REVIEW: BATTLESTAR GALACTICA (2004): THE COMPLETE SERIES

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CAST

Edward James Olmos (The Green Hornet)
Mary McDonnell (Independence Day)
Katee Sackhoff (Riddick)
Jamie Bamber (Pulse 2)
James Callis (Flashforward)
Tricia Helfer (Two and a Half Men)
Grace Park (Hawaii Five-O)
Michael Hogan (Red Riding Hood)
Paul Campbell (Andromeda)
Aaron Douglas (The Flash)
Kandyse McClure (Sanctuary)
Alessandro Juliani (Smallville)
Nicki Clyne (Saved)
Tahmoh Penikett (Dollhouse)
Sam Witwer (Smallville)

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RECURRING / NOTABLE GUEST CAST

Connor Widdows (Dark Angel)
Richard Hatch (Battlestar Galactica Original)
Matthew Bennett (Stargate SG.1)
Brent Stait (Andromeda)
Lorena Gale (The Butterfly Effect)
Donnelly Rhodes (Tron: Legacy)
Jill Teed (X-Men 2)
Tobias Mehler (Wishmaster 3)
Luciana Carro (White Chicks)
Terry Chen (Bates Motel)
Dominic Zamprogna (Oddysey 5)
Bodie Olmos (Stand and Deliver)
Callum Keith Rennie (Legends of Tomorrow)
Eric Breker (Godzilla)
Kate Vernon (Heroes)
Camille Sullivan (The Birdwatcher)
Kerry Norton (Toy)
Leah Cairns (88 Minutes)
Michael Trucco (Sabrina: TTW)
Rick Worthy (Collateral  Damage)
James Remar (The Shannara Chronicles)
Benjamin Ayres (The Vampire Diaries)
Lucy Lawless (Ash vs Evil Dead)
Aleks Paunovic (Van helsing)
Michelle Forbes (Powers)
Fulvio Cecere (The Tortured)
Mike Dopud (Arrow)
Vincet Gale (Bates Motel)
Sebastian Spence (First Wave)
Colm Feore (Gotham)
Bill Duke (Commando)
John Mann (The Butterfly Effect 2)
Christopher Jacot (Mutant X)
Dana Delany (Body of Proof)
Erica Carroll (Supernatural)
Dean Stockwell (Dune)
Rekha Sharma (V)
Amanda Plummer (Hannibal)
Emilie Ullerup (Sanctuary)
Alisen Down (Smallville)
Carl Lumbly (Alias)
Bruce Davison (High Crimes)
Gabrielle Rose (Dark Angel)
Steve Bacic (Andromeda)
Lucinda Jenney (Rai nman)
Mark Sheppard (Supernatural)
Keegan Connor Tracy (Bates Motel)
Ryan Robbins (Arrow)
Leela Savasta (Stargate: Atlantis)
Nana Visitor (Star Trek: DS9)
Sonja Bennett (Preggoland)

If you want to watch a brilliantly scripted series, then this is the one for you. In a nutshell, Humanity inhabits the Twelve Colonies of Man, somewhere out there in the galaxy. They created robots, “Cylons”, who did everything we wanted until they rebelled. A massive war broke out which ultimately ended in the Cylons leaving the Twelve Colonies. No-one had heard from the Cylons in 40 years until the events of the Mini-Series where they come back and completely destroy Humanity. The survivors (Around 50,000 people) are forced to flee the Colonies where billions have already died and forced to find a new home with the Cylons constantly in pursuit. The idea is to follow the route of the “13th Tribe/Colony” who went out into the stars and settled on a planet named “Earth”. That’s the basic premise of the story but so much happens over the 4 seasons that I’d feel ashamed to spoil it for others. It’s hard to say what parts of BSG really stood out because all of it was so frakking good but some notable parts are the entire “New Caprica” occupation storyline at the end of Season 2/start of Season 3, the big reveal of 4 out of 5 of the “Final Five” Cylons at the end of Season 3/start of Season 4, the hopelessness that is felt after “Earth” is actually found mid-Season 4 and the final battle at the end of Season 4.

The storyline can be bleak at times and sometimes you do think whether you’d have the strength to carry on if you were in their position but that’s what makes it so interesting to watch. Add in a dash of “God”, “Angels”, “Prophecy” and “Destiny” and you have a perfect recipe for a great story.Highly recommended!

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REVIEW: BATTLESTAR GALACTICA (2003)

 

CAST

Edward James Olmos (The Green Hornet)
Mary McDonnell (Independence Day)
Katee Sackhoff (Riddick)
Jamie Bamber (Pulse 2)
James Callis (Flashforward)
Tricia Helfer (Two and a Half Men)
Callum Keith Rennie (Legends of Tomorrow)
Grace Park (Hawaii Five-O)
Michael Hogan (Red Riding Hood)
Matthew Bennett (Stargate SG.1)
Paul Campbell (Andromeda)
Aaron Douglas (The Flash)
Barclay Hope (Paycheck)
Lorena Gale (The Butterfly Effect)
Kandyse McClure (Sanctuary)
Connor Widdows (Dark Angel)
John Mann (The Tall Man)
Alessandro Juliani (Smallville)
Nicki Clyne (Saved)
Tahmoh Penikett (Dollhouse)
Ty Olsson (Izombie)
Ryan Robbins (Arrow)
Erin Karpluk (Ripper 2)

After a 40-year armistice in a war between the Twelve Colonies (the homeworlds populated by humans) and the Cylons (human-created robots), the Cylons launch a surprise nuclear attack intended to exterminate the human race. Virtually all of the population of the Twelve Colonies are wiped out. Most of the Colonial military is either rendered ineffective or destroyed due to malware in the military computer network that renders it vulnerable to cyber attack. The malware was introduced by Number Six (Tricia Helfer), a Cylon in the form of a human woman, who seduced the famous scientist Dr. Gaius Baltar (James Callis) and exploited their relationship to gain access codes under the cover of an insider contract bid.
The Battlestar Galactica, an aircraft carrier in space that fought in the earlier war, is in the final stages of being decommissioned and converted to a museum when the attack occurs. During her decades of colonial service the Galactica’s computer systems had never been networked so the Galactica is unaffected by the Cylon sabotage. Its commander, William Adama (Edward James Olmos), assumes command of the few remaining elements of the human fleet. He heads for the Ragnar Anchorage, a military armory station where the Galactica can resupply itself with weaponry and essential supplies.
Caprica under bombardment during the Cylon attack.
Secretary of Education Laura Roslin (Mary McDonnell) is sworn in as President of the Twelve Colonies after it is confirmed that the President and most of the government have been killed (Roslin is 43rd in line of succession). The government starship carrying her (Colonial One) manages to assemble a group of surviving civilian ships. When a Colonial Raptor shuttle from the Galactica lands briefly for repairs on the Twelve Colonies’ capital world of Caprica, the two-person crew, Sharon Valerii (callsign “Boomer”) (Grace Park) and Karl C. Agathon (callsign “Helo”) (Tahmoh Penikett), offer to evacuate a small group of survivors. Helo remains on the stricken planet, giving up his seat to evacuate Baltar, whom he recognizes for his celebrity status as a scientific genius.The Cylons locate the human civilian fleet, and Roslin is forced to make the decision to order all of the ships capable of faster-than-light (FTL) travel to “jump” immediately to escape. Unfortunately this means abandoning many of the survivors who are aboard ships without FTL technology, and as Roslin and the FTL ships jump away, the Cylons launch an attack on the remaining ships.
At the Ragnar Anchorage space station, Adama is attacked by a supposed arms dealer who claims to be simply bootlegging supplies, but who is clearly being affected by the radiation cloud surrounding Ragnar, which humans are immune to. Adama deduces that he is facing a new type of Cylon that looks, sounds, and acts human.
As the civilian fleet joins the Galactica at Ragnar, President Roslin appoints Dr. Baltar, who has not disclosed his suborning by the Cylons, as one of her scientific advisers to combat the Cylons. Number Six reveals herself to Baltar in hallucinatory form while attempting to direct his behavior. She suggests that she may have planted a microchip inside Baltar’s brain while he slept, allowing her to transmit her image into his conscious mind. Responding to one of her suggestions, he is compelled to identify Aaron Doral, a public relations specialist, as a Cylon agent masquerading as a human. Despite his protests and the lack of any evidence to support the accusation, Doral is left at Ragnar when the Galactica departs.
As the Cylons blockade Ragnar, the Galactica and its fleet of Vipers engage the Cylon fleet in order to allow the civilian fleet to escape by “jumping” to a distant, unexplored area outside of their star system. The Galactica and the colonial fleet make good their escape. Adama then attempts to lift the morale of the surviving humans by announcing plans to reach a legendary thirteenth colony called “Earth”, whose existence and location have been closely guarded military secrets. Roslin is skeptical and later confronts Adama and makes him admit that Earth is simply an ancient myth. Returning to his quarters, Adama finds an anonymous note has been left for him stating “There are only 12 Cylon models.” On Ragnar, Doral clearly appears to be suffering from radiation poisoning that has been shown to affect only Cylons. His identity as a Cylon is confirmed when a group of Cylons, including the metallic Cylon Centurions and several humanoid Cylons consisting of multiple copies of the Number Six, Doral, and Ragnar arms-dealer models, come to retrieve Doral. In a twist ending, one of the group appears to be Boomer, indicating that her counterpart on the Galactica is a Cylon as well.

For fans of the original series this will be an initially unwelcome show, it makes so many changes to so many aspects of the show that it will be hard to adjust at first. But give it a chance, watch this through and there’s good odds you’ll be sold. In conclusion, this is three hours of pure gold. It’s gripping, thrilling, compelling and just plain entertaining from start to finish. Once you finish watching it you’ll be heading strait to the first full season, and trust me, you won’t be disappointed.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

12 DAYS OF CHRISTMAS REVIEW: SAVED!

CAST
Jena Malone (Donnie Darko)
Mandy Moore (License To Wed)
Macaulay Culkin (Party Monsters(
Patrick Fugit (Gone Girl)
Heather Matarazzo (Hostel – Part II)
Eva Amurri Martino (New Girl)
Chad Faust (Heroes)
Elizabeth Thai (Andromeda)
Martin Donovan (Ant-Man)
Mary-Louise Parker (Red)
Kett Turton (Wrath of The Titans)
Nicki Clyne (Battlestar Galactica)
Aaron Douglas (The Mentor)
Teenager Mary Cummings (Jena Malone), who has “been born again her whole life,” is about to enter her senior year at American Eagle Christian High School near Baltimore. She and her two best friends, Hilary Faye (Mandy Moore) and Veronica (Elizabeth Thai), have formed a girl group called the Christian Jewels. Mary’s “perfect Christian boyfriend” Dean Withers (Chad Faust) tells her, as they’re swimming underwater, that he thinks he’s gay. In her shock, Mary hits her head in the pool and has a vision in which Jesus tells her that she must do everything she can to help Dean. Hoping for a sign, Mary goes to a shooting range with Hilary Faye, who has a “spiritual solution for everything” and tells Mary (not knowing about the situation with Dean) that if all else fails, Jesus could still restore their “spiritual and emotional virginity.” Believing that Jesus will restore her purity, Mary sacrifices her virginity to have sex with Dean in an attempt to restore his heterosexuality.
Despite Mary’s efforts, when she comes by Dean’s house on the morning of the first day of school, Dean’s parents tell her that they found gay pornography under his bed and that they’re sending him to Mercy House, a Christian treatment center. Mary tells her friends, as well as Hilary’s brother Roland (Macaulay Culkin), who uses a wheelchair, about Dean’s homosexuality, and makes them promise to keep it a secret. When they arrive at school, they see Cassandra Edelstein (Eva Amurri), the school’s only Jewish student and a rebel who despises Hilary. In homeroom, Mary meets new student Patrick (Patrick Fugit), the son of the school’s principal, Pastor Skip Wheeler (Martin Donovan), a skateboarder who has been doing missionary work (through skateboarding) in South America. Mary tries to put up a good front at the assembly, in which Cassandra fakes speaking in tongues in order to get under the skins of the other students.
Mary soon realizes that she is pregnant from her encounter with Dean. When she goes to Planned Parenthood to confirm the pregnancy, she is seen by Roland and Cassandra. Roland reveals that he isn’t really a Christian, unlike his fanatically religious sister. Cassandra reveals she’s only at American Eagle after being thrown out of her old school and decided she could “handle the freaks” at American Eagle over being homeschooled by her parents. Roland and Cassandra bond over their shared skepticism. Mary finds out that she’s not due to give birth until after her high school graduation and decides to hide her condition from her friends and family until then. However, she feels forsaken by Jesus and loses her faith, causing her to be ostracized by Hilary and replaced in the Christian Jewels with a previously unpopular girl, Tia (Heather Matarazzo), who’s been struggling to get into the Christian Jewels for years. Later, after Pastor Skip gets word about Mary, he tells the Jewels to help Mary regain her faith, but they seem to misunderstand him and stop Mary in the street and try to exorcise her of demons instead.
By Christmas, Mary is still hiding her pregnancy. Cassandra mocks her about it when they are alone in the bathroom, but when she realizes Mary’s anguish, Cassandra changes her tone and offers her support. They cut school with Roland, and the three of them become good friends. When they run into Patrick and Hilary at the mall, Cassandra distracts Hilary (pretending she wants to be converted) while Patrick and Mary sneak away and Patrick confesses his feelings for Mary. Pastor Skip warns his son when they’re at home together against dating Mary, even as Pastor Skip (still married to his wife, although they live separate lives) has been secretly dating Mary’s mother, Lillian (Mary-Louise Parker).
A few months later, after multiple fights at school between Hilary Faye and Cassandra, Pastor Skip puts Roland, Cassandra and Mary on the school prom committee (chaired by Hilary Faye) to punish them. While working together, Patrick asks Mary to go with him to the prom, which Mary accepts, but as friends. Later that day, Roland and Cassandra get their hands on a picture of a younger, much heavier, and much more awkward Hilary Faye and load it onto the desktop of every computer in the school. The next day, someone vandalizes the school with graffiti. Mary and Cassandra are initially the prime suspects, and to their shock the spray cans are found in their lockers. While searching the lockers with the Jewels looking on, Mary’s homeroom teacher finds a sonogram of Mary’s baby. She tries to hide it, but it drops to the ground in front of Pastor Skip’s feet. Cassandra is expelled from school, while Mary is banned from the prom.
Pastor Skip tells Lillian that he will break off their relationship if she doesn’t send Mary to Mercy House. Lillian decides that she’s going to send Mary away, saying that it’s the best thing for Mary and the baby, but secretly because she doesn’t want Skip to break up with her. Despite being banned, Cassandra and Roland scheme to go to prom and to bring Mary with them, providing her with a dress and inviting Patrick to meet them. Roland also finds that Hilary Faye charged several cans of spray paint to her credit card just hours before the attack—indicating that she was the one who spray-painted the school.
Hilary Faye, Tia and Veronica head to the prom. On their way in, Tia finds a credit-card receipt for the spray paint—signed by Hilary Faye, revealing that Hilary did, in fact, spray-paint the school. When Mary, Patrick, Cassandra and Roland arrive, Hilary attempts to have Mary and Cassandra thrown out, but Pastor Skip decides to let them stay. The four then accuse Hilary Faye of committing the vandalism herself and framing Mary and Cassandra for it as revenge for humiliating her. Hilary Faye attempts to swear before God that she is innocent, but Tia, fed up with Hilary Faye’s lies and hypocrisy, reveals the signed receipt to everyone, exposing Hilary as the true vandal. Veronica turns on Hilary as well, calling her a fake.
As the now-exposed Hilary Faye flees with the others in pursuit, Dean suddenly arrives with other teenagers from Mercy House. Dean is surprised, but not upset, by Mary’s pregnancy; he meets Patrick warmly, and Mary is similarly accepting towards Dean’s roommate/boyfriend Mitch. Pastor Skip tries to send the new arrivals back to Mercy House, but they refuse, and Mary and her friends support them. Suddenly, Hilary crashes her van into the school’s huge effigy of Jesus. Realizing what she has done, she breaks down in tears of regret. Cassandra shows some sympathy towards Hilary, feeling sorry for her. As paramedics arrive to the accident scene, Mary abruptly goes into labor and is taken to the hospital.
In her hospital room, Mary’s and Dean’s friends and family crowd around the baby girl, while Pastor Skip waits outside debating whether to come in. In a voice-over, Mary tells the audience how she has returned to believing in a God who loves and helps the ones that love and help others in need.
It’s a brilliantly funny but also has underlying moral issues about Christianity and acceptance and deals with many different types of problems facing adolescents, from disability to underage pregnancy

REVIEW: DARK ANGEL – SEASON 1 & 2

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CAST

Jessica Alba (Machete)
Michael Weatherly (NCIS)
Richard Gunn (Hemlock Grove)
J.C. MacKenzie (The Departed)
Valarie Rae Miller (Crank)
Jennifer Blanc (The Victim)
John Savage (The Deer Hunter)
Jensen Ackles (Supernatural)
Alimi Ballard (Sabrina: TTW)
Kevin Durand (X-Men Origins)
Ashley Scott (Birds of Prey)
Martin Cummins (Bates Motel)

RECURRING / NOTABLE GUEST STARS

Stanley Kamel (Monk)
Paul Popowitch (Mutant X)
Douglas O’Keeffe (Sanctuary)
Lauren Lee Smith (Lie With Me)
Sarah-Jane Redmond (Smallville)
Stephen Lee (Quantum Leap)
Hiro Kanagawa (Heroes Reborn)
Garry Chalk (Stargate SG.1)
Fulvio Cecere (Watchmen)
Natassia Malthe (Elektra)
Tyler Labine (Rise of The Planet of The Apes)
Peter Bryant (Sanctuary)
Christine Chatelain (Final Destination)
Abraham Benrubi (BuffY)
Byron Mann (Arrow)
Tony Perez (Once Upon A Time)
Lisa Rodriguez (Next Friday)
William Gregory Lee (Xena)
Rodney Rowland (Veronica Mars)
George Cheung (Rush Hour)
Robert Gossett (The Net)
Brian Markinson (IZombie)
James Kidnie (Robocop: The Series)
Alex Zahara (The Stickup)
Jodelle Ferland (Kingdom Hospital)
Ryan Robbins (Caprica)
Emily Holmes (Stargate SG.1)
Craig Veroni (Two For The Money)
Rekha Sharma (Smallville)
Ashley Crow (Heroes)
Ian Tracey (Bates Motel)
Rainn Wilson (House of 1000 Corpses)
Nana Vistor (Star Trek: DS9)
Lisa Ann Cabasa (Lies of The Twins)
Sebastian Spence (First Wave)
Steve Bacic (Andromeda)
Nicole Bilderback (Buffy)
Grace Park (Hawaii Five-O)
Nicki Clyne (Saved)
Colin Cunningham (Elektra)
Rob LaBelle (Jack Frost)
Sarah Carter (Smallville)
Todd Stashwick (The Originals)
Meghan Ory (The Memory Book)
Peter Williams (Catwoman)
Sam Witwer (Being Human)
Tracy Ryan (Firefly)
Gabrielle Rose (If I Stay)
Kandyse McClure (Seventh Son)
Jorge Vargas (Power Rangers Ninja Storm)
Rick Worthy (The Vampire Diaries)

The story is set in Seattle, Wasington, in the year 2019, which is afer “The Pulse,” an electromagnetic bomb that basically pushed reset on the United States. However, that is only the setting, because the star is Jessica Alba as Max Guevera, who at first glance has a day job as a bike courier, and at second glance works as a cat burglar at night, bit at third glance and closer examination turns out to be a genetically enhanced superhuman created by the government who escaped from a military training school ten years earlier.


“Dark Angel: The Complete First Season” has a couple of plot lines that make Max both the hunter and the hunted. Max is always on the lookout for her “siblings,” the other kids who escaped from Manticore, while Lydecker (John Savage), the head of the secret program is trying to find both them and Max to return them to government service. Meanwhile, Max’s days as a cat burglar are over when she tries to rob Logan Cale (Michael Weatherly), a rich kid who is the secret cyber-journalist known as “Eyes Only,” who enlists her into his idealistic crusade to clean up corruption in Seattle. Of course, the two are made for each other, but we have to wait for them to catch out to this rather obvious fact. What really makes “Dark Angel” work is the extent to which this futuristic dystopia has been worked out.

This is not so much a series where the mythology emerges over time as it is one where the premises are so strong that they sustain multiple episodes and provide compelling sub-text for the rest. Compare this to similar series that take a while to find themselves, and you can see why these solid premises allowed this one to be able to have so many solid episodes early on.


Creator James Cameron’s imprint is clearly on this production, but mention should be made of the show’s Vancouver crew, which obviously includes a lot of “X-Files” veterans. The production values on “Dark Angel” are pretty striking in creating the seedy world of post-pulse Seattle and its icon Space Needle where Max likes to go and contemplate existence. But the sense of style comes as much from the characters as the setting. Alba is truly stunning as Max, able to play hard, soft, or whatever the scene demands. Weatherly has one of the squarest jaws in television history, and Savage has fun milking everything out of the bad guy (he really does care for his children, but duty never gets in the way of such emotions). The supporting cast has some compelling texture types, from Normal (J.C. MacKenzie), the overbearing dispatcher at Jam Pony (“Bip! Bip! Bip!”), to urban philosopher Herbal Thought (Alimi Bllard), and everybody’s favorite, Original Cindy (Valarie Rae Miller), Max’s roommate and co-worker, who basically has the right attitude for every occasion.

51RT33G37CLWatching the second season of “Dark Angel” knowing that the show would be cancelled it becomes easier to see that there the fundamental dynamic of the series was just changed way too much. After all, gone is John Savage’s villainous Lydeker, who had at least a proprietary interest in the transgenics. In his place is a Snidley Whiplash type, Agent White (Martin Cummins), who wants to kill all the transgenics, not so much because of orders from the government but because of a much larger ancient conspiracy (e.g, “Exposure”) having to do with the whole eugenics vs. transgenics argument (pretend there is one).

Instead of the super-soliders from the X-5 series trying to blend in with humanity and avoid being killed by their creators, we know have transgenics of every description, which far too often becomes a “freak” of the week. While in the case of Joshua (Kevin Durand), the first transgenic, this has some nice payoffs, the rest of it is just becomes a bit much and you need a program to keep all the transgenic clear in your mind. Then there is the whole romantic relationship between Max (Jessica Alba) and Logan (Michael Weatherly), which starts off the second season with him thinking she is dead. Then he gets the good news, she is alive, but the bad news: she has been given a virus that is genetically programmed to kill Eyes Only. You have to admit, it terms of keeping apart two people who seriously want to get together, this is a rather creative way, and there are a couple of very good episodes dealing with their romantic problems (e.g., “Borrowed Time,” “Hello, Goodbye”). We are supposed to then throw X-5 Alex (Jensen Ackles) into the mix as a love triangle, but I can never believe Sam would be unfaithful to Logan, let along want to go the kissing cousin route. I prefer the problems with the X-6s (“Bag ‘Em”) and the X-7s (“Designate This”).  Perhaps the best proof of how the show was matching steps forwards with step backwards is in the supporting cast. With Alex and Joshua becoming the third and fourth most important characters in the show after Max and Logan, that meant reduced roles for Original Cindy (Valarie Rae Miller) and Norman (J.C. MacKenzie). The latter is reduced to on-going homoerotic shtick with Alex, especially in the Manty Coro bits, and the former is reduced to popping in to episodes for brief moments of clear thinking and moral support. This is underscore by their return to prominence in the series finale, “Freak Nation”

Perhaps the problems with Season 2 of “Dark Angel” is that making things bigger and going the whole “X-Men” route with the public outcry to get the wicked mutants, is just pretty much a complete flip on the more intimate and secretive world of post-Pulse Seattle we got in Season 1. It seems strange to fault a show for moving in new directions, given how often they become stagnant, but all these changes might just have been too much too soon. Then again, the fault might be audiences were not particularly open to so many changes. You certainly cannot say that watching Alba as Max got tiresome

Ironically, FOX’s reasoning for cancelling “Dark Angel” was that they did not want to do two futuristic science-fiction shows (i.e., costly sets and special effects), and decided to go with the highly anticipated sci-fi western “Firefly” from “Buffy the Vampire Slayer” creator Joss Whedon. Of course, “Firefly” never had the ratings of “Dark Angel” and never made it to double figures on episodes. If you missed “Dark Angel,” then it is certainly worthwhile checking it out on DVD. The second season is not as good as the first, but still way above average in terms of science fiction shows. And the biggest highlight is the James Cameron directed the finales.