REVIEW: FREDDY’S NIGHTMARES – SEASON 1 & 2

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MAIN CAST

Robert Englund (Wishmaster)

RECURRING / NOTABLE GUEST CAST

Lar Park-Lincoln (Friday The 13th – Part VII)
Yvette Nipar (Robocop: The Series)
Lori Petty (Tank Girl)
Mariska Hargitay (Law & Order: SVU)
Shiri Appleby (Roswell)
Joyce Hyser (The Flash 90s)
Sarah Buxton (Little Children)
George Lazenby (Winter Break)
Andrew Prine (V)
Jeremy Roberts (Hercules: TLJ)
Brad Pitt (Fight Club)
Bill Moseley (Army of Darkness)
Jeffrey Combs (Gotham)
Eva LaRue (CSI: Miami)
Dick Miller (Gremlins)
Jeff Conaway (Babylon 5)
Charles Cyphers (Halloween)
Anne Lockhart (Battlestar Galactica)
Kyle Chandler (Supoer 8)
Tracey Walter (Batman)
Jeff Yagher (V)
Marc Alaimo (Star Trek: DS9)
Sherman Howard (Superboy)
Christine Belford (Wonder Woman TV)
Sandhal Bergman (Conan The Barbarian)
Clifton Collins Jr. (Westworld)
Morris Chestnut(Kick-Ass 2)
Penny Johnson Jerald (Star Trek: DS9)
Raymond Cruz (My Name Is Earl)

Image result for FREDDY'S NIGHTMARESBased on the popular horror series, Freddy’s Nightmares was a Tales From The Crypt style anthology/spin off which focused on a series of events that people would find themselves in when they went to sleep from embarrassing situations to terrifying blood curdling nightmares, which they sometimes did not wake up from.Image result for FREDDY'S NIGHTMARESThe master behind all these nightmares was none other than Freddy himself, who would narrate every now & then throughout the episodes, an interesting theme & idea the series had which lifted it up above many similar anthologies, was to basically have two episodes in one, in which the the survivor of the first half of the episode would meet his or her death in the second half, usually friends or family members of the characters that have died in the first half. While other episodes featured characters from another episode popping up in others (most of which met their demises in the follow up episodes).

Image result for FREDDY'S NIGHTMARESDespite his many brief pop up appearances, Freddy was the main focus of a few episodes such as The pilot episode No More Mr. Nice Guy(Directed by Texas Chainsaw Massacre’s own Tobe Hooper!! & my personal favorite out of all the ones Freddy was in) which was a prequel set before the original Nightmare on elm Street,  where Freddy due to an unjust law system was set free after murdering a series of  little children, outraged, the parents decide to take the law into their own hands including a police officer, who’s twin daughters were on the verge of death when he saved them & arrested Freddy. Burned alive in his boiler room, he returned as a badly burned boogeyman to kill & torture some of those responsible for his execution, this episode was very entertaining bringing back the creepy nightmarish monster of the original, rather than the jokey character he later became in parts 3 & up. It’s second half, Sisters Keeper was also pretty decent, other episodes Freddy appeared in were, Freddys Tricks & Treats, Safe Sex, Photo Finish, Dreams Come True, It’s My Party & You’ll Die If I Want You Too!Image result for FREDDY'S NIGHTMARESThe last episode I mentioned which was both scary & hilarious when Freddy decides to attend his class reunion, killing off all of his graduating class including the pretty girl who stood him up & best of all we even got to see Freddy’s nerdish pal from high school!. Another great thing about the series was it’s many familiar acting faces such as Brad Pitt, Dick Miller, and many others.  All in all if you ever get a chance to view the episodes, I do recommend them. A lot of them weren’t great, but unlike Friday The 13th: The Series, at least this had the character from the movies in them & connected to the movies, rather than being in name only, with the humorous Freddy character actually playing better on the small screen than he did on the big screen & a few episodes were actually better than many of the Nightmare sequels!

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REVIEW: AMERICAN DAD – VOLUME 7-9

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MAIN CAST (VOICES)

Seth MacFarlane (Family Guy)
Wendy Schaal (Small Soldiers)
Scott Grimes (Robin Hood)
Rachael MacFarlane (The Batman)
Dee Bradley Baker (Star Wars: The Clone Wars)


RECURRING / NOTABLE GUEST CAST

Curtis Armstrong (Return To The Batcave)
Jeff Fischer (Happy Feet)
Lisa Edelstein (House)
Mike Henry (The Cleveland Show)
Richard Gant (Rpocky V)
Martin Mull (Sabrina: TTW)
Sandra Oh (Sideways)
Grace Park (Battlestar Galactica)
Swoosie Kurtz (Mike & Molly)
Hayden Panettiere (Heroes)
Jason Alexander (Shallow Hal)
Edward Asner (Elf)
Lou Diamond Phillips (Stargate Universe)
J.B. Smoove (Date Knight)
Kat Dennings (2 Broke Girls)
Zach Galifianakis (The Hangover)
Clancy Brown (Highlander)
Hector Elizondo (The Princess Diaries)
Missi Pyle (Dodgeball)
J.K. Simmons (Whiplash)
Alan Tudyk (Firefly)
Sarah Chalke (Scrubs)
Anthony Michael Hall (The Dark Knight)
Elmarie Wendel (3rd Rcok From The Sun)
John Cho (Sleepy Hollow)
Terry Crews (White Chicks)
Lucy Lawless (Ash vs Evil Dead)
Kevin Michael Richardson (The Cleveland Show)
Eddie Kaye Thomas (American Pie)
Daisuke Suzuki (I Am Gangster)
Ron Perlman (Hellboy)
Burt Reynolds (Boogie Nights)
Azura Skyke (28 Days)
Carl Reiner (Two and a Half Men)
Alice Evans (The Originals)
Maurice LaMarche (Futurama)
Ken Jeong (The Hangover)
Niecy Nash (Scream Queens)
Patrick Stewart (X-Men)
Beth Grant (Child’s Play 2)
Christina Hendricks (Mad Men)
David Koechner (Anchorman)
CeeLo Green (Sparkle)
Michael Pena (American Hustle)
Gabourey Sidibe (Precious)
Kristen Schaal (The Boss)
Anjelica Huston (The Addams Family)
Sally Struthers (All In The Family)
Sarah Michelle Gellar (Ringer)
Alyson Hannigan (How I Met Your Mother)
Hulk Hogan (The Ultimate Weapon)
Cheech Marin (Machete)
Armie Hammer (The Lone Ranger)
Edward Hermann (The Lost Boys)
Kat Purgal (Her Story)
Joe Lo Truglio (Superbad)
Amy Sedaris (Elf)
George Segal (The Goldbergs)
Elisabeth Shue (Piranha)
David Boreanaz (Angel)
Emily Deschanel (Bones)
Nathan Fillion (Firefly)
Kathy Griffin (It’s Pat)
Wayne Brady (How I Met Your Mother)
Alan Rachins (Stargate SG.1)
June Diane Raphael (New Girl)
Ari Graynor (Bad Teacher TV)
Rupert Grint (Harry Potter)
Eric McCormack (Free Enterprise)
James Karen (Wall Street)
Peter Serafinowicz (Spy)
Jill Talley (Little Miss Sunshine)
Jon Hamm (Mad Men)
Alison Brie (The Lego Movie)
Daran Norris (Veronica Mars)
Mariah Carey (Glitter)
Michelle Monaghan (Kiss Kiss bang Bang)
Morris Chestnut (Kick-Ass 2)
Octavia Spencer (Mom)
Richard Kind (Gotham)
Phil LaMarr (Free Enterprise)
John Leguizamo (Kick-Ass 2)
Sean Hayes (Will & GRace)
Michael McKean (This Is Spinal Tap)
Sinbad (Jingle All The Way)

American Dad returns for more unconventional family. The comedy carries on this season as the series prepares to celebrate its 100th episode with an unexpected Smith family wedding. Highlights in this Volume are.

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100 AD: Jeff continues to try to get Hayley back until Stan and Francine confront him and tells him to leave her alone. Taking Reginald’s advice to give Hayley some space, Jeff decides to confront Hayley once and for all. It is later revealed that Jeff and Hayley ran away and Stan and Francine offer the public a reward of $50,000 to stop the wedding. This causes mass hysteria with 97 people killed off in a freak bus accident. Later on, they are eventually found, and Stan and Francine are tricked by Jeff into giving him the $50,000, thus letting Stan allow them to get married. Meanwhile, in response of Jeff and Hayley’s marriage announcement, Roger and Steve dress up as Wheels and the Legman (from the episode Haylias) and try to stop the wedding and get the reward themselves, until Roger is under the influence of Turkish amphetamines, landing them in Shanghai.

SON OF STAN: Francine and Stan have a clash over how to raise Steve in retrospect to Hayley running away. Francine wishes to be more lenient, but Stan is convinced that they need to be firm with him. Stan creates a clone of Steve, named Steve-A-Rino, to determine who has better parenting skills. Steve grows up as a lazy, fat video game player, but Steve-A-Rino grows up as an athletic genius. Steve-A-Rino runs away and Francine declares herself as the better parent. However, she finds decapitated cat heads in Steve’s backpack, and Stan declares himself as the better parent. The Killer turns out to be Steve-A-Rino. With his identity exposed, Steve-A-Rino now plans to kill the original Steve. Francine and Stan find Steve-A-Rino’s lair as he is about to kill real Steve. After a fight, Stan and Francine decide Steve needs both of their parenting style, and Steve-A-Rino is shot by a cat. Meanwhile, Roger selfishly decides to go after Hayley and Jeff to steal the money. When they refuse, Roger begins to repeat the annoying noise; “Myah!”. The couple embark on a cross-country trip in an effort to escape Roger, only to find he somehow catches up to the two every time. Hayley finally surrenders when Roger corners them at the Great Wall of China, however it becomes apparent that Hayley and Jeff have used all the money already, in their attempts to get away from Roger.

Image result for american dad best little horror houseBEST LITTLE HORROR HOUSE IN LANGLEY FALLS: After years of hosting the scariest haunted house in the neighborhood, Stan finds himself outdone by a former design and development specialist for Disney theme parks named Buckle (first seen in An Apocalypse to Remember). Francine makes things worse when she finds herself returning with wet pants and declares that it is impossible to beat him. Depressed, Stan goes to Roger for advice and Roger suggests he use his CIA influence to get real body parts and instruments. Stan decides to pull in five of the most dangerous serial murderers in the area. However, the killers sitting in their cell fails to scare anyone so Roger decides to turn them loose, forcing Stan, Francine, Roger and Klaus to take cover in the kitchen. Meanwhile, Steve and his friends take Akiko trick-or-treating while a frustrated Toshi refuses to take up the samurai costume his mother got for him. Toshi eventually does wear the outfit, only to chase down Steve when he fails to hold a promise with him. After Steve defuses the situation, Toshi leaves him alone and instead takes out his rage by brutally murdering the five serial killers after they chase Stan, Francine and Roger out their house all the way to an abandoned factory. Roger brings home one of their severed heads as a souvenir.

THERE WILL BE BAD BLOOD: The Smiths prepare for the arrival of Stan’s half-brother, Rusty’s (Lou Diamond Phillips) family for Thanksgiving. However, it gets subdued because of Steve’s brattiness following Hayley and Jeff’s eloping. They decide to go to Rusty’s to see what their home is like. However, it is revealed that Rusty is rich after discovering copper from a land given from his grandfather (Ed Asner). The Smiths try to pull the old switcheroo on Rusty, resulting in getting trapped in the desert. However, they are saved by Hayley and Jeff. In the end, Stan lets Hayley and Jeff move into their home after what they’d done.

THE PEOPLE VS MARTIN SUGAR: Stan Smith anxiously awaits his annual jury summons. But when Roger is the defendant in the trial where Stan is the foreman, he is finally in a position to make Roger accountable for his misdeeds. Roger gets the last laugh when he escapes from prison. Meanwhile, Jeff and Hayley move in with the Smiths, and Francine tries (and fails) to get Jeff to clean up his act due to him needing to be stoned in order to keep his libido in check.

FOR WHOM THE SLEIGH BELL TOLLS: Stan gives Steve a gun for Christmas, even though Francine warns him that Steve is too young. After Steve accidentally shoots Santa, he sends the North Pole into a tizzy and jeopardizes Christmas, triggering a massive gunfight between the Smiths themselves and all the elfs and reindeer from the North Pole with Santa Claus himself leading the charge.

STANNY BOY AND FRANTASTIC: Finding that they have no friends that like the both of them, Stan and Francine steal tickets to a show from Hayley and unintentionally make friends with a younger couple. Soon, their (highly dangerous) life style proves too much for Stan and Francine; they sabotage their birth control products to force them into being less active. However, this causes the couple to break up and reconcile their differences once Stan and Francine reveal the truth to them, losing their friends.

A PINATA NAMED DESIRE: Roger asks Stan to attend an acting class, but tempers flare when they audition for the same role, which Hayley believes is underlying sexual tension between the two. Meanwhile, Steve and his friends have their last slumber party as kids.I AM THE WALRUS: Steve challenges Stan for dominance, with Stan winning as he does the one thing Steve will never have. Meanwhile, Jeff and Hayley try marriage counseling — and end up being held hostage by Principal Lewis.

SCHOOL TIES: Stan arranges a plan to get a raise through a favor of U.S Senator Buckingham (Burt Reynolds). The first part of his plan is to send Steve to the private school where Buckingham’s daughter, Cookie, goes to (though Steve refuses to go, so Stan uses Roger). The second part is to meet Buckingham there and talks him into playing golf with him. Stan gets his favor, but then he is enraged that Roger sold Cookie to drug dealers, while they were high on Cocaine. He gets her back, and he takes her back to Buckingham’s house for dinner, even though Buckingham knew about Cookie’s drug issue. Meanwhile, Steve is out of school because of an Asbestos outbreak, and after refusing to go to the private school, he joins a gang of Spanish thugs. He is arrested for robbing a pharmacy, prompting Stan to use his favor to release him from jail. However, this causes Stan to frame a student from the private school for the armed robbery. He is seen riding away with John Q. Mind (Randy Spears) to have further adventures.

JENNY FROMDABLOC: Steve tries to cheer up Snot after Hayley rejects him — so he convinces Roger to dress up in his best teenage girl persona and give Snot some confidence back. However, when Roger starts dating Snot under his new persona he starts to take the relationship too far which leaves Steve extremely disturbed and Snot becoming egotistic about finding love before his friends did. Meanwhile, Stan tries to live like a man of the 1960s by making Francine serve him martinis after work, despite that Stan can’t hold his liquor.

This season is honestly one of the funniest and entertaining I’ve seen!! The writers managed to find the perfect balance so that each character got their fair share of screen-time.

American Dad  the animated series that follows staunch GOP supporter and CIA agent Stan Smith (Seth MacFarlane) and the misadventures of his unconventional family in Langley Falls, VA, returns for a hilarious eighth volume. In this volume the highlights are.

HURRICANE!: Stan tries to protect his family from a hurricane that’s hitting Langley Falls, but every increasingly poor decision Stan makes endangers the family more than the actual storm.

THE WORST STAN: When Stan realizes that he might never fulfill his dream of becoming a best man, he convinces his last single friend, Principal Lewis to marry the school’s Superintendent (played by guest star Anjelica Huston) and to choose him as his Best Man. Stan invites Lewis’ old friend from prison to the wedding only to discover a secret that could prevent the wedding from happening at all. Meanwhile, Roger finds the perfect pair of shorts in a strange room inside a Ross Discount Clothing Store and vacations in Miami, where he meets Latin pop singer Ricky Martin.

VIRTUAL IN-STANITY: After discovering that he has never been there for Steve while growing up, Stan decides to use the CIA’s avatar system to pose as a hot, blond teenage girl — whom Steve plans to have sex with at the school dance. Meanwhile, Roger starts his own limo service, and when a group of frat boys “drive and dash,” he goes on a manhunt to get his revenge.

THE SCARLET GETTER: When Stan runs into his former crush from CIA boot camp, his affection for her resurfaces, which drives Francine into a jealous frenzy. Francine convinces Roger to take up his best bachelor persona to try and separate the two. It works, until Stan discovers that Scarlett (his former crush) is actually the best alien hunter in the CIA who knew Stan was harboring Roger. Meanwhile, Steve (in a rush to get dressed for school) slips on Hayley’s panties and is stricken with good luck — until Snot takes them away to satiate his obsession for Steve’s sister. When Steve accidentally reveals to Hayley that Snot has her panties, she breaks into Snot’s bathroom and brutally beats him up to steal them back.

SEASON’S BEATINGS: In this year’s Christmas episode, Stan finds himself excommunicated from Christianity after news hits that he beat up Jesus (or rather, Roger dressed up as Jesus) during the town’s Christmas pageant. Meanwhile, Hayley and Jeff adopt a child who may be the spawn of Satan.

THE UNBRAVE ONE: After being branded a coward by Stan for not helping him during a movie theater fight, Steve takes Roger’s advice and dresses up as a superhero, but the plan goes pearshape when Roger is the one who reveals that he’s Langley Falls’ local crimefighter. Meanwhile, Francine worries over being pregnant and gets dubious advice from an Internet physician known as “Dr. Vadgers.”

STANNY TENDERGRASS: Stan puts Steve to work at the Harvercamp country club as a groundskeeper to show him the true meaning of hard work. Steve then discovers the owner of the club, Mr. Vanderhill, is actually one of Roger’s personas and also the only one Stan can’t see through. Meanwhile, Francine — with Klaus’s help — tries to come up with a memorable catchphrase. Their final result is “Looks like things are getting too spicy for the pepper!”

OLD STAN IN THE MOUNTAIN: While waiting in line behind an old man to get hiking equipment for a trip with Steve and Hayley up Mount Kiliminjaro, Stan begins rudely insulting an elderly man in a wheelchair. The man, visibly angered, utters a latin hex that curses Stan to live as an old man. Unable to cope with the lifestyle of the elderly, Stan goes to drastic measures to reverse the hex. Meanwhile, Roger takes Francine on a road trip to a dance competition — which turns out to be a plot involving a dead redhead, Roger’s tenacious desire to have an authentic red wig and one of his old personas. Francine reaches a breaking point.

THE WRESTLER: When Barry threatens Stan’s old high school wrestling record, Stan enlists Roger to beat Barry and defend his small claim to fame. However, Stan is caught off-guard when Roger (under the persona of a fake Russian wrestler named Demitri Krotchliknioff) turns out to be the threat to Stan’s high school record. The two promptly duel for 10 days on the wrestling mat. Eventually Francine shows up and reveals she talked Roger into breaking Stan’s record to prove a point to Stan.

RICKY SPANISH: While going through his costumes in the closet, Roger finds the costume of the worst persona he’s ever done: Ricky Spanish. Meanwhile, Stan and Francine’s sponsored child from Africa comes to visit them and eventually drives them mad.

This is a great product. Much like the other 7 series of American dad the 8th is funny, outrageous and above all highly entertaining. Its a great buy for any American Dad or family Guy fan.

Take a “Stan” against boring, bipartisan comedy with this all-new collection of hilarious American Dad! episodes from the infinitely creative minds of Mike Barker, Matt Weitzman and Family Guy creator Seth MacFarlane.The Highlights this volume are.

LOVE, AD STYLE: Roger develops a crush on Hayley after he recruits her as the main entertainer in his new crooner’s bar, and ends up kidnapping her when she tells him that she cannot be in love with him because she is already married. Meanwhile, Stan (once again) tries to prove his manhood by negotiating a good price for an SUV he wants, and tries to sell his black SUV to get money for the new one.

KILLER VACATION: The Smith’s family’s tropical vacation turns out to be anything but relaxing when Stan is assigned a mission to kill the activities director at their resort, whom his boss at the CIA insists is an ex-war criminal. Meanwhile, Hayley and Jeff try to revive their dead sex life and meet a swinger couple, Steve joins a British boy (guest star Rupert Grint) to find a nude beach, and Roger (posing as an old widow) falls for an old widower.

AMERICAN STEPDAD: Stan invites his mother to come live with the family after Stan’s stepfather, Hercules, dies, and tensions rise when Roger is forced to share his attic with her. But Roger and Stan’s mom quickly fall in love and get married, and Stan is forced to deal with Roger as his new stepdad, which goes very well once Roger actually makes fatherly advice to Stan. Meanwhile, Steve and his friends discover a mysterious plane crash while on a bike ride and come across a long-lost script of a Fast and the Furious sequel that reveals a shocking truth about the entire series.

WHY CAN’T WE BE FRIENDS?: Stan decides that Snot is not cool enough to be Steve’s friend, so he attempts to separate them by staging a shooting at an ice cream parlor, of which Snot is the only witness and is then placed in the CIA Witness Protection program. Meanwhile, Roger hires Jeff to clean his attic for extra cash, but keeps robbing him every time he goes back to Hayley’s room.

ADVENTURES IN HAYLEYSITTING: The Smith family’s regular babysitter, Lindsay, breaks her leg in a soccer match, so Stan and Francine are forced to leave Steve with Hayley, despite her track record of being extremely irresponsible. When Hayley teases Steve about being a dweeb, Steve is determined to prove her wrong and sneaks out of the house to go to a party with the cool kids.

NATIONAL TREASURE 4 – BABY FRANNY: SHE’S DOING WELL – THE HOLE STORY: When Greg and Terry’s new talk show does a news story on the 35th anniversary of the rescue of “Baby Franny”, Francine begins to feel guilty over wasting her life while the fireman who rescued her from a well died in her place. Meanwhile, Stan and Roger team up with Toshi’s dad Mr. Hideki Yoshida to invent and market sexy shoes for male strippers. However, the deal sours when Hideki double-crosses Stan and Roger and keeps all the royalties for their creation to himself.

BLOOD CRIETH UNTO HEAVEN: In this parody of the Pulitzer Prize-winning stage play “August: Osage County,” Francine throws a birthday party for Stan, which brings back bad memories of when his father abandoned him. Meanwhile, Roger (playing a black maid named Edna) kills off the love child had between Avery Bullock and Hayley.

MAX JETS: A waitress gets her claws on Roger’s philanthropic character Max Jets, who’s just gotten out of prison and is helping the Smiths with their financial woes.

FOR BLACK EYES ONLY: In this follow-up to season four’s James Bond parody “Tearjerker,” Sexpun T’Come (Francine) is shot and killed by Black Villain (Principal Lewis). Stan must now team up with Tearjerker (Roger) to stop Black Villain’s plan to melt the Arctic glaciers, even if going through a clone of Sexpun T’Come, who is black instead of white.

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THE MISSING KINK: Unsatisfied with missionary sex, Francine finds out she has a spanking fetish when Stan tries to punish Steve. Meanwhile, Hayley tries to move on from Jeff being sent into outer space and agrees to go out on a date with Snot.

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LOST IN SPACE: Months after the events on “Naked to the Limit, One More Time,” Jeff—still on a spaceship owned by Roger’s race of aliens that was originally intended to return Roger back to his birth planet—must prove to the emperor (voiced by Michael McKean) of the alien spaceship that he’s truly in love with Hayley so as to get back to Earth.Image result for american dad LOST IN SPACEThe continuity of excellent, boundary pushing, controversial comedy from the warped mind of Seth MacFarlane and his team is absolutely fantastic. Huge fan of all MacFarlane comedy. Helps to lift your mood on your “down days”.

REVIEW: THE CAVE

CAST

Cole Hauser (The Lizzie Borden Chronicles)
Eddie Cibrian (Ugly Betty)
Morris Chestnut (V)
Lena Headey (Game of Thrones)
Rick Ravenello (True Justice)
Daniel Dae Kim (Lost)

The film begins deep in the Carpathian Mountains of Romania during the Cold War, where a group of Russian and British explorers are searching for a long-lost 13th-century Eastern Orthodox abbey. As they venture inside and below the church, they make a startling discovery: the abbey is built over the entrance to a vast subterranean cave system. When they try to blast their way in, they cause a landslide that buries the abbey and the men are trapped in the cave below it. Once they recover, they continue on into the cave without a choice in hopes of finding a way out, but as they do, they hear strange sounds coming from the darkness.

Thirty years later, a team of archeologists are excavating the ruins of the same abbey, where they unearth images of a medieval battle between the Knights Templar and winged demons, and discover the cave system with its massive underground river. The team is led by Dr. Nicolai (Marcel Iureş) and his associate Katheryn Jannings (Lena Headey), along with her cameraman Alex Kim (Daniel Dae Kim). Local biologists believe the cave could contain an undiscovered ecosystem, so they hire a group of American spelunkers led by Jack McAllister (Cole Hauser) and his brother Tyler (Eddie Cibrian) to help them investigate its unknown depths. Jack and Tyler are thrill-seeking professional cave explorers who run a world famous team of divers. They arrive in Romania with the latest equipment, including a modified rebreather system allowing a diver to remain submerged for up to 24 hours. The diving team includes rock-climbing professional Charlie (Piper Perabo), first scout Briggs (Rick Ravanello), sonar expert Strode (Kieran Darcy-Smith) and survival expert Top Buchanan (Morris Chestnut).

As they begin the expedition, Briggs is sent to scout and when contact is lost they decide to press on in the likelihood that it’s simply an equipment malfunction. After the group finds him safely downriver, Strode is suddenly attacked and dragged away by a large, unknown creature. His water scooter explodes and causes a cave-in, forcing them to follow the river and search for a new way out. Katheryn and Nicolai discover a strange parasite in all of the lifeforms they find. Unlike all the known cave species which have simply adapted over the generations to life underground, Katheryn believes this new parasite originated in the cave environment and has never been exposed to the outside world. As they progress the team occasionally stumble across scattered equipment and remains of previous explorers, and are unaware they are being stalked by the creatures.

They descend through a series of rapids, where Nicolai is attacked and Jack goes after him. Nicolai is dragged into a crevice but Jack breaks free, injured, after seeing letters clearly tattooed on one of the creatures. Jack also begins to exhibit a transformation of his senses, and physical features. When Jack tells them they must go up again to get out, Charlie scales the wall and is attacked by a creature hidden in the passage above. She nearly drops to her death, but recovers, before the man-size winged creature guts her and kills her on the cliff face in full view of the team. Jack’s transformations are beginning to show with his super-keen senses and inhumanly slanted pupils. Katheryn speculates that Jack, the previous explorers, and all the rest of creatures mutated because of the parasite. In the case of humans, they resemble demons. As they see Jack changing they suspect his motives and his judgement and the team splits up. Alex, Briggs, and Katheryn decide to go their own way but Top and Tyler stay with Jack.
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Jack, Top and Tyler discover a cavern littered with human skeletons and realize that this is the ancient battleground depicted in the abbey above, which sealed the cave to prevent the creatures from escaping. After they see daylight through the underwater passage ahead, Tyler goes back to find the others, but Briggs dies defending Katheryn and Alex, while the creatures enter the cavern and steal the rebreathers necessary to navigate the passage. Alex is killed before they can get in the water, but Tyler, Katheryn and Top escape while Jack stays behind to hold off the creatures.
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The three survivors return to civilization, and Top goes his own way. Tyler asks Katheryn if Jack could have survived out in the open. She is quiet a moment then says she had thought that the parasite could only survive underground, but now she is uncertain and thinks that it wants to get out. She bends down to kiss him, looking over the rim of her sunglasses revealing pupils like Jack’s as she has begun to mutate. As Katheryn suddenly gets up and walks away, Tyler realizes that Katheryn knows she is infected with the parasite and intends to remain free, able to infect others. He runs after her frantically, but she disappears in the crowd.

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Its very much a psychological horror, with some very good twists in it, the best one being kept till the end of the film!.  Its not the greatest film but is done really well it will pass 2 hours very nicely

REVIEW: BONES – SEASON 1-10

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MAIN CAST

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Enchanted)
T.J. Thyne (Ghost World)
Eric Millegan (The Phobic)
Jonathan Adams (Castle)
Tamara Taylor (Serenity)
John Francis Daley (Waiting…)
John Boyd (Argo)

RECURRING / NOTABLE GUEST STARS

Larry Poindexter (Blade: The Series)
Tyrees Allen (Robocop)
Bonita Friedericy (Chuck)
Chris Conner (Walk of Shame)
Anne Dudek (White Chicks)
Heavy D (The Cider House Rules)
Toby Hemingway (The Finder)
Alex Carter (Out of Time)
Bokeem Woodbine (Spider-Man: Homecoming)
Morris Chestnut (Kick-Ass 2)
Rachelle Lefevre (Twilight)
Michael Mantell (Angel)
Jeffrey Nordling (Arrow)
David Starzyk (Veronica Mars)
Heath Freeman (Nancy Drew)
John M. Jackson (JAG)
Josh Hopkins (Cold Case)
Leonard Roberts (Agent Carter)
Rachel Miner (The Butterfly Effect 3)
Alicia Coppola (Bull)
Jim Ortlieb (Roswell)
Billy Gibbons (Two and a Half Men)
Ty Panitz (Because I Said So)
Harry Groener (Buffy)
Michael B. Silver (I Am Sam)
Penny Marshall (The Simpsons)
Suzanne Cryer (Two Guys and a Girl)
Lawrence Pressman (Dark Angel)
Jaime Ray Newman (Bates Motel)
Zeljko Ivanek (Heroes)
Judith Hoag (Teenage Mutant Ninja Turtles)
Ivar Brogger (Andromeda)
Josh Keaton (Transformers Prime)
Adriana DeMeo (Killer Movie)
Robert LaSardo (Nip/Tuck)
Jose Pablo Cantillo (Standoff)
Emilio Rivera (Renegade)
Michael Bowen (Lost)
Adam Baldwin (Firefly)
David Denman (Power Rangers)
Brian Gross (2 Broke Girls)
James Parks (Kill Bill)
Robert Foxworth (Evil Beneath Loch Ness)
Rodney Rowland (Veronica Mars)
Cullen Douglas (Agents of Shield)
Michelle Hurd (Jessica Jones)
Patricia Belcher (Mike & Molly)
Giancarlo Esposito (Son of Batman)
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Carlos Lacamara (Heroes Reborn)
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Alex Winter (Waynes World)
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Stephen Fry (The Hobbit 2 & 3)
Ernie Hudson (Ghostbusters)
James Hong (The Big Bang Theory)
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George Coe (The Entity)
Johnny Lewis (Felon)
Ryan O’Neal (Love Story)
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David Gallagher (7th Heaven)
Bruce Thomas (Legally Blonde)
Blake Shields (Heroes)
Jonathan LaPaglia (Seven Days)
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Eric Lange (Lost)
Brendan Fehr (Roswell)
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Ryan Cartwright (Alphas)
Mageina Tovah (Spider-Man 2 & 3)
Andy Ritcher (Arrested Development)
Stephen Lee (The Negotiator)
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Josie Davis (Sonny)
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Bones very quickly garnered rave reviews and amassed a loyal following. Bones is loosely inspired by real life forensic anthropologist and author Kathy Reichs. This funny, clever, sometimes gross, and totally addictive crime drama centers around forensic anthropologist Dr. Temperence Brennan (Emily Deschanel), who toils out of the Jeffersonian Institution and, on the side, writes mysteries starring her fictional heroine (and here’s the twist) Kathy Reichs. Because Brennan has an almost supernatural ability to generate accurate assumptions based on her examination of the corpse’s bones, she is often consulted by the FBI on difficult, seemingly unsolvable cases. She is frequently partnered by brash wiseacre FBI Special Agent Seely Booth (David Boreanaz), who seems to hold a bias against science and those who practice in that field. It’s Booth who breezily saddles Brennan with the nickname “Bones.” Naturally intuitive and freewheeling, Booth immediately is at odds with the clinically analytical Brennan. But, despite their personality clashes, and with the aid of Brennan’s gifted and quirky colleagues, the cases do get solved.

It’s no great secret that the palpable chemistry between Deschanel and Boreanaz is what actually propels the show and is what separates it from the other, more formulaic, dispassionate crime dramas. Every week, fans tune in for the leads’ deliciously caustic banter more so than for the weekly dose of mystery. You see, the mystery jones can be fixed by viewing any other one of the gazillion forensic dramas so currently prevalent on the airwaves. So the mystery is basically the MacGuffin that drives the show forward. But the cantankerous chemistry – that palpable “something” between the two leads as they hilariously bicker and wrangle – is definitely unique to this show.
Emily Deschanel is a find. I haven’t seen her before but she’s awfully good and ingratiating enough with her acerbic character. She imbues Brennan with a cooly detached yet vulnerable and lonely quality that intrigues and endears her to the fans. Her social awkwardness and pop culture ignorance are also quite charming. It’s pretty funny that a mention made regarding a pop culture reference almost always elicits a response of “I don’t know what that means” from the clueless Bones. And, of course, her expertise in the martial arts doesn’t detract from her allure.

And David Boreanaz. Yeah, I found it difficult going, at first, watching him in a new role, seeing as how I’m a fan of Buffy and Angel. But it helps that Booth isn’t much like our vampire with a soul. This ex-Army Ranger Special Agent is breezy, personable, and outgoing, not brooding, tortured, and introspective like Angelus. So, the transition, while disconcerting for me, was ultimately smooth enough. Boreanaz brings such command, self-assurance and charm to his character that I bought into it soon enough.
My favorite episodes are the pilot episode, where we are introduced to the cast; “The Man in the Fallout Shelter” – the team is quarantied together in the Jeffersonian during Christmas and we learn personal stuff about the characters; “Two Bodies in the Lab” – character development galore in this episode as Brennan dates on-line and is targeted while she works on two cases; “The Superhero in the Alley” – a decomposed body is found wearing a superhero costume; and “The Woman in Limbo” – a gripping, emotional season finale as Brennan discovers shocking facts about her parents.

The start of the season sees a new boss, Cam, arrive at the Institute. Not only is she very hands on, she is a former love of Booth, and Tempe and Cam do not hit it off in the early episodes. The new character is well written and softens as the season progresses until it is hard to imagine the team without her input. Meantime Zac undergoes a make-over in order to secure a permanent place on the staff once he gains his doctorate, and Hodkins and Angela begin a tentative office romance.
Booth and Brennan continue to spar verbally with each other and some of their exchanges will have you laughing out loud. When a fellow agent, Sully, begins a relationship with Tempe, Booth’s feelings are confused – but as is observed, Tempe “is rubbish at being a girl” and her own complicated life does not bode well for a permanent relationship. Tempe continues to put her foot in it socially, particularly when a case involves Booth’s Catholic religion.

Among the classy episodes are ‘The Girl with the Curl’ about child beauty Queens, (with a wonderful scene of Tempe trying to talk to a group of 8 year olds at a dance class!), ‘Aliens in a Spaceship’ which has Tempe and Hodgkins buried alive by a serial killer, and ‘The Headless Witch in the Woods’ which has more than a nod to The Blair Witch Project. Guest stars this season include Stephen Fry as a laid back, insightful Psychiatrist whom Booth must see after he shoots an ice cream van, and Ryan O’Neal as Tempe’s estranged and mysterious father whose elusive character comes into his own when Booth is targetted by the Mob. And, once again, Angela’s instantly recognisable father – from ZZ Top – pops up!

BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers’ strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3’s first episode (“The Widow’s Son in the Windshield”) opens up, we learn that Bones has been reluctant to go in the field with Booth and she won’t say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences.

Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2’s finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela’s search for her long-time but vaguely remembered husband. “The Secret of the Soil” introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI’s concern due to Booth having arrested Bones’ father. These sessions are generally funny stuff as, mostly, Booth can’t help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth.

I’ve a couple of Season 3 favorites. “The Widow’s Son in the Windshield” introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. “Mummy in the Maze” is a very neat Halloween show, wherein Booth’s shameful phobia is unveiled and Bones’s costume is…simply awesome. “The Knight on the Grid” is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And “The Santa in the Slush” is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. “The Baby in the Bough” has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, “The Wannabe in the Weeds” (in which Zach and Bones both sing) and “The Pain in the Heart” are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of “The Wannabe in the Weeds” should’ve been developed further in “The Pain in the Heart.” In fact, “The Pain in the Heart” – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans.
The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric “thing” between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance “Bones” Brennan. And while her character might’ve loosened up a little bit (not too much), there’s still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he’s just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in “The Santa in the Slush” is one of the best, most touching scenes of the season.

World-renowned forensic anthropologist Temperance “Bones” Brennan is as brusque and tactless as ever, as confounded by the subtleties of social decorum as ever (or as Sweets exclaims: “She is wicked literal!”). Bones is still very much that intimidating icy intellect, still a wounded soul, and still solving murders. FBI Special Agent Seeley Booth is still the one with the people skills and that well-developed bump of intuition. More onions are peeled in this season as we learn even more about the underpinnings of our core characters. The absolute big draw of this show is that sizzle between David Boreanaz and Emily Deschanel, their fabulous interplay tantalizing and frustrating the viewers. Could this be the season that they get together? Well, kind of, sort of. Taking what the show is giving, I wallow in their ever evolving relationship.

Staying on the personal, Hodgins and Angela are trying to move past their break-up. “The Skull in the Sculpture” demonstrates that Angela is more ready to move on than Hodgins, and if you thought Angela was a free spirit before, well, now… This episode also has Sweets demonstrating the best way ever to fire someone. Young FBI psychologist Lance Sweets, by the way, becomes a regular cast member in this season, and I like him more and more as each episode progresses, even if Booth and Bones continually treat him like a pesky little brother. Even Dr. Saroyan’s past is delved into.

Zack Addy, apprentice to the Gormagon Killer, has been institutionalized, which doesn’t keep him from strolling out to help the squints on a baffling case. Still, this gives rise to a running theme, that of the rotating roster of interns as Saroyan and Bones attempt to fill Zack’s spot, and the fun thing is that each of these interns comes with baggage. There’s the morbid one, the excessively chirpy one, the one constantly dispensing trivia, etc. The most martyred one may well be that repressed intern who insists on keeping things professional at all times – except that, the squints being a tight bunch, he keeps getting exposed to a deluge of innuendo and gossip in the workplace.

There isn’t really a running mystery arc to tie these episodes together – no one like the Gormagon Killer running around, for example. But that doesn’t mean that the cases aren’t gripping; some of them are really interesting. The season opens with “Yanks in the U.K.”  which plants Brennan and Booth in jolly old England, investigating a murder and running into a British version of themselves. In “The Passenger in the Oven” Bones and Booth are on a flight bound to China and have only four hours to solve a murder before the plane lands and Booth loses jurisdiction. “Double Trouble in the Panhandle” has Booth and Bones infiltrating the Big Top as “Buck & Wanda and their Knives of Death,” and their circus act is actually fraught with more suspense than in just about any other scene in this season.

Some other favorites? In “The Double Death of the Dearly Departed,” Bones and Booth steal a corpse due for cremation from a funeral home, Bones believing that the body had been “translated,” which is Booth’s made-up code for murder. “Mayhem on a Cross” unveils some dark stuff about Sweets’ past, this episode also featuring the return of the awesome Stephen Fry as FBI shrink Gordon Gordon Wyatt. It also had me cracking up whenever Bones insisted on correctly pronouncing “skalle” (the Norwegian word for “skull”). “The Hero in the Hold” features the return of the Grave Digger serial killer. “The Princess and the Pear” plonks Bones and Booth’s temp replacement in the world of comic book conventions, and Bones finally gets another chance to flash her martial arts mojo.
Image result for bones the critic in the cabernetIn “The Critic in the Cabernet” Bones drops a bomb on Booth and Booth gets advice from a cartoon character, a frivolous conceit which goes on to have a terrifying payoff. Finally Season 4 closes with a quirky fantasy episode featuring a re-shuffling of roles. In this reality, Dr. Saroyan and Booth’s brother are homicide detectives and Booth and Bones are a married couple who run a nightclub and who end up as suspects in a murder case. It’s neat that just about everyone is in this one.

At the beginning of the fifth season of the wildly popular forensic drama “Bones,” many viewers tuned in trepidatiously after the spectacularly strange fourth season finale. Thankfully, all fears were allayed and relieved when the fifth season kicked into high gear in the very first episode and maintained that pace throughout the season; “Bones”‘ fifth season is perhaps its greatest yet.
The one thing that has always set “Bones” apart from the countless other procedurals on the airwaves right now is the focus on the characters solving the crimes rather than the crimes themselves, and the strength of this approach shines through brilliantly in every episode of this season.
David Boreanaz and Emily Deschanel return to the roles of Booth and Bones and deliver their strongest performances yet as each character is shaken to their core. As Booth struggles to regain his sense of self, he has to confront the knowledge of his feelings for his partner, while Bones herself goes through a whirlwind of emotion as the emotional barriers she has erected around her heart begin to crumble down, leaving her questioning not only herself but her relationship with Booth as well as her work at the Jeffersonian itself. The tension between the two has never been more delicious or more addictive, and both lead actors knock their roles absolutely out of the park.
But while the relationship between Booth and Brennan becomes increasingly more complex, the wonderful supporting cast of engaging characters at the Jeffersonian keep the show moving along briskly and lightly. Cam (Tamara Taylor) must run the lab while dealing with the challenge of being a good mother, guiding the team effectively toward each conclusion; Sweets (John Francis Daley) continues to provide invaluable insight into the minds of the team; Angela (Michaela Conlin) remains the emotional heart and soul of the team as she opens her heart to love’s possibilities; and Hodgins (TJ Thyne) struggles with his feelings for Angela as he returns to his abrasive, loveable self.

The cases themselves have regained a fascinating light as the mysteries the team confronts become more complex, and the special effects department has outdone themselves in the gore and goop department this year as Booth and Bones investigate some of the most gruesome crime scenes in history, all moved along by the brisk black humor the show excels at; the team investigates a possible secret agent locked in a truck for days, a would-be rocker torn to pieces by an industrial washer/dryer, a gamer literally melted in a vat of fast-food grease, and a dozen more cheerfully disgusting cases where the outcomes of the mysteries hold the power to shock and surprise the audience; the writers have once again caught the perfect balance between the whodunnit and the drama to craft a truly unique show. But it’s not merely the cases that hold the viewers’ attention this season; season five is full of true powerhouse episodes: heartbreaking cases like “The Plain in the Prodigy”; darkly comical shows like “The Beautiful Day in the Neighborhood”; truly shocking mysteries like “The Proof in the Pudding,”; and even a historically fascinating case written by the author of the original Temperance Brennan novels Kathy Reichs herself (“The Witch in the Wardrobe”) — however, all of these merely lead up to the three knockout moments of the season:
In the fifth season, “Bones” reaches its 100th episode, “The Parts in the Sum of the Whole.” Likely the most beloved and most contested episode in the show’s history, the 100th episode completely redefined Booth and Brennan’s relationship as it showed the viewers the pair’s first meeting, something never before revealed, and circles around to one of the most hearbreaking and yet most powerfully hopeful moments of the series. “Parts” was also directed by David Boreanaz, one of the series’ leads, and the sheer emotion wrung out of Boreanaz and Deschanel by the end speaks volumes to the talent of the show’s leads.
As the series continues, however, the characters were shocked to their cores as they were forced to come face-to-face with their most terrifying adversary yet: the cunningly frightening sociopath dubbed The Gravedigger, in “The Boy with the Answer,” a nail-bitingly tense hour of television that had viewers’ hearts pounding as Heather Taffet, the Gravedigger, proved that her true arena was the courtroom, tearing apart her victims and throwing the entire future of Brennan’s life into question.
This only segues into the season’s amazingly dramatic finale, “The Beginning in the End.” As the team investigates the home of a hoarder, Bones questions what she truly wants to do with her life, Booth’s past comes calling, and Angela’s father blows back into town, all leading to a truly shocking season ender, a masterful finale that not only redefined the very foundations of the show and the characters but also continued to set the show on a rising point, ensuring that every faithful viewer of “Bones” will be frantically waiting for the sixth season to premiere in the fall.

To resuscitate a dead team out of their scattered disappearance is not an easy task. Luckily the DA in Washington DC is a powerful woman, stubborn and resolute, and she generally gets what she wants. So she brought Agent Booth back from Afghanistan, and Temperance Brennan, aka Bones, from the exotic place where she was trying to get some archaeologically interesting bones with Daisy, Dr Sweet’s girl friend, and Dr Sweet from his hideout somewhere in Paris where he was having a showbiz career as a cabaret singer. They all come back, change clothes and back in the business in a jiffy. Angela and Dr Hodgins are also back though from not so far away and Angela is pregnant.
As usual one case per episode, clean and neat, always dealing with a lot of bones, gross and dirty, soaked in a lot of decomposed muck with a tremendous number of maggots, worms and other corpse parasites. A series not to watch while eating anything more delicate than dry cookies.
Angela and Dr Hodgins have a full plate with the pregnancy and the delivery of the baby. For them that’s enough and that will require some help from a friendly psychiatrist because it is hard for the father not to become overprotective and it is hard for the mother to accept the physical handicap this pregnancy may represent. Yet they decided that working with the people they are used to work and live with was the best thing for the pregnancy, the mother and the child. Angela was not alone at any moment of her days or nights.
Agent Booth brought a journalist back from Afghanistan, a sort of love substitute for Temperance. But will that not cause some problems, like conflicting interests between the two professions? And Booth with his own son is already very busy in life. Will that new woman in the picture be able to cope with a child, what’s more the child of another woman? And the question of marriage will come up sooner or later and how are the two going to react to that eventuality? Probably not very well, maybe not too bad. A decision that is always difficult to take for someone who is constantly in the field of police investigation and for a journalist just back from a war zone.

You have the interns still rotating, the four of them. They are the surprise of each episode because they are so different and they can be so funny, though at times they are just funny for us because they are mismatched with what is happening around them, but that’s what interns are all about. Unluckily one will end up very badly. That’s not the first case, but so far none had ended up that badly. But a song will carry him through: lime and coconut, sung in a chorus all together, mellow and heart stirring.
There will be a case that will run over the whole season, the case of a sniper who had been a colleague and friend of Booth in Afghanistan and who came back slightly berserk and decided that what he did over there was good enough for the USA too and he started killing those who were rotten, and those who were in his way for his type of justice and these were only collateral victims for him, hence justified by the end. It will take the whole team to stop him and it will bring a lot of suffering and even mourning to that team.

This refreshingly different season of Bones is gearing up to be one of the series’ best! It is just the reinvigoration the show needed! Life has changed at the Jeffersonian since we last saw our favorite crime-solvers. After last season’s pregnancy bombshell of an ender, we pick up with forensic anthropologist Dr. Temperance Brennan entering her third trimester, hormones all over the place as she bumbles in that adorable way that only Brennan can into the frightening role of motherhood. As always, her partner FBI Agent Seeley Booth is there by her side, more loving and more happy than we’ve ever seen him.

I think David Boreanaz and Emily Deschanel slipped into this new relationship quite easily. What’s great is that not a lot has changed, and yet, everythinghas. They live together, they’re planning on buying a house, they kiss and cuddle on the couch and Booth croons to Brennan’s belly in the cutest baby voice you will ever hear… and yet, they’re still “Booth and Bones”. They still solve murders. They still bicker good-naturedly over everything under the sun.

They banter. They get overprotective. They make mistakes- and own up to them after. They’re like any new couple expecting a child. But are they normal? Far from it, because at its core, Bones is still the same show: a journey of love between two very different people… one a woman who views the world through utmost rationalism and who is still learning how to open her heart; the other a man who relies on instincts and gut feeling to do his job, and who lets faith and emotion drive his personal life. Both coming from traumatic pasts and both craving a new beginning.That, and the other characters are still as charming and as “comedic gold” as ever. Hodgins and Angela’s baby situation juxtaposes nicely with Booth and Brennan’s, Cam struggles with keeping the workplace professional, there’s a new intern, a new recurring villain, and other familiar faces return.

The end of the seventh season of “Bones” left Bones on the run with her infant child after being framed for murder by the highly skilled serial killer Christopher Pelant. The opening of the eighth season finds Booth and her colleagues at the Jeffersonian Institute trying to clear her name. Fortunately for the series, they succeed, although Pelant eludes justice to pose a future threat. This eighth season continues to feature crime-of-the-week murders for Bones, Booth, and the Jeffersonian lab rats to solve through clever forensics and Booth’s old-fashioned police work. One of the most interesting episodes is told through the eyes of the murder victim, with the assistance of a psychic (a well-cast Cindy Lauper). Another standout episode involves a group effort to resolve a cold case whose victim turns out to be a forgotten hero of the 9/11 attack on the Pentagon.

Outside the lab, Bones has an uncomfortable but touching period of readjustment to living with Booth, after her time on the run. Her changed perspective will lead to some of the most interesting conversations as she and Booth commute to crime scenes. Just to complicate things, staff psychiatrist Dr. Sweets will temporarily move in with the couple right after he breaks up with girlfriend Daisy, a technician in the lab. Series regulars Angela and Hodgins will have their own challenges as working parents. The continuing parade of interns through the Jeffersonian crime lab will feature in several episodes, and one of them will become a surprising emotional complication for Dr. Saroyan. Christopher Pelant will return to menace the team in a gut-wrenching season finale.

“Bones” returns for a welcome ninth season with its core cast, clever plots, and sense of humor intact. Forensic anthropologist Dr. Temperance “Bones” Brennan and her crack team of specialists at the Jeffersonian Institute continue to work with their FBI liaison, Special Agent Seeley Booth, on new and challenging criminal cases. First, however, the team will have to resolve their long-running, lethal battle with cyber-genius serial killer Christopher Pelant, who has stayed one step ahead of them while inflicting pain on each member of the cast.
When we last saw the team, they had barely survived their most recent encounter with Pelant. In a final twist of spite, Pelant blackmailed Booth into withdrawing his marriage proposal to Bones, while forbidding him to reveal the reason why. Booth’s promise puts a strain on his relationship with Bones. He will reach out to old Army buddies, including a CIA agent and a former priest turned bartender, for advice. Pelant has his own plan for separating Bones from Bones from Booth, permanently. The entire team will have to be on its mettle to head off Pelant’s insidious plot.
The ninth season continues to feature crime of the week murders for Bones, Booth, and the Jeffersonian lab rats to solve. One episode will have Booth and Bones resurrecting their undercover “Tony” and “Roxie” identities for a hilarious marriage retreat in which they talk all too frankly about their relationship. Psychologist Dr. Sweets will take a leave of absence to work in an outreach center, only to find himself drawn back into a gut-wrenching case involving a gang feud. As in past seasons, other members of the team, including Lab boss Dr. Saroyan, Dr. Hodgins, Angela, and the interns will have their moments in the spotlight.
The biggest highlight is the Woman in White, featuring the  wedding of the two leads after nine years they final tie the knot.

In the 10th season of Bones, suspense is at an all-time high as Seeley Booth (David Boreanaz) is framed and jailed for the murder of three FBI agents while Temperance Brennan (Emily Deschanel) considers committing blackmail to get him out of prison.


The new season brings some changes. The team will lose a key player at a dramatic moment early in the season, and have to work in a replacement after an emotional farewell. Another primary character will develop a emotional bond with one of the rotational lab interns, one that threatens their official relationship. Still another will strike it rich, a couple of season after having been cleaned out by a particularly nasty serial killer. Yet another character will revisit a gambling habit that threatens a job and a relationship. And, one key character will become pregnant. And those events are just character development. There is a fresh lot of challenging cases that will need solving.

Those week to week cases continue to be innovative and interesting, challenging the team and the viewer to keep up. At the same time, the series hasn’t lost its sense of humor, or its willingness to experiment. As an example, you just have to see this season’s throwback Hitchcock episode. “Bones” is still good fun and recommended to its loyal fans in its tenth season.

REVIEW: IDENTITY THIEF

 

 CAST

Jason Bateman (Hancock)
Melissa McCarthy (The Boss)
Jon Favreau (Iron Man)
Amanda Peet (2012)
T.I. (Ant-Man)
Genesis Rodriguez (Hours)
Morris Chestnut (Kick-Ass 2)
John Cho (Flashforward)
Robert Patrick (Terminator 2)
Eric Stonestreet (Modern Family)
Jonathan Banks (Highlander: The Series)
Ben Falcone (New Girl)
Clarke Duke (Two and A Half Men)
Ellie Kemper (21 Jump Street)

There aren’t very many actresses who have received an Oscar nomination for their performance in a comedy, especially within the past decade. Melissa McCarthy was an absolute riot in the hit Bridesmaids and even delivers plenty of laughs to TV audiences in Mike & Molly. Under Seth Gordon’s direction, she now stars in the latest comedy called Identity Thief. There has been a massive campaign behind this picture, making McCarthy’s involvement the focal point, but don’t be fooled into thinking that this is the next Bridesmaids. While this comedy won’t be leaving theaters rolling in laughter, it will certainly deliver some laughs and even a little bit of heart.

Mild-mannered Sandy Patterson (Jason Bateman) is a successful man with a great job and a loving family. However, his life begins to fall apart when a deceptively harmless-looking woman, Diana (Melissa McCarthy), steals his identity. She spends large amounts of his money and commits numerous crimes under his name, which gets him in trouble at work and with law enforcement. Sandy departs on a journey from Denver to Miami to take Diana to the police in order to clear his name and get his life back. It doesn’t take long for Sandy to discover just how clever Diana can be.

Screenwriter Craig Mazin doesn’t waste a moment, as he instantly jumps into the bulk of the story. Sandy Patterson gets himself into a lot of trouble after he gives a substantial amount of his personal information out to a woman over the phone. The audience is kept in the dark as to who Diana really is. While we know that nearly every word that comes out of her mouth is a lie, we’re constantly trying to figure out who this character truly is. She’s quickly identified as the antagonist of the film, but we learn that there’s a lot more to her persona than just a sly criminal. She begins to open herself up a little bit as she spends more time with Sandy. Despite the unfortunate reasons for these characters having to meet, they learn a lot of values from each other through this eventful adventure. Identity Thief often plays with the irony of a thief and her morals. Despite the over-the-top and unnecessary subplots, the second half of the running time is quite a bit funnier than everything preceding it. Without giving too much away, Sandy and Diana experience some hilarious situations, especially the one found in the woods at night. A lot of the jokes have been heard before, but they’re used in an original context.

This film wouldn’t have worked without this particular cast. Jason Bateman delivers a solid performance as Sandy Patterson. He’s convincing in the role, as he easily relates to the audience as an ordinary man going through a difficult situation. Melissa McCarthy is the absolute star of this movie. She fills Diana’s character to the brim with the same charm and charisma that got her popular in the first place. Her delivery elevates average dialogue to something audiences will find rather funny. McCarthy has quite a bit of comedic chemistry with Bateman, which makes them a great match on screen. However, she also manages to draw viewers in through the more emotional moments the story has to offer. There are a variety of entertaining cameos offered by Eric Stonestreet, Jon Favreau, Ben Falcone, Ellie Kemper, and others. This is an excellent cast that makes this script much more appealing than it would have been with other actors.