REVIEW: HOLLYWOODLAND

 

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Ben Affleck (Gone Girl)
Adrien Brody (Predators)
Diane Lane (Man of Steel)
Bob Hoskins (Hook)
Robin Tunney (The Craft)
Kathleen Robertson (Bates Motel)
Caroline Dhavernas (Hannibal)
Dash Mihok (Gotham)
Brad William Henke (Lost)
Molly Parker (Lost In Space)
Vladimir Jon Cubrt (Hannibal)
Ted Atherton (V-Wars)

south-park-the-end-of-serialization-as-we-know-it-645x370In June 1959, Louis Simo (Adrien Brody), a Los Angeles private investigator more interested in generating an income than in devotion to his clients, is spying on the wife of a man named Chester Sinclair to find if she is cheating. On a visit to his own ex-wife Laurie, Simo learns that his son is upset over the recent death of actor George Reeves, who played Superman on television. Reeves was found dead inside his Beverly Hills home with a gunshot wound to the head, which police ruled a suicide.south-park-the-end-of-serialization-as-we-know-it-645x370Simo learns from a former police colleague that the Reeves suicide has aspects that the cops don’t want to touch. Sensing the potential for making a name for himself, Simo begins investigating and notes several apparent conflicts with the official version of Reeves’s death. He also bickers with Laurie over his failures as a father, particularly now when his son seems so troubled.ben-affleck-hollywoodland

Years previously, in 1951, Reeves (Ben Affleck) is a charming man whose acting career has stalled since appearing in Gone with the Wind. He catches the eye of a beautiful woman and they end the night in each other’s arms. In the morning, a newspaper photo reveals to Reeves that the woman is Toni Mannix, the wife of Eddie Mannix, the general manager of Metro-Goldwyn-Mayer. Frightened that an affair with a studio boss’s wife will destroy what is left of his career, Reeves is angry that Toni did not tell him. She claims to have an open relationship with Mannix and tells him not to worry. The much wealthier Toni begins to buy Reeves expensive gifts such as a house, a car and jewellery. Reeves lands the starring role in the television series Adventures of Superman, based on the comic book hero. The role makes Reeves famous and gives him a steady income, but he longs for more “serious” work and is uncomfortable with the public’s stereotype of him as Superman, resulting in snickers when he is seen on screen in the war film From Here to Eternity.south-park-the-end-of-serialization-as-we-know-it-645x370As the years pass, Reeves becomes bitter at being a kept man and at Toni for not using her clout to help his career. He barbeques his Superman costume to “celebrate” the program’s cancellation in 1958. He also meets a young woman in New York City, actress Leonore Lemmon, and leaves Toni for her. Toni is broken hearted and furious and seethes at her “mistreatment” by Reeves. Simo initially suspects that Leonore might have accidentally shot Reeves during an argument and imagines how the scenario might have played out. Simo is beaten at his home by thugs, apparently working for Mannix, who are trying to scare him off the case. This and other evidence leads Simo to suspect that Mannix was the one who had Reeves murdered. Simo has a vision of how that killing would have occurred.

south-park-the-end-of-serialization-as-we-know-it-645x370

Sinclair murders his wife, having grown impatient waiting for Simo’s report. A guilt-plagued Simo gets drunk, then visits his son’s school, where his inebriation scares the boy. Simo visits Reeves’ manager, Arthur Weissman, who has a home movie that Reeves shot to promote some wrestling work. Reeves’ sadness and disappointment with his life is on display in the footage. Simo’s final imagined variation on Reeves’ death concludes with the actor shooting himself. This is the most vivid of the three scenarios, and Simo imagines himself in the upstairs bedroom watching the suicide. Each of the scenes imagined by Simo begins with Reeves playing guitar and singing “Aquellos Ojos Verdes (Green Eyes)” in Spanish for his house guests. After each of the three imagined renditions, Reeves says goodnight to his guests, then retires to his bedroom upstairs, just before the gunshot. Reeves’ quest for success and Simo’s realization of parallels to his own existence cause the detective to re-evaluate his life. Simo watches another home movie, this one of himself and Laurie and their son in happier days. He goes to Laurie’s house wearing a suit and tie, greeting his son hopefully.ben-affleck-hollywoodland

Hollywoodland intercuts a biopic of the last eight years in the life of actor George Reeves. It also  flawlessly evokes the 1950’s visually and tells a compelling neo-noir tale about ambition, greed, sex and the lure of stardom. A Must see.

 

REVIEW: LOST IN SPACE (2018) – SEASON 2

Maxwell Jenkins in Lost in Space (2018)

MAIN CAST

Molly Parker (Pure)
Toby Stephens (The Machine)
Taylor Russell (The Maze)
Ignacio Serricchio (Bones)
Maxwell Jenkins (A Family Man)
Mina Sundwall (#Horror)
Parker Posey (Superman Returns)
Brian Steele (Terminator Salvation)
Sibongile Mlambo (Teen Wolf)

Parker Posey, Ignacio Serricchio, Maxwell Jenkins, Mina Sundwall, and Taylor Russell in Lost in Space (2018)

RECURRING / NOTABLE GUEST CAST

Raza Jaffrey (Homeland)
Amelia Burstyn (Defiance)
Sakina Jaffrey (House of Cards)
Selma Blair (Hellboy)
Bill Mumy (Babylon 5)
Shaun Parkes (The Mummy Returns)
Tattiawna Jones (Flashpoint)
Aaron Pearl (Man of Steel)
Rob LaBelle (Jack Frost)
Bradley Stryker (Izombie)
Ajay Friese (Riverdale)
Angela Cartwright (The Sound of Music)

Molly Parker and Maxwell Jenkins in Lost in Space (2018)Cosmic crusaders The Robinsons (plus Don West, Dr. Smith, and Robot) are back for the holidays, and this time the calamity-magnet clan is banding together to battle against hostile alien droids, creepy and corrupt mission officials, and general galactic chaos.
Netflix’s Lost in Space reboot, once again, delivers a solid, satisfying run filled with dazzling effects and stunning heart. It tops Season 1 in terms of adventure and stakes, and, for a streaming series, it shows grand restraint by only being 10 episodes – with episode lengths actually varying (anywhere from 39 minutes to 54 minutes). That might sound like tacky praise, digging into the structure of the show, but it means that the story’s being told in the amount of time the creators felt it needed, and not filling up pre-ordained space – a welcome change from most streaming series.Molly Parker, Toby Stephens, Ignacio Serricchio, and Maxwell Jenkins in Lost in Space (2018)The cast is phenomenal, from Toby Stephens and Molly Parker’s John and Maureen to their kids, played exceptionally by Maxwell Jenkins, Mina Sundwall, and Taylor Russell. It’s crucial that these roles land well because our belief in the family, in this particular brood, is the crux of the entire series. If you don’t buy into “The Robinsons vs The Universe,” the show doesn’t work. And though they might bicker and banter, this family is the driving force of the saga. If their dynamic drags things down, the entire narrative fizzles.Mina Sundwall in Lost in Space (2018)Fortunately, The Robinsons are sensational as a family, either united or divided, and their interplay always works. From John and Judy’s emotional bond (which plays out beautifully in Episode 5, “Run”) to Penny’s strained relationship with Maureen as the middle child with no discernible exceptional abilities, the cracks in the Robinson’s foundations, both big and small, make for great viewing. And Ignacio Serricchio’s gruff-but-genial Don West is there keep them all together while Parker Posey’s “Dr. Smith” is there to tug at the threads in an attempt to rip the seams.Toby Stephens, Maxwell Jenkins, and Taylor Russell in Lost in Space (2018)Posey’s Smith, as the show’s wild card, has an awesome showing this season as the Robinsons, who start the season marooned on a planet in the galaxy they were pushed into at the end of Season 1, eventually rejoin their Alpha Centauri-seeking society and the good (fake) doctor is forced to think on her feet in order to avoid being caught and punished for her many crimes. And all the while, she’s got a powerful push/pull relationship with the universe’s First Family where she’s both their foil and their adversary. The Robinsons can be a bit overwhelming when it comes to love and support so it’s nice to have a self-centered “survivor” in the mix, even if her heart occasionally softens towards others.Molly Parker, Toby Stephens, Maxwell Jenkins, Mina Sundwall, and Taylor Russell in Lost in Space (2018)Will and Robot’s relationship, the one that began in Season 1 and allowed Will to become more confident and driven, continues to grow and change this year, with more layers added to the mystery of Robot’s origins, species, and how it ties into humanity’s ability to traverse space. JJ Feild (Captain America: The First Avenger) arrives this season as Dr. Ben Adler, the mission’s head of artificial intelligence studies. At first, it seems like Ben’s an easy-to-predict character. He arrives just in time to, perhaps, woo Maureen, bond with Will, while also possibly being a stealth “big bad.” But his arc surprises, and, like most elements of this series, it defies the usual cliches.Brian Steele in Lost in Space (2018)Of course, Lost in Space also has a (non-fatal) flaw in its blueprint. Nothing can ever go right. It’s in the story’s DNA. What this means is that when dangers and threats aren’t being presented by other characters — like Dr. Smith, aliens, or Rolo Haynes’ (Black Mirror) Hastings — there has to be some type of unforeseen space peril. Whether it’s severe storms, poisonous algae, or (LOL) water that somehow disintegrates all metals, this series can be pretty unrelenting. Granted, the writing usually weaves everything nicely into the characters’ specific emotional journeys, but the non-stop menaces can be a grind often run the risk of feeling farcical.Maxwell Jenkins in Lost in Space (2018)Netflix’s short-lived (and not great) Another Life featured a very similar “let’s throw every disaster we can think of at our heroes” edict, but the show had no alternate identity to support that design – that’s all the plot was. Fortunately, Lost in Space – which features, over the course of only 10 episodes, four different situations of important characters being stuck/trapped somewhere that requires a “Hail Mary” solution – has larger themes to focus on and a core cast that’s worth spending time with.
Brian Steele in Lost in Space (2018)Lost in Space feels less land-locked in Season 2 as more crazy challenges continued to befall the formidable Robinson family and Robot’s eerie origins are explored further. The unrelenting disasters can drag but the performances are so good, and the family-first credo is so vital, that the drama never dips.

REVIEW: HUMAN TARGET – SEASON 2

Mark Valley in Human Target (2010)

Starring

Mark Valley (Zero Dark Thirty)
Chi McBride (Hawaii Five-O)
Jackie Earle Haley (Watchmen)
Indira Varma (Game of Thrones)
Janet Montgomery (Black Swan)

Rick Hoffman and Indira Varma in Human Target (2010)
RECURRING / NOTABLE GUEST CAST

Timothy Omundson (Xena)
Tahmoh Penikett (Dollhouse)
Molly Parker (Lost In Space)
M.C. Gainey (Lost)
Mike Dopud (Arrow)
Douglas O’Keeffe (Sanctuary)
Cameron Daddo (Stealing Candy)
Jorge Montesi (Caprica)
Lennie James (The Walking Dead)
Nick Chinlund (Eraser)
Tracie Thoms (Cold Case)
Colin Lawrence (Watchmen)
Christopher Rosamond (The Revenant)
John Michael Higgins (Still Waiting)
Rebecca McFarland (Two and a Half Men)
David orth (The Lost World)
Marie Avgeropoulos (The 100)
Alexander Calvert (Arrow)
Leonor Varela (Blade II)
David Barrera (NYPD Blue)
Anna Van Hooft (Flash Gordon)
Tony Hale (American Ultra)
Kendall Cross (X-Men 2)
Carlo Rota (Saw V)
James Remar (Black Lightning)
Lauren German (Hostel Part II)
Nicole Bilderback (Dark Angel)
Michael Massee (The Amazing Spider-Man)
Adrian Holmes (Smallville)
Steven Brand (The Scorpion King)

Human Target (2010)FOX has become notorious for cancelling great shows before they’d even gotten started. To them, if the show isn’t in the top 50 after it’s initial 13 episode run, it isn’t worth their time or money. As a result, some of the most imaginative and intense shows to come along in years are cancelled before they’ve even gotten started. Human Target is on a list that includes, Alcatraz, The Chicago Code, Gracepoint, Almost Human, Dollhouse, and dozens of others that you’ve probably never heard of. Unless it’s a top 50 show right from the start, or a lame animated comedy, Fox has no use for it and shows like Human Target are replaced with Bob’s Burgers and The Cleveland Show.Mark Valley in Human Target (2010)For those unfamiliar with the story, Human Target is based on a long running DC comic by the same title. It is the story of Christopher Chance (Mark Valley), a mysterious man with a mysterious past. Joined by a former police detective, and a hacker/thug named Guerrero, Chance has formed a company that discreetly serves an elite clientele. Their job is to protect their clients from threats at any cost, by injecting themselves into the persons life. Chance’s job is to identify the threat and eliminate it before anything happens to the client. I don’t know how Mark Valley is not a household name at this point. This guy is so intense, always has tremedous, unorthodox ways of getting out of trouble, and to be honest, he really reminds me of MacGyver. Valley has the looks, the charm, and of course the skills to make Christopher Chance jump off the pages and come to life.Douglas O'Keeffe and Mark Valley in Human Target (2010)But this show isn’t just an episonic show, there is also a deep and complex back story that gets more intense with each episode. We know the players and what they are capable of very quickly in the series, but what we don’t know is their history. As more and more is revealed, the characters just get deeper and more intense.Mark Valley in Human Target (2010)Human Target was a great show, it was original, exciting, and better than almost anything on FOX at the present time. Mark Valley is very impressive, as is the writing. Every episode has at least one thing in it that you did not see coming, and if it were up to me, this show would have been on for years.

REVIEW: THE ROAD

Starring

Viggo Mortensen (Lord of The Rings)
Kodi Smit-McPhee (Let Me In)
Charlize Theron (Mad Max: Fury Road)
Robert Duvall (Days of Thunder)
Guy Pearce (Iron Man 3)
Molly Parker (Lost In Space)
Michael Kenneth Williams (Ghostbusters)
Garret Dillahunt (Terminator: TSCC)

Viggo Mortensen and Kodi Smit-McPhee in The Road (2009)A man and his young son struggle to survive after a global cataclysm has caused an extinction event. They scavenge for supplies and avoid roaming gangs as they travel on a road to the coast in the hope that it will be warmer. Years earlier, the man’s wife gives birth to their son shortly after the catastrophe and she gradually loses hope. When the man shoots an intruder using one of three bullets they have saved for their family as a last resort, she accuses him of wasting the bullet deliberately to prevent her suicide. Removing her coat and hat, she walks into the woods, never to be seen again.Viggo Mortensen and Kodi Smit-McPhee in The Road (2009)In the present, after shooting a member of a gang of cannibals who stumbles upon them, the man is left with only one bullet. Later, exploring a mansion, he and the boy discover people locked in the basement, imprisoned as food for their captors. When the armed cannibals return, the man and his son hide. With discovery imminent, the man prepares to shoot his son, but they flee when the cannibals are distracted by the escaping captives. Further down the road, the man and boy discover an underground shelter full of canned food and supplies. They feast and bathe. When they hear noises above, including a dog, he decides it is too dangerous to remain. Further down still, the son persuades him to share food with a near-blind old man.Viggo Mortensen in The Road (2009)At the coast, the man leaves the boy to guard their possessions while he swims out to scavenge a beached ship. The boy falls asleep and their supplies are stolen. The man chases down the thief and takes everything from him, even his clothes. This distresses the boy so much the man turns back and leaves the clothes and a can of food for the thief. As they pass through a ruined town, the man is shot in the leg with an arrow. He kills his ambusher with a flare gun he found on the ship and finds the archer’s female companion in the same room. The man thinks the archer and woman were following them, but she says it was the other way around. He leaves her weeping over the body.Viggo Mortensen and Kodi Smit-McPhee in The Road (2009)Weakened, the man and boy abandon their cart and most of their possessions. The man’s condition deteriorates and eventually he dies. The boy is approached by a man who, with his wife, two children, and dog, convinces the boy he is one of the “good guys” and takes him under his protection. The wife says they have been following the boy and his father.Viggo Mortensen in The Road (2009)The tone and art direction are spot on, the acting is excellent, the story is a perfect adaptation of the book, but it isn’t a groundbreaking film. The Road is as good as adaptations get, one of the best I have ever seen. It wasn’t a white-knuckle film the way No Country was, nor was it nearly as well directed. But, it’s a riveting and engaging film, and it’s a fantastic story of two characters. In the end, that’s enough of a reason for it to be a great movie. As for my expectations: it blew me away. Despite a delay and a bad trailer, The Road is an impressive film.

 

 

REVIEW: LOST IN SPACE (2018) – SEASON 1

 

Maxwell Jenkins in Lost in Space (2018)

MAIN CAST

Molly Parker (Pure)
Toby Stephens (The Machine)
Taylor Russell (The Maze)
Ignacio Serricchio (Bones)
Maxwell Jenkins (A Family Man)
Mina Sundwall (#Horror)
Parker Posey (Superman Returns)
Brian Steele (Terminator Salvation)

Maxwell Jenkins in Lost in Space (2018)

RECURRING / NOTABLE GUEST CAST

Raza Jaffrey (Homeland)
Ajay Friese (Riot Girls)
Veenu Sandhu (Ambrosia)
Sibongile Mlambo (Teen Wolf)
Kiki Sukezane (Heroes Reborn)
Amelia Burstyn (Defiance)
Yukari Komatsu (Godzilla)
Adam Greydon Reid (Izombie)
Iain Belcher (Ungodly Acts)
Rowan Schlosberg (The Crossing)
Selma Blair (Hellboy)
Bill Mumy (Babylon 5)
Cary-Hiroyuki Tagawa (47 Ronin)
Shaun Parkes (The Mummy Returns)
Amelia Burstyn (Defiance)

Lost in Space (2018)After a large mysterious object called the Christmas Star collides with Earth, humanity is forced to look for a new habitable world to call home. When their mothership, The Resolute, runs into a spacetime disruption, all of the Jupiter ships, including the Robinsons’, are forced to evacuate, which results in their ship crash-landing on an uncharted planet. This is where the Robinsons encounter their greatest enemy…No, not Dr. Smith…We’ll get to her later. Their biggest stumbling block is themselves. Especially when it comes to working together. The writers’ effective use of flashbacks throughout the season offers vital information, which helps the viewer better understand what makes the Robinsons tick.Molly Parker, Toby Stephens, Ignacio Serricchio, Maxwell Jenkins, Mina Sundwall, and Taylor Russell in Lost in Space (2018)For instance, John Robinson, played by Black Sails alum Toby Stephens, struggles to be the father his children need him to be in times of crisis. We learn early on that he’s a Marine and rarely sees his children because he’s out on secret missions most of the time. When his son Will (Maxwell Jenkins) can’t find the courage to complete a difficult task, instead of being a comforting parent, John treats Will like a soldier, barking orders and telling him to follow protocol. Stephens deftly portrays John as a man who wants to do the right thing but doesn’t know how. It’s a dilemma that only gets worse once the robot shows up.“Danger Will Robinson” is back with a reimagined version of the hulking arm-flapping robot. The robot’s origin story is a bit different and more unique than its predecessors, but we won’t spoil the reasons why. In place of a distant father, Will’s relationship with the Robot becomes pivotal to the entire season, as John both loathes and respects the robot for looking after his son. Something John failed to do back on Earth. The Robinson women are equally fantastic. Maureen, the mom, is the leader of the group. Even John cowers in her wake. Actress Molly Parker (Deadwood) gives a fierce performance as the Robinson matriarch, who like John, finds it difficult to know when to trust that her kids will make the right decisions.Molly Parker in Lost in Space (2018)There’s also Penny (Mina Sundwall), the middle child, and Judy (Taylor Russell), the oldest. Of all the kids, Judy goes through the biggest transformation this season. At 18, she’s already a trained surgeon who carries the weight of the world on her shoulders whenever someone is badly injured. After going through her own traumatic event shortly after their crash, Judy experiences bouts of PTSD that impede her ability to do her job. Russell handles her character’s fragile emotional state well.Let’s talk about Dr. Smith, played by Parker Posey. In a series that has effectively resurfaced as a dynamic 21st-century drama, Posey’s Smith feels like she’s stuck back in 1965. Her version of Smith is always up to no good and it’s hard to understand why the Robinsons keep giving her chances instead of throwing her out of the airlock. Dr. Smith is just so obviously evil, with no complexity to her character. Even when the writers try to develop her backstory, it falls short. None of her motivations, except for survival, make sense. If you took Smith out of the picture, no one would miss her. Lost in Space is a stellar sci-fi adventure series that the whole family can enjoy. The Robinsons are a fascinating bunch that are fighting for their own survival as well as that of the human race. Over the course of its 10 episodes, you will be introduced to some other colorful characters like the roguish Don Smith, played by a charismatic Ignacio Serricchio and Victor Dhar, the political-type you just love to hate. If you take Smith out of the equation, the series is worth getting lost in.

REVIEW: TITANIC: THE MINI SERIES

CAST

Catherine Zeta-Jones (The Mask of Zorro)
George C. Scott (Patton)
Peter Gallagher (New Girl)
Eve Marie Saint (Superman Returns)
Tim Curry (IT)
Roger Rees (The Scorpion King)
Marilu Henner (L.A. Story)
Mike Doyle (Green Lantern)
Harley Jane Kozak (Arachnophobia)
Malcolm Stewart (Jumanji)
Kevin McNulty (Fantastic Four)
Kavan Smith (Stargate: Atlantis)
Barry Pepper (The Green Mile)
Gerard Plunkett (Sucker Punch)
Molly Parker (The Wicker Man)
Brent Stait (Andromeda)
Aaron Pearl (Man of Steel)
Ron Halder (Stargate SG.1)
Katharine Isabelle (Ginger Snaps)
John Tench (Watchmen)
Matthew Walker (Highlander: The Series)

titanic_1996_facebook_cover_by_thetitaniac-d6kjbf1Titanic follows three main story threads. Isabella Paradine is traveling on the Titanic to join her husband after attending her aunt’s funeral in England. On the Titanic, she meets Wynn Park, her former lover. She falls in love with him again, and after a brief affair, she sends her husband a wireless saying they cannot be together anymore (despite their daughter). When the ship starts sinking, Isabella reluctantly leaves Wynn when he forces her to board a lifeboat. As the boat is lowered, Isabella confesses a long kept secret that her daughter Claire is actually Wynn’s. Later on board the RMS Carpathia she is grief-stricken when she finds Wynn’s lifeless body on deck, having died of hypothermia, but luckily, when the Carpathia reaches New York she is reunited with her family who are blissfully unaware of Isabella’s tryst because the telegram was never sent out due to the sinking.
image-w1280Also in first class is the Allison family, a family travelling on the Titanic, returning home to Montreal with their two small children and new nurse, Alice Cleaver. They gradually become wary and suspicious of her hysterical and neurotic behavior. Later on, a fellow maid asks her if she’d seen her in Cairo the previous month, but soon realizes that she remembers her from the highly publicized trial where Alice was accused of throwing her baby off a train. When the Titanic starts sinking, Alice Cleaver panics and quickly boards a lifeboat with Trevor, the Allisons’ infant son. The parents with their small daughter are unaware that the baby is safe and refuse to leave the ship without him, which in the end costs them their lives.
maxresdefaultIn third class, a young vagrant named Jamie Perse steals a ticket to get on board. He manages to become friends with one of the crewmen, Simon Doonan, who is also a robber, but later is revealed to be a much more violent and callous criminal than Jamie. The young man falls in love with Aase (pronounced “Osa”) Ludvigsen, a recent Christian convert and missionary. On the night of the sinking, Aase is brutally raped and beaten by Doonan, causing her to lose her faith and will to live, but Jamie manages to get her into Isabella’s boat. Unbeknownst to them, Doonan also sneaks aboard that same boat, disguised as an old woman. After the ship sinks, Aase is knocked off the lifeboat by Doonan after she recognizes him, and he attempts to hold the passengers in the boat hostage at gunpoint, but Officer Lowe, who is in charge of the boat, hits Doonan in the head with a paddle, snapping his neck and killing him. Jamie himself manages to survive when he accidentally falls into one of the last lifeboats before the Titanic sinks. He subsequently atones for his past life after he finds Aase in the makeshift hospital aboard the Carpathia. In the end, upon arriving in New York, the two plan to start a new life together.6c6ff95454755dff4381e1617acca662This made-for-TV version of the famous disaster actually stands up fairly well against its $200 million James Cameron counterpart. The effects are good – and in a few cases even on par with Cameron’s version. Indeed, watching the two films back to back, you might be surprised at the similarities between the two versions, at least during some key moments. Both have steerage party scenes, for instance. The cast is generally strong too, particularly Catherine Zeta Jones in one of her first lead performances, and George C. Scott as Capt. Smith. But where Titanic (1996) hits all the wrong notes is in a poorly conceived subplot involving a crooked crewmember (Tim Curry). His character doesn’t really belong here, and his villainous actions get to be quite shocking near the end … it takes away from the human drama of the doomed people on the ship and actually comes close to ruining the movie (though no fault of actor Tim Curry, who turns in a great performance). If you only have time to see one super-long movie based on the disaster, see the Cameron film – if you’ve got time to see two, this one is worth a look.

REVIEW: THE WICKER MAN (2006)

CAST

Nicolas Cage (Gone in 60 Seconds)
Ellen Burstyn (The Exorcist)
Kate Beehan (The Return)
Leelee Sobieski (Road Kill)
Frances Conroy (How I Met Your Mother)
Molly Parker (Sunshine)
Diane Delano (KJeepers Creepers 2)
Aaron Eckhart (The Core)
Matthew Walker (Highlander: The Series)
James Franco (Your Highness)
Jason Ritter (Goliath)
Christine Willes (Dead Like Me)
Anna Von Hooft (Flash Gordon)
Kendall Cross (Caprica)
Monique Ganderton (Smallville)
Emily Holmes (Paycheck)

2-6Policeman Edward Malus (Nicolas Cage) receives news from his ex-fiancée, Willow Woodward (Kate Beahan), that her daughter, Rowan (Erika Shaye Gair), is missing. He travels to the Western United States and takes a ship cruise to a coastal area where he gets a pilot (Matthew Walker) to take him to an island off the coast of Washington State where a group of neo-pagans live.

The island is led by Sister Summersisle (Ellen Burstyn), an elderly woman who supposedly represents the goddess they worship. Sister Summersisle explains to Edward that her ancestors had left England to avoid persecution, only to settle near Salem and find renewed persecution in the Salem witch trials, before arriving on the island. Sister Summersisle explains that their population is predominantly female as they choose the strongest stock—evading Edward’s concern about the birth of unwanted males. The economy of the island relies on the production of local honey, which Edward learns has declined recently. Edward asks the villagers about Rowan, but they give him evasive answers. He later sees two men carrying a large bag that appears to be dripping blood, and then he finds a fresh, unmarked grave in the churchyard. The grave turns out to only contain a burned doll, but Edward finds Rowan’s sweater in the churchyard.
MV5BYmQyMzg1YzgtYmU1NC00YjlkLTlmMGYtZDdmNTdjNTY3MjA0XkEyXkFqcGdeQXVyOTc5MDI5NjE@._V1_SY1000_SX1500_AL_At the village school, teacher Sister Rose (Molly Parker) tries to prevent Edward from seeing the class register. When he sees that Rowan’s name has been crossed out he becomes enraged at the teacher’s and Rowan’s classmates’ lies. Rose demands Edward talk outside and, after a short discussion of the island people’s view of death, Rose explains that Rowan is “letting it snow”. Edward asks how Rowan died and Sister Rose tells him first that “She’ll burn to death”. When Edward catches the tense she used, Sister Rose corrects herself quickly, saying, “She burned to death”, and rushes back to her class.
While questioning Willow about the grave, she reveals to Edward that Rowan is his daughter. As Edward searches through the island for clues and answers, he eventually grows to realise the community is a matriarchal dystopian society. On the day of the fertility rite, Edward frantically searches the village for Rowan. He attacks Sister Beech (Diane Delano), who has a bear costume for the ritual. Edward incapacitates Sister Honey (Leelee Sobieski), dons the bear suit, and joins the parade led by Sister Summersisle. The parade ends at the site of the festival. Rowan is tied to a large tree, about to be burned. Edward rescues Rowan and they run away through the woods, but Rowan leads him back to Sister Summersisle. Sister Summersisle thanks Rowan for her help, and Edward realizes that the search for Rowan was a trap. Sister Willow is Sister Summersisle’s daughter, and his fate was sealed many years ago, when Sister Willow chose him. The villagers attack Edward and overpower him, viciously breaking his legs with a mallet to prevent him from escaping. Throughout all this, he keeps asking how can he be a good sacrifice if he does not believe in their religion. The women carry him to a giant wicker man and shut him inside. Rowan sets fire to the wicker man and Edward is sacrificed amid his screams and a giant blaze. The crowd chants “The drone must die!”, believing that Edward’s sacrifice will restore their honey production.
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Six months later, Sisters Willow and Honey enter a bar and start talking with two off-duty police officers (James Franco and Jason Ritter). The women invite them to go home with them, presumably in hopes of using them as they used Edward. The buzzing of bees and screaming from Edward Malus can be heard over Sister Honey as the film fades to black.I dont quite understand all the negative comments regarding this film, i looked at it in complete isolation, the original film was amazing, however this is a great film in its own right, totally different and very creepy, and the acting from Cage and the rest of the cast is amazing, sacrificing the policeman to save the bee population, while the original was to save the failing crops, the ending was very similar and predictable, however this film didnt disappoint in any way and still kept you on edge right till the end.