12 DAYS OF CHRISTMAS REVIEW: THE VAMPIRE DIARIES – THE CHRISTMAS EPISODES – PART 1

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MAIN CAST

Nina Dobrev (Arena)
Paul Wesley (Killer Movie)
Ian Sommerhalder (Pulse)
Steven R. McQueen (Piranha 3D)
Kat Graham (Honey 2)
Zach Roerig (As The World Turns)
Candice King (Juno)
Michael Trevino (Cane)
Joseph Morgan (The Originals)
Matthew Davis (Bloodrayne)
Michael Malarkey (The Selection)
O COME ALL YE FAITHFUL
GUEST CAST
Claire Holt (Mean Girls 2)
Susan Walters (Kill The Messenger)
Grace Phipps (Scream Queens)
Phoebe Tonkin (Bait)
David Alpay (Flashpoint)
Alyssa Diaz (Lie To Me)

The Season 4 winter finale was the first step in bringing everything together in there season arc , bringing Tyler’s quest to use his unsired hybrids to defeat Klaus into the fold as well. What we know about Professor Shane’s ultimate plan is that it involves “expression” magic, a magic so evil it only works with human sacrifice, and Pastor Young blowing up the 12 members of the council in the season premiere was just the beginning. Whatever Shane is up to, it requires at least 12 more sacrifices of the hybrid variety, and Hayley’s job was to deliver them on a silver platter. So while Tyler believed he was unsiring hybrids to ultimately have them rise up against Klaus and defeat him for good, Hayley was working an entirely different agenda, one that ended with her offering up all of the hybrids to Klaus for him to slaughter in a murder montage so incredible. The Klaus presented here , the one who has absolute power but whose soul suffers because of it, the one who kills Tyler’s mother because he knows that’s a much more evil punishment than killing Tyler himself, that’s the Klaus the show needs.

such a wonderful episode set around and an all around classic episode.

CHRISTMAS THROUGH YOUR EYES
GUEST CAST
Penelope Mitchell (Hemlock Grove)
Marguerite MacIntyre (Red Dragon)
Chris Brochu (Soul Surfer)
Jodi Lyn O’Keefe (Halloween: H20)
Chris Wood (Browsers)
With the holidays approaching, Bonnie attempts to replicate her favorite traditions, while reminiscing about happier times with her friends. Not able to return home to Mystic Falls for her favorite time of the year, Caroline is surprised when Sheriff Forbes brings the holidays to her at Whitmore College. Meanwhile, after discovering that Jo has gone missing, Alaric turns to Damon and Elena for help of trying to find her, while Liv and Luke find themselves at odds when Tyler approaches them with a risky plan. Elsewhere, Jeremy helps Matt carry out a plan to take down Enzo but grows concerned when Matt takes things too far. Lastly, Stefan is forced to break some devastating news to Caroline. Alaric and Damon Capture Kai but he absorbs the Travellers spell and escapes, the episode ends with Elena outside the Salvatore Mansion, Kai cloaks her and himself and Damon does not hear or see her as she talks to him, revealing that he has used a clocking spell on them. He then knocks Elena out and abducts her .
Another classic Vampire Diaries Christmas, this episode throws so much stuff at us, The Sheriff having cancer, Kai abducting Elena, its a great episode but with the cliffhanger makes you wait for the next episode to see how it turns out.
COLD AS ICE
GUEST CAST
Annie Wersching (Birds of Prey)
Elizabeth Blackmore (The Road Home)
Scarlett Byrne (Harry Potter and The Deathly Hallows)
Teressa Liane (Neighbours)
Todd Lasance (Spartacus)
Damon, Stefan, Nora and Valerie put Lily to rest. Later, as Christmas rings in the air, Stefan and Damon’s search for Julian leads them to a town outside Mystic Falls. While they search based on Bonnie’s locator spell-given address, they end their search at a bar filled with dead Santa’s. After a while, Julian appears and there is a tiff between the brothers and him which later aggravates back home. Meanwhile, Nora becomes friendly with Bonnie during a toy drive. Alaric fears that Caroline is struggling with her pregnancy as her blood feeding urges keep her on the edge. Caroline shares a heart-to-heart talk with Sheriff Forbes’s gravestone. Valarie teams with Stefan to abduct Mary Louise in order to force Julian to come out in the open and fight. Later, an unseen being whisks the unconsious Mary Louise away. The Salvatore brothers-Julian fight finally leads to Damon being staked by the Phoenix stone-dagger and getting trapped inside his hell. The same happens for Stefan as a revenge-seeking Nora pushes the dagger inside him, after siphoning out Bonnie’s magic. It is shown that Damon is reliving his Civil War days while being trapped in the Phoenix stone – where he is gravely injured and scared.
WOW!! a great way to end on a mid season making us all wait till January 2016, just like The Originals 2015 Christmas this one leaves you on a gut wrenching moment not knowing what will happen next.
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REVIEW: THE VAMPIRE DIARIES: THE HALLOWEEN EPISODES

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MAIN CAST

Nina Dobrev (Never Cry Werewolf)
Paul Wesley (8 Simple Rules)
Ian Somerhalder (Smallville)
Steven R. McQueen (Piranha 3D)
Kat Graham (Honey 2)
Candice King (Juno)
Zach Roerig (As The World Turns)
Kayla Ewell (Lucifer)
Michael Trevino (The Factory)
Sara Canning (Smallville)
Matthew Davis (Cult)
Michael Malarkey (The Selection)
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GUEST CAST

Jasmine Guy (Dead Like Me)
Robert Pralgo (Fast & Furious 7)
Susan Walters (The Flash)
Natashia Williams (She Spies)
Tiya Sircar (The Internship)
Maiara Walsh (The Starving Games)
Malese Jow (The Flash)
Taylor Kinney (Zero Dark Thirty)
Arielle Kebbel (The Uninvited)
Kelly Hu (X-Men 2)
Olga Fonda (Real Steel)
Janina Gavankar (True Blood)
Rick Cosnett (The Flash)
Shaun Sipos (Final Destination 2)
Colin Ferguson (A Town Eureka)
Penelope Mitchell (Hemlock Grove)
Jodi Lyn O’Keefe (Halloween: H20)
Emily Chang (Total Recall)
Chris Wood (Supergirl)
Annie Wersching (24)
Elizabeth Blackmore (Evil Dead 2013)
Scarlett Byrne (Harry Potter)
Teressa Liane (Neighbours)

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HAUNTED

Vicki attacks Tyler but Damon and Stefan stop her, and Damon compels Tyler to forget it all. Jeremy tells Elena that he will be joining the search party for Vicki. Vicki calls Matt and tells him she’s okay. Stefan tries to get Vicki to drink animal blood, but Damon convinces her that she needs human blood instead. Elena arrives and Stefan promises her that he will get through to Vicki.  Bonnie talks to her Grams about witchcraft before she leaves for school. Damon overhears Richard and Carol discussing the vampire in town. Caroline gives Bonnie Damon’s crystal and tells her she doesn’t care what she does with it, as long as its gone.
Image result for THE VAMPIRE DIARIES hauntedStefan gets Vicki drinking coffee and leaves briefly. Vicki tries to call Jeremy, but Elena refuses to let her, so Vicki pushes her against the wall and threatens to kill her unless she lets her see Jeremy. Stefan assures Elena that Vicki will calm down eventually. Damon tells Vicki that he only turned her because he was bored. Damon and Stefan take Vicki outside and Damon teaches her how to use her super speed. Vicki uses it to escape. She goes home where Matt’s happy to see her. Stefan shows up, looking for Vicki, but she doesn’t want to see him so Matt sends him away. Elena convinces Jeremy to attend the Halloween Party with her and tries to convince Jeremy to let go of Vicki. He and Vicki text each other and plan to meet up at the party.
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Damon flirts with Carol to get information. He tries to compel her, but she’s wearing vervain. She tells him about the Founder’s Council and he offers to get vervain for her when he explains that Zach is out of town. She tells him that anybody who showed up during the day to the Founder’s Party and Heritage Display was eliminated as a suspect of being a vampire. At the party, Matt tells Elena that Vicki’s with him and she realizes that Jeremy’s gone. Stefan finds Vicki and confronts her. Elena and Matt find them and Vicki tells Matt that Stefan won’t leave her alone. Vicki escapes, and Stefan tells Matt that he’s trying to help Vicki. Vicki finds Jeremy and they kiss. Damon discovers Bonnie has his crystal, but when he tries to take it from her, it burns him. Elena finds Vicki and Jeremy kissing outside just as she loses control. Annoyed by Elena, Vicki bites her, and Stefan arrives and stakes her.  Grams tells Bonnie that the crystal belonged to her ancestor and a very powerful witch, Emily Bennett. Grams tells Bonnie that it is now hers and she has to protect it. Elena, blaming Damon, slaps him. Matt asks Elena if she’s seen Vicki, but she says she hasn’t, calls him a good brother, and then cries in her car.
Wen Elena gets home, she comforts Jeremy over Vicki’s death and he begs her to “make it stop”. Stefan arrives and Elena asks him if he can compel Jeremy to forget that Vicki died, but he says he isn’t strong enough. Damon then appears and volunteers to do it, asking Elena what she wants Jeremy to remember. She tells him to make Jeremy believe that Vicki left town, he’ll miss her, but knows its for the best. As Damon compels Jeremy, Elena explains her existing feelings for Stefan to him, but when Damon exits the house, she walks back inside alone.
In the earlier episodes, I wasn’t that into Vicki as a person, but when she became a vampire, I was looking forward to seeing her evolve, so to speak. Now I’m sad that they’ve killed her off. Not only that, but it was fun watching Stefan and Damon coach her on what it means to be a vampire, each in their own unique way.

MASQUERADE

The episode starts with Damon handing a stressed-looking Caroline a glass of blood to comfort her. Stefan arrives and asks them what happened. Caroline tells the Salvatore brothers that she was confronted by Katherine at the Mystic Grill. There is a flashback to when Caroline got to the Grill. She runs into the bathroom after an embarrassing encounter with Matt. In the bathroom, Katherine suddenly appears behind her. Caroline pretends to think it’s Elena, and Katherine pretends to be her at first and asks her if she is okay. Caroline plays along for a bit, until she runs to the door in vampire speed to escape, but Katherine anticipated it and is able to block her. She asks her to deliver a message to them and says: “Tell Damon and Stefan that I want the moonstone, or I will rip this town apart until it rains blood.” She then instructs her that the deal is to go down that evening at the Masquerade Ball. Damon assumes that she got scared, noting that what she did to Jenna in the previous episode was desperate. Stefan states that they can’t underestimate her. Caroline suggests giving Katherine the moonstone, but Damon says “No, Katherine isn’t getting dick!” and explains that he’s going to kill Katherine at the ball. Stefan interrupts, saying that Damon wouldn’t be killing Katherine because he is going to do it himself. Meanwhile, Matt, Elena and Jeremy are bringing Jenna home from the hospital. It is revealed that Jenna was told that she ran into a knife while making dinner, even though in reality, Katherine had compelled her to stab herself earlier. Jenna  is embarrassed about it, but they all soothe her by telling her it was a freaky accident. While Jenna is resting, Jeremy and Elena are alone together and he asks his sister what they are going to do about Katherine. Elena says they’re not going to do anything. She believes that Katherine hurt Jenna because she was still with Stefan and now that they’re broken up, they’re safe. Jeremy tells Elena she is being naive and walks away.
Katherine returns to her room at Mrs Flowers’ Bed and Breakfast, and she helps her get comfortable by bringing her shopping bags. When she leaves, Katherine starts to take a dress out of one of the bags when suddenly, a woman (a witch named Lucy) slinks into the room. Katherine hears her and runs to her in super speed and presses her against the wall, scolding her to not to sneak up on a vampire. Lucy replies: “Don’t attack a witch! .. It’s good to see you, girl.” They hug. Lucy says that she came because she asked her. “Like you had a choice,” says Katherine. She tells Lucy about the Masquerade Ball and asks her to come with her and she smiles. Caroline opens the door of the Salvatores’ house and Bonnie comes inside, holding the Grimoire in her hands. Alaric and Damon are seen in the background looking at weapons. Jeremy is also there and tells Bonnie: “We’re gonna kill Katherine”, when she asks what everyone is doing. Bonnie gives them a puzzled look, to which Stefan says “Let me explain…okay, we’re going to kill Katherine.”. Bonnie looks shocked. Stefan walks over to Damon and Alaric, the latter of whom is explaining how to use each weapon. Cut to Katherine straightening her hair and talking to Lucy in a snide tone: “I’m impersonating my dull-as-dishwater doppelgänger, Elena. She has the worst taste.” Katherine says she became quite good at pretending to be Elena. She says she wants the moonstone and that she wants Lucy to help her. When she asks her what she wants to do with it, Katherine doesn’t answer. “You want me to break the curse,” assumes Lucy. “Let’s just get it first,” Katherine says, “What I really need is backup. I can’t imagine that Damon and Stefan are just gonna hand it over without putting up a fight.”
Bonnie tells Stefan that their plan is risky. Stefan clarifies that it’s about more than wanting Elena back, that what Katherine did to Jenna crossed the line and that she needs to be stopped before it happens again. Bonnie is still not quite convinced, but reluctantly says she could do a spell to trap Katherine, similar to the tomb spell. Meanwhile, Elena is at her house with Matt. She tells him that Alaric will be coming over to spend time with Jenna. She invites Matt to join them, but he tells her that he’s going to the Masquerade Ball. Elena responds that she’s not going because of what’s going on between her and Stefan. Matt tells her that he’s going because there’s something he has to do, but won’t go into detail. She looks suspicious, but tells him to go and have fun. When Matt brings up Stefan, Elena says she doesn’t think they’re going to get back together: “There is so much about me and Stefan that will never work.” Matt says that he’s always there for her and they hug. At the Salvatores’ house, Alaric, Stefan, Damon, Jeremy, Caroline and Bonnie, get ready to go through with their plan. Alaric asks if they’re sure that they don’t need his help at the ball, but Stefan says: “No. I need you to stay with Elena, I don’t want her to know about this.” Alaric promises that he’ll look after her. When Stefan asks if anyone wants to back out, no one wants to. Caroline states that Katherine killed her and that fair is fair, but it takes Bonnie longer to reply; in the end, she says she is in as long as nobody gets hurt (except Katherine, anyway). At the Masquerade Ball at the Lockwood Mansion, artists are seen doing tricks with fire and people in masks are watching. Inside in the office, Tyler is getting ready. His mother, Carol, tells him it’s already packed outside. Mother and son compliment each other on their looks. Tyler apologizes for his past behavior and asks his mother about Mason. She says she hasn’t heard from him and doesn’t think she will. Carol mentions that the Masquerade theme was her late husband’s idea. She says that they both loved him and that “it’s natural to feel abandoned. I just don’t want you to feel alone.” They decide to go outside and pretend to have some fun.

Katherine and Lucy arrive in masks. She runs into Matt and he thinks it’s Elena. Katherine compliments him in his suit. She compels him, saying: “Do you know what you have to do?” Matt answers: “I’m going to get Tyler Lockwood really drunk. I’m going to start a fight with him and beat him until he snaps.” “And then?”, asks Katherine. “I won’t stop until he kills me,” says Matt. Katherine then asks him to leave. Stefan is outside looking around when Damon comes to him from inside the mansion. Neither brother has seen Katherine yet. They play mind games on each other about loving Katherine and whether one of them will or will not hesitate to kill her. Sarah and Aimee are inside the office dancing with each other, and Matt and Tyler are there too, drinking and talking. Tyler says he likes that for once, it’s Matt corrupting him and not the other way around. “Okay, let’s go party,” says Aimee and Sarah and the guys follow her. Jeremy is seen going upstairs with a bag in his hand, followed by Bonnie. They enter a room, which Bonnie exclaims is perfect for what they need to do. Jeremy opens the bag and they take out weapons and Emily Bennett’s Grimoire. Bonnie explains the spell to Jeremy. When he asks her about her magic, she explains that she doesn’t want to know too much, and that she’s only practiced spells that do good. She then admits that she doesn’t really like any of this supernatural drama and doesn’t really want to be a part of all of this. When Jeremy says being a witch must be cool, Bonnie says it’s anything but that because of what she knows about what happened to her witch ancestors: “It never ends well for people like me.” She says she only helps because she doesn’t want anyone else to get hurt and that she doesn’t know how to stay out of it. Jenna and Elena are at home eating pizza. Jenna says she feels like an invalid. When Elena asks her aunt where Jeremy went, she says that he went to the Lockwood party, which surprises Elena. Jenna says that she’s glad he’s having some fun. Elena, suspicious, pretends to go get napkins, but actually goes into the kitchen to talk to Alaric. She tells him that she feels like everyone is avoiding her and wants to know what’s going on. Alaric says that he can’t tell her anything, but when Elena suggests that maybe she should go to the ball after all, he clearly has a problem with it. He tries to deflect by telling her that he’s supposed to keep an eye on her in case Katherine shows up and tries to hurt her while everyone else is at the party, but she just gets more confused and upset, saying that Stefan would never go to any of the Mystic Falls events by himself, because he only attended them for her. Alaric tells her to drop it, and she appears to go along with it.
Jeremy and Bonnie go to tell Stefan that the room is ready, but on their way, Bonnie gets a strange feeling and walks over to Lucy to ask if they know each other. Lucy deflects by saying that she’s a plus one and knows no one and quickly takes her leave. “Are you okay?” asks Jeremy and Bonnie answers: “Just got a weird vibe. Let’s find Damon.” Outside, Stefan is seen, still looking around, until he finally eyes Katherine and walks towards her a little. Suddenly, she shows up behind him and asks him to dance with her. When Stefan refuses, Katherine asks him to choose someone at the party for her to kill instead. Stefan finally agrees to dance with her. Katherine tells Stefan she didn’t expect Jenna to survive, acting innocent, asking: “How does one stab oneself?” Stefan tells her he doesn’t want anyone to get hurt tonight. Katherine agrees and says: “Just give me the moonstone.” He tells her that he doesn’t have it on him, and tells him they would have to get it together. Katherine, who expected this, simply says “Or, you can go get it by yourself and bring it here, and I will try not to kill anyone while you’re gone.” Stefan then says: “My way or you don’t get it.” They are interrupted by Aimee Bradley, asking Stefan where Matt is. When she sees “Elena”, she compliments her and her dress. Katherine thanks her and tells her she loves her necklace. She says it’s twisted, pretends to go fix it, but instead cracks her spine, paralyzing her from the waist down, followed by another crack that kills her. Then she says: “The moonstone, Stefan. Tick tock!” and leaves, leaving dead Aimee in Stefan’s arms to deal with. Back at the Gilbert house, Elena tells Jenna and Alaric she’s going to bed, but she instead grabs a key and sneaks out the door to go to the Lockwoods’. Stefan tells Damon that he left the body in the trunk for now. Damon says they’ll dump it later and writes it off as collateral damage. Stefan says that this is why they just need to call the whole thing off, but Damon convinces him to change his mind again, saying: “What? Who’s hesitating now? Hey! Don’t do this to me. This woman ruined our lives, she destroyed us. Tonight it ends. We can do it together. I got your back. Alright?” Stefan reluctantly agrees. Jeremy and Bonnie are outside and Jeremy asks her random questions. “Can you do a hocus pocus to pass a math exam?” “I don’t know that spell.” “Huh. That would be the first one I’d learn. Or a sex spell or something, I don’t know.” He asks her to dance while they are waiting, and Bonnie says “No!”, like it is a crazy idea. Jeremy chuckles and plays it off well, and Bonnie says: “I mean… no, thank you.” Jeremy’s phone rings. He received a message from Damon, saying: “Now.” They look at each other and Jeremy stands up. Lucy catches up with Katherine, saying: “You didn’t tell me there was another witch here.” Katherine plays dumb, but Lucy says that no one was supposed to know that she was involved in this. Katherine says she owes her dear friend – meaning herself – a favor. Jeremy appears, pretending to think that Katherine is Elena. He asks Lucy to let him talk to his sister alone and she leaves. He drops the act and tells her that Stefan and Damon want to meet her at the edge of the lake by the woods and that they brought the moonstone. She asks him why he’s doing the Salvatores’ bidding, and he responds that he’s not afraid of her. She jokes that the Gilbert men are so courageous and reminds him how she cut off John Gilbert’s fingers. She finally leaves, and Jeremy is texting when suddenly Elena pulls him behind a bush. She asks him: “What the hell is going on?”
Caroline sees Matt laughing and drinking with Sarah. Tyler appears and wants Matt to go somewhere with him, when Matt sees Caroline. They smile at each other for a moment, but Matt leaves. She receives a message from Jeremy saying: “Your turn.” She goes into another room. Katherine appears and presses her to the wall, throttling her. She asks her what Stefan and Damon are up to, and Caroline purposely pretends not to know anything. She finally admits that they’re trying to kill her. When Katherine asks for the moonstone, Caroline tells her that Bonnie has it and also tells her – after another bit more throttling – that she’s upstairs. Elena is shocked to find out that they want to kill Katherine there. She tells Jeremy and Bonnie that they’re crazy and that they’ll get themselves killed, especially Jeremy, who she doesn’t want to be involved in this sort of thing in the first place. Bonnie says they know what they’re doing, and Jeremy explains that they saw an opportunity and had to take it; he also adds that Katherine went after Jenna and needs to be stopped, and that he’s involved regardless of whether he wants to be or not. Caroline is whining while Katherine pulls her upstairs with her. She tells her in which room Bonnie is, and Katherine walks into it, asking: “Where is she?” She turns around and sees Caroline smiling before saying: “I did it. I didn’t think I’d be able to fool… you, but… I did it.” Katherine tries to run towards her, but is being held back by the trapping spell Bonnie cast earlier. Stefan appears in the room, and Caroline leaves. She taunts Stefan, asking him if he really thinks that he can kill her with the stake in his hand, and he just smiles and says no before adding “But he can.” as Damon comes out of the closet and shoots a stake out of a crossbow into her back. As the stake impales Katherine, Elena is seen screaming outside, with a blooming red bloodstain on the back of her shirt. Damon stakes Katherine in the deltoids, and Elena screams in pain again, blood blossoming from the same spot in the same arm. Everywhere Katherine gets hurt, Elena feels the same pain and gets the same wounds. Bonnie finally realizes that the doppelgängers are linked to each other and yells at Jeremy to run and stop them before they kill Elena on accident. Katherine, Stefan and Damon continue fighting, and when Damon is just about to drive the stake through Katherine’s heart, Jeremy appears and yells: “Stop! You’re hurting Elena! Everything you’re doing to her is hurting Elena.” Damon looks confused and shocked at him, his arm frozen in mid-air. She gets up and says: “You think you two were the only ones with a witch on your side? Wrong. Something tells me that my witch is better than your witch.” Stefan tells Jeremy to check on Elena and he leaves. “Let’s all make sure poor Elena’s okay,” Katherine mocks, and starts to cut her palm with the stake just to hurt Elena even more. Katherine is about to stake herself in the stomach when Stefan stops her. Bonnie tells Elena that she can’t undo the linking spell, but that she can do a spell to take some of the pain away. Jeremy comes back to Bonnie and Elena and tells them Katherine has a witch on her side. Bonnie realizes it’s Lucy, the mystery woman she got the vibe from, and runs away to find her. Jeremy offers to give Elena his Gilbert Ring in case they try to kill Elena through Katherine, but Elena prefers to know that Jeremy is safe. Katherine reminisces about the old times in 1864 to the Salvatores, making snide comments about what a bore Damon was back then and how much of an inconvenience his obsession with her was. Stefan asks Katherine why she was working with a werewolf (Mason). Damon tells him not to waste his breath, mockingly apologizes about killing Mason and Katherine explains that Mason isn’t the only wolf in town.
Sarah asks Matt and Tyler what happened to Aimee, and the boys don’t know. Matt purposely spills alcohol all over the floor of the office and over a picture of his deceased father. Tyler asks Matt what’s wrong with him. He gets Tyler mad by saying mean things about his father and bringing up the times that his dad beat him, and breaks the frame of the picture. Even though Tyler says: “I’m not gonna fight you”, Matt makes the first move and they start fighting anyway, Matt because he is compelled to, and Tyler in order to defend himself. Caroline walks through a room, still smiling about her achievement, when she hears Tyler and Matt fighting in the office. She runs into the room, asking what’s going on. She pulls Matt far away from Tyler. When Matt still won’t stop, Caroline elbows him in the face and knocks him unconscious. Tyler looks at her, shocked about her strength. She immediately looks if Matt is okay. Meanwhile, Sarah grabs a knife, muttering: “If Matt fails, I can’t.” Caroline sees her coming and starts to warn Tyler, but it’s too late; Sara stabs him in the clavicular area with a knife, and he instinctively pushes her away. She falls backwards, and her head hits the edge of the desk and cracks her neck, dying immediately. Tyler is shocked and doesn’t know what to do when Sarah doesn’t wake up. Caroline checks her pulse and realizes she’s dead. Tyler freaks out, starts screaming in pain and his eyes change colors, signifying the werewolf curse being triggered. Damon, Stefan and Katherine are still waiting for Katherine’s witch, Lucy. Stefan realizes something. He remembers that she told him that she gave George Lockwood something that he needed to make him help her fake her death. He figures it’s the moonstone. He wants to know why she needs it back, but Katherine just changes the topic and says: “I love you in a suit. So dashing.” Meanwhile, Stefan figures the moonstone wasn’t hers to begin with and asks who she was running from in 1864 when she faked her death. She changes the topic again, saying that in 1987, while Stefan was in a concert with Lexi, she was there to see him. Stefan asks her again who she was running from and she just whispers: “I love you.” Bonnie finds Lucy. She walks away when she sees her, but Bonnie follows her. She tells her her first name and says: “I should’ve known I’d run into a Bennett.” Bonnie wants to know how she knows her. She says she doesn’t want to fight her and that she will stop the spell that links Elena to Katherine if she gives her the moonstone. Lucy finally tells her about Katherine: “The bitch saved my life. And now I owe her.” She’s about to leave, when Bonnie grabs her arm. Lucy senses that Bonnie has the moonstone on her. “Can you feel that?” she then says, “You can trust me. Give it to me. It’s okay.”
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Upstairs, Damon is about to kill Katherine with a stake, but Stefan holds him back. Damon says: “The second the spell’s lifted, I’m gonna drive a stake right through your heart.” Katherine isn’t scared, just says: “God, you’re hot.” Lucy appears and gets their attention. She has the moonstone in her hand and tells Katherine that the spell is broken and that she can leave. “When I hand this over, my dept to you is over,” says Lucy. “I owe you nothing.” Katherine agrees and she gives it to her. Then suddenly Katherine starts gasping and falls. “You should’ve told me another witch was involved,” says Lucy. She also says that Elena is fine and that the spell is broken and explains that with Bonnie with her, she will heal quickly. She apologizes for her involvement to the Salvatores and leaves. Caroline explains a different version of how Sarah died to Carol. After she leaves, she tells Tyler that Matt is in the car sleeping it off. Tyler asks her why she is covering for him. He says she doesn’t know what it means that Sarah’s dead. Caroline says she does, but Tyler shakes his head. She asks if his wound has healed and he asks: “How did you…?” Lucy is walking away from the house and Bonnie asks her to wait. She apologizes and makes it pretty clear that she is not more of a fan of vampires than Bonnie is. She asks Lucy how she could know she could trust her, and Lucy responds by asking her if she’s ever felt that feeling before. Bonnie says that she has felt it before around family and her Grams. Lucy says that they’re cousins. She says seeing her was a wake-up call, that she has to stop letting vampires control her. She thanks her and leaves. Bonnie asks her to wait again, saying she has so many questions and that she doesn’t want to be in the middle of all of this either and asks her how to stay out of it. Lucy says: “Unlike me, you’re one of the good ones, Bonnie. The middle of it is exactly where you need to be.” She tells her to take care and that they’ll see each other again and finally leaves. Bonnie looks after her. Jeremy walks over to her, saying he’s going home and offers her a ride. He sees her face and asks if she’s okay. She nods, giggles, and asks him when he got his driver’s license. Jeremy laughs and tells her he’s not a kid anymore. She says she’d love a ride home. Stefan sees Elena outside. She promises she will see a doctor about the wounds, but assures him that she’s okay. She asks if Katherine is really gone. Stefan nods. They smile at each other. Stefan says he was so worried and comes closer to her, but Elena moves him away. “Katherine being gone, it doesn’t change anything for you, does it?” he asks. “I wanna be with you, Stefan,” she says, “You know that. But first, I need to wake up and know that the people that I love are safe. I need to feel safe. Do you understand?” Stefan says he does, even though he looks sad. Elena slowly walks away. Katherine is seen waking up. She is in the tomb, but still has the moonstone. She wants to get out, but she is trapped in the tomb by a new trapping spell. Damon appears outside of the tomb. When she asks him where she is, he says: “Where you should have been all along.” She says he should have just killed her, but he retorts that death would have been too kind. Damon is almost done closing the heavy door to the tomb when Katherine pleads: “No. Damon, don’t. Damon. Don’t. You need me, Elena’s in danger.” Damon stops for a moment and furrows his brow. “From who?” he asks. Katherine refuses to answer. “You’re lying,” Damon says, “You’re always lying.” Damon closes the door further. “Why do you think I haven’t killed her?” asks Katherine. “Because she’s the doppelgänger! She needs to be protected.” “Then I’ll protect her,” says Damon, “While you rot in hell.” As he finally closes the door, Katherine starts screaming and begging desperately: “No. Damon, don’t. I’ll do anything, please, Damon, you need me. You need me. You need me!” She bangs her fist against the door and screams “You need me!” again, but Damon walks away, but not before swallowing hard.
Elena is in the driveway at the Lockwood’s and is on the phone with Jeremy. “Yeah, Jeremy, I’ve got my car. I told Bonnie, whatever she did, I’m starting to feel better. Yeah, you can drive her home. I’m just gonna go straight to bed. Okay.” She hangs up and suddenly, a masked man appears behind her. Elena realizes someone’s following her. She turns around and the man places his hand on her mouth so she can’t scream and carries her away. It is somewhat surprising that Katherine has been defeated this early in the season, but I am not complaining. The Vampire Diaries moves quickly, and it is better to move on before Katherine becomes one of those tiresome villains who can never be defeated. Although the show is wise to keep her alive; she hints that Elena is still in danger and that she has some information. I’m sure we will be getting back to Katherine and her information sooner or later.
GHOST WORLD
 Damon is seen tied to a chair with chains, and a poker in his chest. He notices his ring is on the ground, and tells Stefan that’s a low blow; Stefan comes in, telling him he didn’t do any of that. Stefan plucks the poker out, and rips off the binds on his hands, but leaves him chained. Mason, standing in the shadows, opens the curtains and lets Damon burn for a while. It is the Night of Illumination in Mystic Falls and everyone is helping out, hanging paper lanterns. Carol Lockwood introduces Tobias Fell, who gives a history lesson. Jeremy asks Alaric what they are doing there, where Alaric explains Tobias is the head of the history department, and why he’s there. Elena joins them and asks what she has missed, Anna (who is tethered to Jeremy still) gives a witty reply which Elena can’t hear, but Jeremy said she missed nothing. He laughs at something Anna says, which confuses Elena. Anna smiles, and takes Jeremy’s hand. Caroline asks Bonnie whether the spell she did would make Anna disappear too, which she replies no and explains Jeremy still has a direct line to the Other Side, and could see Anna whenever he wished. Bonnie says she took a risk bringing Jeremy back, and was now paying the consequences for it. Damon arrives in his car, and tells Bonnie that she messed up during her spell because Mason Lockwood is now after him for revenge.
At the Mystic Grill, Elena asks for Jeremy’s help with Stefan, wondering if he could contact Lexi—an old friend of Stefan’s that always had a way to bring him back from his ripper ways. Jeremy said he’s not sure if she’s even on The Other Side and he had no previous connection to her whatsoever. Bonnie asks Matt whether he’s contacted Vicki again, and he swears he hasn’t. Caroline asks why she thinks it’s Vicki and not Mason, to which she replies that if any other ghost has a foothold, something is very wrong. Bonnie grabs her bag, but her grimoire falls out, and it flips open to a Manifestation spell, used to reveal veil matter – ghosts. Alaric is not too comfortable with the idea of bringing back dead vampires, seeing as they already have enough vampires as it is. Anna silently tells Jeremy that not all ghosts go to the other side, that some find peace. Stefan joins them at the table, picking up his diaries, wondering how he could have cared so much. Stefan tells Elena it would be better if she moved on and let go of her feelings for him. At the place where the witches were burned, Bonnie and Caroline start setting up to do the Manifestation spell. Jeremy questions Anna why she didn’t want Elena to know that she was there, and Anna replies that she wouldn’t like it, seeing as Bonnie is Elena’s best friend. Jeremy is extremely confused with his feelings, tells Anna he always loved her, and kisses her.
Bonnie does the spell, and Grams appears to her, holding her hands – all over town, ghosts of previous vampires start to appear. Elena walks in on Jeremy and Anna kissing, finally being able to see her again. Lexi appears to Stefan who’s shocked. Mason appears to Damon and Alaric at the Grill, and knocks him over the head with a glass. Lexi tells Stefan he’s off the rails, and that while she’s materialized in the real world, she’ll help him out of his mess. Lexi knocks Stefan unconscious after he refuses her help. Bonnie is emotional at seeing her Grams. Sheila tells Bonnie that the Original Witch unleashed everyone who had unfinished business – she has to close the “door”, by destroying the talisman of the Original Witch. Anna overhears Caroline and Elena on the phone talking about the necklace, and she disappears. Elena walks out and bumps into Lexi, where she thanks her for thinking about her that day, bringing her back. Lexi tells Elena to come with her, as she could help Stefan. Mason tells Damon he’s not after revenge, but an apology. The truth is he’s there to help Tyler. Mason heard of a way to be able to kill an Original, and that the secrets are in the old Lockwood basement. In the City Jail, Lexi has tied Stefan to the torture chair. Lexi looks at Stefan in the eyes and gets inside his head, making him hallucinate. Damon goes to the basement where Mason is waiting for him, and they break through a wall, which reveals a tunnel, which they start to climb through.
Stefan is starting to struggle, screaming to get out and Lexi starts to count the total years he’s been without blood as he’s hallucinating. Caroline calls Elena and tells her the necklace isn’t where Damon said it would be. Elena says they should hold off on stopping the ghosts, and they need to help Stefan. Jeremy is shown to be searching for Anna. Frederick walks over to where Anna is standing in the celebrations, saying they have some unfinished business with the Founding Families. A scream erupts and Tobias Fell is shown, dangling from a tree, dead. Stefan is starting to beg Elena to release him, he’s sorry and that he loves her. Lexi warns her that he’d say anything to get out of there. She goes on to say that he’s now getting past the blood and he could feel things – she demonstrates this by stabbing him on the arm. Elena rushes off, not being able to handle it. Walking around the corner, she is greeted by ambulance lights and a body being taken away. Caroline and Bonnie are still searching for the necklace, but can’t find it anywhere in the Salvatore house. Caroline gets a suspicion that Anna could have perhaps taken it, and asks Jeremy about it. Anna tells him no. Back in the caves, Mason is leading Damon through the tunnel. Damon walks forward and is struck by stakes, puncturing him in the sides
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Elena confronts Jeremy about Anna being missing, and that she was the only one who knew about the necklace being needed to send the ghosts away. Jeremy fesses up and tells Elena he can touch Anna, and that he loves her and always will. Elena asks him whether he will love a ghost for the rest of his life. Anna reappears and Elena tells her she’s holding Jeremy back. Anna holds up the necklace for them to see, and Elena instructs Jeremy to call Bonnie with the news that they have the necklace and can send the ghosts away. Mason comes back to Damon and breaks off the stakes. Damon can’t believe that Mason isn’t after revenge, but redemption. Mason only wants to help Tyler. Bonnie and Caroline drive back to the Witch House, but see Carol Lockwood’s car and the tomb vampires approaching it. Caroline gets out and attacks. Jeremy tells Anna that they will still be able to see each other afterwards, and that they have nothing to worry about. Anna says that it should be the end, and that she is holding him back from his life. She is sorry she took the necklace, but hoped that with the tomb vampires out, maybe she would get to see her mother. Lexi repeatedly stabs Stefan with a stake – Elena enters and tells her they are running out of time, and the necklace will be destroyed. Lexi uses the necklace as determination, telling Stefan to focus on that as it once gave him hope. Damon cannot get into the small cavern, as it somehow looks like he has to be invited in. Mason goes on ahead of him to look at the cave walls. Bonnie starts to recite the spell, and her Grams joins her, resulting in the necklace being destroyed in the fire. Caroline is seen fighting off the tomb vampires. Frederick gets a hold on her neck, but he disappears, along with Mason in the cave and Lexi at the city jail. Anna sees her mother, Pearl, and they embrace, disappearing together, finally able to rest in peace. Grams is the last to disappear, telling Bonnie she is very proud of her. In the caves, Alaric arrives to help Damon out. Damon again gives the same apology he gave Mason Lockwood, but genuinely meaning it. In the city jail, Stefan asks Elena what she’s gonna do now and if she’s gonna wait till he dries out. Elena says that she’ll go home and be the support her friends need right now. She’s is headstrong and still has hope for him. Elena comes to stand right in front of Stefan, telling him to fight for it, to feel something, because if he doesn’t, he will lose her forever. “I won’t love a ghost for the rest of my life,” she says to him. Jeremy goes to Bonnie, telling her he is sorry. She sends him away, not being able to handle his betrayal. Noises and sparks erupt from the fireplace, and on closer examination, Bonnie sees the necklace’s quality is restored. In the cave, Alaric finds drawings on the wall, yet doesn’t know what they are.
All of the ghosts’ disappearances were handled well, from the heartfelt reunion of Anna and Pearl, or Mason, Grams and Lexie leaving after accomplishing what they needed to do, to the tomb vampires vanishing just in time before they overwhelmed Caroline.

MONSTERS BALL

After Professor Wes Maxfield (Rick Cosnett) killed Jesse (Kendrick Sampson) at the end of the last episode, this episode starts with him performing experiments on Jesse for unknown reasons and it seems that this is not the first one. Meanwhile, Elena (Nina Dobrev) attempts to deal with Bonnie’s (Kat Graham) death by distracting herself with her research about Megan’s death and why Professor Maxfield covered the reason she died. While she ponders how to get the information she needs, she sees someone at Megan’s grave. She approaches the stranger and asks him his name and if he knew Megan, but the man seems reluctant to answer her questions. It is later revealed that the man’s name is Aaron (Shaun Sipos) and Professor Wes is his guardian. Wes asks Aaron to stay away from Elena and then, on an encounter with Elena at the Whitmore Historical Ball, he tells her to leave college and go back to Mystic Falls with her friends as there are people at Whitmore who are watching her. Tyler (Michael Trevino) returns for Bonnie’s funeral and spends some time with Caroline (Candice Accola) who still tries to convince him to cease what he is doing and come to college. Tyler informs her that he cannot let Klaus get away with what he did to his mom, Carol, and that he will hunt him down and kill him. Caroline tries to change his mind with no such luck. The two part ways, ending their relationship.
Nadia (Olga Fonda) still has Katherine captured and Silas (Paul Wesley) commences to try to find them but is unable to without his mental power. Katherine consistently asks Nadia what she wants from her and Nadia reveals to her that she is her daughter whom she left behind in 1492 and the only reason she became a vampire was to find her. In the meantime, Damon (Ian Somerhalder) tells Jeremy (Steven R. McQueen) his plan about how they can bring Bonnie back to life. Because someone has to die to bring another back, Damon says that they should take advantage of the fact that Silas wants to die to be with his true love, Amara, so that Bonnie comes back. They have to work with Silas to do so and Bonnie does not agree with the idea. Damon meets Silas to inform him about his plan and Silas agrees but own his terms; he wants Damon to “kill” his brother. By “killing” Stefan, the link between the two of them will be broken and Silas will have his mental power back. Damon just has to keep Stefan “dead” as long as Silas will be pretending to be Stefan so he can get the information he needs from Quetsiyah’s (Janina Gavankar) head.
The plan goes well until the moment Stefan escapes from Damon before he “kills” him again and lets Quetsiyah know that she is talking to Silas and not him. Quetsiyah becomes enraged, reaches into his heart and twists it whilst making a spell causing it to stop. The spell turns Silas cold and grey and unable to move or do anything, but not dead. Damon and Elena find him and take him back to the Salvatore house. Katherine arrives at the Salvatore home after Damon calls her and she is happy to see that Silas is gone, unbeknownst to the real reason Damon called her, to use her to bring Silas back. Silas starts to wake up after feeding on Katherine and while Katherine should be dead after this, she also wakes up with Elena and Damon not knowing why.
Though not the most surprising or action packed episode of The Vampire Diaries, “Monster’s Ball” was full of enough emotion to overshadow these minor missing elements.
THE WORLD HAS TURNED AND LEFTED ME HERE
Trip (Colin Ferguson) calls Stefan (Paul Wesley) to thank him for turning in Enzo (Michael Malarkey) and informs him that he is trying to get out of him all the information he knows about vampires. Enzo told him that there is a vampire in Savannah, where Stefan is, and that leads Stefan to get back to Mystic Falls with Ivy (Emily C. Chang) to avoid the vampire hunters. Stefan arrives at Caroline’s (Candice Accola) dorm and asks her help with Ivy. Caroline tries to keep Ivy in the dorm but Ivy snaps her neck and gets away. When Caroline wakes up, she tries to reach Stefan while she is out searching for Ivy, but he is not answering his phone.Ivy finds a guy and attacks him but she manages to stop feeding on him before she kills him. She tries to compel him but she does not know how to do it. To make sure that she will not kill him, she asks him to run away. In the meantime, Stefan listens Caroline’s messages and comes back. When Caroline asks him where he has been all day, he admits that he was on his way out of town. Caroline is shocked that he would leave town leaving Ivy with her. Angry, she asks him to leave and then Ivy calls for her help.
Elena (Nina Dobrev) invites Liam (Marco James) to the annual “Homecoming Corn Maze” party as her date. She also convinces Alaric (Matt Davis) and Jo (Jodi Lyn O’Keefe) to go since they both need it but they have no idea that Elena planned it this way to set them up. While everyone being in the corn maze, the guy that Ivy attacked jumps in front of Tyler’s (Michael Trevino) car and Tyler, on his attempt to avoid him, drives through the corn maze injuring many people, including the guy who jumped in front of him. Tyler is terrified and calls Elena to tell her that he was the one driving the car and she needed her to heal the person he injured. Elena tells him that there are many injured people and Tyler does not know what to do.
Jo and Alaric try to help those who got injured while Liam and Elena do the same. Liam finds a girl who is deadly injured and asks Elena’s help. Elena tells him that she can handle it and he should go to help others. When Liam leaves, she feeds the girl her blood healing her and then compels her to forget about it. On their way out, Liam sees the girl alive and well and gets suspicious of what happened. When he asks Elena about it, Elena denies to tell him the truth and kisses him as a distraction.  Meanwhile, Liv (Penelope Mitchell) finds Tyler and tries to help him. When they find out that there is nothing they can do to save him, Tyler is desperate since his curse will be activated again, but Liv decides to kill the guy before he bleeds to death, so she will be the one who killed him and not Tyler. Back at the hospital, Jo confess her feelings to Alaric but Alaric compels her to forget about him. The compulsion though does not work on her and Jo kisses him before she leaves. Caroline is on her way to find Ivy but Tripp gets to her before Caroline. He shots her with vervain and takes her away while Caroline watches from her car in shock.
Back in 1994, Damon (Ian Somerhalder) tries to convince Bonnie (Kat Graham) that it is fine to take Kai (Chris Wood) with them because they will kill him the moment they go back but Bonnie does not agree to free him. When she realizes that Kai does not know the spell, she kills him and tries to find the spell on her own in her grandmother’s Grimoire. Bonnie finds the spell and she and Damon get ready to get back home but Kai, who did not die, appears and shoots Bonnie with an arrow. Damon and Kai start to fight and when Bonnie realizes that she will not make it, she uses her magic to at least send Damon back leaving herself behind with Kai.
The episode ends with Stefan going to the Salvatore crypt and talking alone about his dead family and Damon. While he is there, Damon appears telling him he is alive and back and the two brothers reunite.
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The episode was pretty solid and took viewers on emotional journey filled with ups, downs and some shocking twists. Also it had a nice cliffhanger with the fate of several characters in question.

I CARRY YOU IN MY HEART WITH ME

Damon said goodbye for now to Elena during “I Carry Your Heart With Me,” and Alaric said hello again to Jo.That’s right, ladies and gentlemen. The Phoenix stone works! It’s unlikely that this resurrection spell is going to come with no consequences. Resurrection spells, messing around with the laws of life and death, never come without their issues in this world. But that’s okay. We’ll deal with that later. Thanks to the flash forward, we know that the Phoenix stone resurrected not just Jo but also their girls. Twin girls. The Gemini coven has been reborn. Maybe they’ll figure out a way to prevent that whole twin-absorption merging thing that caused a lot of family drama, but if not, my money’s on Josie being the stronger of the two.

The Vampire Diaries -- I’m still not buying that Enzo is in love with Lily and wants to be with her romantically. I think it’s a ploy of his to stay in Mystic Falls and keep whomever happens to wander into town safe. Sure, he brought home a body, but that was more of a peace offering for Valerie than anything, right?

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He’s smart to want to know about Julian and who he was, and he’s smart enough to know that Lily’s a lovestruck, idiotic idealist when it comes to her family. There is no part of me who believes he wants to keep Julian away so that he can have Lily to himself. Enzo just sort of understands that if Lily would fall for this guy, he cannot be a good man. Keeping Julian away is for the good of everyone. Speaking of Lily, she does have a type. Damon was right when he said she prefers the sons who can’t control their bloodlust, and Oscar definitely couldn’t once he was resurrected. Whether that bloodlust is just who Oscar is or whether it’s a weird side-effect of the Phoenix stone remains to be seen. So far, I’m leaning toward Oscar is a blood-thirsty maniac who just can’t stop. That explains the body count in Myrtle Beach and his ravenous feeding frenzy post-awakening.
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It’s time for Damon to let Elena’s body rest. If he’s going to live, move on, whatever, he cannot do it with Elena’s physical presence beside him. He can’t keep her safe, and he has no idea who he is without her. Holding on to her body is his way of holding on to her, and the only reason he’s doing that is because he doesn’t trust himself to be a good man without her. He’s already shown moments of it when he’s protected Matt. In fact, listing “keeping Matt Donovan” alive as one of the reasons he wants to move back to Mystic Falls is a huge sign that he’s already become someone Elena would be proud to know. He can do this. Letting go was the first step

REVIEW: THE VAMPIRE DIARIES -SEASON 1-6

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MAIN CAST

Nina Dobrev (Never Cry Werewolf)
Paul Wesley (Killer Movie)
Ian Somerhalder (Pulse)
Steven R. McQueen (Piranha 3d)
Sara Canning (Primeval: New World)
Kat Graham (Honey 2)
Candice King (Juno)
Zach Roerig (Rings)
Kayla Ewell (Impact Point)
Michael Trevino (The Riches)
Matthew Davis (Cult)
Joseph Morgan (Hex)
Michael Malarkey (The Selection)

RECURRING / NOTABLE GUEST CAST

Chris William Martin (Dollhouse)
Benjamin Ayres (Saving Hope)
Chris J. Johnson (Betrayal)
Marguerite MacIntyre (Red Dragon)
Robert Pralgo (Fast & Furious 7)
Susan Walters (The Flash)
Jasmine Guy (Dead Like Me)
Arielle Kebbel (Ballers)
Bianca Lawson (Beauty and The Beast)
Mia Kirshner (30 Days of Night: Dark Days)
Malese Jow (The Flash)
Gina Torres (Firefly)
Sean Faris (Never Back Down)
James Remar (The Shannara Chronicles)
Kelly Hu (Arrow)
Melinda Clarke (Spawn)
David Anders (Izombie)
Spencer Locke (Resident Evil: Afterlife)
Taylor Kinney (Zero Dark Thirty)
B.J. Britt (Agents of SHIELD)
Tiya Sircar (The Internship)
Maiara Walsh (The Starving Games)
Natashia Williams (Smiley Face)
Lauren Cohan (Chuck)
Trent Ford (Smallville)
Daniel Gillies (Young Hercules)
Dawn Olivieri (American Hustle)
Stephen Amell (Arrow)
Michaela McManus (Law & Order: SVU)
David Gallagher (Super 8)
Jack Coleman (Heroes)
Sebastian Roche (Odyssey 5)
Claire Holt (Mean Girls 2)
Anna Enger (Anchorman 2)
Alice Evans (Lost)
Torrey DeVitto (The Rite)
Robert Ri’chard (Veronica Mars)
Perisa White (Blood Dolls)
Nathaniel Buzolic (Out of The Blue)
Cassidy Freeman (Smallville)
Casper Zafer (Coffe Sex You)
Michael Reilly Burke (Mars Attacks)
Todd Williams (San Andreas)
Grace Phipps (Scream Queens)
Phoebe Tonkin (The Secret Circle)
David Alpay (Ararat)
Alyssa Diaz (Red Dawn)
Madeline Zima (Californication)
Rick Worthy (Collateral Damage)
Cynthia Addai-Robinson (Arrow)
Charles Michael Davis (Battle Scars)
Daniella Pineda (American Odyssey)
Leah Pipes (Fingerprints)
Callrd Harris (The Real St.Nick)
Eka Darvill (Spartacus)
Olga Fonda (Real Steel)
Hayley Kiyoko (Scooby-Doo 3 & 4)
Rick Cosnett (The Flash)
Janina Gavankar (The L Word)
Kendrick Sampson (Gracepoint)
Shaun Sipos (Texas Chainsaw 3d)
Caitlin McHugh (I Am Legdn)
Penelope Mitchell (Curve)
Chris Brochu (Soul Surfer)
Raffi Barsoumian (NCIS)
Colin Ferguson (Eureka)
Jodi Lyn O’Keefe (Halloween: H20)
Emily Chang (Total Recall)
Gabrielle Walsh  (The Hive)
Marco James Marquez  (The CLient List)
Chris Wood (Supergirl)
Tristin Mays (The Wedding Ringer)
Annie Wersching (Bosch)
Christopher Cousins (Wicker Park)

 


There are vampires, and there are indeed diaries. One of these diaries is being kept by Elena Gilbert (Nina Dobrev). Elena’s been writing down her thoughts for quite some time now, but in these dark days, her diary is her only outlet for the way she really feels. She’s still reeling from the deaths of both of her parents just a few short months ago, and while she tries to present a smiling face to the world at large, she’s emotionally ravaged inside. Elena has been keeping almost everyone around her at arm’s length, dumping one of her oldest friends who she’d only recently started to date and tearing just about every last page out of her social calendar. She’s dead inside.

Stefan Salvatore (Paul Wesley), meanwhile, is dead, period. He too keeps a journal, although having been alive…well, undead…for around 150 years, Stefan has had quite a bit more to write about than Elena. One of the first things Stefan did upon his return to his ancestral home of Mystic Falls, Virginia is re-enroll in high school. As an eternal 17 year old, he doesn’t run into any trouble looking the part. It certainly doesn’t hurt that as one of the few surviving vampires who doesn’t sizzle and smolder under the light of day, there’s little reason for anyone to suspect that Stefan is one of the undead. Stefan and Elena are inexorably drawn to one another, and the two of them are almost immediately established as a couple. Epic romance. Moony eyes. You know the drill.

Stefan can’t escape his blood. You can take that in the most literal sense: there’s the blood he must ingest in order to survive, although he’s long since sworn off feeding from humans, living instead off of small animals in the woods around his palatial family estate. This makes it easier to for Stefan to more seamlessly blend into mainstream society rather than feasting off it from the fringes, but it leaves him weaker than most other vampires as a result. It’s just not as potent as what’s coursing through our veins. There’s that sort of blood — the crimson, sticky kind — and then there’s the blood of his family. Stefan’s brother Damon (Ian Somerhalder) is also a creature of the night, and he long ago swore to make every last second of Stefan’s existence an eternal hell. Damon kills without hesitation…not only to feed, and not only to hide the existence of vampires from the world at large, but simply because he likes it. There’s more to Damon’s return to Mystic Falls than revenge, though. There’s a much greater — a much darker — motivation behind it all. At the same time, Mystic Falls isn’t being caught as unaware as Damon might like to think.

The Vampire Diaries finds its footing startlingly quickly. Take Buffy the Vampire Slayer and Angel, for instance: as universally adored as those two series are, neither of them were really any good at all until the tail-end of their first seasons. Even with as strong as Supernatural quickly became in its first year, it got off to somewhat of a shaky start, and a fair number of the episodes from its first season are hit-or-miss. The Vampire Diaries, on the other hand, is just about perfect by the time the third episode rolls around. There really aren’t any weak episodes after that. There’s no filler dumped in just to pad out the rest of the season, and it doesn’t spin its wheels the way a lot of shows do when leading up to the big finale. It’s impressive enough that The Vampire Diaries hits such dizzying heights in its very first season, but to maintain that sort of consistency across virtually every episode…that’s exceptionally rare.


Admittedly, its pilot is kind of slow moving and sputters a bit, but the second episode is quite a bit stronger, and you’ll know from the end of “Friday Night Bites” if you’re in it for the long haul. Even with all of its genre underpinnings, at its core, The Vampire Diaries is a soap opera, complete with dead parents, drug abuse, adoption drama, alcoholism, and lots and lots of relationships. Don’t go in expecting it to be a Buffy clone or a Supernatural knockoff. The elements that make those series so brilliant are showcased here as well, but action, horror, and a snarky sense of humor don’t dominate. The great thing about The Vampire Diaries — and I write this from the perspective of someone who’s not the usual target demographic for this kind of show — is that the soapier elements are never overwhelming either. For instance, as the series opens, Elena’s younger brother Jeremy (Steven R. McQueen) has turned to drugs in a failed attempt at trying to cope with the sudden deaths of his parents. In any other show, there’d be some sort of big, overwrought intervention…drenched in syrupy strings, a heartfelt monologue, and saucer-plate weepy eyes. That, or he’d bottom out in some sort of cartoonishly over-the-top way. Because The Vampire Diaries is so respectful to its characters and its audience, it doesn’t trot down either of those paths. People try to reach Jeremy and fail. He has to arrive at the decision to improve his lot in life himself, and he quickly does. Though Jeremy is certainly given a helpful nudge, his maturation is handled quietly and convincingly. The Vampire Diaries doesn’t have all that much interest in settling for the obvious, and it resists wringing out drama from the same plot points episode after episode.

Every episode has some sort of intensely action or horror driven sequence to unleash, and some sort of shock or surprise is always lurking around the next corner. I seriously found myself shouting at my TV — the good kind of shouting! — with the way The Vampire Diaries so deviously caught me off-guard over and over again. The twists are also well-thought-out and wholly earned, not just lazily yanking out the rug. Very few people here are safe, and characters I assumed would be a fixture for the entire run of the show are suddenly slaughtered after a few episodes. The cinematography can be impressively cinematic as well, and quite a few moments of “You’re Undead to Me” and “Haunted” in particular look as if they could’ve been culled from a big-budget Hollywood horror flick. Especially once the pilot has come and gone, the pace screams along at a very steady clip. There are never really any threads in the storyline that are left dangling for long. Plot points that look like they’d be dragged out over the course of the first season or two are instead revealed a third of the way through. Key moments that feel like they belong in the season finale swoop in closer to the halfway mark. I mean that as the highest compliment too. Nothing ever feels rushed or underplayed. It’s all presented quickly enough to keep The Vampire Diaries from stagnating but is still given enough time to have a meaningful impact…it’s a perfect balance. Also, every episode offers some sort of payoff to something established earlier, and there’s generally some kind of reveal as well. So much happens that part of me honestly wonders how they can keep up this manic pace in season two, although the writers have very much earned the benefit of the doubt after this exceptionally strong first outing. I’m having a hard time thinking of the last show I watched with cliffhangers this consistently addictive too. Especially now that it’s out on Blu-ray, The Vampire Diaries kind of demands to be devoured in marathon viewings.

The cast and characterization straight across the board are particularly great. There’s something magnetic about every last member of The Vampire Diaries’ ensemble, and no weak links leap out at me. There’s certainly an effort to keep them even-keeled. There’s something likeable or sympathetic about most everyone. Each character has some sort of glaring flaw as well, and that includes Elena and Stefan. Elena isn’t some sort of impossibly perfect Mary Sue character. She has her shortcomings, and her friends and family aren’t afraid to call her on them and take her down a peg either. In most any other show, everyone in the supporting cast would be boiled down to a three or four word description: “horny best friend” or “hyperaggressive jock”…that sort of thing. They’d be defined less by who they are and more by what the plot requires them to do that week. In The Vampire Diaries, just about everyone is infused with quite a bit more thought and dimension. This may not be at all apparent at first glance. Some of the folks who at first seem destined to be dead air are soon given some additional depth. Well, that, or they’re quickly mauled.

The body count this season is kinda stratospheric, and it doesn’t hurt that the werewolves hinted at last year have started snarling their way into the series. Season two is teeming with all sorts of unrepentant killers, and the standout early on is Katherine. Nina Dobrev pulls double duty as the wholesome, responsible Elena and as the centuries-old scheming murderess Katherine (several very different incarnations of her, actually), and she’s more than a little bit awesome in both roles. The series milks a few really great jolts from the uncertainty of who you’re looking at, exactly — if it’s Elena or if it’s Katherine playing dress-up — and Katherine’s sinister smirk after she’s had her fun never fails to make me cackle. Katherine also subscribes to the theory that people don’t amount to much more than Happy Meals on legs, and the swiftness, ferocity, and complete lack of remorse as she cripples and murders one random girl just to prove a point winds up being one of the season’s standout moments. I do have to admit that later in the season, The Vampire Diaries’ writers seem to run out of really compelling things for Katherine to do, and her appearances start to pack less and less of a wallop. There’s a point to it, exploring a facet of the character that she’d just as soon refuse to acknowledge even exists, but it does seem anticlimatic with as much of a sultry, destructive force of nature as Katherine is early on. The Vampire Diaries more than makes up for Katherine’s descent into shrugworthiness by introducing a couple of truly ancient vampires — Klaus and Elijah — who are charismatic, startlingly compelling, and also regal and adult…an appreciated change of pace from a show where the monsters are generally played by witty early-twentysomethings.

Ian Somerhalder still stands strong overall as the best thing about The Vampire Diaries, scoring all the snarkiest lines and clearly having a hell of a lot more fun than anyone else in front of the camera. Still, despite being so manipulative, exploitative, hot-tempered, and occasionally murderous, the show still finds a way to keep him completely likeable and sympathetic. Some of the shades of gray with Damon are erased this season, and he’s much more overtly a dependable hero-type. I chalk that up as character development, natch, and the fact that he frequently does seem to approach becoming the man Elena wants him to be makes his slips back into monster-dom that much more tragic.

The Vampire Diaries season 2  is just a hell of a lot of fun to watch, screaming ahead at a manic pace and never settling into any sort of comfortable routine. It’s shockingly well-acted, there’s hardly any filler or unnecessary distractions, and The Vampire Diaries probably gets the nod as the most infectious and consistently entertaining drama I’m watching these days. Even the soapier stuff and the over-the-top melodrama winds up being more engrossing than I ever would’ve thought possible.

 

he third season of The Vampire Diaries is about family…or, rather, trying to hold onto one. Elena’s is all but gone, limited to just her increasingly distant brother Jeremy. The two of them have a surrogate father in Alaric, but even he’s content to set up shop on the couch rather than settle into one of the house’s depressingly vacant rooms. A fractitious family at best seems as if it could collapse at any moment. Elena and Damon both are desperately hunting for Stefan. The previous season closed with Stefan unleashing the monster within, swearing allegiance to the millenium-old original vampire Klaus. ‘The Ripper’ has resurfaced. Though he obeys Klaus’ every command to murder and maim, Stefan isn’t some mindless, manipulated slave; he relishes in the kill.

 

In any other series, Stefan would be back to his righteous old self within two or three episodes, but…well, this is The Vampire Diaries. Things will never be the same again. Klaus has much of his true family within arm’s reach, though he prefers to keep the bulk of them skewered and subdued. His aim is to raise a new family, one that’s both more loyal and more like him: a hybrid of vampire and werewolf. The birthing of this army proves to be far more difficult than Klaus could ever have dreamt, and his torment grows that much greater when he finds the family tree of his birth to be more expansive and more vengeful than once believed. The dominance of family this season doesn’t stop there. Hell, we learn that the existence of vampires at all is predicated on the idea of protecting one’s own. No one in Mystic Falls escapes unscathed from all this, with the sorceress Bonnie, undead Caroline, and lycanthropic Tyler all struggling with parents who’ve either turned their backs on them or can’t accept their children for who they now are.

The Vampire Diaries does so much right, and approaching the top of that list is its disinterest in convention. Stefan and Elena form the core of the series in so many ways, and yet it’s quite a while before the two ever share the same frame this year. They’re kept physically apart for far more of the season than I would ever have thought possible, and even after that point, they’re hardly ‘together’. Stefan has changed profoundly. He may never return to the unwaveringly good guy he once was, and the journey back proves to be a whole hell of a lot more grueling As the third season of The Vampire Diaries came to a close, Elena died. This year follows her rebirth as a vampire, although if Stefan and Damon have their way, Elena will be re-reborn soon enough.You see, there’s a cure for vampirism, entombed for two thousand years with an immortal creature known only as Silas. Even with the crypt on the other end of the continent and before embarking on one epic quest after another to unlock it, they all start fantasizing about what they’ll do if they ever get their hands on the cure.

They could shove it down Klaus’ throat and at long last end his reign of terror, although who knows what kind of collateral damage would result from slaying an Original. Perhaps it’s the shot at redemption that Rebekah has been waiting for. Maybe it’s a chance for Stefan and Elena to enjoy a long but less than eternal life together as humans. It ought to go without saying that not everyone will be able to get what they want, especially since they’re not the only ones in search of the cure. Supernaturally-fueled vampire hunters have started to make their presence known for the first time in ages, and they aim to strip Silas of his immortality and end him once and for all. Anyone who gets in their way is expendable, and it kind of follows that Elena’s vampiric bodyguards don’t pose much of a threat to seasoned killers engineered to butcher the undead.

Season four is largely shaped by those three plot threads: Elena coming to grips with her vampirism, the search for the cure, and the resurrection of Silas. Most everything else that happens this year is fallout from one or more of the above. One of the people closest to Elena is saddled with the mantle of a Hunter, and the path to Silas’ tomb can only be unearthed by having him slaughter as many vampires as possible…a compulsion he’s all too eager to indulge. Cut off from the source of her mystical gifts, Bonnie begins to embrace darker magic. They imbue her with the power needed to unlock Silas’ tomb, but this raw, boundless energy may consume Bonnie before she’s given the opportunity.

Season 5 the doppelganger of Stefan or “shadow self” in the form of Silas certainly keeps things interesting. Silas is one of the more intense bad guys of the show and while Silas appears as if Stefan (as is performed by the same actor), the differences between characters is huge. The same can be said for the continuing story-line of the other double, the seemingly identical look-alike Katherine (who continues to look the same as Elena, but also is nothing like her). In Season 5, Katherine turns from a vampire to a human (as the sole recipient of the long-sought vampire cure), and things are complicated because of it. Seeing the way that actors Nina Dobrev and Paul Wesley handle these scenes is part of the fun, and it’s an amazingly procifient example of the benefits of quality film editing to see the scenes where characters have interactions with one another as played by the same actor.

The production values of The Vampire Diaries are surprisingly strong for such a modest budget television production. The special effects are always minimally utilized so that when there are effects on the show they can count as something extra special. The efforts from the team that works on this show really impresses. The cinematography remains a constant things; always showcasing both the bright and dark elements of the storylines. The costumes fit with these performers well. The make-up department has their work cut out for them at times, and are capably bringing forth the supernatural elements to the show.

Considering relatively lower production costs compared to other network television series, it’s a very well produced creation that continues to impress with what the creator and producers have to work with.

In season six we get to find out what happened to Bonnie (Graham) and Damon (Somerhalder) after last season’s cliff-hanger, and what has become of the other side. There is also the introduction of a new coven of witches who have ties to some pre-existing characters. Last season’s new addition Enzo (Malarkey) also gets a much more beefed up role as well as back-story.

Amongst all of the new additions there are of course some exits, the most notable being that of leading lady. Audiences have spent the last six years investing in the life of Elena Gilbert, but now has come the time to say goodbye, and it isn’t easy. It’s not just Elena though as this year the show lost a total of four of its more long-standing cast members, and there isn’t going to be a dry eye in the house by the end of the season.

'The Vampire Diaries' Recap: Damon and Elena Return to 1994

What makes this box-set really special this season  is the extras. Thought has clearly been put into what to include, and it isn’t your standard deleted scenes and commentaries. Both of those elements are included, but the featurettes have been crafted with the true die-hard fans at the fore-front of their minds. Good Bit and Good Luck is an emotional documentary that gives the cast and crew a public forum to say goodbye to their co-stars. The second is a much more upbeat affair as the cast read out some of their favorite fan Twitter reactions to plot developments over the series. There’s never a dull moment in Mystic Falls and somehow, despite being over a hundred episodes old, the show manages to constantly reinvent itself and feel fresh. the cliffhanger leads into what is already starting to be an intriguing season 7.

 

 

 

REVIEW: THE ORIGINALS – SEASON 1 & 2

MAIN CAST

Joseph Morgan (Hex)
Daniel Gillies (Young Hercules)
Claire Holt (Mean Girls 2)
Phoebe Tonkin (Bait)
Charles Michael Davis (The Game)
Daniella Pineda (The Detour)
Leah Pipes (Sorority Row)
Danielle Campbell (Prison Break)

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RECURRING / NOTABLE GUEST CAST

Nathaniel Buzolic (Significant Mother)
Shannon Kane (Brooklyn’s Finest)
Eka Darville (Power Rangers RPM)
Callard Harris (Dallas)
Sebastian Roche (Odyssey 5)
Malaya Rivera Drew (The L Word)
Steven Krueger (Goosebumps)
Raney Branch (Ringside)
Todd Stashwick (Gotham)
Shannon Eubanks (The Patriot)
Yasmine Al-Bustami (Nashville)
Michael Trevino (The Vampire Diaries)
Elyse Levesque (Stargate Universe)
Peta Sergeant (Winners and Losers)
Chase Coleman (Boardwalk Empire)
Nathan Parsons (The Roommate)
Natalie Dreyfuss (2 Broke Girls)
Yusuf Gatewood (The Interpreter)
Daniel Sharman (Immortals)
Nishi Munshi (Bones)
Sonja Sohn (The Wire)
Colin Woodell (XOXO)
Alice Evans (102 Dalmations)
Lloyd Owen (Apollo 18)
Riley Voelkel (Prom)
Maisie Richardson-Sellers (Legends of Tomorrow)
Keri Lynn Pratt (Veronica Mars)
Nina Dobrev (The Vampire Diaries)
Meg Foster (Masters of The Universe)
Claudia Black (Stargate SG.1)

The Originals is a spin-off series based upon characters created and introduced in The Vampire Diaries, and it is a creation of writer Julie Plec, who is the head-writer and showrunner of both series. The concept of the show revolves around a group of characters referred to as being the ‘originals’ – i.e. the first vampires to ever exist. They also happen to be family. These original vampires have existed for centuries and have the longest history of all: a complex back-story which unfolds over the course of the series storytelling, which alternates back and forth with telling the long-running back-story of these original vampires while focusing on a modern day setting in New Orleans.The world of television has spawned an immensely high number of series that take on some sort of science fiction or supernatural aspect, and one of the most popular staples has been found in vampire tales: Buffy the Vampire Slayer, True Blood, and The Vampire Diaries being popular series chiefly placed amongst the pop culture echelon. Then there’s the fact that vampires are popular in films, too (including the teen-sensation series Twilight). Can another show join a lineup of other successful vampire-lore creations? It seems so, as The CW network has once again teamed with the creative mind behind The Vampire Diaries for another successful and entertaining entry in the genre’s growing list of successes.The cast consists of Klaus (Joseph Morgan), Elijah (Daniel Gillies), Hayley (Phoebe Tonkin), Marcel (Charles Michael Davis), Camille (Leah Pipes), Davina (Danielle Campbell), Sophie (Daniella Pineda), and Rebekah (Claire Holt).

The basic plot of the series is to revolve around the story of the original vampire family after they decide to return to their former home in New Orleans. Upon returning, the originals find that the land they once knew has changed a great deal and their home and rule has been replaced by a character they once considered their own: Marcel. Meanwhile, there is also a war is brewing between vampires and witches and things complicate with Marcel working with a powerful young witch named Davina, who has abilities that could pose a threat to all the vampires.

Image result for the originals house of the rising sunKlaus, Elijah, and Rebekah are the main characters of The Originals. They are each returning characters from the Vampire Diaries universe. Klaus continues to make things difficult for everyone with his typical brooding self getting into the way of other vampire’s own agendas. Klaus finds a friend in Camille, a psychologist major who starts to have an unlikely connection to him. Meanwhile, Klaus’s blood-line as a werewolf/vampire hybrid (and his one-night stand with Hayley) results in Hayley’s pregnancy and a cult following for a baby born to a vampire. Elijah acts as if a guardian vampire of sorts who keeps his word (but who can also go totally vampire-bananas at times, as “necessary”), and Rebekah is a insecure and lonely vampire who gets into lots of mischief, causing problems for the originals (amongst others), but who really just wants a friend by her side and to be a normal human again. Of course, these characters (and their back-stories) lead to lots of surprising revelations and storytelling detours over the course of the show.

Marcel is a past connection to the original vampires who is now calling himself ‘the king’ and is ruling over New Orleans vampires as a sort of leader-vampire who calls the shots and has a big company of “minions” working for him (so to speak). Marcel makes vampires do his bidding to keep New Orleans a vampire-safe haven. Vampires will do his bidding to try and earn ‘daylight rings’, which allow for a select few to live in the day. There’s a big history between Marcel and Kalus, too, as Klaus raised him when he was a boy.

Aside from the pilot, which combines too much footage found in the “backdoor pilot” produced on The Vampire Diaries Season 4 under the title “The Originals”, the series finds a distinct and interesting creative voice. The first episode is a bit disappointing for fans of both series as it had borrowed so much (some scenes were basically “copy and paste” versions already featured upon the former), The Originals is interesting, original, and well-made with quality writing/directing. Assembling a hugely talented group of people for the production, the series reunites many of the same behind-the-scenes crew who made The Vampire Diaries a huge success, from some of the cinematographers, to the costume designer, o the composer to the production designer. It’s a big family of creative talents who united to create this compelling drama series.

The Originals has many things in common with its predecessor – starting with the fact that the characters that predominately reside are many of the same characters featured on The Vampire Diaries, but now with expanded roles – and that the group of writers and directors responsible for making the program are largely from the same creative pool. Yet it’s still a standalone series that newcomers who aren’t as familiar to previous lore should be able to discover. It offers a slightly different storytelling approach, though stylistically it shares a lot in common. If one can like The Vampire Diaries then they will surely enjoy The Originals, and vice-versa, so there’s certainly room for the show to both be followed by longtime fans of the characters and perhaps by new audience members.

There have been so many vampire series and films that the market seems flooded with them and it can be a bit frustrating to see so many stories being told simultaneously with this concept. It’s certainly a concept that has been done again and again, and shows no signs of going anywhere. Yet the good news is that there are still writers who are telling vampire stories with writing of note, who are drawing forth more interesting elements by focusing on the dramatic elements more than anything else. This is a perfect example of what is happening here: the writing is elementally the main key to the quality of the program, and in this case, that’s a good thing. The writing here is solid. Fans of quality storytelling who have an inclination towards the supernatural genre will find this to be a well-produced, written, directed, and acted program. Without a good storyline backdrop, one could easily see The Originals being a faltering series. Yet there was more than enough storytelling potential for the core group of characters as seen in the storyline its parent series offered, and the writers have expanded on that universe of ideas so that a fully-fledged program can exist. This is a series well worth seeing out as one of the more interesting programs currently on air. Television viewers who enjoy a well told story will find much to appreciate.

Now that The Originals has made it to season two, the writers aren’t wasting any time with formalities. “Rebirth” brings back some familiar names with brand spanking new faces. This episode doesn’t really introduce viewers to the returning characters, as it makes the broad generalization that you’re already familiar with them from The Vampire Diaries – despite their dramatic new looks. Instead, it delves right into the setting the stage for a reunion that is sure to be memorable.

The Originals branded its second season a family reunion, and that’s exactly what the season premiere sets into motion. The Guerreros are out, and once again the Mikaelson’s are back in – all of them. It’s only a matter of time before Rebekah (Claire Holt) is lured back to New Orleans, and then the fun will really begin. In the meantime, Klaus (Joseph Morgan) has both parents and all his other siblings to occupy his schedule – good thing he doesn’t have changing diapers to distract him from whatever is coming.

Having Claire Holt leave the show full-time was hard last year, but there was a definite sense that she would be coming back, if only for an episode here and there (as has been the case). Now, that’s not a feeling The Originals mid-season finale leaves you with – Claire Holt is no longer occupying the role of Rebekah Mikaelson, and it seems that the whole body-jumping plotline was just leading us to this point.

Rebekah has been around since season three of The Vampire Diaries and, while she never got as much of the spotlight as Klaus, she has been a huge presence ever since. I wrote last week that Claire Holt gives the character something that can’t be replaced, and I honestly don’t know if the show can make me accept another actress as the face of Rebekah. It’ll be hard to keep an open mind, even I’m a little ashamed to admit it.But the episode Map of the Moments was great, with vintage moments for every single character. The long-awaited reunion between Hayley, Klaus and baby Hope didn’t disappoint, for starters, and provided a brief moment of happiness and contentment for a family so often at loggerheads. The moment in which they took a family photo mere moments before having to burn it should have been jarring and ridiculous, but it was actually the highlight of the hour. Looking back on that knowing what would happen to Rebekah by the end makes it even more heartbreaking, and a little bit of sunshine and happiness, albeit still tinged with sadness, was welcome in a show.The Revelation about Freya (the other Mikaelson Sister) being alive was a brilliant revelation along with Esthers sister Dahlia who is hellbent on taking baby hope. this leads to a series of events that brings us to the finale of season 2 . Season two of The Originals puts to rest the oldest family war and instills in its place a familiar mark between warring siblings. Lullabies are spoken and promises are made for the good of innocence and the threat of new evil likely to rear its head in New Orleans come the fall. All in all, the king of wolves and vamps settles in, ready to settle into fatherhood unaware of the future, but believing he has control of it.

There was some gorgeous imagery that fit in quite nicely upon the climax of “Ashes to Ashes.” The episode stood on its own and provided a much needed finality to the old generation of Mikaelsons and their sophisticated rival, Dhalia. The most fascinating aspect was of course how the battle played itself out, leaving the final segments as all too familiar approaches to goodbyes and promises of sardonic revenge. In many ways, it was the highlight of the season saving the best for last.

After linking with Dalia, Klaus stabs himself with the dagger and the two are returned to torpor. Elijah recovers Hope with Freya as Rebekah returns to her original body as a vampire once more. Convinced of Klaus’s plan, Elijah burns the body of their original mother and swaps the ashes with Kol’s when Davina attempts to user her “one time” ability to harness the coven’s power and use resurrection. Instead of Kol, Esther is brought back and captured immediately by the Mikaelsons. Dalia, still possessing power, melts the dagger in Klaus, awakens, steals Freya, and escapes. Klaus, Elijah, and Rebekah later confront Dalia but are subdued by splinters of the white oak stake being ingested through Dalia’s power. Esther distracts Dalia long enough for Klaus to impale the two of them finally killing them both. In a final scene with the pair as their younger selves, Esther relents that she should have stayed by Dalia’s side. The two forgive each other and perish together. Later, during the full moon, Hayley makes Elijah promise to look after Hope even though he had no intention to remain at Klaus’s side. Freya magically heals Rebekah’s human body and Rebekah once more inhabits it with plans to decide which she intends to stay in at a later time. Klaus and Camille share a drink as both are essentially still awkward around each other but later, Klaus settles in with Hope in his arms, commenting on a new chapter in their lives.I had fun watching this season and it leaves you wanting me, with season 3 shapeing up to just as fun, it shows that a spin-off can work.

REVIEW: BONES – SEASON 1-10

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MAIN CAST

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Enchanted)
T.J. Thyne (Ghost World)
Eric Millegan (The Phobic)
Jonathan Adams (Castle)
Tamara Taylor (Serenity)
John Francis Daley (Waiting…)
John Boyd (Argo)

RECURRING / NOTABLE GUEST STARS

Larry Poindexter (Blade: The Series)
Tyrees Allen (Robocop)
Bonita Friedericy (Chuck)
Chris Conner (Walk of Shame)
Anne Dudek (White Chicks)
Heavy D (The Cider House Rules)
Toby Hemingway (The Finder)
Alex Carter (Out of Time)
Bokeem Woodbine (Spider-Man: Homecoming)
Morris Chestnut (Kick-Ass 2)
Rachelle Lefevre (Twilight)
Michael Mantell (Angel)
Jeffrey Nordling (Arrow)
David Starzyk (Veronica Mars)
Heath Freeman (Nancy Drew)
John M. Jackson (JAG)
Josh Hopkins (Cold Case)
Leonard Roberts (Agent Carter)
Rachel Miner (The Butterfly Effect 3)
Alicia Coppola (Bull)
Jim Ortlieb (Roswell)
Billy Gibbons (Two and a Half Men)
Ty Panitz (Because I Said So)
Harry Groener (Buffy)
Michael B. Silver (I Am Sam)
Penny Marshall (The Simpsons)
Suzanne Cryer (Two Guys and a Girl)
Lawrence Pressman (Dark Angel)
Jaime Ray Newman (Bates Motel)
Zeljko Ivanek (Heroes)
Judith Hoag (Teenage Mutant Ninja Turtles)
Ivar Brogger (Andromeda)
Josh Keaton (Transformers Prime)
Adriana DeMeo (Killer Movie)
Robert LaSardo (Nip/Tuck)
Jose Pablo Cantillo (Standoff)
Emilio Rivera (Renegade)
Michael Bowen (Lost)
Adam Baldwin (Firefly)
David Denman (Power Rangers)
Brian Gross (2 Broke Girls)
James Parks (Kill Bill)
Robert Foxworth (Evil Beneath Loch Ness)
Rodney Rowland (Veronica Mars)
Cullen Douglas (Agents of Shield)
Michelle Hurd (Jessica Jones)
Patricia Belcher (Mike & Molly)
Giancarlo Esposito (Son of Batman)
Alexandra Krosney (Lost)
Loren Dean (Apollo 13)
Ray Wise (Robocop)
Sam Witwer (Smallville)
Shane Johnson (Birds of Prey)
Jessica Capshaw (Valetnine)
Chris Conrad (Young Hercules)
Leah Pipes (The Originals)
Christie Lynn Smith (Swamp Thing: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Carlos Lacamara (Heroes Reborn)
Cerina Vincent (Cabin Fever)
Kali Rocha (Buffy)
Kyle Gallner (Smallville)
Lisa Thornhill (Veronica Mars)
Ariel Winter (Kiss Kiss Bang Bang)
Nelson Lee (Blade: The Series)
Benito Martinez (Million Dollar Baby)
Julie Ann Emery (Hitch)
Charles Mesure (V)
Sali Richardson-Whitfield (I Am Legend)
Joshua Leonard (The Blair Witch Project)
Michael Trevino (The Vampire Diaries)
Eddie McClintock (Agents of SHIELD)
Alex Winter (Waynes World)
French Stewart (Mom)
Stephen Fry (The Hobbit 2 & 3)
Ernie Hudson (Ghostbusters)
James Hong (The Big Bang Theory)
Deborah Theaker (Best In Show)
Eric Stonestreet (Modern Family)
George Coe (The Entity)
Johnny Lewis (Felon)
Ryan O’Neal (Love Story)
Brian Hallisay (Bottoms Up)
Roxanne Hart (Highlander)
Cleo King (Mike & Molly)
Eugene Byrd (Arrow)
Cynthia Preston (Prom Night III)
Scout Taylor-Compton (Halloween)
Ron Canada (Ted 2)
Michael Cudlitz (The Walking Dead)
Christina Cox (Earth: Final Conflict)
Erin Chambers (Stargate: Atlantis)
Beth Grant (Wonderfalls)
Scoot McNairy (Batman V Superman)
Denise Crosby (Star TreK: TNG)
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Bones very quickly garnered rave reviews and amassed a loyal following. Bones is loosely inspired by real life forensic anthropologist and author Kathy Reichs. This funny, clever, sometimes gross, and totally addictive crime drama centers around forensic anthropologist Dr. Temperence Brennan (Emily Deschanel), who toils out of the Jeffersonian Institution and, on the side, writes mysteries starring her fictional heroine (and here’s the twist) Kathy Reichs. Because Brennan has an almost supernatural ability to generate accurate assumptions based on her examination of the corpse’s bones, she is often consulted by the FBI on difficult, seemingly unsolvable cases. She is frequently partnered by brash wiseacre FBI Special Agent Seely Booth (David Boreanaz), who seems to hold a bias against science and those who practice in that field. It’s Booth who breezily saddles Brennan with the nickname “Bones.” Naturally intuitive and freewheeling, Booth immediately is at odds with the clinically analytical Brennan. But, despite their personality clashes, and with the aid of Brennan’s gifted and quirky colleagues, the cases do get solved.

It’s no great secret that the palpable chemistry between Deschanel and Boreanaz is what actually propels the show and is what separates it from the other, more formulaic, dispassionate crime dramas. Every week, fans tune in for the leads’ deliciously caustic banter more so than for the weekly dose of mystery. You see, the mystery jones can be fixed by viewing any other one of the gazillion forensic dramas so currently prevalent on the airwaves. So the mystery is basically the MacGuffin that drives the show forward. But the cantankerous chemistry – that palpable “something” between the two leads as they hilariously bicker and wrangle – is definitely unique to this show.
Emily Deschanel is a find. I haven’t seen her before but she’s awfully good and ingratiating enough with her acerbic character. She imbues Brennan with a cooly detached yet vulnerable and lonely quality that intrigues and endears her to the fans. Her social awkwardness and pop culture ignorance are also quite charming. It’s pretty funny that a mention made regarding a pop culture reference almost always elicits a response of “I don’t know what that means” from the clueless Bones. And, of course, her expertise in the martial arts doesn’t detract from her allure.

And David Boreanaz. Yeah, I found it difficult going, at first, watching him in a new role, seeing as how I’m a fan of Buffy and Angel. But it helps that Booth isn’t much like our vampire with a soul. This ex-Army Ranger Special Agent is breezy, personable, and outgoing, not brooding, tortured, and introspective like Angelus. So, the transition, while disconcerting for me, was ultimately smooth enough. Boreanaz brings such command, self-assurance and charm to his character that I bought into it soon enough.
My favorite episodes are the pilot episode, where we are introduced to the cast; “The Man in the Fallout Shelter” – the team is quarantied together in the Jeffersonian during Christmas and we learn personal stuff about the characters; “Two Bodies in the Lab” – character development galore in this episode as Brennan dates on-line and is targeted while she works on two cases; “The Superhero in the Alley” – a decomposed body is found wearing a superhero costume; and “The Woman in Limbo” – a gripping, emotional season finale as Brennan discovers shocking facts about her parents.

The start of the season sees a new boss, Cam, arrive at the Institute. Not only is she very hands on, she is a former love of Booth, and Tempe and Cam do not hit it off in the early episodes. The new character is well written and softens as the season progresses until it is hard to imagine the team without her input. Meantime Zac undergoes a make-over in order to secure a permanent place on the staff once he gains his doctorate, and Hodkins and Angela begin a tentative office romance.
Booth and Brennan continue to spar verbally with each other and some of their exchanges will have you laughing out loud. When a fellow agent, Sully, begins a relationship with Tempe, Booth’s feelings are confused – but as is observed, Tempe “is rubbish at being a girl” and her own complicated life does not bode well for a permanent relationship. Tempe continues to put her foot in it socially, particularly when a case involves Booth’s Catholic religion.

Among the classy episodes are ‘The Girl with the Curl’ about child beauty Queens, (with a wonderful scene of Tempe trying to talk to a group of 8 year olds at a dance class!), ‘Aliens in a Spaceship’ which has Tempe and Hodgkins buried alive by a serial killer, and ‘The Headless Witch in the Woods’ which has more than a nod to The Blair Witch Project. Guest stars this season include Stephen Fry as a laid back, insightful Psychiatrist whom Booth must see after he shoots an ice cream van, and Ryan O’Neal as Tempe’s estranged and mysterious father whose elusive character comes into his own when Booth is targetted by the Mob. And, once again, Angela’s instantly recognisable father – from ZZ Top – pops up!

BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers’ strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3’s first episode (“The Widow’s Son in the Windshield”) opens up, we learn that Bones has been reluctant to go in the field with Booth and she won’t say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences.

Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2’s finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela’s search for her long-time but vaguely remembered husband. “The Secret of the Soil” introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI’s concern due to Booth having arrested Bones’ father. These sessions are generally funny stuff as, mostly, Booth can’t help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth.

I’ve a couple of Season 3 favorites. “The Widow’s Son in the Windshield” introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. “Mummy in the Maze” is a very neat Halloween show, wherein Booth’s shameful phobia is unveiled and Bones’s costume is…simply awesome. “The Knight on the Grid” is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And “The Santa in the Slush” is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. “The Baby in the Bough” has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, “The Wannabe in the Weeds” (in which Zach and Bones both sing) and “The Pain in the Heart” are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of “The Wannabe in the Weeds” should’ve been developed further in “The Pain in the Heart.” In fact, “The Pain in the Heart” – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans.
The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric “thing” between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance “Bones” Brennan. And while her character might’ve loosened up a little bit (not too much), there’s still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he’s just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in “The Santa in the Slush” is one of the best, most touching scenes of the season.

World-renowned forensic anthropologist Temperance “Bones” Brennan is as brusque and tactless as ever, as confounded by the subtleties of social decorum as ever (or as Sweets exclaims: “She is wicked literal!”). Bones is still very much that intimidating icy intellect, still a wounded soul, and still solving murders. FBI Special Agent Seeley Booth is still the one with the people skills and that well-developed bump of intuition. More onions are peeled in this season as we learn even more about the underpinnings of our core characters. The absolute big draw of this show is that sizzle between David Boreanaz and Emily Deschanel, their fabulous interplay tantalizing and frustrating the viewers. Could this be the season that they get together? Well, kind of, sort of. Taking what the show is giving, I wallow in their ever evolving relationship.

Staying on the personal, Hodgins and Angela are trying to move past their break-up. “The Skull in the Sculpture” demonstrates that Angela is more ready to move on than Hodgins, and if you thought Angela was a free spirit before, well, now… This episode also has Sweets demonstrating the best way ever to fire someone. Young FBI psychologist Lance Sweets, by the way, becomes a regular cast member in this season, and I like him more and more as each episode progresses, even if Booth and Bones continually treat him like a pesky little brother. Even Dr. Saroyan’s past is delved into.

Zack Addy, apprentice to the Gormagon Killer, has been institutionalized, which doesn’t keep him from strolling out to help the squints on a baffling case. Still, this gives rise to a running theme, that of the rotating roster of interns as Saroyan and Bones attempt to fill Zack’s spot, and the fun thing is that each of these interns comes with baggage. There’s the morbid one, the excessively chirpy one, the one constantly dispensing trivia, etc. The most martyred one may well be that repressed intern who insists on keeping things professional at all times – except that, the squints being a tight bunch, he keeps getting exposed to a deluge of innuendo and gossip in the workplace.

There isn’t really a running mystery arc to tie these episodes together – no one like the Gormagon Killer running around, for example. But that doesn’t mean that the cases aren’t gripping; some of them are really interesting. The season opens with “Yanks in the U.K.”  which plants Brennan and Booth in jolly old England, investigating a murder and running into a British version of themselves. In “The Passenger in the Oven” Bones and Booth are on a flight bound to China and have only four hours to solve a murder before the plane lands and Booth loses jurisdiction. “Double Trouble in the Panhandle” has Booth and Bones infiltrating the Big Top as “Buck & Wanda and their Knives of Death,” and their circus act is actually fraught with more suspense than in just about any other scene in this season.

Some other favorites? In “The Double Death of the Dearly Departed,” Bones and Booth steal a corpse due for cremation from a funeral home, Bones believing that the body had been “translated,” which is Booth’s made-up code for murder. “Mayhem on a Cross” unveils some dark stuff about Sweets’ past, this episode also featuring the return of the awesome Stephen Fry as FBI shrink Gordon Gordon Wyatt. It also had me cracking up whenever Bones insisted on correctly pronouncing “skalle” (the Norwegian word for “skull”). “The Hero in the Hold” features the return of the Grave Digger serial killer. “The Princess and the Pear” plonks Bones and Booth’s temp replacement in the world of comic book conventions, and Bones finally gets another chance to flash her martial arts mojo.
Image result for bones the critic in the cabernetIn “The Critic in the Cabernet” Bones drops a bomb on Booth and Booth gets advice from a cartoon character, a frivolous conceit which goes on to have a terrifying payoff. Finally Season 4 closes with a quirky fantasy episode featuring a re-shuffling of roles. In this reality, Dr. Saroyan and Booth’s brother are homicide detectives and Booth and Bones are a married couple who run a nightclub and who end up as suspects in a murder case. It’s neat that just about everyone is in this one.

At the beginning of the fifth season of the wildly popular forensic drama “Bones,” many viewers tuned in trepidatiously after the spectacularly strange fourth season finale. Thankfully, all fears were allayed and relieved when the fifth season kicked into high gear in the very first episode and maintained that pace throughout the season; “Bones”‘ fifth season is perhaps its greatest yet.
The one thing that has always set “Bones” apart from the countless other procedurals on the airwaves right now is the focus on the characters solving the crimes rather than the crimes themselves, and the strength of this approach shines through brilliantly in every episode of this season.
David Boreanaz and Emily Deschanel return to the roles of Booth and Bones and deliver their strongest performances yet as each character is shaken to their core. As Booth struggles to regain his sense of self, he has to confront the knowledge of his feelings for his partner, while Bones herself goes through a whirlwind of emotion as the emotional barriers she has erected around her heart begin to crumble down, leaving her questioning not only herself but her relationship with Booth as well as her work at the Jeffersonian itself. The tension between the two has never been more delicious or more addictive, and both lead actors knock their roles absolutely out of the park.
But while the relationship between Booth and Brennan becomes increasingly more complex, the wonderful supporting cast of engaging characters at the Jeffersonian keep the show moving along briskly and lightly. Cam (Tamara Taylor) must run the lab while dealing with the challenge of being a good mother, guiding the team effectively toward each conclusion; Sweets (John Francis Daley) continues to provide invaluable insight into the minds of the team; Angela (Michaela Conlin) remains the emotional heart and soul of the team as she opens her heart to love’s possibilities; and Hodgins (TJ Thyne) struggles with his feelings for Angela as he returns to his abrasive, loveable self.

The cases themselves have regained a fascinating light as the mysteries the team confronts become more complex, and the special effects department has outdone themselves in the gore and goop department this year as Booth and Bones investigate some of the most gruesome crime scenes in history, all moved along by the brisk black humor the show excels at; the team investigates a possible secret agent locked in a truck for days, a would-be rocker torn to pieces by an industrial washer/dryer, a gamer literally melted in a vat of fast-food grease, and a dozen more cheerfully disgusting cases where the outcomes of the mysteries hold the power to shock and surprise the audience; the writers have once again caught the perfect balance between the whodunnit and the drama to craft a truly unique show. But it’s not merely the cases that hold the viewers’ attention this season; season five is full of true powerhouse episodes: heartbreaking cases like “The Plain in the Prodigy”; darkly comical shows like “The Beautiful Day in the Neighborhood”; truly shocking mysteries like “The Proof in the Pudding,”; and even a historically fascinating case written by the author of the original Temperance Brennan novels Kathy Reichs herself (“The Witch in the Wardrobe”) — however, all of these merely lead up to the three knockout moments of the season:
In the fifth season, “Bones” reaches its 100th episode, “The Parts in the Sum of the Whole.” Likely the most beloved and most contested episode in the show’s history, the 100th episode completely redefined Booth and Brennan’s relationship as it showed the viewers the pair’s first meeting, something never before revealed, and circles around to one of the most hearbreaking and yet most powerfully hopeful moments of the series. “Parts” was also directed by David Boreanaz, one of the series’ leads, and the sheer emotion wrung out of Boreanaz and Deschanel by the end speaks volumes to the talent of the show’s leads.
As the series continues, however, the characters were shocked to their cores as they were forced to come face-to-face with their most terrifying adversary yet: the cunningly frightening sociopath dubbed The Gravedigger, in “The Boy with the Answer,” a nail-bitingly tense hour of television that had viewers’ hearts pounding as Heather Taffet, the Gravedigger, proved that her true arena was the courtroom, tearing apart her victims and throwing the entire future of Brennan’s life into question.
This only segues into the season’s amazingly dramatic finale, “The Beginning in the End.” As the team investigates the home of a hoarder, Bones questions what she truly wants to do with her life, Booth’s past comes calling, and Angela’s father blows back into town, all leading to a truly shocking season ender, a masterful finale that not only redefined the very foundations of the show and the characters but also continued to set the show on a rising point, ensuring that every faithful viewer of “Bones” will be frantically waiting for the sixth season to premiere in the fall.

To resuscitate a dead team out of their scattered disappearance is not an easy task. Luckily the DA in Washington DC is a powerful woman, stubborn and resolute, and she generally gets what she wants. So she brought Agent Booth back from Afghanistan, and Temperance Brennan, aka Bones, from the exotic place where she was trying to get some archaeologically interesting bones with Daisy, Dr Sweet’s girl friend, and Dr Sweet from his hideout somewhere in Paris where he was having a showbiz career as a cabaret singer. They all come back, change clothes and back in the business in a jiffy. Angela and Dr Hodgins are also back though from not so far away and Angela is pregnant.
As usual one case per episode, clean and neat, always dealing with a lot of bones, gross and dirty, soaked in a lot of decomposed muck with a tremendous number of maggots, worms and other corpse parasites. A series not to watch while eating anything more delicate than dry cookies.
Angela and Dr Hodgins have a full plate with the pregnancy and the delivery of the baby. For them that’s enough and that will require some help from a friendly psychiatrist because it is hard for the father not to become overprotective and it is hard for the mother to accept the physical handicap this pregnancy may represent. Yet they decided that working with the people they are used to work and live with was the best thing for the pregnancy, the mother and the child. Angela was not alone at any moment of her days or nights.
Agent Booth brought a journalist back from Afghanistan, a sort of love substitute for Temperance. But will that not cause some problems, like conflicting interests between the two professions? And Booth with his own son is already very busy in life. Will that new woman in the picture be able to cope with a child, what’s more the child of another woman? And the question of marriage will come up sooner or later and how are the two going to react to that eventuality? Probably not very well, maybe not too bad. A decision that is always difficult to take for someone who is constantly in the field of police investigation and for a journalist just back from a war zone.

You have the interns still rotating, the four of them. They are the surprise of each episode because they are so different and they can be so funny, though at times they are just funny for us because they are mismatched with what is happening around them, but that’s what interns are all about. Unluckily one will end up very badly. That’s not the first case, but so far none had ended up that badly. But a song will carry him through: lime and coconut, sung in a chorus all together, mellow and heart stirring.
There will be a case that will run over the whole season, the case of a sniper who had been a colleague and friend of Booth in Afghanistan and who came back slightly berserk and decided that what he did over there was good enough for the USA too and he started killing those who were rotten, and those who were in his way for his type of justice and these were only collateral victims for him, hence justified by the end. It will take the whole team to stop him and it will bring a lot of suffering and even mourning to that team.

This refreshingly different season of Bones is gearing up to be one of the series’ best! It is just the reinvigoration the show needed! Life has changed at the Jeffersonian since we last saw our favorite crime-solvers. After last season’s pregnancy bombshell of an ender, we pick up with forensic anthropologist Dr. Temperance Brennan entering her third trimester, hormones all over the place as she bumbles in that adorable way that only Brennan can into the frightening role of motherhood. As always, her partner FBI Agent Seeley Booth is there by her side, more loving and more happy than we’ve ever seen him.

I think David Boreanaz and Emily Deschanel slipped into this new relationship quite easily. What’s great is that not a lot has changed, and yet, everythinghas. They live together, they’re planning on buying a house, they kiss and cuddle on the couch and Booth croons to Brennan’s belly in the cutest baby voice you will ever hear… and yet, they’re still “Booth and Bones”. They still solve murders. They still bicker good-naturedly over everything under the sun.

They banter. They get overprotective. They make mistakes- and own up to them after. They’re like any new couple expecting a child. But are they normal? Far from it, because at its core, Bones is still the same show: a journey of love between two very different people… one a woman who views the world through utmost rationalism and who is still learning how to open her heart; the other a man who relies on instincts and gut feeling to do his job, and who lets faith and emotion drive his personal life. Both coming from traumatic pasts and both craving a new beginning.That, and the other characters are still as charming and as “comedic gold” as ever. Hodgins and Angela’s baby situation juxtaposes nicely with Booth and Brennan’s, Cam struggles with keeping the workplace professional, there’s a new intern, a new recurring villain, and other familiar faces return.

The end of the seventh season of “Bones” left Bones on the run with her infant child after being framed for murder by the highly skilled serial killer Christopher Pelant. The opening of the eighth season finds Booth and her colleagues at the Jeffersonian Institute trying to clear her name. Fortunately for the series, they succeed, although Pelant eludes justice to pose a future threat. This eighth season continues to feature crime-of-the-week murders for Bones, Booth, and the Jeffersonian lab rats to solve through clever forensics and Booth’s old-fashioned police work. One of the most interesting episodes is told through the eyes of the murder victim, with the assistance of a psychic (a well-cast Cindy Lauper). Another standout episode involves a group effort to resolve a cold case whose victim turns out to be a forgotten hero of the 9/11 attack on the Pentagon.

Outside the lab, Bones has an uncomfortable but touching period of readjustment to living with Booth, after her time on the run. Her changed perspective will lead to some of the most interesting conversations as she and Booth commute to crime scenes. Just to complicate things, staff psychiatrist Dr. Sweets will temporarily move in with the couple right after he breaks up with girlfriend Daisy, a technician in the lab. Series regulars Angela and Hodgins will have their own challenges as working parents. The continuing parade of interns through the Jeffersonian crime lab will feature in several episodes, and one of them will become a surprising emotional complication for Dr. Saroyan. Christopher Pelant will return to menace the team in a gut-wrenching season finale.

“Bones” returns for a welcome ninth season with its core cast, clever plots, and sense of humor intact. Forensic anthropologist Dr. Temperance “Bones” Brennan and her crack team of specialists at the Jeffersonian Institute continue to work with their FBI liaison, Special Agent Seeley Booth, on new and challenging criminal cases. First, however, the team will have to resolve their long-running, lethal battle with cyber-genius serial killer Christopher Pelant, who has stayed one step ahead of them while inflicting pain on each member of the cast.
When we last saw the team, they had barely survived their most recent encounter with Pelant. In a final twist of spite, Pelant blackmailed Booth into withdrawing his marriage proposal to Bones, while forbidding him to reveal the reason why. Booth’s promise puts a strain on his relationship with Bones. He will reach out to old Army buddies, including a CIA agent and a former priest turned bartender, for advice. Pelant has his own plan for separating Bones from Bones from Booth, permanently. The entire team will have to be on its mettle to head off Pelant’s insidious plot.
The ninth season continues to feature crime of the week murders for Bones, Booth, and the Jeffersonian lab rats to solve. One episode will have Booth and Bones resurrecting their undercover “Tony” and “Roxie” identities for a hilarious marriage retreat in which they talk all too frankly about their relationship. Psychologist Dr. Sweets will take a leave of absence to work in an outreach center, only to find himself drawn back into a gut-wrenching case involving a gang feud. As in past seasons, other members of the team, including Lab boss Dr. Saroyan, Dr. Hodgins, Angela, and the interns will have their moments in the spotlight.
The biggest highlight is the Woman in White, featuring the  wedding of the two leads after nine years they final tie the knot.

In the 10th season of Bones, suspense is at an all-time high as Seeley Booth (David Boreanaz) is framed and jailed for the murder of three FBI agents while Temperance Brennan (Emily Deschanel) considers committing blackmail to get him out of prison.


The new season brings some changes. The team will lose a key player at a dramatic moment early in the season, and have to work in a replacement after an emotional farewell. Another primary character will develop a emotional bond with one of the rotational lab interns, one that threatens their official relationship. Still another will strike it rich, a couple of season after having been cleaned out by a particularly nasty serial killer. Yet another character will revisit a gambling habit that threatens a job and a relationship. And, one key character will become pregnant. And those events are just character development. There is a fresh lot of challenging cases that will need solving.

Those week to week cases continue to be innovative and interesting, challenging the team and the viewer to keep up. At the same time, the series hasn’t lost its sense of humor, or its willingness to experiment. As an example, you just have to see this season’s throwback Hitchcock episode. “Bones” is still good fun and recommended to its loyal fans in its tenth season.

REVIEW: COLD CASE – SEASON 1-7

CAST

Kathryn Morris (Mindhunters)
Justin Chambers (Grey’s Anatomy)
Danny Pino (Law & Order:SVU)
John Finn (True Crme)
Jeremy Ratchford (Angel Eyes)
Thom Barry (Texas Chainsaw)
Tracie Thoms (Looper)

RECURRING / NOTABLE GUEST CAST

Sherman Howard (Superboy)
Kate Mara (Fantastic Four)
Becki Newton (Ugly Betty)
Brett Cullen (Lost)
Jimmi Simpson (Date Night)
Daisy McCrackin (Halloween: Resurrection)
Lacey Beeman (Power Rangers Time Force)
Summer Glau (Firefly)
Vincent Ventresca (Dollhouse)
Brandon Routh (Legends of Tomorrow)
Barbara Tarbuck (American Horror Story)
Laura Regan (Minorty Report TV)
Christina Cox (Arrow)
Silas Weir Mitchell (My Name Is Earl)
Fredric Lehne (Lost)
Jeffrey Nording (Flight 93)
Josh Hopkins (The Perfect Storm)
Robert LaSardo (Nip/Tuck)
Blake Shields (Heroes)
Chelsea Field (Masters of The Universe)
Marc McClure (Superman)
Geoffrey Lewis (The Devil’s Rejects)
Leslie Silva (Odyssey 5)
Garrett M. Brown (Kick-Ass)
Molly Cheek (American Pie)
Autumn Reeser (The OC)
Amanda Wyss (Highlander: The Series)
Robin Riker (Big Love)
Nichole Hiltz (Bones)
Amber Benson (Buffy)
Maggie Grace (Lost)
Katee Sackhoff (Battlestar Galactica)
Marisol Nichols (Felon)
Mehcad Brooks (Supergirl)
Cameron Dye (Smallville)
Lee Garlington (Flashforward)
Michael Pare (Bloodrayne 3)
T.J. Thyne (Bones)
John Kassir (Pete’s Dragon)
Patty McCormack (The Bad Seed)
Barbara Niven (The Rat Pack)
W. Earl Brown (Bates Motel)
Tracy Middendorf (Scream: The Series)
Jason Dohring (Veronica Mars)
Noel Fisher (Teenage Mutant Ninja Turtles)
Sam Witwer (Smallville)
Mae Whitman (The Duff)
Aloma Wright (Scrubs)
Shirley Knight (As Good As It Gets)
Ian Bohen (Hercules: TLJ)
Jenna Fischer (The Office)
Chadwick Boseman (Captain America: Civil War)
Rance Howard (A Beautiful Mind)
Nicholas D’Agasto (Gotham)
Roxanne Hart (Highlander)
Chad Lindberg (Teh Fast and The Furious)
Daveigh Chase (S. Darko)
Virginia Williams (Fairly Legal)
Chad Donella (Smallville)
Nicki Aycox (Roadkill 2)
Bob Papenbrook (Jeepers Creepers 2)
John Billingsley (Star Trek: Enterprise)
Phil LaMarr (Free Enterprise)
Johnny Whitwroth (Empire Records)
Danielle Harris (Halloween 2007)
Michael O’Neil (Roswell)
Amy Sloan (The Aviator)
Brigid Brannagh (Angel)
Andrea Savage (Izombie)
Meredith Salenger (Lake Placid)
Clare Carey (Hercules: TLJ)
Dana Davis (Heroes)
Dee Wallace (ET)
Jay Acovone (Stargate SG.1)
Bradley Stryker (The Lizzie Borden Chronicles)
Piper Laurie (Carrie)
Tessa Thompson (Veronica Mars)
Karina Logue (Bates Motel)
Sarah Brown (VR Troopers)
Brooke Anne Smith (Misschief Night)
Kristin Richardson (Lost)
Lindsay Hollister (Bluberella)
Nick Wechsler (Roswell)
Mimi Kennedy (Mom)
Christina Hendricks (Mad Men)
Thomas Kopache (Stigmata)
April Grace (Lost)
Edwin Hodge (The Purge)
Jon Huertas (Sabrina: TTW)
Phillip Jeanmarie (Power Rangers Wild Force)
Michael Grant Terry (Bones)
Deborah Van Valkenburgh (Mean Guns)
Robin Weigert (Deadwood)
James Handy (Alias)
Megan Follows (Reign)
Zachary Ty Bryan (Fast and Furious 3)
Alona Tal (Cult)
Meagen Fay (The Big Banng Theory)
Priscilla Pointer (The Flash 90s)
Tina Holmes (Taken)
Jeremy Davidson (Roswell)
Brennan Elliott (Paul Blart: Mall Cop)
Zeljko Ivanek (Heroes)
Shiloh Fernandez (Red Riding Hood)
George Coe (Smallville)
Laura Bell Bundy (Scream Queens)
John Rubenstein (Angel)
Meredith Baxter (Family Ties)
Dean Norris (Breaking Bad)
K Callan (Lois & CLark)
Michelle Harrison (The Flash)
Peter Graves (Airplane 2)
Stacy Haiduk (Superboy)
Dale Dickey (Iron Man 3)
Mageina Tovah (Spider-Man 2 & 3)
Kenny Johnson (Bates Motel)
Kyle Gallner (Veronica Mars)
Nestor Carbonell (The Dark Knight)
L. Scott Caldwell (Lost)
Neil Jackson (Alexander)
Greg Cipes (Teen Titans)
Rutanya Alda (Amityville 2)
George Newbern (Justice League)
Annie Wersching (The Vampire Diaries)
Eugene Robert Glazer (La Femme Nikita)
John Aylward (Alias)
Bobby Hosea (Xena)
Charles Mesure (V)
Conor O’Farrell (Lie To Me)
Sonja Sohn (The Originals)
Thomas Ian Girffiths (XXX)
Polly Shannon (Lie With Me)
Michael Trevino (The Vampire Diaries)
Jake McDorman (Limitless TV)
Robert Picardo (Stargate: Atlantis)
Ernie Hudson (Ghostbusters)
Lucinda Jenney (Rain Man)
Jamie Bamber (Battlestar Galactica)
Bruce Boxleitner (Babylon 5)
Greg Finley (Izombie)
Paula Malcomson (Caprica)
Holmes Osborne (Donnie Darko)
Faran Tahir (Iron Man)
Jennifer Lawrence (The Hunger Games)
Mitch Pileggi (The X-Files)
Whitney Able (Monsters)
AnnaLynne McCord (Excision)
Drew Powell (Gotham)
Erin Cahill (Power Rangers Time Force)
Carolyn McCormick (Enemy Mine)
Michael Massee (Flashforward)
Helena Mattsson (Iron Man 2)
Lynda Boyd (Sanctuary)
Justina Machado (Final Destination 2)
Cynthia Ettinger (Thirteen)
Bonnie Root (Home Invasion)
Melissa Leo (The Fighter)
Shailene Woodley (Divergent)
Danielle Bisutti (Curse of Chucky)
Monet Mazur (Blow)
Justin Bruening (Knight Rider 2008)
Daphne Ashbrook (The Love Letter)
Rodney Rowland (Veronica Mars)
James Black (Anger Management)
Ralph Waite (Bones)
Aisha Hinds (Cult)
Jamil Walker Smith (Stargate Universe)
Jonathan Keltz (Reign)
Justin Hartley (Smallville)
Diane Delano (Jeepers Creeprs 2)
Nikki Deloach (The Net 2.0)
Deirdre Lovejoy (Bones)
Keone Young (Crank)
Kim Coates (The Amityville Curse)
Timothy Omundson (Xena)
Jeffrey Combs (Gotham)
Kathleen Munroe (Stargate Universe)
John Pyper-Ferguson (Caprica)
Paul Wesley (The Vampire Diaries)
Brea Grant (Heroes)
Ronny Cox (Robocop)
Nichole Tom (Gotham)
M.C. Gainey (LosT)
James Karen (Hercules In New York)
Justin Leak (Powers)
Sean O’ Bryan (The Princess Diaries)
Cassidy Freeman (Smallville)
Patricia Belcher (Bones)
Jenna Leigh Green (Sabrina: TTW)
Vernee Watson (The Big Bang Theory)
Carl Lumbly (Alias)
Charles Napier (The Silence of The Lambs)
Joel Murray (Two and a Half Men)
Elena Satine (Revenge)
Nicole Bilderback (Buffy)
Erin Cummings (Spartacus)
Tania Raymonde (Lost)
Jonathan LaPaglia (Seven Days)
Keith Szarabajka (The Dark Knight)
Christine Woods (Flashforward)
Lee Majors (Ash vs Evil Dead)
Lindy Booth (Cry Wolf)
Adrienne Barbeau (Swamp Thing)
Raymond J. Barry (Lost)
Ttaylor Cole (Heroes)
Jeff Kober (New Girl)
Courtney Ford (True Blood)
David Starzyk (Veronica mars)
Bailey Chase (Buffy)
Wynn Everett (Agent Carter)
Brad Greenquist (Heroes)
Katherine LaNasa (Lie To Me)
Jeff Fahey (Planet Terror)
Clayne Crawford (Roswell)
Brit Morgan (Supergirl)
Jonathan Banks (The Lizzie Borden Chronciles)
Victoria Pratt (Mutant X)
Ryan Wynott (The Cape)
Jonathan Schaech (Legends of Tomorrow)
Valerie Azlynn (Julia X)
Muse Watson (I Know What You did Last Summer)
Michael Ironside (Total Recall)
Daniel Baldwin (Vampires)
Ashley Johsnon (Dollhouse)
Erin Chambers (Finding Carter)
Tracey Walter (Batman)
Loren Lester (Batman: TAS)
Chris Browning (Supergirl)
Dawn Olivieri (The Vampire Diaries)
Steven Culp (Jason Goes To Hell)
Meagan Good (D.E.B.S)
Steven Williams (The X-Files)
Loretta Devine (Crash)
Yara Shahidi (Ugly Betty)
Nelson Lee (Blade: The Series)
Steven Krueger (The Originals)
Lolita Davidovich (Santa Fe)
Alan Blumenfeld (Heroes)
Chandra West (White Noise)
Carel Struycken (The Addams Family)
Justina Vail (Highlander: The Series)
Rachel Miner (the Butterfly Effect )
Sean Maguire (Meet The Spartans)
Lauren Cohan (Chuck)
Roddy Piper (They Live)
Susanna Thompson (Arrow)
John D’Aquino (Seaquest)
Azura Skype (28 Days)
Johnny Messner (Anacondas)
Rob Benedict (Birds of Prey)
JR Bourne (Stargate SG.1)

I’m glad I got the opportunity to catch this show. It’s no doubt one of the best shows on TV, between 2003-2010. it was a very well written show. The episodes always has their twist even though the cases, at first sight, might seem pretty much alike. This show captures the individuality of each crime, the persons involved and the surroundings in a very good way.The fact that the crimes have been committed years ago and that everything involved has changed over the time, gives this show something different then every other cop show. It also captures the humanity of both the victims the suspects and the investigators. There are a lot of feeling in it and it often gets rather touching. Some episodes might contain elements from the characters personal life. It just gives the characters a life beyond the job and this is good as it never takes over the episode or is used to cover a bad plot. The show involves several investigators and you get to know them as well. They got lives and personalities too, yet they don’t steal the show from Rush, witch in the end is the star of the show.The cast is great. Kathryn Morris does a great job portraying Rush. The cinematography and lightning of this show is just beautiful. It all looks great. Both scenes from past and present. They have given the show a unique look. A kind of white or blue, cold look. They also manage to capture the unique eras in witch the crime was committed. You know just by looking witch decade we’re in. It’s the colors, the way they shoot, the quality and the overall look that make this. The art director, production designer, costume etc. deserves credit for this too. Making the sets and such fit the era.

The original music of this show it catching and good. In addition there is a lot of none original music from the year the crimes are committed. This really gives the right feel and easy gives you the idea of witch year we’re in. The only downside to the use of music of the era means that copyright laws prohibit them being used on DVD and this is why the show has yet come to disc.