REVIEW: BONES – SEASON 3

Starring

Emily Deschanel (Boogeyman)
David Boreanaz (Angel)
Michaela Conlin (Yellowstone)
Eric Millegan (The Phobic)
Tamara Taylor (Lost)
T. J. Thyne (Ghost World)
John Francis Daley (Game Night)

David Boreanaz and Emily Deschanel in Bones (2005)

Recurring / Notable Guest Cast

Patricia Belcher (Jeepers Creepers)
Raphael Sbarge (Once Upon A Time)
Eugene Byrd (Heroes)
Cynthia Preston (Carrie)
Ryan O’Neal (Love Story)
Deborah Zoe (Guiding Light)
Erich Anderson (Bosch)
Scout Taylor-Compton (Halloween 2007)
Richard Cox (Alpha House)
Ron Canada (Wedding Crashers)
Michael Cudlitz (The Walking Dead)
Christina Cox (The Chronicles of Riddick)
Erin Chambers (Stargate: Atlantis)
Beth Grant (Wonderfalls)
Denise Crosby (Trekkies)
Rider Strong (Cabin Fever)
Azura Skye (28 Days)
Terry Rhoads (Hitchcock)
Lynsey Bartilson (Grounded for Life)
Xander Berkeley (Kick-Ass)
Sam Jones III (Smallville)
Patrick Fischler (Birds of Prey)
Patrick Fabian (Better Call Saul)
Kristin Bauer van Straten (True Blood)
Bess Wohl (Flightplan)
David DeLuise (Stargate SG.1)
Reginald VelJohnson (Die Hard)
Abigail Spencer (Cowboys and Aliens)
M.C. Gainey (Lost)
Wings Hauser (The Insider)
Chris William Martin (The Vampire Diaries)
Channon Roe (Boogie Nights)
James Black (Anger Management)
Jamil Walker Smith (Stargate Universe)
Daniel Roebuck (Final Destination)
Taylor Kinney (The Forest)
Thomas F. Wilson (Legends of Tomorrow)
Austin O’Brien (Last Action Hero)
Cameron Dye (Smallville)
Ernie Hudson (Ghostbusters)
George Wyner (Spaceballs)
Loren Dean (Apollo 13)
Ethan Phillips (Star Trek: Voyager)
Ian Reed Kesler (2 Broke Girls)
Geoff Meed (Fast & Furious 5)

David Boreanaz and Emily Deschanel in Bones (2005)BONES keeps on keeping on. Two excellent seasons under its belt, and a truncated Season 3 (damn you, writers’ strike!) finally all wrapped up, and predictably, these are good episodes, as well. But only fifteen of them! As Season 3’s first episode (“The Widow’s Son in the Windshield”) opens up, we learn that Bones has been reluctant to go in the field with Booth and she won’t say why. However, a head flung off a bridge forces her to reconnect with Booth. This episode also begins a new serial killer arc, this one being particularly even more gristly and diabolical than most, and of which resolution later down the season would have tragic consequences.David Boreanaz and Emily Deschanel in Bones (2005)Season 3 doles out several other subplots. As per the startling news learned at the altar from Season 2’s finale, Angela is already married. An ongoing story arc becomes Hodgins and Angela’s search for her long-time but vaguely remembered husband. “The Secret of the Soil” introduces Dr. Sweets, a 22 year old psychotherapist assigned to counsel Bones and Booth, this stemming from the FBI’s concern due to Booth having arrested Bones’ father. These sessions are generally funny stuff as, mostly, Booth can’t help but treat Sweets like a kid. Plus, these scenes tend to open things up even more between Bones and Booth.David Boreanaz and Emily Deschanel in Bones (2005)I’ve a couple of Season 3 favorites. “The Widow’s Son in the Windshield” introduces the cannibalistic Gormogon killer, which would become a key ongoing story arc of the season. “Mummy in the Maze” is a very neat Halloween show, wherein Booth’s shameful phobia is unveiled and Bones’s costume is…simply awesome. “The Knight on the Grid” is a taut thriller as the Gormagon killer returns, this time with a personal vendetta against Bones and Booth. And “The Santa in the Slush” is a standout sentimental episode and provides one of the best moments in the series as Bones cuts a deal to have Christmas brought to her incarcerated father and brother. Cool ending, too. “The Baby in the Bough” has Bones forced to babysit an infant involved with a case (you see the potential, right?). Meanwhile, “The Wannabe in the Weeds” (in which Zach and Bones both sing) and “The Pain in the Heart” are striking for their ability to stun the audience, even if the latter episode definitely had a rushed feeling to it. I feel that the after-effects of “The Wannabe in the Weeds” should’ve been developed further in “The Pain in the Heart.” In fact, “The Pain in the Heart” – which wraps up the Gormogon killer storyline and, by the way, will upset busloads of fans.David Boreanaz, Tamara Taylor, and T.J. Thyne in Bones (2005)The cases are still bizarre and the corpses borderline grotesque. But the draw remains Emily Deschanel and David Boreanaz, and that electric “thing” between them. These two still get aces in chemistry, and are still the smokingest hot couple on television. Emily Deschanel continues to nail her role of Temperance “Bones” Brennan. And while her character might’ve loosened up a little bit (not too much), there’s still that endearing naivette and vulnerability which peek out occasionally. And, of course, her refreshing bluntness (some call it social awkwardness) has never left. Boreanaz, he’s just a great leading man. Confident and charming, bristling with machismo, yet with a sensitive side. His unveiling of his Christmas present to Bones in “The Santa in the Slush” is one of the best, most touching scenes of the season.

 

REVIEW: RUNNING SCARED

 

CAST

Paul Walker (Hours)
Cameron Bright (Juno)
Vera Farmiga (Bates Motel)
Chazz Palminteri (Analyze This)
Karel Roden (Hellboy)
Johnny Messner (Tears of The Sun)
Ivana Milicevic (Vanilla Sky)
Michael Cudlitz (The Walking Dead)
Elizabeth Mitchell (V)
John Noble (Sleepy Hollow)
Arthur J. Nascarella (Billions)

MV5BMTM0MzU1NjI0OF5BMl5BanBnXkFtZTcwNTI4NjU0NA@@._V1_SY1000_CR0,0,1539,1000_AL_Joey (Paul Walker) is a small-time mobster hired to dispose of ‘hot’ guns for his bosses. One of these weapons (with particular value over all the others) falls into the hands of his son’s best friend and is used to startling effect. Here is where the real fun starts. Joey can find neither the child nor the weapon in question, and he has only 18 hours before either the police, the Russian mafia or his own employers catch up with him.

Walker is surprisingly impressive, here he plays Joey as someone well aware of his impending death should he fail, and throughout he is totally watchable and believable. The story occasionally flags, particularly in the middle of the film, but Kramer is not afraid to play with the camera-work to keep the audience’s attention – whip-pans, CSI-style extreme close-ups, super slow-motion, sepia filters and colour bleaching are all used to give the film a gritty and somewhat unique look.MV5BMTYwOTY4OTY3Ml5BMl5BanBnXkFtZTcwNzI4NjU0NA@@._V1_SY1000_CR0,0,1539,1000_AL_The film’s charcoal-dark tone may be too relentless for some viewers, and the paedophilia subplot could be considered as taking things one step too far, but as long as you’ve got a strong stomach and can face hearing lashings of creative swearing, there’s a lot of enjoyment to be found here.