Meagan Good (The Love Guru)
Nick Zano (2 Broke Girls)
Daniel London (Gotham)
Laura Regan (My Little Eye)
Li Jun Li (Damages)
Wilmer Valderrama (That 70s Show)
Tina Lifford (Catch and Release)
Alex Paxton-Beesley (Alphas)
Jessica Camacho (Veronica Mars)
William Mapother (Lost)
David Nykl (Stargate: Atlantis)
Sheila Vand (Argo)
Jennifer Cheon Garcia (Van Helsing)
Azura Skye (28 Days)
Reed Diamond (Dollhouse)
Audrey Marie Anderson (Arrow)
Christopher Heyerdahl (Sanctuary)
Tom Butler (Blade: The Series)
Steven Williams (Jason Goes To Hell)
Andrew Stewart-Jones (Gotham)
Derek Webster (Staragte)
Rizwan Manji (Charlie Wilson’s War)
Colin Lawrence (Staragte SG.1)
Peter Macon (The Orville)
Kenneth Mitchell (Odyssey 5)
Peter Bryant (Legends of Tomorrow)
Compared to recent surge of sci-fi series, Minority Report is looking more refined with clearly better production. However, this doesn’t have the same thrilling spirit from Tom Cruise’s action thriller. The precognition concept has been reduced to typical paranormal investigation.
If you’re not familiar with the source, or understandably forget the story, the show opens with brief narrative about the movie. In near future authority used precog system by plugging three siblings into a machine, a mix between psychic and technology to determine crime before it happened. Unfortunately, Tom Cruise proved that it had flaws and the project was scratched.
One of the siblings, Dash (Stark Sands) now leads a normal witness protection life, but he still has the clairvoyance gift. With the help of a female police officer Lara Vega (Meagan Good) he helps solve crime in a rather timid sci-fi crime drama. The cast is leaning towards light comedy than thriller, which is perhaps intentionally made to suit the series.
The problem is the two leads don’t mesh together well. Stark Sands has the quirky savant look, but he doesn’t possess the on-screen presence for a capable lead. Meagan Good is attractive for the lead female, but she’s an odd choice for tough female role. While she does look fit, it doesn’t translate to serious femme fatale personality. Its change to more humorous tone is different from the futuristic noir of the movie, it’s not bad and probably better to accommodate TV series. It does rely too much on casual cop spectacle, yet doesn’t really have the draw or chemistry. Not to mention the use of psychics is getting old, the foreshadowing gimmick feels like a puzzle played too many times.
The presentation is impeccable though. It’s obvious that the show invests a lot on making the world looks brightly inviting. The details for gadgetry, environment and investigation are splendid. This world definitely could work for foundation for TV series, although the narrative and characters are not as intriguing. It was originally given 13 episodes but shortened to 10 now that all 10 have aired it looks like this show was put to sleep.