REVIEW: LOST IN SPACE (2018) – SEASON 2

Maxwell Jenkins in Lost in Space (2018)

MAIN CAST

Molly Parker (Pure)
Toby Stephens (The Machine)
Taylor Russell (The Maze)
Ignacio Serricchio (Bones)
Maxwell Jenkins (A Family Man)
Mina Sundwall (#Horror)
Parker Posey (Superman Returns)
Brian Steele (Terminator Salvation)
Sibongile Mlambo (Teen Wolf)

Parker Posey, Ignacio Serricchio, Maxwell Jenkins, Mina Sundwall, and Taylor Russell in Lost in Space (2018)

RECURRING / NOTABLE GUEST CAST

Raza Jaffrey (Homeland)
Amelia Burstyn (Defiance)
Sakina Jaffrey (House of Cards)
Selma Blair (Hellboy)
Bill Mumy (Babylon 5)
Shaun Parkes (The Mummy Returns)
Tattiawna Jones (Flashpoint)
Aaron Pearl (Man of Steel)
Rob LaBelle (Jack Frost)
Bradley Stryker (Izombie)
Ajay Friese (Riverdale)
Angela Cartwright (The Sound of Music)

Molly Parker and Maxwell Jenkins in Lost in Space (2018)Cosmic crusaders The Robinsons (plus Don West, Dr. Smith, and Robot) are back for the holidays, and this time the calamity-magnet clan is banding together to battle against hostile alien droids, creepy and corrupt mission officials, and general galactic chaos.
Netflix’s Lost in Space reboot, once again, delivers a solid, satisfying run filled with dazzling effects and stunning heart. It tops Season 1 in terms of adventure and stakes, and, for a streaming series, it shows grand restraint by only being 10 episodes – with episode lengths actually varying (anywhere from 39 minutes to 54 minutes). That might sound like tacky praise, digging into the structure of the show, but it means that the story’s being told in the amount of time the creators felt it needed, and not filling up pre-ordained space – a welcome change from most streaming series.Molly Parker, Toby Stephens, Ignacio Serricchio, and Maxwell Jenkins in Lost in Space (2018)The cast is phenomenal, from Toby Stephens and Molly Parker’s John and Maureen to their kids, played exceptionally by Maxwell Jenkins, Mina Sundwall, and Taylor Russell. It’s crucial that these roles land well because our belief in the family, in this particular brood, is the crux of the entire series. If you don’t buy into “The Robinsons vs The Universe,” the show doesn’t work. And though they might bicker and banter, this family is the driving force of the saga. If their dynamic drags things down, the entire narrative fizzles.Mina Sundwall in Lost in Space (2018)Fortunately, The Robinsons are sensational as a family, either united or divided, and their interplay always works. From John and Judy’s emotional bond (which plays out beautifully in Episode 5, “Run”) to Penny’s strained relationship with Maureen as the middle child with no discernible exceptional abilities, the cracks in the Robinson’s foundations, both big and small, make for great viewing. And Ignacio Serricchio’s gruff-but-genial Don West is there keep them all together while Parker Posey’s “Dr. Smith” is there to tug at the threads in an attempt to rip the seams.Toby Stephens, Maxwell Jenkins, and Taylor Russell in Lost in Space (2018)Posey’s Smith, as the show’s wild card, has an awesome showing this season as the Robinsons, who start the season marooned on a planet in the galaxy they were pushed into at the end of Season 1, eventually rejoin their Alpha Centauri-seeking society and the good (fake) doctor is forced to think on her feet in order to avoid being caught and punished for her many crimes. And all the while, she’s got a powerful push/pull relationship with the universe’s First Family where she’s both their foil and their adversary. The Robinsons can be a bit overwhelming when it comes to love and support so it’s nice to have a self-centered “survivor” in the mix, even if her heart occasionally softens towards others.Molly Parker, Toby Stephens, Maxwell Jenkins, Mina Sundwall, and Taylor Russell in Lost in Space (2018)Will and Robot’s relationship, the one that began in Season 1 and allowed Will to become more confident and driven, continues to grow and change this year, with more layers added to the mystery of Robot’s origins, species, and how it ties into humanity’s ability to traverse space. JJ Feild (Captain America: The First Avenger) arrives this season as Dr. Ben Adler, the mission’s head of artificial intelligence studies. At first, it seems like Ben’s an easy-to-predict character. He arrives just in time to, perhaps, woo Maureen, bond with Will, while also possibly being a stealth “big bad.” But his arc surprises, and, like most elements of this series, it defies the usual cliches.Brian Steele in Lost in Space (2018)Of course, Lost in Space also has a (non-fatal) flaw in its blueprint. Nothing can ever go right. It’s in the story’s DNA. What this means is that when dangers and threats aren’t being presented by other characters — like Dr. Smith, aliens, or Rolo Haynes’ (Black Mirror) Hastings — there has to be some type of unforeseen space peril. Whether it’s severe storms, poisonous algae, or (LOL) water that somehow disintegrates all metals, this series can be pretty unrelenting. Granted, the writing usually weaves everything nicely into the characters’ specific emotional journeys, but the non-stop menaces can be a grind often run the risk of feeling farcical.Maxwell Jenkins in Lost in Space (2018)Netflix’s short-lived (and not great) Another Life featured a very similar “let’s throw every disaster we can think of at our heroes” edict, but the show had no alternate identity to support that design – that’s all the plot was. Fortunately, Lost in Space – which features, over the course of only 10 episodes, four different situations of important characters being stuck/trapped somewhere that requires a “Hail Mary” solution – has larger themes to focus on and a core cast that’s worth spending time with.
Brian Steele in Lost in Space (2018)Lost in Space feels less land-locked in Season 2 as more crazy challenges continued to befall the formidable Robinson family and Robot’s eerie origins are explored further. The unrelenting disasters can drag but the performances are so good, and the family-first credo is so vital, that the drama never dips.

REVIEW: HUMAN TARGET – SEASON 2

Mark Valley in Human Target (2010)

Starring

Mark Valley (Zero Dark Thirty)
Chi McBride (Hawaii Five-O)
Jackie Earle Haley (Watchmen)
Indira Varma (Game of Thrones)
Janet Montgomery (Black Swan)

Rick Hoffman and Indira Varma in Human Target (2010)
RECURRING / NOTABLE GUEST CAST

Timothy Omundson (Xena)
Tahmoh Penikett (Dollhouse)
Molly Parker (Lost In Space)
M.C. Gainey (Lost)
Mike Dopud (Arrow)
Douglas O’Keeffe (Sanctuary)
Cameron Daddo (Stealing Candy)
Jorge Montesi (Caprica)
Lennie James (The Walking Dead)
Nick Chinlund (Eraser)
Tracie Thoms (Cold Case)
Colin Lawrence (Watchmen)
Christopher Rosamond (The Revenant)
John Michael Higgins (Still Waiting)
Rebecca McFarland (Two and a Half Men)
David orth (The Lost World)
Marie Avgeropoulos (The 100)
Alexander Calvert (Arrow)
Leonor Varela (Blade II)
David Barrera (NYPD Blue)
Anna Van Hooft (Flash Gordon)
Tony Hale (American Ultra)
Kendall Cross (X-Men 2)
Carlo Rota (Saw V)
James Remar (Black Lightning)
Lauren German (Hostel Part II)
Nicole Bilderback (Dark Angel)
Michael Massee (The Amazing Spider-Man)
Adrian Holmes (Smallville)
Steven Brand (The Scorpion King)

Human Target (2010)FOX has become notorious for cancelling great shows before they’d even gotten started. To them, if the show isn’t in the top 50 after it’s initial 13 episode run, it isn’t worth their time or money. As a result, some of the most imaginative and intense shows to come along in years are cancelled before they’ve even gotten started. Human Target is on a list that includes, Alcatraz, The Chicago Code, Gracepoint, Almost Human, Dollhouse, and dozens of others that you’ve probably never heard of. Unless it’s a top 50 show right from the start, or a lame animated comedy, Fox has no use for it and shows like Human Target are replaced with Bob’s Burgers and The Cleveland Show.Mark Valley in Human Target (2010)For those unfamiliar with the story, Human Target is based on a long running DC comic by the same title. It is the story of Christopher Chance (Mark Valley), a mysterious man with a mysterious past. Joined by a former police detective, and a hacker/thug named Guerrero, Chance has formed a company that discreetly serves an elite clientele. Their job is to protect their clients from threats at any cost, by injecting themselves into the persons life. Chance’s job is to identify the threat and eliminate it before anything happens to the client. I don’t know how Mark Valley is not a household name at this point. This guy is so intense, always has tremedous, unorthodox ways of getting out of trouble, and to be honest, he really reminds me of MacGyver. Valley has the looks, the charm, and of course the skills to make Christopher Chance jump off the pages and come to life.Douglas O'Keeffe and Mark Valley in Human Target (2010)But this show isn’t just an episonic show, there is also a deep and complex back story that gets more intense with each episode. We know the players and what they are capable of very quickly in the series, but what we don’t know is their history. As more and more is revealed, the characters just get deeper and more intense.Mark Valley in Human Target (2010)Human Target was a great show, it was original, exciting, and better than almost anything on FOX at the present time. Mark Valley is very impressive, as is the writing. Every episode has at least one thing in it that you did not see coming, and if it were up to me, this show would have been on for years.

REVIEW: THE ROAD

Starring

Viggo Mortensen (Lord of The Rings)
Kodi Smit-McPhee (Let Me In)
Charlize Theron (Mad Max: Fury Road)
Robert Duvall (Days of Thunder)
Guy Pearce (Iron Man 3)
Molly Parker (Lost In Space)
Michael Kenneth Williams (Ghostbusters)
Garret Dillahunt (Terminator: TSCC)

Viggo Mortensen and Kodi Smit-McPhee in The Road (2009)A man and his young son struggle to survive after a global cataclysm has caused an extinction event. They scavenge for supplies and avoid roaming gangs as they travel on a road to the coast in the hope that it will be warmer. Years earlier, the man’s wife gives birth to their son shortly after the catastrophe and she gradually loses hope. When the man shoots an intruder using one of three bullets they have saved for their family as a last resort, she accuses him of wasting the bullet deliberately to prevent her suicide. Removing her coat and hat, she walks into the woods, never to be seen again.Viggo Mortensen and Kodi Smit-McPhee in The Road (2009)In the present, after shooting a member of a gang of cannibals who stumbles upon them, the man is left with only one bullet. Later, exploring a mansion, he and the boy discover people locked in the basement, imprisoned as food for their captors. When the armed cannibals return, the man and his son hide. With discovery imminent, the man prepares to shoot his son, but they flee when the cannibals are distracted by the escaping captives. Further down the road, the man and boy discover an underground shelter full of canned food and supplies. They feast and bathe. When they hear noises above, including a dog, he decides it is too dangerous to remain. Further down still, the son persuades him to share food with a near-blind old man.Viggo Mortensen in The Road (2009)At the coast, the man leaves the boy to guard their possessions while he swims out to scavenge a beached ship. The boy falls asleep and their supplies are stolen. The man chases down the thief and takes everything from him, even his clothes. This distresses the boy so much the man turns back and leaves the clothes and a can of food for the thief. As they pass through a ruined town, the man is shot in the leg with an arrow. He kills his ambusher with a flare gun he found on the ship and finds the archer’s female companion in the same room. The man thinks the archer and woman were following them, but she says it was the other way around. He leaves her weeping over the body.Viggo Mortensen and Kodi Smit-McPhee in The Road (2009)Weakened, the man and boy abandon their cart and most of their possessions. The man’s condition deteriorates and eventually he dies. The boy is approached by a man who, with his wife, two children, and dog, convinces the boy he is one of the “good guys” and takes him under his protection. The wife says they have been following the boy and his father.Viggo Mortensen in The Road (2009)The tone and art direction are spot on, the acting is excellent, the story is a perfect adaptation of the book, but it isn’t a groundbreaking film. The Road is as good as adaptations get, one of the best I have ever seen. It wasn’t a white-knuckle film the way No Country was, nor was it nearly as well directed. But, it’s a riveting and engaging film, and it’s a fantastic story of two characters. In the end, that’s enough of a reason for it to be a great movie. As for my expectations: it blew me away. Despite a delay and a bad trailer, The Road is an impressive film.

 

 

REVIEW: LOST IN SPACE (2018) – SEASON 1

 

Maxwell Jenkins in Lost in Space (2018)

MAIN CAST

Molly Parker (Pure)
Toby Stephens (The Machine)
Taylor Russell (The Maze)
Ignacio Serricchio (Bones)
Maxwell Jenkins (A Family Man)
Mina Sundwall (#Horror)
Parker Posey (Superman Returns)
Brian Steele (Terminator Salvation)

Maxwell Jenkins in Lost in Space (2018)

RECURRING / NOTABLE GUEST CAST

Raza Jaffrey (Homeland)
Ajay Friese (Riot Girls)
Veenu Sandhu (Ambrosia)
Sibongile Mlambo (Teen Wolf)
Kiki Sukezane (Heroes Reborn)
Amelia Burstyn (Defiance)
Yukari Komatsu (Godzilla)
Adam Greydon Reid (Izombie)
Iain Belcher (Ungodly Acts)
Rowan Schlosberg (The Crossing)
Selma Blair (Hellboy)
Bill Mumy (Babylon 5)
Cary-Hiroyuki Tagawa (47 Ronin)
Shaun Parkes (The Mummy Returns)
Amelia Burstyn (Defiance)

Lost in Space (2018)After a large mysterious object called the Christmas Star collides with Earth, humanity is forced to look for a new habitable world to call home. When their mothership, The Resolute, runs into a spacetime disruption, all of the Jupiter ships, including the Robinsons’, are forced to evacuate, which results in their ship crash-landing on an uncharted planet. This is where the Robinsons encounter their greatest enemy…No, not Dr. Smith…We’ll get to her later. Their biggest stumbling block is themselves. Especially when it comes to working together. The writers’ effective use of flashbacks throughout the season offers vital information, which helps the viewer better understand what makes the Robinsons tick.Molly Parker, Toby Stephens, Ignacio Serricchio, Maxwell Jenkins, Mina Sundwall, and Taylor Russell in Lost in Space (2018)For instance, John Robinson, played by Black Sails alum Toby Stephens, struggles to be the father his children need him to be in times of crisis. We learn early on that he’s a Marine and rarely sees his children because he’s out on secret missions most of the time. When his son Will (Maxwell Jenkins) can’t find the courage to complete a difficult task, instead of being a comforting parent, John treats Will like a soldier, barking orders and telling him to follow protocol. Stephens deftly portrays John as a man who wants to do the right thing but doesn’t know how. It’s a dilemma that only gets worse once the robot shows up.“Danger Will Robinson” is back with a reimagined version of the hulking arm-flapping robot. The robot’s origin story is a bit different and more unique than its predecessors, but we won’t spoil the reasons why. In place of a distant father, Will’s relationship with the Robot becomes pivotal to the entire season, as John both loathes and respects the robot for looking after his son. Something John failed to do back on Earth. The Robinson women are equally fantastic. Maureen, the mom, is the leader of the group. Even John cowers in her wake. Actress Molly Parker (Deadwood) gives a fierce performance as the Robinson matriarch, who like John, finds it difficult to know when to trust that her kids will make the right decisions.Molly Parker in Lost in Space (2018)There’s also Penny (Mina Sundwall), the middle child, and Judy (Taylor Russell), the oldest. Of all the kids, Judy goes through the biggest transformation this season. At 18, she’s already a trained surgeon who carries the weight of the world on her shoulders whenever someone is badly injured. After going through her own traumatic event shortly after their crash, Judy experiences bouts of PTSD that impede her ability to do her job. Russell handles her character’s fragile emotional state well.Let’s talk about Dr. Smith, played by Parker Posey. In a series that has effectively resurfaced as a dynamic 21st-century drama, Posey’s Smith feels like she’s stuck back in 1965. Her version of Smith is always up to no good and it’s hard to understand why the Robinsons keep giving her chances instead of throwing her out of the airlock. Dr. Smith is just so obviously evil, with no complexity to her character. Even when the writers try to develop her backstory, it falls short. None of her motivations, except for survival, make sense. If you took Smith out of the picture, no one would miss her. Lost in Space is a stellar sci-fi adventure series that the whole family can enjoy. The Robinsons are a fascinating bunch that are fighting for their own survival as well as that of the human race. Over the course of its 10 episodes, you will be introduced to some other colorful characters like the roguish Don Smith, played by a charismatic Ignacio Serricchio and Victor Dhar, the political-type you just love to hate. If you take Smith out of the equation, the series is worth getting lost in.