REVIEW: ULTIMATE SPIDER-MAN

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MAIN CAST (VOICES)
Drake Bell (Sueprhero Movie)
Ogie Banks (Superman vs The Elite)
Greg Cipes (Teen Titans)
Clark Gregg (Agents of S.H.I.E.L.D.)
Tom Kenny (Spongebob Squarepants)
Matt Lanter (Heroes)
Chi McBride (Human Target)
Caitlyn Taylor Love (I’m With The Band)
Logan Miller (Deep Powder)
J.K. Simmons (Spider-Man)
Steven Weber (Izombie)
RECURRING / NOTABLE GUEST CAST
Misty Lee (Killer Kids)
Jonathan Adams (Bones)
Tara Strong (The New Batman Adventures)
Eric Bauza (Batman: Assault on Arkam)
Dee Bradley Baker (American Dad)
Kevin Michael richardson (The Cleveland Show)
Stan Lee (Spider-Man)
Fred Tatasciore (Hulk Vs)
Troy Baker (Lego Batman: The Movie)
Clancy Brown (Highlander)
Rob Paulsen (Teenae Mutant Ninja Turtles)
Phil LaMarr (Free Enterpise)
Travis Willingham (Shelf Life)
Steve Blum (Wolverine and The X-Men)
Mark Hamill (Star Wars)
Adrian Pasdar (Heroes)
Roger Craig Smith (Wreck-it Ralph)
Diedrich Bader (Batman: The Brave and The Bold)
Christopher Daniel Barnes (The Little Mermaid)
Maurice LaMarche (Futurama)
Dwight Schultz (The A-Team)
Jack Coleman (Heroes)
Robin Atkin Downes (Babylon 5)
Rose McGowan (Planet Terror)
Bumper Robinson (Sabrina: TTW)
Stan Lee (Avengers Aseesmble)
Seth Green (Family Guy)
Oded Fehr (The Mummy)
Freddy Rodriguez (Ugly Betty)
Phil Morris (Smallville)
Milo Ventimiglia (Heroes)
Cameron Boyce (The Descendants)
Maria Canals-Barrera (Justice League)
Will Friedle (Batman Beyond)
Eliza Dushku (Tru Calling)
Greg Grunberg (Heroes)
Michael Clarke Duncan (The Finder)
George Takei (Star Trek)
Iain De Caestecker (Agents of S.H.I.E.L.D.)
Robert Patrick (Terminator 2)
Elizabeth Henstridge (Agents of S.H.I.E.L.D.)
James Marsters (Caprica)
Keith Szarabajka (Angel)
Billy West (Futurama)

I recently watched  Ultimate Spider-Man and I can honestly say that I have never wanted to stop watching a Spider-Man cartoon before in my life… until now. I have been a big fan of the Spider-Man comic series for many years and have liked almost all of the cartoon iterations of him, but this one just hurts to watch. I understand that Spider-Man is supposed to be a smart-mouthed teen who likes to make jokes while fighting crime, which is my favorite part about the character, but this show just takes it to an extreme.


I think one of the biggest problems for me was how much the stories are broken up by all of the “cut away” scenes.  I understand that Spider-Man is a show made for children and I get that the characters aren’t going to be nearly as serious as they are in the comics, but I feel like this was just too far from the source material for me to enjoy it. Another thing that bothered me was how just a few years ago we had, in my opinion, one of the best Spider-Man shows to date, Spectacular Spider-Man, and it was canceled in only it’s second season. I had really high hopes for Ultimate Spider-Man to fill the void that Spectacular Spider-Man left, but it just didn’t deliver at all.

As far as the voice acting on the show goes, they all seem to have done a really good job… with what they were given to read. So much of the writing in this show just seems so forced.why was Spectacular Spider-Man so much better and the most honest answer that I can give you is that it seems as though Marvel actually put a lot of work into Spectacular Spider-Man. I’m not saying that they didn’t put a lot of work into Ultimate Spider-Man, but it’s much harder to see in this one. The character designs in Spectacular Spider-Man may not have hit all of the right points for some people, but I really enjoyed it. The action in the show looked really good and it was easy to follow exactly what was happening, because you didn’t have a bunch of blur that you had to try and see everything through. The story for Spectacular Spider-Man was your standard Spider-Man fare, but while it was a show essentially for kids, it also appealed to many adults as well.


I really wanted to like Ultimate Spider-Man, but I just didn’t. I feel like if this show was about just another teen superhero other than Spider-Man it would have been much more forgivable, but for it to take such a dump on such a beloved character, it is just really sad to see. Now all that I can do is hope that the new Spider-Man movie can really bring something good to the table.

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REVIEW: FANTASTIC FOUR (1994): THE COMPLETE SERIES

CAST
Beau Weaver (Transformers)
Lori Alan (Family Guy)
Chuck McCann (Ducktales)
Brian Austin Green (Anger Management)
Quinton Flynn (Digimon)
Neil Ross (Being John Malkovich)
Tony Jay (Lois & Clark)
Clyde Kusatsu (Alias)
Robin Sachs (Buffy)
Stan Lee (Avengers Assemble)
Ron Perlman (Hellboy)
Robin Sachs (Buffy)
John Rhys-Davies (Lord of The Rings)
Mark Hamill (Star Wars)
Michael Dorn (Ted 2)
Jane Carr (Star Trek: Enterprise)
Edward Albert (Power Rangers Time Force)
John Vernon (Batman: TAS)
Simon Templeman (The Neighbours)
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Launched in 1994 as part of Marvel’s Action Hour in the USA (alongside Iron Man), this then new cartoon attempted to bring Marvel’s First Family  to the attention of a new generation. The main US comic book of the time included a free ‘animation cel’ with #394 to promote the series and later a spin off comic book of the cartoon was launched. In its first season, the show is disappointing. Reduced to a crude sitcom, the show is creaky, toe curling and cheesy beyond belief.  Worst of all, Sue Richards is reduced to mere ‘damsel in distress’ for the entirety of the season, functioning only as a simpering wife and mother to the men on the team. Compared to the superior Batman: The Animated Series of the time and even Marvel’s other cartoons of the period Spider-man, X-Men and Iron Man, its not hard to feel disappointed with the translation of the Fantastic Four to the small screen.

Thankfully, the approach of Season One , with its comedy landlord and irksome stereotypes don’t seemed to have found favour with audiences either and the show was given a serious overhaul for Season Two. The improvement in storytelling is immense and does a much better job of servicing the characters and situations they find thermselves in. The theme tune and accompanying score are still pretty naff though, all synthesized fanfares and flat sounding parps.
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The Inhumans three parter is my favourite, giving all its key characters a chance to shine and the romance between Johnny Storm and Crystal is nicely done, There’s also some neat guest appearances for The Avengers, Black Panther and even Ego – The Living Planet. As with all of Clear Vision’s Marvel releases, the set is attractively packaged with some nice artwork by Simon Williams and the picture is pin sharp and vibrant. The sound is superb as well, being dolby 5.1 stereo. There’s nothing in the way of any extras though, just the usual language and episode selections.

REVIEW: THE SILVER SURFER

CAST

Paul Essiembre (Chloe)
James Blendick (Tommy Boy)
Colin Fox (Goosebumps)

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RECURRING / NOTABLE GUEST CAST

Dennis Akayama (Wild Roses)
Lawrence Bayne (Muatnt X)
Christopher Birtton (X-Men:TAS)
Alyson Court (Elvis Meets Nixon)
David Hemblen (Earth: Final Conflict)
Don Francks (La Femme Nikita)
John Neville (Odyssey 5)
Cedric Smith (Mutant X)

Image result for silver surfer cartoonOne of Marvel’s best ever in the animated arena. Yes, they only made one season and it ended on a cliff-hanger, but that had precious little to do with the series itself. Apparently it rated rather well. The problem was never with the show, but with the company that made it. Unfortunately that went belly-up.For the purists, it is true that this show isn’t strictly in accordance with cannon. But then, what superhero cartoon is? Like most animated shows derived from comic books, this production re-imagines the universe on which it is based in accordance with its own needs. While it can’t match the sheer intricacy and detail of the comic book universe with its decades of backstory, it does make good use of the time and space available.

My only real issue with the show’s departures from cannon is that for some reason its creators decided to make Thanos a worshipper of Chaos rather than of Death. I’m not sure if the worship of Death was considered a bit too strong for what was at least nominally a children’s show, but from an adult perspective, I do consider that a mistake. That one issue aside, the story can hold its own when compared to Marvel’s comic book epics. I’ve always loved the way Marvel does cosmic, and this show does not disappoint. It positively explodes with all the electrifying energy, godlike power, and inhuman solemnity and portent that makes all of Marvel’s best cosmic epics what they are. When you’re watching this show, you do buy into the idea that these are indeed cosmic beings whose deeds shape and destroy worlds, thence echo throughout their universe, and even perhaps throughout other universes as well.

But where this show really excelled was on a visual level. Although the CGI may be technically a bit on the crude side by today’s standards (remember, this is a show made in the late 90’s), on an artistic level it is a triumph. The show’s creators did a magnificent job of integrating Jack Kirby’s original vision with the latest technology available at the time of the show’s creation. The integration isn’t as seamless as that to be found in more modern efforts, but then, it doesn’t try to be. The 2D and 3D artwork are at all times clearly distinguishable from one another, but the overall effect is still glorious.