REVIEW: VENUS

CAST

Peter O’ Toole (Lawrence of Arabia)
Jodie Whittaker (Broadchurch)
Leslie Phillips (The Jackal)
Vanessa Redgrave (Nip/Tuck)
Richard Griffiths (Harry Potter)
Cathryn Bradshaw (Like Minds)
Tom Mison (Sleepy Hollow)

The plot concerns Maurice (Peter O’Toole), an elderly actor who finds himself increasingly attracted to his friend Ian’s great-niece Jessie (Jodie Whittaker) while simultaneously finding himself in deteriorating health due to prostate cancer. Maurice’s friend describes the great-niece as a trouble maker and a nuisance, but Maurice discovers that Jessie warms up to him when he starts interacting with her. He takes her to the National Gallery in London to view his favourite painting, the Rokeby Venus, by the Spanish artist Diego Velázquez.
Peter O'Toole, Richard Griffiths, and Leslie Phillips in Venus (2006)
Jessie had expressed interest in modelling (Maurice initially mis-hears this as “yodelling”) and Maurice arranges for Jessie to model nude for an art class. As a result of Jessie posing for the art class, and inspired by his favourite painting, Maurice decides to give Jessie the nickname “Venus”. Maurice and Jessie develop a passive/aggressive relationship over the course of the film. Maurice is forward in terms of his attraction towards Jessie while Jessie occasionally indulges his whims to a limited extent, such as touching her hand and smelling her neck, but also retracts the indulgences when she feels that he has gone too far. The plot of the film revolves around the evolving friendship or relationship between the two characters. For Maurice, this appears to be the last attempt at something approaching a love life, as his prostate operation has left him impotent. For Jessie, it is less clear what she sees in Maurice. During the course of the film we see her do everything from exploiting him (trying to get him to buy her presents, trying to use his flat to have sex with a boy), taking care of him, flirting with him, and rejecting him sexually to engaging with him as a friend. During the course of the film we learn that she has been rejected by her mother and great-uncle for her promiscuous life style; it is implied that she is drawn to Maurice because he does not judge her as harshly as her family members have.
The plot comes to a head when Jessie becomes involved with a boy. The two young lovers convince Maurice to take a walk so that they can have sex. Maurice initially obliges, but returns to kick them out of his flat. A scuffle ensues and the boy knocks down Maurice, injuring him. Jessie leaves with the boy but she later returns to check on Maurice. When the paramedics arrive, Maurice claims he cannot remember who attacked him, much to Jessie’s surprise. Then Maurice calls for “Venus” to take care of him. Jessie, remorseful, agrees to look after Maurice. Some time later, after Maurice has at least partly recovered, he takes Jessie to the seaside at Whitstable in Kent.[2] As they sit down by the water Maurice says to Jessie “Now, we can really talk”, and dies, leaning on her. At the memorial services, Jessie meets Maurice’s ex-wife Valerie (Vanessa Redgrave), who could not find satisfaction in Maurice’s love life either. The last scene shows Jessie and others posing as models for the Venus character.
This film is amazing. The acting is superb and story very moving. It manages to be happy, sad, funny and uplifting all at once. The ‘disturbing’ moments work and are integral to the story.

REVIEW: SUPERGIRL (1984)

 

CAST

Helen Slater (Echo Park)
Faye Dunaway (Chinatown)
Peter O’ Toole (Lawrence of Arabia)
Hart Bochner (Die Hard)
Mia Farrow (Rosemary’s Baby)
Brenda Vaccaro (Midnight Cowboy)
Peter Cook (The Princess Bride)
Simon Ward (Zulu Dawn)
Marc Mcclure (Superman)
Maureen Teefy (Fame)

 

5781topGirlAfter accidentally losing the Omegahedron, Argo City’s power source, Kara Zor-El (Helen Slater) embarks on a journey to go recover it before Argo City perishes. Upon arriving on Earth, she discovers she has superpowers and adopts the identity of Supergirl, which she uses to help others while on her quest to recover the Omegahedron.Elsewhere, the Omegahedron has fallen into the hands of Selena (Faye Dunaway), a flunky witch who quickly becomes powerful because of it and who sets her sights on Supergirl, ready to eliminate the Girl of Steel the first chance she can get. Can Supergirl recover the Omegahedron before Argo City goes dark and Selena is victorious?Helen Slater in Supergirl (1984)This flick is every bit a part of my childhood as the Superman movies were. At the time, of course, I was too young to understand the story, but now older, it’s not too bad. Sure, it has some flaws and continuity issues, but at its heart it’s the story about someone trying to right a grievous mistake, something that most of us can relate to.

The visuals and hints of Kryptonian mythology put forth quickly link it to the Superman movies—Supergirl identifies herself as Superman’s cousin while in costume, and also as Clark Kent’s cousin when she’s in disguise as Linda Lee; her supersuit is basically the Christopher Reeve costume from the waist up—and it has a cinematic score that carries a similar heroic tone to that of its male counterpart. Likewise, Marc McClure reprises his role as Jimmy Olsen from the Superman movies and appears as Lucy Lane’s boyfriend (Lucy is Lois Lane’s younger sister).

Helen Slater and Faye Dunaway in Supergirl (1984)

They seem to want to jump right into Kara being Supergirl so don’t give an explanation as to why she leaves Argo City in that bubble ship in one outfit then transforms inside the ship and flies out of the water in her supersuit, but whatever. They do a good job of showing her discovering her powers, the joy of having them, and also the satisfaction of using them for good.  As hopeful and cheery as this flick is at times, it’s also equally dark thanks to Selena being a witch. There is a ton of occult imagery. The pacing was pretty decent and each obstacle Supergirl must overcome as the movie rolls along keeps getting bigger and bigger until the end when it seems all hope is lost and even the Girl of Steel is helpless. What was especially cool is during the time of Supergirl’s tenure on Earth, Superman was elsewhere in the galaxy doing his thing, so when the story wraps up, Supergirl asks those who knew of her presence to forget she was there and flies off triumphant back to Argo City. This, of course, kept the two super franchises separate while still linking them.sg1In the end, Supergirl is an overall enjoyable flick that is from a time before superhero movies got all dark and gritty, the hero was filled with angst and turmoil, and it enjoys itself for what it is: a movie about a girl who can fly.