REVIEW: SUPERMAN: BRAINIAC ATTACKS

CAST (VOICES)

Tim Daly (Basic)
Powers Boothe (Agents of SHIELD)
Lance Henriksen (The Terminator)
Dana Delaney (Desperate Housewives)
George Dzunda (City By The Sea)
Shelley Fabares (Hot Pursuit)
Mike Farrell(Private Sessions)
David Kaufman (Pearl Harbor)
Tara Strong (Batman: The Killing Joke)

Brainiac crash lands on Earth and hijacks Lex Labs to collect Earth’s data and amass the power of its weapons systems. Lois Lane and Jimmy Olsen are sent to one of Lex Luthor’s laboratories after Brainiac arrives on Earth on a meteor, successfully dodging the attempts made by Luthor’s satellite to destroy any potential damage to the Earth in an attempt to boost his popularity against Superman as the true hero of the people. Superman shortly arrives and finds Brainiac downloading data from the computers with information relating the various forms of weaponry from LexCorp, including the laser-equipped meteor shield that had attempted to destroy Brainiac earlier. Using his ice breath, Superman is able to seemingly destroy Brainiac, after Superman and Brainiac had engaged in battle.
Witnessing the incident, and how his satellite could be used as an effective weapon against Superman, Luthor finds Braniac’s still intact brain chip and takes it to LexCorp, where he reactivates Brainiac. He then proposes that Brainiac, with the technology of LexCorp as well as Kryptonite, defeat Superman, and then Luthor step in to chase Brainiac away from the Earth, in front of the world to make him appear as Earth’s true hero, where he will then be free to conquer other planets, leaving Lex in charge of Earth. Brainiac accepts the agreement, and proceeds to rebuilding and improving himself. Meanwhile, Clark Kent contemplates the idea of revealing his secret identity to Lois. The opportunity presents itself when editor Perry White, due to staff shortages, sends both Kent and Lois to review a restaurant in Metropolis. During this time, however, Brainiac returns. Among his improvements is the ability to track down Superman based on his DNA. After another battle with Brainiac, Superman has been significantly affected by Brainiac’s kryptonite power rays, and Lois is critically injured in the process. It is revealed that her blood has been infected with a kryptonite, metallic-based poison, that is galvanizing her blood cells and if not treated, would prove fatal.
Feeling guilty, Superman obtains a sample of Lois’ blood from the hospital and returns to the Fortress of Solitude where he analyzes Lois’ blood using his Kryptonian technology. It is then when Superman discovers that the only cure for Lois’ condition is to obtain a chemical substance, known as Argonium 44, from the Phantom Zone. However, Brainiac is able to locate Superman in his Antarctic retreat, and attempts to downloaded the information of Krypton from Superman’s computer. Superman then initiates a self-destruct sequence. Brainiac, not being able to locate Superman, presumes that he has been killed in the explosion. Superman had, in fact, gone into the Phantom Zone in order to find the Argonium 44, which would not only cure Lois and heal himself, but provide him with increased strength against Brainiac by shielding him from his kryptonite blast.
the-phantom13Brainiac returns to Metropolis where Luthor awaits in order to fulfill their agreement. Jimmy investigates Lex and realizes that he is working with Brainiac. Brainiac, however, intends to kill Luthor in order to conquer Earth, and had even removed the self-destructive component that Luthor had planted should Brainiac double cross him. Superman seemingly returns through a portal and cures Lois, but when bringing her out of the hospital, he realizes this experience is an illusion created by the Phantom Zone when Lois repeated goad him to stay with her and not go after Brainiac. After this, he is chased and attacked by several Phantoms before he actually escapes the Phantom Zone.the_phantom_sala-catehrine-zeta-jones
Returning to Metropolis, Superman and Brainiac engage in a lengthy battle, during which Luthor is injured in the crossfire. Mercy discovers Jimmy looking for evidence against Luthor and brutally attacks him. Eventually he takes over one of Lex’s large, robotic exoskeletons and knocks her unconscious. Unfortunately, his camera is destroyed by his attack, relieving him of the chance to photograph evidence of Lex’s schemes, much to his dismay. Superman seemingly defeats Brainiac and then returns to the hospital in order to cure the ailing Lois. But before Lois can take the cure, Braniac, who is now only a head, attacks the hospital and smashes the cure. Immediately afterwards, Superman finally destroys Brainiac by breaking his brain chip. With the cure now destroyed, Lois faces certain death. Superman, regretting never telling Lois his true feelings then embraces her. It is then that his tears, containing Argonium 44 that had healed him earlier, makes contact with Lois, curing her. She presumes him to be Clark, but Superman, (having changed his mind for her safety) tells her he is just Superman. Later, Superman recovers a piece of his destroyed Kryptonian technology where he aims to rebuild his fortress. He then vows to quit his job at the Daily Planet in an attempt to prevent future harm to his loved ones, should any of his enemies discover his secret identity.thephantomThe movie ends with an injured Luthor facing criminal prosecution after the discovery of LexCorp’s involvement with Brainiac’s attack, and Lois racing to cover the appearance of Mr. Mxyzptlk in Metropolis. Seeing Lois’ eagerness to put herself in harm’s way in order to cover a story, Superman goes back on his earlier decision to quit the Daily Planet so that he can be with Lois, as well as Metropolis’ protector against the most powerful threats from the universe.fortress_of_solitude_superman_brainiac_attacksOf course this movie was made to capitalize on the release of Superman Returns. Brainiac Attacks is a fun and fast moving adventure story. The epic battles are truly fun to watch. The animation is the same as you see on the animated series, and on Justice League. Tim Daly returns as the voice of Clark/Superman, as does Dana Delany as Lois. Lance Henricksen takes on the role of Brainiac, and while he may not have the smooth coolness the character used to have, his gravelly voice is menacing nonetheless, and he does a great job. If I have one complaint about the movie, it’s with Lex Luthor. He’s not the same character he used to be. He’s far more aloof, and even a bit of a clod. He’s not as menacing, and seems to go for the joke too often. He does get a couple of good lines, however. During a huge battle with Brainiac, Superman ends up face to face with Lex who gives him a “Rootin’ for ya, my man!”. That was quite funny. But it’s not Clancy Brown who reprises his role as Lex. Powers Boothe takes over, and while he’s a good actor, he’s not really right for Lex. So if you are a fan of the animated series, there is much to enjoy here. Unless of course, you can’t get around the whole Lex thing.

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REVIEW: THE NEW ADVENTURES OF SUPERMAN

CAST (VOICES)

Bud Collyer (Beat The Clock)
Jackson Beck (Popeye)
Joan Alexander (The Name’s The Same)
Jack Grimes (Speed Racer)
Julie Bennett (Mister Magoo)

The New Adventures of Superman’ was the first animated immortalisation of the Man of Steel for the small screen audience, since the Fleischer theatrical shorts of the 1940s. It was one of  Filmation’s first attempt at television animation, having acquired the license rights for DC characters, and quickly became Saturday morning’s staple for superheroics for decades to come.

The show’s first season, which aired on CBS from 1966-67, had a particular format of two 7-8 minute Superman cartoons, with one 7-8 minute episode of the first season of ‘The Adventures of Superboy’ sandwiched in-between. Subsequent seasons would incorporate a variety of other DC superheroes into the format, including Aquaman, Batman, Atom and Hawkman, amongst others. What is most interesting about this show and subsequent seasons is that it served somewhat as a precursor to the long-running Super Friends series of the 70s and 80s, after Hanna-Barbera acquired the rights to use DC characters from Filmation.


Throughout this first season of 36 7-8 minute episodes, Superman/Clark Kent deals with a lot of rather one-dimensional space villains from Pluto and Jupiter, for example, mad scientists harnessing insectoid and robotic powers, plus an army of sea-creatures and pre-historic dinosaurs. Classic villains from the Superman comic books also make their first appearance in animated form here in a few episodes, including Lex Luthor, the Prankster,the Parasite (albeit in a rather child-friendly depiction compared to his appearance in the comics), the Toyman, Brainiac, Mr. Mxyzptlk and original villains, the Sorcerer and the Wicked Warlock. Also making their small screen debut alongside the Man of Steel and his rogues gallery are Daily Planet Chief Editor Perry White, journalistic reporter Lois Lane and cub-reporter Jimmy Olsen. Interestingly, Bud Collyer, who voiced Superman in the 1940s’ Fleischer shorts and the long-running radio programme, also voiced the man of Steel here; while Joan Alexander, who also voiced Lois Lane in the same radio show, reprises her role here as the journalistic beauty of Metropolis. Ted Knight, who went on to narrate the adventures and action during the Super Friends series, also provides narration here, explaining the action as it is happening in a way very much synonymous with radio broadcasting.Ironically, compared to today’s standards, the action presented was very limited and Superman was not permitted to pull punches towards anyone or advocate any use of violence towards his enemies. This was due to a parental union, stating that comic book violence in books and on television were a bad influence on the young target audience. Therefore, the majority of DC’s Filmation Adventures series and subsequent Super Friends cartoons (as well as many other contemporary Hanna-Barbera cartoon series) were not especially full of animated action sequences, but did present a lot of moral messages for young children through dialogue and story-telling. Also, being a fledgling company, Filmation was famous for making use of stock footage quite frequently in their series and, unfortunately, this makes the cartoon sequences a little repetitive and predictable at times. However, on the whole, the character depictions and storyboards are relatively faithful to their comic-book counterparts, such as the utilisation of Jimmy Olsen’s Superman signal watch, for example.


Regarding this release from the DC Comics Classic Collection, the first season of ‘The New Adventures of Superman’, comprising 36 episodes (culminating in 252 minutes of classic animation fun!), is spread over two disks, containing 18 episodes each, with each disc having an approximate running time of just over two hours long. Unfortunately, the ‘Adventures of Superboy’ segments, exploring Superman’s teenage exploits, are not included, presumably due to the on-going legal dispute regarding character copyright and creation. Ironically, they did include the intro to one of the segments towards the end of the first disk, though the episode itself is not included. As an additional retro accompaniment, I would suggest exploring both the two disk DVD set of ‘DC Superheroes – The Filmation Adventures’; which includes the guest spot segments from ‘The Superman/Aquaman Hour of Adventure’ (1967/68), and ‘The Adventures of Aquaman’, also available in a two disk DVD set from the DC Comics Classic Collection (which includes the Aquaman segments from the aforementioned show). Thankfully, Warner Brothers have finally released the last two seasons of ‘The New Adventures of Superman’ onto DVD as of 2014, and let’s hope that we won’t have to wait too long for the interconnecting Season One Superboy segments to be made available to a very eager audience of golden-age animation and Superman enthusiasts.

REVIEW: SUPERMAN UNBOUND

CAST (VOICES)

Matt Bomer (Tru Calling)
Stana Katic (Heroes)
John Noble (Sleepy Hollow)
Molly C. Quinn (Castle)
Diedrich Bader (Batman: The Brave and The Bold)
Jason Beghe (X-Men:First Class)
Frances Conroy (How I Met Your Mother)
Melissa Disney (In A World)
Alexander Gould (Weeds)
Will Yun Lee (The Wolverine)
Stephen Root (King of The Kill)
Wade Williams (Gangster Squad)

Offering herself as a hostage, Lois Lane is caught in an aerial confrontation between her terrorist captors and the unpredictable Supergirl before Superman arrives to save the day. Soon after, knowing Superman’s civilian identity, Lois attempts to get Clark Kent to make their relationship public despite his fear of the consequences, but their argument is halted by a Daily Planet staff meeting before Kent leaves after being alerted to an approaching meteor. Intercepting it, Superman learns the meteor is actually a robot that he promptly defeats before activating its beacon and taking it to the Fortress of Solitude. With help from a fearful Supergirl, Superman learns the robot is actually a drone controlled by a being named Brainiac, a Coluan scientist who subjected himself to extensive motor, skeletal and cybernetic enhancements, turning him from a human like, thin, and hairless being to a muscular, red eyed giant with computer like components and enhanced physical abilities compatible to Superman’s. Supergirl, horrified at seeing Brainiac, reveals from her experience with the monster. Brainiac seized and miniaturized Krypton’s capital city of Kandor prior to the planet’s destruction with her father and mother attempting to track him down before they mysteriously lost contact with Krypton. She is now worried that Brainiac will do to the world what he did to Kandor.

Fearing more drones would come, Superman flies through the galaxy with a Kryptonian spacecraft in an attempt to track down Brainiac before finding his drones attacking a planet. Though he attempts to stop them, Superman witnesses Brainiac capture the planet’s capital like he did with Kandor before firing a Solar Aggressor missile to consume the planet in its exploding sun. The explosion knocks Superman unconscious and he is brought on board Brainiac’s skull shaped, tentacled ship. Coming to in the examination room, he fights his way through the vessel before he discovers a room full of bottled cities prior to being attacked by Brainiac. At this point, confirming that he spared Krypton because of its eventual destruction, Brainiac is shown that he has been collecting information on all the planets he visited and uploading it into his neural core before destroying them. Using Superman’s spacecraft and his telepathic abilities, Brainiac discovers that he has been living on Earth. Brainiac decides to chart a course to Earth while sending Superman into Kandor. Inside Kandor, his strength waning due to the artificial red sun, Superman meets his uncle Zor-El and aunt Alura. They explain that Brainiac was instructed to learn all that is knowable about the galaxy. Being a cyborg, Brainiac interpreted his directive literally and realized that he could not achieve this goal because life keeps changing. His knowledge of one world would become out-of-date as soon as he moved on to the next world. Brainiac therefore destroys civilizations after studying them so that they cannot change further, thus leaving him with a literally complete and up-to-date knowledge of them.

Superman formulates a plan and escapes Kandor using the subjugator robots. From there, Superman disables Brainiac’s ship and takes Kandor with him back to Earth. At that time, Lois learns from Supergirl why Superman left and alerts the Pentagon of a possible invasion by Brainiac, who eventually repairs his ship and arrives in Metropolis.

Despite everyone, including Supergirl, doing their best to fend his drones off, Metropolis is encased in a bottle and both Superman and Supergirl are captured. Having hooked Superman up to his ship, Braniac reveals that Earth offers nothing to him, tortures Superman by overloading his mind with data to obtain Kandor and attempts to destroy the planet. However, telling his captor what Earth means to him, Superman breaks free and then frees Supergirl and convinces her to stop the Solar-Aggressor from hitting the sun. Remembering Zor-El’s words about Brainiac’s ideals, Superman knocks him out of the ship and they crash into a swamp. As he fights Braniac, Superman forces the cyborg to experience the chaos of life itself outside of the safe, artificial environments he has created. Eventually, the combined mental and physical strain takes its toll on Brainiac and he combusts and is reduced to ash and molten machinery. After restoring Metropolis, taking Kandor to another planet to restore its normal size and establishing a Kryptonian colony, Superman makes his love life with Lois as Kent public with a marriage proposal. However, placed in the Fortress of Solitude, Brainiac’s remains glow, indicating that Braniac still has some degree of his power.file_204535_4_Black_Moon_Rising_Tommy_Lee_JonesThe movie has plenty of action not just between Superman and Supergirl vs. Braniac; but the people of Earth and Krypton fighting back as well. I like that fact that Brainiac is one of the villains that can match Superman physically

REVIEW: SUPERMAN VS THE ELITE

CAST (VOICES)

George Newbern (Father of The Bride)
Pauley Perrette (Almost Famous)
Robin Atkin Downes (Babyon 5)
Dee Bradley Baker (American Dad)
Ogie Banks (Ultimate Spider-Man)
Catero Colbert (Zombie Strippers)
Melissa Disney (In A Word)
Paul Eiding (Wall-e)
Troy Evans (Ace Ventura)
David Kaufman (Superman: TAS)

The movie opens with Manchester Black watching news stories about villains and how they’re given second chances. All of the news stories come down to one subject: the world wants solutions to all of the evil in the world – by killing it. When Manchester sees this, he turns off the TV and begins his plot to keep the world safe by any means necessary. Back at Metropolis, Lois and Clark witness the death of multiple people in the streets at the hands of the Atomic Skull who was killing people to draw out Superman. As the battle erupts throughout most of the city, Superman ends up defeating Atomic Skull by throwing him into a lake. After this, Superman gives a speech at the United Nations about the greater good that is found within everyone. During this the leaders of Bialyia and Pokolistan begin to fight due to their peace treaty being broken, Superman leaves the United Nations to stop their armed forces from destroying each other.

As Superman arrives in Bialya, the Pokolistani forces release a bioweapon on the Bialyan military which destroys most of their ground forces. As Superman gets the soldiers to safety from the bioweapon, the Elite arrive just in time to help Superman destroy it. Superman returns to Metropolis to report the news and also gain more information on the Elite. Superman and Lois fly to England to find out if they, and the world, can trust the Elite. It is revealed through Manchester Black that he gained his powers near puberty and used it for the first time to save his sister Vera from being hit by a train.

Through telepathy, Black gets a painful headache of multiple people screaming. The Elite and Superman arrive on the scene to save the civilians on a subway train which was trapped underwater due to a terrorist attack. After Superman and Black save the passengers, Black interrogates the terrorists that bombed the train nearly killing them. Superman begins to be concerned about the motives of his new-found friends. Back in Metropolis, Clark and Lois talk about the information they had found on the Elite and Manchester Black’s history. Lois tells Clark that there is no birth record or death certificate of Manchester’s sister Vera. This makes Clark further question the Elite’s origin and what they are really trying to accomplish. When Manchester broadcasts a message for all the world to hear, he ends up telling them that they will take care of all the bad guys in the world by killing them.

After the broadcast, Superman returns to the Fortress of Solitude to search for reliable information on the Elite. Having failed in finding information, Superman travels to Bialya. While there Superman is hit by an EMP which weakens him. Closing Pokolistani forces are about to attack him when the Elite attacks. Powerless to stop the chaos that the Elite inflict on the Pokolistani military, Superman ends up passing out. He eventually awakens at the Elite’s base of operations, a sentient macroorganism called Bonnie, and is teleported back to Earth after he fails to convince the Elite that they don’t have to kill to be heroes. In Metropolis, Atomic Skull breaks out of prison and looks for revenge on Superman. The Elite arrives but have little success against the overpowered Atomic Skull. When Superman arrives, he coordinates an attack with the Elite to get all the extra power away from Atomic Skull. After Atomic Skull’s power is drained by Coldcast, he is executed by Manchester Black under the vote of a boy whose father was one of Atomic Skull’s victims.

After protecting Pokolistan from Bialya’s jets, Superman is visited by the Elite who tell him that they have killed both the Pokolistanian and Bialyan leaders and that peace can reign supreme in that area once again. Angered by Manchester’s uncontrollable urge to kill the villains, Superman punches him in the face and the Elite take it as a statement of war against the world’s “favorite heroes.” They tell Superman that they will kill him for this outrage. The next day, Superman stands in the middle of Metropolis telling the Elite that he is ready to fight. Asking them to do it somewhere safe, they teleport to the Moon where they begin their fight, with the people of Metropolis watching via Bonnie. Both sides are evenly matched until Black telekinetically induces a seizure in Superman. Coldcast then unleashes a massive blast of electromagnetic energy on Superman, and to those watching the battle on Earth, it appears that Superman has been obliterated. However, moments later, the Elite start hearing Superman’s voice all around them. In his taunts, Superman states that he has finally been convinced that he needs to start killing villains–beginning with the Elite. Superman then begins to take out the Elite one by one; first he injects Menagerie with a poison that causes her sym-beasts to abandon her and apparently kills her. The Hat attempts to exploit Superman’s known weakness to magic but is suffocated by a super-speed generated whirlwind and sucked into the funnel.

Against Coldcast’s wishes, Manchester teleports them to Metropolis to use the innocent civilians as cover. Black gives the order to combine powers to destroy Metropolis when Superman appears. After Superman knocks Coldcast into orbit, he confronts Black. Manchester attacks Superman with everything he has but fails to harm the Man of Steel. Through heat vision, Superman lobotomizes Manchester, stripping him of his powers. Believing his death to be seconds away, Manchester tells Superman that the world knows he is no better than they are and will never again trust him. Superman reveals that he faked killing the other members of the Elite and had his Super-Robots protect all of the civilians present to and create the illusion that he had killed indiscriminately. They were really transported to the Fortress of Solitude to be stripped of their powers, then sent to a prison. In addition, Bonnie was offered a way to return home. In the end, the people of Earth see that Superman’s way is best for all of mankind. After that, he flies off with Lois and they kiss.

Great film! Barring the awful English accents!

REVIEW: ALL STAR SUPERMAN

 

CAST (VOICES)
James Denton (Desperate Houswives)
Christina Hendricks (Mad Men)
Anthony LaPaglia (Summer of Sam)
Edward Asner (Elf)
Frances Conroy (American Horror Story)
Linda Cardellini (Super)
Cathy Cavadini (The Batman)
Steven Blum (Wolverine ad The X-Men)
Alexis Denisof (Angel)
Matthew Gray Gubler (500 days of Summer)
Finola Hughes (Generation X)
Arnold Vosloo (The Mummy)
Dr. Leo Quintum and his team are exploring the Sun when they are sabotaged by a booby-trapped genetically-enhanced clone, turned into a time-bomb by Lex Luthor. Superman stops the clone but in doing so receives an overdose of solar radiation. Though the radiation is slowly killing him, it does give Superman new powers. Luthor, having orchestrated the death of Superman while under the employment of General Sam Lane, is arrested by the military thanks to Clark Kent’s article and sentenced to death by a Metropolis tribunal. Superman asks Dr. Quintim to keep news of his impending death secret from the public. Wanting to spend as much of his remaining time with Lois Lane, Superman reveals to her that he is Clark Kent. Lois doubts his revelation because she had been unable to prove Superman’s “Kent” identity herself. Superman takes her to the Fortress of Solitude. During this visit, Superman’s secretive behavior and her indirect exposure to alien chemicals heightens Lois’ paranoia.
She is startled by Robot 7, shooting it and then Superman with a kryptonite laser. The solar radiation having made him immune to green kryptonite, Superman is able to calm her, explaining his caginess was to hide her birthday present, a serum granting her superpowers for 24 hours. Now as a Superwoman, she and Superman stop an attack by Subterranosauri led by Krull in Metropolis just as Samson (who tricked Krull into leading an attack on the surface world) and Atlas arrive. After the Subterranosauri are returned to the center of the Earth, their leader Tyrannko states to Superman that Krull will be dealt with. Samson flirts with Lois and gives her a necklace, the crown jewels of the Ultra-Sphinx. When Superman tells him to back off, he shows Superman a newspaper that reads “Superman Dead” and challenges Superman to contests to win Lois. The Ultra-Sphinx travels through time to reclaim the jewels Samson had stolen, placing Lois between life and death. Superman must answer an unanswerable question to save Lois. The unanswerable question is “What happens when the Unstoppable Force meets the Immovable Object?” Superman beats Ultra-Sphinx’s challenge with the answer being “they surrender.” Superman then defeats Atlas and Samson in a double arm-wrestling match before spending the rest of the day with Lois as her powers fade.
Later, Kent meets Luthor in his death row cell for an exclusive interview at Stryker’s Island. However, Superman’s energy allows the Parasite to free himself and cause havoc in the prison. Clark stops him while not revealing his secret identity, with Luthor disclosing his respect for Clark as both a journalist and a man. Luthor then reveals a tunnel from his cell for Clark to escape through, aided by Luthor’s delinquent niece Nasthalthia. Luthor chooses not to escape as the satisfaction of outliving Superman is rewarding enough. Clark tells Lois he’s dying, before leaving to take the city of Kandor to a new planet to thrive, as he does not believe he’ll survive the trip back. Lois denies it, speaking of their future together with their super-children. Clark informs her that their biology is too incompatible for them to bear children. Clark leaves with Lois promising to wait for his return.
Two months later, Superman returns to find Metropolis has been repaired with Kryptonian architecture and that Earth has been protected by Bar-El and Lilo, lost astronauts from Krypton. They followed the trail of the vessel that brought Superman to Earth. To his dismay, the two have less altruistic goals and intend to turn Earth into a new Krypton. As they fight Superman outside of the Daily Planet, Bar-El and Lilo begin showing signs of illness: the two had passed through the remnants of Krypton and thus were saturated with Kryptonite. To save them and at their request, Superman places the two in the Phantom Zone until a cure can be found.After settling his affairs, Superman proceeds to finish his last will and testament. Luthor reprogrammed one of the Fortress’ robots to steal the serum he made for Lois’ birthday. Having the powers of Superman, Luthor’s death by electric chair failed and he escapes unfettered. He meets with Nasthalthia below one of his lairs to continue his plans. Superman finishes his will when he learns of Luthor’s secret ally Solaris, the tyrant star computer has betrayed Luthor by tampering with Earth’s sun and turned it blue. With his robots, Superman engages Solaris in space. However, Solaris’ raw power output vaporized all of the robots, with Robot #7 sacrificing itself to damage Solaris to redeem itself for being manipulated into stealing the super serum. All seems lost until Superman’s pet Sun-Eater sacrifices itself to weaken the tyrant star, which allows Superman to destroy Solaris.
Clark returns to the Daily Planet, very ill, and collapses upon completing his article, “SUPERMAN DEAD”. When the staff tries to save him they realize that he has stopped breathing and his heart stopped. But before they can do anything to help Clark, the super-powered Lex Luthor arrives and attempts to kill Lois. Clark revives and fires a gravity gun at Luthor. Superman tells Luthor he has been on to him ever since Superman Robot #7 first malfunctioned. As his powers fade, Luthor briefly sees the world as Superman sees it and weeps as he gains a measure of understanding of the subatomic and how it interconnects. The gravity weapon has warped time causing Luthor’s powers to burn out at a faster rate. As his powers drain, Luthor wishes the experience to continue. He believes he can solve the grand unification theory but when he reaches for his next vial of serum, he realizes that Superman has stolen his supply. Superman then destroys the serum over Luthor’s protests, pointing out that if Luthor truly cared about solving the world’s problems, he would have done so long ago.
With Superman’s body starting to turn into pure energy, he and Lois embrace one final time and he proclaims his love for her once and for all. He gives her his cape as a way to remember him before he leaves and flies into the Sun, seemingly sacrificing himself to save the Earth.
Later, when Lois sits on a bench in front of a statue of Superman, Jimmy invites her to attend a memorial service being held for Superman. Lois does not go as she believes Superman is not dead and will return after he repairs the sun. Quintum visits Luthor in his cell. Now enlightened from his ordeal and accepting his impending death, Luthor presents Quintum with the only thing that could redeem him for his actions over the years….a formula to recreate Superman’s genetic structure through a healthy human ovum. As Quintum leaves, he sadly muses “They always said they wanted children”. The movie ends with a picture of Superman fixing the sun and Lois’ voice once more stating “He’s not dead. He’s up there fixing the Sun. And when he’s done, he’ll be back.”
An excellent take which sticks closely to its source material. Approach with an open mind and you shouldn’t be disappointed

REVIEW: SUPERMAN DOOMSDAY

CAST
Adam Baldwin (Chuck)
Anne Heche (Spread)
James Marsters (Smallville)
John DiMaggio (Futurama)
Tom Kenny (The Batman)
Swoosie Kurtz (Mike & Molly)
Cree Summer (Inspector Gadget)
Ray Wise (Robocop)
Adam Wylie (The Smurfs 2)
Chris Cox (Ted)
James Arnold Taylor (Star Wars: The Clone Wars)
Townsend Coleman (Batman: The Dark Knight Returns)
Kimberly Brooks (Justice League War)
Kevin Smith (Clerks)

Though not an outright adaptation of the “Death of Superman” comic story arc, this film(the first of Warner Premiere’s direct to video animated movies) does borrow a number of elements from there but ends up carving out its own unique storyline. The PG-13 violence is slightly more brutal than that seen in Justice League Unlimited or the Marvel Animated “Ultimate Avengers”. Where the animation excels in a high frame rate leading to smooth character actions, scene transitions and fight scenes, the level of art detail is painfully low. The artwork in this film is more detailed than in previous DC animated TV series.

From the start, we get into this new portrayal of Lex Luthor. Here he is not a madman obsessed with world domination or a underhanded business mogul. He is a genius who feels threatened by a Superior adversary, Superman. His obsession with defeating the man of steel is not so much because Superman keeps thwarting Luthor’s plans or to be rid of a nuisance. Rather, Luthor just wants to reaffirm his own superiority, that he is the “best of the best”, hence why only he deserves to take down Superman. We also get to see a deep budding romance between Superman and Lois Lane; very well developed love story there that only makes the loss that comes later, all the more tragic.

From there, the second act is where the film truly shines. We get to see how the characters react to his death. Many heart wrenching scenes include Martha Kent having to mourn the death of her son in secret;the son that nobody knows is hers, to Lois Lane’s tough and strong willed exterior finally crumbling into a sense of utter loss. The emotional impact is very clear on the people of Metropolis and translate very well to the viewers. The portrayal of events that take place following Superman’s death is just so believable, with rampant riots and soaring crime rates. Even Lex Luthor is emotionally torn; having been cheated of his dream, and Superman’s robot butler sinks into sorrow as well, having lost the one thing in his existence that gave his existence purpose. A number of good underlying themes such as human psychological nature in dealing with a loss, the question of purpose and shattered hope. The 3rd act is about Supermans Resurrection and the clone Luthor creates.. The theme especially of Superman’s conflicting views on justice and morality, embodied by a very creepy dialogue between him and another Superman, stands out as one of the high points of the act. It is almost as if the entire fight is actually a metaphor for Superman wrestling against himself; his inner doubt and his fears.

Overall, this movie is a very well crafted piece of work. As an adaptation of “Death of Superman”, this film strays very far from the source,  But viewed as a separate piece of work altogether, it allows this movie to truly shine.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
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Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!