REVIEW: EXCISION

CAST
AnnaLynne McCord (Nip/Tuck)
Roger Bart (Hostel – Part II)
Ariel Winter (One Missed Call)
Traci Lords (Blade)
Matthew Gray Gruber (500 Days of Summer)
Jeremy Sumpter (Peter Pan)
Natalie Dreyfuss (The Originals)
John Waters (Seed of Chucky)
Malcolm McDowell (Halloween 2007)
Marlee Martin (My Name is Earl)
Ray Wise (Robocop)
The film depicts the life of a disturbed and delusional high school student, Pauline (AnnaLynne McCord), with aspirations of a career in medicine and the extremes to which she goes to earn the approval of her controlling mother. Pauline has a younger sister named Grace (Ariel Winter) who suffers from cystic fibrosis. Pauline has vivid dreams about herself and others being mutilated with excessive amounts of blood; and after each dream wakes panting in an orgasmic state.
Pauline decides to lose her virginity to a boy named Adam – explaining what she wants from him and gives him her number. Because of her fascination with blood she arranges their meeting while she is on her period. While having an orgasm she imagines herself choking Adam and the bed filling with blood. At the end she asks Adam to go down on her, which he obliges. After a few moments he runs to the bathroom disgusted by the blood, as he was unaware she was on her period.
 
During sex class, Pauline takes a sample of her blood and puts it under a microscope to check for STDs. Later on she sees Adam on the bleachers with his girlfriend. She tells Adam she doesn’t have any STDs and asks his girlfriend if she has any, who states that she doesn’t. Pauline then tells them that if the girlfriend doesn’t have anything neither will she. After she walks away Adam’s girlfriend deduces that he was unfaithful.
 
Across the street from Pauline and Grace is a teenage girl that jumps rope in her drive way. Pauline invited the girl to jump rope with her, but she found Pauline weird and refused. Grace defends her sister and storms off, pulling Pauline with her. Adam’s now ex-girlfriend and her friend TP Pauline’s house and spray paint ‘cunt’ and ‘whore’ on it. Pauline, on an angry tirade at school, pushes Adam to the ground and slams his ex-girlfriend’s face into her locker, resulting in her being expelled from school.
 
While in her room she overhears her parents saying Grace’s doctor wants her on the lung transplant list. During dinner that night her sister has a severe coughing fit, which concerns her parents. In the morning their mother leaves and the father stays home. Pauline drugs her father with tea and when he falls asleep, ties him up and gags him. Pauline then lures the jump roping girl to the backyard under the false premise that there are several jump ropes she can have that Grace can no longer use because of her lungs. She places a cloth over her mouth and after a brief struggle the girl loses consciousness. Pauline talks to Grace and lovingly strokes her hair, stating that Grace may be confused by what is going to happen but she has only her best interest in mind. She drugs Grace with the same cloth, then cuts and shaves her own hair.
 
In the garage, Pauline has cut open both girls and continues with her surgery, moving the healthy girl’s lungs into her sister and placing the other lungs on ice, then sewing them both up. Pauline’s mother arrives home and sees her husband tied up. She panics and runs through the house frantically screaming for Grace. She opens the garage door and finds Pauline with the bodies. Pauline explains that it is her first surgery, and although it is messy, it is wonderful, and that she was unsure what to do with the jump roping girl’s body so she used her to practice her incisions. She then urges her mother to take a closer look, who runs towards her and grabs her, holding her and screaming hysterically. Pauline at first seems proud, but then begins to sob.
If you’re in the mood for something which is a very grisly affair, mixed with pretty much every other genre, give this a go. It’s an indie film and it always will be, but everyone gives a good enough performance to elevate it to a cult film.
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REVIEW: THE ORIGINALS – SEASON 1 & 2

MAIN CAST

Joseph Morgan (Hex)
Daniel Gillies (Young Hercules)
Claire Holt (Mean Girls 2)
Phoebe Tonkin (Bait)
Charles Michael Davis (The Game)
Daniella Pineda (The Detour)
Leah Pipes (Sorority Row)
Danielle Campbell (Prison Break)

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RECURRING / NOTABLE GUEST CAST

Nathaniel Buzolic (Significant Mother)
Shannon Kane (Brooklyn’s Finest)
Eka Darville (Power Rangers RPM)
Callard Harris (Dallas)
Sebastian Roche (Odyssey 5)
Malaya Rivera Drew (The L Word)
Steven Krueger (Goosebumps)
Raney Branch (Ringside)
Todd Stashwick (Gotham)
Shannon Eubanks (The Patriot)
Yasmine Al-Bustami (Nashville)
Michael Trevino (The Vampire Diaries)
Elyse Levesque (Stargate Universe)
Peta Sergeant (Winners and Losers)
Chase Coleman (Boardwalk Empire)
Nathan Parsons (The Roommate)
Natalie Dreyfuss (2 Broke Girls)
Yusuf Gatewood (The Interpreter)
Daniel Sharman (Immortals)
Nishi Munshi (Bones)
Sonja Sohn (The Wire)
Colin Woodell (XOXO)
Alice Evans (102 Dalmations)
Lloyd Owen (Apollo 18)
Riley Voelkel (Prom)
Maisie Richardson-Sellers (Legends of Tomorrow)
Keri Lynn Pratt (Veronica Mars)
Nina Dobrev (The Vampire Diaries)
Meg Foster (Masters of The Universe)
Claudia Black (Stargate SG.1)

The Originals is a spin-off series based upon characters created and introduced in The Vampire Diaries, and it is a creation of writer Julie Plec, who is the head-writer and showrunner of both series. The concept of the show revolves around a group of characters referred to as being the ‘originals’ – i.e. the first vampires to ever exist. They also happen to be family. These original vampires have existed for centuries and have the longest history of all: a complex back-story which unfolds over the course of the series storytelling, which alternates back and forth with telling the long-running back-story of these original vampires while focusing on a modern day setting in New Orleans.The world of television has spawned an immensely high number of series that take on some sort of science fiction or supernatural aspect, and one of the most popular staples has been found in vampire tales: Buffy the Vampire Slayer, True Blood, and The Vampire Diaries being popular series chiefly placed amongst the pop culture echelon. Then there’s the fact that vampires are popular in films, too (including the teen-sensation series Twilight). Can another show join a lineup of other successful vampire-lore creations? It seems so, as The CW network has once again teamed with the creative mind behind The Vampire Diaries for another successful and entertaining entry in the genre’s growing list of successes.The cast consists of Klaus (Joseph Morgan), Elijah (Daniel Gillies), Hayley (Phoebe Tonkin), Marcel (Charles Michael Davis), Camille (Leah Pipes), Davina (Danielle Campbell), Sophie (Daniella Pineda), and Rebekah (Claire Holt).

The basic plot of the series is to revolve around the story of the original vampire family after they decide to return to their former home in New Orleans. Upon returning, the originals find that the land they once knew has changed a great deal and their home and rule has been replaced by a character they once considered their own: Marcel. Meanwhile, there is also a war is brewing between vampires and witches and things complicate with Marcel working with a powerful young witch named Davina, who has abilities that could pose a threat to all the vampires.

Image result for the originals house of the rising sunKlaus, Elijah, and Rebekah are the main characters of The Originals. They are each returning characters from the Vampire Diaries universe. Klaus continues to make things difficult for everyone with his typical brooding self getting into the way of other vampire’s own agendas. Klaus finds a friend in Camille, a psychologist major who starts to have an unlikely connection to him. Meanwhile, Klaus’s blood-line as a werewolf/vampire hybrid (and his one-night stand with Hayley) results in Hayley’s pregnancy and a cult following for a baby born to a vampire. Elijah acts as if a guardian vampire of sorts who keeps his word (but who can also go totally vampire-bananas at times, as “necessary”), and Rebekah is a insecure and lonely vampire who gets into lots of mischief, causing problems for the originals (amongst others), but who really just wants a friend by her side and to be a normal human again. Of course, these characters (and their back-stories) lead to lots of surprising revelations and storytelling detours over the course of the show.

Marcel is a past connection to the original vampires who is now calling himself ‘the king’ and is ruling over New Orleans vampires as a sort of leader-vampire who calls the shots and has a big company of “minions” working for him (so to speak). Marcel makes vampires do his bidding to keep New Orleans a vampire-safe haven. Vampires will do his bidding to try and earn ‘daylight rings’, which allow for a select few to live in the day. There’s a big history between Marcel and Kalus, too, as Klaus raised him when he was a boy.

Aside from the pilot, which combines too much footage found in the “backdoor pilot” produced on The Vampire Diaries Season 4 under the title “The Originals”, the series finds a distinct and interesting creative voice. The first episode is a bit disappointing for fans of both series as it had borrowed so much (some scenes were basically “copy and paste” versions already featured upon the former), The Originals is interesting, original, and well-made with quality writing/directing. Assembling a hugely talented group of people for the production, the series reunites many of the same behind-the-scenes crew who made The Vampire Diaries a huge success, from some of the cinematographers, to the costume designer, o the composer to the production designer. It’s a big family of creative talents who united to create this compelling drama series.

The Originals has many things in common with its predecessor – starting with the fact that the characters that predominately reside are many of the same characters featured on The Vampire Diaries, but now with expanded roles – and that the group of writers and directors responsible for making the program are largely from the same creative pool. Yet it’s still a standalone series that newcomers who aren’t as familiar to previous lore should be able to discover. It offers a slightly different storytelling approach, though stylistically it shares a lot in common. If one can like The Vampire Diaries then they will surely enjoy The Originals, and vice-versa, so there’s certainly room for the show to both be followed by longtime fans of the characters and perhaps by new audience members.

There have been so many vampire series and films that the market seems flooded with them and it can be a bit frustrating to see so many stories being told simultaneously with this concept. It’s certainly a concept that has been done again and again, and shows no signs of going anywhere. Yet the good news is that there are still writers who are telling vampire stories with writing of note, who are drawing forth more interesting elements by focusing on the dramatic elements more than anything else. This is a perfect example of what is happening here: the writing is elementally the main key to the quality of the program, and in this case, that’s a good thing. The writing here is solid. Fans of quality storytelling who have an inclination towards the supernatural genre will find this to be a well-produced, written, directed, and acted program. Without a good storyline backdrop, one could easily see The Originals being a faltering series. Yet there was more than enough storytelling potential for the core group of characters as seen in the storyline its parent series offered, and the writers have expanded on that universe of ideas so that a fully-fledged program can exist. This is a series well worth seeing out as one of the more interesting programs currently on air. Television viewers who enjoy a well told story will find much to appreciate.

Now that The Originals has made it to season two, the writers aren’t wasting any time with formalities. “Rebirth” brings back some familiar names with brand spanking new faces. This episode doesn’t really introduce viewers to the returning characters, as it makes the broad generalization that you’re already familiar with them from The Vampire Diaries – despite their dramatic new looks. Instead, it delves right into the setting the stage for a reunion that is sure to be memorable.

The Originals branded its second season a family reunion, and that’s exactly what the season premiere sets into motion. The Guerreros are out, and once again the Mikaelson’s are back in – all of them. It’s only a matter of time before Rebekah (Claire Holt) is lured back to New Orleans, and then the fun will really begin. In the meantime, Klaus (Joseph Morgan) has both parents and all his other siblings to occupy his schedule – good thing he doesn’t have changing diapers to distract him from whatever is coming.

Having Claire Holt leave the show full-time was hard last year, but there was a definite sense that she would be coming back, if only for an episode here and there (as has been the case). Now, that’s not a feeling The Originals mid-season finale leaves you with – Claire Holt is no longer occupying the role of Rebekah Mikaelson, and it seems that the whole body-jumping plotline was just leading us to this point.

Rebekah has been around since season three of The Vampire Diaries and, while she never got as much of the spotlight as Klaus, she has been a huge presence ever since. I wrote last week that Claire Holt gives the character something that can’t be replaced, and I honestly don’t know if the show can make me accept another actress as the face of Rebekah. It’ll be hard to keep an open mind, even I’m a little ashamed to admit it.But the episode Map of the Moments was great, with vintage moments for every single character. The long-awaited reunion between Hayley, Klaus and baby Hope didn’t disappoint, for starters, and provided a brief moment of happiness and contentment for a family so often at loggerheads. The moment in which they took a family photo mere moments before having to burn it should have been jarring and ridiculous, but it was actually the highlight of the hour. Looking back on that knowing what would happen to Rebekah by the end makes it even more heartbreaking, and a little bit of sunshine and happiness, albeit still tinged with sadness, was welcome in a show.The Revelation about Freya (the other Mikaelson Sister) being alive was a brilliant revelation along with Esthers sister Dahlia who is hellbent on taking baby hope. this leads to a series of events that brings us to the finale of season 2 . Season two of The Originals puts to rest the oldest family war and instills in its place a familiar mark between warring siblings. Lullabies are spoken and promises are made for the good of innocence and the threat of new evil likely to rear its head in New Orleans come the fall. All in all, the king of wolves and vamps settles in, ready to settle into fatherhood unaware of the future, but believing he has control of it.

There was some gorgeous imagery that fit in quite nicely upon the climax of “Ashes to Ashes.” The episode stood on its own and provided a much needed finality to the old generation of Mikaelsons and their sophisticated rival, Dhalia. The most fascinating aspect was of course how the battle played itself out, leaving the final segments as all too familiar approaches to goodbyes and promises of sardonic revenge. In many ways, it was the highlight of the season saving the best for last.

After linking with Dalia, Klaus stabs himself with the dagger and the two are returned to torpor. Elijah recovers Hope with Freya as Rebekah returns to her original body as a vampire once more. Convinced of Klaus’s plan, Elijah burns the body of their original mother and swaps the ashes with Kol’s when Davina attempts to user her “one time” ability to harness the coven’s power and use resurrection. Instead of Kol, Esther is brought back and captured immediately by the Mikaelsons. Dalia, still possessing power, melts the dagger in Klaus, awakens, steals Freya, and escapes. Klaus, Elijah, and Rebekah later confront Dalia but are subdued by splinters of the white oak stake being ingested through Dalia’s power. Esther distracts Dalia long enough for Klaus to impale the two of them finally killing them both. In a final scene with the pair as their younger selves, Esther relents that she should have stayed by Dalia’s side. The two forgive each other and perish together. Later, during the full moon, Hayley makes Elijah promise to look after Hope even though he had no intention to remain at Klaus’s side. Freya magically heals Rebekah’s human body and Rebekah once more inhabits it with plans to decide which she intends to stay in at a later time. Klaus and Camille share a drink as both are essentially still awkward around each other but later, Klaus settles in with Hope in his arms, commenting on a new chapter in their lives.I had fun watching this season and it leaves you wanting me, with season 3 shapeing up to just as fun, it shows that a spin-off can work.

REVIEW: LIE TO ME – SEASON 1-3

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MAIN CAST

Tim Roth (The Incredible Hulk)
Kelli Williams (Army Wives)
Brendan Hines (Terminator: TSCC)
Monica Raymond (Chicago Fire)
Hayley McFarland (The Conjuring)
Mekhi Phifer (Divergent)

RECURRING / NOTABLE GUEST CAST

Jake Thoams (A.I.)
Tim Guinee (Iron Man)
Nolan Gerard Funk (Arrow)
David Anders (Izombie)
Rance Howard (A Beautiful Mind)
Anthony Ruivivar (Scream: The Series)
Isabella Hoffman (Legends of Tomorrow)
Sasha Roiz (Caprica)
Kristen Ariza (Startup)
Mekenna Melvin (ChucK)
Sean Patrick Thomas (Save The Last Dance)
Deidre Lovejpy (Bones)
Carlos Lacamara (Heroes Reborn)
Megan Follows (Reign)
Christine Adams (Agents of SHIELD)
Ajay Mehta (Anger Management)
Shea Whigham (Agent Carter)
Cheryl White (Major Crimes)
Virginia Williams (Fairly Legal)
Pej Vahdat (Bones)
Jennifer Beals (Flashdance)
Kevin Tighe (Lost)
Currie Graham (Stargate: The Ark of Truth)
D.B. Woodside (Buffy)
Jason Beghe (Californication)
Clea DuVall (The Faculty)
Mageina Tovah (Spider-Man 2 & 3)
Melissa Tang (Mom)
Jonathan Banks (The Lizzie Borden Chronicles)
Erika Christensen (Flightplan)
John Pyper-Ferguson (Caprica)
James Marsters (Buffy)
Gretchen Egolf (Roswell)
Marc Blucas (Red State)
David Kaufman (Superman: TAS)
Karina Logue (Bates Motel)
Sean O’Bryan (The Princess Diaries)
Garret Dillahunt (Terminator: TSCC)
Lennie James (The Walking Dead)
Alicia Coppola (Another World)
Roy Werner (Weeds)
Jason Gedrick (Beauty and The Beast)
April Grace (Lost)
Todd Stashwick (The Originals)
Ricky Jay (Flashforward)
Miguel Ferrer (Robocop)
Felicia Day (Dr. Horrible)
Jason Dohring (Veronica Mars)
Ashley Johsnon (Dollhouse)
Howard Hesseman (That 70s Show)
Mark Harelik (The Big Bang Theory)
Melissa George (Triangle)
Max Greenfield (Veronica Mars)
Bruce Weitz (General Hospital)
Enver Gjokaj (Agent Carter)
Alona Tal (Cult)
Khary Payton (Teen Titans)
Michael Beach (The Abyss)
Yara Shahidi (Ugly Betty)
Alyssa Diaz (The Vampire Diaries)
Kenneth Mitchell (Odyssey 5)
Richard Burgi (Chuck)
Conor O’Farrell (Stir of Echoes)
Catherine Dent (Termiantor: TSCC)
Kenny Johnson (Cold Case)
Erick Avari (Stargate)
Carmen Argenziano (Stargate SG.1)
Natalie Dreyfuss (The Originals)
Tiffany Hines (Bones)
Haley Ramm (X-Men 3)
Monique Gabriela Curnen (The Dark Knight)
Jennifer Marsala (Hart of Dixie)
Shawn Doyle (Reign)
Jamie Hector (Heroes)
Audrey Marie Anderson (Arrow)
Brent Sexton (Birds of Prey)
Katherine LaNasa (The Campaign)
Daniela Bobadilla (Anger Management)
Tricia Helfer (Battlestar Galactica)
Kathleen Gati (Arrow)
Noel Fisher (Teenage Mutant Ninja Turtles)
Maury Sterling (The A-Team)
Jessica Parker Kennedy (The Secret Circle)
Brandon Jones (Pretty Little Liars)
Jim Beaver (Mike & Molly)
Barry Shabaka Henley (Heroes)
John Diehl (Stargate)
Keith Robinson (Power Rangers Lightspeed Rescue)
Michael B. Jordan (Fantastic four)
Frankie Faison (The Silence of The Lambs)
Paula Malcomson (The Hunger Games)
Victoria Pratt (Mutant X)
Adam Godley (Powers)
Dylan Minnette (Goosebumps)
Annabeth Gish (Flashforward)
Alexandra Lydon (Mockingbird)
Ashton Holmes (A History of Violence)

We have all told a lie at one point in our lives. While our the lies we have told may be small, one needs to look no further than his or her local news to see that not all lies are harmless. Sometimes though lies seem like a last resort and getting the truth isn’t as simple as a lie detector. Dr. Cal Lightman (Tim Roth) would be the first to tell you a lie detector is garbage and he illustrates this point in an early episode in the series.  A lie detector establishes a baseline for truthful statements and then measures body factors like pulse rate, skin conductivity and temperature; any changes from the baseline readings indicates a lie. The problem is as Dr. Lightman shows in his trademark sardonic fashion, do something as simple as introduce an attractive woman in the room and the most honest man will instantly be a liar to the machine. His solution? Himself.


Lie to Me throws viewers into the world of human lie detector, Cal Lightman. His lie detecting skills rely on universal facial expressions and how a well-trained individual can detect a liar from reading “micro expressions.” Lightman heads up the private deception detection firm The Lightman Group and throughout the course of Lie to Me’s thirteen freshman episodes, Lightman and his associates Dr. Gillian Foster, Eli Loker, and new protégé Ria Torres will put their finely trained skills to the test as their group is hired from clients ranging from billionaires worried about potential gold diggers to law enforcement in stopping a copycat serial rapist. As absurd as the notion of Lightman being able to read facial expressions to determine whether a person is lying is, prepare to be blown away, as it’s all based on the very real and groundbreaking research of Dr. Paul Ekman.


Dr. Ekman pioneered the study of micro expressions and universal emotion and serves as a creative inspiration for Roth’s character. The creators have kept Ekman in the loop throughout the creative process and Fox allows Ekman to blog about what is factual and what is exaggerated on the show’s website, which earns this new series bonus points for giving viewers something to think about once the episode ends.

Once Roth is able to establish himself in the role of Lightman and we get bits and pieces of his human side (his relationship with Dr. Foster as well as his teenage daughter). Fortunately, the formula of the show does allow for Lightman’s other colleagues to hold their own as there is almost always a secondary case assigned to the pair not working with Lightman on the primary case. This allows for character bonds to be formed, in some cases from scratch as Monica Raymund’s character, Ria Torres, is a new addition to the team and provides some great dramatic tension from time to time as her ability is natural, which often draws the ire and jealousy of her brilliant boss.


Finally, the most unique positive aspect of Lie to Me comes from viewers being able to play along at home. As we learn little explanations of micro expressions from Lightman, in later episodes it’s fun to try and spot character motivations before they are revealed to us by one of the team.

Back for a second longer season, this show is every bit the show that I so enjoyed in the first season and even a little bit more. As with all shows, the first season suffers from a few growing pains. Actors need to settle into their roles, writers need to discover their characters’ true personalities and basically the show needs to settle. Thats why the second season is often a bit better than the first and Lie to me is no exception to that. The show was smoother, the acting more comfortable and the character relationships had chance to really blossom in a believable manner.

In this second season Cal seems to be much more lively, a great deal more fun to watch. HIs mock nervous energy, dry sense of humour and heart of gold is a more likeable. The other key element I liked in this series was the advancement of the relationships. There’s not any major romantic steps forward in this season, but Cal’s relationship with his daughter is a real high point of the show, as are his relationships with Foster and the rest of the gang. Every character seems to enjoy real chemistry with the others and that’s rare in any show, yet alone a procedural drama.

Overall this is another strong season. The show is funny when it needs to be, fast paced and action packed when thats called for, and finally it is interesting enough to more than keep your attention with every episode. Quite frankly, by the end of this season I would normally be hooked for the long hall. Shame then that there’s only one season left to watch

I was aware going in that this was going to be the final season of the show however it quickly becomes apparent that show runners weren’t similarly informed . The series really didn’t have the feel of a final season and indeed the show seemed to be picking up pace as it approached its final episode with new characters getting screen time and relationships moving forward with the usual pace of a procedural show finding its feet.

Because of this not only did the season not feel like a final season, the finale lacked any kind of closure whatsoever. It’s a shame as this show deserved more than just to fizzle out in what felt like a mid-season break rather than a complete end.

All I can say to finish is that once again a good show has been cancelled early while so many bad shows remain, which is a real shame. However, don’t let the poor ending to this show put you off.