REVIEW: GET HIM TO THE GREEK

CAST

Russell Brand (Hop)
Jonah Hill (Cyrus)
Rose Byrne (Spy)
Elisabeth Moss (Mad Men)
Sean Combs (Made)
Colm Meaney (intermission)
Kali Hawk (Bridesmaids)
Aziz Ansari (30 Minutes or Less)
Nick Kroll (Date Night)
Ellie Kemper (21 Jump Street)
Jake Johnson (New Girl)
Karl Theobald (Mortdecai)
Carla Gallo (Bones)
T.J. Miller (Deadpool)
Kristen Schaal (Norbit)
Kristen Bell (The Boss)
Tom Felton (The Flash)
Rachel Roberts (Flashforward
Jim Piddock (Mascots)
Carlos Jacott (She Spies)
Rino Romano (The Batman)
Meghan Markle (Suits)

In 2008, British cheeky chappy rock star Aldous Snow (Russell Brand) releases an album and a titular single — “African Child”, which is a commercial and critical failure. In an interview, despite having been teetotal and free of drugs, along with his pop-star girlfriend Jackie Q (Rose Byrne), she drunkenly declares they have a boring life in an interview. He relapses — which effectively ends his relationship with her, makes him lose custody of their son, Naples, sabotages his career and makes him become a slacker. Meanwhile, in Los Angeles, Aaron Green (Jonah Hill) works as a talent scout at Pinnacle Records, a successful record company. He lives with his girlfriend, Daphne (Elisabeth Moss), a doctor. Pinnacle Records is performing badly as a result of poor record sales, and the head of the company, Sergio Roma (Sean Combs), asks for ideas. Green proposes that Aldous Snow play at the Greek Theatre in Los Angeles on the tenth anniversary of his legendary performance there in 1999.
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Sergio sends Aaron to London to escort Aldous to the performance. Before he leaves, Daphne informs Aaron that she has received a job offer in Seattle and that they are moving there, which leads to an argument resulting in an apparent break-up. After retrieving Aldous from his apartment, Aaron learns that Aldous had not been expecting him and that he had thought the concert was not for another two months. They then bar-hop across the city and Aaron futilely tries to get Aldous to catch one of many missed flights. Daphne calls Aaron to apologize for the fight, only to learn that Aaron believes that they are broken up. Throughout his partying, Aaron’s cellphone accidentally calls Daphne periodically, informing her of Aaron’s activities. Aaron and Aldous travel to New York City for Aldous’s appearance on Today. To keep Aldous sober for his performance, Aaron imbibes all of Aldous’s whiskey and marijuana. Minutes before the performance, Aldous realizes he is unable to remember the lyrics to his most recent and unpopular song, “African Child”, and replaces it with an older hit, “The Clap”, to cheers and excitement from the audience.
About to embark on a flight to Los Angeles, Aldous forces Aaron to smuggle heroin in his rectum. During their travels, Aaron learns that Aldous has become depressed and troubled, as he misses his son and has been alienated from his own father Jonathan (Colm Meaney) for years. Aaron suggests he visit him after the show; instead Aldous insists they go to Las Vegas to see Jonathan. Sergio soon arrives, with plans to “mindfuck” Aldous to Los Angeles. Sergio hooks up Aaron with a sexually violent girl named Destiny (Carla Gallo), who takes him to a hotel room and rapes him. After Aaron tells Aldous that he has been raped, Aldous gives him a “Jeffrey”, a joint described as “a Neapolitan of drugs”. Aaron panics and starts to have a bad trip, believing he is having a heart attack. Jonathan makes the trip worse by agreeing that Aaron is having a heart attack while Aldous attempts to calm Aaron down, primarily by the comforting sensation of stroking the furry walls of the hotel suite. Aldous fights with his father; Sergio (who is also high) jumps in the fight, and inadvertently sets the lounge on fire.
Aldous attempts to help Aaron by giving him an adrenaline shot and they run out of the hotel, chased by Sergio, who is hit by a car but comes out unharmed. Aldous and Aaron flee to Los Angeles, where Aaron convinces Aldous to visit Jackie Q. She has been sleeping with Metallica’s drummer, Lars Ulrich (playing himself) and confesses that Naples is not actually his biological son, but instead is a photographer’s son. This makes him even more miserable. Meanwhile, Aaron goes to his home to apologize to Daphne. They are interrupted when Aldous arrives at their house and proposes that he, Aaron, and Daphne engage in a threesome; Daphne (who is mad at Aaron) agrees and Aaron hesitantly goes along. During the threesome, Aaron angrily decides to kiss Aldous, breaking it up. Daphne and Aaron both immediately regret the threesome, and Aaron angrily tells Aldous to go, criticizing Aldous’s overall mental state. Instead of preparing for his show, Aldous goes to the rooftop of the Standard Hotel in downtown Los Angeles, and calls Aaron, threatening to jump. Aaron rushes to the hotel, and attempts to coax Aldous down from the roof.
Instead, Aldous jumps into a rooftop pool several floors down, accidentally breaking his arm. Aldous tells Aaron that he is lonely, sad and embarrassed, but Aaron reminds Aldous that thousands of fans love him and are waiting just to see him. Aldous decides to perform at the Greek Theatre despite his injury, even though Aaron pleads for him to go to the hospital. Upon their arrival, Sergio offers Aaron drugs to give to Aldous so he will not cancel the concert. Aaron, tired of the abuse Sergio has given him, refuses and quits his job on the spot, much to Sergio’s dismay. Aaron walks stage-side with Aldous, trying to convince him to go to the hospital instead. However, Aaron sees how happy Aldous is while performing and heads home to reconcile with Daphne. Months later in Seattle (where Aaron and Daphne have moved), Aldous, sober once again, has returned to fame with a single “Furry Walls” produced by Aaron (now his official producer) based on events from their night in Las Vegas, performing on the VH1 Storytellers program.

Probably one of the most insanely hilarious movies I have ever seen. Who knew that Rose Byrne was actually a comedian all along. Also, I think that Aldus Snow is more a not so alter, alter ego for Russell Brand because it just looks, sounds and feels so genuine. This is not a movie than anyone could ever regret watching .

REVIEW: I LOVE YOU, MAN

 

CAST

Paul Rudd (Ant-Man)
Jason Segel (How I Met Your Mother)
Rashida Jones (The Social Network)
Sarah Burns (Life As We Know it)
Jaime Pressly (Mom)
Jon Favreau (Iron man)
Jane Curtin (3rd Rock From The Sun)
J.K. Simmons (Whiplash)
Andy Samberg (Hot Rod)
Mather Zickel (Bones)
Carla Gallo (Superbad)
Joe Lo Truglio (Pineapple Express)
Thomas Lennon (17 Again)
Nelson Franklin (New Girl)
Melissa Rauch (The Big Bang Theory)
David Krumholtz (Serenity)
Lou Ferrigno (The Incredible Hulk)
Aziz Ansari (30 Minutes or Less)
Nick Kroll (Sausage Party)
Carla Gallo (Bones)
Matt Walsh (Ted)

I LOVE YOU MANPaul Rudd stars as Peter Klaven, a Los Angeles real estate agent who, in the film’s first scene, proposes marriage to the lovely Zooey (Rashida Jones, Cop Out). Zooey immediately goes about stocking her bridesmaids from a large stable of girl friends (including lovably dirty Jaime Pressly and Sarah Burns), but is a little thrown when Peter has no one to tell. His family explains: he’s always been “a girlfriend guy,” a serial monogamist who shed his guy friends along the way. Afraid of becoming too clingy and fearing a lop-sided wedding party, Peter sets out to make some guy friends (going on a series of disastrous “man dates”) before settling on the guy who just could be “the one” (to be his best man, that is): Sidney Fife (Jason Segal), a laid-back Venice “investor” whose devil-may-care attitude (and passion for the band Rush) makes him a good fit for uptight Peter.MV5BNjczNjAzNjgwOF5BMl5BanBnXkFtZTcwODQzMTUzMg@@._V1_Director Hamburg (Along Came Polly), who shares a screenplay credit with Larry Levin, is rather sly in his construction of Peter and Sidney’s story; the picture cleverly repurposes the standard scenes and conflicts of the modern romantic comedy, from the “meet cute” to the “getting to know you” montage to the third party that may very well break them up (in this case, Jones’ Zooey). The semi-love affairs between straight, immature men is the thread that seems to run constant between most of these films; Hamburg and Levin’s script shrewdly and wittily takes that subtext and puts it out front. It is then fleshed out by the standard Apatow-style ingredients: cheerful vulgarity, good-natured charm, off-the-wall pop culture references (Chocolat and Mr. Magorium’s Wonder Emporium get name-checked), and a heaping helping of the comedy of awkwardness.I LOVE YOU MANRudd’s goofily handsome charisma is one of the film’s greatest weapons; the wedding proposal that opens the film is winning and sweet, and gets us on his side right away. Segal’s delivery and effortless likability pairs them up nicely, and his engagement party toast is uproariously inappropriate. Jones is charmingly unflappable; most of her notable work to date has been on television, but she clearly has the chops to carry a film. Her role could have easily been overplayed as a paranoid shrew or underplayed as an empty ingénue; Jones strikes just the right balance. You can see why Peter fell for her, and how he might be losing her.Hamburg was also wise enough to surround his leads with a full staff of comic utility players: Pressly, Burns, Andy Samberg, J.K. Simmons, Jane Curtain, Jon Favreau, Thomas Lennon, Larry Wilmore, and Aziz Ansari all show up, coming off the bench to grab laughs, sometimes in as little as a scene or two. Favreau and Pressly fare best, she as Zooey’s best friend, he as her husband, who openly loathes Peter.