12 DAYS OF CHRISTMAS REVIEW: THE ORIGINALS – THE MAP OF MOMENTS

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MAIN CAST
Joseph Morgan (Immortals)
Daniel Gillies (Young Hercules)
Phoebe Tonkin (Bait)
Charles Michael Davis (Battle Scars)
Leah Pipes (Sorority Row)
Danielle Campbell (Behind Closed Doors)
THE MAP OF MOMENTS
GUEST CAST
Claire Holt (Mean Girls 2)
Nathaniel Buzolic (Pretty Little Liars)
Sebastian Roche (Odyssey 5)
Sonja Sohn (Shaft)
Daniel Sharman (Teen Wolf)
Maisie Richardson-Sellers (Star Wars: The Force Awakens)
Keri Lynn Pratt (Cruel Intentions 2)
Aleeah Rogers (Django Unchained)
 We start things off in New Orleans in December of 1914, where Kol, Mary Alice Claire, and Astrid—whom you might recognize from The Originals: The Awakening—are looking for the paragon diamond. Only, by the time they find it, Klaus and Marcel show up, with an even more powerful witch in tow. Within minutes, they’ve got the diamond, and they’ve locked Mary Alice and Astrid in the house, from which they will never escape. The lesson:  Back in present day, Rebekah and Elijah are preparing for the holidays with wreaths, patronization, and a bonfire ritual they used to partake in as a family. While Elijah holds the baby—still one of my favorite images in the entire world—Rebekah prepares the bonfire, and Klaus and Hayley practice another family tradition: Fleeing from one of their deranged parents. Just like that, Hayley and Klaus are reunited with Hope, who wins the emoting award for the adorable smile on her face when Hayley grabs her. Well done, small baby actor. Well done, indeed. Once everyone has reunited, Klaus shares Finn’s story about Dalia and the curse of the first born, which sounds like a Harry Potter book, does it not? Dalia and The Curse of the First Born. Sorry, now’s not the time to worry about Dalia. Instead, Rebekah tells everyone to write down wishes for one another, which they will then burn for good luck. And because it’s Hope’s first bonfire season, they all agree. Or rather, Hayley makes the men participate.
So while the Originals come up with wishes, we travel from Arkansas to New Orleans, where Davina and Kol are performing a spell to protect Cami’s body from Esther’s magic. In other words, Kol is protecting Marcel from the awkwardness of having his old ex jump into his new ex. And once that’s taken care of, he tells Davina that Marcel has the diamond they need to create a Klaus-worthy dagger. And suddenly, Davina is blinded by the accent—or is it the eyes?—and practically rushes to betray her sort-of father. And speaking of sort-of fathers, we catch up with Mikael in the woods, where he’s enjoying a classic holiday tradition: Ripping a werewolf to shreds. But what’s a holiday tradition without family? When Esther shows up—or rather, an illusion of her—Mikael immediately recognizes his beloved. Oh, these two. Move over, Romeo and Juliet! But seriously, these two are so much more fascinating. Apparently, Mikael found out about Esther bringing Ansel back from the dead, so he’s been slaughtering wolves to try to get to him.  With Cami at a loss for how to protect herself, Marcel agrees to let her talk to Finn, but only for a moment. Of course, that moment gets dark fast when Finn starts questioning Cami’s morality and the way she slept with one vamp while “half in love with another.” That then quickly leads into Finn’s discussion of Klaus’ redemption and how he doesn’t believe in it. For the most boring Mikaelson, things are black and white, good and evil. That’s why he intends to kill all the vampires in New Orleans (and all those who stand by them).
Let’s head back to Arkansas, where it’s time for Klaus to write down his wish. After Hayley pulls the “I went through labor and literally died to give you this child” card—because labor wasn’t enough?—he agrees. Well, not really. He basically just tells her to confront Elijah about her upcoming marriage to Jackson. But before she can, Rebekah finds Elijah once again having visions. And in a weak moment, the moral sibling is considering taking Esther’s deal, wondering if their mother will be satisfied with three out of five kids and therefore will leave the rest alone.It’s a fleeting thought, one that’s soon replaced with the how-to’s of #selfies. “Do you think you can cram us into a selfie,” has to be my favorite thing Rebekah has ever said to Klaus. I’ve missed these always-and-forever siblings and their banter. But when said rather impressive selfie has to be burned immediately due to the risks of it getting into the wrong hands, Rebekah is ready to fight back. She agrees to take Esther’s deal, but only long enough to take her mother down with her.  From one selfie-lover to another—Davina’s a teen, right?—Davina and Kol get to snooping around Marcel’s room, during which she finds an old picture of Kol’s less attractive—but still very attractive—self. He then tells her a story about Christmas in 1914, the one time Rebekah did him a solid in helping him get the diamond back from Klaus. More on that later
Using Kol and Davina, the siblings come up with a plan. They will distract Esther by making her do the body-jumping spell for Rebekah and then kill her before she herself can jump bodies. And if all else fails, they can put Rebekah right back into her smokin’ hot body later.Well, before they can worry about that, they have to get Kol on their team, which means one thing: helping Kol to help himself. In exchange for the paragon diamond, Kol is in. But also, he needs his mother’s hourglass, which means he needs to visit his mother, which means he needs to show up with the White Oak Stake in hand. The good news? He gives his word that he’ll return the stake, and even the sketchiest of Mikaelson brothers is good for his word.Once he’s on board, Kol is quick to find a new body for Rebekah to jump into other than Cami and head home to mother. And by the time Rebekah shows up, Esther is ready to do some magic. After a quick cheers of red wine between mother and daughter, Rebekah and Esther head outside to do the spell. Twist number one: Esther asked for the White Oak Stake so that she could destroy Bekah’s vampire body after the spell was complete. So that whole “if this all goes wrong just put me back” thing isn’t exactly an option anymore.And at the first sign of this all going wrong, Klaus shows up to try and stop the spell. But just before the plan is set into motion, Esther lets it slip that she made an alliance with Mikael who wanted the right to kill Klaus. Too little too late, mama. Klaus stabs Esther in the neck just at the right moment as Davina uses magic to protect Cami. Suddenly, Cami and Rebekah both collapse.
Brief pause! You’re angry now, but you’ll  thank me later. Because before we get back to our witchy aftermath, it’s time for our Elijah moment of the week, which is all about one thing and one thing only: Sex. Sex. Sex. Elijah has sex. See, just when I thought Elijah holding a baby would be my favorite moment of the hour, Hayley goes to tell him about the marriage ritual with Jackson. When she says, “I have to marry Jackson,” his face might as well be my face because of all the tears. Dear God, he’s such a pretty crier. And he’s an even prettier kisser. Elijah pulls Hayley in for what must be their most intense kiss yet before he tells her to marry Jackson. It’s the only way for her to save her wolves and make the city a safe place for Hope. . After Cami wakes up, it’s clear that Davina’s magic worked. She’s still herself. As for Rebekah, well, Kol reveals exclusively to Davina that she actually betrayed him in 1914. She told Klaus he was looking for the diamond and in turn, he was daggered. So now? He’s stuck her in the same witch prison as Mary Alice and Astrid. As for Finn, Mikael broke him out. And Esther? Let’s just say Rebekah’s time away made her the smartest Original in town. When Esther wasn’t looking before the spell, Rebekah slipped her blood into her mother’s drink. Therefore, Esther died with vampire blood in her system. Now, she can either “be the thing you hate the most or you can be dead … your choice, which is more than you ever gave us,” Klaus tells his mother.
An amazing episode that left viewers hanging till January of 2015. Simply amazing.
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REVIEW: THE ORIGINALS – THE AWAKENING

CAST

Nathaniel Buzolic (Out of the Blue)
Keri Lynn Pratt (Smallville)
Aleeah Rogers (Django Unchained)

The Awakening is a four part web series that aired alongside the second season of The Originals. The series explores the character Kol Mikaelson. The first webisode starts with Klaus undaggering his brother Kol, after a unspecified amount of time Kol meets the witch Mary-Alice Claire who he appears to have a relationship with. As he’s urging Mary Alice for the whereabouts of Astrid she tells him that his brothers spread rumors about Kol not to be trusted. He reassures her of his objective: to kill Klaus once and for all.

In the second, Mary says that Kol taught her and Astrid Kemiya. They used it to enchant The Devil’s Star, bracelet and several other objects. Kol tells them that they need to make as much weapons as possible.

In the third, Kol slaughters half of a St. Anne parish after he becomes aware that a witch has a diamond in her possession that would help make an gold dagger for Klaus.

In the fourth Astrid and Mary Alice are locked in the house with an barrier spell cast by one of Klaus’s witch. The house becomes an asylum for crazy witches. Mary Alice notes that karma played came for her because she didn’t think clearly about the price she would have to pay.

A nice little companion to The Originals and gives some more depth to the character of Kol. It’s also gives viewers something new for the Dvd/Blu-ray release.

REVIEW: THE ORIGINALS – SEASON 1 & 2

MAIN CAST

Joseph Morgan (Hex)
Daniel Gillies (Young Hercules)
Claire Holt (Mean Girls 2)
Phoebe Tonkin (Bait)
Charles Michael Davis (The Game)
Daniella Pineda (The Detour)
Leah Pipes (Sorority Row)
Danielle Campbell (Prison Break)

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RECURRING / NOTABLE GUEST CAST

Nathaniel Buzolic (Significant Mother)
Shannon Kane (Brooklyn’s Finest)
Eka Darville (Power Rangers RPM)
Callard Harris (Dallas)
Sebastian Roche (Odyssey 5)
Malaya Rivera Drew (The L Word)
Steven Krueger (Goosebumps)
Raney Branch (Ringside)
Todd Stashwick (Gotham)
Shannon Eubanks (The Patriot)
Yasmine Al-Bustami (Nashville)
Michael Trevino (The Vampire Diaries)
Elyse Levesque (Stargate Universe)
Peta Sergeant (Winners and Losers)
Chase Coleman (Boardwalk Empire)
Nathan Parsons (The Roommate)
Natalie Dreyfuss (2 Broke Girls)
Yusuf Gatewood (The Interpreter)
Daniel Sharman (Immortals)
Nishi Munshi (Bones)
Sonja Sohn (The Wire)
Colin Woodell (XOXO)
Alice Evans (102 Dalmations)
Lloyd Owen (Apollo 18)
Riley Voelkel (Prom)
Maisie Richardson-Sellers (Legends of Tomorrow)
Keri Lynn Pratt (Veronica Mars)
Nina Dobrev (The Vampire Diaries)
Meg Foster (Masters of The Universe)
Claudia Black (Stargate SG.1)

The Originals is a spin-off series based upon characters created and introduced in The Vampire Diaries, and it is a creation of writer Julie Plec, who is the head-writer and showrunner of both series. The concept of the show revolves around a group of characters referred to as being the ‘originals’ – i.e. the first vampires to ever exist. They also happen to be family. These original vampires have existed for centuries and have the longest history of all: a complex back-story which unfolds over the course of the series storytelling, which alternates back and forth with telling the long-running back-story of these original vampires while focusing on a modern day setting in New Orleans.The world of television has spawned an immensely high number of series that take on some sort of science fiction or supernatural aspect, and one of the most popular staples has been found in vampire tales: Buffy the Vampire Slayer, True Blood, and The Vampire Diaries being popular series chiefly placed amongst the pop culture echelon. Then there’s the fact that vampires are popular in films, too (including the teen-sensation series Twilight). Can another show join a lineup of other successful vampire-lore creations? It seems so, as The CW network has once again teamed with the creative mind behind The Vampire Diaries for another successful and entertaining entry in the genre’s growing list of successes.The cast consists of Klaus (Joseph Morgan), Elijah (Daniel Gillies), Hayley (Phoebe Tonkin), Marcel (Charles Michael Davis), Camille (Leah Pipes), Davina (Danielle Campbell), Sophie (Daniella Pineda), and Rebekah (Claire Holt).

The basic plot of the series is to revolve around the story of the original vampire family after they decide to return to their former home in New Orleans. Upon returning, the originals find that the land they once knew has changed a great deal and their home and rule has been replaced by a character they once considered their own: Marcel. Meanwhile, there is also a war is brewing between vampires and witches and things complicate with Marcel working with a powerful young witch named Davina, who has abilities that could pose a threat to all the vampires.

Image result for the originals house of the rising sunKlaus, Elijah, and Rebekah are the main characters of The Originals. They are each returning characters from the Vampire Diaries universe. Klaus continues to make things difficult for everyone with his typical brooding self getting into the way of other vampire’s own agendas. Klaus finds a friend in Camille, a psychologist major who starts to have an unlikely connection to him. Meanwhile, Klaus’s blood-line as a werewolf/vampire hybrid (and his one-night stand with Hayley) results in Hayley’s pregnancy and a cult following for a baby born to a vampire. Elijah acts as if a guardian vampire of sorts who keeps his word (but who can also go totally vampire-bananas at times, as “necessary”), and Rebekah is a insecure and lonely vampire who gets into lots of mischief, causing problems for the originals (amongst others), but who really just wants a friend by her side and to be a normal human again. Of course, these characters (and their back-stories) lead to lots of surprising revelations and storytelling detours over the course of the show.

Marcel is a past connection to the original vampires who is now calling himself ‘the king’ and is ruling over New Orleans vampires as a sort of leader-vampire who calls the shots and has a big company of “minions” working for him (so to speak). Marcel makes vampires do his bidding to keep New Orleans a vampire-safe haven. Vampires will do his bidding to try and earn ‘daylight rings’, which allow for a select few to live in the day. There’s a big history between Marcel and Kalus, too, as Klaus raised him when he was a boy.

Aside from the pilot, which combines too much footage found in the “backdoor pilot” produced on The Vampire Diaries Season 4 under the title “The Originals”, the series finds a distinct and interesting creative voice. The first episode is a bit disappointing for fans of both series as it had borrowed so much (some scenes were basically “copy and paste” versions already featured upon the former), The Originals is interesting, original, and well-made with quality writing/directing. Assembling a hugely talented group of people for the production, the series reunites many of the same behind-the-scenes crew who made The Vampire Diaries a huge success, from some of the cinematographers, to the costume designer, o the composer to the production designer. It’s a big family of creative talents who united to create this compelling drama series.

The Originals has many things in common with its predecessor – starting with the fact that the characters that predominately reside are many of the same characters featured on The Vampire Diaries, but now with expanded roles – and that the group of writers and directors responsible for making the program are largely from the same creative pool. Yet it’s still a standalone series that newcomers who aren’t as familiar to previous lore should be able to discover. It offers a slightly different storytelling approach, though stylistically it shares a lot in common. If one can like The Vampire Diaries then they will surely enjoy The Originals, and vice-versa, so there’s certainly room for the show to both be followed by longtime fans of the characters and perhaps by new audience members.

There have been so many vampire series and films that the market seems flooded with them and it can be a bit frustrating to see so many stories being told simultaneously with this concept. It’s certainly a concept that has been done again and again, and shows no signs of going anywhere. Yet the good news is that there are still writers who are telling vampire stories with writing of note, who are drawing forth more interesting elements by focusing on the dramatic elements more than anything else. This is a perfect example of what is happening here: the writing is elementally the main key to the quality of the program, and in this case, that’s a good thing. The writing here is solid. Fans of quality storytelling who have an inclination towards the supernatural genre will find this to be a well-produced, written, directed, and acted program. Without a good storyline backdrop, one could easily see The Originals being a faltering series. Yet there was more than enough storytelling potential for the core group of characters as seen in the storyline its parent series offered, and the writers have expanded on that universe of ideas so that a fully-fledged program can exist. This is a series well worth seeing out as one of the more interesting programs currently on air. Television viewers who enjoy a well told story will find much to appreciate.

Now that The Originals has made it to season two, the writers aren’t wasting any time with formalities. “Rebirth” brings back some familiar names with brand spanking new faces. This episode doesn’t really introduce viewers to the returning characters, as it makes the broad generalization that you’re already familiar with them from The Vampire Diaries – despite their dramatic new looks. Instead, it delves right into the setting the stage for a reunion that is sure to be memorable.

The Originals branded its second season a family reunion, and that’s exactly what the season premiere sets into motion. The Guerreros are out, and once again the Mikaelson’s are back in – all of them. It’s only a matter of time before Rebekah (Claire Holt) is lured back to New Orleans, and then the fun will really begin. In the meantime, Klaus (Joseph Morgan) has both parents and all his other siblings to occupy his schedule – good thing he doesn’t have changing diapers to distract him from whatever is coming.

Having Claire Holt leave the show full-time was hard last year, but there was a definite sense that she would be coming back, if only for an episode here and there (as has been the case). Now, that’s not a feeling The Originals mid-season finale leaves you with – Claire Holt is no longer occupying the role of Rebekah Mikaelson, and it seems that the whole body-jumping plotline was just leading us to this point.

Rebekah has been around since season three of The Vampire Diaries and, while she never got as much of the spotlight as Klaus, she has been a huge presence ever since. I wrote last week that Claire Holt gives the character something that can’t be replaced, and I honestly don’t know if the show can make me accept another actress as the face of Rebekah. It’ll be hard to keep an open mind, even I’m a little ashamed to admit it.But the episode Map of the Moments was great, with vintage moments for every single character. The long-awaited reunion between Hayley, Klaus and baby Hope didn’t disappoint, for starters, and provided a brief moment of happiness and contentment for a family so often at loggerheads. The moment in which they took a family photo mere moments before having to burn it should have been jarring and ridiculous, but it was actually the highlight of the hour. Looking back on that knowing what would happen to Rebekah by the end makes it even more heartbreaking, and a little bit of sunshine and happiness, albeit still tinged with sadness, was welcome in a show.The Revelation about Freya (the other Mikaelson Sister) being alive was a brilliant revelation along with Esthers sister Dahlia who is hellbent on taking baby hope. this leads to a series of events that brings us to the finale of season 2 . Season two of The Originals puts to rest the oldest family war and instills in its place a familiar mark between warring siblings. Lullabies are spoken and promises are made for the good of innocence and the threat of new evil likely to rear its head in New Orleans come the fall. All in all, the king of wolves and vamps settles in, ready to settle into fatherhood unaware of the future, but believing he has control of it.

There was some gorgeous imagery that fit in quite nicely upon the climax of “Ashes to Ashes.” The episode stood on its own and provided a much needed finality to the old generation of Mikaelsons and their sophisticated rival, Dhalia. The most fascinating aspect was of course how the battle played itself out, leaving the final segments as all too familiar approaches to goodbyes and promises of sardonic revenge. In many ways, it was the highlight of the season saving the best for last.

After linking with Dalia, Klaus stabs himself with the dagger and the two are returned to torpor. Elijah recovers Hope with Freya as Rebekah returns to her original body as a vampire once more. Convinced of Klaus’s plan, Elijah burns the body of their original mother and swaps the ashes with Kol’s when Davina attempts to user her “one time” ability to harness the coven’s power and use resurrection. Instead of Kol, Esther is brought back and captured immediately by the Mikaelsons. Dalia, still possessing power, melts the dagger in Klaus, awakens, steals Freya, and escapes. Klaus, Elijah, and Rebekah later confront Dalia but are subdued by splinters of the white oak stake being ingested through Dalia’s power. Esther distracts Dalia long enough for Klaus to impale the two of them finally killing them both. In a final scene with the pair as their younger selves, Esther relents that she should have stayed by Dalia’s side. The two forgive each other and perish together. Later, during the full moon, Hayley makes Elijah promise to look after Hope even though he had no intention to remain at Klaus’s side. Freya magically heals Rebekah’s human body and Rebekah once more inhabits it with plans to decide which she intends to stay in at a later time. Klaus and Camille share a drink as both are essentially still awkward around each other but later, Klaus settles in with Hope in his arms, commenting on a new chapter in their lives.I had fun watching this season and it leaves you wanting me, with season 3 shapeing up to just as fun, it shows that a spin-off can work.

REVIEW: BONES – SEASON 1-10

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MAIN CAST

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Enchanted)
T.J. Thyne (Ghost World)
Eric Millegan (The Phobic)
Jonathan Adams (Castle)
Tamara Taylor (Serenity)
John Francis Daley (Waiting…)
John Boyd (Argo)

RECURRING / NOTABLE GUEST STARS

Larry Poindexter (Blade: The Series)
Tyrees Allen (Robocop)
Bonita Friedericy (Chuck)
Chris Conner (Walk of Shame)
Anne Dudek (White Chicks)
Heavy D (The Cider House Rules)
Toby Hemingway (The Finder)
Alex Carter (Out of Time)
Bokeem Woodbine (Spider-Man: Homecoming)
Morris Chestnut (Kick-Ass 2)
Rachelle Lefevre (Twilight)
Michael Mantell (Angel)
Jeffrey Nordling (Arrow)
David Starzyk (Veronica Mars)
Heath Freeman (Nancy Drew)
John M. Jackson (JAG)
Josh Hopkins (Cold Case)
Leonard Roberts (Agent Carter)
Rachel Miner (The Butterfly Effect 3)
Alicia Coppola (Bull)
Jim Ortlieb (Roswell)
Billy Gibbons (Two and a Half Men)
Ty Panitz (Because I Said So)
Harry Groener (Buffy)
Michael B. Silver (I Am Sam)
Penny Marshall (The Simpsons)
Suzanne Cryer (Two Guys and a Girl)
Lawrence Pressman (Dark Angel)
Jaime Ray Newman (Bates Motel)
Zeljko Ivanek (Heroes)
Judith Hoag (Teenage Mutant Ninja Turtles)
Ivar Brogger (Andromeda)
Josh Keaton (Transformers Prime)
Adriana DeMeo (Killer Movie)
Robert LaSardo (Nip/Tuck)
Jose Pablo Cantillo (Standoff)
Emilio Rivera (Renegade)
Michael Bowen (Lost)
Adam Baldwin (Firefly)
David Denman (Power Rangers)
Brian Gross (2 Broke Girls)
James Parks (Kill Bill)
Robert Foxworth (Evil Beneath Loch Ness)
Rodney Rowland (Veronica Mars)
Cullen Douglas (Agents of Shield)
Michelle Hurd (Jessica Jones)
Patricia Belcher (Mike & Molly)
Giancarlo Esposito (Son of Batman)
Alexandra Krosney (Lost)
Loren Dean (Apollo 13)
Ray Wise (Robocop)
Sam Witwer (Smallville)
Shane Johnson (Birds of Prey)
Jessica Capshaw (Valetnine)
Chris Conrad (Young Hercules)
Leah Pipes (The Originals)
Christie Lynn Smith (Swamp Thing: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Carlos Lacamara (Heroes Reborn)
Cerina Vincent (Cabin Fever)
Kali Rocha (Buffy)
Kyle Gallner (Smallville)
Lisa Thornhill (Veronica Mars)
Ariel Winter (Kiss Kiss Bang Bang)
Nelson Lee (Blade: The Series)
Benito Martinez (Million Dollar Baby)
Julie Ann Emery (Hitch)
Charles Mesure (V)
Sali Richardson-Whitfield (I Am Legend)
Joshua Leonard (The Blair Witch Project)
Michael Trevino (The Vampire Diaries)
Eddie McClintock (Agents of SHIELD)
Alex Winter (Waynes World)
French Stewart (Mom)
Stephen Fry (The Hobbit 2 & 3)
Ernie Hudson (Ghostbusters)
James Hong (The Big Bang Theory)
Deborah Theaker (Best In Show)
Eric Stonestreet (Modern Family)
George Coe (The Entity)
Johnny Lewis (Felon)
Ryan O’Neal (Love Story)
Brian Hallisay (Bottoms Up)
Roxanne Hart (Highlander)
Cleo King (Mike & Molly)
Eugene Byrd (Arrow)
Cynthia Preston (Prom Night III)
Scout Taylor-Compton (Halloween)
Ron Canada (Ted 2)
Michael Cudlitz (The Walking Dead)
Christina Cox (Earth: Final Conflict)
Erin Chambers (Stargate: Atlantis)
Beth Grant (Wonderfalls)
Scoot McNairy (Batman V Superman)
Denise Crosby (Star TreK: TNG)
Rider Strong (Cabin Fever)
Azura Skye (28 Days)
Lyndsey Bartilson (Grounded for Life)
Sam Jones III (Smallville)
Xander Berkeley (Kick-Ass)
Patrick Fabian (Veronica MArs)
Patrick Fischler (Birds of Prey)
Bess Wohl (Flightplan)
David Deluise (Vampires Suck)
Reginald VelJohnson (Die Hard)
Alessandra Torressani (Caprica)
Chris William Martin (Dollhouse)
James Black (Anger Management)
Jamil Walker Smith (Stargate Universe)
Dasniel Roebuck (Lost)
Whitney Anderson (Zombie Strippers)
Taylor Kinney (Zero Dark Thirty)
Mekia Cox (Undercovers)
Austin O’Brien (The Lawnmower Man)
George Wyner (American Pie 2)
Ethan Phillips (Bad Santa)
Ian Reed Kesler (2 broke Girls)
Sean Blakemore (Star Trek Into Darkness)
Indira Varma (Game of Thrones)
Carla Gallo (Superbad)
Elizabeth Lackey (Heroes)
Jill wagner (Blade: The Series)
Richard Grant (Rocky V)
Dean Norris (Breaking Bad)
Devon Gaye (Dexter)
Adam Rose(Veronica Mars)
Michael Grant Terry (Cold Case)
Joel David Moore (Julia X)
David Gallagher (7th Heaven)
Bruce Thomas (Legally Blonde)
Blake Shields (Heroes)
Jonathan LaPaglia (Seven Days)
Nichole Hiltz (Smallville)
Eric Lange (Lost)
Brendan Fehr (Roswell)
Gina Torres (Firefly)
Ryan Cartwright (Alphas)
Mageina Tovah (Spider-Man 2 & 3)
Andy Ritcher (Arrested Development)
Stephen Lee (The Negotiator)
Bianca Lawson (Buffy)
Nathan West (The SKulls 2)
Marisa Coughlan (Super Troopers)
Noel Fisher (Teenage Mutant Ninja Turtles 2014)
Deirdre Lovejoy (American Gothic)
Tara Buck (True Blood)
Zachary Knighton (Flashforward)
Christine Lakin (Family Guy)
Kayla Ewell (The Vampire Diaries)
Pej Vahdat (Lie To Me)
Spencer Breslin (Wonderfalls)
Dana Davis (Heroes)
Audrey Wasilewski (Pushing Daisies)
John Pyper-Ferguson (Caprica)
Linda Hart (The Insider)
Mayim Bialik (The Big Bang Theory)
Tania Raymonde (Texas Chainsaw)
Brian Tee (Jurassic World)
Bumper Robinson (Sabrina: TTW)
Jaimie Alexander (Thor)]
Rick Peters (Veronica Mars)
Edwin Hodge (The Purge)
Ryan Pinkston (Bad Santa)
Scottie Thompson (Skyline)
Seth MacFarlane (Ted)
Cyndi Lauper (Girls Just Want To Have Fun)
Michael Arden (Anger Management)
Christopher B. Duncan (Veronica Mars)
Riki Lindhome (Million Dollar Baby)
Tiffany Hines (Lie To Me)
Billy Gardell (Mike & Molly)
Josie Davis (Sonny)
Amy Gumenick (Arrow)
Diedrich Bader (Vampires Suck)
Andy Umberger (Angel)
Tracy Middendorf (Scream: The Series)
Dan Castellaneta (The Simpsons)
Debbie Lee Carrington (Total Recall)
Wynn Everett (Agent Carter)
Martin Klebba (The Cape)
Lindsay Hollister (Blubberella)
Ralph Waite (The Waltons)
Nakia Burrise (Power Rangers Turbo)
Mickey Jones (V)
Dorian Missick (The Cape)
Zooey Deschanel (New Girl)
Dale Dickey (My Name Is Earl)
Penny Johnson Jerald (Star Trek DS9)
Richard T. Jones (Terminator: TSCC)
Rusty Schwimmer (Highlander 2)
Henri Lubatti (Angel)
Joshua Malina (The Big Bang Theory)
Clea DuVall (The Faculty)
Ben Falcone (New Girl)
Robert Englund (A Nightmare on Elm Street)
Victor Webster (Mutant X)
Ravil Isyanov (Alias)
Rena Sofer (Heroes)
Michael Des Barres (Ghoulies)
Jillian Bach (Two Guys and a Girl)
Kate Vernon (Battlestar Galactica)
Wade Williams (Buffy)
Dylan Bruno (The Rage: Carrie 2)
Danielle Bisutti (Curse of Chucky)
Justina Machado (Final Destination 2)
Bobby Hosea (Xena)
Karina Logue (Bates Motel)
Katheryn Winnick (Vikings)
B.J. Britt (Agents of SHIELD)
Antonio Sabato Jr (Lois & CLark)
David Alan Grier (Jumanji)
Thomas Kopache (Catch Me If You Can)
Greg Cipes (Anger Management)
Kelly Stables (Two and a Half Men)
Wayne Knight (3rd Rock The Sun)
Enrico Colantoni (Veronica Mars)
Francis Capra (Heroes)
Arnold Vosloo (The Mummy)
Matthew John Armstrong (Heroes)
Laura Regan (Minority Report TV)
Leslie-Anne Huff (The Vampire Diaries)
Marisa Ramirez (Spartacus: Gods of The Arena)
Michael Welch (All The Boys Lvoe Mandy Lane)
Sarah Baker (Mike & Molly)
Saffron Burrows (Agents of SHIELD)
Danny Trejo (Machete)
Michael Clarke Duncan (Sin City)
Mini Anden (Chuck)
Suzie Plakson (Red Eye)
Geoff Stults (Wedding Crashers)
Carlo Rota (Stargate Universe)
Sean O’Bryan (Roswell)
McKenzie Applegate (Torchwood)
Luke Kleintank (The Man In The High Castle)
John Ross Bowie (The Big Bang Theory)
Morgan Fairchild (Chuck)
Tina Majorino (Veronica Mars)
Chrlie Weber (Buffy)
Andrew Leeds (Cult)
Jessica Tuck (Super 8)
Pruitt Taylor Vince (Heroes Reborn)
Neil Hopkins (Lost)
Jennifer O’Dell (The Lost World)
William Sanderson (Blade Runner)
J.p. Manoux (Birds of Prey)
John Ducey (Sabrina: TTW)
Rosalind Chao (Star TRek: DS9)
Scott Lowell (Queer as Folk)
Reed Diamond (Dollhouse)
Alexandra Holden (The Hot Chick)
Drew Powell (Gotham)
Lori Alan (Family Guy)
Danielle Panabaker (The Flash)
Abraham Benrubi (Buffy)
Charlayne Woodard (Unbreakable)
Brad William Henke (Fury)
Henry Simmons (Agents of SHIELD)
Vik Sahay (Chuck)
Larry Poindexter (Blade: The Series)
Tamlyn Tomita (Highlander: The Series)
Brooke Langton (The Net: The Series)
Brian Klugman (Cloverfield)
Danny Woodburn (Watchmen)
Ntare Guma Mbaho Mwine (Queen of Katwe)
J.D. Walsh (Two and a Half Men)
Nishi Munshi (The Originals)
Curtis Armstrong (New Girl)
Dave Thomas (Rat Race)
Allison Scagliotti (Warehouse 13)
Danielle Harris (urban Legend)
Joanna Cassidy (Blade Runner)
Kenneth Mitchell (Odyssey 5)
Alimi Ballard (Sabrina: TTW)
Sarah Stouffer (Chastity Bites)
Mather Zickel (The Cape)
Kathleen York (Crash)
Alastair Duncan (The Batman)
Freddie Prinze Jr (Scooby-Doo)
John Ratzenberger (Cheers)
Millicent Martin (Alfie)
Rebecca McFarland (Two and a Half Men)
Angela Alvarado (Freedom Writers)
Joaquim de Almeida (Desperado)
Loren Lester (Batman: TAS)
Nora Dunn (New Girl)
Margo Harshman (The Big Bang Theory)
Ben Lawson (No Strings Attached)
Bonnie Root (Coming Soon)
Kelly Rutherford (Gossip Girl)
Chad Donnella (Smallville)
Robert Picardo (Stargate: Atlantis)
Chris Browning (Supergirl)
Nazneen Contractor (Heroes Reborn)
Ignacio Serricchio (The Wedding Ringer)
Elizabeth Ann Bennett (The Passing)
Courntey Gains (Children of The Corn)
Sam Anderson (Lost)
Rance Howard (Angel)
JD Cullum (Glory)
Laura Spencer (The Big Bang Theory)
Francois Chau (Lost)
Gil Bellows (Flashforward)
Sean Marquette (All My Children)
Chastity Dotson (Veronica Mars)
Steven Williams (Jason Goes to Hell)
Nathaniel Buzolic (The Originals)
Jason Gray-Stanford (Monk)
Jeremy Ratchford (Cold Case)
Vito D’Ambrosio (The Flash 90s)
Kurt Fuller (Midnight In Paris)
Taylor Spreitler (Melissa & Joey)

Bones very quickly garnered rave reviews and amassed a loyal following. Bones is loosely inspired by real life forensic anthropologist and author Kathy Reichs. This funny, clever, sometimes gross, and totally addictive crime drama centers around forensic anthropologist Dr. Temperence Brennan (Emily Deschanel), who toils out of the Jeffersonian Institution and, on the side, writes mysteries starring her fictional heroine (and here’s the twist) Kathy Reichs. Because Brennan has an almost supernatural ability to generate accurate assumptions based on her examination of the corpse’s bones, she is often consulted by the FBI on difficult, seemingly unsolvable cases. She is frequently partnered by brash wiseacre FBI Special Agent Seely Booth (David Boreanaz), who seems to hold a bias against science and those who practice in that field. It’s Booth who breezily saddles Brennan with the nickname “Bones.” Naturally intuitive and freewheeling, Booth immediately is at odds with the clinically analytical Brennan. But, despite their personality clashes, and with the aid of Brennan’s gifted and quirky colleagues, the cases do get solved.

It’s no great secret that the palpable chemistry between Deschanel and Boreanaz is what actually propels the show and is what separates it from the other, more formulaic, dispassionate crime dramas. Every week, fans tune in for the leads’ deliciously caustic banter more so than for the weekly dose of mystery. You see, the mystery jones can be fixed by viewing any other one of the gazillion forensic dramas so currently prevalent on the airwaves. So the mystery is basically the MacGuffin that drives the show forward. But the cantankerous chemistry – that palpable “something” between the two leads as they hilariously bicker and wrangle – is definitely unique to this show.
Emily Deschanel is a find. I haven’t seen her before but she’s awfully good and ingratiating enough with her acerbic character. She imbues Brennan with a cooly detached yet vulnerable and lonely quality that intrigues and endears her to the fans. Her social awkwardness and pop culture ignorance are also quite charming. It’s pretty funny that a mention made regarding a pop culture reference almost always elicits a response of “I don’t know what that means” from the clueless Bones. And, of course, her expertise in the martial arts doesn’t detract from her allure.

And David Boreanaz. Yeah, I found it difficult going, at first, watching him in a new role, seeing as how I’m a fan of Buffy and Angel. But it helps that Booth isn’t much like our vampire with a soul. This ex-Army Ranger Special Agent is breezy, personable, and outgoing, not brooding, tortured, and introspective like Angelus. So, the transition, while disconcerting for me, was ultimately smooth enough. Boreanaz brings such command, self-assurance and charm to his character that I bought into it soon enough.
My favorite episodes are the pilot episode, where we are introduced to the cast; “The Man in the Fallout Shelter” – the team is quarantied together in the Jeffersonian during Christmas and we learn personal stuff about the characters; “Two Bodies in the Lab” – character development galore in this episode as Brennan dates on-line and is targeted while she works on two cases; “The Superhero in the Alley” – a decomposed body is found wearing a superhero costume; and “The Woman in Limbo” – a gripping, emotional season finale as Brennan discovers shocking facts about her parents.

The start of the season sees a new boss, Cam, arrive at the Institute. Not only is she very hands on, she is a former love of Booth, and Tempe and Cam do not hit it off in the early episodes. The new character is well written and softens as the season progresses until it is hard to imagine the team without her input. Meantime Zac undergoes a make-over in order to secure a permanent place on the staff once he gains his doctorate, and Hodkins and Angela begin a tentative office romance.
Booth and Brennan continue to spar verbally with each other and some of their exchanges will have you laughing out loud. When a fellow agent, Sully, begins a relationship with Tempe, Booth’s feelings are confused – but as is observed, Tempe “is rubbish at being a girl” and her own complicated life does not bode well for a permanent relationship. Tempe continues to put her foot in it socially, particularly when a case involves Booth’s Catholic religion.

Among the classy episodes are ‘The Girl with the Curl’ about child beauty Queens, (with a wonderful scene of Tempe trying to talk to a group of 8 year olds at a dance class!), ‘Aliens in a Spaceship’ which has Tempe and Hodgkins buried alive by a serial killer, and ‘The Headless Witch in the Woods’ which has more than a nod to The Blair Witch Project. Guest stars this season include Stephen Fry as a laid back, insightful Psychiatrist whom Booth must see after he shoots an ice cream van, and Ryan O’Neal as Tempe’s estranged and mysterious father whose elusive character comes into his own when Booth is targetted by the Mob. And, once again, Angela’s instantly recognisable father – from ZZ Top – pops up!

BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers’ strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3’s first episode (“The Widow’s Son in the Windshield”) opens up, we learn that Bones has been reluctant to go in the field with Booth and she won’t say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences.

Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2’s finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela’s search for her long-time but vaguely remembered husband. “The Secret of the Soil” introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI’s concern due to Booth having arrested Bones’ father. These sessions are generally funny stuff as, mostly, Booth can’t help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth.

I’ve a couple of Season 3 favorites. “The Widow’s Son in the Windshield” introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. “Mummy in the Maze” is a very neat Halloween show, wherein Booth’s shameful phobia is unveiled and Bones’s costume is…simply awesome. “The Knight on the Grid” is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And “The Santa in the Slush” is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. “The Baby in the Bough” has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, “The Wannabe in the Weeds” (in which Zach and Bones both sing) and “The Pain in the Heart” are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of “The Wannabe in the Weeds” should’ve been developed further in “The Pain in the Heart.” In fact, “The Pain in the Heart” – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans.
The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric “thing” between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance “Bones” Brennan. And while her character might’ve loosened up a little bit (not too much), there’s still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he’s just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in “The Santa in the Slush” is one of the best, most touching scenes of the season.

World-renowned forensic anthropologist Temperance “Bones” Brennan is as brusque and tactless as ever, as confounded by the subtleties of social decorum as ever (or as Sweets exclaims: “She is wicked literal!”). Bones is still very much that intimidating icy intellect, still a wounded soul, and still solving murders. FBI Special Agent Seeley Booth is still the one with the people skills and that well-developed bump of intuition. More onions are peeled in this season as we learn even more about the underpinnings of our core characters. The absolute big draw of this show is that sizzle between David Boreanaz and Emily Deschanel, their fabulous interplay tantalizing and frustrating the viewers. Could this be the season that they get together? Well, kind of, sort of. Taking what the show is giving, I wallow in their ever evolving relationship.

Staying on the personal, Hodgins and Angela are trying to move past their break-up. “The Skull in the Sculpture” demonstrates that Angela is more ready to move on than Hodgins, and if you thought Angela was a free spirit before, well, now… This episode also has Sweets demonstrating the best way ever to fire someone. Young FBI psychologist Lance Sweets, by the way, becomes a regular cast member in this season, and I like him more and more as each episode progresses, even if Booth and Bones continually treat him like a pesky little brother. Even Dr. Saroyan’s past is delved into.

Zack Addy, apprentice to the Gormagon Killer, has been institutionalized, which doesn’t keep him from strolling out to help the squints on a baffling case. Still, this gives rise to a running theme, that of the rotating roster of interns as Saroyan and Bones attempt to fill Zack’s spot, and the fun thing is that each of these interns comes with baggage. There’s the morbid one, the excessively chirpy one, the one constantly dispensing trivia, etc. The most martyred one may well be that repressed intern who insists on keeping things professional at all times – except that, the squints being a tight bunch, he keeps getting exposed to a deluge of innuendo and gossip in the workplace.

There isn’t really a running mystery arc to tie these episodes together – no one like the Gormagon Killer running around, for example. But that doesn’t mean that the cases aren’t gripping; some of them are really interesting. The season opens with “Yanks in the U.K.”  which plants Brennan and Booth in jolly old England, investigating a murder and running into a British version of themselves. In “The Passenger in the Oven” Bones and Booth are on a flight bound to China and have only four hours to solve a murder before the plane lands and Booth loses jurisdiction. “Double Trouble in the Panhandle” has Booth and Bones infiltrating the Big Top as “Buck & Wanda and their Knives of Death,” and their circus act is actually fraught with more suspense than in just about any other scene in this season.

Some other favorites? In “The Double Death of the Dearly Departed,” Bones and Booth steal a corpse due for cremation from a funeral home, Bones believing that the body had been “translated,” which is Booth’s made-up code for murder. “Mayhem on a Cross” unveils some dark stuff about Sweets’ past, this episode also featuring the return of the awesome Stephen Fry as FBI shrink Gordon Gordon Wyatt. It also had me cracking up whenever Bones insisted on correctly pronouncing “skalle” (the Norwegian word for “skull”). “The Hero in the Hold” features the return of the Grave Digger serial killer. “The Princess and the Pear” plonks Bones and Booth’s temp replacement in the world of comic book conventions, and Bones finally gets another chance to flash her martial arts mojo.
Image result for bones the critic in the cabernetIn “The Critic in the Cabernet” Bones drops a bomb on Booth and Booth gets advice from a cartoon character, a frivolous conceit which goes on to have a terrifying payoff. Finally Season 4 closes with a quirky fantasy episode featuring a re-shuffling of roles. In this reality, Dr. Saroyan and Booth’s brother are homicide detectives and Booth and Bones are a married couple who run a nightclub and who end up as suspects in a murder case. It’s neat that just about everyone is in this one.

At the beginning of the fifth season of the wildly popular forensic drama “Bones,” many viewers tuned in trepidatiously after the spectacularly strange fourth season finale. Thankfully, all fears were allayed and relieved when the fifth season kicked into high gear in the very first episode and maintained that pace throughout the season; “Bones”‘ fifth season is perhaps its greatest yet.
The one thing that has always set “Bones” apart from the countless other procedurals on the airwaves right now is the focus on the characters solving the crimes rather than the crimes themselves, and the strength of this approach shines through brilliantly in every episode of this season.
David Boreanaz and Emily Deschanel return to the roles of Booth and Bones and deliver their strongest performances yet as each character is shaken to their core. As Booth struggles to regain his sense of self, he has to confront the knowledge of his feelings for his partner, while Bones herself goes through a whirlwind of emotion as the emotional barriers she has erected around her heart begin to crumble down, leaving her questioning not only herself but her relationship with Booth as well as her work at the Jeffersonian itself. The tension between the two has never been more delicious or more addictive, and both lead actors knock their roles absolutely out of the park.
But while the relationship between Booth and Brennan becomes increasingly more complex, the wonderful supporting cast of engaging characters at the Jeffersonian keep the show moving along briskly and lightly. Cam (Tamara Taylor) must run the lab while dealing with the challenge of being a good mother, guiding the team effectively toward each conclusion; Sweets (John Francis Daley) continues to provide invaluable insight into the minds of the team; Angela (Michaela Conlin) remains the emotional heart and soul of the team as she opens her heart to love’s possibilities; and Hodgins (TJ Thyne) struggles with his feelings for Angela as he returns to his abrasive, loveable self.

The cases themselves have regained a fascinating light as the mysteries the team confronts become more complex, and the special effects department has outdone themselves in the gore and goop department this year as Booth and Bones investigate some of the most gruesome crime scenes in history, all moved along by the brisk black humor the show excels at; the team investigates a possible secret agent locked in a truck for days, a would-be rocker torn to pieces by an industrial washer/dryer, a gamer literally melted in a vat of fast-food grease, and a dozen more cheerfully disgusting cases where the outcomes of the mysteries hold the power to shock and surprise the audience; the writers have once again caught the perfect balance between the whodunnit and the drama to craft a truly unique show. But it’s not merely the cases that hold the viewers’ attention this season; season five is full of true powerhouse episodes: heartbreaking cases like “The Plain in the Prodigy”; darkly comical shows like “The Beautiful Day in the Neighborhood”; truly shocking mysteries like “The Proof in the Pudding,”; and even a historically fascinating case written by the author of the original Temperance Brennan novels Kathy Reichs herself (“The Witch in the Wardrobe”) — however, all of these merely lead up to the three knockout moments of the season:
In the fifth season, “Bones” reaches its 100th episode, “The Parts in the Sum of the Whole.” Likely the most beloved and most contested episode in the show’s history, the 100th episode completely redefined Booth and Brennan’s relationship as it showed the viewers the pair’s first meeting, something never before revealed, and circles around to one of the most hearbreaking and yet most powerfully hopeful moments of the series. “Parts” was also directed by David Boreanaz, one of the series’ leads, and the sheer emotion wrung out of Boreanaz and Deschanel by the end speaks volumes to the talent of the show’s leads.
As the series continues, however, the characters were shocked to their cores as they were forced to come face-to-face with their most terrifying adversary yet: the cunningly frightening sociopath dubbed The Gravedigger, in “The Boy with the Answer,” a nail-bitingly tense hour of television that had viewers’ hearts pounding as Heather Taffet, the Gravedigger, proved that her true arena was the courtroom, tearing apart her victims and throwing the entire future of Brennan’s life into question.
This only segues into the season’s amazingly dramatic finale, “The Beginning in the End.” As the team investigates the home of a hoarder, Bones questions what she truly wants to do with her life, Booth’s past comes calling, and Angela’s father blows back into town, all leading to a truly shocking season ender, a masterful finale that not only redefined the very foundations of the show and the characters but also continued to set the show on a rising point, ensuring that every faithful viewer of “Bones” will be frantically waiting for the sixth season to premiere in the fall.

To resuscitate a dead team out of their scattered disappearance is not an easy task. Luckily the DA in Washington DC is a powerful woman, stubborn and resolute, and she generally gets what she wants. So she brought Agent Booth back from Afghanistan, and Temperance Brennan, aka Bones, from the exotic place where she was trying to get some archaeologically interesting bones with Daisy, Dr Sweet’s girl friend, and Dr Sweet from his hideout somewhere in Paris where he was having a showbiz career as a cabaret singer. They all come back, change clothes and back in the business in a jiffy. Angela and Dr Hodgins are also back though from not so far away and Angela is pregnant.
As usual one case per episode, clean and neat, always dealing with a lot of bones, gross and dirty, soaked in a lot of decomposed muck with a tremendous number of maggots, worms and other corpse parasites. A series not to watch while eating anything more delicate than dry cookies.
Angela and Dr Hodgins have a full plate with the pregnancy and the delivery of the baby. For them that’s enough and that will require some help from a friendly psychiatrist because it is hard for the father not to become overprotective and it is hard for the mother to accept the physical handicap this pregnancy may represent. Yet they decided that working with the people they are used to work and live with was the best thing for the pregnancy, the mother and the child. Angela was not alone at any moment of her days or nights.
Agent Booth brought a journalist back from Afghanistan, a sort of love substitute for Temperance. But will that not cause some problems, like conflicting interests between the two professions? And Booth with his own son is already very busy in life. Will that new woman in the picture be able to cope with a child, what’s more the child of another woman? And the question of marriage will come up sooner or later and how are the two going to react to that eventuality? Probably not very well, maybe not too bad. A decision that is always difficult to take for someone who is constantly in the field of police investigation and for a journalist just back from a war zone.

You have the interns still rotating, the four of them. They are the surprise of each episode because they are so different and they can be so funny, though at times they are just funny for us because they are mismatched with what is happening around them, but that’s what interns are all about. Unluckily one will end up very badly. That’s not the first case, but so far none had ended up that badly. But a song will carry him through: lime and coconut, sung in a chorus all together, mellow and heart stirring.
There will be a case that will run over the whole season, the case of a sniper who had been a colleague and friend of Booth in Afghanistan and who came back slightly berserk and decided that what he did over there was good enough for the USA too and he started killing those who were rotten, and those who were in his way for his type of justice and these were only collateral victims for him, hence justified by the end. It will take the whole team to stop him and it will bring a lot of suffering and even mourning to that team.

This refreshingly different season of Bones is gearing up to be one of the series’ best! It is just the reinvigoration the show needed! Life has changed at the Jeffersonian since we last saw our favorite crime-solvers. After last season’s pregnancy bombshell of an ender, we pick up with forensic anthropologist Dr. Temperance Brennan entering her third trimester, hormones all over the place as she bumbles in that adorable way that only Brennan can into the frightening role of motherhood. As always, her partner FBI Agent Seeley Booth is there by her side, more loving and more happy than we’ve ever seen him.

I think David Boreanaz and Emily Deschanel slipped into this new relationship quite easily. What’s great is that not a lot has changed, and yet, everythinghas. They live together, they’re planning on buying a house, they kiss and cuddle on the couch and Booth croons to Brennan’s belly in the cutest baby voice you will ever hear… and yet, they’re still “Booth and Bones”. They still solve murders. They still bicker good-naturedly over everything under the sun.

They banter. They get overprotective. They make mistakes- and own up to them after. They’re like any new couple expecting a child. But are they normal? Far from it, because at its core, Bones is still the same show: a journey of love between two very different people… one a woman who views the world through utmost rationalism and who is still learning how to open her heart; the other a man who relies on instincts and gut feeling to do his job, and who lets faith and emotion drive his personal life. Both coming from traumatic pasts and both craving a new beginning.That, and the other characters are still as charming and as “comedic gold” as ever. Hodgins and Angela’s baby situation juxtaposes nicely with Booth and Brennan’s, Cam struggles with keeping the workplace professional, there’s a new intern, a new recurring villain, and other familiar faces return.

The end of the seventh season of “Bones” left Bones on the run with her infant child after being framed for murder by the highly skilled serial killer Christopher Pelant. The opening of the eighth season finds Booth and her colleagues at the Jeffersonian Institute trying to clear her name. Fortunately for the series, they succeed, although Pelant eludes justice to pose a future threat. This eighth season continues to feature crime-of-the-week murders for Bones, Booth, and the Jeffersonian lab rats to solve through clever forensics and Booth’s old-fashioned police work. One of the most interesting episodes is told through the eyes of the murder victim, with the assistance of a psychic (a well-cast Cindy Lauper). Another standout episode involves a group effort to resolve a cold case whose victim turns out to be a forgotten hero of the 9/11 attack on the Pentagon.

Outside the lab, Bones has an uncomfortable but touching period of readjustment to living with Booth, after her time on the run. Her changed perspective will lead to some of the most interesting conversations as she and Booth commute to crime scenes. Just to complicate things, staff psychiatrist Dr. Sweets will temporarily move in with the couple right after he breaks up with girlfriend Daisy, a technician in the lab. Series regulars Angela and Hodgins will have their own challenges as working parents. The continuing parade of interns through the Jeffersonian crime lab will feature in several episodes, and one of them will become a surprising emotional complication for Dr. Saroyan. Christopher Pelant will return to menace the team in a gut-wrenching season finale.

“Bones” returns for a welcome ninth season with its core cast, clever plots, and sense of humor intact. Forensic anthropologist Dr. Temperance “Bones” Brennan and her crack team of specialists at the Jeffersonian Institute continue to work with their FBI liaison, Special Agent Seeley Booth, on new and challenging criminal cases. First, however, the team will have to resolve their long-running, lethal battle with cyber-genius serial killer Christopher Pelant, who has stayed one step ahead of them while inflicting pain on each member of the cast.
When we last saw the team, they had barely survived their most recent encounter with Pelant. In a final twist of spite, Pelant blackmailed Booth into withdrawing his marriage proposal to Bones, while forbidding him to reveal the reason why. Booth’s promise puts a strain on his relationship with Bones. He will reach out to old Army buddies, including a CIA agent and a former priest turned bartender, for advice. Pelant has his own plan for separating Bones from Bones from Booth, permanently. The entire team will have to be on its mettle to head off Pelant’s insidious plot.
The ninth season continues to feature crime of the week murders for Bones, Booth, and the Jeffersonian lab rats to solve. One episode will have Booth and Bones resurrecting their undercover “Tony” and “Roxie” identities for a hilarious marriage retreat in which they talk all too frankly about their relationship. Psychologist Dr. Sweets will take a leave of absence to work in an outreach center, only to find himself drawn back into a gut-wrenching case involving a gang feud. As in past seasons, other members of the team, including Lab boss Dr. Saroyan, Dr. Hodgins, Angela, and the interns will have their moments in the spotlight.
The biggest highlight is the Woman in White, featuring the  wedding of the two leads after nine years they final tie the knot.

In the 10th season of Bones, suspense is at an all-time high as Seeley Booth (David Boreanaz) is framed and jailed for the murder of three FBI agents while Temperance Brennan (Emily Deschanel) considers committing blackmail to get him out of prison.


The new season brings some changes. The team will lose a key player at a dramatic moment early in the season, and have to work in a replacement after an emotional farewell. Another primary character will develop a emotional bond with one of the rotational lab interns, one that threatens their official relationship. Still another will strike it rich, a couple of season after having been cleaned out by a particularly nasty serial killer. Yet another character will revisit a gambling habit that threatens a job and a relationship. And, one key character will become pregnant. And those events are just character development. There is a fresh lot of challenging cases that will need solving.

Those week to week cases continue to be innovative and interesting, challenging the team and the viewer to keep up. At the same time, the series hasn’t lost its sense of humor, or its willingness to experiment. As an example, you just have to see this season’s throwback Hitchcock episode. “Bones” is still good fun and recommended to its loyal fans in its tenth season.