REVIEW: HUNT TO KILL

CAST

Steve Austin (Damages)
Eric Roberts (The Dark Knight)
Gary Daniels (Deadly Target)
Marie Avgeropoulos (50/50)
Gil Bellows (Sanctuary)
Emilie Ullerup (Leprechaun: Origins)
Michael Eklund (Bates Motel)
Donnelly Rhodes (Battlestar Galactica)
Michael Hogan (Red Riding Hood)
Adrian Holmes (Elysium)
Brent Stait (Andromeda)

7116_7_screenshotFour years ago, border patrol agent Jim Rhodes (Steve Austin) was stationed in Texas. Jim and his partner, his longtime friend Lee Davis (Eric Roberts), are staking out what looks like an empty trailer. As a gift, Lee gives Jim a watch that has a band made from climbing rope. The band can be unraveled and used in case of emergency. After Jim calls for backup, Jim and Lee decide to go in. What they find is a meth lab that looks abandoned. But two men come up from a door that was built into the trailer’s floor, and they open fire, shooting Lee. Jim kills the two men, and another man opens fire from under the trailer. Jim makes the man come up through the same door the other two came through, and the man sets the trailer on fire. Lee kills the man, and Lee tells Jim to run, just before Lee dies. Reluctantly, Jim leaves Lee behind, running out of the trailer as it explodes because of the highly volatile chemicals used for producing meth.CrossbowNow, Jim and his rebellious teenage daughter Kim (Marie Avgeropoulos) are living in the mountains in Lowery, Montana. In Reno, Nevada, a man named Lawson (Michael Hogan) and his crew of thieves have just robbed the Hotel Palacio casino. Lawson takes the millions of dollars in bearer bonds they stole, and leaves a bomb behind in a warehouse to kill the rest of the thieves, who include his psychopathic right-hand man Banks (Gil Bellows). Banks defuses the bomb, and with the help of a tracking device, Banks thinks he knows exactly where Lawson is going. Banks and the other thieves—Jensen (Gary Daniels), Geary (Michael Eklund), Crab (Adrian Holmes), and Dominika (Emilie Ullerup)—vow to find Lawson and get the bonds back.grave-encounters-2-2012-ghost-girl-chase-scene-reviewIn Montana the next day, Kim says she’s going to her friend Megan’s house to help Megan pack for a trip. Later, Jim gets a call from Sheriff Westlake (Donnelly Rhodes), who says he has Kim in his office for shoplifting. Jim goes to Westlake’s office, and finds Banks and his crew there, beating Westlake up. Banks believes that Lawson is in Montana, and is planning to cross into Canada by foot. Banks wants to find Lawson and get the bonds, and Banks says that Westlake is not being very accommodating. Banks kills Westlake. Banks wants Jim to guide them through the mountains, to find Lawson. In order to make Jim do it, Banks takes Kim hostage. Banks tells Jim that if Jim screws up in any way, Kim dies.htk2In the mountains, it’s a grueling trek. At one point, Crab tries to rape Kim, and Jim beats Crab up, breaking several of his bones. After that, Jensen fatally shoots Crab. After they find Lawson and the money, and Dominika fatally shoots Lawson, Banks sends Jim plunging off a cliff, and leaves him to die. Jim survives, and while Banks is forcing Kim to guide him and his crew, Jim carves some sharp points into some branches to make spears out of them, and finds a bag with a crossbow in it. Jim starts hunting Banks and his crew, who have left a wounded Geary behind after Banks beat Geary up for arguing with him. Jim shoots Geary three times with the compound bow. Geary tells Jim that Banks has taken over Lawson’s plan to go into Canada. As Geary begs Jim not to shoot again, Jim shoots an arrow into Geary’s chest, killing Geary. Next, Jim tracks the others down and confronts Jensen, who is a martial arts expert. Jim ends the grueling fight by fatally stabbing Jensen with a broken tree branch.maxresdefaultBanks wonders where Jensen is at, and Banks is feeling uneasy. Dominika, who is using a rope to hold on to Kim so she does not get away, tells Banks that they have to keep moving. Jim tracks them down, and throws one of the wooden spears he carved. Banks jumps out of the way, and the spear hits Dominika, killing her. That infuriates Banks. Kim tries to escape, but Banks doesn’t let her. Taking Kim with him, Banks finds an outpost where there are three Canadian cops, and three ATVs. Banks kills the three cops, punches Kim and knocks her down, and then takes off on one of the ATVs. Jim finds Kim, and he tells her to take one of the remaining two ATVs and go for help while Jim goes after Banks with the other one. Jim chases Banks down, and they fight. Jim chases Banks down a hill and into what looks like an abandoned factory. Banks even fires a flare gun at Jim. They try to hit each other with shovels. Banks hits Jim a couple of times, and then Jim beats Banks up and hits Banks in the face with a shovel, knocking Banks down.image.pngJim thinks it’s over, but Banks gets back up and tries to shove Jim through the nearby catwalk’s guard rail. Jim turns the tables, and shoves Banks down onto the pile of wooden skids below. Jim, taking the bonds with him so he can return them, goes outside and sees Kim, who says she couldn’t leave him. Banks stumbles outside, and he says “Did you think you could take my money?” Jim tells Kim to get back, and Jim gets on one of the ATVs. Banks says “You can’t kill me!” Jim says “When I hunt, I hunt to kill.” And then Jim floors it, and rams the ATV right into Banks, pinning Banks up against a wall just inside the building, and gas is leaking from the ATV. Jim starts walking away. Again, Banks says “You can’t kill me!” Kim urges Jim to kill Banks for what he’s done. Jim fires the flare gun at the ATV, causing an explosion that kills Banks. Jim and Kim are glad they’ve survived, but they know they have a long walk home.250947_originale_bgAll in all, bar decent production values and a cracking lead in Austin this one ain’t gonna set your world on fire, It’s a film that you need to shut your brain off to watch, but if you have a slow night it passes the time.

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REVIEW: BATTLESTAR GALACTICA: THE PLAN

 

CAST

Edward James Olmos (The Green Hornet)
Dean Stockwell (Dune)
Michael Trucco (Wishmaster 4)
Grace Park (Hawaii Five-O)
Michael Hogan (Red Riding Hood)
Aaron Douglas (The Flash)
Callum Keith Rennie (Flashforward)
Kate Vernon (Heroes)
Rick Worthy (The Vampire Diaries)
Lymari Nadal (American Gangster)
Matthew Bennett (Stargate SG.1)
Rekha Sharma (V)
Tricia Helfer (Two and a Half Men)
Alisen Down (Smallville)

The opening scenes of The Plan occur just prior to the destruction of the Twelve Colonies in the televised miniseries, Battlestar Galactica. Humanoid Cylon John Cavil is shown leading the planning for the genocidal attack on the human race. The seven known Cylons are present in the control room of the main Cylon base. Two versions of Cavil are shown in a Resurrection Ship, with the “Final Five” Cylons in stasis in resurrection chambers. The two versions of Cavil briefly discuss their plans for “teaching a lesson” to their creators, the Final Five. One version of Cavil announces his intention to witness the destruction of humanity on the ground. This version of Cavil travels to the planet Picon, where he encounters Ellen Tigh. Other characters from the series are also depicted: Gaius Baltar has a final meeting with Caprica Six; Samuel Anders is shown at his Pyramid team’s training camp along with the team doctor, who is Number Four/Simon; and Tory Foster (Rekha Sharma) is shown driving to an airport.
The destruction of the Twelve Colonies is depicted in a series of new special effects shots, with the Cylon Hybrid narrating the destruction with oblique poetry. Almost all of the planets of the Twelve Colonies are depicted in short scenes. Ellen Tigh is severely wounded in the nuclear attack on Picon. Cavil helps her leave the planet aboard a Colonial Fleet rescue ship. Aboard a civilian transport, Cavil torments the half-conscious woman with descriptions of his intent to destroy humanity. Tory Foster survives the nuclear attack as well, but is wounded when her car flips over in the blast Anders helps console his teammates in the mountainous region where they were training. Several scenes from the television miniseries are edited into The Plan.
skeletyi-v-shkafuCavil later boards the Galactica, calling himself “Brother Cavil,” and takes over the Galactica’s chapel. The creation of Galactica’s “wall of remembrance” is depicted, where survivors posted pictures and mementos of their dead or missing loved ones. Using religious fliers which talk about a “plan”, Cavil covertly gathers the seven known cylons. Cavil tells them that he intends to continue his plan to utterly destroy the human race. He also tells them that there is a sleeper agent aboard the Galactica, a Number Eight, whom he also plans to use. Back on Cylon-occupied Caprica, Sam Anders and his teammates have fled their training center for safer quarters. They spot Cylon Centurions collecting the parts of their fallen comrades. Later, Sam and his companions launch their first attack on the Cylons, losing several people in a successful attack. Sam and Jean Barolay later observe several Number Fives burying numerous dead human bodies, realize that Cylons have taken humanoid form, and resolve to attack them. They do so later, while a Cavil version supervises the Fives’ work. Cavil plays dead and survives the attack unharmed. Mistakenly believing Cavil to be a human being, Sam and his friends take the priest with them back to their camp. Cavil is clearly shocked to see Anders, because he is one of the original Final Five. 5YRYRYRTBack on the Galactica, the events of the first season episodes unfold from the Cylon’s perspective. Brother Cavil triggers the original Cylon programming of the Number Eight known as Sharon “Boomer” Valerii. She plans a bombing of the ship’s water storage facilities. As she tries to implement her plan, Boomer becomes increasingly distraught because she has fallen in love with Chief Galen Tyrol (Aaron Douglas). Cavil becomes angry when the Number Five known as Aaron Doral is exposed as a Cylon, and demands that he attempt to kill Commander Adama. The Number Two, meanwhile, listens in on Colonial Fleet communications, and becomes convinced that Kara “Starbuck” Thrace (Katee Sackhoff) holds some special purpose for the humanoid Cylons. He begins to paint the nebula depicted in Season Three episodes. Cavil, realizing that the Number Two known as Leoben Conoy has had his identity compromised, demands that the Number Two turn himself over to the humans and attempt to deceive or kill them. When Boomer’s plan to deprive the Fleet of water fails (and Boomer ironically helps the Galactica locate more water), Cavil demands that she kill Commander Adama. She first attempts suicide, and later purposefully botches the assassination attempt.battlestar-galactica-the-plan-boomerCavil, worried about Dr. Baltar’s attempt to develop a Cylon detection machine, orders the Number Six known as Shelly Godfrey to frame Baltar for treason. She does so, but her attempt fails when her evidence is exposed as a sham by Lieutenant Gaeta. Cavil orders the Six into an airlock and kills her. Cally Henderson’s assassination of Boomer is depicted as well. Cavil also orders the Number Four known as Simon to destroy the ship on which he lives with his family. Simon commits suicide rather than kill the family he has grown to love. In the aftermath of Simon’s suicide, Simon’s wife Giana tries to convince everyone that he wasn’t a Cylon. She seeks solace from Chief Tyrol, who is beginning to suspect that he himself might be a Cylon.
Meanwhile, back on Cylon-occupied Caprica, the other version of Cavil has ingratiated himself with Sam Anders. Cavil has ordered the Number Four to attempt to kill members of Sam’s team, but none have died and Cavil criticizes the Four’s actions. Starbuck returns to Caprica and meets the stranded Colonial pilot Karl “Helo” Agathon. Cavil makes a failed attempt to trick Sam into thinking they are Cylons and attacking them. Helo and Starbuck join them and attack a local Cylon base. Starbuck is wounded, taken captive by the Cylons, and subjected to various breeding experiments. Anders, Helo, and the others rescue her, discovering that Simon is a Cylon in the process. Later, Cavil tries to assassinate Starbuck and Anders but finds that he cannot pull the trigger, because he cannot stop thinking about Anders’ comment that death wouldn’t make him love these people any less. When the Cylon Centurions attack, Cavil is forced to hide with the rest of the humans. That night, Cavil meets with a Number Six who informs him that the Cylons have agreed to end their attacks on the human race. Cavil, who has changed his mind about humanity, agrees to pass on the message to the humans. Cavil returns to the human camp, and the humans leave the next day for the Galactica.

Meanwhile, the Brother Cavil on the Galactica is bedeviled by the repeated appearance of a young boy named John (Alex Ferris) in his chapel. Their various interactions finally end when the fake priest offers the boy an apple and then stabs him to death. The Plan ends with “Caprica Cavil” arriving aboard the Galactica, and exposing himself and Brother Cavil as humanoid Cylons (as depicted in scenes from the second season episode “Lay Down Your Burdens”). We realize from the Cylon perspective that he does this on purpose to stop Brother Cavil’s plans.  Brother Cavil is brought to the brig protesting that he is not a Cylon until he sees Caprica Cavil already in the brig, at which point he stops pretending. Caprica Cavil announces that the Cylons have voted to give the humans “a reprieve” because they have decided that their attempts at genocide were an error. They have left the colonies and will stop hunting the humans.The two Cavils argue while on their way to the airlock. Brother Cavil is in disbelief that the Cylons have decided to leave the humans alone, and continues to argue for their destruction. But Caprica Cavil asserts that Brother Cavil does not understand the nature of love. He says that the Final Five loved humanity, and that Brother Cavil is jealous of this love. Brother Cavil, he claims, does not understand that God and the Final Five will love humanity even more if the human race is extinguished. As they are escorted to the airlock, the Cavils see all of the Final Five Cylons watching them. They admit that this wasn’t the reunion they had expected. The two Cavils are then forced into the airlock. Caprica Cavil quietly tells his other self that he knows how terrifying death can be, and offers his hand, which Brother Cavil takes. The two are ejected, and float out past the fleet. The film ends with this scene overlaid with John Cavil’s fourth-season tirade lamenting his human-like body and desiring to be more like a machine so that he could “see gamma rays, hear x-rays, smell dark matter…and feel the solar wind of a super-nova” flowing over him.The Plan features very little to no extra scenes for the major crew members of Galactica, save Boomer, Anders and Tyrol. Olmos does a great job of directing but due to the story cutting between the work of many directors, it is hard to judge his individual style. The fact that it is stylistically seamless is a credit in itself. This is recommended for fans of the show, and a must-have for anyone interested in the Cylons and their motivations.

REVIEW: BATTLESTAR GALACTICA: RAZOR

 

CAST

Edward James Olmos (The Green Hornet)
Mary McDonnell (Independence Day)
Katee Sackhoff (Riddick)
Jamie Bamber (Pulse 2)
James Callis (Flashforward)
Tricia Helfer (Two and a Half Men)
Grace Park (Hawaii Five-O)
Michael Hogan (Red Riding Hood)
Michelle Forbes (Powers)
Stephanie Jacobsen (Terminator: TSCC)
Nico Cortez (Hacksaw Ridge)
Matthew Bennett (Stargate SG.1)
Steve Bacic (Andromeda)
Fulvio Cecere (The Tortured)
Vincent Gale (Van Helsing)

 

Related imageRazor straddles two stools. On the one hand, it is a balls-to-the-wall action story with huge, epic CGI battle sequences and lots of emotional intensity which is designed to appeal to newcomers as well as established fans. On the other, it features a lot of fan-pleasing asides and references to the original series. This is a somewhat odd idea (going for newbies and hardcore fans at the same time) but just about works, with the new character of Kendra providing a worthwhile ‘in’ to this story and universe for new viewers but at the same time allowing established fans to see stuff they’ve wanted to see since the series began.Image result for battlestar galactica RAZOR
The TV movie lives or dies on the performance of actress Stephanie Jacobson as Kendra Shaw and thankfully she delivers a competent performance. The actress has a great rapport with Katee Sackhoff and Michelle Forbes, and in these scenes she is extremely good. The other actors are as trusty and reliable as ever.Image result for battlestar galactica RAZOR
Overall, Razor  an enjoyable slice of Battlestar Galactica. The DVD edition is extended over the TV cut by some 15 minutes and features a lengthy flashback to the First Cylon War (complete with another huge battle sequence) as well as other new scenes, plus a writer and producer’s commentary.

REVIEW: BATTLESTAR GALACTICA (2004): THE COMPLETE SERIES

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CAST

Edward James Olmos (The Green Hornet)
Mary McDonnell (Independence Day)
Katee Sackhoff (Riddick)
Jamie Bamber (Pulse 2)
James Callis (Flashforward)
Tricia Helfer (Two and a Half Men)
Grace Park (Hawaii Five-O)
Michael Hogan (Red Riding Hood)
Paul Campbell (Andromeda)
Aaron Douglas (The Flash)
Kandyse McClure (Sanctuary)
Alessandro Juliani (Smallville)
Nicki Clyne (Saved)
Tahmoh Penikett (Dollhouse)
Sam Witwer (Smallville)

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RECURRING / NOTABLE GUEST CAST

Connor Widdows (Dark Angel)
Richard Hatch (Battlestar Galactica Original)
Matthew Bennett (Stargate SG.1)
Brent Stait (Andromeda)
Lorena Gale (The Butterfly Effect)
Donnelly Rhodes (Tron: Legacy)
Jill Teed (X-Men 2)
Tobias Mehler (Wishmaster 3)
Luciana Carro (White Chicks)
Terry Chen (Bates Motel)
Dominic Zamprogna (Oddysey 5)
Bodie Olmos (Stand and Deliver)
Callum Keith Rennie (Legends of Tomorrow)
Eric Breker (Godzilla)
Kate Vernon (Heroes)
Camille Sullivan (The Birdwatcher)
Kerry Norton (Toy)
Leah Cairns (88 Minutes)
Michael Trucco (Sabrina: TTW)
Rick Worthy (Collateral  Damage)
James Remar (The Shannara Chronicles)
Benjamin Ayres (The Vampire Diaries)
Lucy Lawless (Ash vs Evil Dead)
Aleks Paunovic (Van helsing)
Michelle Forbes (Powers)
Fulvio Cecere (The Tortured)
Mike Dopud (Arrow)
Vincet Gale (Bates Motel)
Sebastian Spence (First Wave)
Colm Feore (Gotham)
Bill Duke (Commando)
John Mann (The Butterfly Effect 2)
Christopher Jacot (Mutant X)
Dana Delany (Body of Proof)
Erica Carroll (Supernatural)
Dean Stockwell (Dune)
Rekha Sharma (V)
Amanda Plummer (Hannibal)
Emilie Ullerup (Sanctuary)
Alisen Down (Smallville)
Carl Lumbly (Alias)
Bruce Davison (High Crimes)
Gabrielle Rose (Dark Angel)
Steve Bacic (Andromeda)
Lucinda Jenney (Rai nman)
Mark Sheppard (Supernatural)
Keegan Connor Tracy (Bates Motel)
Ryan Robbins (Arrow)
Leela Savasta (Stargate: Atlantis)
Nana Visitor (Star Trek: DS9)
Sonja Bennett (Preggoland)

If you want to watch a brilliantly scripted series, then this is the one for you. In a nutshell, Humanity inhabits the Twelve Colonies of Man, somewhere out there in the galaxy. They created robots, “Cylons”, who did everything we wanted until they rebelled. A massive war broke out which ultimately ended in the Cylons leaving the Twelve Colonies. No-one had heard from the Cylons in 40 years until the events of the Mini-Series where they come back and completely destroy Humanity. The survivors (Around 50,000 people) are forced to flee the Colonies where billions have already died and forced to find a new home with the Cylons constantly in pursuit. The idea is to follow the route of the “13th Tribe/Colony” who went out into the stars and settled on a planet named “Earth”. That’s the basic premise of the story but so much happens over the 4 seasons that I’d feel ashamed to spoil it for others. It’s hard to say what parts of BSG really stood out because all of it was so frakking good but some notable parts are the entire “New Caprica” occupation storyline at the end of Season 2/start of Season 3, the big reveal of 4 out of 5 of the “Final Five” Cylons at the end of Season 3/start of Season 4, the hopelessness that is felt after “Earth” is actually found mid-Season 4 and the final battle at the end of Season 4.

The storyline can be bleak at times and sometimes you do think whether you’d have the strength to carry on if you were in their position but that’s what makes it so interesting to watch. Add in a dash of “God”, “Angels”, “Prophecy” and “Destiny” and you have a perfect recipe for a great story.Highly recommended!

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REVIEW: BATTLESTAR GALACTICA (2003)

 

CAST

Edward James Olmos (The Green Hornet)
Mary McDonnell (Independence Day)
Katee Sackhoff (Riddick)
Jamie Bamber (Pulse 2)
James Callis (Flashforward)
Tricia Helfer (Two and a Half Men)
Callum Keith Rennie (Legends of Tomorrow)
Grace Park (Hawaii Five-O)
Michael Hogan (Red Riding Hood)
Matthew Bennett (Stargate SG.1)
Paul Campbell (Andromeda)
Aaron Douglas (The Flash)
Barclay Hope (Paycheck)
Lorena Gale (The Butterfly Effect)
Kandyse McClure (Sanctuary)
Connor Widdows (Dark Angel)
John Mann (The Tall Man)
Alessandro Juliani (Smallville)
Nicki Clyne (Saved)
Tahmoh Penikett (Dollhouse)
Ty Olsson (Izombie)
Ryan Robbins (Arrow)
Erin Karpluk (Ripper 2)

After a 40-year armistice in a war between the Twelve Colonies (the homeworlds populated by humans) and the Cylons (human-created robots), the Cylons launch a surprise nuclear attack intended to exterminate the human race. Virtually all of the population of the Twelve Colonies are wiped out. Most of the Colonial military is either rendered ineffective or destroyed due to malware in the military computer network that renders it vulnerable to cyber attack. The malware was introduced by Number Six (Tricia Helfer), a Cylon in the form of a human woman, who seduced the famous scientist Dr. Gaius Baltar (James Callis) and exploited their relationship to gain access codes under the cover of an insider contract bid.
The Battlestar Galactica, an aircraft carrier in space that fought in the earlier war, is in the final stages of being decommissioned and converted to a museum when the attack occurs. During her decades of colonial service the Galactica’s computer systems had never been networked so the Galactica is unaffected by the Cylon sabotage. Its commander, William Adama (Edward James Olmos), assumes command of the few remaining elements of the human fleet. He heads for the Ragnar Anchorage, a military armory station where the Galactica can resupply itself with weaponry and essential supplies.
Caprica under bombardment during the Cylon attack.
Secretary of Education Laura Roslin (Mary McDonnell) is sworn in as President of the Twelve Colonies after it is confirmed that the President and most of the government have been killed (Roslin is 43rd in line of succession). The government starship carrying her (Colonial One) manages to assemble a group of surviving civilian ships. When a Colonial Raptor shuttle from the Galactica lands briefly for repairs on the Twelve Colonies’ capital world of Caprica, the two-person crew, Sharon Valerii (callsign “Boomer”) (Grace Park) and Karl C. Agathon (callsign “Helo”) (Tahmoh Penikett), offer to evacuate a small group of survivors. Helo remains on the stricken planet, giving up his seat to evacuate Baltar, whom he recognizes for his celebrity status as a scientific genius.The Cylons locate the human civilian fleet, and Roslin is forced to make the decision to order all of the ships capable of faster-than-light (FTL) travel to “jump” immediately to escape. Unfortunately this means abandoning many of the survivors who are aboard ships without FTL technology, and as Roslin and the FTL ships jump away, the Cylons launch an attack on the remaining ships.
At the Ragnar Anchorage space station, Adama is attacked by a supposed arms dealer who claims to be simply bootlegging supplies, but who is clearly being affected by the radiation cloud surrounding Ragnar, which humans are immune to. Adama deduces that he is facing a new type of Cylon that looks, sounds, and acts human.
As the civilian fleet joins the Galactica at Ragnar, President Roslin appoints Dr. Baltar, who has not disclosed his suborning by the Cylons, as one of her scientific advisers to combat the Cylons. Number Six reveals herself to Baltar in hallucinatory form while attempting to direct his behavior. She suggests that she may have planted a microchip inside Baltar’s brain while he slept, allowing her to transmit her image into his conscious mind. Responding to one of her suggestions, he is compelled to identify Aaron Doral, a public relations specialist, as a Cylon agent masquerading as a human. Despite his protests and the lack of any evidence to support the accusation, Doral is left at Ragnar when the Galactica departs.
As the Cylons blockade Ragnar, the Galactica and its fleet of Vipers engage the Cylon fleet in order to allow the civilian fleet to escape by “jumping” to a distant, unexplored area outside of their star system. The Galactica and the colonial fleet make good their escape. Adama then attempts to lift the morale of the surviving humans by announcing plans to reach a legendary thirteenth colony called “Earth”, whose existence and location have been closely guarded military secrets. Roslin is skeptical and later confronts Adama and makes him admit that Earth is simply an ancient myth. Returning to his quarters, Adama finds an anonymous note has been left for him stating “There are only 12 Cylon models.” On Ragnar, Doral clearly appears to be suffering from radiation poisoning that has been shown to affect only Cylons. His identity as a Cylon is confirmed when a group of Cylons, including the metallic Cylon Centurions and several humanoid Cylons consisting of multiple copies of the Number Six, Doral, and Ragnar arms-dealer models, come to retrieve Doral. In a twist ending, one of the group appears to be Boomer, indicating that her counterpart on the Galactica is a Cylon as well.

For fans of the original series this will be an initially unwelcome show, it makes so many changes to so many aspects of the show that it will be hard to adjust at first. But give it a chance, watch this through and there’s good odds you’ll be sold. In conclusion, this is three hours of pure gold. It’s gripping, thrilling, compelling and just plain entertaining from start to finish. Once you finish watching it you’ll be heading strait to the first full season, and trust me, you won’t be disappointed.

REVIEW: SMALLVILLE – SEASON 1-10

CAST

Tom Welling (The Fog)
Kristin Kreuk (Beauty and the Beast)
Michael Rosenbaum (Urban Legend)
Eric Johnson (Flash Gordon)
Sam Jones III (Glory Road)
Allison Mack (Superman/Batman: Public Enemies)
Annette O’ Toole (IT)
John Schneider (Desperate Housewives)
John Glover (Robocop 2)
Erica Durance (The Butterfly Effect 2)
Jensen Ackles (Supernatural)
Aaron Ashmore (The Skulls 2)
Justin Hartley (Chuck)
Laura Vandervoort (Bitten)
Cassidy Freeman (Yellowbrickroad)
Sam Witwer (Being Human)
Callum Blue (Dead Like Me)

RECURRING / NOTABLE GUEST STARS

Sarah-Jane Redmond (V)
Chad Donella (Final Destination)
Gabrielle Rose (Catch and Release)
Jason Connery (Wishmaster 3)
Hiro Kanagawa (Heroes Reborn)
David Paetkau (Flashpoint)
Lizzy Caplan (Cloverfield)
Mitchell Kosterman (White Noise)
Michael Coristine (Get Over It)
Eric Christian Olsen (Tru Calling)
Jackie Burroughs (The Dead Zone)
George Murdock (Star Trek V)
Amy Adams (Batman V Superman)
Malcolm Stewart (Timecop)
Joe Morton (Terminator 2)
Robert Wisden (Watchmen)
Tony Todd (Chuck)
Kelly Brook (The Italian Job)
Azura Skye (Red Dragon)
Rick Peters (Veronica Mars)
Kevin McNulty (Elektra)
Tom O’Brien (The Accused)
Shawn Ashmore (X-Men)
Kavan Smith (Stargate SG.1)
Evangeline Lilly (Lost)
Corin Nemec (Parker Lewis Can’t Lose)
Cameron Dye (Valley Girl)
Eric Breker (Walking Tall)
Jud Tyler (That 70s Show)
Nicki Clyne (Saved)
Ryan Kelley (Teen Wolf)
Brandy Ledford (Andromeda)
Rekha Sharma (Dark Angel)
Tiffany Lyndall-Knight (Wolf Creek: The Series)
Marguerite Moreau (Easy)
Shonda Farr (Crossroads)
Adam Brody (The OC)
Kevan Ohtsji (Godzilla)
Aaron Douglas (Battlestar Galactica)
Krista Allen (The Final Destination)
Sara Downing (Roswell)
Sean Faris (The Brotherhood 2)
Richard Moll (Scary Movie 2)
Gwynyth Walsh (Star Trek: Generations)
Maggie Lawson (Two and a Half Men)
George Coe (The Entity)
Richard Gant (Rocky V)
Neil Grayston (Wonderfalls)
Patrick Cassidy (Lois & Clark)
Martin Cummins (Dark Angel)
William B. Davis (The X-Files)
Jonathan Taylor Thomas (Home Imporvement)
Emmanuelle Vaugier (Two and a Half Men)
David Richmond-Peck (V)
Tamara Feldman (Hatchet)
Gordon Tootoosis (Legends of The Fall)
Byron Mann (Arrow)
Adrianne Palicki (Agents of Shield)
Colin Cunningham (Elektra)
Jill Teed (Highlander: The Series)
Paul McGillion (Stargate: Atlantis)
Rob LaBelle (Jack Frost)
Paul Wesley (The Vampire Diaries)
Cristopher Reeve (Superman: The Movie)
Camille Mitchell (Caprica)
Steve Bacic (Andromeda)
Michael Adamthwaite (Sucker Punch)
Zachery Ty Bryan (Fast and Furious 3)
Neil Flynn (Scrubs)
Jodelle Ferland (Kingdom Hospital)
Terence Stamp (Superman 1 & 2)
Rutger Hauer (Blade Runner)
Ryan Robbins (Arrow)
Francoise Yip (Robocop: Prime Directives)
Jesse Metcalfe (Dallas)
Katharine Isabelle (Ginger Snaps)
Christopher Shyer (V)
John DeSantis (The New Addams Family)
Michael McKean (This Is Spinal Tap)
Lorena Gale (Battlestar Galactica)
Kendall Cross (X-Men 2)
Michael Dangerfield (Catwoman)
Ian Somerhalder (The Vampire Diaries)
Missy Peregrym (Heroes)
Meghan Ory (Dark Angel)
Ryan Merriman (Final Destination 3)
Sarah Carter (D.O.A.)
Lynda Boyd (Power Rangers In Space)
Tahmoh Penikett (Battlestar Galactica)
Gary Hudson (Mutant X)
Teryl Rothery (Stargate SG.1)
Nathaniel Arcand (Pathfinder)
Amber Rothwell (Andromeda)
Brandon Jay McLaren (Power Rangers SPD)
Margot Kidder (The Amityville Horror)
Ona Grauer (V)
Michael Ironside (Scanners)
Amanda Walsh (Disturbia)
Kyle Gallner (Veronica Mars)
Trent Ford (The Island)
Jane Seymour (Wedding Crashers)
Cobie Smulders (How I Met Your Mother)
John Pyper-Ferguson (Caprica)
Derek Hamilton (Ripper)
Peyton List (The Flash)
Chris Carmack (Into The Blue 2)
John Novak (Wishmaster 3 & 4)
Nolan Gerard Funk (Arrow)
Peter Wingfield (Highlander: The Series)
Beatrice Rosen (Chasing Liberty)
Kandyse McClure (Battlestar Galactica)
Jonathan Bennett (Veronica Mars)
Tom Butler (Blade: The Series)
Steven Grayhm (White Chicks)
David Orth (The Lost World)
James Marsters (Buffy)
Leonard Roberts (Heroes)
Alana De La Garza (Scorpion)
Kenny Johnson (Bates Motel)
Johnny Lewis (Felon)
Alan Ritchson (Teenage Mutant Ninja Turtles)
Carrie Fisher (Star Wars)
Erica Cerra (The 100)
Brooke Nevin (Infestation)
Top Wopat (Django Unchained)
Noah Danby (Bitten)
Alisen Down (Case 39)
Adrian Holmes (Arrow)
Jorge Vargas (Power Rangers Ninja Storm)
Annie Burgstede (CSI)
Sarah Lind (Wolfcop)
Denise Quinones (Aquman 2006)
Lee Thompson Young (Flashforward)
Nichole Hiltz (Bones)
Mackenzie Gray (Man of Steel)
Emily Hirst (Blade: The Series)
Anne Marie Deluise (Goosebumps)
Callum Rennie (Legends of Tomorrow)
Ian Tracey (Bates Motel)
Alex Scarlis (8mm 2)
Jody Thompson (Flash Gordon)
Pascale Hutton (Sanctuary)
Lochlyn Munro (Little man)
Amber McDonald (Gloria)
Lucas Grabeel (Milk)
Bow Wow (Like Mike)
Dave Bautista (Guardians of The Galaxy)
Mike Dopud (Stargate Universe)
Phil Morris (Meet The Spartans)
Tori Spelling (Scary Movie 2)
Matthew Walker (Alone In The Dark)
Greyston Holt (Bitten)
Benjamin Ayres (The Vampire Diaries)
Lynda Carter (Wonder Woman)
Emily Holmes (Dark Angel)
Gerard Plunkett (Sucker Punch)
Anna Galvin (Caprica)
Michael Cassidy (Batman V Superman)
Tom McBeath (Bates Motel)
Peter Bryant (Dark Angel)
Kim Coates (The Amityville Curse)
Christina Milian (be Cool)
Christopher Jacot (Mutant X)
Helen Slater (Supergirl)
Christopher Heyerdahl (Sanctuary)
Elyse Levesque (Stargate Universe)
Tim Guinee (Stargate SG.1)
Marc McClure (Superman: The Movie)
Alaina Huffman (Painkiller Jane)
Gina Holden (Flash Gordon)
Anne Openshaw (The Grey)
Robert Picardo (Star Trek: Voyager)
Ari Cohen (Gangland Undercover)
Donnelly Rhodes (Battlestar Galactica)
Sara Canning (The Vampire Diaries)
Jessica Parker Kennedy (The Secret Circle)
Charlotte Sullivan (Defendor)
Anna Williams (Blonde and Blonder)
Kyle Schmid (Arrow)
Ryan Kennedy (Caprica)
Alexz Johnson (Devil’s Diary)
Calum Worthy (Daydream Nation)
Dario Delacio (War)
Ty Olsson (Izombie)
Alessandro Juliani (Man of Steel)
Ted Whittall (Beauty and The Beast)
Chris Gauthier (Watchmen)
Stephen Lobo (Painkiller jane)
Serinda Swan (Tron Legacy)
Connor Stanhope (American Mary)
Dominic Zamprogna (Odyssey 5)
Nels Lennarson (Sanctuary)
Brendan Flecther (Bloodrayne 3)
Anna Mae Wills (2012)
Monique Ganderton (American Ultra)
Sharon Taylor (Stargate: Atlantis)
Brian Austin Green (Termiantor: TSCC)
Steph Song (War)
Elise Gatien (Izombie)
Emilie Ullerup (Sanctuary)
Julian Sands (Gotham)
Dean Cain (Lois & Clark)
Allison Scagliotti (Warehouse 13)
Dylan Neal (Arrow)
David Gallagher (Super 8)
Anita Torrance (Caprica)
Pam Grier (jackie Brown)
Michael Shanks (Stargate SG.1)
Brent Stait (Androemda)
Britt Irvin (V)
Wesley MacInnes (Warcraft)
Jim Shield (Final Destination 3)
Roger Haskett (Paycheck)
Ken Lawson (Descendants)
Erica Carroll (Apollo 18)
Crystal Lowe (Poison Ivy 4)
Sean Rogerson (Bitten)
Odessa Rae (Hard Candy)
Jonthan Walker (Red)
Gil Bellows (Flashforward)
Blu Mankuma (Robocop: The Series)
Keri Lynn Pratt (Cruel Intentions 2)
Bradley Stryker (The Lizzie Borden Chronicles)
Sahar Biniaz (Watchmen)
Lexa Doig (Andromeda)
Christine Willes (Dead Like me)
Steve Byers (Mutant X)
Teri Hatcher (Lois & Clark)
Lindsay Hartley (All My ChildreN)
Michael Hogan (Battlestar Galctica)
James Kidnie (Arrow)
Aleks Paunovic (Mutant X)
Sebastian Spence (First wave)
Aliyah O’Brien (If I Stay)

Maybe it is that Superman is truly indestructible or that the Man of Steel, who was picked recently as one of the Top 10 American pop culture icons, is so respected that not even Hollywood would dare tug on his cape, because “Smallville” is another successful small screen version of the strange visitor from another planet. Of course, the great irony is that this time around there is no cape to tug on because this television series is about Clark Kent, years before he put on the suit with the big red “S,” when he was still in high school, his powers were just starting to kick in, and the girl in his life with the double L name was Lana Lang.


Keep in mind that when Joe Shuster and Jerry Siegel created the Man of Steel in 1939 there was no Superboy until 1949, when he began part of the futuristic Legion of Super-Heroes. All we knew about the early days is that just before the doomed planet Krypton exploded to fragments, a scientist placed his infant son within an experimental rocket ship, launching it toward earth. When the vessel reached our planet, the child was found by an elderly couple, the Kents. They adopted the super tyke and with love and guidance shaped the boy’s future. As he grew older Clark Kent learned to hurdle skyscrapers, leap an eighth of a mile, raise tremendous weights, run faster than a streamline train, and that nothing less than a bursting shell could penetrate his skin. When his foster parents passed away, Clark decided he must turn his titanic strength into channels that would benefit mankind. The key part of “Smallville” is that creators Alfred Gough and Miles Millar go back to the simple beginning, with young Clark (Tom Welling) growing up on the Kent farm with Martha (Annette O’Toole) and Jonathan (John Schneider). From the “Superboy” comic books the series borrows the characters of girl next-door Lana Lang (Kristin Kreuk) and best buddy Pete Ross (Sam Jones III). But in addition to covering the basics, Gough and Millar come up with a key triad of additions to the original Smallville mythos.


First, they add young Lex Luthor (Michael Rosenbaum) to the mix, knowing that he and Superman are fated to be (im)mortal enemies, but that for the present he and Clark are friends (after Clark saves Lex’s life in a car accident that should have killed them both). The key thing is that they truly are friends and that “Smallville” is as much about how Lex would become a super villain as it is about how Clark would become a super hero. Throw into the mix Daddy Dearest in the form of Lionel Luthor (John Glover), and Lex would have already pulled all of his hair out if it were not for what happened that fateful day in Smallville.


Second, is the brilliant reconceptualization of Superman’s arrival on earth where the small spacecraft shows up in the middle of a shower of glowing green meteors that are all that remains of the planet Krypton. As much as the little boy in that spaceship, those meteors change Smallville forever, turning a little girl into an orphans and a young boy bald, and the small Kansas town into the self proclaimed meteor capital of the world. More importantly, those little green rocks will have continue to have an impact as they cause a series of mutations with which young Clark will have to contend. This also accounts for the great in-joke that Clark always becomes a bumbling idiot around Lana because she wears a locket made of kryptonite. Third, there is the multi-purpose character of Chloe Sullivan (Allison Mack). The driving force of the Smallville High School student newspaper her “Wall of the Weird” documents all the strange things that have happened around Smallville since the meteor shower, making her the show’s resident mistress of exposition.

But she is also the tragic figure who longs for Clark the way he casts puppy dog glances at Lana, creating a nice example of teenage love triangle pathos. Overall, Miller and Gough had created an extremely solid premise for their series, which creates multi-dynamics for all of the plotlines. The first season (2001) is book ended by some great special effects, with the devastating arrival of the meteors in the pilot and the three twisters becoming one in the thrilling cliffhanger finale. My only serious complaint is that Schneider’s Jonathan Kent has too much of an angry edge, which takes away from his font of parental wisdom. Martha really needs to mellow him out so that he cuts Clark some slack. I understand that Jonathan is motivated by fears and concerns about his son, but I always liked the gentle influence personified by Glenn Ford in the first Christopher Reeve “Superman” film. Turning adolescent traumas into mutant monsters of the week is a hit and miss proposition, but that was true of the first season of “Buffy the Vampire Slayer” as well, and look at how well that series turned out. Yes, we can also throw into the mix that Clark and Lana are played by a couple of cute young actors. Welling is not too serious as the kid who is going to grow up to be the hero who stands for truth, justice, and the American way, and I was going to say Kruek was the WB’s new Katie Holmes except after her soft-core Lana scene in the school swimming pool goes way beyond the world’s biggest collection of midriff revealing tops. But the bottom line here is that either the Clark-Lana or the Clark-Lex would be enough to make this a good show and “Smallville” has both of them and a lot more, including the brilliant metaphor of the scarecrow immortalized in the DVD collection’s cover shot.

Starting a moment after the season one finale Smallville continues the story of Clark’s younger years. This season really stands out in memory, the sheer quality of the episodes is amazing, there are more memorable episodes in this series than in any other combined. Furthermore there is a movement away from “freak of the wekk” episodes, with several episodes reveolving around the characters and their backstory, not monsters and threats to them. Clark’s identity (as Kal-Ell is revealed to him, as is the fate of Krypton), Pete find oout about Clark’s secret, Red K causes havoc turning Clark into a moralless teenager, secrets about Clark’s adoption and Lex’s brother are revealed, Clark lays on his deathbed and Clark is told to leave Smallville and complete his father’s quest to rule the planet.

Along with these arks, there is the continuing storyline of Chloe and Clark, that was left hanging in Tempest, this slops both Clark and Lana coming closer as Chloe looks on sadly. Clark’s adoption is revealed to have been organised by Lionel Luthor (who is also blinded at the beginning of the season), Lionel and Lex jokel against each other as Lionel quashes Lexcorp, and Clark is appauled by the intrustions of his father. This is one of my favourite season, as it was for the viewing figures (check wiki), characters continue to eveolve and change, and leaving a fantastic cliifhanger which I won’t spoil. If you liked Season 1 you’ll love this, if you loved season 1 you’ll be overjoyed

Season 3 veers constantly between dark and light – light: Perry White arrives in Smallville – played fabulously and hilariously by Annette O’Toole’s real-life husband Michael McKean (note that they have no scenes together), the fact that Jor-El chose the Kents to raise his son; dark: Clark’s antics on Red Kryptonite resulting in serious health issues for Jonathan Kent, Lex’s forays into insanity and back again. There are mainly stand-alone stories this year, although there is the double-headed cliffhanger of Chloe’s apparent death and Clark being stripped of his humanity to be reborn as Kal-El. The actors continue to raise their game, although Sam Jones III seems to be phased out as the season progresses: a sure sign of his departure before the finale.

Also this year Terence Stamp features more prominently as “The Voice of Jor-El” – an intense presence whose determination to enforce his will over his son clashes with the mortal man who raised him. The only drawback of this season is the lingering Clark & Lana love story – will-they, won’t they is fast becoming do they have to? This DVD set features a couple of commentaries although the blooper reel doesn’t contain as many gems as the one featured on series 2. Favourite episodes: Phoenix, Extinction, Perry, Relic, Whisper, Delete, Hereafter, Crisis, Truth, Memoria & Talisman.

In this season there are no stand-alone stories as all 22 episodes provide a piece of the puzzle which is finally revealed in the finale. Tom Welling transcends his previous work on the show as he begins to build his most successful on-screen partnerships – with Allison Mack’s Chloe who returns from the dead to become privy to Clark’s powers and takes the inital steps towards becoming his sidekick and confidante, and Erica Durance’s Lois Lane who crashes into his world and turns it completely upside down.

There are sparks aplenty between Welling & Durance – her face when confronted with her naked co-star in the opening episode is priceless – but the enduring Clark & Lana storyline continues to flare so the viewers have to make do with their hilarious banter and feigned dislike of each other. The only lowlight as far as Welling is concerned this year is Clark’s bewilderment that Lana could possibly move on from him – a trait resumed in Seasons 5 and 6 as Lana moves on yet again and Clark remains stuck in the “Clana mud”. Annette O’Toole also shines this year as Martha Kent steps into the spotlight to save her son. The rest of the cast also continue to shine and the calibre of guest stars keeps on rising, particularly in the season premiere when actress Margot Kidder cameos – ironically in the same episode Smallville’s incarnation of Lois Lane is launched. Favourite episodes: Crusade, Gone, Facade, Devoted, Bound, Pariah, Recruit, Krypto, Lucy, Blank & Commencement.

In the fifth season of Smallville, one chapter ends as another new and exciting chapter begins as Smallville is taken to new heights as the DC Universe is finally blown open as new characters make their appearances felt.


In season five, Clark’s relationship with Lana is at its peak, his friendship with Chloe has never been stronger, and he is finally coming to terms with the discovery of his Kyptonian heritage. But things in Smallville are about to change with the arrival of the mysterious Milton Fine (James Marsters) along with 2 Kryptonians bearing the symbol of ZOD. Whilst his relationship with his friends has never been stronger, Clark finds himself in direct confrontation with Lex Luthor as he is now forced to question whether he and the younger Luthor were ever friends.


Alongside the great continuity drama with the regular leads, this season also sees the arrival of 2 familiar faces from the DC Universe in form of Aquaman and Cyborg who cameo in this season alongside DC villain Brainiac.


James Marsters is a very welcome addition to the cast and plays Fine with confidence and arrogance while Michael Rosenbaum continues to steal the show. The pinnacle moment of the season also sees the very sad departure of a long staning term cast member in what still rates as Smallville’s saddest moment and greatest tear-jerker.

They say timing is everything, and for me the timing of watching season 6 of Smallville for the first time was perfect. Why is that? Because this was the season that introduced their take on Oliver Queen, aka Green Arrow, and I got hooked on the new show about him this last season on TV.

Of course, before we can get to new characters, we have a few cliffhangers to resolve. While all kinds of chaos is reigning down on the citizens of Earth thanks to the evil force that has taken over Lex Luther’s body (Michael Rosenbaum), Clark Kent (Tom Welling) can’t do much about it since he’s trapped in the Phantom Zone. While he does escape and manage to save the day, he unwittingly releases the evil prisoners from the Phantom Zone and must spend some time tracking them down this season. As things return to normal, characters explore new options. Lois Lane (Erica Durance) and Chloe Sullivan (Allison Mack) become roommates and Lois starts a new career as a reporter for a tabloid. They also both get new boyfriends in the two new characters that are introduced. Lois starts dating the previously mentioned Olive Queen (Justin Hartley) while Chloe falls for Jimmy Olsen (Aaron Ashmore), a young photographer at The Daily Planet. Lana Lang (Kistin Kreuk), meanwhile, has moved in with Lex and their relationship becomes more serious when she finds out she is pregnant. Chloe learns a very surprising secret and is reunited with her mom as played by TV’s Wonder Woman herself, Lynda Carter.

Other storylines of the season involve Clark and Oliver’s clashes over how to use their powers for good. Lex is collecting and hiding people with abilities. Those storylines clash when we see the first glimpse of the Justice League Smallville style.
This season is really about the young adults. No one is in college any more (did they all drop out after one season or did they all graduate at lightning speed?) While Lionel Luther (John Glover) is still around being unclear in his intensions, Martha Kent (Annette O’Toole) is given very little to do. And before the season is over, one character makes an exit from the show.

Season 7 demonstrates a real maturity in terms of the characters and the wider Smallville universe. For the characters themselves we obviously have to start with Clark and Lex.

What I love about this series is that you don’t notice subtle changes that are going – its only when there is a sudden abrupt change that you realise that it had been going on for ages and you find yourself saying “Ah!”. Clark in this season is gradually waking up to the fact that his old life is practically gone – most friends and family have moved on. This really hits home with an episode that sees the (thankfully brief) return of Pete. This was a subtle episode that demonstrated that Pete and Clark are very different now – they are friends but have both moved on. Clark towards his greater destiny – Pete to his, well, lesser destiny. But the real tear jerker that forces Clark to face the changes is the video left by Lana in the series finale. Understated and brief – its all the more powerful. Lana functioned as a sort of bubble for Clark – a link back to his carefree past – her leaving all but cuts this.

For Lex – wow. Smallville always managed to avoid having him as a cartoon baddie. What really took off on this season was Lex rushing towards his destiny as the powerful enemy of the “Traveller”. We get to see the childhood of Lex and his inner struggles. The moment that he and Lionel have their final encounter – powerful stuff. But what really hits viewers is Lex’s view of what his destiny was. The link he has with the Traveller, the impact that has had on his life and how it will ultimately play out – this was biblical stuff.

For the overarching storylines of the series. Well a special mention goes to the Veritas saga. Debate rages on message boards across the land about whether or not writers had planned this from the start of the series. Regardless if they did – the Veritas storyline weaves together almost 7 years of storylines. Smallville has always managed to pull of the secret legends stories, particularly in Season 4 and 7. But there is a real epic storylines going in season 7. Other storylines worthy mention: the return of Brainiac – always a joy. Bizzaro is also great fun. Tom welling clearly enjoys playing a baddy instead of straight-laced Clark. That and he gets to wear a blue jacket and red tshirt, instead of vice versa. And Lionel finally meets his maker.

Technically this season shouldn’t have worked; the show’s main villain and arguably most popular character, Lex Luthor (Michael Rosenbaum) has now departed; secondly they were introducing a villain which was virtually impossible to bring to the big screen never mind a television series in Doomsday. However whilst a massive void had been created by Rosenbaum’s departure, it was filled suprisingly very well by the main cast of heroes who finally come into their own this season with performances and stories which intelligently test those who have big destinies to embrace in the Superman era to come. Tom Welling finally begins to take his final steps to becoming Superman and is starting to demonstrate how capapble as lead he is while bringing a new found presence to Clark Kent. There is also an increased number of on-screen scenes between Welling and Erica Durance’s Lois Lane and the result is a relationship which is as funny as it is touching and believable.

Likewise other support characters like Chloe and Jimmy are tested by the new villain in town, Sam Witwer’s Davis Bloome who is a great unique character to the series who undergoes a menacing and horrific transformation as the season unfolds. There is also a welcome return from Justin Hartley’s Oliver Queen who now becomes a series regular after a successful stint in the sixth season and a brief cameo in the seventh. Queen’s character is also successful to the season’s story as his questionable methods bring him into conflict with Clark who is now trying to figure out what sort of hero he wants to become.
The Doomsday story is a well written one in itself and Doomsday is interpreted in a way which is both unique in style yet never undermines the characters standing in the mythology. Sam Witwer is more than capable playing the villain, he lacks perhaps the charisma and flair of Rosenbaum, but the horror given off by his transformations is more than projected out of the screen. The same cannot be said for Cassidy Freeman whose Tess Mercer is terribly aimless and lacking in focus, in terms of a series villain, Rosenbaums absence is felt though not quite fatal.


The season is very well executed in tone, humour and story. There are many episodes which take the series much further and there are some more characters from the D.C Universe in episodes such as ‘Instinct’, ‘Legion’ and ‘Hex’. ‘Bride’, ‘Eternal’ and ‘Beast’ are also exceptional drama episodes featuring Doomsday which keeps building up the season to a final climatic battle.


It is unfortunate therefore that what prevents the season from achieving pure greatness is a series of misjudged stories which threaten to undermine every bit of progress Smallville made this season. The brief reintroduction of an old character in ‘Power’ and ‘Requiem’ was a terrible mistake and unpopular with viewers, as was the apparent demise of another important character. Also while the season does a sensational job in building up the tension towards the final episode, the final episode of the season itself is very weak and sadly anti-climactic. This is a shame since many may feel cheated by a poor resolution but on the plus side, the drama remains top notch throughout and the themes explored this season are never forgotten and never betrayed, even in the finale. Smallville has enjoyed a fantastic return to form overall this season and many fans will be left feeling hopefull of the action and drama to come in the ninth season. Well worth buying though this eighth season.

Season nine is the single greatest season Smallville has ever produced. The show has fully reached its potential and has created a tense, exciting, beautifully shot, clever and romantic season. One with interesting villains; conflicting needs; searching for the right questions; searching for the truth; love and hate and the fine line between it all; finding yourself and finding others. All with the strong undercurrent of destiny. There are around two ‘not so well executed’ episodes that fall short of their goals, but even those are not awful. The four or so main arcs of the season are: the return of a weirdly attractive and charismatic Zod, the blossoming relationship between Lois and Clark, the development of the Blur and the Justice Society. This is a season of triangles. Many carefully subtle and symbolic in nature: triangles between friends, triangles between enemies, the triangle for two. There was a distinct sense of care to this season, unlike the others — it actually felt as if the writers paid close attention to the small things which made the writing feel more cohesive. It’s certainly the case, because something as small as a hand gesture in one episode became a very significant thing later on.

The season opens with ‘Saviour’, as Lois miraculously returns without memory of where she’s been. The only thing hinting at a darker side to this is random flashes and visions, confusing memories. Are they dreams? Visions of a not-so-distant future? This is one of the mysteries of the first half of the season. I love this show but they I’ve never been so engaged as I have when Lois had those first flashes. It was well done and it was gratifying to see Smallville put together a coherent story arc which flowed into other arcs as the previous ones drew to a close. First time ever that I’d been excited to see where the mainplot went!

Tom Welling is now an executive producer so having more creative control over his character is obvious this season — it has a very positive impact on Clark. Clark finds himself being tested. Learning to cope with juggling an overly-inquisitive Lois, an alter-ego as the Blur whilst swiftly returning to his desk at the bullpen. But ultimately, a key theme of this season is his struggle to maintain a balance between who he is and what he could become. This season firmly asks: who will he become? There was some fantastic development for Clark as a character and his relationship with Lois Lane is centre stage the entire time. The writing for them is careful, precise, intimate and is wonderfully nuanced thanks to the actors. It was well established last season that Lois is in love with Clark, and Clark spends this season rightly demonstrating that he loves her back. The Lois and Clark relationship is one of my favourite arcs in season nine. It was so satisfying to see their romantic relationship moved forward without a painfully slow draw-out. There’s a lot of beautiful scenes shared between them and the writers do a brilliant job of showing (yes ‘showing’, not telling) exactly why Lois is the one for Clark.

Zod (Callum Blue) is a fantastic and compelling villain. His dalliances with Tess Mercer are mesmerising to watch. Oliver Queen returns, having hit rock bottom and kept going since the previous finale. There’s a triangle early in the season between Clark, Lois and Oliver. It’s very subtle and one can only be picked up on in a few frames a lot of the time — not something I’ve come to expect from Smallville, whose usual idea of ‘subtle’ is huge honking anvils landing on you when trying to convey something. It peeters away as Oliver grows and changes out of this darker period in his life. Lois develops as a reporter and finds a purpose in life she didn’t dream of before; her character arc was excellent and benefitted from Erica Durance appearing in 18 episodes instead of the usual 13 (yay!). We see the return of many superheroes as well as meet some new ones. I loved this as it’s one of my favourite parts of the series. I liked seeing Bart and Black Canary back in particular. Star Girl was awesome! The superhero epic Absolute Justice (two episodes smooshed together as one) was a highlight of the season and will surely make comic book fans happy. The finale, ‘Salvation’ was a fast paced good quality closing chapter. It set up the next season and moved the story forward at the same time as closing it. The finale fight scene also did not disappoint! For once! Salvation was very much a juggernaught of emotion which wasn’t cheap and empty like Doomsday, but had the weight of a great season of storytelling behind it. It really made all the difference.

This season is well structured with a fascinating story arc which sees time travel as a central concept. In many ways this plotline held far more tension and anticipation than the whole of the Doomsday arc did. I enjoyed feeling fascinated by Zod, insanely wanting answers as to what had happened to Lois when she disappeared, and could barely contain myself when all was revealed in the episode ‘Pandora’. Truly one of the best episodes of the series.

Smallville Season 10 is the culmination of a 10 year journey which set out to follow the life of a young Clark Kent as he accepts his destiny and becomes Superman. So did Smallville go out with a bang or a whimper?

I for one love the final season of Smallville….whenever you are trying to finish off a story it can be difficult especially with a character as iconic as Superman and with the weight of 10 years of expectation but amazingly it manages to produce an end that is befitting of a superman. This season really is all about how Clark Kent finally becomes Superman and almost every episodes deals with this acceptance of destiny. The season kicks of where season 9 ended with Clark Kent falling to his apparent death….this episode kicks off the season on the right note, with nods to the past seasons as well as hints for what the future holds. This season has so many memobrable episodes such as Homecoming, the 200th episode that is one of the best episodes have ever produced, other highlights include: Supergirl, Harvest, Abandoned, Luther, Icarus, Fortune (one of the funniset Smallville episodes ever!), Kent and Booster. You can see just by the number of episodes listed just how good the final season was.


However, what could make of break this season was the two part Finale in which we fianlly see Clark Kent embrace his destiny. I believe that this episode is one of the best finales ever produced, it is important to remember that Smallville is more about Clark Kent then Superman and as such this character takes the focus for the majority of the episode and it benifits for it. These episodes also include the return of Lex Luthor and I think that the scenes between him and Clark are perfect. Also, when Clark finally puts on the suit we get to see more Superman action then I’m sure anyone was expected. And the final scene is a perfect way to finsih the story.


Tom Welling has played Clark Kent for 10 years and every season we have seen him grow as and actor and a director and I think that he has managed to bring new life into this character and took him in a truely unique direction. Although, this show wouldn’t be what it is/was if it wasn’t for the rest of the supporting cast especially Erica Durance who in my mind is the best Lois Lane that the screen has seen and thanks to her acting she has become just as much of the Smallville story as Clark Kent himself.Thank you Smallville for 10 great years and for breathing new life into a an inconic character…you will be missed!

REVIEW: CULT (2013)

MAIN CAST

Matthew Davis (The Vampire Diaries)
Jessica Lucas (Gotham)
Alona Tal (Veronica Mars)
Robert Kneppr (Izombie)

RECURRING / NOTABLE GUEST CAST

Marie Avgeropoulos (50/50)
Tom Amandes (Arrow)
Zak Santiago (Caprica)
Aisha Hinds (Star Trek Into Darkness)
Andrew Leeds (Bones)
Rebecca McFarland (Two and a Half Men)
Stacey Farber (Narc)
Spencer Locke (Resident Evil: Afterlife)
Ona Grauer (V)
Obba Babatundé (Half & Half)
Erica Gimpel (Roswell)
Brigid Brannagh (Angel)
Jeffrey Pierce (Bosch)
Teryl Rothery (Stargate SG.1)
Adam Greydon Reid (Sanctuary)
Eric Lange (Lost)
Michael Hogan (Battlestar Galactica)
James Pizzinato (Godzilla)

Cult is a TV show about a TV show. In TV Bizarro World, Cult was a show from The CW. It has a following so strong that a fandom-courting bar actually has an entire room dedicated to giving Cult fans space to geek out and obsess over details of the latest episode.

Not only is the in-universe show crazy-popular but (some of) its fans are crazy-crazy. “Secret” websites lure unsuspecting LARPers into the role-play from hell. Fans and crew alike have a habit of disappearing under mysterious circumstances. Apparently the conspiracy has infiltrated the police force. The show’s creator is notoriously reclusive and doesn’t seem to mind the fervor with which the lines between his TV show and reality are blurred by his fans and/or followers. In fact, that might just be the whole point.

And our only hope lies with Jeff Sefton (Matt Davis), ex-reporter and general nitwit, who takes an interest in the series when his brother Nate disappears after making contact with “them” but continues to pop in from time to time with a staticky phone call to plead for help, or to plead for Jeff to stay away. The best representation of this in the pilot was the CD he left behind for Jeff to find, and then basically told him not to use.

Not gonna lie, there’s a lot of WTF. Jeff is joined in his quest by a sexy young research assistant for Cult. Skye Yarrow (Jessica Lucas), a.k.a. Jeff’s “future love interest in training,” grew alarmed when she discovered those creepy secret websites and then more worried when her boss was largely unconcerned with creepy fans doing creepy things and, you know, murderin’ people. Maybe. Probably.
Skye, it turns out, had personal reasons for initially joining the Cult crew—her father was a journalist who went missing years earlier while investigating Steven Rae, the creator of Cult, for corruption—presumably back before he ever had a TV series. Once you get the hang of jumping between scenes from the fake/show-within-a-show Cult and scenes from the real/debuted-on-The-CW-in-February-2013 Cult, the plot itself is fairly easy to follow, the plots of the TV show mirrored the plot of “reality” damn near perfectly with Alona Tal’s Marti Gerritsen’s Kelly Collins (yep, that’s real actress > fake actress > fake TV character) looking for her missing sister with 3D glasses while Jeff did the same for Nate. Both of their best leads blew their brains out after uttering the show’s apparent catchphrase, “These things just snap right off.” I appreciated the parallel narratives, and I think they could be fun from time to time.

Cult was cancelled sadly after 1 season so alot of the story arcs never get resolved, the stor ywithin a story concept was intriging but it looks like its going to be a forgotton show, as we have yet toeven get a dvd release.