HALLOWEEN OF HORROR REVIEW: THE NEW DAUGHTER

CAST

Kevin Costner (Man of Steel)
Ivana Baquero (Pan’s Labyrinth)
Gattlin Griffith (Green Lantern)
Samantha Mathis (American Psycho)
Noah Taylor (Powers)
Margaret Anne Florence (My Super Ex-Girlfriend)
James Gammon (Cool Hand Luke)

vile1

John James (Kevin Costner), a recently divorced novelist, moves into an old house in the country with his teenage daughter, Louisa (Ivana Baquero), and young son, Sam (Gattlin Griffith). John and Louisa’s relationship is strained; She accuses him of never loving her mother and ruining everything. On the family’s first night in the house, Louisa hears strange noises outside her bedroom window. Unseen by her is a humanoid creature lurking outside on the roof. The following day, while exploring the surrounding fields and forest, the children come across a large mound. Louisa is instantly attracted to it, but Sam is reluctant to go near it. In town, John learns that his house is locally infamous for the disappearance of a woman who lived there. Upon returning home, he finds Louisa’s pet cat mutilated near the house.Vile-2

Louisa returns to the mound after school and, while relaxing in the sunshine, hears strange noises. As Louisa hears what sounds like approaching animal growls, the film jump-cuts to John cutting his hand while washing dishes. That night John finds a trail of muddy footprints leading from the open front door to the bathroom. Louisa is inside with the door locked, sitting in the tub as the shower washes her extremely muddied body. The muddy water is shown turning red with blood as it reaches the drain. Later that night, John finds Louisa sleepwalking. When he takes her back to bed, he finds a strange doll made from straw, inside of which is a dark ball containing a live spider. The next morning Louisa comes down for breakfast wearing a short dress and make-up. When John asks her about the doll, she claims not to have seen it.vile-primor_avi_snapshot_01_03_01_[2013_02_15_14_37_00]Louisa is bullied by a preppy girl in the staircase of their school. Meanwhile, at home, John comes across a pile of muddy clothes in her bedroom. While investigating outside the house, he finds the head of Louisa’s doll at the mound, and the bloody remains of a blackbird. John is called to come to pick up Louisa, who says she does not feel well. In the infirmary he passes the preppy girl, who had apparently “fallen” down the stairs and injured her arm. Sam’s teacher, Cassandra (Samantha Mathis), gives John her phone number, offering her friendship. He is later startled to find a nest of spiders in the kitchen drawer where he’d placed the straw doll. That night John sees Louisa emerging from the woods, even though he had previously ordered her to be home by dark. He calls attention to scarring visible on the skin around her neck, but Louisa storms off without explanation. At dinner she eats in an animal-like manner, as if starved. John contacts Cassandra one night, and they meet sociably. While John is away, Louisa hears noises outside the house and exits. As John is returning home in his car, he sees a shadowy figure running through the woods in front of the house, which vaguely looks like Louisa. He exits his car and follows sounds of animal growls, but rushes back growing fearful. A stone hits his window and he speeds back to the house. Asking Louisa if she’d been outside, she says no. He orders her not to go near the mound any more.The-New-Daughter-Moviescreenies-12

The next day, John’s agent drives up to the house and they talk about the house. Inside, Sam is directed by Louisa to climb the ladder to the attic. Sam falls when frightened by animal noises there. He requires stitches, and John berates Louisa for not caring for her younger brother. That night, John searches the internet, finding an article about burial mounds. He telephones an expert on the subject, Professor White (Noah Taylor), but is ignored. He then researches the previous owner of the house, Sarah Wayne; she disappeared one day without a trace, after having locked her teenage daughter Emily in her bedroom from the outside. Emily was eventually found alive and went to live with her grandfather, Roger Wayne (James Gammon). John leaves the children with a babysitter and goes to find Roger Wayne. As Louisa watches him drive away from her window, scarring can be seen on the nape of her neck. She then returns to the mound. John arrives at Roger Wayne’s empty house, but lets himself in and looks around. In the girl’s room he finds a strange nest made from twigs and straw, and a depiction of the burial mound drawn onto a wall with the word “home” below it. Roger arrives and confronts John with explanations of what had occurred with Emily, that he burned down his house with her inside, insisting that it wasn’t his granddaughter anymore.The-New-Daughter-Moviescreenies-7While John is away, the babysitter is locked out of the house, as animal growls are heard approaching. Sam hides in his room as he hears the babysitters cries for help. John arrives home, comforts a frightened Sam, and rushes to Louisa to ask what happened to the babysitter. She says she does not know. After reporting the babysitter’s disappearance to police, John takes an ill Louisa to bed. She tearfully asks if he’s going to leave her as her mother did. He tells her he never will. That night, John dreams of a doorway on top of the burial mound and Louisa transforming into a creature who announces “I’m your new daughter”. The next day he finds a nest in Louisa’s closet similar to the one at Roger’s house. John calls a contractor to destroy the mound that day. Professor White, having called back to ask about the mound, suddenly arrives and pleads with John to wait. He tells John of an ancient civilization who worshiped the burial mounds, believing them to be the homes of ancient Gods, or “mound-walkers”. He mentions a ritual exchange of gifts — including small straw dolls, as John had found — and the mound-walkers’ search for a young girl with whom to mate and give birth to a new generation of deities to reclaim the earth. Horrified by this, John instructs the bulldozer to start. When it digs into the mound, the body of the babysitter is uncovered. Louisa, meanwhile, in the schoolyard, is scraping the ground with her fingers. John is taken to the police station for questioning while Cassandra looks after the kids.009TND_Ivana_Baquero_008That night, as officer Ed Lowry (Erik Palladino) drives John home, they are attacked, and Lowry is dragged from the patrol car by a creature. John continues home, discovering it in disarray and finding Cassandra with her throat slit. She dies while motioning toward Louisa standing in the doorway. John gathers the children to leave, but Louisa refuses. Mound-walkers begin attacking the house, and John kills three. After the attack, Louisa is missing. Her screams can be heard coming from the mound. John leaves Sam in his room, tells him to wait for the police, and tells him “be a big boy”. John goes to the mound to rescue Louisa and finds a tunnel leading into it. He pierces a can of gasoline, sets explosives left from the postponed demolition by the tunnel entrance, sparks a flare for light and crawls inside. Louisa is found unconscious and covered in mud. As he carries her out, angered creatures howl and give chase. Meanwhile, Sam has exited the house, clutching a framed family portrait and looking into the dark toward sounds coming from the mound. John escapes the mound with Louisa and blocks the tunnel with the leaking fuel canister, but another mound-walker is already there outside. Louisa collapses and begs her father not to leave her. John looks down at her and sees her beginning to transform into one of the creatures. He drops a flare into the leaking diesel fuel and the mound goes up in a huge explosion. As Sam watches, the flames are reflected on the glass of the frame. A figure is seen emerging, although its identity is unclear. Sam asks, “Daddy?”, as shadows can also be seen moving in the trees and house behind him. A growling creature emerges directly behind him as the screen goes black.Vile-1In a genre that is quickly becoming based only on graphic, grotesque, shocking blood and gore sequences and predictable horror and grisly effects, this thriller is actually attractive for all the right reasons and should be enjoyed highly by those that appreciate true horror/thriller films as opposed to the blood soaked hacker/slasher movies that are being pumped out monthly

REVIEW: HANNA – SEASON 1

Esme Creed-Miles in Hanna (2019)

Starring

Esme Creed-Miles (Mister Lonely)
Mireille Enos (World War Z)
Joel Kinnaman (Suicide Squad)

Esme Creed-Miles in Hanna (2019)

Recurring / Notable Guest Cast

Joanna Kulig (Cold War)
Lyndsey Marshal (The Hours)
Phaldut Sharma (Gravity)
Andy Nyman (The Commuter)
Katharina Heyer (Volt)
Benno Fürmann (Babylon Berlin)
Narges Rashidi (Aeon Flux)
Justin Salinger (Everest)
Félicien Juttner (Ben)
Rhianne Barreto (Dixi)
Noah Taylor (Game of Thrones)

Joel Kinnaman in Hanna (2019)Over the past 5 years, there has been an influx of TV shows based on popular films: FX’s pulpy Fargo, YouTube’s hilarious Cobra Kai, and A&E’s creepy Bates Motel. All of the previously mentioned series are entertaining and worth checking out, but before you do, consider binging all eight episodes of Hanna on Amazon Prime Video on Friday, March 29. The streaming provider’s gamble to develop this show based on the 2011 film of the same name definitely paid off. Helmed by the film’s co-writer – David Farr – Hanna on Amazon is more laser-focused than its predecessor, allowing for deeper character development and extra thrilling action sequences – which is always a good thing. Hanna is a genetically (we think) modified ass-kicking teenager who lives in the woods with her special-operative father, Eric (Joel Kinnaman), after he rescued her from a clandestine government facility when she was was a baby.Joel Kinnaman and Esme Creed-Miles in Hanna (2019)The show’s frenetic pacing (the total runtime is under 8 hours) doesn’t allow for much on-screen time with daughter and father early on in the season – which is a shame, because they’re a dynamic pair to watch. At its narrative core, Hanna is a coming-of-age story with way more violence and tragedy than your typical teenage fare – just imagine Hanna in Mean Girls or The Perks of Being a Wallflower… Ouch!Joel Kinnaman and Esme Creed-Miles in Hanna (2019)Even with all of the enhanced abilities and her training in the deadly arts, Hanna’s character remains grounded. Showrunner Farr accomplishes this by taking her out of the woods and away from her father, so she can interact with other teenagers. Watching Esme Creed-Miles’ Hanna awkwardly flirting with boys at nightclubs and struggling to adapt to suburban life is very charming. Her insatiable curiosity about the world outside of the woods she was raised in is palpable.Esme Creed-Miles in Hanna (2019)When Hanna isn’t running around killing the government agents sent to capture her, she’s usually spending time with her newfound bestie, Sophie (played by newcomer Rhianne Barreto). Sophie is an important character because she is that teenage girl you expect to see in this kind of coming-of-age story, and it’s enjoyable to watch Barreto and Creed-Miles interact: laughing, fighting, and crying over boys and controlling parents. There are moments in Hanna when you forget that she’s being hunted by a sinister government agency.Esme Creed-Miles in Hanna (2019)Speaking of the baddies… Hanna boasts an imposing villain in Marissa Wiegler (portrayed by Kinnaman’s The Killing co-star Mireille Enos). Unlike Cate Blanchett’s interpretation of the character in the film version, Enos brings a welcome bit of nuance. While she’s not a “good guy,” per se, she’s definitely less overtly evil this time around. Wiegler is the figure behind many of the mysteries surrounding Hanna’s birth and unique abilities, and even though she’s the primary antagonist, it’s easy to get the sense that there’s a bigger threat just looming around the corner. There are plenty of stories left to tell if Amazon gives Farr more seasons to play with.Whenever Wiegler’s henchmen attempt to apprehend Hanna, the fight choreography on display is impressive. To their credit, Farr and his team use the fights for more than just showing off – they’re also telling a story with kicks and punches. Kinnaman’s Eric uses brute force to cripple or kill his opponents. Hanna, on the other hand, utilizes her speed and agility to compensate for her size. Together, they make an efficient killing duo. And while it’s nice to see them spending some quality time together, Farr never lets you forget the tragedy of it all. When some teenagers’ biggest worries are social media and high school dances, Hanna’s concerns are far more imminent and deadly. Hanna’s showrunner David Farr effectively expands the movie he co-wrote back in 2011 with engaging character development and thrilling action. Esme Creed-Miles and Joel Kinnaman excel in their respective roles, making this short, but compelling 8-hour journey a must see on Amazon Prime Video.

REVIEW: LAWLESS

CAST

Tom Hardy (Legend)
Shia LaBeouf (Transformers)
Jessica Chastain (A Most Violent Year)
Gary Oldman (Robocop)
Jason Clarke (Dawn of The Planet of The Apes)
Guy Pearce (Prometheus)
Mia Wasikowska (Alice In wonderland)
Dane DeHaan (Life After beth)
Lew Temple (Waitress)
Noah Taylor (Powers)

Shia LaBeouf and Mia Wasikowska in Lawless (2012)In 1931, the Bondurant brothers—Forrest, Howard, and Jack—are running a successful moonshine business in the Piedmont region of Virginia. The brothers use their gas station and restaurant as a front for their illegal manufacturing business with the assistance of Jack’s disabled friend and engineer, Cricket. Jack witnesses infamous mobster Floyd Banner shoot dead a rival in broad daylight.Shia LaBeouf in Lawless (2012)Jack returns to the gas station, where Forrest hires dancer Maggie as a waitress. Shortly afterward, the gas station is visited by newly arrived U.S. Marshal Charley Rakes, accompanied by the Virginia state’s attorney Mason Wardell, the sheriff, and the sheriff’s deputy. Rakes demands a cut of profits from all bootleggers within the county, including Forrest, who refuses and threatens to kill Rakes if he returns. Forrest implores his fellow bootleggers to unite against Rakes, but they refuse.Tom Hardy in Lawless (2012)Meanwhile, Jack lusts after Bertha, daughter of the local Brethren preacher. He attends their church service drunk, embarrassing himself but piquing her interest. Jack walks in on a visit from Rakes to Cricket’s house, and is beaten by him as a message to his brothers. That night, Forrest beats and throws out two customers who had been harassing and threatening Maggie. After Maggie resigns and leaves, Forrest is ambushed by the two men, who slit his throat. Maggie returns looking for Forrest but is beaten and raped by the men. She decides to keep the assault from Forrest. While Forrest recovers at a hospital, Jack decides to cross the county line with Cricket to sell their remaining liquor. They too are ambushed by the mobsters, led by Banner, but are spared when Jack reveals he is a Bondurant, whom Banner admires for their stance against Rakes. Banner reveals to Jack the address of his brother’s assailants, who were previous employees of his and currently work for Rakes.Shia LaBeouf in Lawless (2012)Forrest and Howard later find, torture and kill the men and send one of their testicles to Rakes. Banner becomes a regular client of the brothers, who have expanded their operation with multiple large stills deep in the woods, increasing its profitability. Jack continues to court Bertha. Maggie decides to return to Chicago, but Forrest convinces her to stay and provides her with a spare room. They develop a romantic relationship. On a day trip, Jack decides to show Bertha the brothers’ secret operation, but they are followed and ambushed by Rakes and his men. Howard, Jack, Cricket and Bertha all flee. The police take Bertha home but leave Cricket to Rakes, who murders him.Tom Hardy and Jessica Chastain in Lawless (2012)After Cricket’s funeral, the sheriff of Franklin County warns the Bondurants that Rakes and his men are blockading the bridge out of town, with Wardell calling in Prohibition agents to shut down the county’s moonshine businesses. Jack speeds off in Cricket’s car to confront Rakes. Howard and Forrest quickly follow to provide backup for Jack, to Maggie’s chagrin. She reveals she had delivered him to the hospital after the attack and Forrest deduces that she had been assaulted as well. Jack arrives at the bridge but is wounded by Rakes. Howard and Forrest arrive and a shootout ensues, with Forrest and his driver also shot by Rakes. A large convoy of bootleggers then join the shootout on the brothers’ side. Rakes is about to finish off the wounded Forrest but is shot in the leg by Sheriff Hodges in an effort to halt the bloodshed. Rakes shoots Forrest several more times before trying to escape. Jack and Howard confront Rakes and execute him together.Shia LaBeouf and Mia Wasikowska in Lawless (2012)Following the end of Prohibition in 1933, Wardell is arrested on corruption charges while the Bondurants are all married — Jack to Bertha, Forrest to Maggie, and Howard to a Martinsville woman — and working in legitimate occupations. During a festive reunion at Jack’s house sometime later, Forrest drunkenly ambles to a frozen lake and falls into the freezing water. Although he drags himself out, he later dies of pneumonia, putting to rest the legend of his invincibility.Tom Hardy and Jessica Chastain in Lawless (2012)Overall this is a well acted and slightly over violent action drama with a good story.

REVIEW: ALMOST FAMOUS

CAST

Patrick Fugit (Saved)
Billy Crudup (Watchmen)
Frances McDormand (Burn After Reading)
Kate Hudson (Gossip)
Jason Lee (My Name Is Earl)
Zooey Deschanel (New Girl)
Anna Paquin (X-Men)
Fairuza Balk (Return To Oz)
Bijou Phillips (Hostel: Part II)
Noah Taylor (Powers)
Philip Seymour Hoffman (The Master)
Terry Chen (Bates Motel)
Jay Baruchel (Million Dollar Baby)
Jimmy Fallon (Taxi)
Rainn Wilson (House of 1,000 Corpses)
Eric Stonestreet (Bad Teahcer)
Pauley Perrette (NCIS)
Zack Ward (Transformers)
Kevin Sussman (The Big Bang Theory)

In 1973, William Miller is a 15-year-old boy aspiring to be a rock journalist. His mother, Elaine, wants him to become a lawyer. Shunned by his classmates, he writes for underground papers in San Diego, sharing the love of rock music instilled in him through a gift of albums left behind on the day his sister Anita left home.
Patrick Fugit in Almost Famous (2000)
William listens to an interview with rock journalist Lester Bangs. William has sent Bangs copies of his work, and Bangs gives William a $35 assignment to write up a review of a Black Sabbath concert. At first reluctant to assist a journalist, the band Stillwater brings William backstage after he praises their work. The guitarist, Russell Hammond, takes a liking to William, partly because of William’s friendship with a groupie he has romantic feelings for, Penny.
William goes with Penny to the Riot House – the Hyatt Hotel on Sunset Boulevard – to meet Stillwater. Penny, feigning retirement from her rock glory days, acts as William’s chauffeur, but only to get close to Russell, for whom she has genuine feelings and a past relationship. William is called by Ben Fong-Torres, editor of Rolling Stone, who wants him to do a story, believing William is several years older than he really is. When William convinces Ben to let him do a story on Stillwater, he is instructed to go on the road with them.
On the first leg of the trip, William makes his first in an increasingly frustrating number of attempts to interview Russell. Penny watches the interaction and sympathizes with William. William experiences tensions with the band due to his role as a journalist. new manager, Dennis, comes on board to help steer the band, and it is revealed that Penny must leave the tour before New York, where Leslie, Russell’s ex-wife/girlfriend, will join them. During a poker game he allows Dick to put up the groupies as a stake. The band loses the groupies to the band Humble Pie for $50 and a case of Heineken. When William tells Penny, she acts nonchalant but is devastated. Penny and Doris, the band’s tour bus, are left behind; Dennis has piled the band into a plane for more gigs.
Penny goes to New York on her own, and as the band gathers in a restaurant with Russell’s girlfriend, Penny shows up. As they celebrate making the cover of Rolling Stone, Penny makes Leslie uncomfortable and Dick asks her to leave. William chases Penny back to her hotel and finds her overdosed on Quaaludes. Believing they will die during a plane ride, the group confesses their secrets. When Penny is insulted by Jeff, the band’s lead singer, William defends her and discloses his love. The plane lands safely, leaving everyone to ponder the changed atmosphere. William continues to San Francisco to finish the story, parting ways with the band in the airport. Upset about Penny, he rewrites the article, telling the truth. The Rolling Stone editors cannot wait to publish it, but have to ask the band to verify it. Fearful of how the article will affect their image, the band makes William look like a liar. William is crushed and the story is dead. Sitting dejected in the airport, he sees his sister, who has become a stewardess and lives on her own terms. She tells him they should go on a trip together and, exhausted, William chooses to go home to San Diego.
Backstage at the Miami Orange Bowl on the Stillwater tour, Sapphire talks to Russell about Penny’s near-suicide and how despite the warnings she received about letting people fall in love with her, one of them saved her life. Russell is curious about the person in question, but Sapphire chastises him, saying that everyone knows what the band did to William and how awful they think it is. Russell calls Penny and asks for her address, telling her he wants to meet. Unbeknownst to Russell, she gives him William’s address in an attempt to resolve their conflict. Russell goes to the house, thinking it is Penny’s, but finds Elaine instead. Learning who he is, she lets him in to see William as Russell realizes where he is. They reconcile and Russell reveals that he called Rolling Stone and told them William’s story is true. Russell gives William a proper interview, Penny purchases a ticket to Morocco, and William’s story is published, with Stillwater on the cover of Rolling Stone.
The movie is a wonderful coming of age story with a fantastic soundtrack

REVIEW: VANILLA SKY

CAST

Tom Cruise (Knight and Day)
Penelope Cruz (Grimsby)
Cameron Diaz (Bad TEacher)
Kurt Russell (Big Trouble In Little China)
Jason Lee (My Name Is Earl)
Noah Taylor (Game of Thrones)
Timothy Spall (Rock Star)
Tilda Swinton (Constantine)
Michael Shannon (Man of Steel)
Ivana Milicevic (Casino Rtoyale)
Johnny Galecki (The Big Bang Theory)
W. Earl Brown (Bates Motel)
Alicia Witt (Two Weeks Notice)
Ken Leung (Lost)
Mark Bramhall (Alias)
Brent Sexton (God Friended Me)
Laura Fraser (Breaking Bad)

MV5BMTU5NTUxOTkxNV5BMl5BanBnXkFtZTgwODk0MzY2MjE@._V1_Vanilla Sky didn’t really have it easy in the year of its release. On top of being a Hollywood remake of the critically-acclaimed Spanish film, it also had to contend with the debut of Lynch’s Mulholland Drive and the wider distribution of Nolan’s Memento — both of which generated buzz by accomplishing similar things in superior ways — earlier that year. Therefore, the field was crowded in the psycho-puzzle subgenre, and the twisted story of David Aames’ conflict of romantic pursuits and amnesiac murder mystery wasn’t, in a literal sense, anything new.MV5BMTU3NDE1ODA3NV5BMl5BanBnXkFtZTgwNDk4NTA4MTE@._V1_SX1777_CR0,0,1777,999_AL_Crowe tweaks the narrative, though, by emphasizing the protagonist’s legacy as the heir to a publishing empire, accentuating his recklessness with the business end of things and a general self-awareness of the tools at his disposal: charisma, wealth, and appearance. That makes it all the more intriguing to watch his casual tryst with clingy actress Julie Gianni (Cameron Diaz) evolve beyond his control, and to see it all deconstructed by a beautiful but comparatively commonplace dancer, Sofia (Penelope Cruz), who immediately steals his heart.MV5BMjAwMjc2MTg4N15BMl5BanBnXkFtZTgwNDM5MDM2MDI@._V1_SY1000_CR0,0,1528,1000_AL_Cruise admirably embraces the understated commentary on his persona through his character’s carefree place of power and his thorny relationship with his father, with his easy charm and building anxiety driven by writer/director Crowe’s good-natured style of human interaction. An immediate spark ignites between his character and Sofia within, unsurprisingly, a cluttered celebration of the greatness of David on his birthday, and it stays credible throughout the film due to how Penelope Cruz’s down-to-earth wit and allure drags him out of the clouds, shaping into a poignant love story. The standout performance, however, emerges in Cameron Diaz with arguably the best turn of her career, encapsulating obsession and one-way affection in a beautiful shell that’s both sympathetic and unsettling, the cloud over David’s happiness.MV5BMTc4MjU0MDY4NF5BMl5BanBnXkFtZTcwNzg1MTUyNA@@._V1_SX1522_CR0,0,1522,999_AL_Infusing ethereal tracks by composer (and wife) Nancy Wilson and Icelandic band Sigur Ros with classic and contemporary melancholy pop songs, director Crowe again uses his musical awareness to heighten the visual and dramatic tempo in Vanilla Sky. Instead of directly enveloping scenes in the feel of a time period or the clear emotional state of a character, however, his musical selection here transports the audience through the complicated space of David Aames’ mind, guiding the film in both similar and differing tonal directions to that of Amenabar’s original intents. Crowe’s attunement to sound mixes intriguingly with the growingly abstract nature of David’s telling of the events, embracing an attitude that’s somewhere between the earnest warmth of the director’s previous pictures and the disappearing grip on reality within David’s psychosis. Overt sentimentality does get in the way of establishing a consistent suspenseful mood, but that duality also becomes one of the film’s distinguishing attributes as the tone shifts between those margins.MV5BZDRkOGQwNWItZjQ1ZC00MjU0LWJiZTUtZWIwMjZkMTdhNWM5XkEyXkFqcGdeQXVyMTI3MDk3MzQ@._V1_Along the way, Cameron Crowe never lets the viewer forget that this is a narrative being spun by an imprisoned man in a latex mask, divulged to an inquisitive psychiatrist as he builds a case for David’s mental state surrounding a murder accusation. Paired with the evocative perspective of Braveheart and Almost Famous cinematographer John Toll, surreal cues emerge through the film’s visual language that suggest there’s more to everything than what we’re shown, where little details scattered about — photographs, drawings, even the mole on someone’s body — begin to play with the perspectives of both David and the audience’s trust level in him. It’s at this point where Vanilla Sky pulls the curtain back on what it’s really about, descending into the pandemonium of nightmares and unreliable narration through warped science-fiction that recalibrates just about everything that’s transpired thus far. Crowe doesn’t get carried away with it all, either, keeping a firm grip on what’s safe to be deduced and not as the film shapeshifts into a psychological thriller.MV5BZmQ0YmE1MTMtYWQ2ZS00ZDNhLWIzOTctNjk4YTQ1YmQzZDZhXkEyXkFqcGdeQXVyMTI3MDk3MzQ@._V1_Vanilla Sky tumbles down that rabbit hole in a wild, slyly unsettling climax to the tragic mysteries of David’s life, both revealing the truth of what’s going on and inviting different interpretations to what it all means through layered clues, more flashes of images and whispers in the distance. It’s unsurprising that heavy emotion speaks louder than thematic lucidity in Crowe’s ending, the most divergent part of the film from the original; however, the bittersweet nature in how it feeds into the choice between moving on with one’s life or perpetuating an illusion says enough. Despite tiptoeing around some rather dark elements, it leaves the audience with a degree of cathartic optimism hanging in the air alongside swelling atmospheric music and painterly surroundings, yet there’s also the lingering sensation that everything hasn’t been, and won’t be, fully answered. Whether repeat viewings will bring that more into focus depends on the viewer, but thankfully experiencing the sweet and sour of David’s life is compelling enough to continue doing so anyway.

REVIEW: POWERS – SEASON ONE

CAST

Sharlto Copley (District 9)
Susan Heyward (Poltergeist)
Noah Taylor (Game of Thrones)
Olesya Rulin (Urban Legends 3)
Adam Godley (Terminator: TSCC)
Max Fowler (Rage)
Michelle Forbes (Battlestar Galactica)
Eddie Izzard (Hannibal)
Logan Browning in Powers (2015)
RECURRING / NOTABLE GUEST CAST

Logan Browning (Bratz)
Claire Bronson (Containment)
Aaron Farbs (42)
Justin Leak (Insurgent)
Mario Lopez (Nip/Tuck)
Bianco Amato (The Big C)
Andrew Sensenig (Beyond The Farthest Star)
Hayley Lovitt (The Originals)
Shelby Steel (Sleepy Hollow)

As the first original scripted show for the ‘PlayStation Network’ this show presents an original take on a genre that’s in abundance at the moment but also in high demand, from a renowned comics writer. It’s hard to imagine even the most ardent fans of this genre going out to buy a costly PlayStation for the sake of being able to watch this, even if they really enjoyed the pilot. This example therefore not only shows that a series like this has a large and clear potential audience, but also on the flip-side proves that this could have done much better had it been a network show or even on netflixs.powersChristian Walker was once a superhero with strength and flight, but losing his powers to super-villain Wolfe has left him grounded and now a detective with the ‘Powers’ division of the LAPD who police the many super-powered who live in the city. Partnered with inexperienced Deena Pilgrim they investigate the new threat of a designer drug killing many in the community, discovering unexpected links to old foes.
I like Sharlto Copley, and there are moments in which I felt he was well-suited for the role as he looked the part as an ex-superhero and begrudging cop. Villain-wise there’s one stroke of genius in the casting, that of Eddie Izzard as Wolfe, an incredibly powerful incarcerated villain who started out as a philosopher. With Izzard’s elocution and speech he fits the role very well. The story arc for season 1 is rounded off in the final episode, whilst ending on a cliffhanger to lead you into season 2. the second season wont air till 2016 so there is quite a wait.