REVIEW: MARVEL ANIME – WOLVERINE

CAST (VOICES)
Milo Ventimiglia (Heroes)
Vic Mignogna (Pokemon)
Kate Higgins (Everstar)
Fred Tatasciore (9)
JB Blanc (Tristan + Isolde)
Steve Blum (Wolverine and The X-Men)
Gwendoline Yeo (The Batman)
This is the Wolverine from the comics. I read the comic this anime was based on; the subtle points of the story line were taken out in favour of more action scenes. Even that is ok, with me because that fits in with Wolverine’s character completely. The animation is great and fits the mood and theme of the series. The only things (I am being really nit-picky here), I did not like was the way Wolverine was drawn he look too lean and tall. I can understand why this was done probably to make him look more like Huge Jackman. Whereas in the comics he is more stocky even short and muscular. The other thing is Wolverine voice (in the English dub) makes him sound too young, and does not seem to go with his more gruff language. This can still be explained because of his healing factor he vocal cords stay the same as his appearance.

The story 10 years ago Wolverine and his girlfriend (Mariko Yashida) are attacked on a boat. Wolverine put up a good fight despite being shot by hundreds of rounds of machine gun fire. By the end of the fight most of the attackers are dead, but Mariko is missing. 10 year later a Japanese officer and (friend of Logan), come to America to tell Wolverine Mariko has been found. Also she is the daughter of Japanese Kingpin Shingen Yashida. Shingen is forcing her to marry the criminal king of the lawless, pirate island of Madripoor. This is so Shingen can expand his criminal empire. Wolverine attacks Shingen in his fortress/home slashes his way through Shingen’s men till he reaches Shingen himself. Pretty short for a series huh, wrong Shingen is a master swordsman. He hand Wolverine probably the worst beating I have ever seen. Every one of his blows is a killing stroke the perfect representation of the of his art no unnecessary movement. The trouble is he cannot kill Logan. With his healing factor Logan simply has to take the pain and out last him till he can get a killing shot. The duel is settled with outside interference from Mariko’s fiancé who hits Logan with a drugged dart. The series is Wolverine chasing Mariko to get her back. With many road block in the way some henchmen some super powered, and in some cases a whole island against him. He picks up some allies along the way like Yuriko. Yuriko want revenge against Shingen for killing her parents. Yuriko must shop in the same place as the Black Widow. Same jumpsuit with the zipper stuck half way down. No compaints from me.

Differences from the comic, after losing to Shingen Wolverine does not go through any more training except killing a whole load of human road blocks. Yuriko acts a lot older then her comic counterpart. She is not the adrenaline junky and prefers tactics over Wolverine’s bull in a china shop approach. Mariko is the ultimate damsel in distress she does not even put up a fight or say anything in her private moments she seems have a recurring theme of “oh Logan. What have I done to you”? However the plentiful action scenes make up for all this. They also add nicely add in one of Wolverines forgotten powers. His strength obviously he is not in the same league are the Thing or even Spider-man (even though everyone seem to forget Spider-man how strong Spider-man is he could lift 10 tonnes people 15 after the other) but he is a touch above Captain America. There are any examples of this in the series, it though it was well used.

This is a great DVD and you get Wolverine doing what he does best, and surviving everything that is thrown at him.
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REVIEW: X-MEN: EVOLUTION – SEASON 1-4

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CAST (VOICES)

David Kaye (Happy Gilmore)
Kirby Morrow (Ninja Turtles: Next Mutation)
Venus Terzo (Arrow)
Brad Swaile (Zoids)
Maggie Blue O’Hara (My Little Pony Tales)
Neil Dneis (Stargate SG.1)
Scott McNeil (Beast Wars)
Kirsten Williamson (Juno)
Meghan Black (Elf)
Michael Kopsa (Apollo 18)


RECURRING / NORABLE GUEST CAST

Noel Fisher (Teenage Mutant Ninja Turtles)
Christopher Judge (Stargate SG.1)
Alessandro Juliani(Smallville)
Michael Adamthwaite (BLack Xmas)
Megan Leitch (IT)
Mark Hildreth (V)
John Novak (Wishmaster 3 & 4)
Jim Byrnes (Highlander: The Series)
Teryl Rothery (Stargate SG.1)

UntitledThe first season introduces the core characters and lays the foundations for future story lines. Professor X, Cyclops, Wolverine, Storm and Jean Grey make up the original X-Men. As the season develops, the ranks of the X-Men are bolstered by the appearance of Nightcrawler in the first episode,[2] Shadowcat in the second, Spyke in the fifth, and Rogue (who originally joins the Brotherhood in the fourth episode) in the third. In the later episodes of this season, Nightcrawler discovers the identity of his birth mother, Wolverine finds answers to his past, Rogue switches sides to join the X-Men and Xavier’s half-brother, Juggernaut, is released from his prison.UntitledConfrontations are typically with the Brotherhood, who vie for new recruits with the X-Men over the course of the season. Toad is the first to be introduced, followed by Avalanche, Blob and Quicksilver. The Brotherhood, led by Mystique, are in fact being directed by a higher power, the identity of whom was “revealed” in the two-part season finale as being Magneto. After Cyclops discovers that his brother Alex actually survived the plane crash that killed their parents, they are both taken by Magneto into his “sanctuary” on Asteroid M. Magneto captures several X-Men and Brotherhood members in an attempt to amplify their mutant abilities and remove their emotions. The Brotherhood and X-Men show up leaving Magneto, Sabretooth and Mystique trapped on the asteroid. Asteroid M is destroyed by Scott and Alex Summers, but not before two metal spheres fly from the exploding asteroid.

UntitledThe second season sees the addition of several new mutants, including Beast, who becomes a teacher at the Xavier Institute and an X-Man, as well as a version of the New Mutants: Boom Boom, Sunspot, Iceman, Wolfsbane, Magma, Multiple, Jubilee, Berzerker, and Cannonball. During the course of the season, it is revealed that the villains who supposedly perished on Asteroid M are actually alive. Sabretooth continues his pursuit of Wolverine, while Magneto continues to work his own agenda. Mystique poses as Risty Wilde, a high school student at Bayville High who befriends Rogue and breaks into the mansion to steal Xavier’s Cerebro files. Using the files, she recovers Wanda Maximoff, the Scarlet Witch, Magneto’s daughter and Quicksilver’s sister. The mentally unstable mutant joins the Brotherhood upon Mystique’s return, allowing them to defeat the X-Men in a battle at the Bayville Mall. Before the finale, a pivotal episode aired featuring the telepath Mesmero opening one of three doors that would unleash a mutant known as Apocalypse.

UntitledIn the season finale, Xavier rigorously trains his X-Men to face Magneto, pairing them with the Brotherhood. Cyclops, furious with having to work with his former adversaries, leaves the team. The mansion is later set to self-destruct with Cyclops and several students still inside. Magneto, meanwhile, recruits Sabretooth, Gambit, Pyro and Colossus as his Acolytes to fight the X-Men/Brotherhood team. At the same time, Wolverine is captured by Bolivar Trask to use as a test subject for the anti-mutant weapon, the Sentinel. Magneto continues to manipulate events by unleashing the Sentinel onto the city, forcing the X-Men to use their powers in public. Wanda tracks down Magneto and attacks him while he is trying to deal with the Sentinel that is targeting him. The Sentinel is damaged and apparently crushes Magneto as it falls. When the mutants who have not been captured by the Sentinel return to the remains of the mansion, Cyclops and the students emerge from the explosion with minor injuries. Scott throws Xavier from his wheelchair and blames him for blowing up the mansion. Everyone is shocked as Xavier calmly stands up, transforming into Mystique.

In seasons three and four, the show notably begins to take a much more serious tone. After the battle with the Sentinel, the mutants are no longer a secret and public reaction is one of hostility. The show is brought into more traditional X-Men lore, dealing with themes of prejudice, public misconception, and larger threats. As the season progresses, the real Xavier is found, Mystique is defeated, the mansion is rebuilt, and the X-Men allowed back into Bayville High. Wanda continues to search for Magneto, who she discovers was saved by Quicksilver at the last second, until Magneto uses the telepathic mutant Mastermind to change her childhood memories. Scott and Jean develop a stronger and closer romantic relationship (particularly after Mystique kidnaps Scott and brings him to Mexico), and Spyke leaves the X-Men when his mutant ability becomes uncontrollable, deciding to live with the sewer-dwelling mutants known as the Morlocks.

 

As part of the series arc, Rogue loses control of her powers, leading to her hospitalization. During this time, she learns that she is in fact Mystique’s adoptive daughter. Mystique, through the visions of the mutant Destiny, foresaw that the fate of Rogue and herself lay in the hands of an ancient mutant that would be resurrected. Apocalypse emerges in the season’s final episodes. Mesmero manipulates Magneto into opening the second door, and uses Mystique and a hypnotized Rogue to open the last, turning Mystique to stone in the process. Now released, Apocalypse easily defeats the combined strength of the X-Men, Magneto, the Acolytes, and the Brotherhood before escaping

The final season contained only for nine episodes. In the season premiere, Apocalypse apparently kills Magneto while Rogue murders Mystique by pushing her petrified figure off a cliff, leaving Nightcrawler without closure. The Brotherhood become temporary do-gooders, Wolverine’s teenage girl clone X-23 returns, Spyke and the Morlocks rise to the surface, Shadowcat discovers a mutant ghost who is found in an underground cave, Rogue is kidnapped by Gambit and taken to Louisiana to help free his father, and Xavier travels to Scotland in order to confront his son David. The character Leech is also introduced as a young boy named “Dorian Leach”.

In the finale, Apocalypse defeats Xavier and Storm, transforming them, along with Magneto and Mystique, into his Four Horsemen. Apocalypse instructs his Horsemen to protect his three domes and his ‘base of operations’, which will turn the majority of the world population into mutants. In the final battle, the Horsemen are returned to normal and Apocalypse is sent through time. Rogue and Nightcrawler refuse the excuses of their mother, Shadowcat and Avalanche find love once again, Magneto is reunited with Quicksilver and the Scarlet Witch, Storm and Spyke are also reunited, and Xavier sees his students reunited as the X-Men.

 

X-Men: Evolution may not hold a candle to the 90s series, but on its own merits it is decent. I can see why people dislike it as even on its own terms it does have glaring flaws, but I do think it should be judged on its own rather than being compared all the time. Okay, Season 1 wasn’t brilliant, there was a lot of cheesy dialogue, slow and melodramatic story lines, not enough Wolverine, a great character, and too much of Spike, one like Kitty that annoys me to no end, plus Rogue seems bland to me in this series. However, Season 2 onward was much stronger, the pacing is much crisper, the action scenes are exciting, the writing was a little more intelligent.

REVIEW: X-MEN: THE ANIMATED SERIES – SEASON 1-5

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CAST

Cedric Smith (Mutant X)
Norm Spencer (Rescue Heroes)
Catherine Disher (The Good Witch)
Cathal J. Dodd (Goosebumps)
Iona Morris (Robotech)
Alison Sealy-Smith (This Is Wonderland)
Chris Potter (The Waiting Game)
Tony Daniels (Yin Yang Yo!)
Alyson Court (Elvis Meets Nixon)

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RECURRING / NOTABLE GUEST STARS

John Colicos (Battlestar Galactica)
Jeremy Ratchford (Cold Case)
Lawrence Bayne (Highlander: TAS)
Barry Flatman (Odyssey 5)
Richard Epcar (Power Rangers)
David Hemblen (Earth: Final Conflict)
Don Francks (La Femme Nikita)
Frank Welker (The Simpsons)
Len Carlson (Swamp Thing: TAS)
Susan Roman (The Racoons)
Dennis Akiyama (Pxiels)
Nigel Bennett (Andromeda)
Maurice Dean Wint (Robocop: Prime Directives)
Philip Akin (Highlander: The Series)

 

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I recently watched through the entire 90’s x-men Animated Series for the first time. So does the show hold up for someone who didn’t watch it when it first aired? Is it still a good show? Overall, the show is really good. It was also revolutionary as it was one of the first animated TV shows to have a continuing storyline throughout the first few seasons.

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Rather than creating exclusively new story lines, the show based most of its episodes on well known events from the comics. Stuff like the ultra-famous dark phoenix saga all the way to a modified version of Days of Future Past that included the time traveling mutant Bishop. Most of the episodes changed details here and there to keep thing simple, but the basic premise remains the same.

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The animation is a mixed bag. On the one hand, still shots look very good for a 90s cartoon. Both characters and environments are finely detailed and even facial expressions are usually well done. On the other hand, it doesn’t look too good in motion. The frame-rate is often choppy and at times characters in the background are just standing still. There are occasional continuity errors as well, like characters swapping outfits between shots (the episode titled “Nightcrawler” comes to mind).

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Characters are generally portrayed well in the TV show. The main team consists of Professor X, Cyclops, Jean Grey, Wolverine, Beast, Storm, Gambit, Rogue, and Jubilee. Professor X, Wolverine, Cyclops, Jean Grey, Beast and Gambit are all portrayed well in the show. I found some of their voice actors were a little off-putting at first, but as I watched they grew on me. Rogue probably has the best voice acting of the bunch.

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I wasn’t quite as fond with the portrayal of Storm or Jubilee however. Storm was alright, but having her constantly talk about what she was commanding the weather to do is annoying at times. Does she have to verbally command the wind every time she blasts enemies with it? I get that she’s a bit of a showoff and that’s part of her charm, but still.

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The show has a great spotlight of different villains as well. It features everyone from mega villains like Magneto, Mr. Sinister, and Apocalypse to smaller villains like Vertigo, the Juggernaut, and even the Brood. The show even mentions the Juggernaut’s relationship to Xavier (they’re step brothers). Mr. Sinister in particular is very well portrayed in the series, and we even get an origins episode in season five (heavily modified of course).

If you have any interest in the X-men and want to try out the comics, this is a decent show for finding out some of the franchises back-story. It’s rarely as good as the original stories it’s based on, but it’s easier to find and for the most part, it’s an easy watch.

REVIEW: HULK VS

 

CAST (VOICES)

Fred Tatasciore (9)
Matthew Wolf (The Fault of Our Stars)
Graham McTavish (The Hobbit)
Grey Griffin (The Replacements)
Kari Wahlgren (Rick and Morty)
Bryce Johnson (The SKulls 3)
Steve Blum (Wolverine and The X-Men)

Hulk vs. completely lives up to its title. There are no long, tedious origin stories. Neither half of this double feature is bogged down by any meandering, who-really-cares filler subplots, clunky romances, or triple-underlined moral messages. These two mini-movies chuck viewers straight into the action and never let up until the end credits roll. Marvel and Lionsgate haven’t watered it down to play to the lunchbox crowd either; these battles against Thor and Wolverine are intense and unflinchingly violent.As a nod to the comics that first introduced Wolverine to the world, he and the Hulk square off in — where else? — the desolate Canadian wilderness. The Hulk has been carving a path of destruction throughout the Great White North, and Department H drops Wolverine in to stop the beast dead in his tracks. The two are fairly evenly matched: Wolverine’s healing factor can take all of the abuse the Hulk can dish out — flinging him what looks like miles away, smashing his hairy little body into the ground over and over again with a three-ton rock — and although those adamantium claws sink deep into the jade giant’s hide, all it really seems to do is piss the Hulk off even more. Just as the tide starts to turn in this brutal, bloody brawl, the Hulk’s back is peppered with a stream of oversized tranquilizer darts. The Weapon X program sees the Hulk as the ultimate weapon in its arsenal, and as the sleeping giant is being prepped for a mindwipe, Wolverine escapes and slices through the small army of seasoned killers that stand in his way.Barely breaking the half hour mark minus credits, the core of the story is lean and uncluttered, and the whole thing is devastatingly brutal wall-to-wall action. Hulk vs. Wolverine draws deeply from imagery from the comics, from that iconic McFarlane cover of the Hulk reflected in Wolverine’s gleaming claws to entire pages of Barry Windsor-Smith’s Weapon X origin translated verbatim. The movie doesn’t take any undue liberties with its characters or their powers; I really do get the sense that this was written, directed, and animated by lifelong comic fans making the sort of movie they’d want to watch instead of just trying to cast a wide net and disinterestedly hit the studio’s numbers. A movie about Wolverine recaptured by Weapon X can’t be saddled with a PG rating, and this is so hyperviolent and sopping with blood that I’m really not sure how it managed to just score a PG-13. I’m not exaggerating when I say it’s more brutal and unflinchingly graphic than a lot of slasher flicks I’ve seen. I love the skewed, stylized character designs, and from Wolverine’s half-growled dialogue to the Hulk’s thunderous roar, the voice acting is absolutely perfect. I don’t want to spoil the reveal of who all is part of Weapon X’s superpowered black ops team — the surprise is a huge part of the fun — but I have to give

The title Hulk vs. Thor doesn’t really convey the scale of the second half of this double feature. The Hulk isn’t just pitted against the Norse god of thunder; he singlehandedly takes on the entirety of Asgard: the Warriors 3, legions of valkyries, frost giants, Odin’s ravens, Hel itself, and virtually every last iconic character from the pages of the comics. The movie is set in the waning hours of the Odinsleep: the annual slumber of Asgard’s greatest protector that leaves the realm most exposed to assault from its enemies. Every plot, scheme, and army to have ever been unleashed during the Odinsleep has been handily defeated over the years, but the warriors of Asgard have never been pitted against a force as unstoppable — the embodiment of rage — as the Hulk. An embittered Enchantress uses her dark sorcery to bring the Hulk under Loki’s thrall, and the god of mischief pulls the beast’s strings to effortlessly pummel his brother Thor to within inches of death: no small feat for an immortal god. The Hulk’s thundering rage proves too difficult for Loki to control for long, though, and with his ferocity fully unleashed as never before, he’s not going to stop until the entirety of Asgard lays in ruin.It’s as if the writers behind Hulk vs. Thor couldn’t figure out what Asgardian lore to mine from the hundreds of issues of the comic, so they opted to throw in everything. Virtually every recognizable character and iconic image from the greatest of the Nine Worlds is featured here at some point. Its story is more involved than Hulk vs. Wolverine and is given a few extra minutes to breathe, but the action never lets up here either. Dark magicks rend Bruce Banner from the Hulk, removing the lone spark of humanity keeping the beast’s colossal rage in check, and his path of destruction is unreal, even threatening to topple Hel itself. The imagery isn’t nearly as graphic as Hulk vs. Wolverine, but there’s still an enormous amount of carnage, and the sight of Thor’s arm being shattered or the god of thunder laying limp and lifeless after being punched clean through a mountain is still remarkably intense. I have to admit to not being quite as dazzled by Hulk vs. Thor as I was with the first half of this double feature; dialogue like “You are no troll, monster!” doesn’t sound quite as effortless, the voice acting is perfectly fine but more straightforwardly proper and British, and the celebratory ending seems a little forced. Still, its ability to draw so deeply from some four hundred issues of Thor ought to astonish even casual fans of the comic, the scope of the movie is truly epic, and the torment and anguish inflicted on Bruce Banner pack about as much of a wallop as a roundhouse from the Hulk.Hulk vs. is the first of Marvel’s direct-to-DVD animation to really feel as if it’s targeted squarely at  fanboys. There’s no filler or tedious origin stories here: both halves of this double feature dive headfirst into the action.