REVIEW: JUMPER

CAST

Hayden Christensen (Star Wars)
Rachel Bilson (Chuck)
Samuel L. JAckson (Avengers Assemble)
Max Thieriot (Bates Motel)
AnnaSophia Robb (The Reaping)
Jamie Bell (Fantastic Four)
Diane Lane (Man of Steel)
Teddy Dunn (Veronica Mars)
Michael Rooker (Guardians of The Galaxy)
Kristen Stewart (Twilight)
Shawn Roberts (Resident Afterlife)

In Ann Arbor, Michigan, 15-year-old David Rice (Max Thieriot) gives his crush, Millie Harris (AnnaSophia Robb), a snow globe. A bully, Mark Kobold (Jesse James), throws it onto a frozen river. While trying to retrieve it, David falls through the ice and is pulled away by the current. He suddenly finds himself in the local library and discovers his ability to “jump” from one place to another. Amazed with his new ability, he leaves his abusive father (Michael Rooker) and runs away from home.

Eight years later, an adult David (Hayden Christensen) lives lavishly on stolen money. One day, he is ambushed in his home by Roland Cox (Samuel L. Jackson), a member of the Paladins, a group of religious extremists who have been tracking down and killing “Jumpers”. Their reasoning is that Jumpers’ alleged omnipresence is considered blasphemous. Roland tries to capture David with electric cables designed to nullify his ability, but David escapes. He returns to Ann Arbor, seeking his old crush Millie (Rachel Bilson). When Mark (Teddy Dunn) attacks him, David teleports him into a bank vault and leaves him there. David then returns to Millie and invites her on a trip to Rome. Roland later discovers Mark in police custody and learns David’s identity.In Rome, David and Millie grow closer, though he keeps his ability a secret. They visit the Colosseum, where David meets Griffin (Jamie Bell), another Jumper. A group of Paladins appear, and Griffin casually kills them, then jumps away. David tries to leave with Millie, but he’s detained by Italian police and questioned about the deaths. David’s mother, Mary (Diane Lane), who had left him when he was five, appears and helps him escape. She urges him to leave Rome with Millie, to protect her. Millie, upset and afraid when David tries to skirt around the issue, demands to know the truth. David declines and puts her on a plane home.David runs into Griffin again, and follows him to his hideout in a cave. Griffin reveals that he has been trailing and killing Paladins for years and plans to kill Roland to avenge his parents. David sees Mary’s photo on the wall and realizes she is also a Paladin. Griffin tells David that the Paladins will target his loved ones to draw him out. David teleports home and finds his father lying bleeding. He gets his father to a hospital and returns to Griffin to ask for help. Realizing Roland is personally hunting David, Griffin agrees.

They go to pick Millie up at the airport, but she is no longer there. Griffin returns to his hideout to get weapons. David breaks into Millie’s apartment, angering her. Seeing Roland arriving, David decides to reveal the truth to her. He teleports her to Griffin’s hideout. Using a machine that keeps David’s “jump scar” open, the Paladins, including Roland, invade the hideout. David and Griffin subdue most of them. Roland is chased back through the jump scar, but he manages to snatch Millie with him. He sets up a trap in Millie’s apartment, expecting David to come back for her.

Obsessed with killing Roland, Griffin plans to bomb the apartment; but David objects, wanting to save Millie. They fight and David traps Griffin with power lines in Chechnya. Ignoring Griffin’s warning, David jumps to Millie’s apartment and is quickly trapped by Roland’s cables. The cables “link” him to the apartment, making him unable to jump away alone. Mustering his strength, David teleports the apartment and everyone inside to a river. Once free of the cables, David teleports Millie to safety and dumps Roland in a cave in the Grand Canyon. He leaves Roland there, explaining that not all Jumpers are a threat to be destroyed.David visits his mother and discovers his half-sister, Sophie (Kristen Stewart). Mary tells David that when he was five, he made his jump. She is a Paladin and had to either kill David or leave. After leaving her house, David meets with Millie outside, and they jump to an unknown location.

I saw this film last night, and i must say i was pleasantly surprised, it’s a decent popcorn type movie where you don’t have to think too much.

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REVIEW: BATES MOTEL – SEASON 4

CAST

Vera Farmiga (The Conjuring)
Freddie Highmore (Finding Neverland)
Max Thieriot (House at The End of The Street)
Olivia Cooke (Ouija)
Nestor Carbonell (Lost)

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RECURRING / NOTABLE GUEST CAST

Damon Gupton (Whiplash)
Jaime Ray Newman (Veronica Mars)
Andrew Howard (Agents of Shield)
Terence Kelly  (The Beachcombers)
Ryan Hurst (Taken)
Aliyah O’Brien (Smallville)
Kevin Rahm (Nightcrawler)
Alessandro Juliani (BAttlestar Galactica)
Kenny Johsnon (Cold Case)
Lindsey Ginter (Lost)
Carmen Moore (Artic Air)
Jay Brazeau (highlander: The Series)
Molly Price (Third Watch)
Karina Logue (Scream: The Series)
Louis Ferreira (Stargate Universe)
Keenan Tracey (The Hunters)
Anna Hagan (Highlander: The Series)

Image result for BATES MOTEL Goodnight, MotherBates Motel’s best and most tragic season to date zeroed in on Norman’s mental maladies while also bringing Sheriff Romero into the family fold. Also, gone was the idea of the “local bad guy of the season” and in its place was a much more focused, emotional story of a young man with dangerous problems and a mother incapable of seeing beyond her co-dependency.Image result for BATES MOTEL Til Death Do You PartIn fact, not many threads remain un-snipped as we now head into the show’s final bow. Romero will most certainly have an axe to grind with Norman. And Dylan and Emma could easily be brought back into the story somehow. Their arc represented a shred of happiness this season so it’s only fitting that they return to the darkness as all will most likely end badly for those who aren’t Norman. The way this season ended, given the final two episodes, it wouldn’t be that much of a stretch to just jump ahead to the Hitchcock movie. The daring move was made to kill of Norma in the penultimate episode, leaving Norman alone in a house full of illusions. A snow globe that he’s now made for himself, and one that he’ll probably protect vehemently and violently. And so aside from all the characters who still remain on the show, who could come knocking on Norman’s door, he’s set. He’s the younger version of the character we’ve come to know as a horror icon. All that’s left is a little spring cleaning.Image result for bates motel unfaithfulWhich might easily make this season the most effective and dramatic of the bunch. Not just given the fact that Norma got killed off, but because Norman himself was also ready to die. He’d reached a savage impasse. He’d first blamed his mother for his own crimes but then came to realize, truthfully, that he didn’t know himself at all. And was perhaps responsible. He never came to a hard answer, but the ambiguity was enough to bring him to a dark place where he thought the both of them dying would be a good thing.Image result for bates motel FOREVERFor the first time too, Nestor Carbonell’s Romero felt like a vital part of the story and not someone who wandered around giving Norma the side-eye. And the quick, honest relationship he had with Norma this year (which began as a marriage of convenience – and guilt) was a nice surprise. A flickering pause of happiness for Norma while Norman was off at Pineview. Albeit briefly, she was allowed to be in a bubble with someone else. All while Norman got better at both manipulating and resenting.Image result for bates motel FOREVERBates Motel’s haunting and focused fourth season brought Norman to an extreme breaking point. One that unexpectedly cost him dearly as a huge character exited the show before we expected. This was the year that Norman both realized that he was dangerously unstable and realized that he preferred to ignore that fact and live in a delusional world of his own mad design. There are those out there who can still call Norman’s actions into question, but for now this is the man who will believably grow into Norman Bates from the classic horror franchise.

REVIEW: HOUSE AT THE END OF THE STREET

CAST
Jennifer Lawrence (The Hunger Games)
Elisabeth Shue (Hollow Man)
Max Thierot (Bates Motel)
Gil Bellows (Smallville)
Eva Link (American Descent)
Nolan Gerard Funk (X-Men 2)
Krista Bridges (Narc)
A young, psychotic girl murders her parents with a hammer in the middle of a stormy night.
Four years later, a newly divorced woman, medical doctor Sarah Cassidy (Elisabeth Shue), and her 17-year-old daughter Elissa (Jennifer Lawrence) move to a small upscale town. Their house is near the house where the massacred family lived. As told by the neighbors, four years prior a young girl named Carrie Anne Jacobson killed her parents, then fled into the forest and was never seen again, leaving her brother Ryan (Max Thieriot) as the sole survivor. Ryan now lives alone and is hated by his neighbors; Bill Weaver (Gil Bellows), a local police officer, appears to be Ryan’s only supporter.
The mother-daughter relationship becomes rocky and Elissa starts dating Ryan against her mother’s wishes, finding Ryan to be lonely but a sweet boy. Ryan confides in her that he accidentally injured Carrie Anne by allowing her to fall from a swing when they were little; he was supposed to be watching her while their parents were getting high on drugs. The resulting brain damage from the accident made her extremely aggressive, leading to their parents’ murder. It is revealed that Ryan has secretly been taking care of a seemingly now-grown Carrie Anne (Eva Link) in a hidden room. When Carrie Anne escapes, Ryan accidentally kills her while trying to hide her. In grief, he goes to the diner, where he meets a kind waitress named Peggy (Jordan Hayes).
Later, some unruly high school boys pick a fight with Ryan and he flees, Elissa drives to his house and subdues a fire the boys started. She finds tampons in the kitchen garbage and suspiciously explores the house until she finds the secret room and is attacked by Carrie Anne, who is revealed to actually be Peggy. Ryan restrains “Carrie Anne” while frantically screaming at Elissa to leave. Elissa finds blue contact lenses and Peggy Jones’s wallet in the kitchen. It is revealed that Ryan has kidnapped the waitress and attempted to make her look like Carrie Anne. When Elissa tries to leave, Ryan knocks her out with chloroform.
Elissa wakes to find herself tightly tied to a chair. Ryan reveals that Carrie Anne actually died during the swing accident. He says his parents punished him for it and implies that he was the one that killed them. He explains that he wants Elissa, but needs Carrie Anne and cannot have both. Officer Weaver goes to Ryan’s house to look for Elissa but Ryan stabs him to death. Elissa frees herself and tries to escape but Ryan subdues her and traps her in his car trunk with Peggy’s body. Sarah arrives and is also stabbed by Ryan. Elissa struggles out and ultimately shoots Ryan with Weaver’s gun. When she approaches him, he suddenly wakes up and grabs her wrist. When Ryan attempts to stab Elissa with the knife, Sarah strikes him in the head with the hammer. Elissa and Sarah move out; Ryan is placed in a psychiatric ward. A flashback shows young Ryan about to blow out birthday candles. His mother calls him “Carrie Anne” and when Ryan protests that his name is Ryan, not Carrie Anne, she slaps him violently; it is revealed that his parents forced him to dress and act like Carrie Anne after she died and most likely abused Ryan when he refused to go along with their fantasy, thus setting Ryan on his troubled path.
The plot was not what I was expecting it to be at all. I was expecting this to be a straight up horror film but it is really more of a thriller with jumpy parts more than anything else. There are so many twists and turns in the plot that I didn’t see most of them until the moment they happened. I loved how much this film surprised me in the way of the plot. There are exciting parts, strange and mysterious parts and also some really creepy bits all mixed in together.While House At The End Of The Street was not at all what I thought it was going to be, I loved every minute of it.

REVIEW: BATES MOTEL – SEASON 1-3

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CAST

Vera Farmiga (The Conjuring)
Freddie Highmore (Finding Neverland)
Max Thieriot (House at The End of The Street)
Olivia Cooke (Ouija)
Nicola Peltz (Trasformers 4)
Nestor Carbonell (Lost)
Kenny Johnson (Cold Case)
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RECURRING / NOTABLE GUEST CAST

W. Earl Brown (Deadwood)
Keegan Connor Tracy (Final Destination 2)
Mike Vogel (Cloverfield)
Terry Chen (Almost Famous)
Vincent Gale (Battlestar Galactica)
Brittney Wilson (Rogue)
Peter Bryant (Dark Angel)
Ian Hart (Michael Collins)
Aliyah O’Brien (If I Stay)
Ian Tracey (Sanctuary)
Jere Burns (Justified)
Ben Cotton (Stargate: Atlantis)
Hiro Kanagawa (Heroes Reborn)
Alexander Calvert (Arrow)
Keenan Tracey (Rags)
Michael O’Neill (Sebiscuit)
Rebecca Creskoff (Quintuplets)
Michael Eklund (Watchmen)
Brendan Fletcher (Smallville)
Paloma Kwiatkowski (Perry Jackson)
Martin Cummins (Dark Angel)
Michael Vartan (Alias)
Andrew Airlie (Final Destination 2)
Agam Darshi (Sanctuary)
Kathleen Robertson (Hollywoodland)
Tracy Spiridakos (Revolution)
Kevin Rahm (Mad Men)
Ryan Hurst (Saving Private Ryan)
Joshua Leonard (The Blair Witch Project)
Peter Stebbings (Never Cry Werewolf)
Tom McBeath (Stargate SG.1)

If Alfred Hitchcock were alive today, I’ve got a feeling he’d enjoy Bates Motel. This kinda-sorta prequel re-imagines the story of Norman Bates, his equally unbalanced mom Norma and their relationship at the business that bears their name, mixing the ordinary and the bizarre with unpredictable, broad strokes in a more modern setting. Hitchcock always intended his classic film as a pitch-black comedy…and from that perspective, Bates Motel shares a few similarities beyond its central characters and the all-too-familiar motel grounds.Filmed in British Columbia, the show’s foggy appearance and small-town backdrop will immediately remind viewers of landmark shows like Twin Peaks and The X-Files. It feels like a perfect fit, reminding us that we’re either in the midst of trouble…or it’s just around the corner. More often than not, however, Bates Motel is just as much “comedy” as it is “pitch-black”, piling on mountains of over-the-top absurdity that, for unknown reasons, feels kinda normal within the series’ unusual boundaries. As a total package, this is compulsively watchable, suspenseful, goofy, dramatic and, above all else, unpredictable television.Such unpredictability can be a massive gamble…but much like Psycho (and by extension, Robert Bloch’s original novel), Bates Motel has been designed to keep its audience perpetually off-balance. At the same time, there’s a constant cloud of guilt, paranoia and dread floating above this season, magnified by the unpredictable behavior of Norman (Freddy Highmore) and his mother Norma (Vera Farmiga) in the face of several horrifying events: one leads them to White Pines Bay, and the others happen after they arrive. The immediate and focused suspicion of watchful sheriff Alex Romero (Nestor Carbonell) makes us wonder if he’s just extremely good at what he does…or if, in fact, he’s secretly pulling the strings. As the initial story arc gradually shifts midway through this first season, lies multiply, layers of mystery keep us interested in this small town and, eventually, we realize that just about everyone’s a villain here.

This first season of Bates Motel includes ten episodes and several new characters, from Dylan Bates (Norman’s rebellious half-brother, played by Max Thieriot) to the amusingly named junior detective Emma Decody (Olivia Cooke) and popular student Bradley Martin (Nicola Peltz), who is substantially more feminine than her name implies. The casting and performances are universally excellent, especially our unpredictable leads and the countless scenes they have with each other and outsiders. Vera Farmiga is especially impressive from start to finish, consistently stealing her scenes with reckless abandon and deliciously black humor. It’s just one more reason why Bates Motel is more than the sum of its parts.

Season Two expands on these characters and, not surprisingly, adds in a few more for good measure; it makes Bates Motel feel more complex without being overcrowded. Standouts include Caleb (Kenny Johnson, The Shield), Norma’s estranged brother; Zane Morgan (Michael Eklund), the new drug kingpin whose hot-blooded personality leads to an all-out war; Jodi Wilson (Kathleen Robertson), Zane’s sister and the real mastermind of the operation; Christine Heldens (Rebecca Creskoff), an exhausting social butterfly who takes Norma under her wing; George Heldens (Michael Vartan, Alias), Christine’s brother and a potential love interest for Norma; Nick Ford (Michael O’Neill), a “friend” of the Heldens’ with deep political connections; and Cody Brennen (Paloma Kwiatkowski), a rebellious girl who helps Norman come out of his shell, for better or worse. What’s more is that, despite their shared running time with Bates Motel’s established cast, there are very few lags during this ten-episode season. Even Emma Decody, who felt like an afterthought during the first year—and Season Two’s first half, especially—is given more to do in later episodes, and she’s all the better for it.

On the whole, then, this character-driven season path gives Bates Motel even more potential for future seasons. Much like NBC’s Hannibal, this series builds on an established franchise successfully and, as a result, plays out much better than expected. Production values are high, giving Bates Motel a potent, effective atmosphere from start to finish.

Soon after the events of the second season, Norman Bates (Freddie Highmore) begins his senior year at school. He experiences hallucinations there, so his mother, Norma Louise (Vera Farmiga), decides to homeschool him. After Norma’s mother dies, her brother Caleb (Kenny Johnson) returns to town, seeking to bond with Dylan (Max Thieriot). Norman takes a liking to new guest, Annika Johnson (Tracy Spiridakos), but she later goes missing. When searching Annika’s motel room, Norma finds an invitation to a gentlemen’s club. She infiltrates the club, but Sheriff Romero (Nestor Carbonell) catches her and promises to look for Annika. Romero later asks Norma to identify a woman’s body, and she is relieved that it is not Annika.

Romero meets with Bob Paris (Kevin Rahm), who runs the gentlemen’s club, to get information about Annika. Norma meets psychology professor James Finnigan (Joshua Leonard), who offers her his assistance. Norman has a blackout and submerges himself in a bathtub, hoping to recall whether he had anything to do with Annika’s disappearance. Norma saves him from drowning, then goes to lock up the motel. Annika arrives with a gunshot wound, gives Norma a USB flash drive, and dies. Norma is determined to access the password protected flash drive, and asks Dylan to help decrypt it. Norman follows Dylan to his cabin one night, discovering Caleb. He threatens to tell their mother, but Dylan begs him not to spoil the good relationship he has been building with her. Bob ransacks the motel office in search of the USB drive. Later, a man runs Norma off the road and tells her to give Bob the flash drive. Dylan insists that Norma should give the USB to Romero. Norman becomes confused over recent events, thinking he has already told Norma about Caleb when he hasn’t. Romero meets with Bob again, who admits he wants the flash drive back but won’t reveal its contents. Dylan’s friend Gunner (Keenan Tracey) decrypts the USB, finding a financial ledger inside from the town’s illegal drug trade.Bob agrees to a motel billboard near the bypass in exchange for the USB. When Norma is told of Caleb’s return, she packs a suitcase and storms out. Arriving in Portland, she buys a new outfit, trades her car, and ends up at James’ house, where she confesses that Norman killed his father during one of his blackouts. Dylan struggles with Norman’s separation anxiety, which includes an episode where Norman assumes Norma’s personality and wears her robe. Romero is shot and hospitalized; Marcus Young (Adetomiwa Edun) visits and tells him that his time as sheriff is nearing an end. Romero follows Marcus to the parking garage and kills him. Norma realizes that she is still a mother and returns home. She honors her sons’ wishes to meet with Caleb, who breaks down and apologizes upon seeing her.

Dylan grows closer to Emma (Olivia Cooke), learning from her father that she is a lot sicker than she lets on. Romero discovers his mother’s name on the ledger and confrontations his father in jail. His father used his mother’s name in order to get drugs into the prison. After being attacked by Norman, James tells Norma that he needs help. Norma cooks a family dinner in order to get closer to Norman. She invites Caleb, whose presence angers Norman, and Dylan invites Emma. Bob abducts and tortures James to get information about Norma. He then tells Romero about Norma’s relationship with James, and that Norman killed his father. Romero ends his friendship with Norma when she maintains that her husband died in an accident.

James tells Norma that he told Bob everything, and skips town. Dylan takes a risky job in order to gain money for Emma’s lung transplant. Following a blackout, Norman discovers Bradley (Nicola Peltz) has returned to town. After finding out that her mother has quickly recovered after her “death”, Bradley initiates sex with Norman, but he envisions Norma there and leaves. Norma tells Bob she’ll give him the flash drive, but he states that she has nothing left to bargain with. Desperate, Norma ransacks Romero’s house to find the USB, only to learn from Romero that the DEA is investigating it. Their heated argument hinges on her stating the truth about her husband’s death. She ultimately says that they both know who killed him.

Before Caleb leaves town again, he tells Norma about Norman assuming her personality and attacking him. Dylan gives Emma’s father the money for her lung transplant, but later gets a call from him saying that Emma has disappeared. Dylan finds her, and she informs him of her fears about the surgery; the two then kiss. Romero calls Bob to warn him of his impending arrest. Bob goes to the marina and finds Romero there, who shoots him dead. Norman plans to leave town with Bradley and argues with his mother about his mental state. She knocks Norman unconscious and drags him to the basement. Norman escapes and runs off with Bradley. In Norma’s persona, he pulls Bradley out of the car and kills her. He then rolls the car into the bay, as he and his “mother” watch it submerge.Image result for bates motel UnconsciousI really loved all the seasons! this season is even better and more intense! Norman and Norma just keep getting better! The reunion with Norma’s brother was seriously touching! The hooker was great! Norman’s expressions get really psycho looking! Just such great, great acting! It is so much fun! It is funny, yet, disturbing and all at once!! This show is just phenomenal.