Paul Walker (Hours)
Cameron Bright (Juno)
Vera Farmiga (Bates Motel)
Chazz Palminteri (Analyze This)
Karel Roden (Hellboy)
Johnny Messner (Tears of The Sun)
Ivana Milicevic (Vanilla Sky)
Michael Cudlitz (The Walking Dead)
Elizabeth Mitchell (V)
John Noble (Sleepy Hollow)
Arthur J. Nascarella (Billions)
Joey (Paul Walker) is a small-time mobster hired to dispose of ‘hot’ guns for his bosses. One of these weapons (with particular value over all the others) falls into the hands of his son’s best friend and is used to startling effect. Here is where the real fun starts. Joey can find neither the child nor the weapon in question, and he has only 18 hours before either the police, the Russian mafia or his own employers catch up with him.
Walker is surprisingly impressive, here he plays Joey as someone well aware of his impending death should he fail, and throughout he is totally watchable and believable. The story occasionally flags, particularly in the middle of the film, but Kramer is not afraid to play with the camera-work to keep the audience’s attention – whip-pans, CSI-style extreme close-ups, super slow-motion, sepia filters and colour bleaching are all used to give the film a gritty and somewhat unique look.The film’s charcoal-dark tone may be too relentless for some viewers, and the paedophilia subplot could be considered as taking things one step too far, but as long as you’ve got a strong stomach and can face hearing lashings of creative swearing, there’s a lot of enjoyment to be found here.
Paul Walker (Into The Blue)
Frances O’Connor (A.I.)
Gerard Butler (300)
Billy Connolly (The Man Who Sued God)
David Thewlis (The Theory of Everything)
Anna Friel (Pushing Daisies)
Neal McDonough (Arrow)
Michael Sheen (Underworld)
Marton Csokas (Xena)
Rossif Sutherland (Reign)
Patrick Sabongui (The Flash)
Matt Craven (Sharp Objects)
Amy Sloan (The Heartbreak Kid)
A directorial effort from Richard Donner (“Goonies”) is an adaptation of the Michael Crichton novel, where a machine that allows items (or even people) to be faxed from one place to another. Unfortunately, instead of sending things across the room or down the street, the wormhole has sent the objects back in time – to 1357 in Castlegard, France – right before a war is about to begin. Professor Edward Johnston (Billy Connolly) is revealed to have been the test subjec”, and is stuck in the past. It’s up to his son Chris (Paul Walker), Kate Erickson (Frances O’Connor), Andre Marek (Gerard Butler), Francois Nolastnamegiven(Rossif Sutherland) and a couple of soldiers to save the professor.
I do appreciate that the film’s big action scenes seem to have been done without the aid of much in the way of effects, but with character development running so low and performances so average (not to mention dialogue being weak), it’s difficult to be that involved with any of it.
Timeline does have a moment or two (the bigger action sequences are technically well-staged) and a several moments that are so goofy as to be entertaining, but the film’s 116-minute running time is mainly good for pondering the kind of picture that could have been if more care had been taken with casting and the screenplay.
Freddie Prinze. Jr (Bones)
Rachael Leigh Cook (Antitrust)
Paul Walker (The Fast and The Furious)
Matthew Lillard (Scream)
Jodi Lyn O’Keefe (The Vampire Diaries)
Kevin Pollak (Mom)
Usher (The Faculty)
Lil Kim (Superhero Movie)
Anna Paquin (X-Men)
Kieran Culkin (Home Alone 2)
Elden Henson (Daredevil TV)
Sarah Michelle Gellar (Buffy)
Gabrielle Union (Flashforward)
Clea DuVall (The Lizzie Borden Chronicles)
Alexis Arquette (Pulp Fiction)
Chris Owen (American Pie)
Milo Ventimiglia (Gotham)
Flex Alexander (The Hills Have Eyes 2)
Tamara Mello (Popular)
Debbie Lee Carrington (Total Recall)
Taylor Vaughn (Jodi Lyn O’Keefe) is supposed to be a lock for prom queen, but her newly-minted ex Zack (Freddie Prinze Jr.) shrugs that off. Grab any girl on campus, give her the right look, and pair her with the right dude, and — flash forward a month and a half! — she’s the one getting a sparkly tiara placed atop her immaculately-coiffed head. Über-bro Dean Sampson (Paul Walker) sez that it’s a bet, and as part of the terms, he even gets to choose the girl. ‘Course, Dean’s not gonna make it easy. The unwittingly lucky lady…? Laney Boggs (Rachael Leigh Cook)! A standoff-ish klutz.
She’s All That isn’t exactly going to blindside you with outta-left-field twists or anything. You know Laney isn’t gonna give Zack so much as the time of day. You know he’ll wind up wearing her down and that the two of ’em will get to be buddies. You know they’re gonna fall in doe-eyed love. You know that whole bet thing will come back to bite Zack on the ass. You know they’ll break-up-to-make-up, that there will be a big thing at the prom, that the bad kids will get what’s coming to ’em, and that it’ll all end happily ever after. You know beat-for-beat how things are gonna go, and that predictability is kinda part of the appeal.it’s a film you can sit down to and not have to think much.
NOTE: there is a blink and miss it cameo from Sarah Michelle Gellar
Tobey Maguire (Spider-Man)
Reese Witherspoon (This Means War)
William H.Macy (The Cooler)
Jeff Daniels (Allegiant)
Joan Allen (Manhunter)
J.T. Walsh (A Few Good men)
Don Knotts (Three’s Company)
Marley Shelton (Planet Terror)
Jane Kaczmarek (Malcolm In The Middle)
Giuseppe Andrews (Cabin Fever)
Jenny Lewis (Bolt)
Marissa Ribisi (100 Girls)
Justin Nimmo (Power Rangers In Space)
Jason Behr (Roswell)
Paul Walker (The Fast and The Furious)
Maggie Lawson (Two and a Half Men)
Marc Blucas (Buffy)
Danny Strong (3rd Rock From The Sun)
Nancy Lenehan (Catch Me If You Can)
Distinctively here in Pleasantville, there is a journey which starts with materializing a TV-series into life and ends up with materializing the life into this TV-series. The cheerful 1950s’ TV sit-com Pleasantville is revived in the ’90s on cable. A homebody teen, David Wagner, escapes from the daily rush of the real unpleasant world by watching this show. He doesn’t even miss the reruns, memorizes the scripts and speaks them out before the actors in the show say their part. One day after school, he and his sister Jennifer can’t agree on the right TV channel to watch. Then they fight over the remote control and it breaks. The new remote, which will zap them inside Pleasantville, given to them by a strange TV-repairman.
When they entered Pleasantville, they become the part of the show and turn to black-and-white as the TV show displays. David and Jennifer take up residence as the son and the daughter of the sit-com family. Soon, they realize that there the life is always pleasant; the temperature is always lukewarm and the seasons are always spring with no rain no snow no hot no cold weather, books have no words, roads end where they start, nothing burns and matches are useless, married couples sleep in twin beds, sex does not exist, nobody gets sick, nobody gets hurt and nobody ever questions this hassle-free life. David fits right in as he always dreamt to be, while her sister persists on him to try to figure out what should they do to escape from there. Though she changes her mind when he gets a boyfriend from school. Her attempts of putting her lifestyle on effect causes Pleasantville gets colors. Thus wonderful and frightening changes start to take place.
Pleasantville is a truly original film that soars with dynamism and aesthetic. From a social and deeply political perspective; it has deep meaning and relevance in today’s society.