REVIEW: SPIDER-MAN: HOMECOMING

CAST

Tom Holland  (How I Live Now)
Michael Keaton (Batman)
Jon Favreau (Swingers)
Zendaya (The greatest Snowman)
Donald Glover (The Martian)
Tyne Daly (Mothers and Sons)
Marisa Tomei (The Wrestler)
Robert Downey Jr. (Iron Man)
Gwyneth Paltrow (Shallow Hal)
Kerry Condon (Better Call Saul)
Chris Evans (Captain Ameirca: The First Avenger)
Jacob Batalon (Every Day)
Michael Chernus (The Bourne Legacy)
Laura Harrier (The Last Five years)
Tony Revolori (The Perfect Game)
Garcelle Beauvais (White House Down)
Jennifer Connelly (Inkheart)
Hemky Madera (The Lost City)
Michael Mando (Orphan Black)
Kenenth Choi (The Last Man on Earth)
Hannibal Buress (Baywatch)
Martin Starr (Adventureland)
Stan Lee (The Avengers)

Following the Battle of New York, Adrian Toomes and his salvage company are contracted to clean up the city, but their operation is taken over by the Department of Damage Control (D.O.D.C.), a partnership between Tony Stark and the U.S. government. Enraged at being driven out of business, Toomes persuades his employees to keep the Chitauri technology they have already scavenged and use it to create and sell advanced weapons. Eight years later, Peter Parker is drafted into the Avengers by Stark to help with an internal dispute, but resumes his studies at the Midtown School of Science and Technology when Stark tells him he is not yet ready to become a full Avenger.Parker quits his school’s academic decathlon team to spend more time focusing on his crime-fighting activities as Spider-Man. One night, after preventing criminals from robbing an ATM with their advanced weapons from Toomes, Parker returns to his Queens apartment where his best friend Ned discovers his secret identity. On another night, Parker comes across Toomes’ associates Jackson Brice / Shocker and Herman Schultz selling weapons to local criminal Aaron Davis. Parker nearly drowns intervening, and is rescued by Stark, who is monitoring the Spider-Man suit he gave Parker and warns him against involvement with the dangerous criminals. Toomes accidentally kills Brice with one of their weapons, and Schultz becomes the new Shocker.Parker and Ned study a weapon left behind by Brice, removing its power core. When a tracking device on Schultz leads to Maryland, Parker rejoins the decathlon team and accompanies them to Washington, D.C. for their national tournament. Ned and Parker disable the tracker Stark implanted in the Spider-Man suit, and unlock its advanced features. Parker tries to stop Toomes from stealing weapons from a D.O.D.C. truck, but is overpowered and trapped inside the truck, causing him to miss the decathlon tournament. When he discovers that the power core is an unstable Chitauri grenade, Parker races to the Washington Monument where the core explodes and traps Ned and their friends in an elevator. Evading local authorities, Parker saves his friends, including his fellow classmate and crush Liz. Returning to New York City, Parker persuades Davis to reveal Toomes’ whereabouts. Aboard the Staten Island Ferry, Parker captures Toomes’ new buyer Mac Gargan, but Toomes escapes and a malfunctioning weapon tears the ferry in half. Stark helps Parker save the passengers before admonishing him for his recklessness and taking away his suit.Parker returns to his high school life, and eventually asks Liz to go to the homecoming dance with him. On the night of the dance, Parker learns that Liz is Toomes’ daughter. Deducing Parker’s secret identity, Toomes threatens retaliation if he interferes with his plans. During the dance, Parker realizes Toomes is planning to hijack a D.O.D.C. plane transporting weapons from Avengers Tower to the team’s new headquarters. He dons his old homemade Spider-Man suit and races to Toomes’ lair. He is first ambushed by Schultz, but defeats him with the help of Ned. At the lair, Toomes destroys the building’s support beams and leaves Parker to die. Parker escapes the rubble and intercepts the plane, steering it to crash on the beach near Coney Island. He and Toomes engage in an open confrontation that ends with Parker saving Toomes’ life from his own unstable equipment, and leaving him for the police along with the plane’s cargo. After her father’s arrest, Liz moves away, and Parker declines an invitation from Stark to join the Avengers full time. Stark returns Parker’s suit, which he puts on at his apartment just as his Aunt May walks in. In a mid-credits scene, an incarcerated Gargan approaches Toomes in prison. Gargan has heard that Toomes knows Spider-Man’s real identity, but Toomes denies this.Spider-Man is literally the most loved Marvel hero of all time! At last, this reboot perfectly captured the balance between Peter Parker and Spider-Man in the comics! Peter’s awkward nature in high school and his attempts at being a cool superhero are both relatable and funny. Tom Holland played a good Peter Parker with the nerdy, awkward way and he manifested one of Spider-Man’s significant traits: his sense of humor. The movie is full of Easter eggs and references to the comics, the previous Spidey movies, and the MCU as a whole. Not only does this movie look really good, but the villain (Vulture) looks menacing as a great villain should

 

 

 

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REVIEW: THE PUNISHER – SEASON 1

MAIN CAST

Jon Bernthal (World Trade Center)
Ben Barnes (Westworld)
Ebon Moss-Bachrach (Suburban Girl)
Amber Rose Revah (Indian Summers)
Deborah Ann Woll (Daredevil)
Daniel Webber (11.22.63)
Paul Schulze (Zodiac)
Jaime Ray Newman (Bates Motel)
Michael Nathanson (The Wolf of Wall Street)
C. Thomas Howell (The Amazing Spider-Man)

RECURRING / NOTABLE GUEST STAR

Shohreh Aghdashloo (Star Trek Beyond)
Geoffrey Cantor (The Tick)
Clancy Brown (Highlander)
Mary Elizabeth Mastrantonio (Limitless TV)
Rob Morgan (Starnger Things)
Kelli Barrett (Mr. Popper’s Penguins)
Tony Plana (Ugly Betty)#
Ripley Sobo (Batman V Superman)
Tim Guinee (Iron Man)
Jason R. Moore (The Sorcerer’s Apprentice)
Nicolette Pierini (Annie)

The Punisher begins with Frank Castle believing he has completed his mission for revenge against the mobsters who killed his family and hanging up his skull-adorned costume. Six months later everybody thinks Frank Castle is dead and, having grown a hipster beard, he’s taken a new name and landed a job on a construction crew where even though more modern equipment is available, he’s able to take a sledgehammer to concrete walls. Frank is about to discover that he did a lot of punishing for nothing, or at least that his punishing was only partial, because it turns out that the death of his family relates to his black ops military service in Afghanistan and he’s going to have to start punishing again. This time, he has an ally in a former NSA analyst Micro, whose family thinks that he’s dead, too. Frank, who works better alone, finds himself in an unlikely partnership and almost a friendship. Castle has to reconnect with former brothers-in-arms Curtis (Jason R. Moore), now working to support soldiers suffering from PTSD, and Billy Russo (Ben Barnes), now the slick head of a private security concern. Meanwhile, the bad stuff that happened in Kandahar has attracted the attention of Homeland Security agent Dinah Madani, a child of Iranian refugees. Also involved, and providing links to the larger Marvel Cinematic Universe, is Daredevil regular Karen Page, whose status as compassionate, frequently endangered Marvel TV sidekick/innocent bystander remains intact.The Punisher was a gritty, great start for the character. It helped build the character’s past while presenting a self-contained and intriguing story. There are some definite current modern themes explored and it feels very different from anything on the Marvel Netflix side of things in the past. It was nice to see a character in this series once again take pain and have many potentially fatal situations.  I enjoyed watching the season, fans of the character will find this captured the anti-hero very well though some may feel it’s rather slow to get going. Once it does all move quickly and things are all well developed it doesn’t hold back on the action or tension. The Punisher is a solid character so it’s nice to see a full season actually deliver on what potential there is for this badass within the universe.

REVIEW: INHUMANS: THE COMPLETE SERIES

MAIN CAST

Anson Mount (Safe)
Serinda Swan (Smallville)
Ken Leung (Lost)
Eme Ikwuakor (Ink)
Isabelle Cornish (Homeand Away)
Ellen Woglom (April Showers)
Iwan Rheon (Game of Thrones)

RECURRING / NOTABLE GUEST CAST

Mike Moh (Street Fighter: Assassin’s fist)
Sonya Balmores (Soul Surfer)
Henry Ian Cusick (Lost)
Jamie Gray Hyder (Voltron: Legendary Defender)
Chad Buchanan (Star)
Liv Hewson (Santa Clarita Diet)
Nicola Peltz (Bates Motel)
Marco Rodríguez (Nightcrawler)
Tom Wright (Creepshow 2)
Krista Alvarez (Wawaii Five-O)
Bridger Zadina  (Bosch)

… And Finally: Inhumans is done. Not officially, mind you — there’s always a chance that this sucker will scrape through to renewal somehow, so until you see a headline confirming its cancellation, assume nothing. Still, whether Marvel’s underwhelming series gets a second go-round or not, the series we saw at the end of September is done for. No more moon city. No more quiet room. No more magic wall face. No more minimalist, uncomfortable throne, at least until it’s revealed what the squiggly blue letters mean. That reveal will never come, because seriously, Inhumans is probably done.It’s tempting to dive into this review by cataloguing the miscalculations, wrongs turns, and missed opportunities that have plagued Inhumans since the beginning. It’s a total buffet of bad judgment, with options ranging from ‘takes the entire premise far too seriously’ to ‘spends too little time with the giant teleporting dog,’ but a roster of missteps isn’t particularly useful or interesting. Still, there are chronic problems worth digging into, because the issues that have most troubled this series are the same ones that sink what was surely meant to be a gripping finale. As it turns out, when you don’t invest at all in your characters, their motivations, and the consequences of their actions, you wind up with a dismal, easily forgettable slog.Some of the failure in this area comes down to casting. The Inhumans ensemble isn’t uniformly bad — despite being given basically nothing of sense to do, Ken Leung, Iwan Rheon, Ellen Woglom, and a few others work their asses off to make a few individual moments work. It should also be said that even highly capable performers can’t do much when they’re desperately miscast. Still, there’s no getting around the fact that Anson Mount’s apparent inability to emotionally engage with the other actors, with the story, with the camera, and with the audience tanks pretty much any scene in which he plays a part. That’s been a problem from the get-go, but it’s a more significant issue here. It’s right there in the title: this is meant to be the Black Bolt variety hour, and yet it’s likely that the biggest response he’ll get will come courtesy of the moment he taps Maximus right over his heart, and said response will probably come in the form of a snort.Mount’s fighting an uphill battle no actor could possibly win. Viola Davis couldn’t make this stuff work. “… And Finally: Black Bolt” centers on a relationship in which the show has not invested, made up of two people the show has taken no time to develop. As the episode meanders toward the scenes meant to make up its climax, it drops information by the wayside, hoping a confession to a crime might help up the stakes. It seems to hope that time spent wandering empty hallways can trick an audience into suddenly caring about the fates of people about whom they know almost nothing. If Inhumans aims to make Maximus a sympathetic character, that ship has long since sailed. If it wants to give Black Bolt some kind of emotional journey, the point at which we’re all supposed to begin to care remains unclear. And if it thinks Black Bolt choosing to break his silence is a powerful moment, its writers should probably have done more to set that up than simply having an actor stay quiet for seven long episodes.The moment Black Bolt whispers “Goodbye, brother” falls flat for any number of reasons. As stated above, there’s no reason to care about the relationship between the two brothers, and that failing alone pretty much dooms the scene. But there’s more to it than that. In fiction, the destruction of one’s home is often symbolic, representing a loss of identity or links to the past, or signalling a future in which old wounds and baggage are left behind. That seems to fit, but because there’s no sense of what Black Bolt’s journey has been, how his perspective has changed or how his beliefs have shifted, there’s no reason to believe the crumbling of that building is anything more than an easy way to block some doors. He doesn’t want to kill his brother, but he’s willing to condemn him to a life that will be lived entirely alone uncase some creepy space invaders show up. That’s a choice that could make sense for the character, but even if it did, we’d have know way of knowing, because Black Bolt lacks any kind of internal life. He’s just a guy who’s a king, a man with a wife and his own sign language. That’s what we’ve got.That’s one example of many — “And Finally” treats the motivations of its characters with a similar level of disinterest throughout its too-long running time. Why does Medusa ask Louise for help, and what’s the help she needs? The answer to the former seems to be that Louise is the only human she knows; the answer to the latter is most likely something along the lines of “oh who cares, just write the scene.” Why does Karnak want to keep Gorgon alive, despite Gorgon’s obvious misery and lack of control? Because it’s better than than Gorgon being dead, one assumes, despite some evidence to the contrary — and the emotional effect of that evidence on Karnak is unclear. Why does Auran make any of the choices she makes here? Absolutely no idea. It’s not even all that clear what those actions are. Medusa smashes the crystal, because that seems dramatic. Maximus reveals his role in the death of his parents, because that was something on the episode checklist.What all this stuff — the lack of development, the unanswered questions, the unexplored ideas, the plot holes, the inexplicable choices — what all these things have in common is total lack of thoughtfulness. It’s there in the uneven effects and the inconsistent tone and the lack of any kind of cohesive written or visual story. It’s evident in the lack of planning that leads to casting Henry Ian Cusack, giving him almost nothing to do for eight episodes, then killing his character to solve a plot problem that doesn’t actually even matter because of other developments to come. It’s even clear in the relative lack of Lockjaw. Failing all else, one should at least try to make a finale entertaining. Even if Inhumans doesn’t give a damn about the people in “… And Finally: Black Bolt,” the show could at least have given half a damn about the dog.

REVIEW: GUARDIANS OF THE GALAXY VOL.2

CAST

Chris Pratt (Jurassic World)
Zoe Saldana (Avatar)
Dave Dautista (Riddick)
Vin Diesel (XXX)
Bradley Cooper (Ameircan Hustle)
Michael Rooker (Slither)
Karen Gillan (Oculus)
Pom Klementieff (Oldboy)
Elizabeth Debicki (The Man From U.N.C.L.E.)
Chris Sullivan (North Star)
Sean Gunn (Super)
Sylvester Stallone (Judge Dredd)
Kurt Russell (Big Toruble In Little China)
Laura Haddock (Transformers 5)
Gregg Henry (Jason Bourne)
Seth Green (Family Guy)
Michael Rosenbaum (Smallville)
Ving Rhames (Mission Impossible)
Michelle Yeoh (Star Trek Discovery)
Miley Cyrus (Hannah Montana)
Stan Lee (Avengers Assemble)
David Hasselhoff (Knight Rider)

In 2014, Peter Quill, Gamora, Drax, Rocket, and Baby Groot are renowned as the Guardians of the Galaxy. Ayesha, leader of the Sovereign race, has the Guardians protect valuable batteries from an inter-dimensional monster in exchange for Gamora’s estranged sister Nebula, who was caught attempting to steal the batteries. After Rocket steals some for himself, the Sovereign attacks the Guardians’ ship with a fleet of drones. The drones are destroyed by a mysterious figure, but the Guardians are forced to crash-land on a nearby planet. The figure reveals himself as Quill’s father, Ego. He invites Quill, who is accompanied by Gamora and Drax, to his home planet, while Rocket and Groot remain behind to repair the ship and guard Nebula.Meanwhile, Ayesha hires Yondu Udonta and his crew, who have been exiled from the greater Ravager community for child trafficking, to recapture the Guardians. They capture Rocket, but when Yondu shows reluctance to turn over Quill, his lieutenant Taserface leads a mutiny with help from Nebula. Taserface imprisons Rocket and Yondu aboard Yondu’s ship and executes his loyalists while Nebula leaves to track down and kill Gamora, whom she blames for all the torture inflicted on her by their father, Thanos. While imprisoned, Rocket and Yondu bond. Groot, together with Yondu’s loyalist Kraglin, frees Rocket and Yondu and they destroy the ship and its crew as they escape, though not before Taserface tips off the Sovereign fleet.Ego explains he is a god-like Celestial, an immortal consciousness that manipulated the matter around it to form the planet with itself at the core. Forming a human guise, he traveled the universe to escape his loneliness and discover a purpose, eventually falling in love with Quill’s mother Meredith. Ego hired Yondu to collect the young Quill after Meredith’s death, but the boy was never delivered and Ego had been searching for his son ever since. He teaches Quill to manipulate their Celestial power. Nebula arrives at Ego’s planet and tries to kill Gamora, but fails and the pair reach an uneasy alliance when they discover caverns filled with skeletal remains. Ego reveals to Quill that in his travels he planted seedlings upon thousands of worlds which can terraform them into new extensions of himself, but they can only be activated by the combined power of two Celestials. To that end, he impregnated countless women and hired Yondu to collect the children; Ego killed them all when they failed to access the Celestial power. Quill attacks Ego after Ego reveals that he deliberately caused Meredith’s death. Ego forcefully uses Quill to activate the seedlings, which begin to consume every world.Ego’s pet empath, Mantis, grows close to Drax and warns him, Gamora, and Nebula of Ego’s plan just as Rocket, Yondu, Groot, and Kraglin arrive. The reunited Guardians reach Ego’s brain at the planet’s core, and fight the Sovereign’s arriving drones. Rocket makes a bomb out of the stolen batteries that Groot plants on Ego’s brain, while Quill battles Ego with his newfound Celestial powers to allow the other Guardians to escape. The bomb explodes, killing Ego and causing the planet to disintegrate. Yondu sacrifices himself to save Quill, who now realizes Yondu did not deliver him to Ego in order to spare him from the fate of Ego’s other progeny, and that Yondu was Quill’s true “daddy”. Having reconciled with Gamora, Nebula still chooses to set out and attempt to kill Thanos. The Guardians hold a funeral for Yondu, which is attended by dozens of Ravager ships, acknowledging Yondu’s sacrifice and accepting him again as a Ravager.In a series of mid- and post-credit scenes, Kraglin takes up Yondu’s telekinetic arrow and control fin; Ravager leader Stakar Ogord, inspired by Yondu’s sacrifice, reunites with his ex-teammates; Groot starts growing back to normal size, exhibiting typical teenage behavior in the process; Ayesha creates a new artificial being with whom she plans to destroy the Guardians, naming him Adam; and a group of uninterested Watchers listen to their informant discussing several experiences on Earth.If you enjoyed the first volume, you would enjoy this one even better. I would recommend you to watch the first one before seeing this one to have a better understanding on the movie. Though I am pretty sure that most likely you would have seen it. I am confident that you will be entertained.

 

REVIEW: THE DEFENDERS

CAST

Charlie Cox (Stardust)
Krysten Ritter (Veronica Mars)
Mike Colter (Zero Dark thirty)
Finn Jones (Game of Thrones)
Élodie Yung (Gods of Egypt)
Sigourney Weaver (Avatar)
Rachael Taylor (The Loft)
Eka Darville (Power Rangers RPM)
Elden Henson (The Hunger Games: Mockingjay)
Deborah Ann Woll (Ruby Sparks)
Jessica Henwick (Game of Thrones)
Ramón Rodríguez (The Taking of Pelham 123)
Rosario Dawson (Sin City)
Scott Glenn (The Silence of The Lambs)
Simone Missick (K-Town)

RECURRING / NOTABLE GUEST CAST

Wai Ching Ho (Cadillac Man)
Carrie-Anne Moss (Chuck)
Peter McRobbie (16 Blocks)
Rob Morgan (Stranger Things)
Marko Zaror (Machete Kills)

 

The Defenders is Marvel’s best Netflix show, hands down.  While the crossover between Daredevil, Jessica Jones, Iron Fist, and Luke Cage can occasionally veer into a fragmented set of mini-episodes early on, the awesome foursome eventually unites to form a show greater than the sum of its parts. The street-level superheroes provide a fantastic eight-episode run with high stakes, a frenzied pace and, most importantly, effortless chemistry.Things don’t start off that way, though. The opening pair of episodes read almost as a greatest hits collection of each hero’s respective shows before the narrative eventually relents and shoehorns the plot in a comically convenient way for the four to come together. The lack of instant gratification can be grating, but this is easily relieved by the fun interaction between fan-favourites that leads up to the team-up. Misty Knight and Jessica Jones’ brief scenes are worth the price of admission alone and there are a few, shall we say interesting, crossovers you won’t see coming. Without giving too much away, a cataclysmic event is unleashed upon New York and The Defenders, each following their own leads, stumble into each other’s paths in the same building. And then things get good. Really, really good. Unsurprisingly, The Hand are the villains of the season and are led by Sigourney Weaver’s Alexandra. Her performance is tempered by an unidentified terminal illness which spurs her character on and at least drives her away from the realms of cartoonish MCU villain as  she has an actual character arc rather than the bland go there, be evil trope of prior bad guys. When the show does focus on The Defenders (and, in fairness, that’s 90% of the time) the show is a rollercoaster of wisecracks, quips and, yup, Jessica Jones’ side-eye. It’s glorious fun and, for my money, feels like a much bigger event than The Avengers ever was. There’s a spine-tingling moment, complete with an inspirational score bubbling up in the background, where the four heroes unite to take on a foe at the midway point which ranks as an all-time great Marvel moment.Yes, The Defenders run is short, but those thinking a mere eight episodes won’t cut it can have their fears put to rest. Coupled with Game of Thrones season 7’s clipped seven-episode run, it feels like we’re reaching a watershed point in television where shows don’t need to be chained to a long episode run anymore. Barely a second is wasted in The Defenders: Every quiet character moment is poignant and fleshes out something or someone; every action sequence leads to something bigger, better, and more shocking; and every one-liner and on-the-nose dig at Iron Fist will make you laugh. Nothing outstays its welcome.

 

 

 

 

 

REVIEW: IRON FIST – SEASON 1

MAIN CAST

Finn Jones (Game of Thrones)
Jessica Henwick (Star Wars: The Force Awakens)
Tom Pelphrey (Banshee)
Jessica Stroup (The Hills have Eyes 2)
Ramón Rodríguez (The Taking of Pelham 123)
Sacha Dhawan (The Last Train)
Rosario Dawson (Daredevil)
David Wenham (Lord of The Rings)

RECURRING / NOTABLE GUEST CAST

Wai Ching (Daredevil)
Carrie-Anne Moss (Jessica Jones)
Michael Maize (Power Rangers In Space)
Lewis Tan (The Hangover – Part III)
Hoon Lee (Teenage Mutant Ninja Turtles 2012)
Barrett Doss (The Pioneers)

Danny Rand returns to New York City after being missing for years, trying to reconnect with his past and his family legacy. He fights against the criminal element corrupting his world around him with his incredible kung-fu mastery and ability to summon the awesome power of the fiery Iron FistIron Fist was one of my most anticipated Netflix shows. After hearing the bad reviews, I got scared a little, and couldn’t wait to see the show for myself. And now, I dare to say that the critics are wrong, and most of the critics’ opinion aren’t justified. First of all, Danny Rand has always been a white character, who feels like an outcast after his parents’ death. He is trying to find his place, while trying to figure out who he is.He’s suffering from both a trauma and an identity crisis, not sure whether he should be Danny Rand or Iron Fist. He is trying to embrace his real self, while struggling a lot. The fact that a white man, an outsider has earned the title of Iron Fist is unprecedented both in the comics and in the show. This is why Danny is white, to show that he is different, he’s not your regular Asian guy, who does kung fu. Saying that Danny should have been Asian is foolish and racist. Not only Asians can learn kung fu, and everyone is able to harness their chi. It shows that several people can share the same beliefs and ideas, regardless of race, sex or ethnicity.Finn Jones does a wonderful job portraying the character, he is like the Danny Rand, I’ve been reading about for so many years. Sure, the story is slow paced sometimes, and Finn can go a little over the top, but is nothing bothering. With his boyish charm, dedication and skills, he makes you overlook the minor issues. But claiming that this show is a failure is ridiculous. It’s nicely built up, gets you hooked on, and shows you what it’s really like to handle a trauma. It doesn’t disappear miraculously, it’s always there, and Danny has to fight it all the time. Fight it and embrace it.https://images-na.ssl-images-amazon.com/images/M/MV5BNTJjNjJiMzAtNjBlYS00MmViLWFiMjktMmQ0ZTQwNTZjMWI4L2ltYWdlXkEyXkFqcGdeQXVyNjUwNzk3NDc@._V1_SY1000_CR0,0,1499,1000_AL_.jpgThis is why the show gets slow sometimes. After all, a guy, who was presumed dead for 15 years suddenly comes back and claims to have fought a dragon. Of course the issues won’t be solved within an hour. Besides Danny, you also care for the other characters, and their development is astonishing. Iron Fist is up there for me with Daredevil, even though, I enjoyed Daredevil somewhat more. All the critics, who jumped to conclusions after 6 episodes are fools.

REVIEW: DOCTOR STRANGE (2016)

 

CAST

Benedict Cumberbatch (Star Trek Into Darkness)
Chiwetel Ejiofor (Serenity)
Rachel McAdams (Sherlock Holmes)
Benedict Wong (The Martian)
Michael Stuhlbarg (Men In Black 3)
Benjamin Bratt (Traffic)
Scott Adkins (Zero Dark Thirty)
Mads Mikkelsen (Hannibal)
Tilda Swinton (Burn After Reading)
Chris Hemsworth (The Huntsman: Winter’s War)
Stan Lee (Chuck)
Amy Landecker (Dan In Real Life)

In Kathmandu, Nepal, the sorcerer Kaecilius and his zealots enter the secret compound Kamar-Taj and behead its librarian. From the ancient and mystical texts, they steal a ritual from a book belonging to the Ancient One, a sorcerer who has lived for an unknown time and taught all at Kamar-Taj, including Kaecilius, in the ways of the mystic arts. The Ancient One pursues the traitors, but Kaecilius escapes with the pages and some of his followers.In New York City, Stephen Strange, an acclaimed but arrogant neurosurgeon, loses the use of his hands in a car accident. Fellow surgeon and former lover Christine Palmer tries to help him move on, but Strange, firmly believing he can regain use of his hands, instead uses all his resources pursuing experimental surgeries in vain. After learning of Jonathan Pangborn, a paraplegic who mysteriously was able to walk again, Strange seeks him out, and is directed to Kamar-Taj. There, Strange is taken in by another sorcerer under the Ancient One, Mordo. The Ancient One shows Strange her power, revealing the astral plane and other dimensions such as the Mirror Dimension. Amazed, Strange begs her to teach him, and she eventually agrees despite his arrogance, which reminds her of Kaecilius.Strange begins his tutelage under the Ancient One and Mordo, and learns from the ancient books in the library, now presided over by the master Wong. Strange learns that Earth is protected from other dimensions by a spell formed from three buildings called Sanctums, found in New York City, London, and Hong Kong. The task of the sorcerers is to protect the Sanctums, though Pangborn chose to forgo this responsibility in favor of channelling mystical energy into walking again. Strange advances quickly over several months, even secretly reading from the text Kaecilius stole from and learning to bend time with the mystical Eye of Agamotto. Mordo and Wong warn Strange against breaking the laws of nature, comparing his arrogant yearning for power to that of Kaecilius, who believes, after the deaths of his loved ones, that everyone should have eternal life.Kaecilius and his followers use the stolen pages to begin summoning the powerful Dormammu of the Dark Dimension, where time does not exist and all can live forever. This destroys the London Sanctum, and sends Strange from Kamar-Taj to the New York Sanctum. The zealots then attack there, where Strange holds them off with the mystical Cloak of Levitation until Mordo and the Ancient One arrive. Strange and Mordo become disillusioned with the Ancient One after Kaecilius reveals that her long life has come from her own use of Dormammu’s power. Kaecilius mortally wounds the Ancient One, and escapes to Hong Kong. The Ancient One tells Strange that he, too, will have to break the rules, to balance Mordo’s steadfast nature. She then dies, despite the best efforts of Strange and a bewildered Palmer. Strange and Mordo arrive in Hong Kong to find Wong dead and the Sanctum destroyed, with the Dark Dimension already engulfing Earth. Strange uses the Eye to turn back time and save Wong, before creating an infinite time loop inside the Dark Dimension that traps himself and Dormammu in the same moment forever. After killing Strange many times to no avail, Dormammu reluctantly agrees to leave Earth if Strange undoes the time loop, taking Kaecilius and the zealots with him.Disgusted by Strange and the Ancient One’s disregard for the consequences of defying nature, Mordo departs. Strange returns the Eye, which Wong calls an Infinity Stone, to Kamar-Taj, and then takes up residence in the New York Sanctum to continue his studies. In a mid-credits scene, Strange decides to help Thor, who has brought his brother Loki to Earth to search for their father Odin. In a post-credits scene, Mordo confronts Pangborn and takes the energy he uses to walk, stating that Earth has “too many sorcerers”.The Marvel Cinematic Universe shines again with manipulative sorcery and cognitive storytelling as this may be the strangest addition but still delivers some kick-ass entertainment.