REVIEW: MOM – SEASON 1-5

MAIN CAST

Anan Faris (Just Friends)
Allison Janney (I, Tonya)
Sadia Calvano (Melissa & Joey)
Nate Corddry (Yogi Bear)
Matt Jones (Mojave)
French Stewart (3rd rock From The Sun)
Spencer Daniels (Star Trek)
Mimi Kennedy (Due Date)
Blake Garrett Rosenthal (New Girl)
Jaime Pressly (My Name Is Earl)
Beth Hall (Mad Men)
William Fichtner (The Dark Knight)

Mom (2013)

RECURRING / NOTABLE GUEST CAST

Courtney Henggeler (The Big Bang Theory)
David de Lautour (Power Rangers Jungle Fury)
Justin Long (Tusk)
Reggie De Leon (Young & Hungry)
Octavia Spencer (Insurgent)
Nick Searcy (Justified)
Lauren Bowles (Ghost World)
Jon Cryer (Two and a Half Men)
Kevin Pollak (Willow)
Nick Zano (Legends of Tomorrow)
Ron Rogge (Power Rangers: Lightspeed Rescue)
Jim Jansen (Gilmore Girls)
Brian Stepanek (Young Sheldon)
Alex Desert (The Flash)
Ryan Cartwright (Bones)
Melissa Tang (A Good Day To Die Hard)
James Earl (Scream Queens)
Crista Flanagan (Epic Movie)
Richard Riehle (Casino)
Mary Pat Gleason (Crucible)
Alison La Placa (Duet)
Jim Piddock (Family Tree)
Sara Rue (Popular)
Edward Asner (Elf)
Rick Fox (Oz)
Ian Reed Kesler (The Finder)
Colin Hanks (King Kong)
Beverly D’Angelo (The Simpsons)
Alan Rachins (Showgirls)
Don McManus (The Mazed Runner)
Clarke Duke (Kick-Ass)
April Bowlby (How I Met Your Mother)
Amy Hill (50 First Dates)
David Krumhotlz (Serenity)
Victor Webster (Mutant X)
Fred Tatasciore (Hulk Vs)
Tom Amandes (Arrow)
Kelly Stables (The Ring 2)
Ellen Burstyn (The Exorcist)
June Squibb (Shameless)
Lauri Johnson (Waitress)
Emily Osment (Cyberbully)
Lamont Thompson (Evan Almighty)
Linda Lavin (The Back-Up Plan)
Harry Hamlin (Clash of The Titans)
Rosie O’Donnell (The Flinstones)
Joe Mangiello (Magic Mike)
Jim Pirri (Suicide Squad: Hell To pay)
Jesse Luken (Star Crossed)
Richard Schiff (Man of Steel)
Stacey Travis (Easy A)
Diane Delano (Jeepers Creepers II)
Jack McGee (The Fighter)
Christina Moore (That 70s Show0
Nicole Sullivan (Disjointed)
Bradley Whitford (Get Out)
Chris Pratt (Guardians of The Galaxy)
Wendie Malick (American Housewife)
Leonard Roberts (Heroes)
Bret Harrison (V)
Yeardley Smith (The Simpsons)
Missi Pyle (Gone GIrl)
David Anthony Higgins (Mike & Molly)
Michael Angarano (Empire State)
Danielle Bisutti (Curse of Chucky)
Steven Weber (13 Reasons Why)
Kristin Chenoweth (Pushing Daisies)
Kristen Johnston (3rd Rock From The Sun)
Yvette Nicole Brown (Community)
Patti LuPone (Parker)
Bill Fagerbakke (How I Met Your Mother)

Allison Janney and Anna Faris in Mom (2013)Chuck Lorre’s already-sizable CBS footprint continues to grow with “Mom,” joining “Two and a Half Men,” “The Big Bang Theory” and “Mike & Molly” to bring to four his one-man renaissance of the multicamera comedy. While the show breaks little ground, it’s a fairly polished and inordinately well-cast pilot, with a central duo and underlying theme — mother-daughter relationships, and repeating destructive patterns — that should resonate with a chunk of its target audience. At this point, the principal danger is whether in success Lorre might run out of cranky things to say on all those show-ending vanity cards.Allison Janney, Jaime Pressly, Anna Faris, and Mimi Kennedy in Mom (2013)Anna Faris stars as Christy, a woman for whom life hasn’t panned out as intended. She got knocked up early and is so distraught over working as a waitress in a high-end restaurant that a casual compliment about her service unleashes a torrent of tears. Christy isn’t faring much better in raising her teenage daughter (Sadie Calvano), who is already exhibiting a rambunctious, sleep-around streak, prompting mom to tell her, “Don’t lie to the woman who washes your sheets.” Seeking consolation at an AA meeting, Christy runs into her mother, Bonnie (Allison Janney). When Christy recalls seeing her mom snort cocaine out of shag carpeting, Bonnie cheerfully dismisses the maneuver as simply being “thrifty.” If Christy considers her mom with about as much enthusiasm as the title character in “Ray Donovan” reserves for his dad, the new and improved Bonnie is a sprightly sort and eager to help out, setting the foundation for the series in motion.Allison Janney and Ivan Hernandez in Mom (2013)If that sounds like little more than “2 Rehabbing Gals” to follow “2 Broke Girls,” Lorre and co-creators Eddie Gorodetsky and Gemma Baker also have given “Mom” a fairly solid B-plot environment, with Nate Corddry as Christy’s manager and French Stewart as the restaurant’s imperious chef.  Janney seems like a natural for this sort of comedic turn, and her character’s zen-like attitude, not over-thinking things and living in the moment, hits home. By that measure, “Mom” has the bones of a pretty durable TV show. with 5 Seasons under it’s belt and a 6th on the way  it looks like this show may well be around for a while.

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CHRISTMAS 2017 REVIEW: LEGENDS OF TOMORROW – BEEBO THE GOD OF WAR

DC's_Legends_of_Tomorrow_title_card

MAIN CAST

Brandon Routh (Chuck)
Caity Lotz (The Pact)
Franz Drameh (Edge of Tomorrow)
Maisie Richardson-Sellers (The Originals)
Amy Louise Pemberton (Suspence)
Tala Ashe (Odyssey)
Nick Zano (2 Broke Girls)
Dominic Purcell (A Fighting Man)

RECURRING / NOTABLE GUEST STARS

Neal McDonough (Paul Blart Mall Cop 2)
Wentworth Miller (Prison Break)
Courtney Ford (Supernatural)
Graeme McComb (UnReal)
John Noble (Sleepy Hollow)
Jes Macallan (Mistresses)
Thor Knai (Crazy Ex-Girlfriend)
Katia Winter (Arena)
Emily Tennant (Mr. Young)
Hiro Kanagawa (Heores Reborn)
Matt Ryan (Constantine)

I’m sure most of us were expecting a very glum, downbeat midseason finale as the Legends mourned Professor Stein’s passing and struggled to get back into the time travel groove. So it comes as some surprise that this episode wound up being one of the most overtly silly and slapstick in Legends history. And this is the same season where the team reenacted the events of E.T. with a baby Dominator. It’s a real testament to the power of this show, the skill of the writing staff and the chemistry of the cast that such a goofy episode also managed to hit home in such a profound way.Granted, maybe I should have expected a goofy approach to this episode based on the title alone. “Beebo the God of War” certainly didn’t fail to live up to its name. The idea of a group of Vikings worshiping the Arrowverse version of Tickle Me Elmo and rewriting the course of North American history is just bizarre and stupid and wonderful in a way only Legends can really pull off. The Beebo doll and the Viking trappings proved to be an endless source of amusement here, while at the same time serving as a clever way to briefly bring Graeme McComb’s younger Martin Stein back into the picture.There were plenty of great character moments along the way as that conflict grew progressively more chaotic. Naturally, this was a big week for Jax, as he mourns the loss of his partner/father figure and wrestles with his guilt. Ultimately, this felt like a necessary coda to the rest of Season 3’s Stein material. It wrapped up the character’s journey on a happier, more uplifting note. It allowed McComb one last hurrah as a pitch-perfect stand-in for Garber. And it helped Jax move past his guilt and embrace the next phase of his own journey. Seeing Jax bid farewell to his team/family was extremely bittersweet.Above and beyond Jax’s struggles and young Stein’s Back to the Future dilemma, this episode really succeeded in celebrating the team’s status as a dysfunctional but close-knit family. Everyone mourned Stein’s death in their own way, resulting in a steady stream of hilarious and somber moments. Even Agent Sharpe was integrated into the conflict in a fun way. And if it wasn’t obvious that there’s a spark between Sharpe and Sara before, it definitely is now.Wentworth Miller’s return really helped speed things along this week. “Leo” Snart is a real blast – even more entertaining here than he was in “Crisis on Earth-X.” This episode reminded me how much the team dynamic lost when the original Snart was killed off in Season 1. Leo’s antics are a hoot, but the revamped Captain Cold/Heat Wave relationship proved very poignant as well. I’m thrilled that Miller, like Garber, is being given an opportunity to really have fun with his character before saying his final Arrowverse farewell.This episode proved very reminiscent of “Return of the Mack” in how an initially goofy storyline took a dark turn with the appearance of Damien Darhk. The fact that Grainne Godfree was a lead writer on both episodes is probably no coincidence. Fortunately, “Beebo the God of War” avoided falling victim to formula. The appearance of Darhk and his daughter merely served to add stakes to what would otherwise have been a fairly straightforward conflict. And it’s not like Darhk didn’t bring his own brand of hilarity to the table. His tacky Odin costume was simply divine (especially the wig). And you really have to appreciate those little stylistic flourishes, like the final showdown that played out more as a series of Rashomon-style daydreams than a straightforward battle.This episode was a perfect way to cap off 2017 and deliver the final word on Martin Stein.

CHRISTMAS 2017 REVIEW: LEGENDS OF TOMORROW – TURNCOAT

DC's_Legends_of_Tomorrow_title_card

MAIN CAST

Victor Garber (Alias)
Brandon Routh (Chuck)
Arthur Darvill (Doctor Who)
Caity Lotz (The Pact)
Franz Drameh (Edge of Tomorrow)
Matt Letscher (Her)
Maisie Richardson-Sellers (The Originals)
Nick Zano (2 Broke Girls)
Dominic Purcell (A Fighting Man)
Amy Louise Pemberton (Suspence)

RECURRING / NOTABLE GUEST STARS

Randall Batinkoff (As Good As It Gets)

Legends of Tomorrow delivered a Christmas-themed episode in feburary 2017 , making it only about a month-and-a-half late to the party. But when time travel is involved, you can always argue that’s Christmas somewhere (or some-when). “Turncoat” allowed Legends to keep delivering the fun, frantic action it’s been doing so well in season 2, while also going to some pretty dark and dramatic places along the way.Granted, I had my concerns going into this episode. Legends has been particularly strong since returning from its midseason hiatus, and it didn’t seem like reverting to the familiar formula of “The Legends go back in time and protect a famous historical dead dude” didn’t see like the best way of keeping the hot streak alive. And if this episode had focused mainly on the fight to protect George Washington (played by Randall Batinkoff), it probably would have floundered. The show’s portrayal of Washington was about as bland and straightforward as its Ulysses S. Grant from earlier this season. With his penchant for flowery speeches and obsession with military decorum, it’s like he walked straight out of an elementary school history textbook.Fortunately, Washington himself was more or less an afterthought here. The real focus was on the painful reunion between the Legends and their old captain, now rebooted as a nihilistic villain who’d rather trample over history than safeguard it. As fun as it was watching Arthur Darvill play Rip as a cowardly American hippie in recent episodes, it’s even more entertaining watching this new version. Perhaps in part because he doesn’t just come across as a brainwashed tool of the Legion of Doom. There was a real weight to Rip’s words as he reflected on his past self’s willingness to be manipulated by others and his failure to save his own family. While the new Rip may be a product of brainwashing, there’s little denying that he already existed somewhere in the old Rip’s mind. Once again, it’s great to see the writers pushing the character in such new and dramatic directions rather than simply roll him back into the cast as if nothing had changed.Evil Rip helped keep the conflict grounded throughout the episode. There was certainly plenty of the familiar Legends charm to go around. Mick’s narration in the opening credits alone took care of that, to say nothing of Ray’s mad dash through the Waverider’s air ducts or Professor Stein’s hilarious Dr. McCoy homage. But despite the healthy dose of humor, “Turncoat” actually proved to be one of the darker episodes of the season. Sara very nearly died at Rip’s hand. Jax was forced to take over as captain and found himself on the brink of shooting Rip. Professor Stein nearly had a panic attack while trying to save Sara. And while everything generally worked out in the end, there’s no getting around the fact that once again, the Legends allowed another priceless artifact to fall into the Legion’s clutches. This is a team that loses even when they win, and that’s a major source of their appeal.That dark turn definitely worked in Jax’s favor. He’s a character who tends to be used for comic relief or as a foil to Stein, so it was nice to see Jax front-and-center and really dealing with some complicated emotional baggage as he confronted Rip. His game of cat-and-mouse with Rip was nothing if not suspenseful, and his struggle to stop himself from killing his old captain felt very genuine. By the end it was hard not to root for Jax to gun down Rip given the emotional gauntlet he had just been through. Luckily, the writers seemed to know when to ease off the gas and let the darkness recede in favor of some good, old-fashioned Christmas charm. That impromptu celebration helped balance out the otherwise glum conclusion to this week’s conflict, while also reminding us what a tight-knit group the Legend shave become since first banding together to hunt Vandal Savage.It really seems like Legends of Tomorrow can do no wrong lately. Even in an episode that ran the risk of retreating into simpler, more formulaic time travel fare, the show managed to deliver a wildly entertaining adventure that balanced dark character drama, sexual tension and wacky superheroics. The debut of dark Rip Hunter is just one more inspired addition to a show that already has so much working in its favor.

REVIEW: ROADKILL 2

CAST

Nicki Aycox (Jeepers Creepers II)
Nick Zano (Mom)
Laura Jordan (Pure)
Kyle Schmid (Arrow)
Mark Gibbon (Robin Hood Beyond Sherwood)
Mackenzie Gray (Man of Steel)

72dc5-joy-ride-2-nicki-aycox-kyle-schmid-nick-zano-laura-HThe film begins at a truck stop in an unspecified rural location. It is night time in the midst of a heavy rainstorm, and a hooker gets into a large, black Peterbilt and offers her “services” to the trucker inside. The trucker is revealed to be Rusty Nail (Mark Gibbon) when he recites his phrase “I like the rain. Keeps everybody inside and washes everything clean.” He asks the hooker to go out into the rain to get wet. When she is unnerved by this strange behavior and states she is leaving, Rusty Nail locks the doors and tells her to leave through the open window. He then shuts the window halfway as she is clambering out, trapping her with half her body hanging outside the truck. Rusty Nail then drives off, decapitating the hooker as he drives alongside a trailer attached to a truck. Meanwhile, Melissa and her fiancé Bobby (Nicki Aycox and Nick Zano), a young engaged couple in their early twenties, are on a cross country road trip in a 1983 Chevrolet Caprice Wagon. They are heading across the Southwestern United States to Las Vegas, where they plan on getting married. Joining them for the ride is Melissa’s sister Kayla (Laura Jordan), who along the way picks up her online boyfriend Nik (Kyle Schmid), a punk. When their car breaks down in the desert, the four find a seemingly abandoned house along a side road. In the barn, they find a silver 1971 Chevrolet Chevelle in working order with a full tank of gas. Melissa and Bobby are initially reluctant to take the car, as it amounts to thieving, but due to Kayla and Nik’s persistence, they relent. However, Melissa leaves a note in the house with her contact details for whomever may own the house and/or car.The next day, Melissa receives a phone call from the person who owned the car they stole. He then calls Melissa “Goldilocks” (she is blonde), revealing that he can see her. He also tells her, “I believe you have something of mine, ’cause I now have something of yours,” soon after Bobby disappears from a diner restroom. The others find a CB radio in their car, with which Rusty Nail talks to them. He orders them to destroy their cellphones and follow his orders if Bobby is to survive, and he has some quite nasty psychological mind games that create a bridge for gory, life-and-death situations. The group continues to follow Rusty Nail, who promises them that they will be all reunited soon, after Rusty requests for Kayla’s middle finger, a reference to when Kayla flipped off the driver of a truck who turned out to be Rusty. The group cuts a finger from a corpse and reach the wrong trucker because Rusty already knew that they had broken the rules. Rusty cuts one finger off Bobby and puts it in the glove compartment of the vehicle, which is eventually discovered by the group.Rusty later instructs Melissa to “strip down to her underwear” in front of his truck; it turns out not to be him, but some other trucker named Kenny Chesney whom Rusty Nail had instructed to be there. Rusty Nail soon pulls up at a bar in Utah, and Bobby tries to escape. He gains the attention of the barman, who has gone outside to smoke, but Rusty Nail catches him and uses a chainsaw-chain to cut off the barman’s jaw. He then commands Nik to walk through a party dressed as a female and to buy crystal meth. Nik refuses to do this, and Melissa takes a knife to his throat, whereupon Nik cries, confessing that he is scared and his tattoos are fake. Nik walks up to the party in the clothes that were seen on the hooker earlier, only for Rusty to kidnap Nik and drive off. Melissa and Kayla chase them, and in the ensuing car chase, Rusty manages to ram their car several times, overturning it. Kayla’s leg is pinned, and she is killed when Rusty rams again, causing the car to explode.Rusty takes Bobby and Nik back to his home and has them play a sadistic game of “Craps” with dice. In this game, whatever one person rolls makes the other person suffer. Bobby’s kneecap is struck by a hammer and his nipple branded by the letter R. Once Bobby rolls a double one snake eyes, Rusty kills Nik by stabbing him with a steel bar through the top of his head. Melissa breaks into a police station and steals a motor bike, racing off to find Bobby. Rusty Nail hangs Bobby by his neck in the back of his truck. Melissa parks the police motorcycle by the side of the truck, distracting Rusty and allowing her to overpower the killer with a few well-placed hits to the back with a shovel. She drives away in his truck, accidentally disconnecting the cabin from the rest of the truck and leaving Bobby behind, but Rusty manages to grab on to the side of the truck and climb on the roof. Melissa drives until the sun comes up and ends up plowing into a gas tank, causing the truck to catch fire. Melissa jumps from the truck as Rusty takes control, but it’s too late, and he drives off the side of a cliff, the truck exploding on impact. Bobby escapes from the trailer and meets back up with Melissa, their ordeal finally over.Later, in the middle of nowhere, a girl is stuck on the side of the road because her car has broken down. A big red Peterbilt truck with a trailer attached drives past her, only to stop and back up after she makes a nasty comment. She explains what’s happened and asks for a ride. As the truck door opens, it is revealed that the driver has a badly burnt right arm. The girl climbs in and a familiar voice says “You’ll catch your death out there,” revealing that the driver is Rusty Nail, who survived the explosion. He drives away with the girl.
MV5BMTg1ODc2NTUxNV5BMl5BanBnXkFtZTcwMDk5MTk4NA@@._V1_SY1000_CR0,0,1400,1000_AL_The movie had a strong plot, and a good ending, especially if you’re a fan of Duel. At the end of the day. A great sequel to a good horror.

 

REVIEW: THE FINAL DESTINATION

 

CAST

Bobby Campo (Scream: The Series)
Shantel VanSanten (The Flash)
Nick Zano (Legends of Tomorrow)
Haley Webb (Teen Wolf)
Mykelti Williamson (Con Air)
Krista Allen (Andromeda)

College student Nick O’Bannon attends a race at the McKinley Speedway with his girlfriend Lori Milligan and their friends; Hunt Wynorski and Janet Cunningham when he suddenly has a premonition of a terrible accident that sends debris into the stadium, killing several people and causing the stadium to collapse. In his panic, Nick inadvertently starts an argument with Carter Daniels, who demands his wife stay as he chases them out of the stadium. Mechanic Andy Kewzer and his girlfriend Nadia Monroy along with mother Samantha Lane also exit the stadium followed by security guard George Lanter. When the accident occurs, George prevents Carter from going in after his wife and a scuffle ensues. As she is yelling at the group, Nadia is suddenly decapitated by a tire flying out of the stadium.

Several days after the disaster, a drunken Carter tries to set a cross ablaze on George’s front lawn blaming him for preventing him from saving his wife, but a chain of events causes his tow truck to start driving on its own and as Carter tries to regain control, he is grabbed by the towing chain and is blown up by his truck catching fire with the very gas he was using. The following day, Samantha is finishing up at a beauty parlor when a rock propelled by a lawn mower suddenly impales her eye and kills her. After reading about the events in the paper, Nick becomes convinced that death is coming after them for evading their fates at the stadium. Hunt and Janet are dubious, but they manage to convince George about what is happening. The group arrives to warn Andy, but he is killed when a tank, propelled by a chain reaction from a faulty wench launches him through a chain link fence. After receiving a premonition involving water, Nick tries to warn Hunt, who has gone for one last conquest at the pool, while George and Lori try to find Janet, who becomes immobilized in a malfunctioning car wash. Hunt drops his lucky coin in the water after an accidental placement of a toy turned the pool’s drain on. As he dives into the pool, he is pulled down to the drain where the pressure mounts, and his insides are eventually ripped into the draining system before Nick can rescue him. George and Lori rescue Janet from the car wash at the last second. Afterwards, George admits to having tried to commit suicide due to his family being killed in a car accident the year before that he believes was his fault, but every suicide attempt has failed. Lori believes saving Janet must have saved the rest of them from death’s plan and the group celebrates instead.

Four days later, Nick then remembers a cowboy; Jonathan Groves, they had jeered at during the race, who had changed seats prior to the premonition coming true and he and George track him down at a hospital, where he remained in traction following being recovered from the stadium’s debris. After a bathtub left on in the floor above causes his electric equipment to start sparking, falling from his bed and trying to cross the room, Nick and George witness him being crushed as the tub crashes through the weakened floor. Afterward, George is suddenly obliterated by a speeding ambulance and Nick realizes that Janet and Lori are still in danger. Tracking them down to a movie at the mall, Nick successfully saves Lori, but insistent that her life is no longer in danger, Janet remains as a chain reaction behind the theater causes an explosion and kills her. A multitude of explosions race Nick and Lori through the mall until they are trapped on a malfunctioning escalator and Lori is slowly dragged into the gears and killed. This is revealed to be a premonition, but Nick again fails to save George.

At the mall, Lori begins seeing omens of death around her, but Janet convinces her to shrug it off. Having failed in his premonition, Nick runs back stage to stop the explosion. He is pinned down by a nail gun that activates itself as he tries to stop the fire from spreading to explosive materials. Nick activates the fire suppression system, successfully stopping the explosion and saving everyone. Two weeks later, Nick notices a loose pylon while heading to their favorite hangout “Death by Caffine” and warns the construction worker about it, who fails to hear him. While talking with Lori and Janet, he comes up with the theory that his omens were red herrings meant to get them in the right place at the right time for death to kill them. Just as he realizes this, and sees another omen, the pylon outside collapses, causing a truck to swerve and crash into the coffee shop. As the scene switches to x-ray Janet is crushed under the truck’s tires, Lori is internally decapitated by the impact, and Nick is propelled into a wall and killed.

The Final Destination’ is the 4th installment in the franchise. It’s pretty much the same as the previous three but with a slightly different storyline and new characters. overall this is still an exciting and very good sequel but the previous two set the bar too high for this to beat.

 

REVIEW: MINORITY REPORT: THE SERIES

MAIN CAST
Stark Sands (Chasing Liberty)
Meagan Good (The Love Guru)
Nick Zano (2 Broke Girls)
Daniel London (Gotham)
Laura Regan (My Little Eye)
Li Jun Li (Damages)
Wilmer Valderrama (That 70s Show)
RECURRING / NOTABLE GUEST CAST
Michael Copeman (The Fly)
Tina Lifford (Catch and Release)
Alex Paxton-Beesley (Alphas)
Jessica Camacho (Veronica Mars)
William Mapother (Lost)
David Nykl (Stargate: Atlantis)
Sheila Vand (Argo)
Azura Skye (28 Days)
Reed Diamond (Dollhouse)
Audrey Marie Anderson (Arrow)
Christopher Heyerdahl (Sanctuary)
Tom Butler (Blade: The Series)
Steven Williams (Jason Goes To Hell)

Compared to recent surge of sci-fi series, Minority Report is looking more refined with clearly better production. However, this doesn’t have the same thrilling spirit from Tom Cruise’s action thriller. The precognition concept has been reduced to typical paranormal investigation.


If you’re not familiar with the source, or understandably forget the story, the show opens with brief narrative about the movie. In near future authority used precog system by plugging three siblings into a machine, a mix between psychic and technology to determine crime before it happened. Unfortunately, Tom Cruise proved that it had flaws and the project was scratched.

One of the siblings, Dash (Stark Sands) now leads a normal witness protection life, but he still has the clairvoyance gift. With the help of a female police officer Lara Vega (Meagan Good) he helps solve crime in a rather timid sci-fi crime drama. The cast is leaning towards light comedy than thriller, which is perhaps intentionally made to suit the series.

The problem is the two leads don’t mesh together well. Stark Sands has the quirky savant look, but he doesn’t possess the on-screen presence for a capable lead.  Meagan Good is attractive for the lead female, but she’s an odd choice for tough female role. While she does look fit, it doesn’t translate to serious femme fatale personality. Its change to more humorous tone is different from the futuristic noir of the movie, it’s not bad and probably better to accommodate TV series. It does rely too much on casual cop spectacle, yet doesn’t really have the draw or chemistry. Not to mention the use of psychics is getting old, the foreshadowing gimmick feels like a puzzle played too many times.

The presentation is impeccable though. It’s obvious that the show invests a lot on making the world looks brightly inviting. The details for gadgetry, environment and investigation are splendid. This world definitely could work for foundation for TV series, although the narrative and characters are not as intriguing. It was originally given 13 episodes but shortened to 10 now that all 10 have aired it looks like this show was put to sleep.

REVIEW: 2 BROKE GIRLS – SEASON 1-4

 Image result for 2 broke girlsMAIN CAST

Kat Dennings (Thor)
Beth Behrs (American Pie: The Book of Love)
Garrett Morris (Ant-Man)
Jonathan Kite (Pirates of The Caribbean)
Matthew Moy (No Strings Attached)
Jennifer Coolidge (American Pie)

Image result for 2 broke girls

RECURRING / NOTABLE GUEST CAST

Brooke Lyons (Izombie)
Noah Mills (Sex and The City 2)
Dana Delorenzo (Ash vs Evil Dead)
Nick Zano (Legends of Tomorrow)
Travis Van Winkle (Friday the 13th)
Carla Gallo (Bones)
Marsha Thomason (Lost)
Dale Dickey (Iron Man 3)
Laura Spencer (The Big Bang Theory)
Martha Stewart (3rd Rock From The Sun)
Steven weber (Izombie)
Ajay Mehta (Anger Management)
Cedric The Entertainer (Ice Age)
Ryan Hansen (Veronica Mars)
Jack DePew (The Fosters)
Brandon W. Jones (Pretty Little Liars)
Jessica Chaffin (The Heat)
Abby Elliott (How I Met Your Mother)
James Hong (Blade Runner)
Bianca Lawson (Buffy)
Barret Swatek (Power Rangers Turbo)
Andy Dick (Dude, Where’s My Car?)
Missi Pyle (Two and a Half Men)
Deanne Bray (Heroes)
Beth Lacke (Mr. 3000)
Piers Morgan (The Campaign)
Mary Lynn Rajskub (24)
Gilles Marini (Devious Maids)
Eric Andre (The Internship)
Patrick Cox (Veronica Mars)
Rachel Cannon (Two and a Half Men)
Andrea Gabriel (Lost)
Brian Doyle-Murray (Waynes World)
Sheryl Lee Ralph (Moesha)
Lindsay Lohan (Mean Girls)
Ben Lawson (No Strings Attached)
Carlos Jacott (Angel)
Natalie Dreyfuss (The Originals)
Jesse Metcalfe (Dallas)
Valerie Harper (Rhoda)
Ian Reed Kesler (Birds of Prey)
Sandra Bernhard (The King of Comedy)
Austin Falk (Devlish Charm)
Ilia Volok (Power Rangers Wild Force)
Caroline Rhea (Sabrina: TTW)

The titular characters in 2 Broke Girls are played by Kat Dennings and newcomer Beth Behrs (a genuine find), who portray waitresses in a down-and-dumpy diner in Williamsburg, a suburb of New York. Their boss is an obsequious, pint-sized Korean immigrant (Matthew Moy), the cook an over-sexed sleazeball (Jonathan Kite), the cashier a wise and hep older black dude (Garrett Morris). Although the “Alice for the Twitter Generation” setup provides the bulk of the show’s humor, there are a few sub-plots early on involving the Dennings character baby sitting for a ditsy socialite (the dryly hilarious Brooke Lyons) and carrying on a hot-and-cold relationship with a street artist (Nick Zano). Halfway through the season, another regular is introduced in the form of a bawdy Polish-American cleaning business proprietress who shares a place in the girls’ apartment building, done with a detached hilarity by Jennifer Coolidge.

Dennings’ character, Max, is the smart-mouthed, tough-living young woman who takes under her wing the down-and-out ex-heiress Caroline (Behrs) who lost everything when her father was caught swindling billions of dollars from investors. They become roommates, then co-workers and then partners in a struggling cupcake business. It might all sound familiar, but the writers and directors pump so much heart and soul into the characters and situations they make me actually care whether Martha Stewart loves their cupcakes (which, in the hysterical first-season finale, she did). It is to the writers’ credit that they have Max and Caroline become more than shallow stereotypes, while Dennings and Behrs make the women they play believable as best friends, despite their differing backgrounds.possible laugh. It was a fascinating experience seeing how differently a scene played with a slight inflection here or a different word there. All that hard work comes out in the episodes on these DVDs (some of the scenes cut from the final episode versions are included as welcomed extras).

When we last saw lead besties Max Black and Caroline Channing, they were over the moon about their unorthodox meeting with style maven Martha Stewart – who not only sampled one of their premium cupcakes (the Beer-Batter Maple-Bacon Spring-Break cupcake), but also said she liked it and admired them. What more sustenance would two struggling waitresses-turned-entrepreneurs need? A lot, it turns out, as season two of 2 Broke Girls gives us a taste of success &  failure.

Whereas season one of the hit CBS show was all about meeting cute, sharing dreams, and attempting to live down the fact that one of the fathers bilked investors out of millions of dollars, the second season is more about character and relationships: Max (Kat Dennings) and Caroline (Beth Behrs) step closer and closer to their ever-elusive dream of a cupcake store; while diner-cook Oleg (Jonathan Kite) and entrepreneur Sophie (Jennifer Coolidge) begin sharing more than just sex. It is, like life, filled with ups and downs, steps forward and many more steps backward, never once letting the characters lose sight of their final destination. Max is overjoyed when they find the perfect space to open their cupcake store, insisting that it has a certain cache seeing how it was the site of a mass murder (complete with blood still on the walls). Where one sees disaster, Max sees opportunity: “If we go with red, it’s half painted.” This devil-may-care attitude balances nicely with Caroline’s Wharton-School pedigree of sense and sensibility, preventing either from going too far off the deep end. They establish such a mutual ground, in fact, that they both willingly don giant cupcake suits in an attempt to drum up business.

Elsewhere in Williamsburg, the relationship between Oleg and Sophie begins to deepen. Where it was once an excuse for crude comments about orgasms, it has developed into a touching pairing between two oddballs who are perfectly matched.  Sophie, the owner of a house-cleaning service who has a heart of gold, continues in her role of fairy godmother to the two girls. In season one, she made sure they had killer outfits to wear to the gala event where they hoped to meet Ms. Stewart. Here, she gives them the seed money to rent their prime space, stock up and begin selling cupcakes. She is a silent partner; but one who eats a lot of the profits – literally.

Although much of the season takes place in settings outside the Williamsburg Diner, there is still plenty going on there. Put-upon diner-owner Han (Matthew Moy) has become a little more feisty, giving to the girls as good as he gets from them – and standing up to a robber who mistakenly thinks there are quick profits to be made. Stalwart Garrett Morris, as cashier Earl, continues to be the brightest star in the Williamsburg firmament, delivering caustic barbs and witty asides like the seasoned pro he is. Season two is filled with lots of characters who stop by for an episode or three, including Steven Weber as the notorious swindler who is father to Caroline, Ryan Hansen as the boyish proprietor of the candy shop across from the cupcake store who starts to fall for a certain Wharton graduate, and rapper 2 Chains appearing as himself in a surprisingly appealing episode.

The end of the second season provided the perfect set up for season three: while cleaning out the diner, they stumble onto a secret back room that has (surprise!) a set of doors that open onto the sidewalk. Can they create a walk-up cupcake business and make a success of it?.

The third season  continues to follow the two girls with their attempt to run their cupcake business, which has been “off and on” in a way that any sitcom relationship would be. This season, the girls have found the secret back room of the diner (which was the focus of the last episode of the second season) and have opened for business. “And the Soft Opening” and “And the Cronuts” are highlights, as the two find themselves with crowds after a British rock star croaks in front of the shop and the girls make an attempt to capitalize on the Cronut craze.Kat Dennings in 2 Broke Girls (2011)
However, around the halfway point of the season, Max and Caroline head to pastry school and things get even more intresting. Max starts to have feelings for Deke (Eric Andre), while Caroline falls for a head baker (Gilles Marini), who has a secret. Meanwhile, Mary Lynn Rajskub  is thrown into the mix playing an oddball working at the front desk. Rajskub is extremely funny.

Alot of these threads conlude towards the end of the season. The last episode of the season, which sees Max heading back to her old high school to get her diploma, is a great example of the series – it’s genuinely funny, sweet and really shows the chemistry well between the two leads.

In Season Four Kim Kardashian pays the cupcake shop a visit, Caroline starts using an abandoned bike to make deliveries, but Max is unable to do her share because she cannot ride a bicycle, Max and Caroline rent their apartment via Airbnb to some models in town for the annual Victoria’s Secret Fashion Show, the girls find out two rich high school girls are selling knock-offs of their cupcake T-shirts.

Other Highlights are –

And the Zero Tolerance

When Caroline notices the girls’ bank balance is less than zero, she and Max desperately look for ways to make enough money for the payments on their T-shirt loan. Soon after, John (“Big Mary”) from Max’s pastry school comes by to say he’s working as a pastry chef at “The High”, a new upscale restaurant in Manhattan. He encourages Max to apply for the other pastry chef position that needs to be filled, and Caroline tags along to apply for a waitress job.

And the High Hook-Up

Joedth finds a hot, young Irish man named Nashit (Austin Falk) on a bench outside The High, and hires him, asking Caroline to train him as a waiter. Max is smitten and vows to get Nashit into bed, but doing so would violate Joedth’s strict “no hook ups among employees” policy. After the two are caught, Han hires Nashit to work as a dishwasher at the diner.

And the Grate Expectations

At Oleg’s bachelor party, Han inadvertently discloses a secret that leads Sophie to cancel the wedding. The girls and Big Mary open up a new branch of The High that, much to their dismay, is located in an airport.

And the Disappointing Unit

Sophie and Oleg get married, despite some challenges on their wedding day. Disappointing sales at the airport branch of The High put the girls’ future there in doubt. The Girls then end up going to Paris using the tickets they got to get into the airport to kidnap Nash. The episode ends with Max and Caroline drinking champagne from their cabin crew friends.

Another great season, with some great laughs, the show gets better and better every season and am looking forward to season 5.