REVIEW: CAPRICA – PART 2

 

Starring

Eric Stoltz (The Butterfly Effect)
Esai Morales (Titans)
Paula Malcomson (The Hunger Games)
Alessandra Torresani (The Big Bang Theory)
Magda Apanowicz (You)
Sasha Roiz (Grimm)
Brian Markinson (Sanctuary)
Polly Walker (Pennyworth)

Caprica (2009)

Recurring / Notable Guest Cast

Kendall Cross (X-Men 2)
Peter Wingfield (Highlander: The Series)
Andrew Airlie (Fifty Shades of Grey)
Hiro Kanagawa (Izombie)
Panou (Flash Gordon)
Zak Santiago (Shooter)
Bridget Hoffman (Darkman)
Scott Porter (Speed Racer)
John Pyper-Ferguson (The Last Ship)
Anita Torrance (Smallville)
Genevieve Buechner (The Final Cut)
Ben Cotton (Stargate: Atlantis)
Teryl Rothery (Stargate SG.1)
Patton Oswalt (Veronica Mars)
Ryan Kennedy (Smallville)
Christopher Heyerdahl (Van Helsing)
Calum Worthy (American Vandal)
Tom McBeath (Stargate SG.1)
Aleks Paunovic (Van Helsing)
Elisabeth Rosen (Cult of Chucky)
Sina Najafi (Stargate SG.1)
Carmen Moore (Flash Gordon)
Mike Dopud (Arrow)

Esai Morales in Caprica (2009)Nothing would’ve made me happier than to deem Syfy’s decision to cancel Caprica a grave and unwarranted one, but that’s something which simply can’t happen. Bear with me now, because there’s a reason for saying this. As a defender of the series when it was on the brink of cancellation, there’s no joy in stating that it’s easy to see why Ron Moore and David Eick’s offshoot from Battlestar Galactica received the axe when it did. Though far from faultless, the first half of the series established a fine foundation for a world rife for exploration: the mechanics of a society that would ultimately create a sentient lifeform, robots which would rebel and eventually annihilate most of the human race. But concept’s only part of the journey, and Caprica saw tonal and storytelling issues that shaped it into a rough, erratic exploration of those ideas, reaching an especially stagnant point at the beginning of this second half. It’s a shame, then, that the writers and producers finally discover their rhythm in the last five-and-a-half episodes, as it truly becomes the series I had hoped it’d become.Paula Malcomson in Caprica (2009)The story revolves around the polytheistic, technologically-advanced colony of Caprica roughly sixty years before “the downfall”, focusing on the conflict between, and within, two families: The Graystones, and the Adamas. Lawyer Joseph Adams (Esai Morales) lives a somewhat normal life with his wife and two children, Tamara and Billy, attempting to juggle his high-profile stature in the legal realm with his domestic life. He fights a bit with keeping himself as distanced as he can from his unsavory lineage, the Tauron mob Ha’la’tha, though it’s hard since the organization funded his education and requires his services regularly — usually by messages delivered through his brother, Sam (Sasha Roiz). BSG devotees with get a jolt in seeing the blossoming of young “Billy” in this environment early on, watching the growth of the semi-troubled youth that’d transform into the disquieting, powerful Galactica commander Bill Adama.Magda Apanowicz in Caprica (2009)Caprica’s central draw, however, is the Graystones. Daniel Graystone (Eric Stoltz) heads a tech development firm working on a mechanized super-soldier that’s just not cutting the mustard, all the while generating profit (60% of net, to be exact) with virtual reality headsets — holobands — that connect to a network of fully-interactive, realistic digital worlds. Graystone’s seemingly safe digital construct quickly broke down into a laissez-faire underground, filled with hacked sections that exploit sex, drug-use, and violence. Daniel’s daughter, a silver-tongued high-school student named Zoe (Alessandra Torresani) who battles with her mother Amanda (Paula Malcomson) over authority, frequents the holoband V-Club with boyfriend Ben (Avan Jogia) and timid best friend Lacy (Magda Apanowicz), yet they’re beyond the carnal satisfaction that the place has to offer. Instead, they’ve found purpose in monotheistic religious belief within an activist organization, the Soldiers of The One (STO), and, in the process, created an exact digital copy of Zoe who will somehow aid the resistance.Eric Stoltz and Paula Malcomson in Caprica (2009)Caprica utilized a cliffhanger episode at the end of the first half of the season, one that leaves the mortality of several characters up in the air. It’s uncertain whether the depression-driven grief that Amanda’s been going through truly led her to suicide; similarly, we’re unsure if the full-throttle abrasiveness that Zoe was enacting inside the U-87 Cylon body destroyed her at the end. Then, Syfy opted to go on a very lengthy mid-season break (read: they shelved the episodes), leaving curious minds in the dark for roughly seven months and, effectively, knocking the wind out of Caprica. Already, the series wasn’t on the strongest of legs; as mentioned before, it establishes a fine world that explores the emotions coursing through decisions to either reject or embrace digital memories of loved ones, while also giving some deep-rooted glimpses into the underpinnings of Moore and Eick’s Emmy-winning Battlestar Galactica. Yet it wasn’t all gelling together as of yet, only improving as the series went along but ultimately lacking the joie du vivre that pumped its inspiration forward.Eric Stoltz in Caprica (2009)Therefore, when Caprica’s second half starts off sluggish and overbearingly dour, it’s almost like a death toll. Let’s be perfectly honest here: the first three installments following a seven-month hiatus end up being misfired glut, something the series couldn’t withstand at that point. Starting with a jump-forward in time that echoes the end of Battlestar Galactica’s second season, it throws the story in a pit of depression, despair, and cutthroat politics surrounding Daniel that bloats beyond its boundaries. When the Ha’la’tha use killing one’s mother — someone unassociated with the crime syndicate — as a sign of loyalty, when the STO enact murderous power moves over their religious heads, or when Zoe’s avatar is bludgeoned to near-death for simply looking like the STO terrorist she’s perceived to be, the tone gets molasses-level thick and fairly objectionable. It’s as if Moore and Eick are overcompensating so their audience knows they’re not pulling any punches, while the output they produce leans toward ham-handed and hard-faced discomfort — and extremely awkward in “Things We Lock Away”, a sloppily glued-together hodgepodge of poorly-orchestrated arena brawls in New Cap City and intent Lacy/STO development.Esai Morales in Caprica (2009)None of Caprica’s issues root in the performances, however, or the production design. From the ground up, Moore and Eick continue the shrewdly-cast and stylish thrust of science-fiction with a fine vein of suspense, capturing the city’s expanses with a unique blend of metropolitan polish, futuristic gris-gris, and slick ’50s-esque allure. Locations like the Graystone mansion sport angular windows and a glaring pour of cold light, while the Adama household encapsulates a warm yet dark demeanor. These fitting aesthetic touches cradle some exceptional dramatic performances, including Eric Stoltz and Esai Morales whom have come into their own as tried-and-true denizens of Caprica. The same can be said for Magda Apanowicz as Lacy, who takes the complications surrounding a semi-innocent girl lost in the world of terrorism and runs with them with stalwart momentum. Lacy’s role, which gets sloshed around in the first half of the season, begins to grow more focused as she embeds further into the STO (and learns of her affinity with post-Zoe Cylons). The faces of Caprica are what keep the series afloat, both during the well-executed and bungled stretches in the show.Still from CapricaReally, the issues hinge on a general question: “What’s the driving force behind Caprica?” At first, the series closed in on the machinations of the Cylon origins, as well as exploring monotheism vs. polytheism, the benefits and hindrances of an abandon-free V-World, and the reluctance for people to let go of those whom have died. Upon the second half of Caprica, all that’s somewhat switched out for direct drama involving the robots’ “creator”, as well as concentration on the gangster Adama network and the blossoming of the terrorist organization as idealists — which, by the way, the STO material’s fairly bland and oddly-executed during that stretch. In essence, it starts to go down a fairly generic path of aggressive human drama, leaving the intrigue behind Zoe’s presence somewhat alone for a two-hour burst. It’s pretty clear that the minds behind the show tinkered with some new (and time-weathered) ideas to try and wrangle together a new audience. And it didn’t really pan out as such.Caprica with Eric StoltzFortunately, the creative team seems to have had an inclination towards this. Starting with “False Labor”, Caprica begins to see an awakening, as if they both discover where their weaknesses lie and resurrect the spirit of Battlestar Galactica — which carries over in “Blowback”, marking the first of five episodes that Syfy shelved around the time of cancellation. In this episode, Daniel attempts to recreate Zoe’s “resurrection” software, while in the process using an avatar of Amanda as a basis for comparison. Since he knows all the mannerisms and minutiae of his wife, he’s able to determine exactly how human or inhuman she’s acting, and the content that unfolds as he dissects this digital Amanda can be both penetrating and emotionally stirring. On top of that, Lacy gets her first hearty taste of the STO’s domineering, contentious presence, while meeting other “recruits” similar to her. Moreover, it rediscovers its tonality; difficult drama remains, but the way it’s handled regains the excitement of its inspiration. In short, it gets good. Really, really good.With Syfy cancelling the show and five episodes still left to run, the big question likely will be: “Does it get a proper, strong conclusion?” Piggybacking off the regained proficiency that it rediscovers in “Blowback”, Caprica sprints through the remaining episodes as if it knows that the end’s coming, losing its abandon in a furious, gripping rush that certainly echoes to Battlestar Galactica’s aptitude in 11th-hour intensity. It hits the accelerator and really doesn’t stop until an unquestionably finite conclusion, bringing together Daniel’s hunt for Zoe’s avatar in V-World and the unsavory connections between Graystone Industries and the Tauron mob to a very fine, robust head. Moreover, the content surrounding Lacy’s presence in the STO finally reaches a meaningful point, instead of evoking the sensation that it’s a time-killing subplot like it did at first. But, much like the conclusion of Battlestar Galactica, it also ditches some sensibility in lieu of excitement, breaking some of its own rules and established character mannerisms just to find a definite close. When it all melts together, though, it’ll be worth gritting one’s teeth through a few questionable moments.Those who’ve watched Caprica and cashed in their chips owe it to themselves to check out the tense follow-through, with the knowledge that the tone’s anything but consistent. There’s only a handful of great moments scattered within; however, there are assuredly some really great moments, ones that ensnare the type of essence I’d hoped would resonate in a depiction of the pre-Cylon world. In the middle of that, along with blatant reflection on the current climate of terrorism, it also provokes thought about the extents that some might go to preserve the memories and essence of those they love, and whether the recreation of an individual would push the boundaries of their belief structure. Caprica’s an intelligent show at its core, one with a complex network of emotion buttons that simply never properly learned how and when to push them. What’s a shame is that the show reveals a few glimmers at the end that suggest it might’ve found out how, ones that likely hadn’t even been seen by those that made the decision to power down this tale of the pre-war Cylon race.

REVIEW: CAPRICA – PART 1

Starring

Eric Stoltz (The Butterfly Effect)
Esai Morales (Titans)
Paula Malcomson (The Hunger Games)
Alessandra Torresani (The Big Bang Theory)
Magda Apanowicz (You)
Sasha Roiz (Grimm)
Brian Markinson (Sanctuary)
Polly Walker (Pennyworth)Eric Stoltz and Paula Malcomson in Caprica (2009)

Recurring / Notable Guest Cast

William B. Davis (The X-FIles)
Sina Najafi (Stargate SG.1)
Hiro Kanagawa (Izombie)
Genevieve Buechner (The Final Cut)
Anna Galvin (Unspeakable)
Karen Elizabeth Austin (The Eye)
Scott Porter (Speed Racer)
Avan Jogia (Shaft)
Françoise Yip (The Predator)
Anita Torrance (Smallville)
James Pizzinato (Godzilla)
Michael Eklund (Bates Motel)
Patton Oswalt (Veronica Mars)
Kendall Cross (X-Men 2)
Peter Wingfield (Highlander: The Series)
Luciana Carro (Helix)
Teryl Rothery (Stargate SG.1)
Alex Arsenault (Tucker and Dale vs Evil)
Panou (Flash Gordon)
Eve Harlow (Bitten)
James Marsters (Buffy: TVS)
John Pyper-Ferguson (The Last Ship)
Leah Gibson (Jessica Jones)
Richard Harmon (The 100)
Patrick Sabongui (The Flash)
Jill Teed (Battlestar Galactica)
Zak Santiago (Shooter)
Ryan Robbins (Sanctuary)
Kacey Rohl (Hannibal)

 

Paula Malcomson in Caprica (2009)Creators Ronald Moore and David Eick relied on three key components for their hit SyFy series, Battlestar Galactica, to stay fresh and compelling for as long as it did: complex ideas behind evolved sentient lifeforms, religious parables, and the fondness for the characters’ home worlds — especially that of Caprica. The characters all look back at their previous lives almost as ghosts; Admiral Bill Adama painfully drudges up memories of his ex-wife and lawyer father, while Kara “Starbuck” Thrace carries memories of her small, ramshackle apartment and Samuel Anders yearns for the thrill of a sports stadium. Seems like such a rich mythos created just to be the ruminants of a past life, doesn’t it? The Moore-Eick team also sees this potential, now capitalizing on the gap left by Battlestar Galactica’s end to create the appropriately-titled Caprica. Though it moves slowly at first while constructing an involved narrative framework in its predecessor’s shadow, this mythos-rich offshoot eventually finds the footing needed to fall in-line with the original series’ current of storytelling.Patton Oswalt in Caprica (2009)The story revolves around the polytheistic, technologically-advanced colony of Caprica roughly sixty years before “the downfall”, focusing on the conflict between, and within, two families: The Graystones, and the Adamas Adams. Lawyer Joseph Adams (Esai Morales) lives a somewhat normal life with his wife and two children, Tamara and Billy, attempting to juggle his high-profile stature in the legal realm with his domestic life. He fights a bit with keeping himself as distanced as he can from his unsavory lineage, the Tauron mob Ha’la’tha, though it’s hard since the organization funded his education and requires his services regularly — usually by messages delivered through his brother, Sam (Sasha Roiz). BSG devotees with get a jolt in seeing the blossoming of young “Billy” in this environment early on, watching the growth of the semi-troubled youth that’d transform into the disquieting, powerful Galactica commander Bill Adama.Hiro Kanagawa in Caprica (2009)Caprica’s central draw, however, is the Graystones. Daniel Graystone (Eric Stoltz) heads a tech development firm working on a mechanized super-soldier that’s just not cutting the mustard, all the while generating profit (60% of net, to be exact) with virtual reality headsets — holobands — that connect to a network of fully-interactive, realistic digital worlds. Graystone’s seemingly safe digital construct quickly broke down into a laissez-faire underground, filled with hacked sections that exploit sex, drug-use, and violence. Daniel’s daughter, a silver-tongued high-school student named Zoe (Alessandra Torresani) who battles with her mother Amanda (Paula Malcomson) over authority, frequents the holoband V-Club with boyfriend Ben (Avan Jogia) and timid best friend Lacy (Magda Apanowicz), yet they’re beyond the carnal satisfaction that the place has to offer. Instead, they’ve found purpose in monotheistic religious belief within an activist organization, the Soldiers of The One (STO), and, in the process, created an exact digital copy of Zoe who will somehow aid the resistance.Alessandra Torresani in Caprica (2009)Observant fans will see where Caprica’s going with the duplicate Zoe, coming together in an introductory pilot that realizes the germ of an idea behind the genesis of the Cylon race, but it certainly doesn’t leave newcomers in the cold. Moore and Eick, with this freshness in mind, go in a startling direction with the content surrounding the Cylon conception; a murderous STO-related terrorist attack on a train rattles the city of Caprica, leaving the Graystones without their daughter and Joseph with only his son, Billy. The grief they endure becomes a convincing dramatic catalyst for what’s to come, breaking a floodgate for aggressive decision-making regarding family memories and Daniel’s technological advancement — with the idea of an exact digital replication of both mind and memory, such as the avatar of Zoe that lingers after her death, propelling it forward. It’s a thought-provoking launch that tackles some rather challenging concepts, including that of the human psyche as raw data and the extent that open-minded intellectuals might go to preserve those they’ve lost. And, of course, the narcissistic power behind potential immortality.Eric Stoltz and Esai Morales in Caprica (2009)Upon the second episode, “Rebirth”, one fact becomes very clear: Caprica isn’t cut from the same cloth as its inspiration, instead existing as a compelling new creation with its own hurdles to cross. In retrospect, the reimagined Battlestar Galactica painlessly continued the momentum from its original two-part miniseries, thrusting forward with space warfare and political components into the dazzling episode “33”. With Caprica, a shrewd character-driven thriller with complexity surrounding terrorism and family grief, the carry-over isn’t as easy. Thankfully, the Moore-Eick team never shies away, hitting the gas with some rather incisive writing as they drive deeper into Caprica’s unraveling and the Graystone company’s waning success in the wake of the terrorist attack. Along the way, they also grapple with themes of Tauron racism (“dirt eaters”) and religious extremism through the STO and one of its leaders, Zoe’s teacher Sister Clarice (Polly Walker), that correlate to actual issues, while also cleverly using the concept of a digital underground — especially in the anarchistic “New Cap City” game simulation, a mix of World of Warcraft and Grand Theft Auto — as a way of escape and purpose-finding.Esai Morales and Sasha Roiz in Caprica (2009)Yet as Caprica focuses on these modern analogous ideas while its characters develop into a mixture of morally desolate entities, the first batch of six or so episodes move at a deliberate, slow-burning tempo that shifts between intrigue and sluggishness. The harsh chemistry between Daniel and Joseph as scorned parents electrifies, driven by Eric Stoltz and Esai Morales in two stark, authentic performances, and the pacing focuses on the causal events that unfold around their family-affecting decisions. But focusing on this calculated slow-burn can, at times, temper the series’ manner and cause the multiple plot threads to stray from the course, weaving intuitive dramatic performances around a lot of existential meditation and shots of neo-religious content without the right energy to propel it forward. I still find it compelling; the depth of Daniel’s egotism reaches a genuine depth that’s unexpected, while offering a cluster of explosive moments — such as the board meeting in “There is Another Sky” that actually starts the Cylon race — spliced within the persistent, astute drama.Polly Walker and Magda Apanowicz in Caprica (2009)Then, as Caprica approaches “Ghosts in the Machine” and the mid-season finale “End of Line”, the gradual tension sees a much-needed outburst. These prior episodes extend into what’s essentially a rather lengthy fuse leading to this batch of dynamite, using brewing family turmoil and growing suspicions into an emotionally-taxing, brilliantly-realized culmination point. “Ghosts in the Machine” plays with the intensity of psychological torment in a staggering rush of emotion, while “End of Life” finds the first episode of the series to use the familiar “__ Hours Before” time mechanic frequently used in Battlestar Galactica. Quite simply, the build-up becomes worth the time at this point, igniting the series with the narrative outbreak it desperately lacked to become fully involving. Whether Caprica can maintain this momentum still remains to be seen, but the succession of these explosive developments that derive from subtly-evolving plot points — Amanda’s weakening sanity, Daniel’s obsession with meeting the development deadline, and the presence of the STO as violent radicals — satisfies with evocative, edge-of-your-seat chills at this midpoint, finally achieving that addictive science-fiction adrenaline that hallmarked its predecessor.

 

REVIEW: STARGATE: ATLANTIS – SEASON 3

Starring

Joe Flanigan (Thoughtcrimes)
Torri Higginson (Dark Waters)
Jason Momoa (Aquaman)
Rachel Luttrell (A Dog’s Breakfast)
David Hewlett (Rise of TPOTA)
Paul McGillion (The Flash)

RECURRING / NOTABLE GUEST CAST

Connor Trinneer (Star Trek: Enterprise)
Robert Picardo (The Orville)
Kavan Smith (Mission to Mars)
Tamlyn Tomita (The Eye)
David Nykl (Arrow)
Gary Jones (Chilling Adventures of Sabrina)
Christopher Heyerdahl (Sanctuary)
Mitch Pileggi (The X-Files)
Chuck Campbell (Jason X)
Julia Benson (The Order)
Richard Kind (Gotham)
David Ogden Stiers (Two Guys and a Girl)
Richard Dean Anderson (MacGyver)
Alan Ruck (Speed)
Robert Davi (The Bad Pack)
Ryan Robbins (Sanctuary)
Kate Hewlett (A Dog’s Breakfast)
Amanda Tapping (Sanctuary)
Nels Lennarson (Horns)
Patrick Sabongui (The Flash)
Megan Leitch (IT)
Bill Dow (Izombie)
Panou (Flash Gordon)
Claire Rankin (Taken TV)
Leela Savasta (Big Eyes)
Laura Harris (Dead Like Me)
Kenneth Welsh (Timecop)
Brenda James (Slither)
Caroline Cave (Van Helsing)
Lara Gilchrist (Battlestar Galactica)
Daniel Bacon (The BFG)
Andee Frizzell (Flash Gordon)
Jewel Staite (Firefly)
Michael Beach (Aquaman)

Atlantis has emerged as the name not of a location that cannot be moved, but of a truly mobile city that can relocate . well, to anywhere. The season ends with the city blasting off into space. Season Three had some great moments. The season finale . was splendid. And the season featured what may be my favorite episode of the entire series so far in “Common Ground,” in which the Genii kidnap Sheppard and enclose him with a wraith who is allowed to feed on no one else.Christopher Heyerdahl in Stargate: Atlantis (2004)Christopher Heyerdahl has played the wraith in this episode he was allowed to give this particular wraith a dignity and complexity not allowed any other wraith with the exception of Michael. He gradually drains the life out of Sheppard out of sheer necessity before the two of them, cooperating as human and wraith never have before, manage to escape from the Genii. Then, in a moment that could lead to interesting plot developments in the future, we discover that the wraiths cannot only drain another creature of life, they can also imbue them with it, and as a sign of comradeship he heals Sheppard.Joe Flanigan in Stargate: Atlantis (2004)Season 3 sets up many changes that carry over into the fourth season, with becketts death in Sunday and Wier leaving the show, and Amanda Tapping taking over, its a great season leaving leaving things on a cliffhanger to be resolved in season 4.

REVIEW: STARGATE SG.1 – SEASON 9

Starring

Ben Browder (Farscape)
Amanda Tapping(Sanctuary)
Christopher Judge (The Dark Knight Rises)
Michael Shanks (Smallville)
Beau Bridges (My Name Is Earl)

Ben Browder in Stargate SG-1 (1997)

RECURRING / NOTABLE GUEST CAST

Claudia Black (Pitch Black)
Richard Dean Anderson (MacGyver)
Obi Ndefo (Star Trek: DS9)
Gary Jones (The Chilling Adventures of Sabrina)
Bill Dow (Izombie)
Matthew Walker (Alone In The Dark)
April Telek (Rogue)
Lexa Doig (Arrow)
Julian Sands (What/If)
Wallace Shawn (Young Sheldon)
Barclay Hope (Final Destination 3)
Maury Chaykin (My Cousin Vinny)
Louis Gossett Jr. (Enemy Mine)
Cliff Simon (Project Eden)
Kendall Cross (X-Men 2)
Peter Flemming (Staragte: Atlantis)
Sonya Salomaa (Watchmen)
Chilton Crane (The 4400)
Jason George (Fallen)
Jarvis W. George (Gamer)
William B. Davis (The X-Files)
Tony Todd (Candyman)
Neil Jackson (Blade: The Series)
Robert Picardo (The Orville)
Panou (Flash Gordon)
Ty Olsson (War For TPOTA)
Cameron Bright (Birth)
Garry Chalk (Arrow)
Don S. Davis (Twin Peaks)
Anna Galvin (Tin Man)
William Atherton (Ghostbusters)
JR Bourne (The 100)
Teryl Rothery (Arrow)
Reed Diamond (Agents of Shield)
Dakin Matthews (Child’s Play 3)
Veena Sood (Timecop)
Eric Breker (Scary Movie 3)
Matthew Bennett (Battlestar Galactica)
John Aylward (Alias)
Ernie Hudson (Ghostbusters)
Chelah Horsdal (You Me Her)
Peter Shinkoda (Daredevil)
Matthew Glave (Argo)
Eric Steinberg (Supergirl)
Tamlyn Tomita (The Eye)
Tim Guinee (Iron Man)
Daniella Evangelista (Ripper)
Michael Ironside (Total Recall)
John Noble (Sleepy HOllow)
Katharine Isabelle (Ginger Snaps)
Noah Danby (Bitten)

Claudia Black and Ben Browder in Stargate SG-1 (1997)Avalon, Part 1 is a great season opener, introduces  new kid on the block Ben Browder,  as the season progresses the character is definitely fleshed out more and he soon fits in nicely with the tightly-knit S.G.1 team.Ben Browder and Michael Shanks in Stargate SG-1 (1997)However, the bottom line is that this is still a character who bares a striking similarity in disposition to Browder’s other well-known TV personality- Farscape’s John Crichton- with that same irreverent humor and easy-going attitude, but it’s a style that clearly works for Browder and it’s difficult not to find that likable. Beau Bridges’ introduction is made with equally good fanfare, his character is one who I found myself liking more readily- he approaches the role of the General of the base differently to Don S. Davis, with more of an every man approach, although he never hesitates to exert the full force of his office against unfriendly aliens, or humans when required.Mark Houghton in Stargate SG-1 (1997)Largely thanks to the development of this season’s main story-arc with the introduction of God-wannabes the Ori and their powerful minions known as Priors, this ninth season becomes surprisingly mesmerising in very short order. Beginning with the concluding part and then into episode 3- `Origin’, this season soon establishes itself as one of the best `Stargate: S.G.1′ offerings in years. The use of Arthurian legend in this season is spread pretty thickly in the beginning and had me worried that this fantasy element might not work in a predominantly science-fiction-oriented series, but very soon the parallels the writers draw between the Arthurian myth and the familiar Stargate set-up, become very inventive and come to work surprisingly well at contrasting against the new and growing force of evil spreading through the galaxy. In the first five episodes that other recognizable `Farscape’ regular Claudia Black and her seductively disobedient alter-ego Vala are another reason to be enchanted by this season. Vala brings such humor and life to the series that I was really disappointed when she parted company with S.G.1, despite the welcome return of Sam Carter following her brief career change. Thankfully Vala returns towards the end of the season and here’s hoping it’s not the last we see of her.Larry Cedar in Stargate SG-1 (1997)This season’s other major success is in its stand-alone stories that continue to present unique, punchy and creative sci-fi ideas to its audience. In particular episode 9- `Prototype’ and episode 13- `Ripple Effect’ are a couple of my favourites, the first of which concerns the discovery of a prodigy of Anubis frozen on a distant planet and the second has multiple S.G.1 teams pouring through the Stargate from diverse alternate realities , both of which had me glued to my seat

REVIEW: SMALLVILLE – SEASON 5

 

Starring

Tom Welling (Lucifer)
Kristin Kreuk (Beauty and The Beast)
Michael Rosenbaum (Impastor)
Allison Mack (Wilfred)
Erica Durance (The Butterfly Effect 2)
Annette O’Toole (The Punisher)
John Schneider (The Haves and the Have Nots)
John Glover (Shazam)

Tom Welling in Smallville (2001)

Recurring / Notable Guest Cast

James Marsters (Runaways)
Terence Stamp (Superman II)
Alana De La Garza (Law & Order)
Leonard Roberts (Mom)
Kenny Johnson (Bates Motel)
Camille Mitchell (Izombie)
Johnny Lewis (Aliens vs Predator: Requiem)
Nathaniel DeVeaux (The Core)
Rekha Sharma (Dark Angel)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Brooke Nevin (The Comebacks)
Erica Cerra (Power Rangers)
Angelika Libera (Stealing Sinatra)
Luciana Carro (Two For The Money)
Tom Wopat (Django Unchained)
Jill Teed (Charlie St. Cloud)
Woody Jeffreys (Pathfinder)
Noah Danby (Bitten)
Alisen Down (12 Monkeys)
Adrian Holmes (Arrow)
Jerry Wasserman (I Robot)
Chelah Horsdal (Hell on Wheels)
Annie Burgstede (The Young and The Restless)
David Richmond-Peck (V)
Sarah Lind (Severed)
Denise Quiñones (Incognita)
Douglas O’Keeffe (Sanctuary)
Leela Savasta (Stargate Atlantis)
Lee Thompson Young (The Hills Have Eyes II)
Christie Laing (Arrow)
Mackenzie Gray (Man of Steel)
Nichole Hiltz (Bones)
G. Patrick Currie (Stargate SG.1)
Emily Hirst (Blade: The Series)
Callum Keith Rennie (Jessica Jones)
Anne Marie DeLuise (Love Happens)
Ian Tracey (Sanctuary)
Alex Scarlis (Ameircan Heiress)
Jody Thompson (The 400)
Panou (Flash Gordon)

Michael Rosenbaum in Smallville (2001)In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.Erica Durance and Alan Ritchson in Smallville (2001)In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.Michael Rosenbaum in Smallville (2001)Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac. James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show.John Schneider in Smallville (2001)The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

REVIEW: RISE OF THE PLANET OF THE APES

CAST
James Franco (Spring Breakers)
Freida Pinto (The Immortals)
Andy Serkis (The Hobbit)
John Lithgow (3rd Rock From The Sun)
Brian Cox (X-Men 2)
Tom Felton (Harry Potter)
David Oyelowo (Interstellar)
Tyler Labine (Deadbeat)
Jamie Harris (Agents of S.H.I.E.L.D)
David Hewlett (Splice)
Ty Olsson (Battlestar Galactica)
Tracy Spiridakos (Bates Motel)
Chelah Horsdal (Hell on Wheels)
Adrian Hough (The Fog)
David Richmond-Peck (V)
Michael Kopsa (Fantastic Four)
Mike Dopud (Arrow)
Sonja Bennett (Fido)
Panou (Flash Gordon)
Will Rodman, a scientist at the San Francisco biotech company Gen-Sys, is testing the viral-based drug ALZ-112 on chimpanzees to find a cure for Alzheimer’s disease. ALZ-112 is given to a chimp named Bright Eyes, greatly increasing her intelligence. However, during Will’s presentation for the drug, Bright Eyes is forced from her cage, goes on a rampage, and is killed. Will’s boss Steven Jacobs terminates the project and orders the chimps euthanized. However, Will’s assistant Robert Franklin discovers that Bright Eyes had recently given birth to an infant chimp. Will agrees to take in the chimp, who is named Caesar. Will learns that Caesar has inherited his mother’s intelligence and decides to raise him. Three years later, Will introduces Caesar to the redwood forest at Muir Woods National Monument. Meanwhile, Will treats his dementia-suffering father Charles with ALZ-112, which seems to restore his cognitive ability.
When Caesar reaches adolescence and sees a dog on a leash like his own, he questions his identity and learns of his origins from Will. Meanwhile, Charles’s condition returns as his Alzheimer’s becomes resistant to ALZ-112. Caesar injures a neighbor, Douglas Hunsiker, while defending a confused Charles. As a result, he is placed in a primate shelter where he is treated cruelly by the other chimps and the chief guard, Dodge Landon. Caesar learns how to unlock his cage, gaining free access to the common area. With the assistance of a gorilla named Buck, he confronts the sanctuary’s alpha chimp and claims that position. Meanwhile, Jacobs clears development of a more powerful, gaseous version of the drug – ALZ-113 – when Will tells him it can not only heal brain diseases but also improve intelligence. Will takes the drug home to try to save his father, but Charles declines further treatment and dies overnight.
 
After attempting to test the drug on a scarred bonobo test subject named Koba, Franklin becomes exposed to ALZ-113 and becomes ill. Attempting to warn Will at his home, he sneezes blood onto Hunsiker and is later discovered dead. Will attempts to reclaim Caesar, but the chimp refuses to go home with him. Instead, he escapes from the facility and returns to Will’s house, where he takes canisters of the ALZ-113. Upon returning, Caesar releases the gas and allows it to enhance the intelligence of the other apes. When Dodge attempts to get him back into his cage, Caesar shocks him by speaking for the first time, yelling “No!” Caesar then electrocutes the cattle prod-wielding Dodge by spraying him with water, unintentionally killing him. The apes flee the facility, release the remaining chimps from Gen-Sys, and free more apes from the San Francisco Zoo.
A battle ensues as the ape army fights their way past a police blockade on the Golden Gate Bridge to escape into the redwood forest. Buck sacrifices himself to save Caesar by jumping onto the helicopter in which Jacobs is riding. The helicopter crashes onto the bridge, trapping Jacobs in the wreckage. Jacobs is then killed by Koba. As the apes find their way into the forest, Will arrives and warns Caesar that the humans will hunt them down, and begs him to return home. In response, Caesar hugs him and says that, “Caesar is home.” Will, realizing that this is indeed their last goodbye, respects Caesar’s wishes. In a mid-credits scene, an infected Hunsiker leaves his house for work as an airline pilot, arriving at San Francisco International Airport for his flight to Paris. His nose begins to drip blood onto the floor. A graphic traces the spread of the humanity-ravaging virus around the globe via international flight routes.
A  very clever attempt at a prequel, explaining how the rise of the apes began. Given the current news surrounding Ebola and its daily inexorable spread, the ending credits of this film are rather chilling to watch.

REVIEW: X-MEN ORIGINS: WOLVERINE

CAST
Hugh Jackman (Chappie)
Liev Schreiber (Scream 3)
Danny Huston (30 Days of Night)
Will.I.Am (Date Night)
Lynn Collins (John Carter)
Kevin Durand (Dark Angel)
Dominc Monaghan (Lost)
Taylor Kitsch (Battleship)
Ryan Reynolds (Deadpool)
Daniel Henney (The Last Stand)
Scott Adkins (Universal Soldier 4)
Patrick Stewart (American Dad)
Adelaide Clemens (The Great Gatsby)
Mike Dopud (Arrow)
Panou (Caprica)
In 1845, James Howlett, a boy living in Canada, sees his father being killed by groundskeeper Thomas Logan. The trauma activates the boy’s mutation: bone claws protrude from his knuckles, and he kills Thomas, who reveals that he is James’s real father. James flees along with Thomas’s son Victor Creed, who is thus James’s half-brother. They spend the next century as soldiers, fighting in the American Civil War, both World Wars, and the Vietnam War. In Vietnam, Victor kills a senior officer. James defends Victor and the two are sentenced to execution by firing squad, which they survive. Major William Stryker approaches them in military custody, and offers them membership in Team X, a group of mutants including Agent Zero, Wade Wilson, John Wraith, Fred Dukes, and Chris Bradley. They join the team for a few years, but the group’s disregard for human life causes James to leave.
Six years later, James, now using the alias Logan, works as a lumberjack in Canada, where he lives with his girlfriend Kayla Silverfox. Stryker and Zero approach Logan at work. Stryker reports that Wade and Bradley have been killed, and he thinks someone is targeting the team’s members. Logan refuses to rejoin Stryker, but after finding Kayla’s bloodied body in the woods, Logan realizes Victor is responsible. He finds him at a local bar, but Logan loses the subsequent fight. Afterward, Stryker explains that Victor has gone rogue, and offers Logan a way to become strong enough to get his revenge. Logan undergoes a painful operation to reinforce his skeleton with adamantium, a virtually indestructible metal. Once the procedure is complete, Stryker attempts to betray Logan by ordering that his memory be erased. Logan overhears this and escapes to a nearby farm, where an elderly couple take him in. Zero kills them the following morning and tries to kill Logan. Logan brings down Zero’s helicopter, killing him, and swears to kill both Stryker and Victor.
Logan locates John and Fred at a boxing club. Fred explains that Victor is still working for Stryker, hunting down mutants for Stryker to experiment on at his new laboratory, located at a place called “The Island”. Fred mentions Remy “Gambit” LeBeau, who escaped from the island and therefore knows its location. John and Logan find LeBeau in New Orleans, then both fight Victor, who kills John and extracts his DNA. Agreeing to help release mutants that Stryker has captured, Gambit takes Logan to Stryker’s facility on Three Mile Island. Logan learns that Kayla is alive, having been coerced by Stryker into keeping tabs on him in exchange for her sister’s safety. However, Stryker refuses to release her sister and denies Victor the adamantium bonding promised for his service, claiming that test results revealed Victor would not survive the operation. Stryker activates a mouth-sewn Wade, now known as Weapon XI, a “mutant killer” with the powers of multiple mutants, who he refers to as the “Deadpool”.
While Logan and Victor join forces to fight Deadpool, Kayla is mortally wounded leading the Island’s captive mutants — including a teenager named Scott Summers — to safety, and she has no choice but to stay behind. The mutants are subsequently rescued by Professor Charles Xavier. Logan decapitates Deadpool, destroying one of the cooling towers in the process. Stryker arrives and shoots Logan in the head with adamantium bullets, rendering him unconscious. Before Stryker can shoot Kayla, she grabs him and uses her mutant power to persuade him to turn around and walk away until his feet bleed. Logan regains consciousness but has lost his memory. He sees Kayla’s body, but does not recognize her, and leaves the island.
In a mid-credits scene, Stryker is detained for questioning by some MPs in connection with the death of his superior, General Munson, whom Stryker did in fact kill after Munson declared his intent to shut down Stryker’s project. There is another scene which features the fate of Deadpool.
Director Gavin Hood does a decent job of bringing Wolverine’s origin story to the screen, and although it was generally an enjoyable effort, it’s solid rather than spectacular.