off reverberations, angering the orb’s intended recipient, a brutal thug called Ronan (Lee Pace, Pushing Daisies), and landing a rather large bounty on Quill’s head. Ronan dispatches one of his minions, Gamora (Zoe Saldana, Star Trek), to get him the object. Blows are exchanged. Chris Pratt manages the physicality with a surprising ease, while also making it okay for those of us sick of Andy Dwyer to like the perfomer again. Zoe Saldana is at her most badass, continuing to prove that she should be the star of her own action franchise. (She was the only thing good in Colombiana). Further complications arise, however, when her efforts are derailed by the presence of the aforementioned raccoon and tree.Chris Pratt and Zoe Saldana in Guardians of the Galaxy (2014)Rocket Raccoon and Groot (voiced by Bradley Cooper and Vin Diesel, respectively) are misfit bounty hunters who intend to collect on Quill’s head. Rocket is a violent little bastard who is the product of some sinister experiments, and Groot is a kindly wood creature who comes from parts unknown. These two steal the movie, I promise you. Cooper’s vocal performance has a glee and abandon I’d like to see from him in the flesh, and those who remember how Diesel tugged at our heartstrings doing similar work in The Iron Giant will be pleased to have him work his magic here, too. Groot can only say one phrase, “I am Groot,” and like Woo shouting out a certain obscenity when talking to Al Swearengen in Deadwood, how he says it is indicative of its meaning. The computer effects team for Guardians easily bests even Dawn of the Planet of the Apes for creating believable, fully realized creatures that simply should not be.Lee Pace in Guardians of the Galaxy (2014)The four bad guys tussle on a peaceful planet, and end up arrested. It’s in prison that they find their fifth Guardian, a shirtless bruiser called Drax the Destroyer (wrestler Dave Bautista) who has a grudge against Gamora’s former employer. He agrees to stave off killing her and go along with their prison break if it means they’ll take him to Ronan. And so an unlikely group of heroes is born.Chris Pratt in Guardians of the Galaxy (2014)The basic plot of Guardians of the Galaxy, which was co-written by Nicole Perlman and director James Gunn (Slither, Super), follows the Guardians as they first try to keep the orb out of Ronan’s hands and then, after they simultaneously lose it and discover what it really holds, get it back before he begins a path of destruction across the universe. The main genre is more adventure than sci-fi, and the tone lighter and more comic than a lot of recent superhero movies, but that’s what makes Guardians of the Galaxy so refreshing.

 

 

REVIEW: THE SIMPSONS – SEASON 30

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CAST

Dan Castellaneta (Super 8)
Julie Kavner (Dr. Dolittle)
Yeardley Smith (Dead Like Me)
Nancy Cartwright (Kim Possible)
Hank Azaria (The Smurfs)
Harry Shearer (This Is Spinal Tap)
Pamela Hayden (Recess)
Tress MacNeille (Futurama)
Russi Taylor (Babe)

The Simpsons (1989)

RECURRING / NOTABLE GUEST CAST

Emily Deschanel (Bones)
Gal Gadot (Wonder Woman)
Kevin Michael Richardson (The Cleveland Show)
Rhys Darby (Yes Man)
George Segal (2012)
H. Jon Benjamin (Wet Hot Ameircan Summer)
Jon Lovitz (Happiness)
Kristen Schaal (Gravity Falls)
Tracy Morgan (Cop Out)
Maggie Roswell (Pretty In Pink)
Ksenia Solo (Lost Girl)
RuPaul (But I’m a Cheerleader)
Scott Thompson (The Kids In The Hall)
Peter Serafinowicz (The Tick)
J.K. Simmons (Justice League)
Jane Lynch (Glee)
Bryan Batt (Scream: The Series)
Patti LuPone (Witness)
Guillermo del Toro (The Shape of The Water)
Wallace Shawn (Young Sheldon)
Ken Jeong (The Hangover)
Natasha Lyonne (American Pie)
Awkwafina (Ocean’s 8)
Nicole Byer (Tuca & Bertie)
Chelsea Peretti (Game Night)
John Lithgow (3rd Rock From The Sun)
Josh Groban (The Crazy Ones)
Will Forte (The Lego Movie)
Jackie Mason (The Jerk)
Liev Schreiber (The 5th Wave)
Illeana Douglas (Ghost World)
Jenny Slate (The Secrets Life of Pets)
Werner Herzog (Jack Reacher)

The Simpsons (1989)It’s hilarious comedy, funny, and one of my all time favorite T.V shows .. The series is a satirical depiction of a middle class American lifestyle epitomized by the Simpson family, which consists of Homer, Marge, Bart, Lisa, and Maggie. The show is set in the fictional town of Springfield and parodies American culture, society, television, and many aspects of the human condition. Modern Simpsons episodes are often both overstuffed and under-imagined, resulting in two indifferent, inadequately realized stories. Even though the show has dropped in creativity and in the joke department, it’s still worthy.Nancy Cartwright, Pamela Hayden, and Tress MacNeille in The Simpsons (1989)

Season 30 Highlights are…

The Simpsons (1989)

Bart’s Not Dead

Bart ends up in the hospital after taking a dare and lies about going to heaven to cover it up, but is forced to confess after Homer takes a deal with Christian producers to make a movie about the whole thing.

Julie Kavner, Nancy Cartwright, Dan Castellaneta, and Yeardley Smith in The Simpsons (1989)

Heartbreak Hotel

Marge and Homer travel to a tropical island and go on Marge’s favorite reality competition program to win a million dollars.

Yeardley Smith in The Simpsons (1989)

My Way or The Highway to Heaven

While God and St. Peter discuss who will get into heaven, the citizens of Springfield recall divine encounters.

Julie Kavner and Dan Castellaneta in The Simpsons (1989)

Baby You Can’t Drive My Car

A self-driving car company comes to Springfield, poaching all of the power plant employees with their fun work environment.

Julie Kavner and RuPaul in The Simpsons (1989)

Werking Mom

In search of a job, Marge gets one selling plastic food storage containers – as a drag queen; Lisa tries to make the world better.

The Simpsons (1989)

Mad About The Toy

Motivated by a PTSD episode Grampa had while babysitting the kids, the Simpsons take a journey to Grampa’s past as a post-WW2 toy model for plastic army men, and Abe finally faces his on confused sexuality.

The Simpsons (1989)

The Girl On The Bus

Lisa tries to live a double life when she makes a new friend and gets a taste of what it would be like to live with a more cultured family.

Hank Azaria, Julie Kavner, Dan Castellaneta, and Yeardley Smith in The Simpsons (1989)

I’m Dancing as Fat as I Can

Homer tries to make amends for binging his and Marge’s favorite show without her; Bart prepares for “Krusty’s Holiday Trample”

Wallace Shawn and Dan Castellaneta in The Simpsons (1989)

I Want You (She’s So Heavy)

When a romantic night ends in injury for Homer and Marge, Lisa turns to an unlikely source to fix their strained relationship.)

The Simpsons (1989)

E My Sports

Homer discovers a passion for coaching Bart in video game competitions; Lisa’s plan to bring Homer back to reality creates chaos.

J.K. Simmons and Yeardley Smith in The Simpsons (1989)

Girl’s in the Band

Homer works extra shifts at the plant so Lisa can play in the Capitol City Youth Philharmonic.

The Simpsons (1989)

I’m Just a Girl Who Can’t Say D’oh

Marge becomes Director of Springfield’s local theater, armed with Lisa’s script resembling “Hamilton”; Homer joins a baby class with Maggie, and takes a liking to supervisor Chloe.

Julie Kavner, Nancy Cartwright, Dan Castellaneta, Yeardley Smith, and Awkwafina in The Simpsons (1989)

D’oh Canada

Lisa is mistakenly given political asylum in Canada during a family trip to Niagara Falls.

Julie Kavner, Nancy Cartwright, Dan Castellaneta, and Yeardley Smith in The Simpsons (1989)

Crystal Blue-Haired Persuasion

Marge starts a business selling healing crystals and other New Age products to the naive mothers of Springfield when Homer’s work cuts children’s health-care benefits, leading Marge to use the crystals as a cheaper solution for Bart’s ADD.

REVIEW: THE TICK – SEASON 2

The Tick (2017)

MAIN CAST

Peter Serafinowicz (Spy)
Griffin Newman (Draft Day)
Valorie Curry (Blair Witch)
Brendan Hines (Lie To Me)
Yara Martinez (Jane The Virgin)
Scott Speiser (6 Ways To Die)

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RECURRING / NOTABLE GUEST CAST

Happy Anderson (The Knick)
François Chau (Lost)
John Hodgman (Arthur)
Patricia Kalember (Signs)
Marc Kudisch (Smash)
Alan Tudyk (Doom Patrol)
Tom O’Keefe (The Gifted)
Joshua Schubart (After)
Adam Henry Garcia (Royal Pains)
Steven Ogg (The Walking Dead)
Lucas Dixon (A Picture of You)
Brian Faherty (Measure of a Man)
Grant Harrison (Snafu)
Jade Elysan (Bonding)
Clara Wong (Louie)
Liz Vassey (Two and a Half Men)
Clé Bennett (Heroes Reborn)

MV5BMTg3MjY1MDUxMV5BMl5BanBnXkFtZTgwMzczNTU2NzM@._V1_SY1000_CR0,0,675,1000_AL_Certain comedies get better as they go along, when the writers and the actors have all had a chance to gel and figure out what everyone’s strengths and weakness are. That’s certainly true of Amazon’s The Tick, as it feels almost like an entirely new show at the start of season 2. Some of that is certainly due to the show’s continued refinement of Tick’s (Peter Serafinowicz) suit (or is it his body?), The new suit is much more practical, and it allows for a greater range of motion for the man wearing it, which in turn lets The Tick worry less about how its title character looks and more about the level of self-awareness it wants to infuse into its ongoing story of hopelessly flawed superheroes fighting crime in a city called the City.The Dark Crystal_BreaAt times it felt as though season 1 of The Tick was an attempt for the show to find how it fit with the current glut of superhero films and TV series as much as it was about the effort of Tick and his nascent sidekick, Arthur (Griffin Newman), to root out evil and discover their place among the alleged pantheon of heroes sworn to protecting the City. Tone and pacing were common issues throughout the first season, which were then exacerbated by a protracted midseason break (almost six months). And still, even upon the series’ return, the balance between humor and superhero action felt off and the serialized nature of the series couldn’t quite turn a plot involving the return of the Terror (Jackie Earle Haley) into the kind of energized storytelling previous incarnations of The Tick enjoyed.the-tick-season-2-peter-serafinowiczThat isn’t an issue for season 2, which returns a funnier, faster-paced, and far more confident series than it was in season 1. From the first episode on, The Tick feels very much like the buddy comedy it was meant to be. Serafinowicz and Newman enjoy an easy chemistry with one another, which along with the self-aware, super-heroic dialogue, becomes key to the season’s early success. It helps that Arthur is fully committed to his role as a superhero, and that his family is (for the most part) supportive of his decision to pursue a life of crimefighting while also being an accountant. Removing the will they or won’t they from Tick and Arthur’s relationship gets the series off on the right foot, allowing the show to lean into the absurdity of its premise and its characters by making it all seem perfectly normal for these two heroes.dimsSeason 2 has some help in the normalizing department, as the defeat of the Terror has brought a huge influx of extremely weird (and often ridiculous) heroes and villains to the City, thanks in large part to A.E.G.I.S (The Tick’s cheeky riff on S.H.I.E.L.D.) re-opening a branch in Tick and Arthur’s neck of the woods. That opens the door for the series to get precisely as weird as it need to, introducing characters like Steve Ogg’s semi-retired Flexon (a Tick analogue to Marvel’s Mr. Fantastic), John Hodgman’s Hobbes, and Marc Kudisch as the hyper masculine, tough-as-nails head of A.E.G.I.S., Tyrannosaurus ‘Ty’ Rathbone. Part of what has made The Tick an enduring character since the 1980s is the ever-changing community of oddballs he is surrounded by. While Arthur is and will always be the Watson to his dim-bulb Sherlock Holmes, the franchise has proven adept at introducing new characters who are inherently ridiculous but just serious enough to work, and to keep things fresh, interesting, and funny.zUOS95Hv_400x400Season 2 also introduces a new plot line for Arthur’s sister Dot (Valerie Curry), as she begins to wonder whether or not Arthur’s the only one in the family destined to spend their spare time seeking justice. This thread works to give Tick and Arthur some breathing room, but it also spares Curry from being primarily relegated to reacting to the danger her onscreen sibling finds himself in. In her expanded role, Dot manages to get into some trouble and forge a bond with Overkill (Scott Speiser), which, in turn, offers that character a chance to be something more than a spoof on hyper-violent vigilante characters who rose to prominence in the ‘90s. The biggest improvements in season 2, however, are in how the season is structured. Though the overarching narrative of the season is still serialized, each episode functions on its own as a complete episode of television. Having a distinct beginning, middle, and end focuses the story and the comedy on more specific elements integral to the episode at hand. As a result, the jokes are funnier, the action livelier, and the story threads more compelling.the-tick-season-2-peter-serafinowicz-griffin-newman-interview-slice-600x200All in all, The Tick returns with the terrific new season of television. More heroes, more villains — all of them ridiculous in their own way — means more opportunities for laughs and for superhero action. Much like the Tick’s costume, the series received the right kind of upgrade in between seasons, and in doing so has become a real contender in the world of superhero TV.

REVIEW: THE TICK (2017) – SEASON 1 – PART 2

The Tick (2017)

MAIN CAST

Peter Serafinowicz (spy)
Griffin Newman (Draft day0
Valorie Curry (Blair Witch)
Brendan Hines (Lie To Me)
Jackie Earle Haley (Watchmen)
Yara Martinez (Jane The Virgin)

Peter Serafinowicz in The Tick (2017)

RECURRING NOTABLE GUEST CAST

Francois Chau (Teenage Mutant Ninja Turtles II)
Townsend Coleman (Black Moon Rising)
Bryan Greenberg (Prime)
Alan Tudyk (Firefly)
Scott Speiser (6 Ways To Die)
Jacqueline Antaramian (Counterpart)
Thomas Kopache (Cath Me If You Can)
Matt Gehring (Dates Like This)
Geoffrey Cantor (Daredevil)
Patricia Kalember (Signs)

The Tick (2017)I’ll admit it. When I heard Amazon was rebooting superhero sendup “The Tick,” I wasn’t exactly thrilled. I started watching the first six episodes mostly opposed to the idea, arms crossed, mumbling things like “this isn’t my ‘Tick.'” You know what? I was wrong. Completely wrong. Please accept my apologies for being such an obstinate fool. Now that I’ve seen a full season of “Tick” creator Ben Edlund’s and Executive Producer Barry Josephson’s vision for rebooting the franchise, I’m convinced this might be the best iteration yet. We still get to enjoy the goofball antics of Tick and Arthur, complete with hilarious sight gags, puns and awkward moments, but by making Arthur (Griffin Newman) the focus this time around, there’s an added thread that offers better opportunities for characters to evolve and grow.Peter Serafinowicz in The Tick (2017)If the original live-action series offered nonstop laughs in an insane asylum, this “Tick” provides a laugh a minute, but they’re far more satisfying. Don’t worry though, hard-core fans: classics like “SPOON!” still work comfortably within the show’s framework. Peter Serafinowicz’s version of the Tick is the same one we’ve known and loved for over 30 years: a superpowered, super joyful, big blue something or other with a head full of cotton balls. After six episodes, Arthur finally came to some acceptance of his role as a kind-of-hero in this world where supers and villains are the norm. The back half of the season deals with the return of diabolical evildoer The Terror (perfectly depicted by psychopath-playing expert Jackie Earle Haley) and his plot to kill beloved superhero Superian (Brendan Hines). In those second six eps, the show sets up some decent stakes, pays off nearly every storyline it opens up, and still manages to leave a couple of juicy morsels for the next round.Scott Speiser in The Tick (2017)The Tick still seeks answers as to who (or what) he is, and Arthur continues to grapple with what it means to be a hero and whether he’s accepting that answer. Edlund and Josephson are clearly dedicated to world-building beyond their two main characters, and the show absolutely benefits from a three-dimensional secondary cast. Even characters like hard-core vigilante Overkill (Scott Speiser) and Arthur’s sister Dot (Valorie Curry) experience good growth throughout the season. In a world where superheroes rule, watching “The Tick” is a refreshing roast of all the ridiculous tropes and cliches we’re so used to seeing in just about every other genre show out there. Now that Amazon Video is available on Apple TV (and most other streaming platforms and devices), there’s no excuse for you to miss out. Each episode is only 25 minutes long, so binging all 12 shouldn’t take you more than six hours, but you’ll definitely know if you’re on board for “The Tick” or not after the first half dozen. Amazon already gave the green light to a second season, which should bow sometime in early 2019. The entire season 1 is now available for streaming on Amazon Prime Video.Peter Serafinowicz and Griffin Newman in The Tick (2017)

 

REVIEW: THE TICK (2017) – SEASON 1 – PART 1

MAIN CAST

Peter Serafinowicz (Dpy)
Griffin Newman (Draft Day)
Valorie Curry (Blair Witch)
Brendan Hines (Lie To Me)
Jackie Earle Haley (Watchmen)
Yara Martinez (Jane The Virgin)

RECURRING NOTABLE GUEST CAST

Christian Navarro (13 Reasons Why)
Whoopi Goldberg (The Muppets)
François Chau (Teenage Mutant Ninja Turtles 2)
Bryan Greenberg (Prime)
Alan Tudyk (Firefly)
Scott Speiser (6 Ways To Die)
Patricia Kalember (Signs)
Townsend Coleman (The Grinch)
Michael Cerveris (Gotham)
Joshua Schubart (Seven Seconds)

This new Tick series (following the famous ’90s animated series and the ill-fated first go at live-action on FOX back in 2001) takes a bit of a subtle left turn into soft Rated-R territory, allowing things to feel a little more grounded and grittier while also permitting the occasional F-bomb to fly free. Yes, it’s weird to think that the mostly-jovial world of The Tick could exist alongside actual carnage and bloodshed, plus profanity, but it works really well. As does the show’s parody of a Punisher-style murder hero named Overkill (Scott Speiser). After striking oil with the perfect tone for a Tick live-action series, this show also cunningly crafted its sweet and salty spine by casting Peter Serafinowicz as The Tick and Griffin Newman as Arthur – and then allowing the two of them to explore the actual mental maladies involved with this particular hero dynamic.The first episode introduces us to a very different take on Arthur. A traumatized Arthur who’s almost incapable of functioning as an adult without medication and the supervision of his sister Dot (Valorie Curry). Arthur is on a hero’s journey, obsessed with revealing the truth about a thought-to-be-dead supervillain named The Terror (Jackie Earle Haley), but he lacks the muscle and confidence to follow through. He’s all conspiracy theories and crime boards (and Reddit threads), but no real desire to bring about justice himself. From…wherever The Tick comes from. The second episode deftly toys with the idea of Tick possibly being some sort of mental manifestation of Arthur, like a Tyler Durden. Or even The Maxx, if you’d like to stick to comics and possible avatars of past trauma. Arthur has the intel and the personal vendetta while bullet-proof Tick has the ability to waltz in and lay waste to a villainous lair. Meanwhile, Tick isn’t quite sure of his own origins and keeps speechifying about doing good and answering the call of one’s true fate. It’s a pairing too serendipitous to ignore as both, right when they find each other, need the other.Serafinowicz’s Tick is pitch-perfect. Hallmarks, and expectations, set up by the animated series dictates that Tick be large, barrel chested, baritone, and brave. But important to the story too is the friendship that he and Arthur eventually cultivate. Arthur needs to be annoyed with everything at first, but you need Tick to be soft and supportive enough so that Arthur will eventually see him as a light in all the darkness. Tick, in his own right, needs to be rather unflappable in his pursuit of evil-doers, but he also can’t want to go after the villains without his trusted chum because Tick, aside from being his own particular style of doofy do-gooder, is meant to be therapeutic for poor Arthur. Despite taking place in the ream of super-powered heroes and villains, The Tick is a small series. The meager budget shows at times, but when VFX are used, they’re well-placed and important. The fact that the tone of the show is meant to ground everything and make the heightened feel a bit more real means that things tend to operate like they would in every day life. If you’re, say, a crime lord like Yara Martinez’s Ms. Lint or Michael Cerveris’ Ramses and you only have, maybe, a dozen paid thugs in your employ, you’d basically be without goon support if someone came and thrashed all of them. You don’t have an endless supply.This is a show where, as part of the world’s backstory, the aforementioned Terror actually succeeded in killing off America’s top hero team, the Flag Five. There are realistic consequences mixed in with the superhero silliness and that helps create a foundation with stakes. You understand why Dot is so afraid for Arthur when he embarks on his misadventures with Tick (complete with a impenetrable flying battle suit that imprints itself on Arthur – and yes, resembles a moth for reasons unknown). Their entire family had been ripped apart due to collateral damage from super-powered beings warring up above so you’re fully immersed the life or death aspects of the story. Nothing ever goes so dark that it all becomes Watchmen, but it does start to hit home like a more jagged version of The Incredibles. The Tick is a quick, delightful binge that perfectly captures the spirit of the 90s animated series while shading things a bit darker in order to present a more grounded world for a live-action setting.  Peter Serafinowicz’s Tick is also awesome as daft mysterious hero who appears to help a troubled man cross the finish line on a life’s journey to find justice.